#I'm looking forward to seeing what this episode brings for us

[howtosingit]

First 4x12 Tarlos Sneak Peek

TK is having a conversation about them being fathers, Carlos is having a conversation about them being husbands. They’re not really disagreeing, they’re just focusing on different things, they’re envisioning different roles for themselves.

TK enters the conversation with a lot of drama (”gaping chasm”), Carlos responds with flippant sarcasm. Neither tone is helpful or really appropriate, especially when they’re not having the same conversation.

TK wants to be a father and doesn’t understand why Carlos wouldn’t when Carlos has so many great dad-like qualities. He’s a natural caregiver and TK has always seen Carlos as a future father, so this is throwing him. And then his insecurities cut in and he assumes it’s because Carlos doesn’t think he’d be a good dad.

Carlos just wants them to be able to enjoy their marriage, figure out who they are as a married couple, without all the trauma that they’ve faced. He’s been a husband before but not the husband he always wanted to be. He wants to be that, he wants to live in that role for now. He wants to have experiences with TK that aren’t terrible and traumatic, but also don’t include kids, who let’s be real, significantly alter experiences when they’re involved.

Neither of them are really listening to each other, mostly because, again, they aren’t having the same conversation. TK brings up Carlos’s love for children, Carlos doesn’t disagree that he loves children, just other people’s children. TK then names other people’s children, as evidence, but that doesn’t prove his point... it actually proves Carlos’s. And he responds as such.

Carlos wants to go on adventures and even to NYC, but he wants to go with TK as TK’s husband, something for them to do together as just themselves. TK argues that children can go to NYC too, but that’s not the point Carlos is making. 

Carlos mentions the pet in the context of responsibility and experience. TK mentions Lou, which was a disaster situation that didn’t teach them responsibility or experience. Lou doesn’t support TK’s argument, it futher supports Carlos’s statement.

TK thinks Carlos doesn’t believe he can be a father and Carlos immediately says that he did not say that. And he’s right, he never said or implied that. That’s not the conversation Carlos was having. That was never a thought that Carlos had.

Throughout the scene, Carlos ignores how TK is feeling and remains flippant and dismissive. Likewise, TK ignores what Carlos is saying and remains dramatic and takes it all a little personally. Neither are their best selves, but I just think they’re confused and not having the conversation they need to be having. But it’s early in the episode, so I think they’ll get there by the end. 

Personally, I don’t like that this conversation is only happening now, but I’m intrigued to see what we learn about them while they go through these important moments. Especially if we’ll see them communicating better than they have in the past.

Overall, I love that Carlos just wants to be someone’s husband before he takes on another role like parenthood. I think that really speaks to his love for TK and the life they can have together. It’s his dream. I love that TK wants to be a father so bad and sees Carlos as a perfect partner for that role. I love that for both of them, and I think they’re on the same page about their futures, they just have to figure out the timing.

[thebibliosphere]

Hi! I'm getting my first MRI (for my brain, with contrast) and I am TERRIFIED! It sounds like you've had a few - any reassurance or advice? (No pressure to respond - you probably get lots of these!)

It’s definitely a weird sensation and I understand the fear, but I actually don’t mind them. Some labs offer things like music or aromatherapy to keep people calm (some people find the machine extremely claustrophobic and they are aware of this) so check with your radiology department to see if you can bring in your own playlist if you think that’d help.

For my first MRI with the contrast they let me bring my childhood teddy bear and once I was situated in the tube, the lab tech placed him in my hands outside the machine so I could hold onto him, as well as the panic button that they give you so they can pull you out if you suddenly realize, yeah, actually, you’re claustrophobic and about to freak the fuck out.

I’m someone who panics in enclosed spaces, but the MRI was actually okay. I knew I wasn’t trapped because my feet were outside the machine and I just closed my eyes and made up fanfic in my head for forty five minutes 😅.

The drum spinning can be loud. So if you’re noise sensitive, ask about ear plugs.

I don’t usually bother with the earplugs and sometimes just talk to the lab tech over the intercom if they’re feeling chatty. They know I’m an MCAS risk with the dye so they tend to chatter more with me than other people, I think. My first ever episode of MCAS anaphylaxis happened inside of a CT machine from the contrast dye (different dye from the MRI dye). So they know my PTSD from being in big whirly machines is through the roof and do what they can to help. If you’re extremely anxious let them know. They’re used to it.

Afterwards, don’t be surprised if you’re dizzy or experience vertigo. I felt like I’d been on a very fast spinning ride when they pulled me out.

The tech explained this was the MRI affecting my inner ear and it’d go away pretty quick. I think it took an hour for me to stop tripping over my own feet, so if possible I’d suggest having someone there to drive you home/take a cab if you can.

Other than that, just try to make sure you’re well rested beforehand and give yourself something to look forward to after. I usually go to the bookstore or grab a new comic, but getting your favorite coffee or another little treat is a good idea too.

I hope your scan is uneventful and whatever reasons you’re doing in for resolves soon. Best of luck!

[starlitrays]

SAFEHOUSE

starring. shouta aizawa x gn!reader

summary. what happens when pro hero eraserhead, also an old flame, shows up on your doorstep, beaten and bruised and a little bloody, telling you he needs your help?

content. use of 'y/n' and 'l/n' for last name, blood descriptions, patch up descriptions bc i have first aid, emt & basic life support training, reader's quirk is 'total immunity' meaning the only way they can die is of old age although idk how relevant it is, reader and aizawa used to be kinda together, 'who did this to you?' but reader says it

a/n. can you tell yet that i'm an oxford comma lover?? | also part 2?? maybe?

navigation – masterpost

You should've gone to sleep hours ago. But you kept telling yourself, one more episode, which had become the rest of the second season of a show you were starting to hyper fixate on. You had the next day off, and whenever you did, you had a tendency to be more lenient with your bedtime, even when you regretted it in the morning with more cups of caffeine than even you deemed healthy.

Blinking hurt a little bit, your eyes dry from having been glued to you laptop screen. Your fingers mindlessly floated over to the trackpad, and you tapped it, pausing the episode. With a heavy sigh, you tilted your neck to either side, effectively popping the bones.

When you felt a dry tickle in the back of your throat, you looked off into the dimly lit space of your bedroom. The only light was from your laptop and a bedside lamp on your nightstand. Without the sound effects and voices of the characters in your new show leaving your laptop speakers, your home felt extremely quiet.

That tickle again came back to irk you again, and you realised you needed water. Setting your laptop aside, you pushed the bunch of blankets that lay over your lap to the side, swinging your legs over and off your bed. You yawned, reaching for your phone on your nightstand.

You blinked a couple times as your eyes tried to adjust to staring into the brightest light source in the room. 2:38 AM. Shaking your head at yourself, you pushed yourself out of your bed.

Using your lockscreen as a flashlight, you opened your bedroom door, shining the light down the hall. It seemed dimmer when you used it like this. Still, you stepped out of your bedroom, venturing into the darkness. It was still your space, and you trusted that you wouldn't be jump scared by anything.

You walked down your hallway, glancing into your bathroom out of habit as you reached the main area. To your right was the entryway and living room, and to your left, the kitchen and dining area. In quick strides you made your way into your kitchen, opening the cupboard just to the left of your sink. You reach for a glass and pull it down, setting it on the counter with your hand still around it while your other hand reaches forward to the faucet handle, turning it to set the water as cold as possible.

As you fill your glass, you start to feel that something is off. The air is so still, almost to the point you think you can see the dust floating around in the dark. You look around, but end up shaking your head, chalking it up to being up too late. You look down and see the glass just over half full and call it good, bringing it up to your mouth. First, small sips of the cold liquid, and then a gulp of it down your throat.

”Better.” You mumble into the air, staring at the closed sheer curtains that hang over the window over your kitchen sink.

Then there's a knock at your front door. Well, it's not so much a knock and more so a bang-like sound. Several bangs, actually. It made you flinch– jump a little bit where you stood. You set your glass on the counter and just stared at the door, unsure of how to proceed.

You heard words through the door, although you couldn't make out what they were with the distance you had from the entry point. But something persuaded you to go over to your door. You reached for the handle, and then paused when you heard a sound. A groan.

”Who is it?” You asked through the door, your hand hovering just over the lock mechanism.

”It's shit-” The voice is strained, but you recognise it immediately. ”Shouta.” It's your ex. Sort of. There was history, but you didn't end on bad terms. you both just outgrew your relationship at the time. You still cared for him deeply though, and the next bit was a no brainer.

You unlock the door and pull it open, your eyes taking in the entirety of the man before you, who's leaning against the frame of the door with his free hand clutching at his side. You knew he was a hero, Eraserhead, and how he was dressed reflected that he had just been doing something related to hero work. His dark hair fell just past his shoulders, and he looked tired, the scars on his face emphasising the exhaustion. Although bigger than anything, you could see he was bleeding. The hand holding his side had blood all over it.

”Sorry (L/n), I didn't have anywhere else-” He groaned, and your eyes shot up from his injury to his eyes. Shouta took a step forward, and you instinctively reached for him, helping him stay upright. ”to go.” He managed out, and you nodded. You guided the man inside and against the nearest wall, shutting the door behind him.

”Stay here. I promise I'll be right back.” You tell him, letting go of him. Despite the late hour and the shock of it all, you still had a moment of thinking about his blood staining your furniture. Just before you turn down the hall, you pause. ”And Shouta? It's (Y/n), you know that.” He smiles at your words as you disappear down the hallway.

You're quick to walk to the hallway's linen closet, pulling out two bath towels you save for guests and a sheet set that you can easily replace. Gently kicking the closet's door shut with your foot, you make your way back to the main area of your home and start to lay the sheet set over one of your sofas, the towels going down shortly after.

Then you stand upright and guide Shouta, one arm around his upper back, over to the sofa to lay down. ”I got you.” You repeat to him a few times when he resists letting go of you as you try to lay him down. When you feel his body tense and relax and tense and relax as he lets go of you, you sigh.

”Thank you (L/n)- (Y/n).” Shouta corrects himself, short grunts leaving his lips as he tries to readjust to get comfortable.

”Don't thank me yet, you're still bleeding out.” You dry laugh, before looking around the open space. The time you spent with the underground hero years prior had taught you some things. For example, to be aware of your surroundings. You stood up straight and double checked all of the windows were locked, as well as the front door, and you only turned on one lamp in your living room.

You were about to head back down the hall for the bathroom when Shouta spoke again, making you stop in your tracks to listen to him. When you realised he was speaking quietly, probably to himself, you moved on, taking quick strides in your bathroom. Your hands moved quickly to light switch, flicking it on, and then to the cabinet under the sink, reaching for your intensive first aid kit or, you supposed it would be better classified as a basic life support kit. Another thing you'd learned, or adapted from, your time with Shouta in the past. As you got upright again, you looked at yourself in the mirror. All sleep had disappeared from your eyes, your breathing was laboured, and your hands were, surprising stable. You weren't sure when you picked up the ability to make your hands stop shaking but if you had to take a guess? He was in your living room right now.

When you kneeled on the rug beside the sofa Shouta was on, you tried to steady your breathing, although it was a little difficult with how worrying the entire situation was.

”What happened?” You asked as you began to open the medical kit, your eyes moving to his for just second.

Shouta chuckled, and as strained as it was, it was comforting. After all, at least he wasn't dead.

”Was the hero get-up not enough of an indicator?” He asks as you begin to remove his hands from his injury, instead opting to press some of the dressing from your medical kit to his wound. From the times you'd patched both Shouta and some of his associates up before, you'd worked as a well oiled machine together. This time was no different. Right as you lifted one hand from the dressing, he took over, using his own hand to press the dressing.

”You're gonna give me a better explanation in the morning.” You tell him sternly. A man, an old flame nonetheless, shows up your doorstep bloody and about to croak and you're supposed to not want to know what happened?

Shouta's eyes fell to you. You looked worried. Worried about him. ”Of course.” He mutters, moving slowly as he tries to help you by raising his body to help him get his shirt and scarf off him. He still keeps his mouth mostly closed, his teeth grit together as he breathes out between them.

You begin to pack the dressing with more once you see that he's starting to bleed through the first set, and you start to notice that you aren't crying. You aren't tearing up like you used to on the occasion Shouta got injured. Of course, you could feel the warmth of tears behind your eyes, threatening to attempt a fall, but you were focused. The only indication of possible tears was how you sniffled every couple of minutes.

Reaching into the medical supplies, you pick up and move around various items until you find it. The needle and sterilised sutures. With those ready to go, you got up again, running to your kitchen for any kind of alcohol you had on hand. The first bottle you found was of an older scotch. A good one. Regardless, you didn't think twice before bringing it back to the rug you sat on.

Shouta's eyes followed you around as you moved. He tried to mentally prepare himself for the pain the scotch would cause him.

”This is gonna hurt.” Shouta can only nod along with your words, shutting his eyes momentarily. He purses his lips together as he releases the dressing and you begin to pour the alcohol around and over his wound.

As you tilt the bottle upright, you go to set it back down but hesitate.

”You want a sip?” You ask, and Shouta's eyes open. ”This next part is gonna hurt too.” You gesture over to the stitching equipment you have.

He smiles. ”Sure.”

You smile back at him for just a moment, and then you bring the bottle up to his face and tilt it over, only pulling it back and setting it aside when he used his hand to push at your hand.

Your hands go for the needle and sutures, and you shake your head. A mental way of making sure you weren't sleepy anymore.

When you cut the end of the stitch, you and Shouta both sighed simultaneously, and then you took a sip of the scotch yourself.

Next was the bandages. You had several types, but ended up with two kinds in hand. The first was easy to press on, it was just a large sheet of gauze with something tape-like around it. The other kind started with a sticky end so it could be applied directly on the skin.

”Alright.” You mumble, partially to yourself, partially to nobody, and partially to Shouta as you stick one end of the second bandage to his bare torso and you start to pull it around him. Shouta again lifts his body to help you, and you wrap it around him twice, cutting it with some freedom to tuck and tie the ends until you were sure it would stay in place.

You sit back on the floor with your legs tucked to the side, leaning against your coffee table at the same time Shouta lets himself relax back into the sheet and towel covered cushions of your sofa.

Through your heavy breathing, with your eyes on Shotua, you find it in you somewhere to laugh a little bit.

”Did you want a shirt now?” You ask, already about to stand up.

Shouta looks at you a little bit confused. ”Not be rude (Y/n), but I don't think your shirts are gonna fit me.”

”No, Shouta of course not. But you never came back for your stuff.”

”You still have it?” He's a little... confused? Baffled maybe? It's been years, why would you still have his clothes? Whatever the emotion is, it shows on his face.

”Have you ever known me to get rid of anything comfortable?”

Of course. He chuckles, sucking in air through his teeth at the end, his hand instinctively coming to rest just over his injury.

”In that case, would you also grab me a pair of my sweats?” He asked, smiling up at you. You only nod before you disappear from his peripheral vision. Why did you guys stop seeing each other again?

”Are you alright?” You asked when you returned to him, shirt and pants folded neatly over each other in a pile. To most, that question in this context seemed odd. But in the moment, it made sense. Shouta blinks a few times in the dimly lit room.

”I will be. Do you have eyedr-” He stops speaking when his eyes flick to you and you're already holding the familiar bottle of eyedrops out to him. It's the brand he'd told you forever ago that he preferred, and it'd sat in your mini surgery kit ever since then.

”Come to my room after you change?” You mean it more as a direction, and Shouta nods a yes to you. ”If you need help, call.” You tell him before scurrying back off to your bedroom.

Your eyes scanned the room up and down, from left to right, picking up the little messes scattered about the space. First a couple of socks that were strewn about, moved to a hamper. Then your laptop, you shut it down and put it on its charger. Third, you went to your linen closet and grabbed a couple of extra pillows for the other side of your bed.

”(Y/n)?” Shouta called out, and you turned to the hallway, getting back to him quickly.

Without exchanging many words, you helped Shouta sit and stand up, looping your arm around his middle and his arm around your shoulder. The walk back to your room felt slower, but you were still considerate as you could be.

When you get into your room Shouta stopped walking for a moment, so you do too. He looks around the bedroom, and you look at him. He's not judging it, just observing it. After all, it's your private space, your territory. Just as soon as the man picked up his feet again, you moved with him, walking him over to the side of the bed you don't sleep on.

He starts to let go of you, sitting down on the mattress. Carefully, you let him lie down on his own, still standing just beside him, just in case.

”You should consider being a nurse.” Shouta tells you with a smile.

You half-smile at him, a small laugh escaping you. ”I've got my hands full enough with you, Eraserhead.” You emphasise his hero name, which makes the both of you chuckle. ”Especially if these visits are going to become a thing.”

Shouta almost rolled his eyes, instead opting to wave away your words with his hand. ”I'll try not to make them a habit.”

”Good.” You respond, with a smile on your face as you help him get comfortable with the blankets and comforter on your bed. ”You good?” He nods and you retire to your usual side of your bed.

”Shouta?” He's always liked the way his name sounds coming from you.

”Hm?”

”I was serious about that explanation in the morning.” You remind him, and he smiles, although you can't see it with how you're turned towards your nightstand at the moment.

”I'll make sure to leave a note.”

You turn your head to face him with a frown. ”A note? Absolutely not. Even if I didn't want the explanation I have to replace your bandages.” You scoff.

At first he doesn't say anything, he just smiles. ”I'm glad you were awake. I missed you.” He says, and you just look at him for a moment, a little stunned.

You wanted to say more, but instead only hummed in acknowledgment. There was so much to say, to talk about, but the adrenaline was wearing off, and you were getting increasingly more tired as the late night turned early morning wore on.

You watched Shouta turn over. ”Thank you again, (Y/n).” His voice is quieter, and you smile before turning off your bedside lamp and trying to get some sleep yourself.

@ STARLITRAYS : please do not translate or repost my works without my expressed consent and permission. please do not copy any of my works.

[petriwriting]

Based on THIS Request.

Thank you for @skywalkerzs for requesting. I had fun with it! thinking of doing a continuation of the next episode as well.

"JJ where have you been?" Kie asks him.

"We've been so worried." you reply. He walks up, after his outing going to see who he thought was his father, Luke. "Long story. Where are the others" he asks. "Almost back by now, why what happened?" You ask him, kie took off her gardening gloves and folds her arms, ready for whatever exaggerated story JJ is about to tell. You had stayed with kie to tend to the garden, worrying about JJ every minute, wishing to be by his side but respecting his need for alone time. whatever it was.

"Nothing." JJ says, he's defeated. "Please don't lie." you plead. "it's just my dad." he says. "oh shit," kie mutters. "He's back?" you ask. "yup. He's been holding up at barracuda mike's, I guess," he explains. "he's not trying to come back here is he?" kie asks. "Did he say anything about the place being his?" you add. "no it wasn't about that." JJ says flatly running his fingers through his hair. "Cause' the town council thing is tonight." she adds, shes worried for him just as you are.

"It's fine." he insists. "Kie can you give us a minute?" he asks, the wind is gently breezing through his hair now, it's a mess. "Yeah totally." She says, grabbing some of her gardening tools to put away, then disappearing. Kie was smart enough to know something was up, but she wanted to respect the privacy of her two best friends.

"Luke," JJ begins, he is anxious and you can tell. "My dad," he corrects himself. "He told... He told me he wasn't my real dad." he says. "was he serious?" you ask, luke was an abusive alcoholic, so for you it was hard to trust anything he ever said. "It wasn't a joke... He was being, weird- I don't know. But I get this." JJ shifts his feet and rummages his pockets to pull out a note. "it's from Wes Genrette, It says talk to your father." he explains, you run your thumb over the note. "look at this. It says 'talk to your father,' and then luke tells me that Wes Genrette... He's my grandfather. Which makes Groff, ...My father." he finished slowly.

"So Chandler Groff is your dad?" you question. "yeah." He nods. it is some heavy news. "It doesn't make any sense," JJ paces, gesturing. "But then he says, like, Larissa. you remember the painting? The one... Larissa Genrette." he steps closer to you. "She drowned with her baby? that's me. I'm that baby." he says. you sigh gently. "He's trying to work some inheritance scam. That's it, trying to make a quick buck by using me." JJ raises his voice slightly. "He's done it his entire life!"

"I'm so sorry, Jay." you utter softly, you wanted to kiss him or hug him. your heart is breaking for him. but as if on cue, the twinkie pulls up. "finally. the others are here." you say. "hey," JJ gets a bit serious. "Can we not tell them for now?" he asks. "yeah, yeah of course." you agree.

"I don't want them thinking, like, im a genrette. even if it's probably bullshit." he says. you nod in an understanding way. "of course JJ."

. . . .

The town council meeting is packed full of familiar faces. People who have lived on that island for decades through many generations, and some newer faces. It's a full house. There is subtle chatter, as the board memebers discuss the zoning ordinaces and bring up as a topic of discussion the Maybank property. You are sitting next to JJ, your hand is on his thigh. his other leg is bouncing. He's anxiously awaiting the discussion, but it seems like to kooks already have determined what will come of the property. There is some chatter amongst the pogues. The board then invites a representative from the property to come forward. "anyone feeling brave?" kie asks. JJ tries to stand up but you and John B both stop him. "whoa now," he says.

John B is then elected. He looks at Sarah for an approving nod and reassurance. He wanders up, states his name for the record and begins his defense.

"I'm not a lawyer but this doesn't make any sense..." he begins. You tense up in your seat. someone in the crowds cheers for John B. as he ends his long statement with "We could lose our home," You sigh, saddened at that reality. John B beautifully defends your home, and there is arguing and chatter amongst the Pogues and Kooks of the island. It is such an insane moment. They are trying to invalidate the sale. there's no way. That was yours fair and square.

The original owner, Luke Maybank stepped forward and took off his hat. "I'm sorry J." He says. "This can't be legal!" someone shouts. you are in shock, upset, angry and riled up. You stand up in opposition and notice JJ is frozen, he's biting his lip. Kiara is now up there rallying everyone. Her parents are threatening the officers at the front of the stand.

JJ stands, and turns right out of the church. It takes you a moment before you realize what is happening, the broken glass and JJ fighting against cops. You are shocked and processing everything that has happened. "Go! Get out!" You scream. But everyone is too late. The pogues are now outside, In a crown of aggressive townspeople, and JJ is locked into a cop car, once pope shouts for him to crawl out, he does. for a brief moment, he locks eyes with you while you hold his hands. "Go." you tell him. "Not without you." He says, grabbing your hand and running off as fast as he could manage with you trailing behind him.

. . . .

The two of you run through chateaus, mini-mansions, kook yards. eventually crossing paths with a group of kids playing baseball, in which JJ steals their bat. "Sorry!" you scream back at them, your hair flying behind you as you rush behind JJ, as he halts in front of a jewelry store. You catch up to him quickly.

"JJ what the hell are you doing!!" You shout. there's sounds of sirens in the distance. they can't be too far by now. "I've always wanted to do this," He says, before slamming his bat into the glass storefront, immediately sounding the security system. With the alarm blaring, he steps over the glass and grabs a shiny diamond ring. "I know we've only ever talked about it, but I've been wanting to do that for a long time." he says grabbing your hand and slipping it onto your ring finger. He then looks at the bat in his hands. "They wanted one island, Y/n." he pleads. you are lost in his eyes, he's mesmerizing you. "So give it to em'." he encourages, offering you the bat. You grab it, after slight contemplating. There isno time left. something in you had said, and you took the bat and smashed the rear window of the car and watched as the glass shattered all over the pavement. "Come and get me fellas!" JJ screams as he's riled up, you toss him the bat again and he busts the lamp post, before knocking things over, and lighting the trash can on fire, causing destruction to everything. You watched timidly, while you were riled up you didn't want him to end up in more trouble, but you also knew and loved him.

you knew and loved him to the point where you knew this was an outlet for him, he was letting out all his hurt And anger And even sadness. It was almost healing seeing him be so vulnerable in that moment. The way his jacket slung off his shoulder made your knees weak. He smashed the glass to a women's boutique, taking the hand of the manequinn. "Ladies," he says jokingly. He kissed the hand and smirked briskly. "Sorry, not in front of the wife," then looking at you with a wink. he continued on, and you heard the sirens blaring as the cops approached faster. a scene of destruction behind. "JJ we need to get out of here." the next thing you know you are once again running along with him, away from the cops.

[heartsforseo]

Skincare with the strawhats

A/n: I'm somewhere on episode 500 in One Piece. And looking back at my valorant post... I really did Franky, Jimbei, Chopper, and Brook wrong. But uh... I'll try to do better :D!! Btw this excludes Chopper cuz...how?

⭑Luffy, I'd say wouldn't understand much about it. I mean, he probably knows and have heard a bit from Nami and Robin but that's that.

⭑When you first explained it to him, he was half-listening, so he was a bit shocked when you sprayed some water on his face.

⭑Would think of it as a fun game and splash some water onto you too (your clothes sadly got wet :[)

⭑When you start adding some cream onto his face he found it funny and started making weird faces.

⭑Over some time, he'd actually start liking it and would start expecting one every week (and maybe even every day)

⭑And even if you guys were to do skincare every day, he'd either fall asleep or cause some ruckus. No in-between.

"Hey, Y/n!! Can we do the skinmare thing again??"

"It's skincare, Luffy, and yes."

⭑Overall, 6/10. He's not the worst, but there is definitely better.

⭑It's either Nami who will bring it up or you.

⭑She's the best to do skincare with since she got everything. Like everything

⭑Would prolly make you pay when you use one of her stuff (w/h or w/o permission)

⭑Would actually give you a piece of advice on what or what not to do though.

⭑While doing skincare, Nami will tell you gossip about the crew or from the last island.

⭑If you get on her good side, she might give you one of her equipment.

⭑Would secretly charge you money for all the wrongdoings you did though. And an extra 10,000 berries because you asked her to do skin care.

"Alright Y/n. This session would be 96,000 berries."

⭑Overall, 9/10. Definitely one of the best. con= -1 because she charges after skincare. Pro= You guys will now have skincare every week.

"No."

⭑You have to convince Zoro numerous times (and maybe even guilt trip him) just so he'd say yes.

⭑He'd be embarrassed at first and try to stay quiet (he doesn't want the lovesick cook to see him with a headband on and foam on his face)

⭑He's blushing so hard from embarrassment so be nice to him. It's also a good opportunity to tease him.

⭑Although too much teasing would opt to make him leave. Unless you ask Sanji instead or tell the crew what was happening to Zoro, that would make him stay back and listen.

⭑While doing skincare, he'd let you take the lead (considering he doesn't even know anything about it) and would only let out some grumbles and whines.

⭑After skincare, he'd look himself in the mirror and touch his face, noticing how smooth it was.

⭑He'd then look after the skincare and would ask you about it for more. He won't say it again though, so you better have good ears because he'll be all muttering.

⭑Overall. 7/10, he's very quiet and wouldn't do much unless you say so.

⭑Sanji would beg for it every. single. day

⭑And you finally had enough and said yes.

⭑Now before entering the bathroom, you can already smell the rosy perfume outside.

⭑WOULD have everything and anything. Maybe even more than Nami's skincare collection.

⭑He'd know what type of face skin you have AND the type you use. So it was no surprise when your essentials were already out.

⭑He'd beg give you assistance 24/7 while doing skincare

⭑He'd also ask you if you're feeling uncomfortable, having fun, and would ramble on about some new recipes he's learned.

"I hope you had fun today Y/n. I'm looking forward to the next."

⭑Overall, 10/10. He knows what you need and what you like. He also think of your situation/feelings, and that itself makes it 10/10 already.

⭑Ussopp would fly over the moon when you asked him.

⭑He'd gladly accept it and tell you he had a lot of experience in skin care (which isn't technically a lie since he knew some of it from Kaya)

⭑But of course, he'd still be scared and shaking. What if you didn't like it? What if you don't wanna do skin care with him again?

⭑He'd be rather stiff at first. Scared to disappoint you.

⭑But minutes later he'd start to cool down and come back to his normal self.

⭑Now every time you both will have skincare time. He'd have a bunch of stories saved up only for you.

"Oh Y/n! I have another story for you later."

⭑Overall, 9/10. He's really fun to be with and is def one of the best to do skincare with.

⭑You'd have to ask Robin to join you

⭑She never really thought of doing skincare together unless you bring it up.

⭑And you really know when to pick out the dates since she was so stressed at first T~T)>

⭑Being around a chaotic and childish crew could really stack up stress.

⭑But a simple skincare could really help it get out.

⭑Robin really much appreciated what you did. Especially when you massage her face and shoulders.

⭑It isn't only one-sided. She'd help you out by giving some advice and ideas when she sees you frowning at your own face. Even giving out some compliments.

"This has really helped out my day, Y/n. Thank you very much."

⭑Overall, 9/10. Really nice to hang out with, and would crack a dark joke once in a while.

⭑Franky would definitely say yes and strike a pose.

⭑He'd know a lot of this from Mozu and Kiwi and would sometimes buy them the products that they wanted.

⭑And since he's basically the crew's shipwright, he had definitely tried to recreate the product the stores have.

⭑But wait. It felt itchy when you tried it? Don't worry, he made a new one already. One that you'll definitely find lovely.

⭑You don't like how he designed it? Don't worry, he made an even bigger one with a design you'll like.

⭑Brook is jumping in joy and is asking to see your panties.

⭑Until he realizes he's a skeleton.

"Yohohoho! I'm really exci--oh..."

⭑Overall, 7/10. He's good for emotional support...I guess?

⭑Lastly, our good man Jimbei.

⭑(I only saw Jimbei a few times due to Impel down and Marineford so uh...)

⭑I'd say that skincare never really crossed his mind. I mean he IS a fishman after all.

⭑But once you told him about it and how it can help you relax, he decided to take up the offer.

⭑He's probably embarrassed and just standing dumbfounded. What was he gonna do?

⭑But dw since you helped him </33

⭑AND OMG HE TIED UP HIS HAIR INTO A FULL BUN?!?!?!?!? AHHHHHH (I'm fangirling DD:...i'M SORRY JIMBEI WS SO COOL)

⭑But back to the story. I'd say he really enjoyed that. AND OF COURSE HUGS!!! HUGS ARE VERY MUCH NEEDED!!!

"Thank you for this, Y/n. I very much appreciated it."

⭑Overall, 7/10. He's pretty much quiet and doesn't know what to do. But the silence is really comforting.

A/n: AND OH MY I FINISHED IT!!! I STARTED ON THIS AT 2 PM AND NOW ITS 5 PM HUHU!! ENYWAYSSSS I HOPE YLL ENJOYED IT, LOVE YALL MWA

[euphorix-moon]

Love Maze

Vi x Fem!Reader

Synopsis: Helping Vi realize that she can break out of this loop that's she's in

Warning: Slightly Angsty and slightly out of character

A/n: Arcane season 2 just came out and i'm still reeling from everything, just had to make this cause i was inspired by episode 3 it broke my CaitVi heart

It was just one of those days,

There weren't many days where you would get the house all to yourself to enjoy so you didn't waste the chance to relax when your roommate said she was going out to run some errands.

You were currently enjoying your day re-reading through your favorite book series until you were disturbed by a sudden knock at the door.

You skeptical and slightly annoyed you went to go answer the door. Opening the door is when you came face to face with the pink-haired woman you came to know as Vi. She almost looked slightly surprised to see you at the door but kept her composure

"Is she here ? " Vi asked worriedly

"Hi nice to see you too, but unfortunately your girlfriend isn't here, she went out to do some stuff" you replied

She lightly sighs before saying, "Well if that's the case then I guess I'll wait for her till she gets back. That's fine with you, right ?" She says walking through the door before you can get a response out. You sigh closing the door behind you knowing she would stay and wait either way.

There was an awkward silence between the two of you guys so you took it upon yourself to try and get a conversation going.

"So....what brings you here ?..Is it the same issue again ?"

Vi glares at you but after some time does lightly nods her head to confirm your suspicions. You kept quiet lightly sighing to yourself.

The cycle had become almost predictable at this point: a fight would ignite, Caitlyn would storm off ghosting Vi, and then, a few days later, Vi would return, offering half-hearted apologies that seemed to smooth things over just enough to delay the inevitable crash. Caitlyn never seemed to learn, and neither did Vi. But the truth was, they both were just playing the same tired game, and you wanted all this nonsense to come to an end once and for all.

Here,” you said, slipping behind the counter to make a couple of drinks. “Let’s take the edge off. I’m sure you could use something stronger than water right now.”

Vi didn't argue. She sank down onto the couch, taking a deep breath, clearly exhausted from everything. As you handed her the glass, you kept your tone light, almost casual. "So, how's work? How’s your family? Anything to distract you from… well, everything?"

She gave a weak laugh, taking a sip of her drink. "Work’s fine. Same as usual. Nothing exciting," she muttered, looking down at her hands, clearly distracted. "Family’s... okay. You know how it is, always got something goin on"

You nodded, pretending to listen, but your mind was already working. "Yeah, I get that. But seriously, when’s the last time you actually did something for you, Vi? Like, something that made you feel alive? Not just for Cait, or for your job, but for yourself?"

That was a hook. Vi wasn’t even aware of it. She leaned forward, a little too eager to talk about herself, to talk about anything that didn’t involve the draining mess she was in. She starts going into detail about the many things she's been interested in but never got the chance to due to feeling like she's alway has to balance a thousand things in her life.

"Well if I'm gonna be real honest with you Violet, it sounds like this relationship is just another thing holding you back" you say with sincerity.

"It’s just... it’s not that simple, okay? Violet shot back.

me and her have history. We’ve been through a lot together. And—" she paused, trying to gather her thoughts. "Yeah, things have been tough lately. But we love each other. I know she has her issues, but I really think we can fix this. I don’t want to just... give up on everything we’ve built."

You almost rolled your eyes at the word history—as if that was supposed to make everything else okay.

"Vi," ."You’ve been ‘fixing’ things for months now. You keep telling yourself it’s just a phase, that Cait’s going to change, that things will get better. But they never do. You are stuck in a loop and you can’t keep pretending like nothing’s wrong."

"So, what? You want me to just leave her? After everything? You’re not even trying to help me,You’re supposed to be my friend. You should be supporting me in making this work, not... pushing me away from her!"Vi’s jaw clenched, her chest rising and falling with each breath as if she was holding back.

Her words stung just a little bit but you knew how to respond back. "I am doing this because i care enough to tell you the truth Vi, you deserve so much better than this. Don't let Caitlyn stress you out so much, especially when there's already a lot on your plate".

"You just don't get it. You don’t know what she's like when we’re together,” she says, still feeling obligated to defend her relationship.

"Maybe i don't and i might be wrong about all of this, but all I'm saying is that if you were my girlfriend id be the one coming to apologize and id try to find every possible way to make it up to you." You say leaning closer towards Vi

She sputters trying to find the words to defend herself, every single word unfortunately dying in her throat.

"I’d be the one begging you for another chance after acting like a dumbass. I'd spoil you and not let you do anything till you forgave me" You continued.

The silence that fell between you and Vi after your last words was thick with unspoken things. Vi feels as if her heart is beating out her chest as you continue to close the distance between the two of you guys.

"You do deserve better, Vi," you said, your voice soft but certain. "And when you’re ready, I’ll be here for you. Not just as your friend, but... more than that, if you want. You don’t need Cait to feel loved. I’m not going anywhere."

Vi looked at you, her eyes wide, and in that moment, it was like everything clicked for her

You wanted to kiss her. You wanted to show her that everything she needed wasn’t in Cait. That there was more for her. That she didn’t have to settle.

Just as you leaned forward, your lips barely inches from hers, the door to the room creaked open, and the sudden sound of keys jingling at the front door broke the fragile bubble that had formed between the two of you.

You two quickly back away from each other, moving to the opposite sides of the couch, averting eyes as Caitlyn walks into the room

A/n: Sorry for the cliffhanger and sorry to all the caitvi shippers, i love them too...i just can't pretend that i wouldn't want vi if they broke up fr.

[genericpuff]

What do you think about Reachel's new redraw?

I feel like the characters look good but the background is too gray compared to the original one 😕

It's pretty rough, ngl. Not even necessarily because of the art itself, but because it's not a panel she should have ever redrawn to begin with.

The whole point of that scene was to showcase Persephone bringing life into the Underworld, a place where only death existed, but in this redraw it completely lacks that messaging, resulting in a scene of Persephone and Hades simply hugging each other in the dark with very dead-looking foliage surrounding them.

On a structural level, the composition has gone from vertical to horizontal, giving us way too much empty space around them which, again, is failed by the background being so dull and lifeless; Persephone's somehow become even smaller; and worst of all (though I'm sure some people will think I'm overreacting) her hair isn't tucked up in Hades' arms anymore, it's just sort of falling perfectly over his shoulder as one solid goop of pink, strangely changing shape as if it's resting on something but there's clearly nothing there.

That said, my opinions should be taken with grains of salt because I also have a lot of personal beef with a redraw like this - that original panel was my phone background for like, 2 years, and the episode it came from is still one of my favorites of all time in spite of all the criticisms I now have of the series, with art that originally inspired me to want to learn how to draw like Rachel.

There's been a lot of evidence over the past year or so to suggest that Rachel has "fallen out of touch" with her own work and these redraws that she's been making lately feel like tangible proof of that. The context in which she created those original panels no longer exists so to try and redraw them fundamentally misses the point of why they were so iconic to begin with.

I can understand that feeling of falling out of touch with your own work, to the point of not even seeing the appeal of it yourself anymore, but that's all the more reason to keep moving forward, not back. The fact that she's still just muddling around with LO stuff despite announcing two more projects and seemingly not making any progress with either the TV show or Rachel Smythe Presents... it really does seem like she's stuck in limbo. The deadlines and contractual obligations aren't there to motivate her anymore, and while that may now have freed her from the burden of creating LO in such a cramped and unhealthy space - now being able to create it simply for herself - I think the years of working on it have definitely taken its toll on her ability to create the way she used to and so we're seeing those growing pains now.

The real bummer about it is that it's being celebrated as "growth" but it's about as much growth as the illustrated environment above - dead and bleak.

[confused-pyramid]

There Is More When You Let Go | s2

pairing: aaron hotchner x childhood bsf!reader

summary: Hotch and his childhood best friend working together at the BAU: a slow burn across the seasons.

word count: 18.8k

warnings: canon!typical violence, mentions of abuse, death of a spouse, kidnapping, torture, drug use, specific episodes mentioned in this part are 2x01, 2x05, 2x06, 2x13, 2x14, 2x15, 2x16, 2x18, 2x23

a/n: here's season 2 of the anchor series! I had a lot of fun writing this one (hence why it got so long lmao), and I included a lot more direct show content in this part, so I hope you like it. Also more flashbacks:) Title is from Benediction by Luke Sital-Singh

series masterlist

A gunshot. That's the last thing you hear before Elle's front door flies open, almost throwing you back onto the stairs. The shock of seeing the Fisher King standing right in front of you almost makes you miss the puddle of blood that has started seeping across the floor to your feet.

"Elle," you gasp, your moment of distraction enough time for the man to push you behind him and make a break for it. You fall forward with the force of his shove, but he's much slower than you are. If you ran after him now, you could almost certainly catch up to him, but the sight of Elle bleeding out in front of you makes you immobile.

Making the split second decision to abandon the chase, you throw yourself forward and press your hands against her wound to control the blood flow.

"You're gonna be okay," you tell her, even as her blood trickles out from below your palm. "I need to call for help."

Pressing one hand down harder, you try to ignore the sounds of her gasping in pain as you reach behind you for her house phone. After dialing 911, you hold the phone between your ear and shoulder and bring your hand back to apply more pressure.

The paramedics arrive within five minutes, and they pry you off of her as they pull out a defibrillator. You had been so focused on stopping her from bleeding out that you hadn't even noticed she had stopped breathing. How could you have missed that?

"Charging to 200."

You lean back against her couch as tears leak from the corners of your eyes.

"Clear!"

***

"They took her into surgery," you say when Hotch meets you at the hospital. Your eyes keep darting around, like you're looking for something, but you don't know what.

"What happened?" he asks, placing his hands on your shoulders to regain your focus. The pressure calms you down.

"I think he was waiting for her," you whisper, your throat tightening. "He had to have been. It all happened so fast."

His eyes stay on yours, as though trying to predict your next movement. "I'm glad you're okay."

More agents filter into the hospital and he begins to turn away to talk to them, but then you stiffen under his hands. "I had him, Hotch."

"What?" he frowns, looking at you again. "What are you talking about?"

You lift your hands to your face to brush away a strand of hair, barely noticing the stains all over your skin. "He was right there. The unsub. I could've grabbed him...but I didn't."

Anderson walks over with a question, but Hotch doesn't take his eyes off you. "You went to Elle. It's okay, you made the right choice."

"But the girl he took," you protest, shaking his hands off, "this could have lead us to her, but she's still-"

"You did the right thing," he cuts you off, waving Anderson away to speak with someone else. "It's not your fault."

You grit your teeth, your voice still tinged with guilt. "How do you know?"

"Because," he sighs, running a hand through his hair, "it's mine. I sent her home."

You open your mouth to tell him how unfair that is, but he cuts you off with an order to go wash up before he leaves to explain the situation to the other agents.

The only bathroom on that floor of the hospital is at the end of the patient ward, so you trudge down the hallway and into the single family restroom, trying to avoid the worried glances from all around.

You haven't seen your reflection since before leaving with Elle, and you know it can't be a pretty sight, but the face staring back at you in the mirror is still a shock.

The bottom of your shirt is matted to your skin, and your hands are covered in now-dried blood that looks flaky and dark. When you look up, you see a streak of blood smeared over your nose from when you swiped at your face earlier.

Grabbing a fistful of paper towels, you run them under the faucet before scrubbing at your face and peeling your button down off to rid them of any trace of Elle's blood. When you're sure there isn't anything left, you turn the faucet back on and stretch your hands forward, watching the warm water turn a muddy red color as it swirls around the drain.

Eventually, the water runs clear, but you can still see the blood in your mind. You are suddenly ambushed by a memory you thought you had pushed down long ago. Red blood, cold skin.

How was there so much blood in the human body?

Your department-mandated therapist told you at the time that you would be in denial for the first few weeks, but you weren't denying anything. You had seen his body, seen the blood pooling around him as the coroner snapped photographs for the crime scene report. You knew he was dead. You just couldn't get that question out of your mind.

The memory shifts and suddenly you're seventeen again. You're seventeen and you are reaching for your first aid kit for the second time this month as Hotch sits on your bed with what feels like a permanent wince fused to his lips.

"Hold still," you whisper as you pour rubbing alcohol onto a cotton pad and press it into the cut on his hand. There's also blood under his nose and in his teeth, but he doesn't seem to notice.

He hisses as the alcohol makes contact, but he doesn't pull away. He's used to this routine now. You both are.

"I'm sorry I came by so late," he whispers through gritted teeth as he watches your fingers peel open a bandage. You want to berate him for apologizing, for feeling so much guilt all the time, but it's fruitless. It's like he was born with it inside of him, always clawing its way out at the slightest inconvenience.

"Don't be." You shoot him a look that he knows to mean 'be quiet and let me finish this'. He heeds your unspoken order, but after a few minutes, it's you who breaks it. "How did this one happen?"

He looks down and you immediately want to take it back. "You don't have to answer."

He's quiet for a beat. "He was drunk and I cleared his bottle away before he was finished with it."

Your lips thin and you press your hand to his knee, desperately needing to connect yourself to him in some manner.

"I tried to keep him in the kitchen, so Sean wouldn't hear, but I guess the noise woke him up." He takes a deep breath, and you can almost feel the determination entering his body as he sits up straighter. "I couldn't let him get to Sean, so I finally did it. I fought back."

He looks down at his bandaged hand then, and you can see pride accompanying the blood etched into the lines of his face. "I finally fought back."

Your eyes refocus and when you look at yourself in the mirror again, there's no trace of Elle's blood on your body anymore.

***

When Elle is discharged from the hospital, you spend the rest of the break helping her move out of her house and into a new apartment. When you drove her back home, the blood had been cleaned off of her floors, but you could see in her expression that it wasn't enough. This place would always be a reminder of what had happened to her.

The apartment search was quick, only a week between finding a place she liked and signing the new lease, but she saved the actual move out for the last few days of your break, instead hopping between sleeping in your guest room and a motel in town.

That's why you find yourself in Elle's old bedroom on the final Saturday before you're due back at work, packing some of her clothes into a suitcase while she works on clearing her bathroom. She tossed out almost everything she didn't absolutely need, only packing up her basic clothing and a few other sentimental keepsakes from her past.

"What about these?" you ask, holding up a pair of dark wash jeans that you remember her wearing to the bars with you a few months ago. God, has it really only been a few months?

She peeks out of the bathroom for barely a second. "I told you, I don't care. Keep it, toss it, your choice."

You don't know how you feel about being in charge of her future wardrobe, especially since you tend to live in loose jeans and old tee shirts when you're not at work, but you can understand where she's coming from. The instinct to hand off every decision to someone else.

You remember how hard it was for you to even decide what to eat for dinner after Jeff died. You also remember Hotch slipping pre-packed meals into your fridge whenever he came over to keep you company.

It takes you a couple of hours to clear out her house, and another hour to drop her and her stuff off at the new place, with promises to visit whenever you can over the next months of her leave.

You don't realize how exhausted you are until your front door shuts behind you and you collapse onto your couch, still in your dirty clothes. The summer sun is completely below the horizon as you lean back into your throw pillows and grab the tv remote. You haven't used your tv in months, and you figure that a vacation from work is the perfect opportunity to dust it off.

The screen comes to life on a local news channel, where a young reporter with teased-up hair is announcing a recall on a vacuum cleaner brand you've never heard of. She finishes her spiel before handing the mic off to an older woman who starts reporting the details of a car accident that took place in a neighborhood a few miles from yours.

These reports don't usually get under your skin - you have seen enough to know that it happens everyday - but suddenly, you can't stand to look at the crime scene tape flashing on your screen. You don't wait long enough to see what caused the accident. Whether it was a simple mistake, or if it was a drunk dri-

Grabbing the remote, you turn the television off and stand up, shaking your limbs out in an effort to rid yourself of the anxious feeling that's been growing inside of you.

You make yourself a quick microwave dinner and wolf it down in a few minutes, before trudging upstairs and hopping in the shower. You take your time washing the dust off of your body, and only emerge when the hot water runs out.

Even after cleaning yourself off and climbing into a fresh set of sheets, sleep doesn't come easily. The minutes tick by slowly as you stare at the ceiling, and before you can overthink it, you grab your phone off your nightstand and hit the first number on your speed dial.

It rings twice before the line connects. "Is everything okay?"

"What happened to 'hello'?" you ask, huffing out a laugh as you sit up in your bed.

Hotch grunts quietly. "Hello." You can hear the tiredness in his voice, but he sounds alert. You didn't wake him up. "What can I do for you?"

"So I have to need something to call you?"

"Y/N."

"Sorry for wanting to talk to my friend-"

He sighs so loudly, you can practically see his eyes rolling. "Are you going to tell me why you called or not."

"I helped Elle move out today."

That gets his attention. "How is she doing?"

You shrug, even though he can't see you. "As good as can be expected. We threw out almost all of her stuff, you know. She ended up with just a suitcase and three boxes at the end."

"That's just her way of coping, I guess."

"When we got to her house, it was..." You pause for a beat. You don't know the correct way to bring this up. "Well, it was clean. The blood was gone."

He doesn't say anything, and you know you were right. "Hotch, it was you, wasn't it."

He exhales quietly, as though he's trying to control his volume. Shit, maybe Haley's sleeping next to him. This is why you don't call someone after midnight.

"She didn't need to see a crime scene in her own home."

You wonder if he knows how he sounds right now. How caring and compassionate he can be when he doesn't try to tamp down that side of himself.

"You're a good unit chief," you say, leaning your head back against your wooden headboard. "I don't know why you keep things like this hidden."

You do know why, but that isn't what's important right now. There's a small creaking sound over the receiver and you imagine he's getting out of bed and crossing the room. Then the click of a door closing. "All that matters is that it's done."

You can't control the exasperated sigh that leaves your body. "Who are you trying to kid, Hotch? This is me you're talking to. I know how you worry that you aren't setting a good example for the team, but it's things like this that go a long way. It really wouldn't hurt for the team to see you showing some emotion."

"That's what they have you for," he says, his voice tightening the slightest bit. "They don't need that from me. When my emotions get in the way, I can't do my job properly."

You scoff. "And what job is that, exactly?"

"Keeping you safe."

He doesn't need to raise his voice to make you feel his anger. "If I had kept my emotion out of it, I wouldn't have sent her home. I wouldn't have let you accompany her, and I wouldn't have put both of you in danger."

Your hand comes up, rubbing circles into the skin above your chest. "Aaron...that wasn't on you." You can sense his protests coming, so you try a different tactic. "It wasn't on me either. No one but Garner deserves any blame for what happened."

The line is silent for a few moments, and you take the little victory. "I'm sorry I called you so late."

"Oh, it's alright," he chuckles. "You know I was up anyway."

***

She came back too quickly. You can't get the thought out of your head as you watch Elle restlessly tap her foot on the ground as she waits for the final word on whether she will be acting as bait for the serial rapist.

You don't think she's ready, and you've made your opinion known to the team, but Gideon made up his mind quickly.

"You think Elle's ready for it?"

"We'll be there for her."

You watch her vigilantly from Hotch's SUV as she enters the house and drops her keys on the table by the window. She's wired, which is a small relief, but Gideon's instruction not to have her gun on her has you more anxious than you'd like.

"Why isn't she leaving?" Hotch says from next to you, echoing your thoughts.

A car driven by a man fitting the profile pulls up on the opposite side of the street and you hear Morgan dialing Garcia. After a few seconds, he's back on the line. "William Lee. It's him."

"Bingo," Gideon's voice exclaims through your earpiece. "She's on the move."

You turn away from the car and see Elle exiting the front of the house. She glances at the man on her way to her car in the driveway, and it's only then that you notice the gun stuffed in her waistband.

"Her gun's out," you whisper, mostly to yourself. "What's she doing?"

"She's panicking."

"We've got no reason to bring him in."

"Don't blow it, don't blow it."

A chorus of yells echo through your earpiece as Elle stomps down the drive and points her gun at the unsub. "FBI, put your hands where I can see them!"

You throw open the car door and run over to apprehend the man as he fervently denies all of her accusations. "I was just stopping to look at my map."

The police put him into an interrogation room back at the station, where Hotch and Gideon try to get him to confess by showing empathy for this motive. It seems to be going well until his lawyer shows up, putting an end to the conversation.

She's been tense all day, so you're not surprised when Elle blows up. "You're letting him walk?"

Gideon is the first to step in. "Back off, Elle."

"You don't know what he's done," she yells, as though trying to reason with the police. The pain in her voice is palpable, but you can't deny the truth, even if you aren't able to voice it to her.

Hotch doesn't face the same issue. "The only reason he's walking is because you panicked."

"I'm supposed to believe that you've got my back?" she fires back, her anger redirecting to fly in his direction.

"What are you saying to me?"

"The last time you sent me home, Hotch, it got me shot."

All of the air leaves the room. You grab Elle's arm and pull her back, expecting more resistance than you get. "Walk with me."

She follows you across the hall and into a little meeting room that's scattered with evidence bags and files from the case. You let the door click shut behind her before you start speaking. "You need to take a breath. I know you, Elle. I know exactly what you're capable of. You just need to give yourself time to heal."

The fury in her eyes hasn't abated since you apprehended Lee a few hours earlier. You're not sure it will in this environment. "Take a walk. Get some air, and then come back."

She doesn't meet your eye as she pushes past you and storms out of the station.

***

"There's no reason for us to stick around anymore, is there?"

Gideon shakes his head and you purse your lips, glancing at the doors behind you. You haven't been able to shake the feeling that something terrible is going to happen, but you suppose that's a common notion on this team.

"Wheels up at noon tomorrow."

You're walking out to the parking lot with the team when the feeling hits you again. The last time you felt this level of dread was right before you got the call from organized crime just over two years ago.

Your fears are confirmed when Hotch's phone rings with a call from the local PD that they have Elle at Lee's address. The drive over is silent, and even though you're always the first to call Hotch out on his guilt spirals, you can't get the thought out of your head that this is all your fault. You knew she had come back too quickly. Never mind that it wasn't your call. You should've fought it harder.

Lee's bullet-riddled body is like a beacon of your guilt as Elle insists it was cut-and-dry self defense. "I was having a conversation with him and he drew his weapon and I fired."

The police don't let any of you talk to her as they load her into the back of their cruiser, but you know what you have to do if you want to be able to sleep tonight.

"I'm going to the station," you tell Hotch before flagging down another one of the officers on the scene. He moves to stop you, but you sidestep him and level him with a glare that high school you would have been proud of. "I have to do this."

The station doesn't finish processing her until halfway through the night, but you couldn't fall asleep even if you wanted to. When they finally remove her cuffs and bring her out, you stand up from the plastic chair you spent the last four hours in and stretch out your legs.

She doesn't spot you immediately, but when she does, her body almost deflates. "I'm fine, L/N. You didn't have to come here."

She stops in front of you, her jacket hanging over her arm as she stuffs her badge back into her pocket. If you didn't know her so well, you would be surprised by how relaxed she looks. You wouldn't recognize the front she has had up since she stepped off the plane.

"What happened, Elle?"

That catches her attention, and you watch as the mask slips by a hair. "You don't believe me?"

You don't want to accuse her of something you have no evidence of, but you also can't ignore all of the signs in front of you. "Can you really look me in the eye and say you didn't go there hoping Lee would provoke you?"

She just looks at you, and you watch in real time as the mask slides back into place. Without another word, she turns around and walks out of the station.

***

The next case doesn't come until a few days later. Elle gets cleared by the bureau's internal investigation, but you can't imagine Hotch won't tack on a psych eval just to be safe.

"Nicholas Faye of Ozona, Texas, was beaten to death roughly 13 hours ago."

JJ clicks her remote and the screen in the conference room changes, displaying the crime scene photos.

"God," you curse, averting your eyes for a moment. "He's just a child."

"Blunt force trauma to the head," she continues with a forlorn sigh. "He's the second young boy in Ozona to die the same death in the last 2 months. Local hunter found his body in the woods."

Morgan looks down at the case file. "First victim's name: Robbie Davis. Are these boys connected somehow?"

JJ shrugs. "Ozona's population's roughly 2, 500. Everyone has some kind of connection."

"Well if they weren't linked before, they most certainly are now."

Hotch and Gideon's absences from the conference room don't escape your notice, so you keep an eye out for them upon leaving the briefing.

You spot them discussing something in hushed whispers by the coffee station, and you wait for them to finish before you approach Hotch.

"You missed the briefing."

His eyes pinch, and you notice that the lines in his forehead are more prominent than usual. "What is it?"

"Elle missed her evaluation."

Your breath releases like a sigh. "I can check her apartment."

"No," he says matter-of-factly, with a shake of his head. "Gideon wants all of you in Texas for this one. I'll go look for her."

You would normally argue, but the horrific images from the briefing are still imprinted on the backs of your eyelids. "Okay. I'll see you soon."

He leaves you with a nod, and you grab your go-bag before following the rest of the team to the jet.

"You guys see Elle's cleared?" Reid pipes up as soon as the plane takes off.

Derek nods, his lips thinning. "Self defense."

"So it was a good shot."

"She hit what she was aiming for."

Reid frowns. "That's not what I meant."

"I know."

"If they cleared her how come she's not here with us?" You glance up and realize Reid is looking at you. "Or Hotch?"

You don't want to reveal more than is necessary, especially when the situation is this precarious and personal, but you're saved from responding when Gideon turns around and yells, "Focus on the case!"

JJ turns the conversation back to the unsub's motivations, and you all discuss a possible profile until a new female victim emerges that strays from the previous victimology.

Gideon doesn't waste any time delegating tasks. "When we land, Morgan and Reid, go to the new crime scene. The little girl."

He turns to you. "We'll look at the scene where Nicholas Faye was found."

The murder site is so far into the woods, that you can't help but imagine what it would've been like to be the little boy who was brought all the way out here with no hope of return. You can't believe that a young child would come this far out of their way unless they trusted the person they were following. "I think the victims knew their killer."

Gideon seems to be on the same train of thought. "They followed him to this spot."

"What makes you think that?" the local officer asks.

Gideon looks at you expectantly, and you take the invitation with a grateful nod. "Well I guess they went this deep into the woods because they trusted him. He probably stashed his weapon here beforehand. This means we're looking for someone intelligent, methodical."

The police officer accompanying you doesn't look sure of your assessment. "He bashed the kid's head in, it looks like a moment of rage to me!"

"I agree," Gideon muses, turning away and looking further into the woods. "It doesn't make any sense."

After informing the town's parents of the five PM curfew, and the children of the new buddy system in place, you excuse yourself to go call Hotch for an update.

"Anything new?" you ask when he answers the phone.

"I went to her appartment to talk to her," he explains, "but she was leaving with an overnight bag."

Your heart collapses in your chest. "She's running."

"I don't know, I hope not." He pauses for a beat. "I'm following her."

"All right," you sigh, wishing there was more you could do from here, "I really hope I'm wrong about this."

He's silent for a second, and you realize your slip up. "I just mean, I don't want to- I mean, fuck."

"I know," Hotch whispers. You can hear his car starting in the background. "But Gideon's right. She's innocent until proven guilty."

He ends the call with a promise to keep you updated, and you head back to the station, where another child has been reported missing. The missing boy's little brother draws your attention to a local legend that leads you to a Mr. Fennigan's so-called "haunted" house up in the hills.

***

"Garcia," you say into your phone before putting it on speaker and setting it down at the table you're sitting at. After establishing that Finnegan's house was empty, you and team have been searching the property for any indications that he's the unsub. "You got anything for me?"

"Only that Fennigan's house on the hill is like the Bates Motel of Ozona, Texas."

You roll your eyes, even though she can't see you. "We heard the legend from that counselor, Charles I think."

"Be careful, though," she says, her voice going lower as though she's telling a campfire story. "People that go into that house supposedly never come out."

"Garcia."

"But then there is that matter of his missing wife."

Deciding to humor her, you clear your throat and whisper, "Do you think she's still on the premises?"

"I got two words for you, my friend: 'rear window'. That guy probably chopped that lady up into delicious bitesize pieces."

You suppress a laugh. "Pen, do you really think that's gonna scare me?"

She huffs and you grin, tugging open one of the drawers next to you and peeking inside.

"You're no fun. Reid was scared shitless."

"He's just afraid of the dark," you smile, before your eyes catch on something bright under the table beside you. "Garcia, I gotta go. And cut Reid some slack."

"No promises, Mama."

You tuck your phone away and reach below the table, where you find a small pink backpack with the last victim's name scrawled on top in Sharpie. "Guys! I found something."

The clues from Finnegan's house lead you back to Charles, the town's guidance counselor, and then to his son, who the police are able to catch in the act of luring away Tracey Belle, another young girl. You don't relax until she's back with her parents, and even then, there's still a tension in your shoulders.

Cases involving children never get easier, but you can't help the kinship you feel to little Tracey Belle, who had the same look in her eyes that you recognized in yourself when you were ten years old. You don't remember your mom's funeral much, mostly because you were so young, but also because the whole day was a blur. The few flashes that come back here and there are your father's eyes, red from crying, and the cold gray of the headstone that you visited with him every year on the anniversary until you graduated.

The plane ride back is morose, and no one looks up from their reading material until it's time to disembark. Hotch isn't at the office when you drop off your case file, so you rub the exhaustion from your eyes and drive home.

There's a figure sitting on your porch when you pull into your driveway, and you're a moment from panicking when her face comes into the light.

"I turned in my badge," Elle says after you lock your car and walk up the steps.

Something twists in your gut, but the one emotion you aren't feeling is surprise. "Do you want to come inside? How long have you been waiting?"

She shakes her head, and you give her some time to formulate her thoughts. After a minute, she meets your eye again. "You were kind to me."

You don't know what to say, but you can see the change in her since just last week. She already looks lighter, and you can't help but think about how heavy the job can be. It's a weight on each of your lives that never seems to let up, and while you're going to be sad to see her go, you understand. It's the right choice.

Elle presses her lips together before curving them into a small smile. "You supported me after...after Garner. I'm gonna miss you."

You smile at her, even as your heart fills with sadness. "i'm going to miss you too."

Her body shifts like she's making to leave but then she turns back one last time. "You're too good for him, you know."

You get the sense that you know what she's referring to, but it's not something you can acknowledge without sending a flare shooting up your spine. She nods once, like that's all she wanted to say, and turns away into the night. You blink your eyes closed, squeezing them tightly as though it will somehow make the last few months a nightmare you can wake up from. But that's not how this works.

You give yourself a minute to pretend, but when you open your eyes again, she's gone.

***

The case that takes you to Golconda, Nevada feels almost unique to Gideon, as he takes each of the unsub's decisions personally in a way you haven't seen before.

Once you give the profile to the local police, the sheriff, Georgia Davis, leads you to a woman with a story to match the previous victimology.

"Jane," she says softly as she walks into the holding area at the back of the station. "These people are from the FBI. I'd like you to tell them your story."

Her story takes you through a tale of alien abductions and young love, but the kernel of truth underneath sounds awfully similar to the unsub's M.O. Her eyes still shine with a childlike tenacity that you don't usually see in other victims of such prolific and disturbing killers.

"Her subconscious mind has created a delusion that she was abducted by an alien," Gideon sighs after Sheriff George sends you all out of the room to let Jane rest. "She didn't show him the fear he wanted, so he let her go."

When it becomes clear that he is still in town, you disperse around the local R.V. park in search of his vehicle.

Hotch pairs you with Emily Prentiss, the new agent who joined the team after Elle left, and you welcome the opportunity to speak with her more than you've gotten the chance to since she arrived.

"How have you been settling in?" you ask her as you both stroll along the edge of the R.V. park.

"The team has been very welcoming," she says as she continues to scan the vehicles around you. "I'm just glad to be joining such an accomplished unit."

"That's kind of you," you smile, noting the extreme focus in her eyes. Her intelligence and intense concentration on each of the cases you've worked made much more sense when you learned about her history. Her background must have sparked more than a few nepotism claims over the years, so you don't mind letting her overcompensate, if it means she will prove to herself that she deserves to be here. "Everyone seems to like having you around. I certainly don't mind."

She shoots you a smile that you return by patting her forearm comfortingly. You were worried it would be hard for another agent to settle into the space Elle left on the team, but Prentiss has made easy work of it. She has the same humor as Derek and Penelope, and you've seen how well she gets along with you and JJ. Even Reid has welcomed her with open arms.

"This team is kind of famous," she says after a moment, piquing your interest.

"Oh?"

She shrugs, turning into another row of vehicles. "You've all been through so much, but it just seems to have made you more of a family."

When you first joined the team, that was all you wanted. You were by yourself, completely alone, and the team had become your family in the blink of an eye. It was exactly what you needed. These days, you're not so sure anymore. More family just means more people to lose.

"Can I ask you a question?"

You look at her with a nod. "Yeah, of course."

"It's about Agent Hotchner."

You should've figured. Every new agent tries to vie for his approval, until they realize it's not something you can force. "Yeah?"

She sighs, and you can tell this isn't something she wants to be talking about. "I don't know if I understand him. You're the only person who seems to have his ear. I guess I'm just wondering how I can do the same."

"I got his attention and respect through decades of friendship," you say, watching her eyes widen as you speak. "But he's not the enigma you may think he is. Showing off won't help your cause, but working hard and doing your job well is all you can really do."

She nods, taking in your words. "Thanks. I'll keep that in mind."

You smile, bumping her shoulder to lighten the mood. "Don't worry about him. He knows your worth, I can tell."

Prentiss leans against you for a moment before shaking out her legs and turning back to the lot. "I don't think the unsub is here. We should meet up with the rest of the team."

Once Gideon puts it together that the unsub is hiding out somewhere in town, Hotch suggests that you all turn in for the night, but the older man doesn't want to listen.

"We could wait till first light, Gideon," he stresses, turning his body to stand between him and the officers. "It's gonna be dark soon."

"Do what you like," Jason grunts, shoving past him. "I'm gonna find him."

Hotch starts to go after him, but you step forward and put your hand on his shoulder. "Let him go. Maybe the walk back to the station will help clear his head."

He sighs heavily, and you know it's all the agreement you're going to get right now. "Let's head over there too. He needs our help if he wants to crack this before morning."

The stress lines on his forehead are almost as noticeable as they were the day Elle left the bureau, and you grab his wrist as he tries to turn away. You raise your eyebrows, knowing he'll be able to read the question written in the ridges of your face. How are you holding up?

Hotch rolls his neck to the side, stretching it out after what has been a very long day. When he looks back at you, you wait for a nod that comes after a moment. Alright. Been better, but alright.

Back at the station, the work is slow going, and you don't feel like anyone is helping with how uptight Gideon is acting. The air inside the small building has started to feel suffocating, and you finally get your chance to escape when Sheriff George grabs her car keys.

"I'm gonna take Jane home," she tells you when you approach her at her desk. "It's been a long night, and she needs to sleep in her own bed."

"You need to rest too," you say, noticing the droop of her eyes from sheer exhaustion. "Go home, Sheriff. I'll take her back. I remember her address from earlier."

She doesn't look convinced, so you lean in with a smile. "It's getting really stuffy in here. I need some air too."

That's all it takes to satisfy her, and she pats your arm with a nod before handing you the keys to the cruiser and walking to the exit.

You only see Morgan as you pick Jane up from the holding area, so you tell him you'll be back in a half hour and head out to the back lot.

"How long have you been living in this town?" you ask Jane as you make the short drive to her house.

"Since I was a teenager," she says dreamily, her eyes gazing out the window.

"You never wanted to live anywhere else?"

She shakes her head profusely. "Why would I? This is where I can be found."

You frown at her words, but it's not the oddest thing she has said today. When you arrive at her house, you park the cruiser out front and lead her up the porch steps, where she slowly unlocks the front door. "Do you want to come inside?"

You figure it wouldn't hurt to scope out the place, so you accept her invitation and follow her inside. "This is a beautiful home, Jane." Trinkets are scattered everywhere, and rudimentary sketches cover the walls.

"Thank you," she responds from another room. "You're very nice." You follow the sound of her voice to her kitchen, where she is struggling to lift a pitcher of juice from her fridge.

"Here, let me help you," you say, taking it from her and setting it down on the little breakfast table in front of her stove. "Do you have any cups?"

She walks over to a cupboard across from you, and you unclip your side-holster and set it on the table until the sound of a footstep behind you makes you spin on your heels.

You're assaulted by the sight of a tall, white man, who you immediately recognize from Gideon's profile earlier that day.

"Jane!" you yell, inching toward the table where your gun is. "I need you to run."

"Come with me, Jane," the man says, ignoring you completely. You use the moment of distraction to reach for your gun, but he's quicker than you. A sharp pinprick of pain shoots down your neck as your hand knocks over the pitcher of juice and your limbs suddenly feel like they weigh a million pounds.

"Jane, he's a murderer," you yell, hoping your voice doesn't sound as quiet as it does in your head. Your vision is already blurry, and you wish Reid was here to distract you by spouting off a list of fast-acting drugs from memory. "Jane, run!"

The last thing you hear before you black out is the sound of hurried footsteps receding into the background.

***

None of this makes sense. As each minute ticks by, he can't shake the feeling that they are missing something that's right under their noses.

"JJ just called," Morgan says, walking back into the station with his phone waving in his hand. "Apparently an anonymous caller called the tip line and claimed they saw an R.V. driven by a man who fits the description we gave to the media."

Hotch frowns. "Claimed?"

"Well, not a single R.V. or trailer has passed through any of the roadblocks."

Morgan's words click in his brain, and he instinctively glances beside him as an idea forms, but you aren't there. Now that he thinks of it, he hasn't seen you in over an hour.

"Who does the number belong to?" he asks, shifting his focus back.

Morgan is about to respond when Deputy Silo runs into the office, shoving past the other cops in his way. "We got a call from outside Jane's house. I think it was from the unsub."

Hotch stands up immediately, grabbing his jacket and gun, but next to him, Morgan stills, his face going slack.

"We need to head over there now," Hotch says, listing off a few instructions to the deputies nearby. Where are you?

"Hotch."

"And have some of your guys check in town," he continues, "in case he took her with him."

"Hotch."

He turns around. "What is it?"

"L/N drove Jane home."

His heart drops.

***

Just stay for a few more minutes, Jeff implores, his fingers dancing over your arm as you try to sit up.

You laugh as he tries to pull you back into the bed. I can't, I have to go into work.

Just five minutes, I promise. He pouts as you slide your legs out from under the covers. Three. One. One minute, please. I miss you.

I miss you too, you sigh, pressing a kiss to his lips. I'll see you tonight.

His hands reach up to caress your face, like he always does in the mornings. Cupping your cheek with his palm and running his fingers through your hair.

You settle into the feeling, wishing you had more time to just lay in bed with him. But you don't. Because Jeff's not here anymore.

Your eyes snap open right as the unsub tapes your mouth closed.

***

His hands grip the steering wheel as his SUV barrels up the small country road leading to Jane's house. He can't seem to press the gas pedal hard enough, and Reid's incessant foot-tapping in the backseat is driving him crazy, even though he understands the anxiety coursing through his body.

He beats Deputy Silo to the house, and flies out of the car without waiting for the other agents to open their doors. He's not sure what he's expecting to see inside as he pulls his gun from his waist holster, but he doesn't give himself a chance to think about it before kicking the door in.

"What the hell are you doing?" Morgan yells from behind him as he checks around the door and makes his way through the small hallway. The house is silent, aside from the footsteps of the agents behind him, but the pounding of his heartbeat in his ears is almost deafening.

"Clear," he shouts after checking each room up to the kitchen. When he steps inside, there's juice all over the floor, and he spots the pitcher on its side beside the fridge. Juice, not blood.

His eyes flash to the table and his breath catches in his throat. He would recognize your holster anywhere, especially since he was with you when you bought it.

What do you think? It's not too bold, is it?

I definitely wouldn't mess with you.

"Why didn't she reach for her gun?" he wonders out loud.

"Because she couldn't." He turns around to see Reid holding up a large, empty syringe he found under the table.

He can't take his eyes off the juice on the floor, splattered everywhere as though someone had knocked it off the counter. The image of Elle's blood spilled all over her living room is still fresh in his mind, and he can't get over how easily the dark red cranberry juice seeping into the floorboards could have been yours.

Growing up, it was a common occurrence for you to patch him up and wash the blood off his skin, but there was only one time when he had to return the favor.

He still remembers the proud glint in your eyes after you had literally head-butted a man who had grabbed you in a college bar by Georgetown. Already a year into law school, he would've thought you'd have more forethought than to injure yourself in the hopes of getting back at the jackass, but once he saw your bloody grin, his annoyance had fizzled away.

"What on earth were you thinking?" he had asked as you stuck a scrap of napkin up your nostrils to control the flow after the head-butt broke a few blood vessels in your nose. He hadn't seen you much throughout undergrad, but he was glad that you hadn't changed too much, even if it meant you were just as wild as before. "I'm getting you ice."

A few minutes of angry haggling later, he returned to your side with a small bag of ice that he held to the bridge of your nose. Nothing he said could have ruined your mood that night, especially since the man had been kicked out of the bar and banned for life.

"Did you see the look on his face?" you had asked, your eyes twinkling behind the quickly melting ice.

"I did," he sighs, before breaking into a grin. "I'm just glad that your future law degree will give you another method of retaliation against scumbags like him."

You had laughed then, causing a few drops of blood to spray out of your nose, but all he could think about as he jerked back to avoid the mess was how happy he was that you were back in his life again.

Hotch flies back to the conversation happening around him, his brain refusing to let him imagine the worst case scenario.

"Those footprints," Morgan is saying as he starts listening again, "they got to be Jane's."

Reid nods, following along. "They go to the back."

"She escapes. The unsub knows the ketamine's gonna wear off, so he's got to act."

"No," one of the deputies says. "He hasn't got what he came here for."

His voice returns to him all at once. "So he took Y/N for leverage."

"He thinks we have Jane. Which means he wants a trade."

"Whatever he wants, we need to find Jane and your agent fast."

His agent. He feels sick at the thought of whatever that man is doing to you. "Garcia can track the phone number from the anonymous caller. You go to town, we'll find Jane."

***

Your eyes are blurry as you try to clear the fogginess in your head from whatever he injected you with. You can see the shape of the unsub moving around the room, and you squint your eyes to get a better look at the anatomical posters and drawings on the walls.

When your vision begins to focus again, the man comes toward you with a smile. "You're awake." He reaches forward to check the tape on your wrists and you try to jerk away from him, but your body is still flowing with the drug. You can't move as he brushes your hair behind your ear and smiles down at you, a sinister lack of emotion in his eyes. You stop trying to move, realizing it's no use. He's been doing this for years. Mutilating women. Cutting them to pieces.

You can feel your heart rate increasing, and you try not to look at the knives and saws littering the tables around you in an effort to keep yourself calm. Your team is looking for you. Derek knows where you went.

When he grabs your arms and starts lifting you off the makeshift operating table you were lying on, you try to scream, but the tape just pulls at your lips, tearing at the thin skin underneath.

Your eyes widen as he drops you into a metal coffin-like box, but he just looks at you with a shake of his head. "No need for that," he tsks before closing the lid over you, enveloping you in eery darkness.

***

Reid and Prentiss help him inspect Jane's house further for clues as to where the unsub could've taken you. The wind chimes of rib bone blowing in the breeze on the front porch catch his attention almost immediately.

His chest feels tight and he clears his throat. "He's obviously been here before and left these gifts for her."

"How romantic," Prentiss grimaces.

"Well, his version of romance."

Prentiss frowns. "What, are you trying to say you think he keeps coming back here because he's in love with her?"

"That's impossible," Reid interjects. "A sexual sadist can't feel love."

"Well," he says, "define love." He doesn't know if he can. He knows he loves Haley and Jack. He likes to think he always wants to be with them, but when a particularly excruciating case arrives on his desk, his desire to catch the bad guy trumps everything else in his mind. He knows he will always try to protect them from anyone or anything that wants to do them harm, but is that love?

It must be, because he feels the same instinct to protect you, but it manifests in him differently.

"Chemically, it involves surging brain elements called monoamines, dopamines, norepinephrine, and serotonin."

Of course that would be Reid's answer.

He continues rattling off a list of foods that contain these chemicals, and Hotch tunes him out, turning back to the house. They're missing something, they have to be. It's not until they spot a small trailer out back that it clicks.

***

You don't know how much time passes until the effects of the drug finally wear off enough for you to rub your wrists together to loosen the tape around them. The noises outside the coffin stopped a while ago, and you assume the man has left, likely to resume his search for Jane.

When the tape finally breaks, you let out a relieved gasp and let your arms rest for a few moments, before you begin slamming your fists into the bottom of the lid. It doesn't budge, no matter how hard you pound at it, so you change tactics, instead clawing your fingers at the seams in search of a hinge or screw you can loosen.

You're still trying to pry open the lid when you hear a muffled voice speaking outside the coffin. Despite your determination to stay calm, your heart squeezes in your chest as you bring your hands up to fight back in case he opens the lid. You feel someone slide your box across the floor, before opening the top and flooding your eyes with light.

When you adjust to the brightness, you see the familiar faces of Hotch, Reid, and Prentiss standing above you, and you almost cry with relief. Hotch reaches down with a small "thank god" and pulls you up and out of the coffin. Prentiss carefully peels the tape off your mouth, wincing as some of the skin of your lips comes away with it.

When you're standing up again, your legs give out as the fear leaves you, and you collapse into Hotch.

He catches you easily, holding you against him tightly as you shake from the sheer relief of being found before something irreversible happened. You're acutely aware of your teammates watching you hang onto your unit chief as though your life depends on it, but you can't bring yourself to let go.

It's only after your hands stop shaking that he finally pulls away.

***

When you return from Texas, most of the team heads straight home, but Gideon hangs back, calling you into his office.

"How are you doing after today?" he asks as you shut the door behind you and take a seat in front of his desk.

"Fine," you say simply, looking him straight in the eye. You're not sure exactly what you're feeling, but it definitely isn't fine. The few times your eyes fell closed on the flight back, you could still feel Frank's fingers pressing the tape onto your face.

Gideon scrutinizes you for a moment, his brow crinkling as he waits for you to elaborate. You can appreciate his intention, but you really don't feel like talking about it right now. Not when the memory of the cold metal on your skin is still fresh.

"Okay," he concedes after a minute of silence. It's not really a concession - you can already hear him recommending you for a psych evaluation - but it's enough for the moment. "You don't have to do it right away, but you need to eventually fill out an incident report. I can get you the paperwork now, but I mean it, take your time."

He reaches into his accordion file folder and pulls out a sheet of paper that's mostly blank, except for a few lines at the top. "Just hand it in to me or Hotch when you're done."

You accept the paper and leave his office, with a promise to head home soon. You heard his suggestion to finish it in your own time, but you can't imagine coming back to this at a later date.

Dropping into your chair, you lay the paper down on your desk and read over the form. The first section is the same as every other form you've had to fill out at the bureau: name, date, badge number.

The second half is just one line of instruction before a vast sea of white space. Describe the incident in detail.

Images from Frank's workshop flash in your mind. A roll of silver duct tape. A bloody washcloth. A rusted scalpel. Nothing you can effectively put onto paper.

The words don't come, even as the lights in the hallway automatically turn off, and the hushed voices from the nearby offices go silent. You eventually stand up to shake out your legs and get another coffee, not because you need it to stay awake, but because it feels like the normal thing to do. The idea of sleeping just takes you back to the darkness of the coffin, and a shudder runs through you as you pour yourself a cup and dump the muddy remains of the pot in the sink.

You're about to head back to your desk to fruitlessly stare at the form for a little while longer, when your eye catches on a small lamplight from Hotch's office at the top of the stairs. Gulping back a mouthful of stale coffee, you toss the rest in the trash and grab your report before hiking up the stairs.

"You're still here?" he asks when you knock on his door and push it open. "I thought you left hours ago."

The same question Gideon asked you earlier is etched into his face, but you know he won't voice it just yet. He was always good about knowing your boundaries (and when to push them).

"I could ask you the same thing," you smile with a shrug, before flopping down into the chair by his desk. "You really need to replace this chair, by the way. It's horribly uncomfortable."

He snorts quietly. "It's a perfectly fine chair."

You laugh, the sound quickly turning into a yawn.

"Go home," he stresses, dropping his pen and fixing you with a pointed stare.

"You first."

"I have work to do."

"So do I."

He looks down at the paper in your hands. "Gideon gave you the form already? I was going to give it you in a few days."

"I'm glad he gave it to me today," you say, before dropping your eyes with a sigh. "I've just been having some trouble finding the words to describe what happened."

"You don't have to do it now..." he starts, but you cut him off.

"I do. I don't want to come back to this later. I need to finish it now, while I still can."

"Okay," he accepts after a moment. "Then take your time. I'll be here."

You fall into a comfortable silence as you bring your pen back down and start writing.

***

He doesn't finish his own paperwork until well after midnight. When he looks up from his reports, you're asleep, your head resting on your crossed arms over his desk.

He would normally wake you and tell you to head home, but you look so peaceful for the first time in too long. Haley and Jack would have gone to bed hours ago, so he figures it won't hurt to stay with you for at least a little while as you get some much needed rest. He can't imagine that sleep has been coming easy - he saw you shaking yourself awake each time you closed your eyes on the plane - so he lets you slumber.

He still hasn't gotten the image of you with your hands and mouth taped out of his head, and he doesn't know if he ever will. When your legs had given out, his arms had instinctively shot forward to grab you before his brain could catch up. He can barely look at the bandages on your wrist now, where the tape rubbed your skin raw.

Standing up from his chair, he slides his suit jacket down his arms and steps around his desk. Being extra careful not to wake you, he drapes it over your shoulders and lets you sleep.

***

Hotch gives you the next week off, but the quiet solitude of your house is too much to bear with all of the memories swirling through your brain. You know he would have called you if there was a case out of town, so a few evenings later, you find yourself in your car, driving over to the Virginia field office.

When you walk into the bullpen, it's empty aside from Reid at his desk and Prentiss at the coffee station. It's late, and you assume Reid is just taking some notes down from the last case, but you aren't sure why Emily is still here.

"Hey," she says when she sees you sit at your desk. "Don't you have the week off?"

She looks exhausted, but you understand where she's coming from. The urge to overcompensate for being new. For not being the agent you're replacing. You felt it with Gideon when you were transferred here. She likely feels it with Elle.

"I needed to get out of the house," you explain, adjusting your seat and settling back.

"I hear that," she says, before putting a lid on her coffee cup and grabbing her bag. "I should actually go home for once, but I'll see you in a few days."

Spencer doesn't look up from his notepad until the sound of the door closing behind Emily jerks him from his stupor.

"You're here," he states, as though he's not sure if he is supposed to be asking a question or not. "What are you doing here?"

You shrug, smiling at him. For a genius, he can be kind of clueless sometimes. "I wanted to see you guys."

"Oh," he says, placing his pen on his desk, "well, it's just me here."

You grin. "Works for me."

That makes him smile slightly, but it falls in an instant. "I'm glad you're okay."

Your heart leaps into your throat. "Thanks, Spence, me too."

You expect him to return to his notes, but he just looks down and back up again. "Are you? Okay?"

You frown, more out of a lack of understanding, but he starts backtracking immediately. "I'm sorry, I shouldn't press-"

"It's fine," you reassure, pressing your lips together. "It's what everyone's thinking anyway."

He doesn't say anything for a moment, so you continue to fill the silence. "You just can't let the stares get to you."

"How, though?" he says after a beat. You're not sure what he's asking, but the confusion you're feeling must be mirrored in your expression, because he elaborates. "Ever since my mom came here for the Garner case, I feel like everyone has been looking at me, with all this...pity."

Your chest squeezes as you think about all of the lingering stares that followed him around in the week after Garner killed himself. Even Morgan couldn't hide his shock when Mrs. Reid showed up at the field office. "Have I?"

He shakes his head, and your chest relaxes with relief. Spencer glances up at you, and he looks so young for a second. "You're one of the few who hasn't."

"I guess I just understand the stares better than anyone," you sigh, feeling the familiar ache as your memories return to you in flashes.

You hear him suck in a breath as the realization dawns on him. "Agent Adler..."

You nod and Reid gives you a second to take a breath before he continues. "He was my instructor once, you know. At the academy."

You smile as your eyes shine with unshed tears. "Yeah, I know."

There's this kid in my hand-to-hand combat seminar.

Kid?

He can't be more than 20, maybe 21 years old. But the kid has guts.

You remember those nights before Jeff joined organized crime so fondly these days. The calm before the storm.

"He never treated me differently."

You look up with a sad smile, the memory receding as Spencer shares his own. "Hotch made me take a few physical training classes at the academy after I joined. All the other instructors acted like I was a joke, or a prank being pulled on them...but he never did."

That doesn't surprise you. Jeff was so nurturing and kind, much better than you ever were before you met him.

"I really miss him sometimes," he whispers softly.

You reach forward and press your hand on top of his. He doesn't pull back. "Me too, kid."

***

You can't remember the last time the team went out together. There was one night, what feels like years ago, when you all got dinner together after an especially cut-and-dry case that ended within the first day you arrived on scene. When the cases are long and hard-fought, it's not the same; everyone bolts the minute the jet hits the tarmac.

Tonight, something feels different. There hasn't been a new case in a couple of weeks, and everyone seems lighter.

"I'm back," Haley smiles, carefully setting two drinks down on the little high top table you are crowded around. "Spicy marg for Emily, and mojito for me."

You're still nursing the old fashioned you ordered a half hour ago, and Hotch is only halfway through his pint of Guinness.

"How are they treating you at the BAU, Emily?" Haley asks, before putting the straw in her mouth and taking a large sip.

"She means is he being nice to you," you grin, cocking your head at Hotch as he shoots you a look of mock-offense. You know I'm right.

He flashes his eyes. And?

"Everyone has been incredibly nice," she says with a smile as a waitress approaches you with a drink in her hand.

She sets it on the table in front of you and glances behind her. "That man over there bought this for you."

Haley starts hooting before the waitress has a chance to leave the vicinity. She's definitely starting to feel her mojito, but you would never judge her on her one night away from the baby.

"That was weird," you say, hoping you don't look as awkward as you feel.

Haley leans forward and grabs your hand, an earnest smile on her face. "You should go talk to him! Only if you want to, of course."

"Yeah, it's your night off," Emily agrees, shooting you a smirk over the rim of her margarita.

"I don't know, guys," you say, sliding the drink to the center of the table.

You can tell Haley isn't done encouraging you to have a wild night, so you brace yourself for the pounce, but thankfully, Hotch stands up just as she's opening her mouth, and takes her hand. "Come on, honey, let's go show them how it's done."

"Oh!" she smiles, her face lighting up as she follows him onto the dance floor. "You ladies don't have too much fun without me."

"Wouldn't dream of it," you grin, before downing the last of your original drink.

Emily watches them shimmy into the crowd, her chin resting on her palm. "They are so sweet."

"They've been that way forever," you agree, glancing back over at them as they dance lazily in the center of the dance floor. Haley's movements are a bit looser as she slides through his arms, but he keeps a firm grasp on her hand, keeping her upright even when it looks like she may fall.

He still looks at her the same way he did in high school, when he saw her at that first rehearsal for Pirates of Penzance. There's so much wonder in his eyes, like he's seeing her for the first time, every time.

***

You should be happier right now. You're done with high school, sitting in a sea of green caps and gowns with all of your friends, but all you can think about is how soon he's going to be gone.

You're going to be at different schools next year. Him at Harvard, you at UCLA, opposite ends of the country, for four years. The gravity of what that means didn't sink in until this very moment, the worst possible timing, because you're supposed to be happy right now.

"High school couldn't end fast enough," the girl next to you grins, her cap decorated with the glittery letters of the school she will be attending next year. "I'm so ready for all of this to be over."

You're not. You force your lips into a smile and let yourself glance a few rows up, just for a moment. When it's just the back of his head, you aren't confronted by the confusing emotions that have been swirling around your brain for the last few months. Of course you would realize you're in love with your best friend a semester before school ends. But that isn't the only reason your timing couldn't be worse.

You wave at your dad in the crowd, you is wearing more school colors than even you are, and he waves back enthusiastically. It distracts you for a moment, but then you face the front again, and your eyes are drawn back to the same place.

He turns back then, with a grin meant just for you, and your heart flutters like it's in a butterfly enclosure. You smile back, more genuine this time, but his attention shifts behind you after a quick nod. You don't have to turn back to know who he's looking at in the stands.

You shouldn't be surprised they got along so well, you practically set them up. After their first date, he seemed lighter than air, giddy with the impatient brush strokes of a first love. The look in his eyes now is the same as it was that day.

How did it go?

I'm gonna marry that girl one day.

You don't know why you had just assumed he was joking around. Hotch never joked about things like this.

Eventually, he turns back around in his seat, and you stare at your hands as you clasp and unclasp them over and over and over again until you no longer feel the cavity in your chest where your best friend used to be.

***

The next case comes in as you're working on your second drink. JJ corrals everyone at the bar into taxis, and sends you all off to the airport where the jet is already fueled and waiting.

"You missed a fun night," you note as Gideon climbs into the plane, a few minutes after the rest of you arrived.

"I had a good time," he says simply, before sitting by himself a few rows over. He hasn't spoken to you since he gave you the incident report, but you know it's not about you. Being forced to let Frank get away was hard on him, but you don't know how to assuage his guilt about your kidnapping if he won't even look at you.

Derek flips open his case file and huffs out a breath. "Well, good time's definitely over."

"The Kyles," JJ says, beginning the briefing as the plane takes off, "Dennis and Lacy were murdered an hour ago in their suburban Atlanta home."

You look up, assuming you heard her wrong. "Only an hour ago?"

"Police were on scene unusually fast," she nods.

Derek frowns. "Why?"

"One of the unsubs called them and told them that the other was about to murder the victims."

Prentiss lets out a humorless laugh from across from you. "You're kidding."

"From inside the house."

JJ scans the file again. "According to the dispatcher, the first male sounded terrified and begged them to get there before the other, who they both identified as Raphael, was about to kill the sinners that lived there."

Gideon enters the conversation with a confused frown. "Sinners?"

"Also, when they arrived, the police found this displayed prominently on the bed." She holds up a photo of a page that looks torn out of a book.

"Revelations, chapter 6, verse 8."

Gideon sighs. "They're on a mission. And mission-based killers will not stop killing."

***

Gideon was right, as he usually is. The killings don't stop, and videos of the murders are posted online, spreading the killers' message for them.

"JJ, why don't you and Reid go out there, see if you can find Mr. Hankel and see if he remembers something."

"On it."

Garcia calls almost immediately after they leave. "There's a new video from our psycho."

Hotch stills. "Get it on the monitor here as soon as you can."

The police officer you met at the first crime scene joins you, Hotch, and Morgan in front of the computer as the video appears on the screen. The first thing you see is the dirty mattress. Then come the dogs.

You avert your eyes as the woman's screams for help fill the room.

"Jezebel's death," Hotch whispers, almost to himself.

"My god," Morgan grimaces. "You can turn it off."

The officer suddenly leans forward. "Oh, wait."

"You haven't seen enough?" Morgan asks, disgust coloring his tone. He has two sisters, both of whom he protects fiercely. You can't imagine what he's thinking about as he watches the screen.

"Those dogs," he says, his voice growing in strength as he speaks. "Those three dogs attacked someone a couple of months ago. I would have had them impounded, but the victim knew the owner."

"You have the owner's name?"

He checks his notepad, flipping through it rapidly. "Hankel."

Your blood runs cold. "Hankel?"

"Tobias Hankel."

You're on your feet before he can finish saying his name.

***

The drive to the Hankel farmhouse is filled with hand wringing and nervous leg bouncing. You keep catching Hotch glancing over at you, but you don't care. You just need him to drive faster.

When he pulls up in front of the house, you and Emily throw your doors open before he can come to a complete stop. Hotch and Gideon head toward the house, so you lead Prentiss and Morgan over to the barn, where you can hear the faint sound of panicked breathing.

Lifting your gun and flashlight, you push open the barn door and are greeted by the sight of JJ pointing her gun at you. "JJ, it's L/N, Prentiss, and Morgan. You're okay."

She looks frenzied, her hair and clothes covered in a layer of sweat and grime. When her flashlight comes down, you notice the dead dogs on the ground.

"Tobias Hankel is the unsub," she gasps, stumbling over to you.

"We know, honey," you whisper, taking her arm and leading her outside, before glancing at Emily behind you. "Call an ambulance."

She nods and rushes over to the clearing in search of better cell signal as Derek steps forward, his face still twisted into a worried frown. "JJ, where's Reid?"

"They just completely tore her apart," she babbles, her eyes still frantic even as you put your hands on her shoulders to steady her. "There's nothing even left-"

"JJ, look at me."

Her eyes snap over to Morgan, and he brings his voice down again. "Where's Reid?"

"We split up," she says, her voice still tight, but slightly calmer. "He said he was going to go in the back."

"House is clear," Hotch calls from behind you, making you spin around, your mouth twisting with dread.

"So where is he?"

JJ's eyes glance back at the cornfield behind the house, and suddenly you're running. You can hear someone calling your name, but all you can think about is Spencer with an unsub who's idea of torture is biblical and cruel.

There are two sets of footprints in the dirt by the edge of the field, but after a few feet, they turn to drag marks. Oh no, oh god no.

***

The whole team - except for Reid, your brain keeps reminding you - sets up in Hankel's house, with even Garcia joining you on the scene to limit communication time.

You can't sleep as you alternate between reading Hankel's journals and hovering over Penelope's shoulder as she pores through his downloaded images and videos. Even as exhaustion pulls at your eyes, you periodically splash your face with water from the bathroom to keep yourself up. If anyone can understand how terrifying it is to be taken by a psychotic killer, it's you. Succumbing to sleep feels like a defeat, like you've given up on him.

You don't find anything useful until after Emily and JJ return from meeting with Tobias's N.A. sponsor, but in the sixth hour of scouring his journal, your brain clicks with a realization. "Guys, some parts of this journal match his father's handwriting. But they were written after he died."

"The bedrooms upstairs..." Gideon mutters, his eyes shifting up like they do when he's thinking. "One of Tobias's personalities may be his father."

Your brow furrows and you look down at the journal in front of you even as your eyes burn with fatigue. "Then who is Raphael?"

"My guess," Gideon sighs, "a mediator between the two."

Hotch looks at you, and you can see the concern etched into his face. "We need to start profiling Tobias's father. He may be the one who chose where to take Reid."

Morgan nods. "I'll get Garcia on it."

He leaves the room and Hotch comes over to the table, where you're still staring down at one of the journals. Your hands are covered in pink half-moon indentations where your nails were pressed, and he fights the urge to take you away from here, to save you from this hurt. "You should get some rest."

"I'm fine, Hotch," you whisper through gritted teeth. He can hear the worry in every word that leaves your mouth. The terror at the prospect of losing the team's youngest profiler.

"You didn't sleep at all last night," he points out gently.

"Neither did you."

You're not wrong. He didn't get a chance to shut his eyes either, but he's used to the sleepless nights. He supposes you are, too.

Your focus returns to the journal, and you don't notice as he slips out of the room and finds Gideon by the front of the house.

"Reid's brilliant," the older man sighs when he notices Hotch, almost like he's trying to convince himself. "He'll make it."

"I take advantage of Reid for his brain," he says softly, "but I never teach him how to handle things emotionally."

Jason shrugs. "Lead by example."

"What kind of example is that?"

For a bunch of criminal psychologists, you all still have no idea how to truly deal with losing people. Maybe that's just how life works. He thinks about the weeks after Jeff's death, when he wasn't sure if you would ever be okay again. Even as he held you while you cried, and promised that you would feel okay someday, he's not sure if he ever actually believed it.

But then one day, your eyes stopped shining at the mention of his name, and you no longer fell apart after each time you had to question a victim's widow.

Even after your mother's death, you were stoic. He remembers holding your hand at the funeral, but your grip was almost stronger than his, like you were holding him up with your sheer willpower to stay upright.

Seeing you now, he's not sure what will happen if Reid doesn't come back. He just knows he doesn't plan on finding out.

He and Gideon rush back inside when Garcia's voice frantically calls for everyone to look at Hankel's monitors. His eyes squint inadvertently as the video feed of Reid tied to a chair lights up the screens in front of them, almost like his brain is trying to block out the image.

Your hand flies to your mouth, but not before a small anguished sound escapes. "He's been beaten."

"This is for us," Garcia whispers, tears streaming down her cheeks. "He knows we're here."

"I'm gonna put this guy's head on a stick," Morgan spits out, before turning around and slamming his fist into the room's wooden door.

Gideon leans closer to the screens, clearly trying to take in any detail he can from the scene. "Why can't you locate him?"

"He's rerouting to a different I.P. address every 30 seconds," Garcia explains, her voice thick through the tears. "I can't track him."

***

The screens shut off and the video feed of Spencer is gone. Penelope starts frantically typing away at the keyboard, likely in an effort to regain the signal, but it doesn't seem to be working.

Your body feels heavy, like there are weights on all of your limbs. Realistically, you know it's mostly the stress and exhaustion, but you can't stop thinking about the frightened look on Reid's face and how he must be feeling.

When you walk back through the house, the sound of a hushed argument in the kitchen catches your attention.

"JJ, what do you want from me?"

You recognize Morgan's voice, and you almost turn away to give them some privacy, but something in JJ's voice as she responds keeps you at the door.

"I just...I want someone to tell me the truth."

"The truth is one of you is here, and one of you isn't. You gotta figure the rest out for yourself."

You're walking inside before you can stop yourself. "Morgan, go help Penelope with the video file."

He looks surprised when he sees you, but he doesn't argue before leaving the room.

JJ rakes a hand through her hair as you approach her slowly. She doesn't shy away as you stand next to her, so you reach out and squeeze her forearm once before pulling back. "I was terrified when Frank took me in Texas."

She looks up with a shocked expression, her eyes finally meeting yours for the first time all day.

"I was terrified," you repeat, "but I never lost hope, because I knew you guys would come for me, no matter what."

Her eyes crinkle with sorrow and you pat her arm again, almost as much for you as for her. "I didn't blame anyone for what happened to me, JJ. Reid isn't blaming you either."

Her lip trembles, and you pull her into a hug as the tears finally come.

***

"Your team members...choose one to die."

Spencer gasps on the grainy computer monitor. "Kill me."

"Tell me who dies."

"No."

The back and forth continues as Hankel stalks toward him and lines his revolver up with Reid's forehead. "Choose."

"I-I choose Aaron Hotchner."

The room stills.

"He's a classic narcissist. He thinks he's better than everyone else on the team. Genesis 23:4. 'Let him not deceive himself and trust in emptiness, vanity, falseness, and futility, for these shall be his recompense. In emptiness, vanity, falseness, and futility, for these shall be his recompense.'"

Reid's words sink in and you unconsciously reach towards Hotch, but he's already walking out of the room. You follow him into the other room, the rest of the team on your heels.

"I'm not a narcissist," he says, his voice lighter than you're expecting. He grabs a Bible from the table and quickly flips through it, landing on the verse Reid mentioned.

"Come on, look," Gideon urges. "You can't think anything from that. He's not in his right mind, Hotch."

He waves away everyone's concern. "No. Stop. Stop. All right, everybody right now- what's my worst quality?"

No one says anything. You can feel Morgan revving up, so you jump in to start things off. "You're a workaholic."

Your mind flashes back to your hometown's library, all the late nights where you would fall asleep in your chair as he worked away into the early hours of the morning. His home was a trigger after his father died, and you could see the guilt eating away at him as he realized he didn't miss his dad as much as he was supposed to. As much as Sean did. The guilt that wore him down as he struggled to figure out how to be there for his brother, when he couldn't understand his pain.

He nods at you then, and there's nothing but determination behind his eyes.

"You're a bully," JJ chimes in.

Morgan adds, "You can be a drill sergeant sometimes."

Hotch is still nodding. "Right."

"You don't trust women as much as men," Emily says, her voice wavering slightly.

"Ok, good," he says, tapping the page with his finger. "I'm all these things, but none of you said that I ever put myself above the team, because I don't, ever."

"Hotch, what's your point," you whisper, chewing your lip as you anxiously glance back at the screen.

He shushes you with a wave of his hand. "Reid and I argued about the definition of classic narcissism, and he knew that I would remember that, and he also quoted Genesis, chapter 23, verse 4. Read it."

You lean forward, taking the book from him. "'I am a stranger and a sojourner with you. Give me property, forbear a place among you that I may bury my dead out of my sight.'"

"He wouldn't get it wrong unless it was on purpose."

"Bury my dead," Morgan repeats, his eyes widening. "He's in a cemetery."

***

Hotch heads to the nearest cemetery with Morgan and Gideon, while you follow closely behind, with JJ in the seat next to you and Emily in the back. The drive is short, and you all throw yourselves out of the SUV when you park, as everyone spreads out to search the cemetery.

"Come with me," you tell JJ when you see her eyes flit around the darkness, a slightly panicked expression on her face. "We'll find him."

The wet mulch of the graveyard sinks under your quick footsteps, and you keep your eyes peeled as his name choruses around you, from all of the officers milling around.

The search ends with the sound of a gunshot, and when you get to the source, you nearly collapse with the relief of seeing Hankel on the ground as Reid kneels beside him.

"Spencer," you gasp as the other agents examine Hankel's body. He looks up at the sound of your voice and his face contorts for a second as you kneel in front of him.

A small sound leaves his mouth and suddenly your arms are crushing him to you, your panic ebbing away with the rapid rise and fall of his chest. "You're okay. You're okay."

Hotch reaches out when you break apart and helps him up before Reid pulls him into a tight hug that surprises everyone. "I knew you'd understand."

Hotch tightens his arms for a moment, before they both pull back and JJ throws her arms around Reid. "I'm so sorry."

He pats her back, and for a split second, you can almost imagine he's comforting her, instead of the other way around. "It's all right. It wasn't your fault."

She steps away from him and he asks for a moment alone, so you all move back a few paces, allowing him the time to come to terms with the death of the man who somehow both tortured and saved him. You use the second of space to catch your breath as you will yourself not to let the tears of relief fall.

When Spencer finally stands up, you grab onto his shoulder as he wraps his arm around you, and you help him over to the ambulance that is waiting by the edge of the cemetery.

"Thank you," you gasp as he sits on the edge of the vehicle, suddenly unable to help yourself.

He frowns, his hair hanging in sweaty pieces in front of his face. "For what?"

"For staying alive."

***

The next case takes you to New York, where you find yourself hyper-vigilant as you watch Spencer try to acclimate to the job again. You can't help but notice the small changes in his demeanor, including the snappiness in his tone as he responds to everyone's questions, but you attribute it to the shock of his kidnapping.

After returning from the city, you decide to take some time to complete the paperwork you've been letting slide. Hotch managed to head home at a decent hour for once, and JJ and Prentiss are no where to be seen, but you spot Morgan twiddling his thumbs at his desk, his eyes darting over to peer at Reid almost as often as yours do.

An hour into scribbling out a case report, you head over to the coffee station to refill your mug. It has cooled down since you made it a couple of hours ago, but it still tastes just how you like it.

Burnt, Hotch's voice grumbles in your head. Even when he's gone, he won't leave you alone.

Topping off your mug, you turn around to get back to work and end up bumping into Reid, who looks worse for wear than he did on the jet.

"Shit, sorry," you smile, trying to get him to meet your eye. "I didn't see you there."

"Watch where you're going," he snaps, before stepping around you.

You don't let him get away that easily. Grabbing his arm, you hold him in place as he tries to wriggle away. "Spencer, don't do that. You know you can talk to me about anything, right?"

"I'm fine," he says simply, his expression almost emotionless as he glances back at you over his shoulder.

"I'm serious," you say, putting extra emphasis on your words. "I know what you're feeling. I can help."

His expression shifts into one of animosity and something else you can't place. "You don't know anything about what I'm feeling."

His words are like a slap to the face, and he uses your break in focus to tug himself out of your grip and stalk over to the bathroom around the corner.

You press your lips together, willing yourself not to take it personally. He's just been through a horrifying ordeal. No one can expect him to continue on like normal, at least for a little while.

"Something is up with him," Morgan says from his desk, before spinning in his chair to look at the spot where Reid walked away. "He's acting...hostile."

"He's just adjusting," you say quickly, your protective instinct coming out in full force. You close your eyes for a moment to calm your voice down. "This is a normal reaction for what he went through."

Derek doesn't look convinced, but he doesn't press the issue. You don't even know if you're convincing yourself, because you know why this kind of hostility and irritation manifests: when you're hiding something.

You weren't a particularly crazy teenager, so you didn't have much to hide from your parents, but there was one secret you held until you left for college that manifested in your daily interactions. One secret that changed how you acted around your best friend, how you spoke to him, how you even looked at him.

You push the thought away before turning to stare at the bathroom door as it falls shut behind Reid. You know Morgan's right. You just don't know what to do.

***

"Hey, Reid," Derek says, looking at him with a small smile. "What's going on up there?"

He shrugs. "Just thinking of this old friend of mine from Las Vegas, Ethan. Pretty sure he lives in New Orleans now."

JJ called you at home a few hours ago with the briefing and an instruction to pack for warm weather. Wanting to pack light, you threw on the tank top you planned to wear, and a button-down for the flight. A few cursory glances around the jet tell you that almost everyone else had the same idea. Of course, Hotch is still in his suit, and Reid has on a sweater vest that you're sure he won't take off, even if the temperature skyrockets.

"Really?" Derek asks. "You going to give him a call?"

Reid shrugs again, and you absentmindedly wonder if his shoulders hurt from the number of times he has used that motion over the past week. "We grew up competing against each other in absolutely everything. Spelling bees, science fairs. We also both had our hearts set on joining the Bureau but first day at Quantico he backed out."

Emily, who is sitting next to you, looks up with a grin. "He probably just couldn't take the heat."

"It's not really for us to judge, is it?" Reid states, and her face falls immediately.

"Right. My bad."

He hasn't been as irritable in recent days, but sometimes a random response will rub him the wrong way. You find Emily's hand on the armrest and squeeze it once. She looks down at her hand and then at you, a grateful smile on her face.

JJ directs everyone back to the images that were recovered as you approach Louisiana.

"A slaughter like this takes time," you note as you examine the depth and shape of the wounds on the dead man in the photos before you.

"Andrei Chikatilo fantasized that the men he killed were his captives," Reid adds, chiming in from across the cabin, "and that torturing and mutilating them somehow made him a hero."

Gideon nods, looking up from his file. "This city's barely back to life. Something like this could cripple its psyche."

"So," you say, looking at JJ. "Where do we start?"

She sighs. "All of the records were washed away in Katrina."

"With no case files, there's only one place we can start," Hotch says, drawing your attention. "Square one."

The plane lands soon after, and you disembark into the midday heat, heading to the latest crime scene immediately after dropping your bags off at the station.

Instead of a body, there's a very alive man waiting for you all at the scene.

"You must be BAU," he says, reaching out to shake JJ's hand. "Will Lamontagne."

She smiles at him, accepting the handshake. "Hi, Jennifer Jareau, we spoke on the phone."

The detective is looking at her so intently, you almost feel like you're interrupting something by bring here. "Okay, then. I pictured you different."

You glance over at Emily, who is already looking at you, a smirk on her face.

"These are Agents Gideon, Morgan, Prentiss, and L/N," she introduces. "This is Detective William Lamontagne Jr."

He nods at you. "Appreciate you guys being here."

"Of course," you say, trying to keep the smile off your face as you shake his hand. Beside you, JJ has turned a light shade of mauve that you presently allow her to pretend is just from the heat.

***

"Morgan called," Hotch mentions when you finally meet him back at the station. He hasn't seen you since you got off the plane. "He and Prentiss think the unsub is a woman."

You ponder the idea, your eyes lighting up as the gaps in the profile get filled. "All straight male victims, killed while on a night out at the bars. Always in groups of other men, drinking. A woman would be able to lure them away. That makes sense."

He nods, turning back to the letters from the unsub. He's about to call the rest of the team back in when he notices your forehead crinkle out of the corner of his eye. You look up at him. "Wait, you said Prentiss and Morgan think it's a woman. What about Reid? Didn't he fly out with them?"

He sighs, mentally kicking himself for letting that slip. He doesn't want you worrying about Reid any more than you already have been, but he knows there isn't anything he can do to stop you. "Apparently he missed the flight. They couldn't get ahold of him."

"What?" Your brow furrows with concern, and he quickly interjects to keep you from spiraling. "They will be back from Texas any minute now, and Gideon said he spotted Reid heading over here a few minutes before you arrived. Nothing has happened to him."

"What are you talking about?" you exclaim, before bringing your voice down. "The worst thing happened to him. He's hurting more than any of us can possibly imagine. I just don't know how to help him get through it."

He doesn't correct you. He doesn't say that almost every single member of this team can at least somewhat relate to what Reid may be feeling, including you. Instead, he puts his hand on your arm and says, "You're doing all you can."

You sigh. "And what's that?"

"You're promising to be there when he's ready for your help." He sees the tension visibly leave your shoulders, and he pulls his hand back. "That's all any of us can do."

***

When another body is found in the French Quarter, the plan changes. Everyone disperses in pairs to cover the streets in the hopes of catching the unsub in action.

Even as night falls, the temperature doesn't, and you strip off your over-shirt, leaving you in a pale pink tank top. When you emerge from the bathroom, Hotch is the only one waiting for you outside, with all of the other pairs already patrolling Bourbon Street.

He gives you a funny look when he sees you tying your button-down around your waist, and you bump your shoulder against his with a laugh. "What are you looking at?"

He exhales in a quick burst, before meeting your eye. "You look different."

"That doesn't sound good."

"No," he shakes his head, his eyes blinking shut as he clearly regrets his choice of words, "no, it's good...uh, you look good."

Your stomach flips and you turn your face down to hide the smile that's threatening to appear. "Thanks, Hotch."

He huffs out a laugh before leading you up to the bars, where tourists are bustling around in large groups. The sounds of buskers playing their accordions at the street corners loosens a memory from your brain, and you turn to him with a bright smile. "Remember your first performance of Pirates of Penzance?"

He frowns. "I remember it being my first and last foray into the world of theater."

"No," you giggle, glancing around you periodically even as you continue the story. "I mean, do you remember how that one accordion player tripped and almost fell into the orchestra pit like ten minutes into opening night?"

His eyes light up at the memory and he laughs. "I thought it was hilarious, but Haley was so stressed out the whole performance. To this day, I've never seen that vein in her forehead get so big."

"You were pirate number four," you chastise him with a grin. "She was one of the leads. I hardly think you can compare experiences."

He shrugs, his eyes still scanning the vicinity. He looks like he wants to say something, but then you both notice Morgan and Reid rushing towards one of the side streets and your conversation halts. "Let's go."

***

With help from Detective Lamontagne and his late father, the team is able to catch the unsub right before she kills another man. Once she's in custody, you wait outside by the ambulances, watching from afar as JJ and Will talk by his car.

After a few minutes, she hands him something and walks back over to where you're standing. "I can't believe I just did that."

"What did you do?" you ask, trying not to laugh at how freaked out she looks.

She puts her face in her hands for a second, before looking at you with a sigh. "I gave him my number."

"That's good!" you smile, squeezing her arm. "That's good, right?"

"I don't know," she says softly, her eyes squinting as she looks at you. "He seems really sweet. And he's clearly great at his job. I think the distance just worries me."

"You can take it slow," you tell her earnestly. "This doesn't have to be any more serious than you want it to be."

"What if I want it to be serious? Eventually, I mean."

You can't help but smile at the look on her face. You recognize it on yourself from when you first met Jeff: the excitement of possibility. "Then that's up to you too."

She nods, and you let out a smile. "Let loose, JJ. He seems like a good one, and you definitely deserve something good."

JJ glances over at the police cars, where Will is talking to one of the paramedics. "I hope so."

***

You sit by yourself on the flight home, giving yourself a bit of time to unwind from the case. You don't encounter female unsubs often, but the ones that arise always have a tendency to get under your skin. Maybe it's because their motivations seem so different from the others. Or maybe you just feel bad for them.

You're so zoned out that you don't realize Spencer is sitting next to you until he taps your arm. "Hey."

"Hey, Spence," you smile, trying to keep your tone light so he doesn't think you expect too much. "What's up?"

He looks down for a beat before meeting your eyes. "I'm sorry."

Your heart twists and you press your lips together to keep from speaking too quickly. "You never have to apologize to me."

"I do," he says, shaking his head. "Please just let me."

He looks so strong all of a sudden. You haven't seen him look so steady in months, and it makes your chest feel lighter. "Okay. I forgive you, Spencer."

He nods, making a move to get up, but you don't let him get away just yet. "Just promise me something."

He purses his lips, like he's unsure of how to respond, but eventually he dips his chin into another nod.

"Promise me that next time you feel this way, you'll come to me."

He looks at you with an expression you can't decipher, but it quickly falls into contrition. "I promise."

***

"What are you thinking about?" Hotch's shoulder bumps yours as he sits down on the edge of the desk next to you.

"Nothing," you say quickly. He's not sure why you're lying. He can sniff out your dishonesty from a mile away.

"I thought you and Reid got a chance to talk on the plane last week," he frowns, following your line of sight.

You sigh, turning your gaze away from the younger agent. "We did. I just keep thinking about what he said about the unsub at the last scene."

He's like a drug addict.

It would be almost impossible for him to quit without help.

"All of us knew," he says softly, his eyes turning up, searching for something he can't see. "To some extent, we knew. But he's doing a lot better now. We just have to give him time to trust us with the truth."

Your eyes find his. "How did you know you could trust me? When we were kids, I mean?"

Your question takes him aback. He wants to say something profound, to mention a specific moment when he realized that he could share the worst parts of his life with you without the fear that the world would end, but it wasn't that poetic. All he knows is that you were a kid, and he was too, and the first time you saw the splotches of black and blue painting his skin, you didn't turn away. You looked at him, not with pity or sorrow, but with a strength that he still draws from to this day. "I think I just knew you would always be there."

You ponder his words, your eyes traveling back to Reid, who is flipping through a book he brought with him. He knows there are a lot of ways you could take what he said, but he believes you'll take what you need, because he was telling the truth.

You really were always there for him. Even when you weren't - either because of physical distance or because you were in a fight - he never doubted that you would be there if he needed you.

"Come on," he says after a beat. "Let's head back."

You nod, your mind still a million miles away. "Okay."

***

Friday nights used to be your date night. Jeff would promise to be home by seven, usually with a bottle of wine and a bouquet of flowers, and you would cook something special together before watching a movie or falling into bed.

After he died, Friday nights became your least favorite time of the week, serving as a constant reminder of what you should have, and no longer do.

Today, for the first time in over two years, you think you might be ready to remember those nights you used to love. Grabbing a bottle of cabernet from your pantry, you pull out a thin-stemmed glass and pour yourself some wine. Your heart thuds heavily as you swirl the wine around, and you are willing yourself to bring the glass to your lips when your pager goes off. You feel a shameful sense of relief as you set your glass down and reach for your purse.

181 Arthur Street. Why does that look familiar?

You wrack your brain for a second before it clicks. It takes you less than a minute to toss your wine into the sink and grab your coat.

***

"Where's Gideon?" you ask when you spot Hotch and the team standing in his kitchen.

"He's not here," he replied. "It seems he left in a hurry."

Morgan looks at him with an urgency you recognize in yourself. "PD thinks he did this?"

"They have six witnesses who saw him running down the street covered in blood, wielding a gun."

"Okay, he was probably chasing the son of a bitch who did do this."

Hotch shrugs, and you can feel the momentary helplessness in the motion. "Either way, we're under strict orders not to get in the way of the investigation."

"Gideon's a suspect," Emily nods, "we're his colleagues."

"Conflict of interest," JJ agrees. "There's no way they'll ask for our help."

"Which he needs badly right now."

You turn into the bedroom to look at the crime scene for the first time. The mutilation of the victim's body brings a familiar nausea to your stomach that you swallow down. "Do we know who she is?"

Hotch comes in behind you. "An old school friend." He turns back to spout off a list of instructions to JJ, but you can't take your eyes off of the woman.

Evisceration of the torso. Removal of various organs. No defensive wounds.

Something in her hand catches your attention and your eyes flicker down to see what she's clutching. Using one of your gloved hands, you pry open her fist and reveal a broken piece of bone. A rib bone.

"Frank," you whisper, almost to yourself. "It's Frank."

"What did you say?" Morgan asks, stepping up next to you. You unfurl your hand to reveal the bone, and he swears under his breath. He turns around to address the rest of the team. "Frank's back."

After JJ snaps a dozen photos of the crime scene on her phone, you all head out into the night air to regroup and formulate a game plan. You hang behind the team on the walk out, your mind spinning with memories of hands and voices you still see sometimes when you're trying to fall asleep.

"Y/N." Your eyes snap up to Emily's as she strolls alongside you. "You okay?"

She looks sincere, and you find yourself wanting to talk all of a sudden. You nod, heaving out a sigh. "Yeah, it just feels very fresh all over again."

"I can imagine." She takes your hand and gives it a small squeeze. "You can come to me if you need a break from all of it."

She leaves you with an earnest smile, and you realize, not for the first time, how glad you are that she's on the team.

***

You aren't able to save Rebecca Garner this time. Frank kills her, and you once again feel that familiar bitterness of nausea rising in your throat as you see her mutilated body.

When you realize he's going to go after children again, you join Hotch and Morgan as they go to Tracey Belle's house.

"We need a crime scene team," Hotch barks into his comm when the home comes up empty, no trace of anyone inside.

"That's my house!"

You turn around and see Tracey's parents running up to the entrance, panic reflected in their eyes.

Hotch steps forward to block them. "Mr. Belle..."

"You have to let us in. My daughter's in there."

He turns to the mother. "Ma'am, you can't go in right now."

"Where's Tracy? Where is she?"

You can see the interaction pulling him down, like a ship anchored to the sea floor.

"What's important to know right now is Tracy is alive, okay? Your daughter's alive."

S.W.A.T. takes the parents aside to explain the situation to them in more detail, and you go to Hotch's side as a pained expression crosses his face. More than anything, you want to comfort him. To tell him that Tracey isn't Jack, that this won't happen to him...but how can you?

Gideon's girlfriend was murdered tonight. Jeff was killed while undercover. Your mother was killed by a drunk driver. No one is ever really safe.

Your eyes flash back over to Mr. and Mrs. Belle, and your chest tightens almost uncontrollably as you imagine how scared Tracey must be.

When Emily and JJ find Jane in a holding cell at the local precinct, her knowledge of Frank's backstory provides more clues about his whereabouts. You go with JJ and Reid to his mother's apartment in Manhattan, while the rest of the team heads to the train station to find Frank.

The idea of Tracey being all alone, frightened for her life, plagues your every thought as the three of you drive to the city. You try to clear your mind as you push through the front door and check for any sign of life. Instead, what you find is the dusty corpse of Frank's late mother.

"Guys, over here." Reid points to a latched door. Stepping around the bed, you immediately unlock the door and throw it open, revealing the tiny, shivering form of Tracey.

"Oh, sweetie," you gasp as sits up in fright, her posture only relaxing once she sees the FBI vests. "You're okay, honey."

You undo the ties on her wrists and she all but falls forward and into your arms. You pull her into a tight hug, making sure to be careful of any possible injuries she could have sustained. The feeling of her chest rising and falling against yours brings you a familiar comfort, and you squeeze her tighter, before finally letting go.

***

He finds himself in Strauss's office again as he explains what happened with the Frank case. How he killed himself and Jane, but he can't bring himself to take that as a failure, because he knows she never would've found the strength to leave him anyway. "Once again, the team has battled a monster and won."

"The future of the BAU is not in the balance here." Her eyes are brimming with scorn. "The residual impact as a result of the investigations into the crimes and criminals you pursue is. Every cause has its effect."

He almost scoffs. "You think I don't know that?"

"I believe you are no longer effective in your post."

There it is. He knows she never liked the way he handled his team. The next words are out of his mouth before he can stop them. "The modern furniture, strategically placed magazines, the framed diplomas, the art on the wall are all in conflict with your family photos."

Her eyes widen but he just continues, undeterred.

"You have three children, but you favor the middle one, your son."

"What do you think you're doing?"

"Of course you love all your children," he shrugs, "but not like your son."

Strauss twists her hand into a fist. "That's enough."

"The bonsai that you obsessively nurture is to compensate for feelings of failure as a mother..."

"Agent Hotchner," she says, her voice bordering on rage. "I said that is enough. My position is not in question here. As your superior I am questioning your ability to lead your team."

"My team?" he scoffs, unable to keep the malice from his tone. "Let me tell you about my team. Agent Morgan fought to protect his identity from the very people who could save him. Why? Because trust has to be earned and there are very few people he truly trusts.

"Reid's intellect is a shield which protects him from his emotions and at the moment his shield is under repair.

"Prentiss overcompensates because she doesn't yet feel she's a part of the team. She needn't worry.

"Every day, Agent Jareau fields dozens of requests for our team. And every night she goes home hoping she's made the right choices.

"Garcia fills her office with figurines and color to remind herself to smile as the horror fills her screens.

"Agent Gideon in many ways is damned by his profound knowledge of others, which is why he shares so little of himself. Yet he pours his heart into every case we handle.

"And Agent L/N," he pauses finally, taking a moment to find himself again, "she has taken the immense loss that life has handed to her and transformed it, not into cynicism, but into empathy, for her team, for the victims, for the world."

Strauss doesn't say anything, and he can't help the vindication that shines through his voice as he says, "I stand by my actions and I stand by my team. And if you think that you can find a better person for the job, good luck."

"Agent Hotchner," she emphasizes, making him look back at her one last time.

"How do I know you favor your son?"

She simply looks at him, a mixture of irritation and shame on her face.

"I'm good at my job."

***

"What's wrong?" Hotch looks up in surprise as you sidle up next to him. He was staring at the portrait of the FBI director, hanging in the hallway outside the bullpen, and he only does that when he's professionally stressed.

He looks like he wants to avoid the question, but you fix him with a glare that makes him sigh. "We're being evaluated."

"Doesn't that happen every year?" you ask, still not understanding.

"It's six months early."

You take a deep breath. This past year has been tough for everybody, but you think the team has come through the other side better people. "So they're assessing our unit. It'll be fine, we did great work this year."

"The only file they didn't request was mine."

That sends a spike of anxiety through your bloodstream, but he doesn't need your fear. "They could never fire you. You stepped up to the plate when Gideon left. You helped make this unit what it is."

You're the reason I joined at all, you want to say. You made this unit my family. I can't imagine being here without you.

But that isn't fair. He doesn't need to carry this with you. This burden of having no one else.

So instead you just smile at him, bump his shoulder with yours, and say, "You're going to be fine. This team wouldn't be the same without you."

TAGLIST: @citrusiove, @distortionbobble, @sanayikes (message me to be added!)

[foone]

The worst part of working at the Dimensional Nexus is that we don't get the regular internet there so you can't just watch your shows on Netflix or whatever. We gotta stick to analog media, since the digital stuff doesn't deal well with the temporal flux (the analog stuff doesn't either, but it's usually just a fuzzy image for a second, while your computer just crashes).

Everyone brings in their favorite media from home on old analog tapes (or laserdiscs. They're analog too! And we've got a couple hardened players on the lounge, so we can watch them).

Anyway while you're on-base (which could be for months or years), all your (video) media consumption ends up being on CRTs and piles of tapes you brought or traded with coworkers. Most people bring in a second suitcase of tapes so they'll have something to watch.

I brought in some letsplayers I stuck on a few VHS tapes (yt2vhs is a great program), and box sets of Star Trek: TNG and DS9.

About a month in, the trades really open up, as everyone has watched their own tapes and wants more. I got a good deal on a laserdisc of the Soviet version of... Well, nevermind. But let me just say, in my defense, the author of the books never went off the deep in in that universe, and the Soviet version wasn't made with her cooperation, anyway. I know that's sometimes a little difficult for people from the 91-verse to believe, but that's not the author's reputation in the rest of the Nexus.

Anyway I traded my TNG episodes for VOY. I've seen TNG a dozen times, so I figured it was time to go back over VOY.

It seemed to be pretty similar to what I remembered (other than them killing off Seska of all people at the beginning of S3? Who kills off your series's main villain?!) but at the end of S3 I hit the big divergence between our universes:

Seven. They introduced him early on in Scorpion, part 1, earlier than I remember.

The storyline goes mostly the same, with just a little less 7/Janeway romantic tension (do they even get together in this version? I'm gonna have to wait until season 5 to find out!)

Harry Kim lives in this version of Scorpion, too. I'm not sure why that is, they were clearly setting him up to die? Probably some executive meddling or something. I don't have access to Trekpedia (especially in that universe!) to check.

But yeah. This is one of the universes that got the twinky Seven instead of the catsuit-girl version (Not that this version wears any fewer catsuits). They got 9 seasons instead of the usual 5, so I'm excited to see if those extra ones are any good. When I was picking up the tapes I was surprised how many there were, and Josh told me in his universe they get home in season 6 and the remaining 3 seasons are a sort of spin-off/reboot done when Orbita took over from UPN.

Can't wait to see how that goes. More Star Treks need a post-script season (or three) made in the USSR!

Anyway I'm already looking forward to finishing this because I've already gotten a lead on a copy of TNG where Yaphet Kotto said Yes to the Picard role (sadly that version doesn't have the quintessential Jeffrey Combs as Riker, but I hear some people swear by the Gregg Marx Riker).

Still looking for any copies of the Kim Miyori-as-Data version of TNG. That one wasn't as popular (not it's vault! They had the US Doctor Who and both the Star Wars shows to go up against) so it's less likely to be brought in, but I'm always checking video libraries whenever I'm in that universe. Someday I'll find it. I found that fucking CED of the Walken A New Hope, I'll get the girl!Data TNG one of these days!

[the-kingshound]

Adrei growls. She bangs her arms against the door until it breaks, splintering under her enhanced strength. Her parents locker her inside the room where her father goes when he has his episodes.

But she isn't mad, she's thought this through.

She has sins she needs to amend to. And if anyone tries to chain her up again she'll kill them.

She makes her way through the courtyard with heavy, dragged steps. She crushes the sword of a guard that dares standing between her and her horse. A loud crack echoes as she pushes the guard aside, a limp body colliding with stone and collapsing to the ground.

Someone screams, and Adrei advances.

WHo cares.

She needs to get to her brother. Emyr is in pain and Adrei has allowed that suffering to take place for years, doing absolutely nothing. She swore, as he was departing from the House to be wed, that they would see each other again.

Twice. Twice have she met her brother since then. What she has is fifteen years of letters in which her brother withdrew more and more, parchment becoming progressively more crumpled, stained with ink as if he didn't even have the energy to write anymore. And she did nothing.

But NO MORE.

Her mare neighs, agitated, as she mounts it and pushes it to a fast gallop.

---

Emyr looks up from the desk with a worried frown. He doesn't want to get up, even less to leave the room, but when another loud sound reaches the depths of his room, by now the fourth or fifth one he's heard, he rises.

His clothes are a mess. His hair unwashed, tied up in a bun that would have made him cringe in shame a few years back.

He walks up to the door, but stops just before wrapping his fingers around the handle. He hasn't gotten out in so long... and if his wife sees him, she'll scream and-

Other worrying sounds reach his ears, so Emyr opens the door.

Blood stains greet him.

The ground is washed in gore. Sparse severed limbs lie scattered, and just at the end of the hallway his sister, drenched in blood, is holding off the ground the body of Emyr's wife. He feels locked in place, and isn't able to let out even a sound as Adrei, eyes lifeless and completely black, crushes her neck without effort.

Her body goes limp, then Adrei throws it to the side with very little care.

Emyr wants to throw up.

His oldest sister spots him, then. She takes a step forward and Emyr takes one back, his heart beating loud, but he only feels numb.

His wife is dead.

His prison her House is destroyed.

Adrei freezes.

Everything stays still for long, endless seconds. Some rasping, dying monas fill the silence and nothing else. Then, Emyr starts to advance.

He takes a step forward, then two, until he is standing in front of his sister, until he sees a spark of recognition in her black eyes, consumed by magic induced madness. Emyr has never been a tactile person, he avoids physical contact most days, but he wraps his arms around his sister and buries his face against her neck.

"I'm sorry I took so long," she rasps out.

He clings to her.

"You're free now. I killed them all."

He puls back, exhaling a trembling breath. "They'll hunt us now, Adrei. The Council will want us both."

Adrei just stares, swaying on her feet. Emyr steadies her. He brings her to his room, pullng her to sit on his bed. With trembling hands, he writes a letter, rolls it up and calls for his sparrow.

"To Camelot," Emyr says, seeking aid from the one person that can offer them both protection.

[hypermania]

Is it weird if the "Is that what makes you fascinating" scene is the hottest I've ever found Armand? He's usually so contained and careful, and there was such a wild edge to him there, and an emphasis on Assad's height and muscle rather than making him look waify as they usually do, and it was so compelling and weirdly sexy. And horrifying.

oh man. i watched season 2 after all of it had already aired and was fully spoiled on everything that was going to happen so i knew it was coming and it was the thing i was most looking forward to and i still wasn't prepared! nothing could have prepared me. it is *clenches fist* so good.

i'm personally more stuck on the fight between him and louis. there are two moments in particular that his physicality really gets me. the first is when louis is asking (taunting) him if he's going to be the gremlin or the good nurse, and this is armand's response:

i love this because you can see him warring with himself. he doesn't know if he's going to be the gremlin or the good nurse (and hilariously, i would argue he ends up being both: good nurse with louis and gremlin with daniel [and then eventually the good nurse with daniel as well when he's going to kill him].) but there's something about the way armand is holding himself here, like he knows that he's bigger, more powerful, stronger (and in the shots leading up to it, he is inarguably bigger. you can see that he's got height and width on louis as louis is screaming in his face!) but he's still holding himself back, despite everything he's already said to louis and everything he will say. he's still confining himself to a flesh and blood body.

the second is a few moments later:

the reason i love this one is because it's so human. the way he points with the cassette tape and then slams it down on the table is so incredulous lol. and i feel like it's the first moment where he really looks his full size. i don't know how to explain it but there's something very... masculine? i think? maybe? about the way he moves that isn't typically present in his demeanor and it makes him look every inch of his size. and yet!!! he still looks so human.

anyway i bring these moments up because i think they help make your point about the "is that what makes you fascinating?" scene(s). this episode is, i think, the first time we get a real look at who armand actually is. but despite the mask finally slipping in his fight with louis and his size being on full display, there's still something fairly ordinary about him. it's not until his face-to-face interactions with daniel that we see the deranged ancient vampire behind the almost cherubic face. he becomes otherworldly.

and it's very clear that we're supposed to understand that he's the most powerful thing in the room. he is a looming presence that takes up all the air. there are a lot of shots with angles like this where we're looking up at him with daniel:

and a lot of ones like this where ostensibly there are two people of similar size in the frame but he takes all the space up:

but i think the thing that makes the "is that what makes you fascinating?" scenes so horrifying is not his size, but the fact that he's not actually using it. he is larger than both daniel and louis and we're now acutely aware of that. but he doesn't put his hands on daniel at all. in fact, for quite some time he barely even glances at him. armand is terrifying here because he is so physically in control of his body and actions and so desperately out of control of his emotions and you can see it all over his face.

like?? he could snap daniel's neck with barely a thought. he is in the body of a sizeable man and has supernatural strength. but the danger here is the boyish desperation and longing on his face.

anyway this was all a very long-winded way of saying i see you anon and i agree lol

[jedipoodoo]

Bring Them Home (Sergeant Hunter x Reader)

Notes: SPOILERS FOR SEASON THREE EPISODE TWO: PATHS UNKNOWN. DO NOT READ IF YOU HAVE NOT SEEN THE SEASON THREE PREMIERE. Children, angsty Hunter Edit: STUPID TUNGLR POSTED THIS WHEN I MEANT TO SAVE IT SO PSA-- If you read this before 10pm EST on Feb 27, this one-shot is officially completed so please reread it again and enjoy it in its full glory.

gif by @dreamswithghosts

It had been months since you'd seen Hunter, so of course you and Phee were there when the Marauder touched down in the Archium. Wrecker waved to you both as the ramp lowered, beckoning to someone inside the ship.

Hunter said they were bringing someone with them, but you didn't expect the cadets-- the children --to look so bewildered when they stepped off the ship.

"They're so young," Shep said softly, and you wondered how round and baby-faced they must have been when they left Kamino, the only home they'd ever known.

The three cadets lingered on the steps of the ramp, looking around in earnest while Wrecker waited patiently.

"It smells like Kamino," the tallest said as you approached.

"Mox, did you see the ocean? D'you think they'll let us go swimming?"

"You can do whatever you want here!" Wrecker laughed encouragingly. He gave you his classic thump on the shoulders, and you smiled. It was the happiest you'd seen him since they lost Tech and Omega.

"Hi," You introduced yourself to the cadets, "What're your names?"

"I'm Deke. This is Mox, and that's Stak." The shortest of them stepped forward, while his brothers watched you warily.

"And I'm Phee Genoa, liberator of ancient wonders," Phee smiled warmly at them all.

"Welcome to Pabu," Shep said, "I'm the mayor here. We have a warm bed and fresh food for all of you."

"Thanks," Mox, the tallest, said softly. His arms were crossed over his chest, and Stak's hands fidgeted at his side.

"Wrecker, why don't you and Phee show them the island? I reckon they're as hungry as you."

Wrecker chuckled softly and nodded towards the ship, catching your drift. He beckoned for the kids to follow him. They seemed to trust a clone more than other humans, but that was understandable.

"Have you boys ever heard of Skara Nol?" you heard Phee asking them.

"What's that?" Deke asked.

"It's a big mountain, filled with lots of puzzles!" Wrecker said, waving his arms to demonstrate.

At that point, you'd stepped aboard. The warmth of the sun dissipated as you were enveloped in the Marauder's dim lighting. Hunter sat at the navicomputer to your right, half asleep and blanketed by a hazy blue glow.

"Those boys aren't the only ones who could use a home-cooked meal, you know." You said, putting more weight into your steps so he wouldn't be surprised by your approach.

"I assume you've brought some, then?" He said.

You rolled your eyes and took the canteen of gumbo from your bag.

"Only when you step away from the computer. It won't do you any good to spill it all over Tech's equipment now."

Hunter sighed, and set another diagnostic to run through the files.

"We've got another lead," He said, turning away from the computer. Your heart fluttered at the note of hope in his voice.

"The Intel from the Durands was too old, the kids were all that's left of that lab, but we scraped some data from one of the data banks. We think it could tell us where Hemlock took Omega."

You handed him the spoon, and Hunter tried to eat politely, but it soon gave way to his hunger as he shoveled spoonfuls into his mouth without waiting to chew.

"Careful, you'll make yourself sick," You warned him, "You've been eating too many rations. I'll have to send you off with some real food this time."

Hunter looked up at you, and you used your thumb to wipe some sauce from his chin, but you couldn't quite meet his eyes.

"You could always come with us. How's your leg doing?"

The only reason you hadn't gone with Hunter and Wrecker when they set out to find Omega was because your femur was broken in the same railcar crash that took Tech. Phee had promised to look out for you and keep you from getting too bored while they scoured the galaxy. Despite your protests, you knew that in your injured state, you couldn't be much help at all.

So you made yourself useful in Pabu. You sewed clothes to replace those lost in the tsunami, you looked after children while their parents rebuilt, you made your family's old gumbo recipe for those who were too tired to cook at the end of the day.

Those like Hunter.

"What about the kids? Deke, Mox and...Stak?"

Hunter nodded, "Shep said there were some families on Pabu who could take care of them for now, he even offered to take two of them into his own house."

"Oh," You said softly, "That's kind of him."

Setting the empty canteen to the side, Hunter squeezed one of your hands as it hung at your side.

"Everything alright, cyare?"

"Oh!" After so long without him, you forgot how well he knew you.

"I just...I was hoping we could take them in, take care of them."

Hunter's eyes softened, and finally stood. "I'll admit I thought about it myself, but..."

"Not while Omega's still captured," You finished for him, dropping his hand and folding your arms.

Hunter's thumb brushed against your cheek, begging for you to look at him.

"You remember that night on Ord Mantell, right?" He asked.

You pouted, bottom lip jutting out, "We spent a lot of nights on Ord Mantell." Too many, to be precise.

"You know the one I'm talking about," He cupped your face in both hands, and you looked up at the dark circles beneath his eyes.

And you did know the night he mentioned. It was a full moon, so you could actually see the moon high above all the neons and smoke from the city. Hunter had made you a promise then and there, and you made one to him too. Nothing like marriage, but something like it.

Biting your lip, you reached up to run your thumb over his crows' feet. His eyes closed, blissfully relaxed beneath your touch. You knew how much he needed to find her. He could never forgive himself if anything happened to you, to Wrecker, or any of the cadets they'd just saved.

"I meant what I said that night," He whispered, eyes glistening as his forehead rested against yours, "We'll have our own family some day, something Kamino and the Empire won't ever be able to take from us. We just have to wait a bit longer."

You sniffled just a bit, and buried your face in his chest. You wrapped your arms around his torso, and when he wrapped his arms around you he leaned more of his body weight on you than he usually did. He felt frail, delicate even, like too much pressure in one place would snap him in half.

Hunter needed you, and you needed him.

"I'm coming with you," You whispered. He sighed with relief.

"Let's bring her home."

[nenyabusiness]

"Last Temptation"

After episode 4 and the possible flash-forward, I just need to talk about this soundtrack. We haven't heard it in the show yet, and I'm pretty sure we're going to have to wait until the season finale. Bear McCreary is a master at combining leitmotifs to musically represent a scene, and I truly believe that this is the track that will play during the inevitable confrontation between Sauron and Galadriel.

Spoilers ahead for potential predictions, because I'm breaking this fucker down.

We start out with a soft soprano humming the melody of "Where The Shadows Lie". For those who don't remember the full version from the first season, it's the one with lyrics:

Three rings for the Elven kings under the sky Seven for the dwarf lords in their halls of stone Nine for mortal men doomed to die One for the dark lord on his dark throne In the land of Mordor where the shadows lie One ring to rule them all, one ring to find them One ring to bring them all, and in the darkness bind them In the land of Mordor where the shadows lie

So far, we've already heard this melody quite a bit, since it's often played when something sinister and ring-related is going on. It also plays with a full symphonic orchestra during the Annatar reveal in he soundtrack called "Emissary at the Forge", which I'd personally say is actually Annatar's theme. I could go on a rant with that one to, but to put it briefly: We've got "Sauron" and "Where The Shadows Lie" played on Elven-coded instruments. Does it get more Annatar than that?

Okay. So. The scene opens with dark ring shenanigans and/or Annatar. It's dark. It has tension. It's the eerie calm before the storm.

At 0:40, the mood changes. We get strings, followed by male choir and sharp brass, leading us straight into Sauron's theme. It's not as chaotic as "Sauron" from season 1. We have a steady 4/4 rhythm compared to the whatever the hell is going on in the original theme. The core melody and the ostinato on the strings are unmistakable though. We're dealing with Sauron.

1:05 is where things start to escalate. We move between sharp female vocals and softer orchestral interludes that almost seem to fight each other, leading up to the magnificent 1:36. Galadriel's leitmotif on brass, with a note lowered just a half step to give it dissonance. If "Emissary At The Forge" is Elven-coded "Sauron", then this is Sauron-coded "Galadriel". It's not ethereal. It's not harmonic. It's intense, and I can't wait to see what Galadriel is actually doing here during this part. Fighting, most likely. Viciously.

After a brief breather, we reach 1:59 where Sauron's leitmotif returns, sung by a single soprano. No string ostinato. Just the main melody, performed with the same eerie vibe as "Where The Shadows Lie" in the intro. The orchestra builds, losing some dissonance as more instrument joins... and then we're suddenly back in a much more triumphant version of Galadriel's theme at 2:25. Something has shifted here. The dynamics are different. Maybe she's getting the upper hand? But here comes the kicker, Sauron's ace up his sleeve: Halbrand's theme.

A soft whisper of a dulcimer breaks free from the symphonic orchestra at 2:30, followed by a Nordic nyckelharpa at 2:35. There are hints of Halbrand's theme in other season 2 tracks too, but not like this. We're not just dealing with elements of Halbrand's theme here. This is Halbrand's theme, with the original instrumentalization. In episode 4, we catch a glimpse of Sauron in a flickering montage of images, looking almost exactly like he did during the battle in the Southlands. I strongly suspect that when we get to that scene, it's going to be backed up by this exact part of the soundtrack. It lasts for almost half a minute. The battle has been put on pause. Has Galadriel's feelings for the man she thought she knew caught up with her? Something emotional is happening here. Something that involves their time together, back when they were still allies.

At 2:56, the battle is on again. The sharp female choir is back, sounding even more erratic. More urgent. Galadriel's leitmotif returns, now with the right note but at doubled speed. She's retaliating.

The next major point happens at 3:47, where things suddenly go quiet. We shift into Sauron's leitmotif on soprano again, which transitions into Galadriel's, and then back to Sauron's. It's really, really smooth, and I can only applaud Bear for the execution. The themes should be incompatible, but nope, he makes it work.

At 4:53, something really interesting happens. Both "Sauron" and "Galadriel" have string ostinatos. Ostinatos are short, reoccurring melodies, and Bear often use them to back up the "main" motifs. At this time stamp, we're hearing a new ostinato that sounds an awful lot like Sauron's and Galadriel's combined. It's not as dissonant as Sauron's, but it's not as clean as Galadriel's either. I can still hear both in it, though. We're no longer just shifting back and forth between the soundtracks - they've actually merged. I have no clue what that means but I can't wait to find out. Is this her "Last Temptation"? Did he give her the same proposal again? Is she tempted?

The music builds again. At 5:27, we hear a short, explosive burst of Galadriel's theme on brass baked into an epic soundscape. Whatever it was that just happened, she's snapped out of it. She faced her temptation and turned it down. We hear the direct result of this at 5:39, where we get Sauron's theme sounding a lot more like the one from season 1 again. No more soft soprano. We're back to male choir. (I think it's worth mentioning that traditionally, male choir more evil-coded than female, so that's neat.)

If there was ever any doubt whether or not she resisted the temptation, we get a confirmation at 6:03. Galadriel's theme on harp, backed up by a soft female choir. She chose the light. Again.

The final half minute is orchestral, but the battle is over. There's peace. A touch of triumph, a touch of melancholy, but there's definitely peace.

Okay. I think I'm done. Bear is a genius so I'm sure there are even more easter eggs in there, but these are the ones I caught.

EDIT: During that final half minute, we actually get a bit of Elrond's theme. Is he the one who interrupts the altercation? Is that how the fight comes to an end? I'm really interested in seeing how that plays out. TLDR: Bear created a Sauron/Galadriel/Halbrand medley and I'm in awe.

[eponymous-rose]

Some (many) thoughts on Arcane s2 while it's still fresh in my mind:

(tw: discussion of fictional depictions of suicide)

I'm gonna do some nitpicking here, but only because I really did like it overall - I think for me s1 was a solid 10/10 and this season was an 8.5/10, so I'm certainly looking forward to rewatching it! The animation was a big step up from s1's incredible work, the music was great, the performances were fantastic. I do think the overall writing/story fell down a bit, though.

It's weird, because my go-to when character arcs feel rushed is to want more episodes, but I don't think that necessarily would have solved my issues with this season.

Cait turned on Ambessa on a dime - we love to see it, but I think we maybe needed a few more overt hints of her discomfort with her position, maybe a sense of wrongness in their adoptive relationship and some parallels with Jinx & Silco given what Vi says early on ("why are you the one acting like her?"). Ambessa believes her daughter to be lost, and Cait has lost a mother - they were certainly playing on that substitution, but the eventual turn, while fun, felt a bit quick and unearned. I saw someone joke about the word "Cupcake" flipping Cait back like a sleeper agent, but that's kinda how abrupt things felt.

I think Mel's plot largely hung together okay, although it was pretty disconnected from everyone except Ambessa - would've loved to have seen some acknowledgement that Cait was filling her shoes as Daughter for a while there.

Isha was sweet and I liked the parallels with the Powder-Vi relationship (LOVED Jinx running with the pink chalk and Isha with the blue), but I think the sacrifice metaphor got a little muddled. The parallels with Powder charging in and killing everyone around her, versus Isha charging in and saving everyone but herself felt a little forced and I struggled to see how they served the greater narrative. The whole point of Powder's failure was a messy combination of bad luck, overcompensating for what she perceived as a lack of confidence in her, etc. Isha had Jinx's confidence on her side, I guess, and now of course we have the foreshadowing of Jinx dying to save someone else, which she's been trying to do since Act II.

Suicide was a pretty heavy concept throughout the first season. We had the parallels of Jayce and Viktor, we had the little-remarked-upon moment where Viktor hesitates before cutting the wire on Jinx's bomb. I actually think this season did pretty well with those two (although I'll talk about a couple things that irked me below), but the concept that we can't escape the things that we've done and we instead have to find salvation in those around us felt kind of contrary to Jinx's finally finding a way to die for her sister. I don't know that Jinx's story was necessarily supposed to feel satisfying or complete, but without another season there's not much to dig through there.

And that brings up the main reason I don't think more episodes would have resolved my quibbles with this season: it was pretty prone to overexplaining. To me, one of the most exceptional things about that first season was how little it explained. You had these gorgeous, evocative flashes of Vander trying to kill Silco, Silco stabbing him and fleeing into the night, and that's all we needed! That's it! We didn't need to know the specifics, we didn't need more backstory than that - the whole point of the season was that these kids are trying to make their own stories, and these guys have set the stage and are in the process of bowing out. Much as I loved the glimpses this season into the past generation's adventures, it felt like it was pinning something down that was more effectively left to the imagination.

There were also some weird fumbles with discussions of disability, especially in that last episode. I loved so much of what season one did with it - the older generation of Zaunites almost all had some form of disability due to the way they'd been systematically poisoned and their constant exposure to danger, and that was a really in-your-face way to challenge the early "why can't we all get along" stuff. And so much of Viktor's and Jayce's arcs are tied in with the sense of time running out and how Heimerdinger's long-term goals are incompatible with helping the people suffering right now. But instead we get this weird "you didn't like your imperfections so you tried to eliminate all imperfections", which doesn't quite ring true.

We just fundamentally didn't get to a resolution that I think was heavily implied, especially in Act II. "No one in power is innocent" is a great, raw line, but we didn't really see it play out. Instead, we have everyone stopping from othering each other in order to band together against an even bigger Other. As a side note, I don't think that Sevika's ending is meant to be a positive thing - we see from the skeptical looks of others that she's got a long road ahead. The revolution we saw coming just sort of fizzled out, and I think it's still on the horizon, which makes things feel incomplete.

There were also a lot of notes that repeated instead of echoing or harmonizing. We had variations on the theme of Vander dying three different times. We had Vi being unable to kill her sister several times. The repetition felt a bit like it was filling time instead of moving things forward the way s1's plot kept pushing.

This season is also the first time I felt the hand of League of Legends Canon shoving the plot into place. We knew Vi was heading for that enforcer uniform, but after the initial conflict it sometimes felt more like we just unlocked a new skin for the character. The Vander-as-Warwick stuff was kind of silly and out of left field, although it was executed pretty well and certainly pulled at the ol' heartstrings. Ekko getting his time abilities was fun and impacted the final fight, but I feel like we were missing something there as well that I'm having a harder time putting my finger on. Some of Viktor's lines felt designed to make the League players in the audience go "HE SAID THE THING". And I hate the feeling of setting up the Next Installment in the Cinematic Universe, probably just because I'm exhausted with Marvel stuff - I'd love for an adaptation like this to be able to really and truly stand on its own.

Overall, it just felt less like the characters were driving the story and more like they were ticking off boxes, which is just something that any good finale has to contend with one way or another.

Anyway, that's a lot of nitpicking. Fundamentally, this felt almost like it was a really strong fic that did a surprisingly good job of wrapping everything up and was stunningly put together in places... but still lacked the spark of the original.

Stuff I loved: Vi/Cait getting a pretty strong arc and certainly the first lesbian sex scene I've ever seen in a TV-14 cartoon. Animation and score was stunning. I did love the what-if of episode 7 - something I've been waiting for them to acknowledge is that literally everything that happens in the show follows from that one break-in during episode one. I actually think Vi and Jinx's reunion and reconciliation felt earned.

I'm curious how I'll feel on subsequent rewatches - the first time I watched s1, I remember being blown away but not in a "this is the best thing ever" way, and it wasn't until the second time that it really clicked for me.

[curio-queries]

Are You Sure?!

(Is this the end?!)

It's finally time for my AYS wrap-up post! (goodness knows I've rambled on about this show enough, maybe there'll be more to say in the future but this is likely where I'll conclude this series for now)

Link to my AYS MasterList

Promotions/Finances

One of the points we discussed quite a bit while watching this show was how paying attention to promotional content and financial implications can help us discern a little regarding the inception of the show and how that influences the final product.

I'd assume this methodology is similar for all of the content Hybe produced but I admittedly don't watch much that's outside the scope of BTS. If any of you have any insight on how this is structured for other groups, I'd definitely be interested to hear about it! Anyway, regarding AYS, we've been theorizing that the US episodes were filmed on speculation and could then have been used to shop around to brands for sponsorships which would continue to fund more trips.

Product placements:

Ep.1 (USA): None (edited to add Nike, check out the reblogs for more on this)

Ep.2 (USA): None

Ep.3 (Jeju): Clothes

Ep.4 (Jeju): Vitamins & Hydration Spray

Ep.5 (Jeju): Perfume

Ep.6 (Sapporo): Sunglasses

Ep.7 (Sapporo): Sunscreen & Skiwear

Ep.8 (Sapporo): Perfume

Something else that stuck out to me during my initial watch-throughs as well was the progression of including establishing shots of the businesses they visit. There were basically none in the US episodes but by the time we get to Sapporo, these shots linger for long enough to me to notice. The signs and logos are blurred out as expected to bolster BTS's brand power but it's interesting to me that these shots just weren't included at all in the US portion.

The crew brought some very skilled operators with them to Jeju and Sapporo as evident by the gorgeous cinematography. I'm not saying they didn't have the same level of skill in the US, but there may not have been the same directive to focus on this or the level of equipment needed for the crew to really show off.

Sidenote: I KNOW I'd made some notes also on the blurring of the various vehicle logos as there were some inconsistencies and we know BTS as a whole has previously partnered with Hyundai but I can't find my notes and I'm not rescouting the episodes right now for this. If any of you happen to remember, please share!

Bonus Footage

Something I was really looking forward to was seeing if there was any obvious reasoning behind what footage would be saved for the bonus release instead of included in the official episodes. Afterall, access to this footage was likely the main reason many decided to purchase the photobook at all so there had to be some fulfillment for the perceived value. I wondered if they might take a similar approach to Run BTS's bonus footage where there is regularly a dedicated camera capturing footage specifically for this purpose. Now that I've finally received my photobook and been able to watch these clips, I believe most of footage was separated for the bonus content for a few specific reasons:

Footage quality: There's a good portion of the bonus footage that was captured via handheld cameras with less-than-stellar quality. I'm not trying to disparage the operators' skills but there's a specific tone that non-steady-cam footage brings and it wasn't necessarily in-line with the overall tone much of the edit required. It also reminds the audience at least subconciously that our guys are being followed by a camera crew which typically isn't the intent of BTS content and definitely was minimized as much as possible during AYS. More on this concept in the next point. Example: JK packing his suitcase in USA. That footage is very pretty shaky.

Fourth-Wall Breaks: Is this a phrase y'all still understand these days? Again, the idea of reminding the viewer that this is footage being captured by cameras and microphones and we're not just a fly-on-the-wall. There were plenty of moments in the Bonus footage where JM/JK call attention to the fact that they're filming a show or where the crew interacts with them. Quite a few of these were specifically to highlight photo ops (another subconscious reinforcement of the value delivered with the photobook purchase. the viewer can see footage of JM/JK taking pics that only appeared in the photobook they just flipped through and feel a further connection to the moment). Example: JM and JK taking each other's pics in front of the restaurant in Sapporo.

Pacing: I would categorize the rest of the bonus footage as micro-moments or extensions of scenes we did receive in the full episode but if included as-is, would have broken the desired pacing of the episode. There's no flow to worry about with the Bonus footage rather than chronologically so they're welcome to throw everything together and it doesn't feel like a storytelling misstep. Example: Jimin actually eating and chatting with V and JK at the seaside restaurant in Jeju. Including this would have broken the flow of the edit where they had the sped-up footage of JM describing the history of Jeju while the others just ate.

I was honestly surprised by the amount of editing present in the bonus clips. I'm sure there was always a plan to release some extra footage some way but it wouldn't surprise me if this decision was made early enough that they left much of it in queue for the first rounds of edits because they knew they'd be charging for access to it. Having at least some basic editing again helps justify the value.

Sidenote: there is no reference to 'keep going' in the photobook. So we have no further clues there. There's a couple of 'Go JK' or 'Go Jimin' captions but not 'keep going'.

Title Cards

Y'all I had been so confused by these from the very beginning but probably not for the reason you're thinking. I made note of which scenes had title cards and exactly what Jimin's voiceover line stated with each one. Mostly, WHY they decided to include the ones they did and the inconsistencies with what activities got a title card and which one's didn't.

Ep.1 (USA): We're having our first meal in America

Ep.1 (USA): It's fun to ride kayaks

Ep.2 (USA): We enjoy a yacht ride

Ep.2 (USA): We're eating our final meal

Ep.3 (Jeju): We're going climbing

Ep.4 (Jeju): A three-way split is fun

Ep.5 (Jeju): We are going for a swim

Ep.6 (Sapporo): We're on a train

Ep.7 (Sapporo): We are at a ski resort

Ep.8 (Sapporo): I love the convenience store

We know from the bonus footage that Jimin recorded many more than they used. Episodes 1 & 2 have two each and the rest only have one. Now, I'm not trying to say that they were trying to make those episodes seem more full than the others...but I'm not NOT saying it either...

It's just also very interesting which ones they decided to use as well. Prior to the footage of Jimin recording it, I'd wondered if they'd just asked Jimin to make something up about whichever activities were the most memorable for him but that definitely wasn't the case (thank goodness, our guys do NOT have the best of memories with things like this).

Follow-ups

Queries from my first AYS episode post:

Will there be any tonal shift? Specifically, now that JM and JK have some uncertainties about the viability of their US adventure. Will it seem like they're compensating?

I don't think so, not for this reason at least. It seemed more like this production was naturally growing into what it would become. There were definitely some tonal variances, especially how 'action-packed' ep.3 was but I still feel like it was not too far of an outlier and more just helping them find what works best for this type of show.

We know Tae is going to be in at least the next episode. How is this going to handled narratively and will there be any visible contradictions from that narrative in the production?

I mean, there was definitely some variance in the story from the episodes to some of the bonus footage but I think that was generally just the guys being their entertaining selves.

At what point was the final quantity of locations and shoots locked down? And when/if will JM and JK make mention of this.

Genuinely, I think this was only finalized when they couldn't actually schedule anymore trips! It's definitely an interesting approach when you consider how intense the BTS production engine must be, especially in the lead-up to the members' military service and trying to prepare all of the releases that we would get while they were away. It's also one of the things I think JK was referring to in that clip from the US where he says he's never travelled so freely before. To start a shoot of this magnitude and not have some firm deliverables for the end result nailed down is pretty wild. I'm so glad it worked out for them as well as it did.

If/How will the music promotion narrative shift? It's clear that this episode could not have been released until after MUSE's release once they decided to keep the footage of JK listening to Who. But when was that decision made?

Interestingly enough, I think this show was never really designed with music promotion in mind. Yes, they definitely couldn't have released it until after MUSE's release with the inclusion of that Who-listening session but that easily could have been removed or included in the bonus footage if a delay was needed. I think the timing did work out great for it but yeah, overall, music promotion was not likely one of the main drivers of this show.

On a somewhat-related note though, one thing has had me wondering from the beginning. Y'all remember the end of ep.1 when JM says he doesn't think this footage will air? Just what experiences does he have with content they've filmed that we DON'T get? Just what else have they hidden back from us? haha, we want it all!

The End

Okay, that's enough from me on this topic for now. I'm sure there's more we can chat about with this show and I absolutely can't wait until our guys are back and can travel again! I hope they're able to use this show as an excuse to do things they want that they typically wouldn't.

Thank-you to everyone that's been joining me in these chats. It's been so lovely to chat with many of you about this show and it's beyond humbling that people are at all interested in my random observations. I'm so happy y'all were here with me experiencing this great show together.

[edward-munson]

trust you | anakin skywalker: episode V

Summary: You go on a mission with Cal... and Anakin. You have a task as a tech engineer, but dealing with General Grievous and his army of droids can be challenging. Ps: There's a character guest in this chapter, remember it doesn't follow the actual timeline of the franchise!!

No warnings, just vulgar language (a lot of it because it's a mission and they're all on the verge of flipping out lol)

Word count: 4.7k

*

(Y/N):

I'm not sure I even had the option to actually deny the offer Cal made. To be honest, he practically begged me and forced me to agree on going with him and his team to a trade with someone with a weird name.

Worst of it all, I had to be their tech guy for the mission. A mission led by none other than Anakin. I wish I could actually have had a choice, because I sure wasn't expecting to see his face this soon.

Especially after he literally threatened me the other day. I don't think I've ever felt this scared in my life. We all know the guy has a temper and he doesn't follow any rules. As much as we all hoped he would change through the years, it seems like it's getting worse instead.

Now I'm sitting next to Cal in his ship, while Artoo is on top of it. He seemed a little distressed, he doesn't show off his emotions a lot because he knows I get worried. But I know after what happened that day he's not getting along with Anakin.

I mean, who would at this point? He looks at you like he's about to rip your eyes out.

And I know Cal didn't want to look like he's only on this mission because of the team itself. He told me he didn't want to collaborate this time, which only made the Jedi Master walk around with a deadly look on his face.

But the redhead never felt intimidated by him in any way. Or at least he doesn't show it. As far as I know, we're heading to General Grievous' spaceship. I feel like I've heard this name before, but I can't collect it.

"So, what's the plan? Leaving me trapped in here with R2?" I ask as he maneuvers into outer pace, a concentrated look on his face as he does so.

He chuckles with dramatic concern. "You'll be looking out for us with commander Poe Dameron first" Cal explains as I nod. Who is Poe Dameron, by the way?

"He's a Jedi as well?" He shakes his head in response. "He's... not?"

Okay, that concerned me. I'm only used to being around force sensitive people, and being a human already scared me enough. Now, knowing I'm going to be around another human makes me wonder whatever happens if we get attacked.

"Nope, but he's a good Resistance's Starfighter Corps member. And a good pilot" He gives me a smile as he turns his head to face me. He can read my panic plastered all over my face and reaches out his hand to grab mine. "We're gonna need you there to break into their system".

So, we'll watch as the trade unfolds and hope for the best first. Do I agree with that? I didn't, but I had no choice but to help them.

"And if something happens, before he drops you there, he'll bring you back to Coruscant" Cal shoots his head back forward as we approach the starship.

Yeah, simple as that, right? If something happens, like, we'll just go back and live it out. Doesn't seem too tragic for me, I love the adrenaline.

Not.

We landed on a hangar, Cal preparing himself up before leaving me out here with only a Droid and a man named Poe. I hope this guy isn't a douchebag like Skywalker is, I won't be able to run away from him if I wanted to.

He gives me a small kiss on the forehead before leaving the ship, sending me a half smile before meeting the others already in formation. I watch as a brunette man walks towards from where the redhead just left and waves back to the others.

He has wavy dark hair, as well as dark brown eyes, and a stubble. Damn, this man looks fine as hell.

Poe steps in and sits down on the seat next to me, looking right up with a kind smile on his face. He finishes buckling himself before introducing himself to me, while I still glance at him like he just came out of a Disney movie.

"Hi, I'm Dameron. Well, Poe Dameron but they call me by my last name since I'm a commander" He explains, extending his hand for a greeting. I grip his hand for a few seconds before releasing.

Good handshake, firm and gentle. What am I even saying at this point?

"You're (Y/N), right?" I nod as he looks back at the panel, starting the ship.

"Yes, I am. It's nice to meet you" I say for the first time, feeling like I have never met anybody that gorgeous.

"Likewise. So, you're an engineer? You fix everything?" Poe asks, concentrating on lifting the flight.

"Well, mostly prosthetics and spacecraft. They're already too much to handle most of the time. But I can manage computers and systems as well"

"You were responsible for creating the robotic arm General Skywalker has?" He seems interested in what I do for my living and it kinda distracts me from the mission we were on.

I wish I could not hear this name on a daily basis.

"You know him?" I didn't mean to sound too surprised, but my voice gave it away anyway. "And not really, I usually fix it for him".

Yeah, and the last time I did it he almost got killed and that led to me almost getting killed as well.

"We've been out and about on a few assignments. I'm mostly doing tasks for the Resistance, leading attacks and all that" He sets the ship on standby as we watch from a distance while the group of Jedi gets in the Trade Federation Starship.

"Are you never scared of doing these dangerous jobs being human?" I ask out of curiosity, it gives me such a bad feeling being out for work like this.

He looks at me and grins. How can someone be so good looking like that? This is so distracting. "Kinda get used to it at some point, I chose this life".

I just nod and stare back at the distance. We both had comlink for communication, R2 looking out for any threats as well. I shuffle uncomfortably on my seat, desperate to be done with this mission. Poe notices my discomfort and rests a hand over my shoulder.

"You're going to be fine, they'll protect you at all costs and we'll be on full alert from afar. That's why we have other starships in position" He tries to comfort me and gives me a nod.

It doesn't change anything about this assignment, we all know how difficult they can be.

My sweaty hands grab my duffel bag and I look over the tools I brought with me. I hope this shitty idea works, because I can't be bothered to feel bad for failing their job.

A few minutes later, which seemed like hours, Cal spoke over the comlink and Poe promptly shifted the gears and flew back to the starship. As we land, I see him next to another General all while waiting for me. My nerves are on edge and I feel like I'm gonna fucking throw up.

Before I leave, Poe gives me a sympathetic look and offers a handshake. "May the Force be with you" He says kindly.

"May the Force be with you, commander" I force a smile that might have come out as a grimace and follow along with the other guys.

Cal stands next to me as we enter the enormous vessel, full of bodyguards and droids. He ignites his lightsaber and gets closer to my ear.

"We're close to the vents that lead to this small control room. We'll have to get into their system and gather as much information as we can" He whispers, walking me through a small hallway.

He and the other Jedi stop on their tracks and immediately drop both of the droids standing there. Cal turns on his heels and approaches me, handing me a blaster gun. One I was supposed to carry around but am too fucking scared to do it.

"You might wanna use it this time" He reaches out for a pocket knife strapped on his ankle and offers it to me as well. "I didn't say you'll have to. Just for self-defense".

He glances up at me with a tender look on his face. This man gives his life to protect me and I'd do the same if I could. I mean, I do but not the same way he does of course.

I just nod at everything he says and we look up at the vent. I'm not doing this alone, am I?

If I had a dollar for everytime he uses his force for mind reading, I would be such a rich person right now. "I'm going with you" He adds.

Getting in a vent with a duffel bag is probably one of the worst scenarios I never thought about. We were dragging our bodies while he tried to drag the bag without making much noise, but obviously not being very cautious with the tools, the gears and other objects in there. We get to the room, me behind Cal as he shoots his blaster against the soldiers. I can't feel my legs at this point, and it's not even because we're in such a small space.

He drops on his feet first, glancing around the room, before looking up at me. He shoots both arms up, waiting for me to jump in as well. I don't know how I was able to pull a stunt like that since I'm afraid of heights. And I mean 8 feet is already too much for me. Cal grabs my hips and slowly puts me down, a large smile on his face.

"There you go, James Bond!" He mocks, arching his back as I swat him on the chest.

"Shut up, smartass" I can barely speak as I feel my voice falter from the stress and the adrenaline.

He walks over a large control panel, hundreds of different colored buttons and keys. They have pretty much a huge system for such a small room. I mean, if there's a bigger room then this is just a gist. First things first, I had to disable the security camera before someone came bursting into the door. I sit on the big chair and Cal leans against the desk next to me. I'm sure he has no idea what the hell I'm doing. I use a small device to hack into the system and quickly find the program to the security camera. 

They clearly need a better safety system, because it's too easy to get into their computer. Either that, or it's a trap. But I'd rather believe they're just that stupid. I turn off the cameras, both of us making sure they're all shut down.

Next, I type in a few things on the keyboard, trying to find what exactly they need. Cal uses his pointer finger to make sure he's looking for the right folder, carefully reading every single word on the screen. "We need strategies folders, every spacecraft and architecture project. List of trades and traders they use".

He said it like he was writing down a fucking grocery shopping list.

I try not to send him a glare or even look at him like I'm pissed. So I just go straight to the point. "Might as well just wipe out the entire computer, Kestis. This might take hours!".

"You can just add them to the device you have?" I swear to God, he can't be that serious.

"You're smart, Cal. Use your head. How big do you think these files are? They're all programs, it's a heavy stack of files" I start to get freaked out with the idea of being there for too long.

"Okay, right I'm sorry if I'm a newbie at technology" He adds dramatically. "Can you just drag the list and the strategies folders then?".

I move the mouse right away, bringing everything to my device, waiting for the system to calculate the estimated time. I can't help but tap my fingernails over the desk while I wait for it. Cal doesn't seem too worried like I am, as though he carries a very serious look on his face.

"We've been in for ten minutes. We probably still have a good half an hour left" He says, still leaning next to me, looking at the watch on his wrist.

"Considering this ship can blow up when we least expect it, I don't think it's good" I look at him like I'm not feeling well. He reaches my right arm and folds his big hand around it, giving it a light squeeze.

"We'll know before it happens, darling" Cal reassures me as his hand goes up and down on my arm in a comforting attempt.

Fifteen fucking minutes. I'm gonna throw myself off the ship. He uses his comlink to let the others know, which they all agree. For the first time, Anakin goes in the line and says he's trying to make a trade. It was all a set up as Cal explained.

The remaining seven minutes turned into a disaster, when a loud blast echoed through one of the hallways outside the room. Then an alarm went off and the lights switched to a dim green light. I just wish they won't turn off any other system before I can transfer everything, otherwise this would be just a waste of time and job. We looked at each other, he was gripping his lightsaber tightly waiting for something to happen, while I held the blaster just for the sake of it. There was another loud burst from a distance, the red head sprinted closer to me.

"Is everyone good?" He asked through the comlink, no one answered. "Damn it" He muttered.

"We need to get out of here before it gets worse!" I try to step in and figure out a way for us to get out. He didn't seem to listen. "Cal!".

"We're closing in on the ship. We noticed a few explosions around" Poe finally chimes in, but not with good news.

Why is it never good?

And then Skywalker called out again, this time shouting words I couldn't understand. I twist my head to the side and look at Cal with desperation.

"It's a code, they're attacking us" He immediately watched as I stood up from the chair. "Hey, look at me! I'm here, you're fine okay?".

Definitely far from being fine. He then proceeded to talk but I'm too busy being stunned to care about it. His voice started to get muffled and I felt like my vision was getting blurry. Is this even the right time to faint or have a panic attack? He shakes both of my arms calling out my name, and I slowly blink a few times before staring back at him.

"For fuck's sake, (Y/N/N). Listen to me" He then places his hands over my face, forcing me to look him in the eyes. "Please, listen. I need to go back there and help them. There's a digital lock on the door, they can't get through if you block it. They'll need to blow it up to get to you".

And you think it's hard for them to do it? That won't be enough.

Again, he furrows his brows and keeps holding my face. "Stop with the overthinking, I can hear it louder. Look, I'll manage it. I'll be back in no time, just wait for the files to finish and you wipe out the rest, fuck it. We don't care!"

I try to agree with the plan, but it was just too hard to keep up with everything. Before he turns on his back to leave the room, Poe speaks up again.

"There's a General lying on the floor, he seems to be injured. It's on Block D" He states before going off again.

This time, me and Cal share the same look. Now he seems more concerned than I do. I follow his gaze up the vent we came from, nudging himself up as he grips the edge literally vanishing. I call out to him, but he doesn't answer.

"Shit!" My hands are shaking so bad, I can't even type without missing the keys. "Shit, shit, shit".

Two minutes. Just give us two minutes and we're out. I hear a lot of grunting up on the room, the floor above me filled with noises and shuffling. The locked door starts pounding and I look straight ahead, fright starting to wash over my body.

"Poe" I have no fucking idea what I'm doing. "Are you there?".

"Definitely here, Miss. How are you holding up?" He asks.

"Do you see any of them? There's someone trying to break in and I don't know what I'm gonna do!" My heart is racing and it feels like I'm going to have a stroke in the middle of the room.

"Just talk to me, alright? How long until it's done?" His voice sounds comforting from the other side until he shouts. "R2! Not that guy, he's friendly!".

I have no idea what's going on outside but I try to shrug it off. "Two minutes! My hands are shaking so bad that I'm not sure I can shoot whoever comes in".

"Okay, not so bad" It takes him another second to keep talking. "I remember I learned a breathing technique, we're doing it together alright?".

I forget he's not next to me and I nod, but I feel like he got that anyway because he started counting and walking me through it. Breathe in and count to 4. Then count to 4 breathing out. Repeat.

"Now, hold your blaster up. Focus on anything as a target and breathe. When you inhale, you count one second and shoot. Don't wait, just shoot. If you miss it, just keep shooting" He explains, wasting his time giving me attention instead.

It makes me feel bad that someone has to do it when he could've been minding his own task. But I'm really appreciative either way. I don't know where the fuck Cal is.

"Don't forget to use anything for hiding and leverage. And please, don't forget to bring back the device" Nice one, Poe. Imagine being in danger like this and not even being able to remember one simple thing.

"Okay, thank you, commander" I breathe through my mouth and grasp the blaster.

Looking over the computer screen, I see that there's only forty seconds left and the door is about to burst open. At the same time, I hear Poe for the last time.

"We're sharing a beer when we land in Coruscant. I wanna learn some technology tricks" I barely have time to laugh as I watch the door sling open.

Okay, breathe. One. Shoot.

Shit.

I miss it by inches. From across the room, I look at Anakin giving me a snide stare as the blast just crossed past his shoulder. I gasp from the outcome and the sudden surprise, but he doesn't give me time to process everything as he shouts at me. His eyes are pure angriness and his shoulders are stiffened.

"Come on, I don't have all the time in the world!" Anakin waits by the door as I quickly set the system to wipe everything out and grab the device before we sprinted out of there.

We rushed with him behind me, there was a mess all over the place and the blaring alarm was deafening. I couldn't even aim while running, my hands were sweating and I was afraid of tripping on my foot. He kept dodging the attacks as well as blocking them from coming at me. This is the most attention I'm going to get from him and it's kinda funny given he hates me.

Anakin pulled a hand over my shoulder to guide me towards the hangar, my eyes shifting to take notice of what was incoming. I tried to at least shoot some of the droids but I was terrible at it.

"Grievous just left the hangar with an escape pod" Cal spoke up after a while and I let out a heavy and long exhale. "Knock down these fucking droids and hurry up!"

I didn't understand the seriousness in his voice, the Jedi Knight behind me still hasn't said a word yet and I have no idea what I'm actually doing at this point. Shooting at them and missing doesn't quite help knocking them down faster and I swear I can hear Anakin just groaning in frustration.

Out of nowhere my arm gets yanked back by a guard droid, pulling me over a room and wrapping its robotic arm around my neck. As if I was panicking already, this time I was pretty sure I was going to collapse. I tried to shove myself off from the tight grip, but it only made me flinch more.

"Drop your weapons, Master Skywalker" It said with their gun stuck to my temple.

I looked at him with such fright, my eyes were desperately crying for help. Anakin frowned, using his flesh hand to hold the lightsaber while the other one he used to pull back using his force.

"Let her go!" He screamed, bloodshot eyes and blue irises staring at the droid holding me. "I said let her fucking go!".

"I'm sorry, Master. We have a mission of our own to do" The droid said before managing to leave me unconscious on the floor.

Anakin:

Fuck. Shit. Motherfucker. Fucking cunt.

I kneel in front of her as she lies unconscious on the floor. She seems to be breathing, but I have no idea what this cocksucker did to her. I didn't expect my mission to be such a disastrous piece of shit. As she's still out, I look back at the droid that's staring at me with a puzzling look on its face.

I know how to read droids' faces and it's a gift from heaven. It's easy to trick them when I want.

"What did you do?" I shout and use my hands to shove it back with the force. I tap her face a few times, she doesn't even flinch. My voice barely comes out as a whisper to avoid the other droids to find me.

How much worse can it get?

I grab her, sliding my arms under her torso and lifting her up in a quick motion. At least she's easy to carry. Through my comlink, Cal starts getting riled up and spitting words like he was worried about something. And then I remember about their friendship.

Fuck me.

I try to ignore all the cursing through my ear, at the same time as I pull (Y/N) up on my shoulder, her body swinging as I run faster. I can't dodge all the attacks at once, but I maneuver myself avoiding getting us both killed. My lightsaber slashes them, knocking them down making it easier to get to the hangar.

"I have her, Kestis! Will you shut the fuck up now?" My voice screeches when I yell at him and my throat hurts.

"Why doesn't she answer her fucking comlink, then? Did you kill her, Skywalker?" His voice started to annoy me, my head was hurting from all the situation. I groan loud enough for him to listen.

"Yeah sure, I killed her and now I'm bringing her body myself because I'm just that smart. She's fucking unconscious, relax!"

And now he's just being even louder and insufferable.

Poe spoke up, his voice emerging like an angel sent from God. "Alright, guys. Let's just settle down, we're not at kindergarten".

I roll my eyes at his statement, rushing towards the hangar. The only ship in good shape was one of theirs, and Cal was standing in front of it. He was pacing around, hands on his hips, his forehead was creased and when he saw us he bolted forward.

"What the fuck happened?" The redhead asked in dread, throwing his arms up.

"We don't have time for bickering right now, Cal. Just help me get her up inside!" I swear my head was going to explode anytime soon. "A droid pulled up some shit on her and she just blacked out".

Could've said it sooner, he would probably understand. He looks at me like he knows something, but I don't bother asking.

"It was probably a spell or something. We need to lay her down" He says sternly as we approach the back of the vehicle and drop her on a cushioned bench.

"This is not what I planned for this goddamn assignment!" I mumble before turning on my back to both of them, heading to the cockpit.

"Well she got the fucking device, you should be glad she could do it and not die either!" He spat back, his hands holding her feet as he props her on the bench.

I just turn away from him making my way to my seat, turning on the gears. Hopefully we'll be back sooner than I expect, I just want to take a long shower and be with Luke for a while.

"We're good to go?" Dameron asks, his voice in a relieved tone as he watches us leave the hangar.

"Yes, commander" I mirror his tone and fly off the starship.

My mind eases as we leave it behind, I feel my hands grip the yoke from the ship tight. We didn't get to do the trade, Grievous noticed our plan way before we could get ahead of them. They attacked us in a matter of seconds, bolting at us with no time to figure out an escaping route.

This one mission is hours away from Coruscant, so it was going to be a pain in the ass to sit this close to Kestis. The moment I realized I had to be next to him it just made me pissed. I don't care about (Y/N) on the back, she tried to help and she barely knows how to blast a gun.

I won't complain about how Cal helped the team out there, as a matter of fact. But I still can't stand seeing his face, considering we just confronted each other the other day. The guy always means good to people, but it doesn't stop me from hating his guts after what he pulled on me during our meetings.

Almost two hours after we left Grievous' ship, we were almost entering the Coruscant atmosphere. That was when she finally woke, a grunt escaping from her lips as she finally took in where she was. Cal helps her lean against the wall, while she places a hand over her head.

"Holy shit" That's her first words after waking up. She can't help but smile at the achievement she made.

I watch as she still keeps the smile on her face, pulling the device between her fingers and raising the object in front of her eyes. It took me seconds to notice I myself had a side smile against my will. The red head leans for a hug, both of them laughing.

I can't help but clear my throat before I regret doing this. "Uh- Good job out there, geek. The team is proud of you" I barely speak and the guy seems to remark that.

"What did you say? We can't hear it!" He says it out loud on purpose, and I feel my hands balling into fists. "Did you just compliment (Y/N/N)?"

"Don't push it, Kestis" My eyes roll to the back of my head, I push myself off the wall. "Good to see you're up".

They stare at my figure quite shocked, their faces almost the same as their mouths hanging open in such a surprise. I'm very aware that's the kind of effect I cause on people when I'm being nice, and I know I'm not really the golden boy of the year either.

But I can't just avoid the fact that, without her, we wouldn't have information about General Grievous and his army. Even though it didn't end how we expected it, that's a win after all.

Before I walk back to the cockpit, I hear her cracked voice speak up. Like she was embarrassed of talking to me. "Thank you for saving me out there".

My head nods before I turn on my heels, it almost feels like I've switched back to the young Anakin. Real smooth, Skywalker.

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