#I'll ruin it all over

[nastasya--filippovna]

Cause I love this curse on our house

The last time they talked.

Song: The Alcott- The National ft. Taylor Swift

And the last thing you wanted Is the first thing I do I tell you my problems You tell me the truth It's the last thing you wanted It's the first thing I do I tell you that I think I'm fallin' Back in love with you The confession, the kiss, the heartbreak.

[that-butch-archivist]

"The New York Femmes, 1991" by Morgan Gwenwald

source: The Persistent Desire: A Femme-Butch Reader, edited by Joan Nestle

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon. her story is linked to my swtor imperial agent, tar'x, but most of her life except for the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[dorothywonderland]

I started doodling greek gods, it's over for me. I have to accept that I'm officially addicted to epic the musical

[jazzy-a]

I would find it hilarious if Angel's advances towards Alastor backfire on him at some point.

Instead of making Al a "Daddy", he just becomes a "Dad." And with that comes all the implications where this man is just a needless embarrassment to him.

Angel Dust: After all, I'm one of the hottest, most desirable, GORGEOUS actors in-!

Alastor: Weren't you born right after that dreadfully hilarious little boat accident?

Vaggie: Boat accident? Are you talking about... the Titanic!??

Angel Dust, fuming: You shut your f*cking face or so help me I'll tie your tubes, Radio-head! See how good you talk then!

Alastor, delighted: My! Was that a radio pun, dear? Tell me, did you have a cathedral or tombstone in your time?

Angel Dust: SHUT UP!

Alastor: Poor thing. Probably can't remember in his old age.

Angel Dust: AKJ**!#BFS@3!1JBLQW!*!!!!

[iamespecter]

I have a question. Feel free to respond privately and I won't ask further, what disappointed you about ruin? Sincerely, another skeptical and cautious fnaf fan from the very beginning of this fandom (thus why i get if you wanna respond privately, fnaf fans can be brutal :/)

To be completely honest? Ruin felt like an entire fanservice sandwich shoved down my throat forcefully

There's a lot of things that rubbed me the wrong way with Ruin, just the general vibe was so off and it emanated an aura of Steel Wool going "guys!!! look!!!!! we put EVERYTHING the fandom asked for, even if it would not make sense for the general plot!!!"

Which, is fine and all if done right, but it just feels like listening to feedback, without really addressing the series' main concerns. Like, putting a band-aid with your favorite cartoons on it over a bullet hole. Do you get what I'm saying about this?

Anyways so sorry about that small rant here's a stupid little doodle I made back then when I was still a Sai user (I think)

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[neutron-stars-collision]

I think that everyone who's suddenly decided to hate Luke just bc of the photos from last night should step outside and touch grass. He's a grown man, he's allowed to do what he wants.

None of that is negating his devotion to the role, the fact that he played his ass off in s3 or that he has an incredible friendship with Nic.

None of that should matter to how you perceive the show or this season's leads. Separate actor from your parasocial beliefs and you'll be happier for it. I promise.

[bonefall]

what’s up with BB! Puddleshine? been having thoughts about him recently lol. i find it funny that rowanstar grabbed this random child from the nursery and was like ‘bam here’s our brand new doctor and spiritual leader everyone’

(*shaking twelve year old in the background*)

You know what's pretty cool about AVoS, buried underneath the slog of it all? The thing I keep going back to about this arc, in spite of how annoying it is to be forced to say in ThunderClan as everything interesting happens off-screen?

The way that so, so many young warriors are horrifically traumatized by both the structure of the Clans, and the Kin that they turn to.

It's a shame that the Erins were so committed to the idea of the Clan social structure NOT being the problem, because this whole arc is a perfect time to show how flawed it structurally is. LET these kids have a point, that maybe they were rebelling against something broken, but Darktail was a malicious actor who exploited their naivety to serve HIS ends.

A recap of what's happening in BB!AvoS before I explain my intentions with the Puddy Boy;

The big problem that I want Rowanstar to display is a problem that ALL the leaders of this time period also have. Commitment to Clan rivalry.

After Firestar was killed in AVoS by Dark Forest warriors, Bramblestar considers diplomacy secondary as a tactic. "ThunderClan will not be bullied any longer. We have been too soft with the other Clans for too long; and they have humiliated us by taking advantage of our kindness." (Note: Harespring and Breezepelt being part of the assassination patrol is not revealed until TBC. For MAXIMUM drama reveal.)

He escalated a border dispute that Firestar had worked closely and intimately with ShadowClan to resolve; a fight for a knoutberry patch on their border, just before Winter.

After Russetfur died in this painful battle, Blackstar backslid hard from his redemption arc. This caused the Thunder/Shadow alliance to dissolve towards the end of OotS, ending a friendship between the two Clans that had lasted through all of Po3.

He was open to Sol's manipulation, and while Tawnypelt was trying to fight the Dark Forest trainees who took over ShadowClan in the meantime... Rowanclaw became deputy by organizing a patrol of cats to remind Blackstar how much he means to them.

So Rowanstar inherits the Clan with this in mind. ShadowClan solves SHADOWCLAN'S problems. "ThunderClan had a quarrel with WindClan, but decided that we were their enemy. Leaving ourselves open for betrayal was a mistake; if we cannot handle our own problems, we will inevitably succumb to them when our so-called 'allies' don't come to help." (Note: he isn't completely wrong. His words are borderline prophetic for what's about to happen.)

Onestar has a smug chuckle at this. Since taking leadership, he's been appealing to the strongest, hardest members of his Clan. Those who once tried to kill him for his "weakness" in the Civil War. The "lesson" ShadowClan learned is one that he's known since the day Onewhisker died and Onestar was born, on the night of that sabotaged muirburn. "That so-called peace was always a farce. We are warriors of the four Clans; it was always going to come down to honor, and putting ourselves first. My WindClan isn't foolish enough to pretend like ThunderClan ever acted in anything but their own, hidden self-interest."

And Mistystar respects the direction Bramblestar has taken his Clan in, and approves of the "honesty" that the Clans are now showing. "As the branches of the honeysuckle fight and win the light for themselves, sometimes there are beautiful flowers that die in the shade. We can mourn the end of an era, and prepare for a future that will be made all the sweeter for our shared struggle. This is the way of the Clans, and StarClan's solemn light shines upon us all." (Note: god I love writing Misty's speeches)

In the family tree reworkings, Rowanstar is now the brother of Littlecloud. Sons of Brokenstar, honor-sired for Newtspeck.

Littlecloud... is suffering from early onset Alzheimer's.

He didn't want to choose an apprentice after Flametail's horrible death, heartbroken and stressed out, especially when he couldn't reach his nephew through contact with StarClan.

He can't remember, anymore, that Flametail was freed. He keeps forgetting this, over and over

He keeps ending up in different times of his life, where he's best friends with Cinderpelt and still calling Leafpool by her pre-Honor Title name, where he's inventing a mobility device for Wildfur, where he's still escaping the plague and before he knew his mentor caused it, where he's on the Great Journey...

Rowanstar is in a lot of pain, watching his brother forget so many things, scared and confused half the time. He doesn't want to believe that this is really the end, or that... many of these cats are now so young they can't recognize the various eras that Littlecloud is finding himself in.

Puddleshine and Slatefur are going to remain in Pinenose's litter. Either Lion or Birch MIGHT get shuffled to another one; and ALSO the shuffler might survive the Kin. (SO voice which one you want to survive, if you have a preference!)

SO, Violetshine has either two or three adopted siblings... plus another.

Pinenose's oldest surviving child is Happypaw. Happy is the half-sibling of Puddle/Slate-- the death of Weaselkit in the Great Battle caused his parents (Pinenose and Owlclaw) to break up.

(this is why I'm thinking about just reducing the litter to Puddle/Slate, so Violet has three major adoption-siblings to remember instead of four.)

And now we're ready to talk about Puddleshine.

He isn't the first young cat to be shoved into an extremely high-pressure position because of a Cleric becoming incapacitated. Kestrelflight was also forced to become the holy speaker of his people when he was far, far too young, after Barkface died in TNP. He dealt with this obediently, with only Jayfeather ever really being able to get him to think about it in a different light.

Unlike Kestrel, Puddlekit did voice that he was interested in becoming a Cleric, in BB. But he was too young to be properly making that choice, to know what he was getting into. He mentioned it practically offhandedly, and BOOM Rowanstar had rolled him into the position.

But Puddlepaw has a deep sense of responsibility. "Wise beyond his years"-- likely because of how tumultuous his home life was.

His mother's oldest child, Happypaw, was openly a bully of his half-siblings. Pinenose distanced herself from him as a result, causing Happy to be closer to Owlclaw, who was still not over Weaselkit's death.

But Puddle's Ba Spikefur is not a cat who handles his kit's emotions well. Instead, he encourages ambition, tells him to get back at his half-sibling by being more influential than that twerp could ever be.

Puddle will often go to Violet, the new POV, to vent about these things.

And one thing he mentions to her is how amazing Kestrelflight is, when he gets to meet him at the half-moon conferences. He learns SO MUCH from him, it's like he GETS what he's going through...

Puddle doesn't even feel sure that Littlecloud knows what he's doing anymore. If he's learning the right information at all.

But Rowanstar won't DO anything about Littlecloud-- and he CERTAINLY isn't about to let Puddlepaw go train under someone else's Cleric.

As a result of this, Puddlepaw becomes a VERY important member of Sleekpaw's little group. He wasn't one of their friends to begin with, buuuuut...

When he sits to chat with Sleekpaw and Needlepaw, with Happypaw good and far out of earshot, she makes a lot of sense.

A LOT of it.

ShadowClan is run by old men who don't know what they're doing. Rowanstar is too emotional to make good choices. Puddlepaw, barely even old enough to begin apprenticeship, is running all the medicine for an entire Clan.

And, sure, he doesn't have much in the way of a connection to StarClan, no, just a little more spiritual than the average cat...

But who can point this out? If Littlecloud is slowly losing his mind anyway?

"It's not right, how much pressure's on you," Sleekpaw growls, "And it wouldn't be this way if we could challenge Rowanstar. You should be training with Kestrelflight right now."

"But we're dealing with the shells StarClan dealt, and the Clan is looking to you now," Needlepaw points out on behalf of her friend, "You have much more sway than you know."

This time around for BB, Sleekpaw starts as a young hero. She's right. Rowanstar should be challenged, his emotions are affecting the ENTIRE Clan, and Puddlepaw is in a bad position because of it. Needlepaw is like her best diplomat, surely to become her deputy someday.

They would have made an excellent set of leaders for ShadowClan. But they trusted the wrong person, and were exploited. When Darktail and The Kin came to the lake, they were swept up by it, and WindClan began an embargo.

Puddlepaw eventually oversees the Yellowcough Outbreak, and at first just thinks it's Greencough. He has no idea about strains, or the special types of Color Cough that Clan cats have historically dealt with. Even when he finally does learn it's not JUST Greencough, he's powerless to do anything about it. A lot of cats die because of the lack of mullein.

After that, with ShadowClan so weak and the Kin so strong... he's one of the cats who calls for the merge. The most important one, in fact, leveraging his position to say that this is StarClan's will.

Sleekwhisker and Needletail were right all along, and he's happy to stick it right into everyone's faces. Onestar's tantrum of an embargo killed his Clanmates, Rowanstar stopped him from properly training, he's been under pressure from the time he was small with Littlecloud not fit to be a mentor, and he's ready to welcome in ShadowClan's new era as something that is not a Clan.

...unfortunately, it turned out to be the wrong choice. Not because his thought process was wrong. But because Darktail had other plans in-mind.

[aeb-art]

soooo… i did another comic with geo (who of course belongs to @8um8le)! it ending up stretching the page quite a bit, so the rest is under the cut o7

and geo proceeded to win every single round of pool that night, the end, thank you for reading this far 🙇

i'm still not super confident in writing for geo, but i had too much fun with this to care ehehe 🥰 this is the year of indulgence, everyone!

edit: i just realized that I PUT THE CIRCUITS ON THE WRONG ARM! it's supposed to be on my right not my left, oh i'm so mad 😭💔

[torgawl]

instead of just cross eyes and star eyes distinguishing dynasties in khaenri'ah, why do some khaenri'ahns cover one eye specifically? there’s many things that seem interconnected regarding the lore:

crimson moon turning around to look like an eye; irmin the one-eyed king; the unknown god’s cubes containing eyes in their design (same ones present in the cataclysm as well as the crimson moon), her glitching looking like arlecchino’s, and the four pointed star pattern that appeared when she showed up to the twins; forbidden knowledge and nibelung’s influence; fischl's auge der verurteilung aka eye of condemnation (crimson eye) and her skin's description "o holiest of sovereigns, high princess of immernachtreich (kingdom of evernight)!".

kaeya's note about the alberich saying "i saved this one memento from the fire 'father' made while he wasn’t paying attention. this was in violation of our principles. our clan's affairs should never be recorded" and "though we could not restore khaenri'ah to life, we of the alberich clan should lead lives as those who blaze like fire, rather than those who wallow in the embers [small piece of burning or glowing coal or wood in a dying fire]", father being in quotation marks and references to fire and ashes; the orphanage in khaenri'ah that wanted to house children from destroyed worlds and non-threats that leaked into the kingdom, in hopes of finding beings from beyond the sky who could transcend the gods; perinheri's first memory being transversing something like a chimney, filled with ash and being asked if he wasn't dead just for him to see the eye (crimson moon) and being told he was reborn; dust and the blood of of dragons (or dragon-like beings like durin and elynas) being connected to rhinedottir and the art of khemia; fire as rebirth and life but also, the balemoon blood specifically being connected to loss of memories and loss of memory being equivalent to death (not physical);  despite the orphanage never being able to find that transcendal person, it had many unusual individuals who became knights of the kingdom.

irmin as the first divine halberd (that once pierced the axis mundi [cosmic/world axis, world pillar, center of the world, world tree, etc.] and connected the nine worlds), the prinzessin der verurteilungas (fischl) as the last one; fischl and kaeya comparing themselves to one another and their parallels to irmin and odin; der ring des nibelungen, in which the dwarf (or nibelung) alberich creates a ring capable of controlling the world, using gold he stole from the rhinemaidens (or rheintöchter "rhine-daughters"). the conflict that arises over the ownership of this ring eventually leads to the destruction of the gods and their home, valhalla.

irminsul (irmin + sul) meaning great pillar and being a reference to the yggdrasil, the tree that supports the universe; the description of the item silver twig – collected in the center of the world - talking about a sage that hanged himself upside down in the irminsul tree to gain knowledge of the runes and the cosmos, then going into a secret kingdom down its roots [also a reference to hanged man in tarot that symbolizes wisdom, divination, sacrifice, prophecy, etc.]; odin who hung himself upside down from the sacred world tree, yggdrasil, for nine days and nights sacrificing his eye and throwing himself on his spear (gungir) as a ritual sacrifice in order to obtain secret wisdom; memories, fire and crimson moon hand in hand with the irminsul, king irmin and the concept of fate; the fake sky, the stars and being able to see fate but also fate being a means of the heavenly principles to control the world (neuvillette calling it puppet strings); khaenri'ah, a supposed godless nation but the crimson moon dynasty revering the moon (and hilichurls worshiping istaroth); the crimson moon having an eye on humanity and always being present associated with punishment and destruction (fall of gurabad, remuria and the catclysm).

crimson moon's semblance (arlecchino’s weapon) implying the crimson moon sought vengeance (“few survived the utter destruction of their kind, hiding in the shadows where the sun did not shine, longing for the crimson moon to decree their desire for vengeance be repaid”); the design of the weapon and arlecchino’s boss attacks resembling the double helix present in deathly statuette material dropped by abyss heralds, abyss lectors and shadowy husks, which has a single red eye. it apparently whispers "see, my child. all that lies under the throne of heaven shall be destroyed by upheaval. the eternal peace of the pitch-dark void shall embrace us all.” as you gaze at it.

the abyss order being founded by chlothar alberich and pierro being the first harbinger; the "sinner" – the crystal in chains from the chasm, protected by an abyss herald - not being a god but still worshipped by the abyss order. the voice stating to chlothar and the traveler’s twin that he "[knows their] fate well" and urged them to become a "transcendent one" saying he would "shed a tear at the end of time... as i gaze back upon your life". he also imbued chlothar with the power of the abyss, which alleviated his worsening conditions. the “sinner” refered to chlothar as “dear creature”; dainsleif, pierro and kaeya being examples of khaenriahns who hide their right eye; dainsleif being called “bough keeper”, bough is a branch of a tree, but also his constellation being a snake ring like ouroboros – representing the eternal renewal cycle of life, death and rebirth; the loom of fate being an operation of the abyss order first encountered during "a herald without adherents" quest.

“the threads of your fate lie in my hands” a quote by fischl connecting to the weaves of fate; fischl stating that if she does not obtain the divine halberd “...this world and everything in it is going to burn in hellfire” (legend of the shattered halberd vol. ii). some other excerpts of the book also include: “but unbeknownst to him, this was the greatest cursed sword of all, that had once burned the entire world to cinders: laevatain [in norse mythology, a weapon crafted by loki and the only capable of defeating the cockerel viðofnir, inhabiting the top of yggdrasil], the sword had extinguished after the world was burned, but... it burned bright once more. ‘the whole world... destroyed again...’ weiyang [fischl] fell unconscious as she spoke” (vol. iv), and, "the world is beyond repair. it shall be born anew from the ashes of the last” (vol. vi); dainsleif saying “none will escape the flames. see for yourself” but also neuvillette’s character story including “the puppet strings glossed as "divine rules" would one day be burned away by the fires of judgment” when talking about constellations; burning away the old world, project stuzha by the fatui and the image of dottore burning the irminsul; nahida saying fontaine's prophecy was engraved in the irminsul, implying the tree also contains the history of the future; sibylla, a prophetess who guarded the irminsul in an ancient city located in what later became the high seas (referred to as abyssal depths). she sacrificed her life for the sake of creating phobos, remus' grand symphony, but her lack of a will ultimately caused the project to fail, as her vague desire to "grant happiness to all in the world who are called humans" caused phobos to attempt to satisfy everyone's desires — including destructive and selfish ones — and set remuria towards the course of its self-destruction (possibly tying concepts of will and fate together); thinking of dottore's plan, it would make sense to burn the tree that holds memories with a fire able to erase them (arlecchino's balemoon powers) so that the world can be born anew breaking away from the shackles of fate.

there’s also the improvisation kaeya does during the play in his hangouts. "do you believe in fate? if fate decreed your life was to end in tragedy, what would you do?". he then throws a prop and we interact, choosing if we would face our fate bravely or challenge it and rise above it. kaeya then goes on saying "then so must it be! yes, so must it be! i shall discard this intaglio and rid myself of the shackles of fate", "fate means to send the machinations of war to every corner of the land to fan the flames of conflict till they ungulf the entire world… fate would see my sword tainted with the blood of innocents, that the bright banner of my homeland might fly in every nation known to mankind. but i shall not bow to the will of fate i am no pawn in heaven’s plan. i, qubad, will spend the rest of my days in a foreign land, 'till i breathe my last in a place far from home" and finishes the play with "but i must walk this path, or freedom dies by my hand. goodbye, my tribe and kin. farewell, sweet land of my birth". the prop we get from kaeya, the intaglio, symbolizes the noble origins of prince qubad in the play and the blood-red jewel (blood, red... funny, uh?) is said to be a crystallization of the question kaeya asked us about destiny. furthermore, an intaglio can be a type of engraved gem or metal signet ring.

[maliciousalice]

Hear me out (or don't... it's fine I'm just venting and mean) yeah um I don't believe Chakotay was saved in Prod*gy s2.

[paradoxgavel]

ough. just finished 100%ing the help wanted dlc, corn maze ending and all. i am so excited to never have to play another fuckin plushbaby level for the rest of my life god bless

[fenkko]

cant believe i reached 30 tags in prev post rambling about homestuck i didnt even know there was a limit

[selfinflictedgunshotwound]

sorry for only saying this type of shit lately but i kinda wanna drive a car straight into a brick wall at the highest speed possible

[honeycrashed]

All stars has ruined my life.

seperate pics: (yea I don't know where the whole thing is I just snatched this from sum1 else lmk if sum1 knows where it's from)