#I'm fuckin living!

[lastoneout]

able-bodied people will act like getting a mobility aid must be some tragic expirience where you resign yourself to being burdened by your disability forever meanwhile I'm over here counting down the days until my custom made knee braces come in like a kid waiting for Christmas absolutely giddy thinking about all the things I'm gonna be able to do once my joints have the support they need

[cinamun]

Day Off

For @someone-elsa's Days of Our Lives

[nexischillin]

I will never forgive the person who pointed out to me that Geto always chose Gojo. Even when he walked away, he was still choosing Gojo

Geto wanted to make a world of jujutsu sorcerers where the weak ruled the strong. A place where he and Gojo could live happily without the burden of protecting the weak.

A place where they would have all the time in the world. They were at the right time wrong place, so Geto wanted to make that place.

[eddiezpaghetti]

Okay, so my experience with Stranger Things is a weird one.

I didn't care when it first came out, started to watch it out of "might as well" in 2020, wasn't interested in it enough to make it past S2, forgot about it outside of going "oh, hey, cool, there's a lesbian in it now, I guess," in S3, got really annoyed when "Running Up That Hill" got popular from it because it was a song I listened to on fucking loop after one of my best friends died in high school and I fully expected its appearance in the show to ignore the whole survivor's guilt theme of the song (and was very happy to learn later that it did the exact opposite of ignoring the lyrics), saw people drawing Eddie, suddenly got a lot more interested, watched just the fourth season like a fucking psychopath because I was seriously only there for Eddie, then got interested enough to start the show over properly, having mostly forgotten what I did watch of the show before.

And let me tell you something from the perspective of someone who started with the complete fourth season, who wasn't there from the start, who wasn't tainted by ship goggles or this internal battle of hope and despair, who wasn't theorizing about what the painting could be or expecting Mike and Will to kiss when Volume 2 happened or rooting for Mike and Eleven's relationship to go down in flames or whatever the fuck. Just someone who went blind into Season 4.

It's really fucking obvious that Will and Mike are gonna be endgame.

Like holy fuck. It's so fucking blatant I don't even know why people are nervous.

No sane fucking person would shoot this scene this way if they wanted the audience to care about El and Mike as a couple. Despite being all blurry in the background, Will's reaction to what's happening here is smackdab in the fucking middle, clearly showing that the important part is what's going through his head here. What he's feeling. It's like the opposite of that scene from Kingdom Hearts II where Sora and Riku reunite and Kairi just fucking vanishes into the aether while it's happening because, despite the fact that she was standing between them when the scene began, she doesn't matter to the scene, so she's just kind of gone when the camera angle changes. Will could have been behind one of their heads, or so far in the distance he blends in with the background, but he's not. He's so obvious that despite being massively blurred out, he's still the first goddamn thing you look at. What, you think that's an accident? You think he's in the middle of this dramatic fucking scene because of a mistake? He basically has a big flashing neon arrow pointing at him with "THIS IS THE POINT" being screamed through a megaphone.

And then this?

They're paired up like they're taking fucking prom pictures. Each one of these pairs is so fucking close to one another and so fucking far from everyone else. It's not, "Oh, they're standing vaguely near each other in a group shot," it's fucking Noah's Ark out here. Again, there's no way to take this as an accident. It's not just a framing issue. If they wanted to make the shot look balanced while still not hiding anyone else behind El, they would have scattered people around much more naturally. Even if they wanted to keep Nancy with Jonathan and Hopper with Joyce, there's so much room on that hill for three people to stand on El's left and three on her right. But they didn't do that. They put Mike and Will together on purpose in the most obvious way possible.

Like I get that coming up with crackpot theories is fun in and of itself and I'm not blaming anyone for having fun. I totally get the appeal of arguing a point and reaching for every stupid little thing to pull into it because it's like a game, okay? I've done that. But if you're trying to actually convince someone (whether it's someone who wants to believe or someone who's pissed at the very idea that Mike and Will could be in love), stay away from blue and yellow lights, stay away from costume design, stay away from the existence of closets in backgrounds. And don't worry about whether Mike's gay or bi when he's in love with Will either way. I'll give you a little tip about persuasion: You're only as strong as your weakest argument. Even if you've got strong stuff in there, too, the person you're trying to convince is going to dismiss anything you say as complete insanity the second you start going on an entire tangent about the shape of a character's fucking pocket.

Sometimes, clothes are just clothes. Sometimes, there's a closet in the background because it helps establish that a character is in a bedroom. Sometimes, blue and yellow are just a couple of colors that look nice together. And sure, it might be set designers and costume designers and cinematographers smirking and winking at the audience from behind the camera. But if the show was just those things, instead of those things in the context of everything else, they wouldn't be saying anything of note.

But this?

This tells a story all on its own. Someone with no context can look at this and automatically assume that each paired person is standing with someone they care about deeply, seeking comfort as they watch some sort of disaster unfold. And yeah, romantic couples usually come in twos, and we live in an amatonormative society, so that's going to be the first association anyone makes seeing a bunch of people paired off.

It's the same reason you look at this

And go, "Oh..."

"Those two are probably a couple."

And I genuinely don't understand how people could have watched S4 Vol. 2 and gotten scared. Because as someone who went in with no investment whatsoever, I just looked at these two--

--and went, "Oh, those two are a couple. Good for them." And I moved on. Shut up about the trees for five seconds and just see the forest for what it is.

Oh, and if you're still nervous? Little thing from a storyteller here: You don't leave a hanging thread like "Will confessed his romantic feelings for Mike by projecting them onto El, but Mike either didn't understand or at least didn't say he understood," without coming back to that later. That's Chekov's gun hanging on the wall, babes. It's gonna fire at some point. If Mike was going to reject Will's feelings, if they weren't relevant, they would have had that discussion in Argyle's van. There'd be no reason to leave you in suspense.

[kuro-is-doodlin]

Vale from the isat fic @livesworthlivingau !!

Lil spoiler content for the last few chapters under the cut!

They slay

And also a headcanon. Teehee

[thephooka]

I've been dreaming of making a webcomic for nearly half of my life, and I've just started actually working on that, but... do you think it's worth it for me to start even with the decline of the scene? White noise is quite possibly my favorite piece of media, period, and it's in a format I love, so I figure you're a good person to ask the thoughts of.

(In reference to this post, I am guessing.)

ABSOLUTELY! 100%! MAKE YOUR WEBCOMIC!! Please don't let the whinging of us old heads deter you from making a project that you're passionate about.

I think it's important to ask yourself what would make it 'worth it' in your mind. What do you want out of making a webcomic? Is it that you want to experience the act of creation? Do you have a story you need to get out? Is your goal to get a book printed? To have a large audience? To improve your artistic and storytelling skills? To make a living on your artwork? To make merch? Some of these are way harder to do today, but some of these are goals that you will reach simply by making your webcomic.

If it helps at all, I had to do a lot of this kind of talk to myself when I was starting in 2011 (less because of the scene and more because I was low in self-confidence.) The only way I could get myself to start posting WN on Smackjeeves was to remind myself that I was doing this for myself only, and maybe no one would read it, and that would be ok, because if nothing else I would be making something I love and I would learn a lot doing it. 13 years later and I'd consider my goals met, even if I stopped WN before I'm truly done with it.

(Which speaking of, I feel very strongly that unfinished or abandoned webcomics are not a waste of time for either the reader OR the creator. Just because a story doesn't get an ending--or gets an ending you don't like--doesn't mean it's without worth!!)

The webcomic scene is not going to fully disappear anytime soon--it's just suffering the same corporatization that has gripped almost every art scene at some point in some way, and I think that problem has been compounded by the consolidation of the internet into a few social media platforms. But those platforms will crumble, and the corporations will bail once they can't squeeze any more money out of webcomics. The scene won't ever been the same as it was in the 2010s, but that's how time works, and that doesn't mean it won't ever get better than it is or that there's not gems to be found now. The only way it gets better is if more people make and read webcomics!

[yashley]

“but I will tell you now that if the Raven Queen fucks with you, or hurts you, or doesn't change you for the better, then she's going to have to deal with me, and we're going to have a problem.”

[dkettchen]

it's been a year of blondes, boobs, and one piece apparently

[bestagons]

I love my posture

[imwritesometimes]

multiple things can be true. Americans can be racist and misogynistic and greedy. But I also think ppl (especially on this website) need to understand that America by and large is not half as progressive as you seem to think it might be one day. On account of all the racism and misogyny and greed.

There are not large swathes of progressive Americans just waiting to rise up and finally vote when The Chosen Candidate finally surfaces.

A lot of you need to understand that the right has figured out something the left, apparently, never will. Hold your nose and vote for your candidate. This is how they have amassed a not insignificant amount of power in this country over the last 40 years. This is how their ideals survive and thrive and reach young men today, transforming them into bigoted pricks.

There will never be a candidate you're going to love. Ever. Get over it. Every step in the right direction is progress, even if it's a baby step. But all we're doing now is taking 3 baby steps forward and 84 giant leaps back cause you don't wanna vote for someone you don't like; meanwhile average Americans are becoming so indoctrinated to greed and puritanical ideals they just want gas to be $2 and for women to be objects again.

[front-facing-pokemon]

[future-crab]

I love the line, "They sell presentable, young and so ingestible, sterile and collectible, safe, and I can't stand it," SO much. It really gets at the heart of what so much of Danger Days is trying to say imo. And I especially love the sort of visceral note in the phrase "young and so ingestible" - like obviously the image of art and artist as something to be consumed has been around for ages and it doesn't have to evoke anything so literal as the audience wanting to physically eat the band, but it certainly calls that to mind for me, and the idea that the music industry (and capitalism more broadly) exists to facilitate and encourage that desire is just... chef's kiss.

[screamingwiththewolves]

If the lodgers don't forgive Jekyll, for something that is debatably his own business, then I riot.

[pondslime]

subterranean

FANDOM : house of wax (2005) PAIRING : bo sinclair x afab!fem!reader RATING : explicit 🔞 WORDCOUNT : 3.9k

Reader POV. Basement fuckery. He tells you it's to keep you humble. It’s really just to keep you scared. The distinction doesn’t matter. You end up here again and again, knees biting into the concrete.

Crossposted on A03 here.

⚠️ Stockholm Syndrome. VERY dubious consent under duress. This was supposed to just be porn without plot. But then I lost my goddamn mind. Oops. Decent amount of weird prose. Depersonalization and derealization. Pet play (but make it weird and kinda metaphorical). Collaring. Forced boot riding. Vibrator and anal plug use. Bondage/gagging/edging. Bo at his absolute WORST (his natural state), being smug and mean and awful. Dirty talk dialed ALL the way up. Extremely dehumanizing and degrading language. Mind break elements. LOTS of backhanded praise. ⚠️

You always got too comfortable.

A lifetime before—when you were first here—you sat on this mattress with him, swallowing down mouthfuls of cold beef and carrots. You can remember the soup swirling in the can, murky and brown like a puddle of stagnant rainwater. He hadn't bothered to warm it up for you, but it hadn’t mattered. The food was something. Sometimes it felt like everything.

You licked the broth off the spoon as he plugged another tape into the VCR.

“One of my favorites.” He told you. Of course it was. Every movie he showed you down here was one of his favorites. Every can of soup might be the last. It was always the same things, over and over.

That’s when you started to lose track of time, you think—when you’d started to cling onto all that nothing.

Time wasn’t all that bad of a thing to lose, was it? Who needed it when his thumb was rubbing against your knee, stroking up your skin? The soup was cold, and his hand was warm. You traded one for the other and you liked it.

Funny. Thoughts like that always felt like they came with an or else tacked at the end.

A chunk of potato sat unpleasantly on your tongue—almost bitter, gravel in your mouth. Just like everything else, you swallowed it down.

He pressed play, his fingers drifting up your thigh. The TV quality was fuzzy, interrupted by the occasional flicker of static. Sometimes the films he chose would start in the middle of scenes. You’d get brief glimpses of things he’d recorded over—the triumphant blare of a talk show theme cutting off mid-note, dropping you in media res. He always assured you that you weren’t missing anything. At least that was one thing he didn’t bother lying about.

The movie wasn’t why you remembered that day, though. It was because of something he’d asked you.

“Where’d ya’ grow up?”

You hadn’t known what to say. He never asked you things like that. Your confusion only deepened when you turned towards him. There was no tension in his jaw, no furrowing of his brow. He looked, for the first time, wholly and startlingly calm.

When you failed to answer, he leaned forward and switched the TV off. He never did that either.

“Tell me ‘bout it. Whatchu do out there, anyway?”

You always regret not lying to him.

The world had shrunk down so much in the time you’d been in the town that it almost felt like you could gather it up and stuff it in your pocket.

You think about home. It looks different now.

Spidery tendrils of dust cling to the gaps between the balusters. It’s so difficult to get light in the house. No matter how many windows you open, there are always corners lost to shadow.

It’s strange how you could be up there one day, replacing the bulb under a fringed lampshade—and the next, you’d be tumbled back underground.

Just last week, you were lying on the couch in the living room.

The dog had padded into the room. She’d been gone for the better part of the day. With the doors unlocked, she went wherever she pleased. It had worried you at first, but it didn't anymore. She'd never leave town. She knew better.

At least, that’s what he’d said.

“Come here, beautiful.”

Jumping up, she curled into the space beside you. You wrapped your arm around her, wrinkling your nose. She reeked terribly of dog, stale corn chips and dirt and musk. You wondered if she might let you give her a bath now that you were in her good graces. It took a while to get there, but she came around. In a manner of speaking, the same thing had happened with you.

Pretty funny, huh?

Earlier, you'd been thinking about the puppies in the pet store window. Did she know about them? Slumbering away behind glass and dust, forever only a couple breaths old. Click. A switch was flipped, and they were as alive as they would ever be, nestled on newspaper shavings. On days like this, did she ever make her way down the hill to see them?

“Girls don’t last in this town.” You murmured, scratching behind her ear. “Just me and you, yeah?”

With a huff, she buried her head in the crook of your neck. It seemed like she was done listening to you.

That was fair, really. Half the time you weren’t even saying what you were really thinking anymore—and when you did, you weren't entirely sure that you made much sense. So much of yourself was locked up in your head and you kept forgetting where you left the keys. It all got clogged up inside your skull and oozed out of your mouth in a trail of sickly platitudes. You were just so thankful, so grateful.

“Sorry.” You whispered. You were always sorry for something, and sometimes you even meant it.

The rays of light were receding off of the arm of the couch, crawling up the wall. Your thoughts filled the living room. You could almost see them floating through the air, bouncing off each other like bubbles. Fleeting, effervescent things, popping as soon as you tried to track their paths. When you turned your head, you could smell his cologne. It was his jacket, hanging discarded over the couch cushions.

For a sudden, terrifying moment, you missed him.

That’s when you said the prayer. You didn't know where you meant for it to go. You guessed it was for whoever was around to hear it. Most days it was him and some of the time it was his mother. Both choices rang false. If God was still in this town, it was here, caught in these beams of light. Or maybe God was the dog heavy on top of you, her breath a rhythmic rumble against your throat.

Maybe you wouldn’t last long. Maybe it was all just wishful thinking.

Today, Bo fastens the collar around your neck. The leather feels heavy against your skin.

He tells you it’s to keep you humble. It’s really just to keep you scared. The distinction doesn’t matter. All the light bulbs you screw in will eventually need to be replaced. Wiping away the dust only gives way to more dust. You'll end up here again and again, knees biting into the concrete.

This almost feels more like his room than the one he sleeps in up at the house. Here, you can feel him more than anywhere else. There's more of you down here too. Real, tangible parts of yourself. Look around. There you are in the stain on the mattress, the blood crusted on the vinyl.

Welcome back, baby.

You keep your gaze on the ground, searching for something to bore your eyes into. Your eyes land on his shoes. Flecked with dirt, they bear obvious signs of wear. There’s a sizable hole in the toe of one of them. You focus in on that as he readjusts the collar, tightening the strap around your neck.

Embarrassment heats your cheeks as you hear him click the leash into place. Even without looking up at him, you can picture the expression on his face. It isn’t a good one. You still can’t decide if he looks more or less like himself when he screws his face up like that.

Tugging roughly at the leash, he forces you to look up at him. Wrists bound; your hands flex uselessly against your back.

“Please—”

Without warning, he sticks his fingers into your mouth, forcing them to the back of your throat. You choke, your hands flexing in panic behind your back. When he pulls them out, you cough, eyes watering.

“Now, normally I like hearin’ you, baby.” He says, smiling down at you. His face is a discordant thing. All American, boy next door. A slice of apple pie that someone put a cigarette out in. “But you know somethin’—”

He crouches down in front of you, still smiling. You watch him silently, shifting anxiously on your knees.

“I never did meet a dog who could talk.” Reaching over, he flicks at the metal ring on the collar. “Feels wrong.”

Dropping the leash, he gets to his feet, striding away. You crane your neck to the side as he rustles around behind you. After a moment, he lets out an affirmative grunt.

Quickly, you pivot your head back to the front. Making his way back to stand in front of you, your eyes flash to the item in his hands. Seemingly amused by your concern, he dangles it in front of you.

It’s a ball gag, shiny and black—noticeably a hair newer than the rest of the junk down here. Maybe he bought it just for you. It’d make a pretty lousy gift, but then again, he was always shit at stuff like that.

He had an incredible knack for getting you shit that you never asked for. Everything came with conditions, a laundry list of provisos and conditions that you didn't remember signing up for. Everything he gave you was actually for him.

“Open up, baby.”

Before you can think to do as he asks, his thumb forces your mouth open, pressing down on your teeth. You sputter as he forces the gag into your mouth, securing it around the back of your neck.

“That’s better, yeah?” He asks, grabbing hold of the leash again.

You stare up at him, exhaling tight bursts of air through your nose. You tilt your head a bit, working your jaw around the ball. Your teeth rest uncomfortably on the rubber.

“You been so good today, think we outta give that pussy some attention, huh?” He smirks. “Whatchu think?”

You whine, the noise coming out in an embarrassingly wet gurgle. Spit runs out of your mouth, dripping down your chin and trickling onto your neck.

“So cute.” His voice is syrupy sweet. He can play at authenticity, but never with you.

He kicks your thighs apart with his foot, nudging the tip of his boot between your legs. His eyebrows shoot up expectantly as he nods down at you.

“Go on, then.”

Disgust is an old friend. She disappears for months at a time, only to show up unexpectedly as if no time has passed. She’s back again, turning your stomach around in her hands. You tilt your hips down. Rubbing yourself against the tip of his shoe, you wonder if he’s doing this for old times' sake.

Rocking forward, you imagine a glossy magazine cover. You could see him on the cover of one. He does have the face for it, when he bothers to put it on.

Bored? 50 Ways to Keep the Spark Alive!

Your jaw is beginning to ache. Bo's hand strokes softly at the top of your head. You hate that the pressure against your clit almost feels good. Your mind unhelpfully supplies more article titles, bubbling up in your mind in obnoxiously curly lettering.

10 Mouth Exercises For The Modern Woman. Have You Tried Screaming? It’s All The Rage in This Town. Once You Start, You Won’t Want to STOP!

“That’s it.” He grins. “What a little slut.”

You look up at him pleadingly, another dribble of spit running down your chin.

“Always got told ya’ shouldn’t let dogs up on the bed.” He muses, the amusement plain in his voice. “But you been on your best behavior, huh?”

Last week, you fell asleep on the couch. You woke up somewhere else.

It was dark and you were pressed against something warm. Not the dog, not the light. Those were both gone. His jacket hanging off the side of the couch, maybe. But it was moving now, and so were you.

“Gotta getcha to bed.” He’d muttered, carrying you up the stairs.

You lay across Bo's lap, the side of your cheek against the dirty mattress. You shudder, your legs shaking.

“Pretty girl.” Reaching over, he tugs you up by the leash, forcing your head back.

Every breath you take seems to make your muscles clench around the plug in your ass. He works it in and out of you slowly and you gulp, shallow breaths whistling out of your nostrils. Every time you jolt forward you can feel him press against you, hard against your belly.

“Hey. What’s wrong, baby? That hurt?”

You nod frantically.

“Huh. Funny…'cuz I don't think it does. You wanna know how I know?” You feel him spread you open, fingers dipping into your pussy. “You’re wet for it, baby.”

He pushes the plug deeper, and your head spins at the sensation. A warbling moan pitches out of your mouth as you feel it sink fully into you. You shiver uncontrollably, whimpering around the gag. Saliva gathers on your tongue, and you feel it spill out of the side of your mouth, pooling under your cheek.

“Good.” He rumbles out, stroking his knuckles along your back. “That’s my good girl.”

You squeeze your eyes shut when you feel him nudge something between your legs. With a click, the vibrator buzzes to life. You let out a startled cry as he strokes it along your pussy.

“It’s nice, huh?” He chuckles. “Don’tchu act like I never gave you anything.”

The vibrator teases against your clit in short bursts, pressing down just long enough to leave you panting before he pulls it away. Almost enough, not quite. You arch back uselessly, chasing after that glittery warm sensation. He laughs a bit, holding the vibrator just above your clit.

You can feel the edge of pleasure, but it’s nothing more than a distant dull thrum. He keeps you hovering over it for what feels like forever, squirming over a feeling that’s hardly there. You bite down on the gag, your sob watery and muffled around the rubber.

“This body’s all mine, girl.” He murmurs, running his thumb down your spine. “I ain’t gotta make it feel good.”

With a hum, he rests the vibrator fully onto your clit. The sensation you’ve been chasing envelopes you, shimmering through your core. Nasally, high-pitched whines escape you in quick, desperate succession.

“But I do, don’t I? ‘Cuz I’m just so sweet.”

You open your eyes, staring up at him in bleary gratitude. He presses down on the plug. The discomfort has crested over and all you feel now is loose and pliant. You moan around the gag, your eyes fluttering.

“You like having somethin’ in your ass while I play with this pussy?”

And you nod, humming out your agreement.

“Mmm-hmm? Yeah?” He teases, mimicking your garbled reply. "That's good, baby. That's real good. Reckoned I’d fuck your ass today, but that pussy’s gettin’ nice and wet for me. Whatchu think? Which hole you want fucked?”

You mumble incoherently through the gag.

“All of ‘em?” He exclaims, the grin evident in his voice. “Well, ain’t that real sweet. Good answer, baby.”

He keeps talking, but it’s getting harder to focus on what he’s saying.

“Next crew that comes through here—maybe I’ll tell ‘em I got a slut who needs breakin’ in. You spread those legs so nice, sure you’d fuckin’ love it.”

The image flashes through your mind. Hands everywhere, laughter and heat and friction from a kaleidoscope of people destined for death. You’re in the middle of all of those faceless people—a tribute to be used up, one last meal for a parade of living corpses.

You’re all destined for the same end, but theirs is closer than they know. Yours is prolonged, tied around touches and salt.

Bo would be in the corner, lighting another cigarette—watching, because he’s always watching. Mouth twitching into a smile because he’s right again. You’re exactly what he thinks you are. You’ll keep your eyes on him because you can’t look at anyone else. After all, if it isn’t his hands, could you even feel it? Would it even count?

The panic is sudden and hot, twisting inside your chest. A desperate little whine builds at the back of your throat.

If I’m everybody else's, I can’t be yours.

“I’d have a hard time sharin’, though.”

Relief. The vibrator pulses against your clit and your eyes go unfocused.

“’S funny. Gotchu down here—and nobody knows.”

Between your legs, your pussy feels pathetically wet, sloppily sliding along the vibrator. You almost wish he’d keep you like this forever, jolts of pleasure lapping hungrily between your legs.

“If there’s even anybody out there lookin’ for ya’…” He muses. “Wish they could see ya’ now, huh? Don’t think they’d feel bad for you, baby.”

Pleasure rolls dizzily through you, electric licks of sensation as he rubs the vibrator against your clit. The rubber in your mouth is an anchor, it feels good on your teeth.

“Betchu thought you were really somethin’ out there.” He chuckles. “How’s it feel to find out you ain’t? Feels good, don’t it?”

You open your eyes and nod up at him, panting out your agreement. Through the haze, you see him smirk. It’s a cruel, cold thing. You’re all full and useless, but he doesn’t need you to say it, because he knows. Thoughtlessly, you shift in his lap, trying desperately to spread your legs wider for him.

“Nothin’ but a little fucktoy.” He coos. “That’s all you are, baby. Want you to remember that.”

He doesn’t need to worry. You remember everything, except what counts.

“Good girls cum, baby. They can’t help it.”

You’re hurtling higher and higher, the pleasure battering against your brain. That’s where the memories are, where the time used to be. It feels better to fill it with this. But then again, you’ve known that from the start.

“Go on, baby. Cum all pretty for me, yeah?”

And you do, a million times over.

He keeps the vibrator pressed firmly against your clit as you tense up, your hands clenching into tight fists behind your back. Your orgasm is a bone-deep shiver, wracking your legs with uncontrollable chills. The pleasure throttles through the last of your coherency, prizing a desperate noise from your throat. Maybe it’s a word. It might be his name. It might just be the time. Maybe this is how you find it again.

The buzz of the vibrator goes dim and far away as he holds it against you. You’re twitching somewhere above it. Each involuntary movement you make brings with it a new hiccup of sensation. Around you, the room seems to spin—whirling into a terrific blur of green and yellow.

It can be beautiful down here, if you squint.

When he lifts the vibrator off your clit, you pitch forward, warbling out a dizzy laugh behind the gag. You wait for the sound of the wand powering off. It doesn't come. Behind you, the buzzing is a low, incessant drone. You’ve barely managed to ground yourself when you hear it kick up a notch.

Click.

The sheets smell like all the thousand versions of you, each one answering questions she shouldn’t. Four walls surround you and they feel like they’re collapsing down on all sides. They could be made of plaster or stone, but they might just be something else. Your limbs, your heart, your mind, him. Separate appendages, but all linked. All part of the same crumbling structure.

A scream builds at the back of your throat as you feel him set it back on your clit.

“We ain’t done, baby.”

Your sleep is deep. Quiet. Only one dream.

Bo’s sitting on the edge of the bed, an inky blot in the gray morning light. He makes a move to stand up and you grab onto his arm.

“Go back to bed, angel.” He murmurs.

It almost sounds real enough.

When you wake up, you're alone. You try the door and find it unlocked.

Figures.

Upstairs, the shop is empty. There’s a can of unopened Coke on the counter. You crack it open and take a sip. Lukewarm bubbles of carbonation fizz over your tongue. God, he really was shit with gifts.

Walking up the hill, you catch your reflection in the window of a sedan. You look haggard, your hair a raggedy clump around your shoulders. You try the handle and it cracks open easily. Crawling into the dirty belly of the car, you wince as you lower yourself down into the seat. You sit with one leg dangling out, absentmindedly studying the dusty speedometer.

There are cars in other towns, parked on different streets. There are places without dust. There are always other futures. Sometimes you turn down the wrong road, and sometimes you die. Sometimes you don’t.

That’s just the way these things go.

You imagine the town collapsing in on itself like a pop-up book. There’s Bo, frowning down at it. He seemed like he’d been the type of kid that wasn’t allowed to check those kinds of things out from the library. He’d bring them back with pages ripped out, scrawled with pen marks. Pilled white card stock where faces used to be.

God, you’re miserably sore. It’s impossible to narrow down the ache to a certain part of you.

Lifting your leg into the car, you pull the door shut. The dust inside tickles your nose. Unthinkingly, you reach up, your fingers brushing against the metal buckle of the seatbelt. The sting is sharp and immediate. You pull your hand away with a hiss, your hand smarting. When you reach for the seatbelt again, you’re careful to avoid the clip.

You buckle yourself in. Click. Alive again, now more than ever. Wrapping your hands around the steering wheel, you close your eyes. The leather is hot against your palms, and it hurts a bit. Just a little. That’s just the pain again, but you don’t really mind. It’s something you can keep. It’s all yours.

Nothin’ you can’t handle, girl.

That’s what he said last night. Afterwards.

You were laying with your head in his lap, the itchy crust of dried spit against your cheek. It was then that you decided that you were so ugly that you had to be beautiful. You had to be worth looking at. You’d rolled over on your back, looking up at him through swollen eyes. That’s when he said it, so low and quiet that you almost didn’t register it. There’d been a an edge of pride to his voice.

Nothin’ at all.

A lick of pleasure thrums between your legs and your eyes flash open. You unbuckle the seatbelt and scramble out of the car, ignoring the pain that sings through your limbs.

Things like that? They always came with an or else tacked at the end. You remember that, don’t you? You couldn’t have forgotten.

Looming above you, the house is a dark blot of ink against the blue sky.

There were no collars for dogs in this town—they didn’t need them. They’d always find their way back home, pawing at the door for some scraps. The only leash is the one that exists in your mind. You can almost see it, trailing off your neck and up the hill, looped messily around the front doorknob.

You were going to die here with all that wetness between your legs, begging him to take out more of you with his teeth.

It's like he said.

You don’t need to tie up a dog if it loves you.

[groovygrub]

[cloxite]

OH do yall wanna hear a story relating to Gerard I found out from an editor from dark horse comics