#I'm not really interesting so sorry

[phantom-shell]

Okay, Ford. Okay.

[sebille]

Oh the little change in his expression

[royalarchivist]

Phil: I can fetch you cheese, hold on, lemme just say this before I go– and it definitely will not annoy you at all– what if you guys went on a date together flying through the sky?

Pac: Wow, that would be magical! Do you think I can manage to do something to make Fit fly as well?

Tubbo: Every second I lose the will to live a little bit more.

[Phil and Pac laugh]

Tubbo: I wish Sunny never brought me back into this world. Hell was better than this.

Pac: [Ignoring Tubbo] Me… Fit… the clouds… the stars…

[codacheetah]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[cosmicredcadet]

A character looks straight into the camera and says "I'm not interested in romance" and people will still say "No, it's not confirmed they're aromantic!!!" "They could change their mind!!!" "it's a challenge for them to overcome!!!" "They'll have character development that makes them fall in love"

It's like they are given the most blatant answer to a character romantic orientation and they actively ignore it. all the while all it takes is subtext for people to speak as if it is fact for a character to be any other sexuality.

[sparxyv]

taking a moment to appreciate our gorgeous girls imelda and natty ❤️💚🦁🐍 (and taking a moment to appreciate this lineart.. even I'M impressed..)

standalone lineart ver. under the cut! 🎨

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[mintaikk]

One of the reasons I want Morpherine to be canon is for tumblrs reaction. I want to see my rarepair trend the way Poolveribe did (it was a rare pair until the movie). I wanna see homophobes getting mad that the most masculine character in the show is a "queer" like he didn't date Hercules in one comic. I wanna see the reactions of the like, 12 Morpherine shippers who shipped them before it was canon and SHIT their pants when they scream about it on tumblr. I want to see the ao3 fics for them increase. I want to see Morph become a more popular character after it.

But, that relies on Disney and Marvel not being homophobic and wanting to torture Logan with the Jean & Scott love triangle for 8 more seasons, so it probably won't happen

[lagomorphpaw]

ohhh yeah divided skies rp. freaky whitegirl and trailer park grandma

bonus viper under the cut

[canisalbus]

Imagine if Machete was Muslim instead of Catholic. His name would be something like Saif سيف, and Vasco would probably be something like Dhahabi ذَهَبِيّ

.

[demodraws0606]

What Cyberpunk DeadBoy Means and What it's Potentially Foreshadowing (aka very complicated analysis that makes a lot of sense and could happen depending on how colorpalet is feeling while writing the story)

Now I'm seeing so many people like running around wondering what this event could mean for the future for multiple reasons and like I've made like one post throwing my hat into the ring.

I've been frustrated with people's unwillingness to realise that this comm is prob foreshadowing because this is not the first time Colorpalet has hidden foreshadowing into comms weither subtely or not

Exemple's being :

-Akito's second comm foreshadowing his third event

-Lower's cover art literally foreshadowing what would happen to Mafuyu's phone in her event

-88 vocals being emurui and nenekasa foreshadowing the kind of dynamic the disbandement arc had with nenekasa wanting to move forward with emurui being scared of isolation

-Probably way better exemples that I forgot

I've seen people make Some assumptions which I don't agree with but there is one thing I think is true

There is 100 pourcent gonna be struggle between corporation/reality and WxS.

Purely because that's been WxS's entire theme since the beginning. They constantly bash you over the head with the theme of compromising with reality and the importance of dreams. In fact the pick of Maiki-P is not at all surprising as he basically has the same message WxS has just... well harsher.

The Big thing people have ignored however is by focusing on the lyrics, they've ignored something that's personally to me even more telling and that's the line distribution

We know for a fact colorpalet loves to mess around with line distribution, weither it's to make characters say lines that fit them or to kind of foreshadow their headspace.

Now something Big happens with the line distribution of Cyberpunk Deadboy that i've seen NO ONE notice and that's in the last chorus (that and also Tsukasa's lines which people have pointed out but it works less on it's own which is why I'm gonna analyse his lines afterwards).

This is the only time the chorus is like that, the others have a much more even distribution.

In fact the distribution choice makes it look like the rest of WxS is Talking to Rui.

It's even more evident considering the lines they chose to make WxS sing compared to only just Rui

Emu/Tsukasa/Nene saying kimi (you)

Rui saying boku (i)

Which honestly makes me think this is colorpalet foreshadowing some kind of issue reguarding specifically Rui. Remember Emu's second event ? The story of Rilley whose imagination was crippled by the industry to the point where he didn't really have any artistic vision until Emu's grandpa helped him.

In fact remember how the flashback that showcases that has Rilley working on a film

Now we get to Tsukasa's line which have been pointed out to be kind of sus but it's not just his lines.

Tsukasa refuses to sing with Rui (unless it's a line they all sing together but i consider those exceptions). In fact pretty much everyone has a duo line with each other except those two.

In fact in the section where Rui has duo lines with everybody, Tsukasa is the only one he doesnt sing with and the visuals make it clear that it's something that we're supposed to find strange

And then we of course have Tsukasa's solo lines

Tsukasa is the only one that say "fuzakeruna" outside of Rui (of course ignoring entire group WxS lines) and i've seen some people pointed out how it sounds like he's saying it in response to Rui's lines. Which I agree with.

Then we got his big boy solo lines

These lines will make more sense with my theory/analysis but right now if we go with the idea that WxS in the last chorus were speaking to Rui and Tsukasa in this comm refuses to sing with Rui then this implies those lines are Tsukasa speaking to Rui.

And this is where the insanity begins because people have pointed out a concerning trend with Ruikasa that I know some people use for shipping fuel but for me kinda feels more so like foreshadowing.

IGNORING all the ARG ass weirdness of the Fixer 2dmv, this choice to switch Ruikasa's colors have to mean something in my opinion outside of just wholesome shipping influence especially considering the two songs they do this are less than jovial.

What this kind of color switching signifies to me is that, Ruikasa somehow are/or will switch places.

And with that let me bring back Tsukasa's lines

These lines stand out because Tsukasa before remembering his dreams was extremely shallow only doing things for fame and probably the money that would come with it.

Now if you think about everything I've layed out I think you can gain a pretty clear picture.

Of Rui falling into the trap Rilley did, becoming jaded and losing the true motivation of his dream (or at least starting to have doubts). Becoming stuck with the struggle of managing dreams and reality.

Rui's costume even has a mask which can be a metaphor for his artistic voice and individuality being silenced .

Which now you get into the line distribution where WxS is implied to be talking to Rui.

And you get to Tsukasa, who is refusing to sing with Rui and in fact seems to be arguing with Rui if we really want to overthink it. In fact almost switching their roles from the main story.

Because Tsukasa has grown now and how else to show that growth than to switch Rui and Tsukasa's perspectives/roles.

Now how this would happen really depends since there are multiple ways they can go about it with the time they have.

There is obviously mystery dude dude (who i know now is sakaki) who still gives me bad vibes. However there is actually two way they can make mystery dude trigger this sort of plot :

-Mystery dude is malicious and actively manipulates/confronts Rui to make him rethink his worldview

-Mystery dude isn't malicious but instead is just jaded/has been through a lot of industry bullshit which ends up rubbing off on Rui accidentally

But you can even just not have mystery dude involved with this at all (which i doubt but still) because you know what loose plotpoint is still lingering over WxS, fucking Asahi

Rui still has not talked about Asahi to WxS, in fact Curtain Call ends on an explicit cliffhanger which is never really emotionally concluded (at least in Rui's own events, technically the arc ender did but there are still a lot of loose threads from that arc). Why would Colorpalet make Asahi come back after Rui graduates, they could've just had him disappear into the sunset but instead they hint at his potential comeback.

Unless Rui will be forced to again confront similar feelings he did during Curtain Call this time with possibly an added layer of whatever happens during WxS's freelance arc.

Anyways yeah this is overly complicated but then again colorpalet is not being easy with us so...yeah.

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[bobbinalong]

concerning fitzmartin's line of tim saying bernard showed him there is more to him than he was settling for and brings out the real me, is that an attack on his past romance and saying he was settling for them or more talking about being queer and discovering that

I mean, I certainly read it as a sort of attack (though I think "attack" might be a bit too strong a word) because Fitzmartin hasn't shown respect for the, out-of-universe, near 30 year long relationship Tim had with a woman or, in fact, the woman in question. Tim breaks up with Stephanie off-panel, we never get her feelings on the matter anywhere and when Fitzmartin does write her, it's as a prop for Timber. I mean just look at this:

Tim Drake Pride Special

and tell me the author cares for or respects Stephanie Brown as a character.

I also resent the implication that Tim couldn't have been his best queer self with Steph because she'd absolutely fully accept him. And he's not gay, he's bisexual, he's still attracted to women.

So why is being with a woman "settling" when he was previously talking about her like this:

Young Justice (2019) #5

Young Justice (2019) #8

Detective Comics (2016) #940

Detective Comics (2016) #963

Tim loved Stephanie. He was in love with Stephanie. She was his last thought before dying and he was committed to a future with her. There wasn't even a hint of a crack in their relationship prior to Urban Legends, in fact, I'd argue they were at the happiest and healthiest they'd maybe ever been.

So yeah, to me, Tim talking about "settling" and not being able to be himself before Bernard is 1) bullshit and 2) an attempt by the author to downplay his previous relationship. I don't really care to give her the benefit of the doubt.

[missholloween]

Also!!! I haven't seen anyone post about it but they had programs yesterday. I got to meet both Dean John-Wilson (the DMA) and Clark Baxtresser, and I got Dean's sign <3 Here are some pics

[hyohaehyuk]

Lovingly gazing into your coworkers eyes while he's talking about the sexual and emotional tension of your characters is crazy 🙃

JA: Yeah, and then also playing that off against that tension and the aftermath of some of those fights. It suddenly rebuilds this sexual and emotional tension. Like you said, you get to explore the breadth of a relationship. But yeah, they’re each other’s endgame, aren’t they? In the books, they always come home to each other. I think it’s telling that that seems to be the denouement or the end of a lot of the novels: Louis and Lestat being petty and in love.

cut via wolfganglestat

transcriptions by greedandenby

Full video (unfortunately i can't find the original source so i am linking 2 videos posted by fans on yt):

Interview With The Vampire | Nicole Drum from Comicbook.com talks with Jacob Anderson and Sam Reid

[uynumeotp]

Vash and Wolfwood's infomations from an interview with Nightow (Trigun's author)

Vash's Profile  Height: I haven't decided. But he's around 180 cm (5.9 ft) (5'11")

Name's origin : Stampede is a nickname/ street name. It means 'runaway cattle'.

Change in hair color: There is a reason. But I can't tell you yet.

Coat's weight: Not sure. It would be quite light so he can run and move in various ways.

Vision: Pretty good. His visual acuity is also good. Plus, his ability to make last-minute decisions in times of crisis and his reflexes to make the most out of close chances are what keep him alive. It's not like he has supernatural powers.

Living expenses: He also works as a bodyguard, etc... So I guess that's how he earns his daily money. It's stable and he doesn't use money wastefully.

How long it takes to get dressed: I haven't decided on that. Since he wears those clothes every day, wouldn't it be pretty fast?

Wolfwood's Profile

Height: Not sure. But he is a little taller than Vash. About 1 to 2 cm taller (about 1 inches).

Name's origin: It's a pun. Tortoise Matsumoto is the model, so the name came from Ulfuls. The D in his middle name stands for "ドコノクミノモン ジャワレスマキニシテシズメタロ カコラ"(Dokonokuminomon Jawaresu Makinishi Teshizu Metallo Kakora) (laughs) TL Note: I think what he meant is the "Wolf" in WW's name (ウルフウッド) came from Ulfuls (ウルフルズ) - a Japanese rock band (The aforementioned Tortoise Matsumoto is the vocalist of the band) as a reference. The middle name, D, is "Where (D)o you belong?" It is an abbreviation of "Dokono~" in English. Smoking amount per day: I don't know. Well, I was thinking he would smoke a lot. But cigarettes seem expensive, so he might be smoking with a toothpick/stick.

Clothing (light clothing): The reason for the simple clothes is because it's would be hard to draw him holding the cross otherwise. The cross alone can make him stand out.

Dialect (he speaks in the Kansai dialect in Japanese): Since they are in an English-speaking setting, he is not actually speaking the Kansai dialect. Please think of it as an accent expression.

Gun's name: Punisher. Are you punishing the enemy or yourself?

Gun's weight: I feel like it weighs over a hundred-something kgs (> 240lbs). He carries it well. He must have great balance to be able to wield/swing it.

The size of the gun: about 170 cm (5.6 ft) (5'7") on the long side?

How long it takes to rewrap the cloth after using the gun: Not sure. I guess he would have to pick up the cloth, rewrap it, and carefully fasten it with belts. In order to look cool, you have to work on the little things.