#I'm drawing out sketches for build ideas

[nexus-nebulae]

oh my god. it's finally happened. I've gone completely insane. I'm becoming a minecraft builder

[lucalicatteart]

A few little sketches of some possible school uniforms for mage schools/learning centers for magic/etc. :0c Though because Nanyevimi is so scattered and disconnected, it'd actually vary much more by region (like not everywhere would have a cultural concept of what a suit jacket or neck tie looks like lol), so it's probably unrealistic for so many of them to follow too many traditional Uniform Conventions from cultures in our world, etc. But, still, fun to mess around with designs, and think about which would be most fun to wear/what school you'd go to just based off the clothing lol~

[punkitt-is-here]

How did you learn to draw fat bodies but still keep it cartoony? I love how you draw different types of bodies and make them all seem normal instead of certain body types sticking out like a sore thumb next to others. I struggle to draw fat bodies without it looking weird with the rest of my art. Do you have a specific tutorial you followed or something?

This is a really good question! I'm glad you like my depictions of different body types, i worked really hard to get better at that so im happy folks enjoy em!! I didn't actually learn from a book or tutorial, it was mostly looking at fat bodies IRL and learning to incorporate those features onto what I already drew. As it turns out, we're all human, so if you understand the anatomy enough to draw a skinny person, you have the tools to understand the anatomy of a fat person.

So, like, here, this is my sketch of someone with a very average build. If I were to draw a fat body, I would still use all the basic principles I use here. One mistake I think folks run into is "isolating" parts, which can lead to things like this

which isn't necessarily bad, but if its not what you're going for, the issue is pretty apparent. Weight affects ALL of the body, not just the stomach or the face or the limbs. If you think about how that weight affects everything in tandem then you can start drawing fat bodies that work more in your style.

for this, this is the same quick sketch using the same pose and principles as the first one. but! I allowed the weight to be distributed across the body. Notice how the legs, belly, arms, etc all got thicker? The key to drawing fat bodies and making them look like they fit is allowing that weight to affect everything. without it, it just looks like you're adding on features to someone rather than considering everything at once.

my other tip is: don't be scared! things like fat arms or chins or bellies or stretch lines are not something that's bad to depict. if you want to draw fat bodies, you gotta not be scared to draw things the way they are. someone having a fat body is not bad, and you drawing that fat body is not bad either. Experiment! To me, art is about representing ideas, and the only way to get better is to experiment with how you represent those ideas. I'm by no means an expert, and I think you can also get a ton done by looking for resources aside from me, but I hope this helps, and have fun!!

[cup-o-stars]

How to draw like you no borax

Good question!

I'd warn against following my process (at least if you want to learn), but I'll be honest and show you, lol. (Heads up: this is just how I do FAN art. When having fun, I generally care less about the fundamentals.)

1. I slap down super rough sketches, jotting lines/expressions like bullet points of my idea. Pretty much stick figures with just enough detail to remember who's who later. Not shown here, I also move, resize, and add details to express the intended composition if I'm planning something larger. You may notice a lot of curved lines / haphazard circles.

2. I refine the sketch by drawing it with more intention and build structure with slightly blockier shapes. If I'm really struggling with a pose, this is also where I'll find references or look at myself for bits and pieces to fill in the gaps. (When practicing, I would highly recommend using a reference from the start so all your limbs are an appropriate length and you don't need to say things like "that's passable" right before posting. If you're a perfectionist you'll leave that thought with the rough sketch.)

3. I'll decide around here whether or not to leave the sketch as is or commit to lineart (not likely). I guess I'd say I "shape the lines" here by going over some to add thickness/weight, and by adding basic sort-of-shading to break things up a little. Then I'll just fill in space if the page looks empty. (Usually this is where I incorporate the borax, but I hear baking soda works nicely if you're worried.)

4. Onto coloring. I don't feel confident enough to pretend I know what I'm doing here, lol. I just choose my base colors, imagine the general direction of the light source, then add minor gradients to the light and dark layers so they don't look flat. Then I just add some BS highlights and outline them. I've only recently found the motivation to properly practice coloring and just go with the flow tbh.

You may notice that Nami's forearm is too long, her hand looks like a pancake and Chopper has no joints! My kind sibling explained to me once that my anatomy is poor, but cohesive enough that nothing stands out too bad, lol. That's why it is important to use references!! And if you're me, practice all parts of anatomy at the same time with full bodies so that even when you're at a loss, your hands aren't that much better than your feet.

All in all, to draw like me, just have a very hedonistic approach to art, ha. Draw what you want, avoid getting burnt out on any single piece (sometimes that happens when you try to perfect drawings one at a time), and follow my personal motto:

Make fun, not masterpieces.

Idk how helpful this was, but there you have it!

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[lomlhwa]

portrait (y.jh)

pairing: bf!jeonghan x gf!reader

preview: your boyfriend is so pretty. so, how can you turn him down when he asks you to draw him while he eats you out?

tags/warnings: fem reader, oral (f.receiving), pussy drunk hannie, lots of dirty talk, overstimulation, multiple orgasms, pet names (pretty baby, mama, my love), drawing while fucking

trigger warnings: n/a

w/c: 724

song recs for this fic: touch tank by quinnie

a/n: listened to some asmr on this topic and jeonghan was the first person to come to mind (sorry this is so short)

“whatcha doing, pretty baby?” jeonghan asks as he walks into your shared bedroom.  you look up at him and smile, shaking your pencil at him. “i’m trying to draw.”

your boyfriend stands at the end of your bed and runs his hands up your shins. “what are you drawing?” he asks, goosebumps appearing in the wake of his fingers. “nothing. I'm uninspired,” you sigh, putting down your pencil and paper. 

“i have an idea,” jeonghan says, his voice pitch dropping low. you can tell by the tone of his voice, it's something sinister. your raise your eyebrow at him and cross your arms. jeonghan bends your legs at the knees and crawls between your legs. he rests his pretty face on your stomach and looks up at you.

“you could…” he trails off, dipping his fingers under the waistband of your pants. “draw me while eat your pretty little pussy.” your heartbeat picks up immediately and your face flushes red. “r-really?” you ask, almost unsure of whether or not you heard him right.

jeonghan nods, tugging on your pants. your hips lift on their own volition, allowing him to completely strip your bottom half. he presses soft kisses to the plush skin of your thighs. “what do you say, pretty baby?” you chew on the back of your pencil as you nod shyly. jeonghan’s tongue darts out out of habit, licking your inner thigh.

“make sure to draw me real prettily. i know how much you love how i look between your legs,” he gives you a playful wink before diving into your wetness. he slurps at your hole, drinking up the slick that has been seeping out of you since he came into your room. you bring a shaky hand down to your page and begin to sketch your boyfriend’s current position.

“fuck, you taste so fucking sweet. my favorite candy,” he mumbles into your pussy, sending delicious vibrations through your whole body. you trace the lines of your boyfriend’s perfect face and his perfect hair. you sketch the way his hair falls when he gets really focused on your wet heat.

his tongue abuses your clit and you can’t help but lose focus on your drawing and throw your head back. “fuck, hannie,” you moan out, biting your lip. “keep drawing, mama. i wanna see how i look in your eyes while i make you feel so good.” you force your eyes to refocus themselves and start drawing again.

you slowly start to shade in the shadows that are cast by the sun from your bedroom window. they make jeonghan look even more ethereal. “you’re so tasty, baby. the prettiest pussy. it’s all mine.” out of nowhere, he wraps his arms around your waist and holds you down to eat you like a mad man. his tongue in incessant and covers the surface area of your pussy with insatiable hunger. “oh fuck,” you choke out, your orgasm rising with every movement of jeonghan’s mouth.

“baby, baby, please i’m gonna cum,” you squirm and try to get away from his mouth, your core being so sensitive. “give me your cum, my love. let me drink you up,” jeonghan holds your thighs open with strong hands and does his best to get your orgasm out of you.

abruptly, you reach your high, your thighs clamping down on jeonghan’s head for dear life. but, he doesn’t stop his almost inhuman pace. you let out a strained laugh as another orgasm builds. “hannie, oh my god,” you push on his head, trying to get him to come up for air. his arms keep your bottom half locked against his face. “give me another one, mama. i know you can do it. give it to me. fucking give me it,” he orders.

another orgasm crashes over you, your entire body thrashing. your thighs tremble around jeonghan, your nerves taking over your body. you can barely feel your legs anymore. 

your boyfriend gives some final kitten licks to your cunt before pulling away. he wipes your juices off his mouth before smiling oh so innocently at you. 

“well, lemme see the drawing.” your shaky hands pick up your sketchbook and turn it to show jeonghan the beautiful drawing you made of him. “damn, that’s what i look like down there to you? maybe i should just live there.”

© lomlhwa 2024

[sevilai]

Tryna be a little less precious with my sketches. I can never get any ideas out the door because I can never polish them enough :')

Big on the idea that everyone is fine and the siblings just get to be okay and grow together. I'm huge on that actually. Some lil related headcanons under the cut~!

Ghost does indeed tire of the nail sometime around the (effective)age of 12, and in fact DOES join Sheo in art.

Hollow also does this, immediately after physically recovering enough from the sealing/infection deal to do so.

Both of them struggle with feelings of inadequacy with their work. They often paint together and help build each other up.

Hollow(Hero? I've been calling them that) is the type to shut themselves in a room for a few hours every month and walk out with bangers. Every single time. Would be a fantastic animator if the medium existed in Hallownest. Maybe it will someday!

Hornet's not good at drawing but is great at literally everything else. Sewing, crocheting, felting, sculpting, music, doesn't matter. She is unstoppable. Or she would be, if she ever finished anything.

They like to do trades a lot. "I'll paint you that book character you like for a plushie of this character I made." "Do you want a portrait? I'll make you one for a cool figure." It's mostly the vessels shoving art at Hornet until plushies come out.

[unabashegirl]

my best friend's dad | part 2

/N and Scarlett Styles are best friends in college. They share everything even their plans for Spring Break. They have a trip to Bahamas planned. Everything takes a turn when Scarlett is unable to fly, and Y/N is forced to coexist and interact with Scarlett's dad.

Author's note: I initially decided not to post this part on Tumblr, but people began having issues with me because of that decision. I received rude messages in my inbox, but I'm going to posting it—not because of the rude messages, but because my Patreon subscribers asked nicely for another part. I want to be very clear: I WILL NOT BE POSTING THAT PART ON TUMBLR. No matter how many insults I receive in my inbox, this will not change. i hope you enjoy.

check out my patreon (starting at $2) and get full access to all the one shots and much more :) thank you beforehand!

word count: 2.4K

warnings: smut

part 1

----------------------------------------------------------------------

Harry, determined to keep a respectful distance from Y/N after that morning’s perverted thoughts. He dressed in a freshly washed swimsuit and headed straight for his studio, a serene space filled with natural light and a calming view of the beach and pool below. The sound of waves crashing against the shore provided a soothing background as he settled in at his drawing table.

He immersed himself in his work, focusing intently on finalizing the layouts for the new building project. The creative process helped clear his mind, and he found solace in the familiar rhythm of sketching and planning. Occasionally, he glanced out onto the balcony, where he could see Y/N below, absorbed in her book.

She looked peaceful, the morning sun casting a soft glow around her. He noticed her occasionally reaching for a piece of fruit from a bowl beside her, her expression content as she turned the pages. Harry couldn't help but smile at the sight.

By midday, Harry had completed the layouts he set out to finish. He stretched his arms and stood up, feeling a sense of accomplishment. Glancing out at the balcony once more, he caught Y/N turning herself onto her chest and untying the top of her blue bikini. She slipped on the top and threw it beside the sunbed. She was topless and Harry tried to hold his composure.

“How is Bahamas?” Jeff, Harry closest friend asked as soon as he picked up the phone.

“It’s fine” Harry responded as he sat down and took off his reading glasses.

“It doesn’t sound like it. How is Scar?”

Harry sighed, knowing Jeff could read him like a book. "Scar's doing well," he admitted, leaning back in his chair and glancing out at the tranquil ocean view from his study. "But... there's something else."

"What's going on, mate?" Jeff's voice held concern.

Harry hesitated, unsure how to articulate the conflicting emotions he'd been grappling with since Y/N arrived. "It's Y/N," he finally confessed. "She's Scarlett's friend, and she's... she's a guest here."

Jeff remained silent, sensing there was more to Harry's unease.

"I find myself thinking about her more than I should," Harry admitted quietly. "She's smart , funny, and..." he trailed off, unable to find the right words to describe the attraction he felt.

"You've got it bad, haven't you?" Jeff said knowingly.

Harry chuckled ruefully. "It's complicated. She's much younger, and I shouldn't be thinking about her like this."

"Maybe it's just a crush," Jeff suggested gently. "It'll pass."

"I hope so," Harry murmured, running a hand through his hair. "I just need to focus on work and keep my distance."

"Or you could test the waters. What if she's also interested?" Jeff suggested, knowing that his friend always played it safe and never ventured into morally gray areas. He believed Harry needed to embrace life more, and perhaps Y/N was the catalyst he needed.

Harry sighed again, torn between Jeff's suggestion and his own reservations. The idea of pursuing something with Y/N was both exhilarating and unsettling. He valued Scarlett’s feelings and didn't want to jeopardize them or make things awkward between them.

"I don't know, Jeff," Harry finally replied, his voice tinged with uncertainty. "She's Scarlett's best friend, and there's an age difference..."

Jeff interrupted gently, "You can't control who you're attracted to."

Harry nodded slowly, considering Jeff's words. He knew his friend meant well and understood his perspective, but the thought of complicating things weighed heavily on his mind. He had always been cautious, preferring to maintain boundaries and avoid unnecessary risks.

"I just don't want to mess things up," Harry admitted quietly, his gaze drifting back to the view outside. The ocean shimmered under the afternoon sun, a peaceful contrast to the turmoil in his thoughts.

Jeff nodded understandingly. "I get it. Just see how things unfold. You'll figure it out."

As they ended the call, Harry leaned back in his chair once more, reflecting on their conversation. He knew he needed to tread carefully, balancing his growing feelings with his respect for Scarlett and Y/N’s feelings too. He just wasn’t sure if he just wanted to sleep with her or something else.

Harry hadn't been in a relationship for years. He had devoted his time to work, ensuring his daughter had a comfortable life. If he thought about it that way, he felt he deserved to have some fun. However, he still didn't know if Y/N felt the same way toward him.

A knock on the door interrupted his thoughts.

"Harry?" It was Y/N, holding a bowl of fruit. Her hair was wet but pulled back by her sunglasses. Harry noticed she was already getting a bit sunburned and looked tanner than she had just three days ago. "I just thought you might like a snack," she said sheepishly.

Harry smiled, touched by her thoughtfulness. "Thanks, Y/N. That's very kind of you," he said, standing up and walking over to her. He took the bowl of fruit from her and placed it on his desk.

"So, this is where the magic happens," she said with a grin, walking over to the drawing table.

"Yep, this is it," Harry replied, his heart racing slightly at her presence. "Come, take a look.”

He led her to the table, where his latest project was spread out. Y/N leaned in, her shoulder brushing against his as she examined the intricate designs. Harry could feel the warmth radiating from her skin, and he fought to keep his focus on the work in front of them.

“Oh! Look at that” she said, her voice full of genuine admiration. “The detail is breathtaking”.

"Thanks," Harry said, his eyes flicking to her face.

As Harry explained his vision for the project, he couldn't help but notice how close they were standing. The small studio felt even smaller with her beside him, and the tension between them was palpable. He tried to keep his voice steady, but the proximity was making it difficult.

At one point, Y/N reached out to touch a section of the blueprint, her fingers lightly grazing his hand. The contact sent a jolt of electricity through him, and he glanced up to find her watching him intently. The air seemed to thicken around them, and for a moment, the world outside the studio ceased to exist.

Harry cleared his throat, trying to dispel the growing tension. "So, um, that's the main living area," he said, pointing to the layout on the paper.

They stood there, the silence between them heavy with unspoken words. Harry's mind raced, torn between the desire to close the gap between them and the need to maintain the boundaries he'd set for himself. He could see the same conflict in Y/N's eyes, and it only intensified the pull he felt toward her.

Finally, Y/N broke the silence. "I should let you get back to work," she said, stepping back slightly, though her eyes lingered on his.

Harry nodded, his heart pounding in his chest. “I was thinking of taking a break and going for a swim. Do you want to come?”

She gave him a small, smile. “Yeah”.

They both made their way out of the studio and down the path towards the private beach. The sun was burning hot as it neared lunch hours, and the air was filled with the sounds of seagulls and the gentle lapping of the waves against the shore. The crew was starting to prepare the table for lunch, setting out plates and utensils under the shade of a large umbrella.

As they walked, the soft sand crunching beneath their feet, Harry stole glances at Y/N. She looked radiant in her bikini, her skin glowing under the sunlight. He felt a mixture of excitement and nervousness.

They waded into the water together, the cool waves lapping at their legs. Harry couldn't help but feel a rush of exhilaration as they moved deeper into the ocean, the water enveloping them in its refreshing embrace. The sun glinted off the surface, creating a dazzling display of light and color.

As they swam, Harry found himself drawn to Y/N, their laughter and playful splashes creating a sense of intimacy and connection. They floated on their backs, gazing up at the clear blue sky, the worries and tensions of the world seeming to melt away.

"I think my face is getting burned," Y/N said as she stood up near the shore, the water lapping at her waist. Harry swam over to her, concern in his eyes. He stood up beside her, leaning in to check on her more closely.

"Let me see," he said softly, his voice full of genuine concern. As he leaned closer, his eyes scanned her face and cheeks, which were definitely flushed from the sun. The close proximity made Y/N's heart race, but she couldn't help staring at his lips, her breath hitching slightly.

Harry noticed her gaze, and his heart pounded in response. He could see the nervous anticipation in her eyes, and it was all the confirmation he needed. Slowly, deliberately, he closed the gap between them, his eyes locking onto hers.

She swallowed hard, her pulse quickening. "Harry," she replied, her voice trembling slightly.

Taking a deep breath, Harry gently cupped her cheek with his hand, his thumb brushing lightly against her sun-kissed skin. The world seemed to stand still as he leaned in, his lips finally meeting hers in a tender, lingering kiss.

Y/N's eyes fluttered closed as she responded, her arms wrapping around his neck, pulling him closer. The kiss was soft and tentative at first, but quickly grew more passionate as they both gave in to the emotions they'd been holding back. The warm ocean water swirled around them, adding to the sense of intimacy and connection.

Harry's hands wrapped around her waist as the waves nudged them deeper into the water. With the sea current interrupting their kiss, Harry lifted her off the ground. Y/N instinctively wrapped her legs around his waist, holding on tightly.

Their lips met again with renewed passion, the sensation heightened by the cool water surrounding them. Harry's grip on her tightened, anchoring her against him as the waves swayed them gently. Y/N's fingers tangled in his hair, pulling him closer, deepening the kiss.

Harry kisses her again but the softness if gone and now there is a sense of urgency. Y/N lips moved to his jaw and then to the side of his neck. Harry hand coming to grip her jaw to stop her.

“Are you sure?” He asked, not wanting to take advantage of her. She was younger and with less experience than him. The last thing he wanted to do was to pressure her into having sex. “I don’t want you to do something you don’t want”

“I want to” Harry didn’t question her any further. Perhaps because of his own selfish reasons. He untied her top and released her breasts, he tend to them, putting one of them in his mouth as his other hand massaged the other. He bit her softly, earning a whine from her.

“Harry” she moaned as she watched him devour her breasts. His hot mouth against her cold skin was a different sensation. Y/N was surprised that she had deliberately agreed to have sex at the beach, in the ocean. However, the desire was too intense to make it back to the house.

Y/N’s feet started pushing his swimming trunks off his body wanting to feel and see him.

“This is wrong” Harry said as he started to make his way out of the water and towards the shore with her still wrapped around him.

“So wrong” Y/N said as he laid her down on damp sand. Harry’s hand went to her sides and untied the sides of her bikini. Something had taken over him. He was ravenous for her.

“Spread your legs baby. Wider” His face was quickly buried between her legs.

“What if someone see us?” She asked though it quickly converted into a moan as Harry pressed his tongue on her, his nose brushing her clit. Harry hummed at the taste of her, she still tasted salty from the ocean water.

“Just like I imagined it” His finger drawing circles over her clit as he continued licking her and sucking her sensitive folds. “Don’t cum yet. I want to be in you when you do” he warned, his English accent raspier that usual.

“Then fuck me” Y/N begged, to which almost made Harry cum in his swimming trunks. It was such a stark contrast from who had arrived a few days ago. His hands frantically pulled down his swimming trunks. Harry’s head teased her entrance for a second before he sunk into her. He filled her up completely and for a second Y/N was worried that she wouldn’t be able to take it.

“God” She whined, throwing her head back, her hair getting covered with sand. Harry stayed still as he allowed her to adjust. He also needed a second at the newfound sensation.

“Fuck” he groaned as he pulled out of her and back into her. Her wet walls around him clenched up, as she looked at him drunken eyes. “You are so tight”.

She was overheated. The sun, the hot sand, and the way he looked at her as he pounded into her was too much. They were starting to get sticky. Harry hands gripped her hips, helping him to keep the constant pace.

“Cum f’me” he exhaled between thrusts as he felt her clench around him. Harry watched her come undone as she whimpered his name over and over again. Harry followed right after her before dropping right beside her.

Y/N looked over at him as they both tried to recuperate after their orgasms. She could see his skin covered with sweat and salt from the ocean and he still managed to look incredibly attractive.

“Don’t smile at me like that. You know it drives me crazy” He said with a smirk with his eyes still closed.

She didn't feel an ounce of regret...yet.

part 3 | sneak peek

[creaman]

Hi there! I apologize for taking up your time, I am just so curious: When you tackle a comic, what does the process behind it look like?

Asking because I found myself scrolling through your blog once again and couldn't help but marvel at all the beautiful effects you use, at how flawlessly the structure guides the viewer's eye across each page, how the graphic weight seems to always be in just the right places…, and wonder how you learned doing this. Everything you put out looks incredibly professional and I aspire to reach your level of skill 😌❤️

Thank you Finz!! You're no bother at all, I'm an open book. This is such high praise for a guy that really doesn't have a set process, I feel like a hack. Ha. Rest assured my style is still developing. Besides the referencing of the linework and composition of official comic books, (practicing by redrawing panels for fun), explaining the process makes me feel like a serial killer but I will do my best.

(WIP Riddler panel, scrapped Scarecrow composition)

My comics usually stem from a single panel or concept — I like to focus on/emphasise particular panels of my pages, the heavy hitters, the main piece that catches your eye. I know I'm not a profoundly technically proficient artist so I prefer visually interesting elements and formatting, i.e. drawing characters outside their frames, negative space, notation, perspectives etc.

(Kung Fu Panda 4 sketch god I hate Kung Fu Panda 4)

I like to establish 'main focus' panels, the bits of the comic that really, well. make people want to chew on it. This is where the technical effort is concentrated, really, and the rest of the comic is generally build around these concepts.

('Restaurant Balthazar' focus panels)

Textures and effects are done on individual panels first, then the entire page as a whole to even out the unity. Generally, blocking in shadows, hatching for visual interest + middle tones, then textures/half-tones, then highlights.

(Script excerpt WIP)

I'm not a writer per se, but having a vague 'script' in your pages helps with pacing and direction. Comics are a versatile story-telling medium. I only really do scripts for comics longer than 2 pages. An optional but recommended strat is to send your script to a friend for a second opinion.

(Script excerpt — 'Restaurant Balthazar', annotated by @vincepti0n I don't know why he drew a face in the middle)

With the script crudely slapped together, I rough out the thumbnails and composition with the text, prioritising coherence and clean integration of previously mentioned 'main focus' panels.

Settling on a composition sucks the hardest. Drawing is fun, thinking makes brain hurty. Variety is good! Close-ups, wide shots, visual metaphors. Every panel is its own artwork.

The text bubbles are usually added in post, yes, but I'm just one guy and I don't have a writer to call me a good boy for doing things correctly. Bite me.

(Early 'Restaurant Balthazar' drafts)

In addition, keeping the text graphics in mind help create a sounder composition wherein even if the panels don't read cleanly left to right + top to bottom, the text can stagger and create the same reading order effect.

Panels and concepts are constantly tweaked, and my comic process is still highly experimental. A lot of industry standard comics aren't illustrated to their full potential due to deadlines and such — I strive for visual epiphany by treating each panel as its own artwork, and every page as a a bit of a mural.

(Old art hurts the soul)

Constantly experimenting allows you the insight of looking at your current art in comparison to your older works. In more recent works, I've been blocking in more shadows wiht lineart with thinner lines and more line weight, and learned to integrate the subject characters with less plain, abstract backgrounds.

TLDR: I have no idea

[godbirdart]

Looking at your recent commissions, those backgrounds are soo pretty!! Do you have any tips for backgrounds? I always struggle with them :>

aAA many many thanks!!

backgrounds can absolutely be a struggle but they don't have to be! they just require a little more creative planning~!

whether it be a commission or a personal drawing, if I'm building an elaborate art piece i focus on establishing the background First.

the background is the stage for your character! planning the background first will make it easier to tailor the character's actions and how they interact with the environment around them.

planning the background first can be the difference between your character standing awkwardly front and center with the setting going on behind them, or actually participating in their environment.

if i'm super stumped for background ideas, i browse stock image sites to get inspiration. sometimes it helps to doodle on an image to generate some ideas - kinda like you're playing with JPEGs like dolls.

that said - while i'm pinpointing WHAT i want to draw, i keep the ideas loose. i don't want to focus on the itty-bitty details until i've got the overall aesthetic and layout in mind, as i might get inspired to add something in later!

THUMBNAILING

if you're planning a big piece it can be helpful to break it down into something bite-sized before you go all in and start lining or painting. these are "thumbnails" - fast little sketches that establish the scene in a way that doesn't consume a lot of time or effort. it's also great as a little perspective exercise as a treat.

here i decided i want to draw a character walking home in a back alley street. with these photo references in mind, i can plan a layout and how the character will act in the scene. is this a candid shot? are they posing cutely? are they looking down at us in a tense way? there are many ideas to be had!

after you've chosen the layout / vibe for your idea, you can scale up your thumbnail to your preferred canvas size and start fleshing out the details. be sure to keep referring to your reference images to get additional ideas, such as storefronts, items, props etc!

3D MODELS

If you're trying to create a unique environment that photo references simply cannot help you visualize, 3D models exist! This gives you that ability to rotate / scale things for better visualization. Clip Studio has a vast catalogue of 3D models to download For Free that you can fiddle around with. i know there are many 3D builder sites out there as well, though i've never made use of them so i'm afraid i cannot recommend any off the top of my head. hell, you can even use the Sims game to design a setting and go from there!

also if anyone is going to come into my house and say 3D models are cheating: they are not. using a 3D model to better grasp an angle or get a better idea for perspective is not cheating. using 3D models to help plan the environment in your art is not cheating. they are no different than brushes; these are tools made to HELP YOU. use them!

PERSPECTIVE

perspective and angles can make a HUGE difference in the art piece. there's nothing wrong with static long shots! if that's what you want to draw, do it!! there's no right and wrong here!

but if you're finding your work to be a little robotic and stiff, slap an angle in there. consider an overhead view. these same techniques are applied to photography and film! nothing wrong with wide shots, but every once in a while it can help to throw in a dutch angle.

if there is one note i'd like to leave off on, it's that your backgrounds do not have to be 100% accurate-to-life to be Good. unless realism is something you're really striving for in your style, don't feel compelled to nitpick every brick and leaf in your art. us artists can tend to over-prune our work until our art looks a little bare and soulless. flaws can give your work character, and that's often a lot more appealing than how accurate the scale ratio between background building A and building B are [again, unless you WANT to go for that realistic look then you can fuss over those details all you like].

i hope this helped a little! MY APOLOGIES FOR MAKING IT SO LONG AH

[entiqua]

I love your artstyle!! Do you have any tips for drawing?

thank you so much! i'm really happy you like it!!💗 as for tips, what i would say would change drastically depending on what kind you're looking for, but some very general ones:

draw what you love and want to see most, regardless of whether anyone else wants to see it. if you don't enjoy what you're drawing it'll never come out as good or genuine as something your whole heart and soul is in. i mean you'd think this would be a no-brainer but sometimes i've had to sit back and ask myself 'if no one was ever going to see this except me, would i actually spend time drawing this?' and i was surprised by the answer

that said, it is also completely valid if your motivation for drawing is to draw for other people! there have been plenty of times where i was too artblocked to draw my own ideas but was still able to draw commissions or gifts and enjoyed it simply because making other people happy with my art makes me happy.

don't get too caught up in having a consistent art style. in my experience this 1000% hinders you

having your sense of anatomy degrade over time without you noticing because you keep drawing the same types of characters is a very real thing! if this is a concern to you be sure to draw a variety

follow a billion artists that you like the art of and you will have endless inspiration injected directly into your brain every time you open social media

my favourite practical tip for those who draw at a desk: keep a small mirror next to you at all times. absolute game changer for quickly referencing hands

if you're drawing digitally, make the canvas huge! in my experience this lets you draw messier/faster and you can't tell at all when you zoom out. if you tend to get stuck spending unnecessary amounts of time micromanaging pixels (me💀) keep it zoomed out while drawing

related to the above point, messy drawings can have far more expressiveness in them than neat and polished drawings. nowadays i never do lineart and go straight from 'barebones stickman pose' to 'varying-levels-of-coherent sketch' and use that as my lineart. sweet freedom from the sketch-looks-better-than-the-lineart phenomenon

if your goal is to improve, then you really do have to scrutinize your art, figure out what you're not satisfied with, and commit the time to focusing on it. 'practice makes perfect' kinda rubs me the wrong way because of how much i've seen it interpreted as 'just draw everyday and you'll magically improve' but genuinely it won't get you very far if you don't actively think hard about what you're trying to improve and take the steps to do it. is this a hot take idk. also hand in hand with this, not every artist is trying to improve and you shouldn't feel bad for this! maybe you just wanna make a little headshot doodle of your fave blorbo and that's your only drawing goal ever. awesome. maybe you know your art has flaws but it's passable enough to convey what you want and you're perfectly satisfied with that. (this is the stage i'm usually at). also awesome!

don't hesitate to draw something because you think it's out of your skill level. the worst that can happen if you draw it is that it comes out terribly but you learned something and can always redraw it better in the future. the worst that WILL happen if you don't draw it is that you'll never draw it. and then it will sit in the back of your brain haunting you for years. it's not like i'm speaking from experience or anything aha

look up 'hand stretches for artists' and do them if you draw a lot unless you wish to summon the wrath of the carpal tunnel demons

of course, these may not necessarily work for you, and most importantly(!) these are coming from the perspective of someone who is primarily a hobbyist. some of this won't be practical for people who need to build an audience, maintain a consistent style for work, etc. these are just things that have personally helped me over many years of drawing :)

[angermango]

"I'm not cooking or anything, this is just a silly idea- (looks down at canvas) ffffuuuu--"

...

so, first I only wanted to draw Professor Layton with a Reiterpallasch from Bloodborne because haha funny hat man with gun-sword, but then i ended up drafting concept art for "Laytonborne", apparently.

"Puzzles all over the shop... You'll be stuck on one of them, sooner or later."

extra artist commentary:

Layton

yes, this really did just start with me wanting to give Layton a Reiterpallasch because he's a canonical fencer and Bloodborne trick weapons absolutely slap. The Reiterpallasch is literally a rapier with a pistol attached that can mechanically switch to prime either the blade first or the gun first so you can stab and shoot someone at the same time.

Giving Hershel the Bloodborne makeover was kind of funny because he wears such a simple look in canon it was hard striking the right balance between his recognisable look and BB aestheic since Bloodborne loves embellishment especially via lots of belts/buckles and those weird shoulder-cape things. I tried to keep it simple enough though because as much as i think he could pull off a hunter ensemble i don't want to have to keep track of all the funky bits. the Top Hat Stays, of course.

Aurora

Aurora is eerily good a fit in a Soulsborne-esque setting considering she fits the criteria for a "Soulsborne maiden" classic archetype sort of character: After all she's a mysterious pale-haired young woman with mystical origins/powers and a foreign-sounding accent and may or may not have some connection to the wider lore and powers that be of the setting. hell even her whole thing being a golem works in a way as even Bloodborne has artificial humans existing as a concept.

i got a little lazy with changing up her dress for both time and lack of inspiration. I thought maybe i'd really do her up but then I chickened out that her costume wouldn't be recognisable any more so just slapped a belt and some patterns on the shawl bit and called it a night :P (if i'd been braver/more motivated she'd probably look good in an approximation of the White Church set, something like that)

and yeah so as the sketches off to the side are like, no real clue how/why it might be triggered but imagine her having the potential to be an optional boss or something (and she'd whoop your ass)

Flora

idk tho Flora also seems like she could be a good contender for the "Soulsborne maiden" position too in a way, or even if not her whole character and story fits into the world quite well. especially with Bloodborne having the Plain Doll who is a sentient doll made in the image of someone her creator loved/was obsessed with and Flora living in a village of human-like robots which started after her father tried to build a replacement for her dead mother.

Her dress is a combination of all her canon costumes across the games. The fur-trim shoulder cape is from one official art of her, the short shawl and white sleeves and bit around her waist is based on her first dress, and the rest of the dress design is based on her second and third game appearance.

The 'Doll Flora' concept there at the end is just some idea of a false/clone Flora running around as well. She's got some little differences including elements of other parts of Flora's designs over the years that aren't on OG Flora, such as the sash and shoes.

Anton

Anton fits in scarily well to the Bloodborne-y setting, perhaps not too surprisingly given the whole 'vampire' thingy. I sort of envision Folsense and Herzen Castle being a bit like the Castle Cainhurst area of Bloodborne which leans more into the classic gothic horror of a remote and looming haunted castle occupied by a sinister enigmatic character.

And yes, that is a reference to the infamous "LAYTOOON" scream from his canon 'boss fight' in the second game - imagine the whole steaming up and screaming thing being like his boss phase transition animation.

The whole 'withers to an old man/husk' concept seems so very Soulsborne-y it really just fits yknow. like if you defeat him he shrivels up/ages to dust or whatever. RIP gassed-up grandpa.

I partly rizzed up his suit using inspiration of the Cainhurst Knight set because like. come on. it's too good to pass up the chance to pretty up with and looks a lot like his canon suit in parts.

Did I trace the foyer background art for Herzen Castle for the mockup just for laffs, only to realise partway that 1) Layton and Anton actually fought in the ballroom, and 2) the ballroom would actually make a much better boss arena setting because it's wide open and the arch from the front room leading into the ballroom could totally be the 'boss fog door' part better than the front room?

...so yeah I then drew the ballroom background without tracing this time like a true madman and had a hell of a time with perspective but the plus side is we also get the sword collection from the game there as a cameo because in Laytonborne the good professor brought his own already.

The Masked Gentleman / Randall

Had a bit of a time deciding how to Bloodborne-ify this guy because his suit in canon is actually really. really boring. it's just a white suit like cmon. so to give it that Bloodborne makeover I fell back on the classic shoulder-cape thing that almost all Bloodborne characters have, added some patterns and accessories based on the Mask of Chaos' patterns and the Decorative Old Hunter's set from the Old Hunters DLC (in the leg brace, forearm guard and the hints of gold chains around the upper arms).

He also gets a Threaded Cane, another trick weapon of Bloodborne fame which is as it suggests: A cane weapon that works a bit like a baton/sword combo but in its alternate form it's a whip covered in serrated metal blades which form the cane itself when locked together.

It seems very appropriate for Randall to be like a boss who starts out as the Masked Gentleman and then at half-or-less health you break his mask, reveal Randall and then wings burst out of his back as he enters his second phase rage mode. This concept part felt more DSouls-y than Bloodborne-y to me i think since Bloodborne is less fantastical and leans more into the body horror/monstrous kind of boss transitions? But at the same time it was too good an opportunity to pass on at least sketching out, plus get you some sick fallen angel imagery out of it.

Also the hanging arm pose miiight be a bit inspired by Artorias of the Abyss. just a bit.

Descole

i recall seeing a post somewhere once with this very low-res rare art of Descole sitting in a throne from somewhere i have no idea what it was for. and I remember it kinda reminded me of Lady Maria's promotional art for the Old Hunters DLC so that's why the last picture of Descole exists.

mf already dresses so extra i legit could think of nothing to add to make him more Bloodborne-y unlike the others. I also used his canon sword's design from the games with a custom sheath because again couldn't really think of anything more to do to make him fit more when he's already got a cool signature weapon to show off.

[gerugeon]

Elemental is still living rent free in my head haha and since I finally finished a big commission I was working on the past month, I can draw some personal stuff yaay

I got inspired by @paperbagedhead , @abbytabbys and @cyndavilachase with their Elemental oc kids, so I wanted to design a child for Wade and Ember as well =) I wasn't too creative with the name I reckon, but I couldn't think of another name that I liked.

I thought that when Misty was a toddler she struggle to keep floating in the same place, and was often blown away by the wind (which made her temporarily afraid of heights, the irony). So, in her early years she would often be wearing her mother's dress and boots to stay in the same place. (She did not like the weight of the clothes, though).

In her teens, Misty became a lot more reserved and had difficulty connecting with other elements, since her parents were one of the first inter-elemental couples in the city. She really wanted to fit in and tried to apply for the junior windbreakers (I loved this idea from @cyndavilachase), but got rejected because she wasn't "windy" enough for the games. These were challenging years for Misty, since she struggled a lot trying to be more "watery" or "fiery" but never really fitting in.

As an adult, Misty finally found her true passion and self-confidence, becoming an engineer. Since she is made of steam, I wanted to give her kind of a steampunk vibe, which carries an interesting mix of water and fire motifs. She enjoys solving problems and building devices. I envision that she would mainly work fixing old pipes and structures in Firetown, and in a near future, she'd build better air transportations suited for fire people.

Misty got her mother's knack for building stuff. She often tries to solve things in the most logical way. It is very difficult to make her truly angry, but when she does… (I'm still trying to figure out more ideas for her, but I think this is it for now. Hope you like the sketches! I had a lot of fun)

[uva124]

So yeah, I finished the drawing of Asha's redesign from Wish :D, maybe I'll make some changes in the future, but I'm happy to have finished it, it should be noted that I haven't seen the movie. , so I can't give my opinion on it yet, but I found it very interesting that their fandom is mainly made up of people who rewrote or made their own version of the movie, they are all very creative and it got me out of an artistic block. that I had a few months ago, but above all I found the rewriting of @annymation which is the one I have been most hooked on, so I wanted to do some redesigns of the characters coming out of its rewriting, that's why everything that has to do with the story of this version of Asha, as well as her personality and her world on which I base my drawing are the ideas and work of this account: @annymation

I'm just making a drawing of her character and how I would design her as well as sharing part of the process I had to do to draw her because, why not?

BOARD:

The first thing I had to do was put together a table full of references that reminded me of the character and things that I would like to add to her design, so I used milanote to do it:

-Looked for some Asha's concept art and save the ones I liked the most, and add the main colors that I used in the design. -I also created notes to write down the personality of the character and some of his data to have a better guide, I did a little research and found publications that talked a lot about Asha's discarded designs and how Disney workers had put that she had tribe ancestry Amazigh on his mother's side and since his father was from the Iberian Peninsula, that's why the next thing I wanted to do is research more about their culture. -I am not an expert on this topic, nor do I belong to the cultures from which Asha has ancestry, so you can comment on any correction regarding this topic, I wanted to implement details of this culture to her design and I would really like to give a correct representation :)

HAIRSTYLE

Continuing with the theme, I saw that the hairstyles in the Amazigh culture mostly had this type of colorful decorations on their braids and dreadlocks, that's why I also posted these reference photos for Asha's hairstyle.

-Finally I decided that Asha would not have all her hair full of braids or dreadlocks, but only a few accompanied by these decorations with a great variation of colors, although it was fun to sketch the many hairstyle options that I had in mind based on these concept art and other photos that I had saved

TATTOOS:

-Another detail that I liked was giving Asha some tattoos with designs from the Amazigh culture, because I saw that it was quite common for women to get them, the tattoo on her forehead is a symbol of protection against bad influences, that's why the The middle symbol is responsible for deflecting it in the 4 directions, I also added a similar one in Asha's right hand.

ASTROLOGY AND THE SPACE:

-An important part of Asha's rewrite is her knowledge of astronomy inherited from her father, especially with the stars for obvious reasons xd, so in addition to adding constellations to her dresses, research the meaning (or something like that) of the planets. Only 3 really reminded me of the character, which were: -Mars: Symbolization of the internal conquering function of moving forward, independent, self-determined, enduring failures with new energy, courage and energy to fight for your desires. -Saturn: Maturity, effort to solidly build realistic criteria, frustrations are transformed into objectives to continue growing, critical and realistic, far from getting frustrated when an objective does not work, you strive to move forward and obtain even more resistant and solid achievements, perseverance , and tenacity (I feel like yhis it the most similar to Asha :D) -Moon: protective role, feeling very vulnerable outside your known areas, feeling of security with your ties, importance of family ties. The one that reminded me the most of Asha was Saturn, that's why I drew those Saturn-shaped earrings :).

SUITS:

I looked for references and placed some on milanote, I noticed that the concept art was mainly divided into whether the dresses have lilac colors or warm colors, I decided to draw 2 models based on the discarded designs, although at first I thought of using only one color palette lilac and bluish, I realized that the reddish colors of her dress reminded me of Mars which has certain meanings that in my opinion coincide with Asha's personality. In the end I didn't decide what wardrobe she would primarily have 😅, but I like to think that in this version of Wish, Asha would have wardrobe and hairstyle changes like in some older Disney movies.

-These are some of the concepts that I mainly used for my version of the dresses

FINAL COMMENTS:

I am satisfied with the result, it was fun to make all this, although what I researched mostly seems little, it actually cost me several hours and I did it at night, so as a funny fact the next day I was explaining all this information to my mother and I felt like I looked like that:

(Make this drawing was so funny LMAO)

(Apologies if there are errors in my writing, English is not my first language and my writing is very basic)

[astoldbylanii]

Ignorance

dealers!shuriri x black!reader

warnings: smut, cursing, reader has a kid

-------------- "Is everyone clear on instructions?" Your professor asked from the front of the classroom. There were whispers among the class but ultimately everyone answered yes. Prof. Diggs nodded, giving permission to start the project before he took a seat at his desk. He was your art teacher, as calm and chill as they come. He was one of your favorites considering he wasn't always jumping down his students throats.

As you finally started to get into the flow of your sketch, his phone rang. He picked it up, muttering a few words before he stood from his desk, clearing his throat.

"I have to run down to the front office real quick. Best behavior please, lord knows I don't need miss Mulligan asking about my teaching capabilities. Again." He said, throwing on his suits jacket and tightening his tie. "Until I come back, ask your neighbor for help and if they can't I'll answer your questions when I get back." He instructed, saluting goodbye before he left the room. 

Immediately, the room was filled with chatter. You sighed, throwing down your pencil, your thought process now thrown off.

"What's wrong?" Your friend, Eden asked from beside you. She was already well along with her drawing. It looked like it was going to be of her late brother.

"This finna be hard as hell. You know I don't mess with that hyperrealism shit." You said, rolling your eyes as you picked up your pencil, twirling it around your fingers.

"Well, just draw someone but like, abstract. We're in the second semester, by now Diggs knows your style." She suggested, starting to blend her own piece at some points. You shook your head at her idea.

"Nah, he specifically said he wants it to look like he can touch the person. I don't know, I think I might just settle for a nice D at this point." You shrugged, staring at the circle on your page. You took the paper off, crumbling it in your hands and replaced it with a fresh one. After that you didn't pay any more attention to it, pulling out your own sketchbook instead.

"Shii, I could settle for some good D too." Eden joked, smacking your hand down when you playfully shoved her, laughing too. "I'm not kidding!" She said, glaring at you with an offended look when you continued laughing. She rolled her eyes, going back to her drawing as you went back to your sketch.

Some minutes passed by and you two sat there in silence, surrounded by chatter. You were looking for inspiration in your old works while she was focusing on her new one. You were confused when out the corner of your eye you saw her put down her pencil too. Thinking she might've been done already, you looked over to see it unfinished. But maybe that was the look she was going for. You went to ask about it when she spoke up first.

"Girl, who is that fine ass specimen walking towards us." She asked, gawking over whoever it was. You were sure they couldn't have been that good looking that she had to stop drawing, but you stood corrected when your gaze met Riri's. She had been surveying the room for you, and once the two of you made eye contact she started making her way up the stairs to you. "Wait why she coming up here? And why y'all staring at each other like y'all know each other? Wait, bitch, you know her?"

"Shhh!" You hushed, staring at Riri in shock as start to get closer to where you were seated. Why in the hell why she in your class? Much less in your building? You quickly fixed your shocked face when she stood in front of you, her hands in the pockets of her plain grey nike sweatsuit as she stared down at you. "The fuck is you doing here?" You whispered, looking around for any watching eyes.

"Since when you think it's ok to curse at me?" She asked, cocking her head to the side. You stayed silent, leaning back in your seat as you mugged her instead of apologizing. She chuckled down at you, obviously a little surprised at your attitude but she didn't mind it, knowing it'd be fixed in no time. "You haven't been answering our texts, mama."

"Yeah, I know." You said, rolling your eyes and going back to your sketchbook. Duh, why tf she staring the obvious like you don't know what you've been doing. You knew exactly what you were doing. Being petty. But ain't no way you was gon watch them sit there and talk to that girl and not react. This was you reacting, and they caused it so they can fix it.

Now you were starting to tick her off. You could tell you were. The way she rolled her tongue against her cheek as she looked down at you. The way her hand clenched up inside of her pocket. The way she softly scoffed under breath when your attention went back to your book. You could tell. It was because you knew how to piss her off. No eye contact, attitude, basically just being disrespectful. She was big on respect.

A hand came between you and your book and before you could stop it, it was snatched from your grasp. Your gaze snapped to her as you stood, trying to reach over the desk to grab the book but to no avail. She kept it out of your reach, using her free hand to grab your own, keeping you in place just from that grip. She leaned her head over your shoulder so her mouth was right by your ear.

"I don't know what you're trying to pull, but you're lucky your in class right now. When this class is over you're coming to The Palace. By then I want what ever you got going on fixed." She leaned away from your ear so you were face to face, looking you in the eye. "Or, I will fix it for you. Ok?" She warned, waiting for an answer. You nodded, though you changed to a verbal yes quick after you saw the look on her face. She smirked, pecking your lips before she pulled away. She caught sight of Eden, who's jaw had dropped at the affectionate action. Riri waved, knowing who she was to you before she took her exit, taking the sketchbook with her.

You assumed she took that for assurance that you'd actually show up at The Palace. She knew you rarely went anywhere without it. 

Finally relaxing again with her gone, you slumped in your chair. You groaned, dragging a hand down your face as you thought about how the rest of your day was going to go. If God was on your side today, you'd still be able to crawl come tomorrow. But it was Friday. Meaning you didn't have class for the next couple of days meaning both Riri and Shuri were less likely to take pity on you. Damn you fucked up. Why couldn't Riri have came on a Teusday?

"Bitch, you know Riri? Wait never mind, you fuck Riri? I couldn't tell that was her at first but you're with Riri? Wait a minute don't she got a girlfriend? And you bottom too? I knew you was just shit talking all them times you-"

"Eden!" You interrupted her, not enjoying the rant that was soon to come. "Yes, I'm with Riri. Yes she has a girlfriend, I'm with her too. Also no one needs to know about the whole bottom shit, you know? We can just...keep it to ourselves." You admitted, looking around the room for anyone that might've been watching the whole interaction. Why did she have to pull that in front everyone? She could've pulled you outside, texted you. You know what, maybe she did text, you had been ignoring her to be fair.

"We gon circle back to the bottom thing but girl you're with two fuckin drug dealers?!" Eden whisper-shouted but still you shushed her, not exactly fond of the idea of them getting caught. "I am shushing! How did you even manage to- wait how the fuck did she get in here?" She asked, looking around like she felt unsafe now.

"Girl first of all calm down. Acting like someone coming to kidnap your ass. They don't do that type of shit anyway. And that front office call was more than likely her so she could make her way up here. I also heard there was a tour or something today? She proli pretended to be apart of it." You answered, still stressed about what you were going to do after this class. You hoped it felt as long as English usually did, the longer you have to form a plan the better.

"Don't she go to MIT? The hell is she doing on Harvard campus?" Eden asked, but more to herself. For the first time since Riri left, she turned to look at you, seeing the nervous look on your face. "Girl why you shaking in your boots for? You bout to get your doonies beat down goodt. By two people! I'd be clacking my heels."

"I'm not even sure that's what's gon happen for real. That's what's making me nervous." You replied, taking your nail into your mouth to bite. Your best friend shrugged, going back to her painting.

"Well either way if you're not here next week I'll tell your teachers you had some sort of accident. Maybe one about your legs not working." She said, giggling to herself. You looked at her with a fake annoyed face, holding in the smile that threatened to show itself.

"You think you funny, huh?" ---------------- Finally, your last class was over. Usually you'd be happy but unfortunately it did not go by as slow as you had hoped. You had no plan. You'd have to go to The Palace.

"I still can't believe you ain't tell me." Eden said, packing up her bag. You rolled your eyes at her dramatics, hearing her sniff like she was crying. You swung your own bag over your shoulder, waiting for her to be finished.

"Girl please. Like you be telling me every person that be dicking you down every two to five business days." You scoffed. Eden paused her actions, lifting her eyes to stare at me.

"You ain't een had to do that." She shook her head, finally fitting that fat ass computer into that small ass bag. She threw her bag on and we started to head to the door. As soon as we turned into the hallway we were face to face with Riri. She had been posted up on the wall checking her watch. Eden looked between the two of us, quickly dismissing herself while wishing me good luck. 

Ri watched her leave before turning back to me, pushing herself off the wall. She was in the same outfit from before, except now her gold chain was untucked, and you could see what shoes she was wearing. They were just some dunks, ones Shuri bought all three of y'all so we could be matching. Coincidently, you happened to be wearing yours too. Riri leaned in closer to me, You thought she was going to greet you with a kiss. At the last minute, she swerved her head, reaching out and pulling my book bag from off your shoulder.

Yeah. Deserved that one.

She pulled your bag over her own shoulder, reaching her hand out to grab yours and smiling when you took it.

"I see ya attitude fixed." She said, using my hand to pull me so I was walking in front of her, then dropping it. "For now anyways."

"How you even here? I'm sure you got classes or something." You asked, wrapping your arms around yourself when you made it outside. It had gotten colder since morning. You'd forgotten to check the weather again and were wearing a short sleeve shirt. It was a little big too, which made it easier for the win to blow through.

"I got my ways. You of all people should know that by now." She answered shortly, giving you just enough for it to pass as an answer. You felt a soft fabric touch your shoulders and looked behind you to see Riri now in a grey shirt, continuing to make sure her hoodie was covering your shoulders.

"Thank you." You smiled, sticking your arms through the sleeves of the sweater. You zipped up the hoodie, leaning into the girl as she wrapped her arm around your shoulder, now next to you. She leaned down to press a kiss to your temple.

"'Course, ma." She muttered, using her free hand to take her phone out. You sunk into her some more. As petty as you had been, you'd miss her. You'd miss them. Of course you did, but you still weren't happy about the girl. You knew, however, there was no competition. Riri and Shuri would never do that to you. It was just the mere fact that they had entertained her. That's the part that bothered you.

You went to turn into the parking lot, only to be pulled in another direction by Riri. You looked up at her confused, but followed her nonetheless. She led you to some field on campus where a group of white guys were hanging. Some throwing a football, others just sitting and talking. She went up to one of the ones that were sitting, snatching the phone out of his hand. Your eyes widened, stepping behind her a little as she dropped her arm from around you, using both hands to type on his phone.

"Yo! What the fuck?" He yelled, standing up so his height difference was apparent. Riri was unfazed, continuing to type something on his phone. You looked over her shoulder, only to see her stuck on his cashapp, he was signed out. Obviously she didn't know the boy's password.

"You owe me." She told him, muttering something else under her breath as she turned the phone to him. "5k."

"5- what?!" He gritted his teeth, glancing around to make sure no one heard what they were talking about.

"I supplied your entire party white boy. That's how much you and your frat bros snorted. Pay up." Riri demanded. One thing you were quick to learn about her, there were three things she didn't play about. One of those being her money. She was gonna get it one way or another and when the boy didn't move you had learned that today it was going to be another. 

You could see Riri getting even more irritated than she already was about the payment being late in the first place. You saw her survey the place one last time before lifting her shirt just little, flashing something. You couldn't see it from behind her but the look on the boy's face told you what it was.

"Ok, damn." The boy agreed, snatching the phone. Riri dropped the end of her shirt, watching as he typed in the information. Soon he turned around the screen to face the two of you, showing that it was sent.

"Good, next time you do a deal with me again, have your money with you. I'm not doing no more after pay with you." She said, not waiting for a reply before she grabbed your hand again and started walking away. 

She led you to a familiar foreign and flashy car, opening the door for you to get in and crawling in after you. You could see Okoye, their right hand women, in the driver's seat through the divider of the front and back of the car. You waved shyly and she smiled at you through the rear view mirror.

"I thought you wanted me to meet you at the club, not pick me up." You expressed with slight confusion in your voice. Riri finished typing some things on her phone, sliding it back into her pocket to give you her undivided attention.

"So now you wanna listen?" She questioned, doing the same tilt with her head that she always did when she was mad. So she was definitely still mad. Okoye voided her eyes of the situation after hearing Riri's words, sliding the divider closed. You looked down at your hands, picking at the fresh polish on your nails. Only looking up when you heard Riri snickering. "Clearly I had some business to handle, figured I'd might as well pick you up too. That way I knew you couldn't avoid us. Not that you could even if I didn't."

You rolled your eyes at her cocky behavior, pulling out your own phone from your pocket. You typed in some things, noticing Riri looking at your screen from her position. Dialing your sister's number, you put it up to your ear waiting for her to pick up. "Hey Bianca!" You greeted once it finally did.

"Hey y/n, what's up?"

"Do you have any plans for this weekend? I'm gonna be running a little late tomorrow night, but I don't want you to be staying up late if you do have something to do." You questioned, feeling slightly guilty to be asking this of her.

"No no, it's fine! He can stay longer, it's no problem." Kylie answered, you could practically hear the smile in her voice. Man she must love kids. Asante had been staying there for a week now. Bianca had practically begged for him to come over and spend some time with his cousins, of course you said yes. She didn't live far from you so it wasn't like he couldn't attend school, and you could seen him whenever you liked. He'd been staying there since Wednesday now.

"Ok, thank you so much! I'll send you guys more money for some food and stuff. Could you please put Asante on the phone?" You asked, deciding against ending this call just to call the 6 year old's iPad. The babysitter agreed, and soon you heard your son's voice.

"Hi mommy!" His preppy voice blared through the phone, making you slightly pull the phone away from your ear in surprise.

"Hey baby." You giggled out, putting the phone against your ear. "Mommy's gonna be a little late coming home tomorrow. Do you think you'll be ok? Bianca's gonna stay with you a little longer."

"Yes! I love Aunty Bey, she bought me a new toy car! Does this mean we can have pizza for dinner?"

"Yes, you can have pizza for dinner." You agreed, laughing at his celebrations over the phone. "Okay, when I take you home you can tell me all about school today. Call me if anything happens, okay? I love you."

"You can tell me about yours too! Love you mommy, bye bye."

"Bye, 'Sante." You sighed, hanging up the phone. You put your phone away, looking at Riri after feeling her eyes on you the whole time. "What?"

"Asante could always come to the house, if you want." She offered, not trying to pressure you. You shook your head, laughing at the suggestion.

"No, thank you. The boy hasn't even met you yet, love." You denied, rubbing your hand over her knee. Riri shrugged, throwing her arm to rest on the back of the seats.

"Who's fault is that?" She taunted, watching as you turned your head away from her. She used her hand to turn your head back to her, wanting you to see that she was serious. "Me and Shuri plan on making you a wife. We aren't going anywhere, y/n. We care about you, which means we care about Asante. But, he's your son, we're not going to pressure you into meeting him. Just know that we want to." She assured. You smiled, pulling her in for a hug which she graciously accepted, wrapping her arms around your waist and resting her head on your chest.

"Thank you."

It's not that you didn't want them to meet Asante, your feelings were growing stronger by the day. You didn't stop they'd ever stop growing, really. You were just worried. You didn't want your son hurt. Emotionally, you didn't want him to get attach only for them to not come home one day, a job gone wrong. Physically, they protected you already, and you knew they would protect him even more. But still, there was always room for human error, and you didn't know if that was a chance you were willing to take. 

You loved them, but you would always love your son more. Who would you be to purposely put him in harms way for your own gain and comfort? Sacrifice was something you were used to when it came to Asante. But isn't that what mothers do? Then again, maybe there was supposed to be a certain balance. One that you didn't have. --------------- The Palace. It was their club, also their headquarters. It was protected and secured by all women bodyguards, Okoye being one of them. It was also where you met them for the first time, but that's neither here nor there.

You, Okoye, and Riri made your way through the entrance, the metal detector going off as you walked through, but no one said anything. Once you were inside, Riri pressed a small kiss to your head, making you turn to look at her questioningly.

"Go find Shuri, baby. I got something to handle real quick but I'll meet with y'all as soon as I'm done." She stated, signaling Okoye to follow her. You pressed a short kiss to her lips, wishing her luck with whatever she had to do. Then, both her and Okoye left your side.

You never felt scared to be alone in their club. You knew for a fact more than half of the guards were watching your every move, knowing they'd probably suffer consequences if anything happened to you under the roof of The Palace. 

Anyway, back to the problem at hand.

You did not want to find Shuri. She was more than likely pissed. Just like you knew what made Riri mad, you knew what made Shuri mad. And one thing she hated was being ignored by anyone, and you were no exception.

There was also that fact that she was the harsher one out of the two. Usually, you could always pull one over with Riri. Talking back, rolling your eyes, smacking your lips, the whole nine yards. At least, for a while. After a certain amount of times she'd get mad too. But with Shuri, she'd be mad if she even heard you thinking about talking back.

You weren't scared of her by any means, you knew she wouldn't do anything to hurt you purposefully. Intimidated though? Oh yeah, 100 percent you were shitting your pants. 

But their was no doubt Shuri had been alerted of your arrival and was keeping and eye out for you. So either she knew where your were and was on her way, or she was already here.

You sighed, excepting your fate as you made your way over to the stairs. She usually stayed on the upper two levels as they were more secluded and had some VIP sections. You climbed all the way up to the third level, hoping for some time to prepare yourself before she caught you.

Your hope was crushed when a hand wrapped around your throat, your back being pressed up against the wall behind you harshly. You were going to let out a panicked scream when your eyes met her familiar chocolate ones, a cocky smirk that her and Riri shared spreading across her face.

"My y/n." She greeted with a light smile, letting you catch a glimpse of the gold grills she wore today. You reached up to grab the wrist of the hang currently around your throat. Shuri noticed, loosening her grip just a little with caution. "What a surprise it is to see you here after what I think was-" She pretended to count on her free hand. "Right. Three weeks."

"It was actually two and a half weeks. Unless you rounded-" Your sentence was cut off when she tightened her grip once again, a silent warning that she was not in the mood for your slick comments today.

"Still a smart aleck." She observed. Her eyes trailed down your figure to take in your outfit, Riri's hoodie that was now open had fallen to an off the shoulder look, showcasing the cropped short sleeve you had on. Other than that, you just had on some simple ripped jeans with writing on them. 

Her eyes returned to yours, a certain glint in her eye that made you nervous. Just like Riri had, she leaned in closer so that her lips were right next to your ear as she spoke, her tone sending shivers down your spine. "I want you to tell me why you think it is ok to ignore me. To ignore Ri."

Keeping your act up, your turned you head away so she wasn't right next to your ear. Shuri only chuckled at your defiance, taking the opportunity to mark up the now open side of your neck. The hand that was once around your throat moved down so it was on you hip, keeping you pinned against the wall as her lips trailed down, pressing light kisses to your neck that you knew would get harsher soon.

Shuri moved her head so she was in your line of sight again.

"Things haven't changed since you were gone. When I ask you something, you answer." She said, watching as you turned away from her again, crossing your arms. She took your chin in between her thumb and finger, forcing you to look at her. "What happened to my good girl, baby?" She asked, swiping her thumb over your bottom lip. For a second, you almost fell for it. But you snapped yourself out of it, ripping yourself from her grasp and quickly walking away from her before she could react.

You were confused when you didn't hear her footsteps following after you. She could easily catch up as you were still very in her line of sight. But soon your question was answered when Riri appeared out of nowhere, turning a corner and backing into the same position you were just in. Pressed against a wall.

"Such a fucking brat. Walking away when we're talking to you, talking back. What are we gonna do with you?" She asked rhetorically. She gave you a smile, letting her hand come up to pull at one of your hairs that had fallen out of the bun you made. Shuri came to stand next to her and you pressed yourself further into the wall, if that was even possible. Separately, you were willing to pull almost everything. But when the two were finally together, you knew better than to try anything.

Unfortunately, it was too late for anything else. You had to continue. Gots to see it through my boy.

You were gonna 'see it through' alright. ---------------- "Please, I came already." You whined, trying to push Shuri's head away as you came down from your high for the umpteenth time. Riri's hand grabbed yours, pulling them away while she kissed on your neck, trying to calm you down.

"Cum again." Shuri muttered, pressing a wet kiss to your overstimulated clit, chuckling when you jumped from how sensitive you were.

You three had been going at it for what felt like forever. After the whole confrontation, they drove you to their house, teasing you the whole way. Once you did get there, they spared no time getting you to the bed. Since then, it felt like you had done everything under the sun but stop.

Literally, everything. You'd lost count of how many times you'd came, but you knew for a fact it had to be in double digits. You could only imagine how you looked.

Hair frizzy, sweaty, tear stains running down your cheeks, cum around your lips that you were unable to wipe yourself. Riri and Shuri didn't bother to either, quite liking the look on you. You were exhausted, overstimulated, and clinging on to consciousness by a pinky toenail. But they never stopped. There hasn't been a break since you walked through the door. 

At first, you were conflicted. You couldn't tell if you even wanted them to stop. It hurt so bad that it started to feel good. The pain blended in with the pleasure and you couldn't help but ask for more. But when you felt another one of Shuri's digits dip in for another round you knew something had to give.

"Okayyy, I'm sorry. Please." You begged, seeing your vision get cloudy as more tears appeared. Riri's voice came from behind you, you could feel her warm breath on your neck though you could barely make out what she was saying.

"Sorry for what, mama?" She pressed. All that came from you were mumbles of an apology as you still tried to break your hands from her grasp. 

In the moment you weren't in a good position to realize it, but the fact that she could keep you pinned down with just her own strength was making you even more wet than you already were. Shuri realized though, smirking between your legs as she slowed down her pace.

Shuri used her free hand to push herself up from the bed, kissing up your body and over fresh marks until she met your tired eyes. "What are you sorry for?" She repeated, looking down at you with lidded eyes of her own. 

You began to reply but only a groan left you when you felt her purposely angle her fingers at your favorite spot. "Hm?" She mocked, still waiting for an answer.

"M'm sorry for- fuck, sorry for ignoring you." You apologized, your head falling back onto Riri's shoulder as your eyes rolled behind your lids, feeling Shuri speed up once again, targeting that same spot. "Shit, Shuri please."

"Please what, baby?" She teased, tilting her head with a mock of confusion. You whined again, frustrated with her taunting.  

She shared a look over your shoulder with Riri, who released your hands and started to pin down you hips instead. Your hands immediately flew out for something to ground you. The first things you could get your hands on being Shuri's wrist and Riri's hand.

"Do you want her stop or do you want more? You're confusing her baby." Riri added, watching closely at how your brows furrowed and your back arched when she applied the slightest amount of pressure to your abused clit, practically shoving you over the edge.

"Stop! I want her to stop." You mumbled, finally able to get your thoughts together enough to make a complete sentence. Having some pity, Shuri slowly dragged her fingers against your walls while she pulled out, curling them one last time just to see you squirm. 

Just as slow, she brought them to her lips. Feeling both your and Riri's eyes watching her carefully, she decided at the last second that she wanted you to take them instead. She tapped them on your close lips, watching as you opened them to take in her coated digits.

Taking the sight in, she hums, obviously please with your obedience (as it did take a long time to get back). That was all the acknowledgement she gave you before she and Riri made eye contact over your shoulder again, and Riri's hand began to circle your bud again. 

You whimpered, trying to back yourself into the girl to get away from her touch. They both ignored you in their own conversation about what to do with you, Riri keeping you in place while Shuri forced her fingers further down your throat, making you gag.

Suddenly, the feeling of Shuri was ripped from your mouth and replaced with Riri's tongue as they tried to distract you from the feeling of Shuri's slender fingers dipping back into your already sensitive hole. You immediately pulled away, already feeling yourself starting to ache.

"Shuriii." You dragged, watching as the girl lowered between your thighs again. She shushed you, placing a delicate kiss to your thigh, though dangerously close with your entrance.

"Just one more baby, I promise." She soothed, caressing the same thigh she had kissed with her free hand. "Can you do that for us, love?" She spoke softly, taking one of your hands in hers to kiss.

"You've been doing so good for us tonight, pretty girl. We just wanna make you feel good one last time, can you let us do that mama?" Riri coaxed from behind you, rubbing soothing circles on your stomach to calm you. Debating, you took Riri's hand in your other one, trying to relax yourself into her. "One more, we promise." She whispered, pressing a sweet kiss right under your ear.

"Okay." You agreed. Your words came out mumbled but they both understood you. Shuri smiled up at you, pressing another kiss to your thigh as a thanks before she joined her fingers that had never stopped moving.

The second her tongue makes contact with your clit your hands are fisting through her hair, pulling around the tight coils on her head.

There are a few more strokes of her tongue before she wraps her lips around your awaiting clit, your slick coating her tongue as she swirls it around your clit just before wrapping her lips around the bud.

Her fingers are buried deep inside of your cunt as she sucks your pulsing bundle of nerves into her mouth. There's a second where she sucks just hard enough to make your vision go white at the same time Riri decides to pinch and rub on the sensitive buds on your chest.

Feeling the coil in your stomach tighten, you let out a load moan when Shuri curls her fingers against your g spot one more time before you let go, clenching the sheets in your hand. Riri whispers sweet praises in your ear, rubbing soothing circles on your hips to calm you down while Shuri fingers you through your high, waiting for your legs to stop shaking before she pulls away, your essence coating both her fingers and lips.

She slipped the drenched fingers between her lips, licking your cum from between her fingers before leaning over your frame to trap Riri's lips in her own, who moaned at the familiar taste of you. Though you were drained, you still manage to keep your hooded eyes open long enough to watch them swapping your cum with each others tongues, eventually swallowing when they had enough.

"Are you ok baby?" Shuri checked, rubbing your side comfortingly. You nodded, sinking into Riri more as she rubbed your thighs. Shuri leaned down, pressing multiple kisses to your forehead, cheeks, and nose, making you laugh tiredly, pushing her away. She smiled, leaving you to go get some new sheets, clothes and something to clean you up.

"It wasn't too much, right?" Riri asked softly. Confused by the question, you craned your head to look up at her, not even wanting to attempt to move your bottom half. Riri had already been looking down at you. "I mean, you didn't pass out this time, but still, we didn't overdo it too much?"

"No, Ri," You answered, reaching up with one of your hands to smooth over her cheek. "It felt good, I promise. Even though there was one point where I was fighting for consciousness." You joked and she smiled, leaning down to press a kiss to the crown of your head. "To be fair though, it was supposed to be a punishment so I figured it wouldn't be all love making and soft caressing."

"Yeah, why were you ignoring us in the first place?" She questioned. You shrugged distractedly, running your thumb over her furrowed brow. "y/n, I'm serious." She said, taking your hand from her face and holding it in her's. You let out a dramatic groan. She was ruining the vibes.

"I got mad because y'all were talking to that bitch Ashley." You mumbled, playing with the hand that had took yours. Before she could even respond you continued on, defending your actions. "But I had a right to be mad, I mean y'all went into a whole ass private room with that chick. Without me!"

"Ok, first off, Okoye was in there so we couldn't have done anything, not like we would want to. We only talk to Ashley about business, that conversation wasn't any different. But, if it helps whenever we talk to her again, we'll make sure you're there too." She compromised and you agreed, thanking her. You two continued talking until Shuri returned with a wet cloth, some sheets, and new clothes.

And the night ended with a nice warm bath. Which you fell asleep in. ----------------

You groaned waking up to the sound of your ringtone. You stretched, feeling a certain weight on your chest. Looking down you saw Riri sleeping soundly with one hand up your shirt and on your boob, Shuri spooning her. You smiled at the sight, reaching over to your nightstand for your phone. You wondered how two supposedly high alert dealers hadn't woken up from the sound, but no matter.

"Bianca?" You mumbled, messing with the features on Riri's face. Two big and bag drug lords and yet they looked like puppies in their sleep.

"y/n, when are you coming to get Asante? No rush, because I'd keep him around forever if you'd let me, I just wanna have him packed up and ready to go." Your sister asked, you could hear your nieces and nephews running around in the background. You pulled the phone away from your ear, checking your phone and groaning once you saw how close it was to noon.

"I'll be there at like, one. I still have to shower and everything." You said, rubbing your hand down your face. You and Bianca chatted about some smaller things before she finally hung up, giving you time to get ready. You smiled at the two next to you, leaning down to press a kiss onto both of their lips, even though they weren't awake to respond to it.

You pulled Riri's strong grip off your titty. She was holding on it like a hungry newborn. You replaced yourself with the pillow behind you, slipping out of the bed, only for you to stumble into the nightstand when you did, startling both of them awake. 

The two sprung up from their place as if they weren't just knocked with drool in the corner of their mouths, searching the room frantically until their eyes settled on you, who was currently using the nightstand to stand. They turned to look at each other, holding in their laughs. You glared at them, trying to keep yourself upright so they took your next words serious.

"Both of y'all shut the fuck up and come help me to the bathroom."

"We ain't een say nothing." Riri protested, though she swung her legs to the side, getting up to come help you.

"You ain't need to, your face said enough." You said, holding your hand up for her to help you. Riri disregarded your hand, her small frame bending down to toss you over her shoulder. "Riri!"

"You told me to help you, now you mad I'm helping you. You just acting like this cause we fucked ya lace front off and now you walking like there's an earthquake." 

"Shut the hell up and take me to the damn bathroom, Riri!" You demanded, smacking her back and flipping off Shuri who watched on from her position in the bed, clearly amused. ----------------

BRING BACK SHURI AND RIRI X READER ALL 2024!! I'm jumping into the writing scene because i honestly miss the era where everything was about them, and i miss some of my fav writers😔✊🏾

anyways hope yall enjoyed

thank you guys for the inspiration, whether old fics or new @shinsousliya @inmyheadimobsessed @quintessencewrites @saintwrld @marsolgy @pinkwright @vixentheplanet

[rachiecrown]

Rachie cannot stop making up AUs

This is my 20//80 AU!! Yap sesh + closeups under the cut

(Takes the mlb ddvau love square and reverses it)

What led me to making this AU was coming up with a Cute Guy design and wanting to use it so so badly -> Coming up with a matching Hot Guy design -> Getting a funny idea and reversing the love square that Double Hearted AU has going on -> Actually building a story onto it

Pretty proud with how they turned out!! My first design on HG for the AU and my second of CG (who originally had a popped collar which I didn't like)

My main inspiration for the designs was the desert duo coffeehero au by @/enka-antix, which I then realized also has the reverse love square.. oops lol

Here's the full sketches for CG+HG and Grian+Scar

Two main details I want to point out that is outside of the outfit changes themselves is the fact Grian parts his hair differently than CG, and Scar wears makeup while HG doesn't.

I struggled a bit with what bird I wanted Grian to be, and decided he's a black capped finch, however he uses a bit of powder on his wings to give them a pink hue for when he's Cute Guy.

And yes I decided to be self indulgent and give Grian tailfeathers and Scar a long tail

^ Wheelchair users does this look comfortable

Genuinely this is my first time drawing a wheelchair ever I think, unless I did once and completely forgot. But yeah! Cue transformer bot stuff cause I don't know what I'm doing

A lot of the tracks that the parts travel along to turn into the legs or the wheelchair aren't actually drawn I've realized, but if you're not colorblind (/lhj) you can see I've colored where all the bits and bobs go

Btw that point at the top is rounded and padded off so it doesn't dig into Scar's back It was an artistic mistake whoopsieee

Some of their thoughts on each other and why Grian thinks Scar and HG can't POSSIBLY be the same person and why Scar thinks Grian is SO much better than CG.

And my most favorite drawing from the sheet (^_^) It's the introduction to the AU where Hot Guy saves Grian from the fourth floor of a burning building! Grian's a little cooked but he's fine.

Also I didn't draw his sweater burnt up cause I didn't feel like it so I slapped some texture on there and called it a day.

Finally, their logos :D

If you couldn't tell, I put the notes on this one in Hot Guy's point of view