#I'd probably feel a whole lot better if there was an episode or two of Lazytown where they talked about disabilities.

[nosferatufaggot]

Probably have said this before, but everytime I watch Lazytown I get kinda sad. I have so much fun watching Lazytown and I always leave the show wanting to be Sportacus. Let out all the energy inside me, jump over walls, do backflips, kick things high up. I want to have all the fun that the show tells the audience to have.

But then the final song comes on. I know the dance. I dance along in my haste to get out all the energy. I'm so happy and excited to play along with the show, alwaysforgetting what's most important in that moment. I'll never be Sportacus. I'll never be Stephanie. I have asthma.

[terapsina]

Let us begin with the moment where they made their first mistake.

[so many SPOILERS for AGATHA ALL ALONG 1.05]

"We got to get off The Road."

Remind me again... what was rule number one about straying from the path?

Was it mayhaps... not to?

Yeah, I think it's from this point on that they made themselves TRULY vulnerable to the Salem Seven. Not to say that they had much choice, they would definitely have been caught and killed otherwise, but if there are Rules that protect them on The Road itself while between the Trials then leaving that road negates that.

Second mistake. Flying through the Bee-Swarm Of Nightmares.

Also probably the moment the Salem Seven took hold of the next "Trial" (I'm not going to go into the hints about this not being a real Trial that have been noticed by lots of other people here and described better than I ever could, suffice to say that I absolutely agree).

Also of significant note is that after they "escape" the Salem Seven there's still the sound of a buzzing insect that Agatha has to shake out of her hair. So it's a safe bet that they didn't truly slam the doors in the faces of their hunters.

They have eyes on them at the very least.

And then of course they get to the point where they get told what they're supposed to do to escape this Trial is to punish Agatha.

There's two ways that can be looked at. Either this is a legit Trial and they are supposed to come together and remain a united Coven ("Burn and brew with coven true, and glory shall be thine"). Or the Salem Seven are in charge and this is the perfect way to make Agatha face the betrayal of her new Coven the way she betrayed the Coven of their mothers' (which is bullshit actually, I'd say being put to death as an eighteen year old by her own mother puts her pretty firmly in the 'betrayed' camp then too, but we're talking how the Salem Seven would see it).

And if this was a real trial... why would them turning on each other and Agatha killing Alice give them a door?

But I'm getting ahead of myself. At first the really big moment that felt really weird to me was this here.

"What do they want?" "They already told us. Punish Agatha!"

Yes, Jen has the strongest case of a survival instinct in the whole Coven (barring maybe Agatha) but the abruptness of the turn into aggressive Burn The Witch mentality was just... iffy.

It felt more like Classic Under a Spell reaction than something that feels truly in character (something along the lines of that Buffy episode where Joyce and Willow's mom almost burned Buffy and Willow at the stake because of the demonic Hansel and Gretel).

Unconvinced?

Explain then to me this face? This one right here? Right after Jen tells them what the voices screaming in their ears want and the voices... stop.

That is way too creepily pleased for it to be Jen just freaking out and deciding to do what the ghosts want.

Being conflicted and going with the highest chances to live through this would make sense. But smile?

And not even a relieved smile, because that looks way more 'possessed by an evil entity' type of smile (or at least possessed by the feelings of the evil entity smile).

And here's the deal. I do think everyone is exactly who they are, and it's not just a vision in Lilia's head, or an illusion just for Agatha, or anything of the sort.

But I also think that there are certain moments where they get... influenced by an outside party.

And then Agatha's mother possesses Agatha for a second time and Agatha kills Alice.

Basically wrapping everything up with a nice bow to show 'look, see? I was totally right to hate my daughter since birth, see how evil she is? You should hate her too. You should finish what I started'.

Now. I'm not saying this "Trial" won't have consequences. I am however saying that this might not be as bad as it looks like right now (fingers crossed we haven't seen the last of Alice).

[lowkeyrobin]

can you please do a demetri x fem reader?? reader has like the biggest crush on him, shes nerdy like him and has the courage of asking him out :3

oo okay! ; one little thing, I do only write gn/ they/them readers so everyone can enjoy and everyone feels included! gender wasn't mentioned practically at all but yk 🙏 ; but thank you for requesting! hope you enjoy! ; also I kept this short and sweet cause I rlly couldn't drag it out much lol

DEMETRI ALEXOPOULOS ; nerds

summary ; you've had a crush on demetri for a long time, and you finally gain the courage to ask him out

warnings ; language

word count ; 619

masterlist

You haven't known Demetri for that long, but after being introduced by Sam and Miguel, you'd come to like him, a lot. You were both nerds, finding peace in niche fantasy comics and superhero movies. He'd often make references and come over to your house to watch a new movie or the latest release in a comic series you were reading.

But he'd never taken the hints, ever.

You tried making advances a trillion times, your friends would often joke about you or stick you together. You didn't do karate like them, but sometimes you wish you did because maybe, just maybe, he'd look at you. Maybe you'd be able to impress him enough to see the potential you held in a relationship, if that even made sense.

But, after the fall of Cobra Kai and Kreese and Silver, you'd had some months to kind of tune into karate, see what they did, help them out with little favors. You had nothing better to do, so why not just help them out and maybe make new friends?

That's where Tory came in.

You'd ranted on and on to her and Robby about how much you liked Demetri and how you wished he'd just see the signs. They promised to help you with him, and they held themselves to their word.

You were at the county fair, accompanying Demetri, Tory, Robby, and Devon.

The moon was shining, the neon lights illuminating your path to the ferris wheel.

Robby and Tory whisper as you, Demetri, and Devon follow. Tory turns around as you enter the line, a look of realization on her face.

"How do you guys wanna do groups? Only two people can ride in a cart, and there's five of us." The blonde speaks

"I can go alone," Devon replies rather quickly, "You two should be together," She refers to Tory and Robby. "I'd rather go alone, I like sitting right in the middle," She shrugs, trying to write off the fact she was also in on trying to get you and Demetri together.

"Oh, uh, okay" Demetri shrugs

Tory and Robby nod, and as you realize they're staring at you to do the same, you do.

After a long wait, you hop into the cart with Demetri, awkwardly awaiting for the ride to properly begin. He takes notice of your awkwardness, unable to talk or start conversation, finding it a little confusing. He writes it out as you're probably just tired and hungry.

"So, did you see that new episode of The Mandalorian?" He asks

You shake your head. "Not yet"

You're both silent until you reach the top, your eyes gazing upon the whole lit up fairground.

"Wow, isn't that cool?"

You nod, deciding to just get it over with because you'll be able to escape within the next two minutes. You look back at Tory and Robby, nodding their heads, giving you a thumbs up.

"Demetri, I have something to tell you,"

He looks at you, a bit of worry on his face. "What's up?"

"I like you."

You felt like the whole world was crumbling beneath you, your heart dropping as you spoke. You scan his face, waiting for something, anything. Rejection would've been better than this silence.

In an act you weren't expecting, he places his hands on your cheeks and quickly kisses you, the audible cheers of Tory and Robby behind you like the music to your slow dance. Devon looks up on the curve, also seeing your lips smashed together. She smiles, leaning back in the cart as she takes in the faltering view.

"Y/n and Demetri just kissed!" Tory shouts down to Devon while your faces heat up.

"I saw!"

[gothamusing]

THE PENGUIN, EPISODE ONE. a collection of memes derived from episode one of the penguin series, for roleplaying purposes. feel free to edit as you see fit. do not steal. (18+).

i see you've made yourself at home.

what the fսck are you talking about?

you got some big shoes to fill.

you think i'm an idiot?

we keep a stash in the loft if you want a hit.

that's not why i'm here.

you know what i like most about you? you are who you are. you couldn't change if you tried.

i'm talking about revolutionizing the game.

fuck. look at you salivating.

this is power, right?

when i was kid, there was a gangster, real old-school type. he was a big deal.

you want me to be like some small-time asshоlе?

this is your dream!

you really think people'd make a float of your dumb face and march it down the street, chanting your goddamn name?

what a little bitch.

you messed with the wrong fucking guy on the wrong fucking night!

jesus, take a breath.

hey, look at me.

how far do you think you'd get?

you and me, we're in this together now.

look what you fucking made me do.

you're gonna do everything i say.

i feel better. you feel better?

you ever been to that corner mart, next to the... uh, coin-o-matic?

they still sell those slush puppies?

you alone?

i need an alibi. ideally, for the whole night.

sounds like we had fun.

i asked for extra pickles, and they give me two? so what, a normal amount of pickles is one? makes no goddamn sense.

the smart play here is to kill you and stuff you in the trunk with stinky, be done with both of youse.

if you step out of line just once, i swear to god, I'll gut you like a fսcking fish. do you understand?

we ain't got a lot of time.

we all got our own vices.

nine times out of ten, these top-tier guys wanna meet face-to-face to feel big, so i make myself small, they feel better about themselves, and i get to go back to work.

i'm messing with you.

maybe look for your sense of humor. it's gotta be here somewhere.

so, uh, we got something to celebrate, or what?

this is my operation, you can't just shut it down.

there's blood in the water, everyone knows it.

the last thing we need is a god damn gang war!

you will do as you're told.

you're free to leave.

at the end of the day, this is all about money, right?

it's good to see you.

you've really moved up in the world, haven't you?

we're long overdue for a catch-up, you and me.

let's get a bite to eat.

my father used to bring me here when i was a kid. he paid me to keep my elbows off the table.

you think they're wondering if it's really me?

what did the gazette call me?

if only i'd been a dutiful daughter.

are you nervous?

i'd hate for you to feel nervous around me.

despite what you might think, i don't blame you.

how do you know about his plan, and why on earth would you pitch it as your own?

he's keeping us both in the dark, and i don't know why.

he's got a penchant for drops. and booze and gambling. i'm pretty sure he's got a sеx thing, too.

i was actually drowning my sorrows with my lady friend last night.

i doubt anything will turn up, but it's worth a shot.

i'm probably just being crazy.

thanks for lunch, i'll get the next one.

you know. people underestimate you, but not me.

i've always known you were capable of more.

scan the code. see gotham's true face.

get the fuck outta here.

i ain't never taken anyone here before.

what're you doing here?

what do you mean what am i doing here? i came to see you.

i got you something. come here.

what did you do?

wait. was i expecting you?

we're gonna leave town for a while.

someone's here.

will you tell me first what i did to lose your respect?

it ain't safe for you here. you understand?

why'd you shoot him?

now, can we go please?

it was impulsive. it was stupid. is that what you wanna hear?

jesus, i'm trying to take care of you.

i can't risk it.

i can't risk you.

look at me.

don't you see, dear? what you did wasn't impulsive. it was instinctual.

you're so close now to having everything you ever wanted, everything you deserve.

this city is meant to be yours, sweetheart.

i've been where you are.

they don't even know what they got, 'cause they always had it.

i wanna offer my services to you and your family.

oh, you wanna throw stones?

from where i sit, and where you sit, i don't think you're in a position not to hear me out.

i could give you everything you need.

revenge don't come easy.

he was a dirty rat.

he played us both for fools.

but he's dead, and i'm here now, and i'm offering you the opportunity of a lifetime.

i know a lot more than people think.

you and me, we can tear down their fսcking empire from the inside out.

what is it you're really after?

i know who you are. i know what you are.

i don't work with people whose loyalty is for sale.

you think i forgot all the times you schmoozed me and my boys just to turn around and fսck us?

look, i can see you're upset. trust takes time. but this ain't bullshit.

it's good seeing you. you look good.

it's a terrible feeling, isn't it?

i just wonder how you see me.

that's what you wanted, right?

you are so good at talking your way out of things.

it's just you and me now, okay?

am i crazy?

tell me that i'm too emotional, and that i have an overactive imagination, and that i shouldn't take things so personally.

what the fuck is this?

you did good today.

didn't we agree the head alone would be the most poetic, and the pinky, the cherry on top?

yeah. at least (blank) got the message.

from here on out, there's no more playing it safe.

i'm gonna run this goddamn city.

[tiredandoptimistic]

As someone who likes a lot of "bad" media, or media that starts out kinda slow but builds into a bigger plot over time, I see so many different opinions on what bits are "okay" to skip in order to get to the good part, and it's just wild to me. Bouncing around between the highlights doesn't actually give you the experience, and filler is so important when it comes to just...creating a vibe and building up the relationships between characters and with the audience.

For instance, Red vs Blue is probably my favorite show (ever, of all time), and while I will admit that the first five seasons are not my favorite, I still think they're essential to the show, because those five years of relatively low stakes adventures set the tone so that it can be upset by the bigger plot points. The impact of a big twist is reduced if you haven't spent the time to get invested in these characters when they're just hanging out and being silly. Most importantly though, even once the plot really gets going in season six and we get into the more serious Freelancer and Chorus arcs, Red vs Blue is still fundamentally about a bunch of idiots standing around and talking. If you have to force yourself to put up with the majority of the show, then you might just not like this show.

I was talking about this with my friend, and they said it's kinda the same thing with Homestuck. Yes, it does get "better" as time goes on, but it's still the same thing it's always been, and if that's not something you enjoy then skipping to the bits you do like won't change what it is.

Or like, I freaking love The Order of the Stick, and last year I reread it from the beginning for the first time in a while, and I half convinced myself that I'd just made up how good it is (because volume one is funny enough but nothing to write home about). However, I hit a certain point where I realized that I wasn't just reading out of a sense of obligation but because I adore these characters and am unspeakably invested in this plot. You can really tell that it's been a story happening over the course of 20+ years, you can see the writing and art improve dramatically as time goes on. I could just recommend that someone start with volume two or three, and summarize the plot up till then so they don't feel lost. However! That would rob them of the experience you get from watching these characters grow. You can't fully appreciate Belkar's arc in volume six if you didn't see what he was like on day one, y'know?

On another note, I love the Shadowhunters Chronicles, and I know that a lot of people will give The Mortal Instruments shit and call it the worst series or whatever, but those people just hate fun. Yeah, there are other series that might have stronger plots and better writing, but there's a reason that TMI's main characters have been iconic for years. Sometimes, things are just silly, and if you don't like that then you're not gonna have a good time here.

I could go on! I also like a lot of episodic shows like MASH, Community, Tangled: the Series, the whole DC animated universe, Supernatural, etc. I could come up with lists of my favorite episodes to try to hook somebody, but all of those episodes lose a lot of their impact when taken out of context. Skipping the filler doesn't give you the ultimate experience of Only The Best, it takes away your chance to fully spend time with these characters in a variety of settings. And sure, lots of shows with multiple writers do have some episodes that are just bad, but that's not what I'm talking about. There's a difference between something being bad and something being low-stakes. Maybe you personally don't enjoy things that are low-stakes, but that might just mean you shouldn't be watching a sitcom.

So yeah, this has been an excuse for me to rant about things I enjoy for a while but I'm sorta out of time and need to eat lunch, so I suppose this post has reached its conclusion. All my favorite media are my favorite for reasons I couldn't articulate in an elevator pitch, and putting together a highlight reel will never substitute for truly being in the trenches. If you're truly having a good time with something then you won't need to skip to the good part, because the whole thing is enjoyable.

[tyrantisterror]

Your recent train of posts about you-know-who’s book series got me thinking. You once said “The Owl House works as a sort of rebuttal to Harry Potter in a lot of ways”, care to elaborate on that statement? Especially in regards to how The Owl House’s worldbuilding and themes clash with Harry Potter’s?

Oh man... I don't want my blog to be consumed by Harry Potter Hot Takes. I'd prefer to vent most of those feelings through my wizard books instead, it's more productive that way.

So, ok, short version: The Owl House is about a teenager from the mundane world discovering there's a magical world hidden away, goes there to learn magic, and in the process uncovers a plot by an abominable fascist to commit genocide. In very simplistic terms, that is more or less the same plot as Harry Potter.

But the devil's in the details, isn't it? Luz doesn't have any grand inheritance to claim, no prophecy to fulfill, nothing that makes her the most special specialest special person of all time. There's even a whole episode early on where a villain tries to lure her to her doom by claiming she's the chosen one, and the lesson is that NO ONE is "chosen" for greatness - greatness is something you make yourself, not something that's thrust upon you. She is not inherently gifted as a witch - in fact, she struggles harder because she doesn't have a a special bladder true witches are born with, and has to learn an ancient and forgotten method of spellcasting basically from scratch to cast spells at all. She is, emphatically and at times definitely deliberately, the opposite of what Harry Potter is.

So is her academic experience. There's a magic school in this setting, and (at first) it wants nothing to do with Luz because she's human, not a witch, and thus is believed to be incapable of casting spells. So Luz's primary mode of education on magic comes from a private mentor, Eda, who is also a wanted criminal and social outcast because of her disdain for the draconian rules of their society. Eda is an unconventional but magnificent mentor, one who is as willing to try new things and learn new methods as Luz herself, and who helps Luz discover ways to make possible what everyone else claims is impossible. Eventually Luz does convince the magic school to take her in, but in the process she changes how it runs, challenging a lot of its preconceived notions and forcing them to do better.

Which is vital, because the biggest problem facing the society of this magical world is narrow-minded reliance on outdated social categorization. Like HP, people are sorted into categories (covens here instead of houses), which they are then forced to stick to and never dabble in the others. It is explicitly compared to both the concept of tracking in real world education (i.e. forcing kids into a career path early and ONLY giving them education relevant to that one career) and the house system of HP:

And it's wrong. It's both presented as needlessly limiting, terrible for encouraging advancement and growth of both the students and society as a whole, and an immoral system that's only kept alive by the "Well, this is how we've always done it" inertia that keeps so many awful traditions in education alive. And I really do mean it's immoral, because it's the brain child and secretly crucial evil tool of a genocidal fascist.

I kind of cringe at writing those two words since I feel people have been WAY too quick to accuse cartoon villains from children's shows of fascism and genocide - like, Chairface Chippendale writing his name on the moon with a laser would probably kill a shitload of people in real life, but that doesn't mean he's an analogue to Hitler. But Belos, like fellow Disney villain Frollo, is clearly intended to be exactly that: a genocidal fascist. In a world full of magic-fueled absurdist black comedy beats, Emperor Belos stands out as a consistently serious threat, tonally dissonant with his surroundings in a way that makes him chillingly effective as a villain. And like real world powerful bigots, his power primarily comes from the fact that the systems of society favor his mindset over those of outsides like Luz and Eda - all the systems of oppression our heroes chafe against were either created by or worsened by him, with the express purpose of using them to kill everyone and everything in the magical world.

Luz could not be more thematically opposed to her enemy, and the story is incredibly consistent in showing how defeating Belos alone isn't enough, but that the systems that empowered him have to be disproven and dismantled. His enablers must be destroyed or humbled, the prejudices he encouraged must be torn down and fought at every turn, and innovation and progress must be embraced for the good of all. There's so much stuff you could analyze about the themes in that show regarding oppression and the othering of people who are different, and it's all so, SO much more consistent than the discussion of the same themes you'll find in Harry Potter.

[averytirednerd]

About Episodes 7 and 8...MASSIVE SPOILERS!!

Initial thoughts (because if I talk about EVERYTHING right now you'll be here for at least half an hour)...

WHAT THE HELL?!

I mean I loved getting to watch the season finale, don't get me wrong. But I have just as many grievances as things I loved about it and also SO MUCH happened?!?!?!

Charlie: Loved getting to see her be all demon-y, I've been waiting all season. Also loved her and the cannibals (especially Rosie!!!). So glad she got to work w/ Luci to protect the hotel <333 She and Vaggie are adorable too.

Vaggie: I really enjoyed watching her and Carmilla's song, that was cool. Protecting her girlfriend, very cute. I liked seeing her and Lute have that little face-off.

Husk: Sad that we didn't get to see much of him, but I get it. His interactions with the others were sweet (especially Angel). I loved the one line he got to sing on his own in that last song of episode 8. 😍

Angel: Ngl I am very glad he wasn't the one to die. It would've been a fun little "oh crap" moment but I really didn't want to be right. He's still got business down there. His interactions with the others here are everything to me, and he's just grown so much and aaaaaa. It's lovely to see! I love him more and more with every episode.

Niffty: YOU GO, GIRL!!!! Love to see the stabbing. I also really loved the...one line Nifty got. Kimiko Glenn's voice is a gift, I freaked out over getting to hear one line. Anyway. not much else to say other than I definitely thought it was Alastor doing a big "oh look, I'm alive!" thing when Adam got stabbed, but I was pleasantly surprised.

Cherri Bomb/Sir P: I was surprised, to say the least, when Cherri and Sir P had that little moment. Glad they got it before he went and DIED. Cherri is such a good friend to Angel and she's great. Now, onto Sir P...WOW, OKAY. Glad we know Charlie's plan isn't completely stupid. Wonder how Sera's gonna react to him being there now, lol.

The Vees: FIRST OFF, VOX?????? "This is better than sex!" 💀💀💀 Truly was not expecting to see as much of the Vees as we did. Not complaining though. It was...interesting...to say the least, watching Vox get as excited as he did over the prospect of Al dying (still as obsessed as ever, fr). Not at all surprised to see Val and Vox have a thing going, I figured from the interactions we've seen so far. Them dancing together was silly, them practically making out was less so 😃. Also, gotta continue the love for Velvette--putting up with these two idiots must take a lot. Also also, her HAIR! HER HAIR!! EEEEE

Lucifer: I reallllyyyyyy enjoyed seeing Luci make a return to help Charlie, even if it was in one of those "last-minute saves" that I usually hate. Idk, makes sense here I guess because he's probably always watching over Charlie some way. ALSO LUCI AND CHARLIE GOING ALL DEMON-Y TOGETHER WAS <33333333 I really loved him starting off that last song in episode 8, and telling Charlie that he believes in her. It was so sweet. I love Luci sm, hoping he becomes a more integral part of the crew in s2.

Adam/Lute/Lilith: HAHA HOW DOES IT FEEL TO LOSE??? Lute got what she deserved with the whole...arm thing. ALSO WHAT--JUST GONNA CASUALLY DROP LILITH IN HERE NOW? Sure, fine, whatever, totally cool. Not sure how to feel about Lilith atm so moving on. I dunno why I was so shocked upon seeing Adam's face. I guess I expected him to...not look as good as he does? Also so upset that he broke Al's staff. How rude. He sucks.

Rosie: Not how I expected her to sound, but I'm most certainly not disappointed. I don't have much to say other than I loved literally everything about her. No complaints--at least not yet ig, need to go back and rewatch the episodes critically. Her and Alastor is everything to me, and seeing them dance was <333333 I cannot express my excitement over it enough.

Alastor: Saved him for last because yes. If I wasn't limiting myself to a short paragraph for each, I'd be writing a whole essay just about Al, I swear....CANNOT believe what just happened omg. Not only did we get to see silly Al in episode 7, but we got to see scary (and scared) Al in episode 8. He's really freaking out, it's so entertaining! I'm so glad it wasn't him who died, I started getting a bit worried for a minute there....His relationship with Rosie is aaaaa, best of besties fr. Fighting Adam scene was glorious. Making Vox act like an idiot even when not trying was funny to watch (Vox's obsession with this guy is so silly). Him retreating sure was a move, but I'm glad he didn't get all stubborn and end up dying. Him ranting a bit in his section of the final song was so...AAAAAAA. Man is so scared, he looks stressed as can be. I need to see Alastor just have an external breakdown because he honestly feels like he's on the verge of one. 💀

Stopping for now before I go on a bigger rant than I already have. To those who read all this, I'm so sorry pfft. Feel free to leave a comment if there's something you wanna discuss (or, better yet, send one of those ask thingies. I do not have comments figured out yet...)

Anyway, have a good one <3

[watchingblsnowandforever]

We Are Ep.11

Part 1

*sits with half a tub of ice cream with both AC and fan on because my AC is old and needs a little help and puts my cat on Do Not Disturb mode (aka scratching his belly)*

Hello!!!!

Welcome back to my crack posting! =D

Warning: long post, and since I have like 60 screenshots, there will be a part two 😊😅

I wrote that intro before I'd watched the ep. Me as I was watching the ep was mostly incoherent screaming (so much so that my cat woke up from his nap to give me "what the hell, hooman" look).

This episode was amazing, and I loved it, and I'll probably die of too much fluff, but that won't happen before I finish watching We Are (which- WHAT DO YOU MEAN THERE ARE JUST 5 EPS LEFT?!!).

I was giggling and kicking my feet (just like Peem the morning after that Prince Charming kiss) from the very first scene.

Oh, they are so gone for each other (and I am gone for them 😭). The smiles, the trying to hear what the other is doing just across the door ah

So, so true. As a writer that hits.

Also, I'm very glad they decided to showcase creative blocks, even if it was for a few minutes.

Me to PhumPeem: yes, Peem, I would love to know too.

Also- I really wanna know what Ciize was doing back there 😭

Too cute to handle 😭

Jokes (and puns) aside, this scene is quite significant. Previously, whenever Phum was seen in the vicinity of the Fine Arts building, it was only because he wanted something from Peem (yes even that scene in ep. 8, he wanted company from Peem), but now, he's just sitting there waiting for Peem. And when Peem comes down, he's pinching his cheeks right there and acting cute with him and asking what's wrong.

And he keeps on asking, because he can see that Peem is a little moody, and not his usual self. "You're usually livelier than this."

Phum: "Actually, I want to be water too..."

Me: No way, is this what I think it is?

Phum: "I want to be the reason you feel good."

Me: yeah, yep, that's what I thought

No but, you can't tell me Phum doesn't binge watch BLs with his beloved teddy bear. Of course he has a whole arsenal of cheesy flirting lines.

All this time, it was always Phum telling Peem how comfortable he is around him and his friends, how fun it is.

Welp, it's Peem's turn.

I love Phum.

This is both him asking for consent as well as making sure they're on the same page and going at the same pace (which he always does, as I'd said before).

Also, no, he wants you to get closer.

HANDS.

Hear how polite and soft Q is with Toey now? Once Q knew for sure that he's allowed to show affection towards Toey as more than just a mentor/mentee, he decided to be fluffy as heck and never went back (because his love language is giving and showing through actions).

Love that for them both <3

This is such a valid fear.

He was afraid that his love would be too much, and in the process he'd lose the person he loves again, so he thought it better to just suffer alone than confess. Not gonna lie, my heart broke just a little here. (Also, because I'm currently rewatching MSP, I'll be pulling a lot of parallels, and this reminds me of that scene where Sound tells Gun that he's afraid to confess to Win because he's pretty sure he'll get rejected).

Oh, and I keep forgetting to say this, but Satang is such an amazing actor. Watching Sound and Toey, I almost can't believe they're played by the same person.

Phum's lethal weapon and Peem's fatal weakness 😭

Let's be honest though, no one would be able to resist that smile, those eyes and that soft, "Na, krab". Oh yeah, he used polite pronouns here by the way.

I can't always notice the shift from formal to informal or vice versa because I'm not that well-versed in the language (yet) but this was pretty obvious.

Bonus (Peem's reaction):

Tan: flirts with his theerak non-stop 24/7 Fang: *brushes his hair a little and apologizes for making him wait* Tan: *melts into a blushing mess*

That man is so whipped.

And in this house, we stan all whipped men.

This actually reminds me of when I was a wee baby (around 3 or 4 years old, I think) when I rescued a baby sparrow and took it to my dad and told my neigbours my dad would be able to heal it because he's a dcotor (he isn't a vet either) 😭

Also- naming a bird by another bird is so true to Pun's character.

This so relatable oh gods 😭

Also, we got the princess carry for Pride month! Twice if we count Chain lifting Pun in the waterfall, which I totally do.

We finally get being carried to bed but realizing they're laying on top of the blankets instead of just being magically wrapped in them by morning!

*sighs fondly* such a simp. <3

Uh huh, you said that last time too.

Don't lie, Peem, you'd let him hug you every night.

👀

Is this the reason behind the NC rating?

Also, this singular line just gave me a brain worm that is making me write my first smut fic. I blame y'all for getting me into this series.

Yes, of course, Phum, everyone believed your "snort mi mi mi".

Don't think I didn't see your little secret smile, Peem.

(Also, I have a headcanon that Phum just loves to be the little spoon)

Now who's hugging who, huh?

"Go away", he says, while putting his arm around his (not) boyfriend.

See, it was all fun till this point, but you can't be giving me this level of domestic fluff while at the same time telling me they're not even dating yet. That just doesn't work.

So, for me, from this point on, they're an old married couple <3

Frankly though, all the four couples in this series are old married couples that just don't know they're married yet.

Toey: HELP ME!!!

Q: WHAT HAPPENED WHO NEEDS BEATING UP-

Toey: I forgot to do my assignment and today's the deadline 🥺

Q: ... 😑

You don't...?

I thought that was the perfect time to start working on it?

jk jk, kids, I'm a chronic procrastinator, please don't learn from me, learn from your P'Q

(Q reminds me so much of @desi-yearning when she scolds me after I pull an all-nighter to submit an assignment or study for an exam 😭)

Oh. Oh.

Oh my.

I love this scene so much.

This pencil box is very very special to Q, and he's asking Toey to draw on it - something that is irriversible, as Toey himself says.

But this is Q's way of putting together both his loves. This pencil box was picked up by Toey the first time, but back then, Q only knew him as Milk Frappe Boy.

Now, he's asking Toey to do something Milk Frappe Boy would never have been able to (remember, Toey started taking an interest in art only after meeting Pencil Senior), because Pencil Senior disappeared on Milk Frappe Boy, but Q would never disappear on Toey.

On this note, I end Part 1.

Part 2 will be out tomorrow, because as much as I try to deny it, I have these pesky things called responsibilities to attend to, and it's very late here now (not past my regular bed time, but way past my ideal bed time 😭)

Thank you for reading! 😊

Here, have some pizza and a cookie🍕🍕🍪

[If you want, my previous posts: Ep. 8 Ep.9 Ep.10]

And here's Part 2

[dangermousie]

I saw a post where you analyzed some details in Flower of Evil (particularly the relationship between the lead couple) and your analysis was super interesting.

I dropped that drama ages ago somewhere in the second episode because it just felt like things had already gone so horribly wrong that there was no possible way that it could be brought back to a story that I'd enjoy. I was wondering if you might be able to explain how that isn't the case so I should give it another chance, ideally without spoiling anything too huge? Or do you think my first instinct was right? If I couldn't stomach the first two episodes it probably just isn't the drama for me? My original interest in watching it was for the romance more than anything else.

I would love to analyze (always game for FoE freakouts) and address the issue but I think I could do it better if you clarified a little what you mean by "it just felt like things had already gone so horribly wrong that there was no possible way that it could be brought back to a story that I'd enjoy."

Is it a worry that there would be no happy ending (and one that feels earned/logical not tacked on) for the couple and/or ML (or FL), or that the progression of the relationship would not be anything you like or not given sufficient importance? Or something else?

If it's the former, while I can't say whether you'd like it or not because it's very hard to predict what clicks and doesn't for another person (I have like two mutuals where I automatically know if they like X, I am guaranteed to do so) but I can answer that:

(a) This drama has a happy ending that felt right and justified and not tacked on for me - in terms of both characters individually and the ship. They both go through hell but emerge into sunshine on the other side; by the end of it, Hyun Soo knows exactly how much he's both known and loved by Ji Won (and it's huge for a man who believed on a deep level nobody could possibly love someone like him nor should they) but also he's accepted that he himself is not a monster but is capable of love. And Ji Won loves her husband as much as she did at the start and has proven exactly how much and this time it's based on true knowledge of all of him - because before that she loved him for what he was (his characteristics were all true even if his background was not) but now she knows exactly the traumas and events that shaped him and the issues that haunted him and...she still sees the slightly odd, quite introverted, very caring man she fell in love with. It's a process, she thinks things through and it takes her time to get there, it is not linear but it is so thorough and glorious. She basically goes with her whole behavior: I see you fully and I know you fully and because of that sight and knowledge I love you MORE. And he processes that but also, in an even huger emotional shift, he realizes that he loves HER, that he's always loved her, he just had no vocabulary for it and no ability to process that this is what he felt due to all the trauma and gaslighting and what not.

(b) This is a romance drama. Oh, it has a good plot with its share of mysteries and mini-mysteries, and it's a great character study and has a lot of other interesting things to say. But ultimately, it's a romance. It is centered not really on the mystery of who Do Hyun Soo actually is, or who was/is committing various murders, or when Ji Won would figure stuff out or w/e - it focuses on a relationship between husband and wife who desperately love one another. This drama had an INSANE fixation with shots of their wedding rings and it was for a reason because this is the story of their marriage more than it is anything else.

It actually features a trope that is very much my catnip and narratives (outside of Gong Xinwen novels) don't do often enough - where the woman is the rescuer and the white knight and the savior and the man is this beautiful, oddly fragile (despite being competent and potentially deadly) being in need of rescue. And I don't mean just in the metaphorical sense - she is the reason DHS still has his sanity and found happiness and healing - nah she rescues him in the most physical way possible, from drowning, from various other acts of harm. In a way, Ji Won and Hyun Soo are a noir couple with genders reversed - a tough pragmatic detective and an alluring romantic partner with a mysterious past and ambiguous in terms of morality vibe, a homme fatale. But who (which also happens in some noir), turns out an abused, gaslit person who needs saving and who has honestly is owed by the world for all the hell it put him through.

Once again, I can't say if you'd like the drama - but the above is why I love love love love LOVE it and thank you for letting me have a chance to rant.

[justin-chapmanswers]

Hello Mr.Chapman!

I wanted to bring this to your attention with the newest episode! I loved it, it was very good! however, there was this one scene that rubbed me and a bunch of other disabled people in the community the wrong way.

The scene with bot and telling Cabby the wrong information about them and then asking Cabby to not write anything down felt very off,, as someone who suffers bad memory loss from amnesia and such and tends to write things down to remember really threw me and a bunch of others off! i’m really hoping you and the team can bring this up and talk about it and listen to us on this topic! it would mean a lot to me and the other disabled people in the community ❤️

Hello!

Sorry for the delayed response to this conversation, we've all been traveling and I just arrived back home. But yes! Received a lot of questions regarding this here on Tumblr (as well as positive messages that I super-appreciate but of course this deserves to be addressed first), and I definitely want to hit on it before I get swept away again.

Thank you (and everyone!) for all of your messages regarding this topic. I have been reading and ingesting so much of this conversation and am very glad for everyone who's spoken up on the topic. I understand there had been debate regarding what's right and what's wrong with this angle of the Bot-Cabby story, and Cabby's depiction as a whole, but I'd like to put all the comments on the side of "I don't see it that way because xyz" to the side for the purpose of this post (although I appreciate your perspective as well, especially those who personally connect to the material).

I do want to start the dive-in with a sorry to who felt overwhelmed by this conversation as a whole, because clearly elements within the writing could have been tweaked and we wouldn't be needing to have this conversation. But absolutely a good one to have, anyway, because the show's history has been far from perfect in this regard. And, even more-so, want to say sorry to anyone who felt personally hurt by anything in the episode that read as ableist. While this was far from any intention, it certainly lead to plenty of hurt.

I figure I'll try to lay out as much of this conversation as I can, so it's clean and transparent all in one place, but of course feel free to keep the conversation going. It shouldn't end with me, whether that's more asks here or in your own circles.

I'll start with intentions within the writing regarding the more common talking points of the episode, and then hit on where things could have been corrected in execution. As Anonymous noted earlier, there's the segment where Bot presents Cabby with incorrect information. Understandably, leading a lot of people to feel uncomfortable with how this affects Cabby, who has difficulty with information. On my end, this was never really desired for this to come across as good normal healthy behavior. With the queer narrative in mind, Bot is insecure and uses this as a device to cope with their stress over being put under a microscope while they're still learning to feel confident. And have a Bow file in front of them. Hence Bot rejecting open-communication about Test Tube, offered by Cabby early on, to continuing to make outlandish claims about themself, as well as opening up authentically with true statements once they felt that safety and connection that they've needed. Starting the two off in a really rough place, and eventually getting the two to hear each other a little better and start communicating more healthily.

But does that make it any more comfortable to watch when you have Cabby's history in mind? Probably not. Perhaps out of all criticisms that had been laid out, this is the only one that I had not considered coming up in the many months since this episode's been written, until episode release. No excuse, that's on me. I think a lot of it was softened in my head by the fact that Bot had been completely unaware of all Cabby goes through, and that when Bot finally gains some insight, they soften up towards Cabby. I've seen others levy that note in these discussions, but ultimately it's not my place to say. I completely see now why this can be discomforting, especially in its presentation as being doing in such a light playful manner, no matter whether or not it was intended to be seen as a flaw that is fixed in the context of the episode.

There's also the other note that Anonymous mentioned here, regarding Bot telling Cabby to not write anything down. Intentions aren't too different are exciting, all very similar to last time regarding queer insecurity, Bot not understanding Cabby's situation, and the goal for the episode being to show they start in an unhealthy place and land in a good one. I think where a lot of that falters, were that to be the right starting place for the story at all (and understandable if you argue that it shouldn't have been) is not giving Cabby more support before the end of the episode to show that Bot understands them as much as Cabby gets to prove she's gotten to understand Bot.

There was initially space given to that in the episode but to try to tighten things a bit, we figured it'd be okay to hold onto that since there's still time to explore that. But I've given the advice before, even within the II team, to make sure that these types of issues conclude within the context of the episode as to not give any wrong ideas as-to what the takeaway should be. Unfortunately, I overlooked my own advice this time around. I do like the moments given to Bot and Cabby to show that they have learned to support one-another after learning about each other on an intimate level, but I think it's important to vocalize what these understandings are more explicitly.

Aaaaand also in general I've been wishing that I had made that moment a little softer, were it to be there at all. Between script completion and episode release I'm always poking holes in what I've written, especially as I watch it go from page to screen and things may get adapted in ways I didn't (but often should have) anticipated. That line in particular I've found to be pretty harsh in vibe for a while now, so we're on the same page. If it had to be a beat, I think something softer and more communicative could have been helpful. I do think it's fair for Bot to want to put up boundaries, but it could have been an open dialogue on the subject.

The thought then was that while Bot has discomfort with Cabby, due to their difficult history, they would offer Cabby an alternative accommodation via a more healthy form of communication and repetition that could then work as a compromise. But yeah, completely see why that's also a point of iffiness too, as the files are the intended accommodation. This was all less intended to be another finger-wag at Cabby's files in the way that was presented before Cabby returned to the game, but more-so to highlight how difficult the subject is for Bot. But the way that this could ignite both side of the coin should've been accounted for.

On a similar note, there was another point brought up in a separate ask-

"did she really have to us her file as a ramp? i hope that this isn’t going to go into the direction of ‘oh she’s cured now!’"

Similar to above, it's another case of me mentally prioritizing the story of Bot for their concluding-ish episode and their bond with Cabby, as opposed to Cabby as an individual. I had a visual in mind for a very long time of the Bow file crushed at the end of Bot's journey without any intention of it reflecting on how Cabby uses files, but rather about Bot feeling more comfortable in their robotic skin and others understanding them as an individual.

That is to say, no, there was never any intention that this would indicate that Cabby is done with using her files to collect information for better-navigating their life, and for her broader love of information-gathering. it is just to say, whether correct or not to implement, that they understand Bot's boundaries and see why having a Bow file for Bot can be seen as distasteful, now that they better understand who Bot is. Cabby still has the files, and there's always been every desire to continue to shed light on her story and perspective in the future. And now, with more consideration.

An aside, I suppose, but I do love Cabby. One of my favorites, always has been. In every episode I've written with her in which she is a notable character so far (10, 11, 14), I've wanted to lean into exploring how Cabby navigates difficult social scenarios in which, no matter how strained it may be at the start, we land in a place of others learning to see the plentiful good in her and/or show that they're willing to stick by her side wholeheartedly. With the Indefinite Islanders, Yin-Yang, Bot, etc. I say all of this to try to clarify that I've never had any intention of vilifying Cabby, and I'm really sorry to all of those who connect closely to her who feel as though I was trying to make her out to be a bad person. Again, although the intention was never negative, it's the outcome that matters most- so I am sorry.

And I'm not looking for anyone to write to me "great, all good now, all forgiven" or anything. I'm just looking to continue an important conversation. I know even before the episode's release, there's been plenty of this discussion here on Tumblr, which I am appreciative to have been able to look through and analyze as thoroughly as I can to understand every angle.

But yes, thanks for bearing through this long block of text. If anything comes across as messy, apologies, running on two or three or so hours of sleep, but I am happy to hit on anything that needs clarification or other elements later after work. I don't see myself making any big posts like this again soon, but at the very very least I'll read over what's sent in the ask box as always.

While I'm good with any and all continued conversation, my only request is that you all please just go easy on the rest of the crew. It's been a very emotionally-intense last few weeks, and a lot of the team is just in an overwhelmed state at the moment for a thousand different reasons. They're all trying their best to do and handle everything. But it can be a lot, especially when it's dealing with the Internet, and when it's thousands of voices screaming in your direction all at once. Thank you!

[bushkit]

Ok guys I gotta talk about something that is BOGGLING my mind right now cause I swear I'm going insane. 😭

So in My Inner Demons episode ten (the “hot tub” one 💀), when Leif asks why the daemos just don't start threatening humans Rhys not only says the human population outnumbered them, but it severely outumbers them. I don’t doubt that as a whole that's true, there are literally eight billion humans that exist on Earth, but these guys have only seen a very small portion of the world.

Like, they are in a town (we literally don't know where it is either, but I assume somewhere in the U.S). They haven’t been outside very often and when they have there's hardly been anyone around. And this is confusing me so much.

These guys have seen a MAXIMUM of a hundred humans on Earth if we are counting people we cannot see in the show, if we aren’t counting them that's gotta be less than fifty. Do you see the problem yet? Probably not really, but allow me to make this even worse or, more accurately, let Rhys make it worse.

Looping back to the start of this post, Rhys says the human population severely outnumbers Asch’s kingdom, which we assume is the largest of multiple. Even worse, Asch asks if it outnumbers the other kingdoms combined as well, to which Rhys says and I quote, “I assume so.”

HELLO? ARE THERE ONLY LIKE FIFTEEN OF YOU GUYS?

Literally this makes no sense. This would be better if there was only like a few small tribes of daemos, but how are there so few daemos in multiple kingdoms?? Have you seen how massive Asch’s kingdom alone is? How are they a functioning society, that is under MONARCHIES, with from the sound of it, A MASSIVE WAR GOING ON???? Now again, I do believe there definitely are way more humans than daemos in general. But less than fifty daemos across all the kingdoms (I headcanon there's five)? I'm sorry, but I just cannot accept that as true. In my mind, there's gotta be at the very least four million daemos spread across all the kingdoms. Four million feels like a lot, but compared to the human population in general and in the United States alone, it is very little, so by all accounts they still are greatly outnumbered. But at least this time the population is more believable and there is less of an opportunity to get serious continuity errors which unfortunately already exist in canon.

As far as headcanons go, yes, I do believe there's definitely more than four million daemos especially considering where they are in the world I've created. Tramea, the continent I've placed them on in this world, is slightly bigger than North America. The largest population of daemos, where all the kingdoms are, is way up north on the continent in the temperate, heavily wooded regions. In my world the daemos have to share this continent with the dragons, who fill up other areas particularly with two “bloods” being native to the south side. Of course, there's likely daemos who aren’t necessarily affiliated with the kingdoms are spread all over the continent.

So anyways that's it for now, this was something I just found weird and I thought it’d be interesting to throw in my own two cents about it since I haven't seen anyone else mention this. Lemme know your thoughts about it I'd love to hear ‘em!

[silmarillisms]

Criticizing the Critics: ROP, Sexism, and Racism

This is a bit of an anti-anti-anti post, if that makes sense. Before I get into it, please understand that I am absolutely not saying that there are no sexist or racist criticisms of The Rings of Power. I am also not saying that none of the people viciously critiquing or review-bombing The Rings of Power are sexist or racist. I am certain that there are those among them who are.

My argument is that the majority of individuals criticizing the show are not doing it for those reasons and that painting them all with the same broad brush of "you're just racist or a misogynist" is making the divide in the fandom worse.

Anyway, I argue with a lot of people on both Reddit and Tumblr about The Rings of Power and I'd like to bring to the table some trends that I've noticed among them.

The Peter Jackson trilogy was the introduction to LOTR for most modern fans. Most of them have never seen the Bakshi film or listened to the BBC audio drama.

Fewer still have read the whole trilogy, especially recently. Even fewer have read the other adjacent works like The Silmarillion, History of Middle-Earth, Nature of Middle-Earth, et cetera.

A lot of these people are wrapped up in the nostalgia of Peter Jackson's films. There are huge parts of Tolkien's mythos (there isn't any hard canon for a vast majority of his world, which was a purposeful choice that he made as an author) that have no hard canon at all but rather several competing explanations or interpretations. These are portrayed largely inaccurately or entirely ignored in PJ's films - and I understand why. There's only so much you can do in a limited amount of run time.

The Rings of Power is actively digging into a lot of that ignored or broadly brushed over mythos - mythos that people are not familiar with and do not associate with the franchise, on a large scale. Many people have put up blockers in their mind and have no interest in learning about the actual mythos we are presented with in the main and extended works on Arda.

As an example, someone on Reddit called me pedantic for explaining the difference between Sauron shapeshifting and Sauron's fea being disembodied from his fana, which is what we see in episode one of season two, and for explaining that the black slime that comprises his form is probably a nod to Gandalf saying that Durin's Bane, also a fallen and corrupted maia, took on a similar form when he slew it.

These are simple concepts from the mythos that Tolkien wrote but PJ excluded and they are often the most hotly criticized by people who dislike the show.

I think these objections, for the most part, stem from the fact that PJ's trilogy is what a lot of people know and where their nostalgia is rooted. A different adaptation can feel threatening to something they know and love. Imagine you got into some series as a kid not knowing there was a book series behind it and never reading it. You grow up on it. As an adult, it's remade and it's not like the series you remember. Do you care if it adheres more closely to the original source material that you're not even that familiar with? If the pacing and themes and character choices are different from the series you loved?

Look, I'm not excusing these people from being assholes. I just don't think that most of them are actually upset about strong female or POC characters. Some of them definitely are, but in my experience those aren't the arguments that I'm actually coming across in true droves. Reducing their arguments to racism and sexism does nothing to combat their actual complaints, which in bulk seem to stem from ignorance rather than malice.

It's possible to argue in good faith, but we all have to participate. A bigger fandom is better for everyone. Unless someone is obviously being a bigot, try to extend them a little grace if you reach out to them. You might be surprised by the people who come around.

[sadquickchristmassnowman]

hey so i’m new to the community fandom and i really love trobed. i was wondering what was your trobed centric episode masterlist like? or if it’s possible, is there a way to send me the post? sorry i’m new to tumblr so i’m still learning how this app works. if you see this, thanks :)

hi, welcome! I've found that community tumblr is probably my favorite fandom space I've ever been involved in, and I hope you've had a good experience so far. I totally get the New App Learning Curve thing, I'm historically very shit at learning how to use new apps, even though I'm "young" (20), but I eventually got it and you will too, Trust 👍👍👍

anyway, Yes one of the first things I did on here after joining was make a trobed-centric episode masterlist for someone who was asking lmfao. since it was one of the First things I did there's some formatting and other things I'd do differently now, and I've actually been looking for an excuse to go ahead and get that done, so. here we go.

the trobed-centric episode masterlist (revamped)

1x05: advanced criminal law

plot B

abed takes the "friends mess with each other" rule too far; he creates a whole fake language and spends a lot of money on trying to convince troy that he is an alien

"from now on, abed, friends don't mess with each other"

(this is the first time they do their signature handshake)

1/5 gayness, pretty platonic

1x10: environmental science

plot B

it's the "somewhere out there" episode what more do I need to say

3/5 gayness, something's happening fs

1x11: the politics of human sexuality

plot C

abed keeps beating troy in athletic competitions, making troy feel threatened. he eventually admits that abed is the better athlete and they make up

2/5 gayness, pretty platonic but it has its moments

1x22: the art of discourse

plot C

troy and abed work to complete abed's list of quintessential freshman year of college experiences list

2/5 gayness, they repeatedly put completing the list above looking cool in front of women

1x25: pascal's triangle revisited

plot C

troy is moving out of his dad's house and wants to move in with abed, but abed says no because he's afraid being that close and spending that much time together will result in constant annoyance, and will destroy their friendship

troy realizes that "too much of a good thing can be bad" and instead agrees to move in with pierce

1/5 gayness

2x02: accounting for lawyers

part of plot A

jeff gets sucked back into his old life as he reconnects with alan, a coworker from his old law firm. troy, abed, and annie try to gather proof that jeff's friend is the one who got him fired in the first place

more trobedison centric, and is actually the first episode where the three of them are established as a Trio™

"all I heard was suck" "YOU CHLOROFORMED THE JANITOR" "I usually have one foot out of reality and even I'm freaking out right now"

1/5 gayness, pretty platonic. they're the sillies ever I love trobedison

2x06: epidemiology

part of plot A

it's the zombie episode, come ON

trobed have coordinating costumes but troy bails during the party because he doesn't want to look lame and nerdy in front of women, which hurts abed's feelings

abed sacrifices himself to save troy once they are the last two standing during the "rabies pathogen" breakout

"I love you" "I know" (oh my GODDD sedate me)

5/5 gayness. you get it.

2x09: conspiracy theories and interior design

plot B

the original blanket fort 💯💯💯

2/5 gayness, just guys bein silly (and in love???)

2x15: early 21st century romanticism

plot B

troy and abed fall for the same girl and decide to take her to the valentine's dance together, after which she can decide which one of them she wants to date

she picks troy, but troy gets upset that she didn't pick abed (because why wouldn't she pick abed, he's so cool) and breaks it off almost immediately

I"happy valentine's day" "it is now"

5/5 gayness jesus christ this one is INSANE

2x18: custody law and eastern european diplomacy

plot B

britta likes troy and abed's new friend, lukka, who she finds out is a literal war criminal. she keeps this information from troy and abed because she doesn't want to ruin their friendship with him, but they find out eventually

2/5 gayness they're attached at the hip in this one

2x19: critical film studies

random moments

this episode is more focused on jeff and abed, but there's a lot of classic Troy Gets Jealous™ moments so I decided to include it. plus the end tag is them randomly having dinner together at the fancy restaurant (a date 😔)

basically troy is afraid that jeff is a cooler friend to abed than him

3/5 gayness even though they barely interact, troy is so silly

2x20: competitive wine tasting

part of plot B

I almost didn't include this one, and it's not even on my original list, but whatever

troy pretends to be traumatized, originally to seem less shallow in his acting class, but he keeps it going in order to attract britta. he tells abed about it and abed Does Not Like That At All

"troy. nothing good can come of this"

I wouldn't call abed being jealous a Rare Occurrence but he generally conceals it way better than troy does

2/5 gayness, could be interpreted as abed just worried about relationships forming under false pretense, but to Me he's jealous

2x22: applied anthropology and culinary arts

plot C

pierce buys the rights to troy and abed's handshake (a la Indecent Proposal) which "corrupts" it

"pierce tainted our special handshake with his blood money and now we can't get the magic baaaack :((((("

eventually they do indeed get the magic back

3/5 gayness idk there's something about the way they interact in this one that is inexplicably gay to me lmao

3x01: biology 101

plot C plus random moments

"speaking of figuring things out, me and abed have an announcement" "..." "troy and I are living together :D"

cougartown gets moved to midseason, then cougarton abbey ends after 6 episodes, abed's routine keeps getting thrown off, and troy is just extremely supportive and protective throughout

4/5 gayness troy loves him a lot!!!!!!

3x03: remedial chaos theory

random moments

(I know this ep is listed as 3x04 on streaming services but in canon it takes place here and on the dvds it's listed as 3x03. there's a joke about it in the episode too if you didn't know. anyway)

"troy and abed's new apartment!!!" "bienvenido a la casa chez trobed!" "wanna stay up all night talking in our bunk beds?"

all their pictures on the wall and their matching suits lol

the end tag "evil troy and evil abed" & troy's soft "what's wrong :("

3/5 gayness they're lowkey married your honor

3x05: horror fiction in seven spooky steps

random moments

troy's whole story he tells where they Literally become attached at the hip

"my partner"

troy dancing while abed's humming daybreak

2/5 gayness

3x06: advanced gay

plot B

troy deciding whether he wants to do plumbing or air conditioning and deciding all he really wants to do is watch tv with abed

gay symbolism? gay symbolism? gay symbolism?

4/5 gayness mostly for the conversation at the hawthorne wipes gathering. I could write an essay on just that

3x07: studies in modern movement

plot A

annie moves in with troy and abed. very trobedison centric

"kiss me woodsman troy!"

3/5 gayness once again casually in love they're soulmates your honor

3x09: foosball and nocturnal vigilantism

plot B

annie breaks abed's $200 special edition dark knight dvd set on accident, trobedison shenanigans ensue yippee!!!

"awww is that the grappling hook I got you for christmas???"

3/5 gayness for the same reasons as before

3x10: regional holiday music

part of plot A

literally putting this on here just because of the christmas infiltration rap (and baby boomer santa)

3/5 gayness it's glee club what can you do

3x11: contemporary impressionists

plot A

(once again, I know this episode is listed as 3x12 on streaming services, but in canon it's supposed to chronologically be here, and is listed as 3x11 on the dvds)

the study group helps abed pay off his debts to a celebrity impersonator website by playing characters at a bar mitzvah (after troy scolds them for trying to ground abed in reality)

they have an argument at the end ugh

3/5 gayness troy loves abed a lot and abed doesn't realize that he's doing something wrong

3x12: urban matrimony and the sandwich arts

plot C

(see the above disclaimer about episode order)

troy and abed decide to be normal for shirley's wedding rehearsal

troy and abed being normal 🤝

4/5 gayness they blow off a girl to be weird again

3x13: digital exploration of interior design

plot C

blanket fort: redux (oh god)

vice dean laybourne escalates what started as a minor disagreement in order to drive a wedge between troy and abed. it works

5/5 gayness, if a sitcom doesn't have the two codependent fanonical gays go through an unnecessarily dramatic "break up" then I don’t want it

3x14: pillows and blankets

plot A

🎶troy and abed are in conflict🎶 *cries*

pillow fort vs. blanket fort

they eventually make up but not before they hurt each others' feelings a Lot

5/5 gayness the dramatics jesus christ

3x16: virtual systems analysis

random moments

so this episode is more focused on abed and annie, and troy and abed actually don't Technically interact with each other very much at all, but. you know

abed kinda freaks out when troy and britta go on a date because it "messes with the fabric of the group" (🤨 I know what you are)

troy calls annie to "check on abed" boy you are on a date with a woman

4/5 gayness just from subtext you get it

3x17: basic lupine urology

random moments

troy and abed play detective as they try to figure out who sabotaged the group's biology project

"we can't both do the zinger"

4/5 gayness no explanation

3x19: curriculum unavailable

random moments

the study group is expelled from greendale and abed gets arrested for spying on campus, so he's supposed to have a psychological evaluation

troy is just very protective of him in this episode, plus the flashback clip where he and Annie are comforting him as he's freaking out about daylight savings

"our adventures are VERY manly"

4/5 gayness

3x21: the first chang dynasty

random moments

oof baboof with you two! (all the plumber shenanigans are hilarious)

mostly putting this one on here for the goodbye scene at the end of the episode, though. god

"he said, 'I know you hate when people do this in movies.' sorry I got emotional"

3x22: introduction to finality

plot B

abed "goes crazy" without troy (who's off at a/c repair school)

when troy comes back he prioritizes abed over britta (who he supposedly has romantic feelings for)

"I miss abed so much" "you're afraid you'll go crazy without troy"

4/5 gayness one could say they're a little codependent

4x03: conventions of space and time

plot A

troy gets jealous of (read: goes "psycho girlfriend on") abed's new inspector spacetime superfan friend toby

britta, even as troy's literal girlfriend, calls abed troy's boyfriend and supports troy through the whole thing

"for the first time in my long history of being locked inside things, I knew someone would come" let me just put my head through my wall really quick

5/5 gayness even though troy has a whole gf. that's how gay this episode is

4x11: basic human anatomy

plot A

troy and abed pretend to switch bodies, like in freaky friday, in order to help troy process his feelings about his relationship with britta

5/5 gayness holy SHIT y'all. I could write thousands of words on this episode. it is so hard to justify troy's actions in this one without reading him as a closeted gay person not lying

5x03: basic intergluteal numismatics

random moments

including this one because of how abed comforts troy and pushes him around in a wheelchair for the entire episode

3/5 gayness it's the casual married-ness again smh

5x04: cooperative polygraphy

random moments

this is another one I didn't include on my original list but I decided fuck it

the bit uncovering the actual origin of their patented handshake is so funny "I can't even look at you right now" "then you should know I'm crying"

also just the. look on abed's face when troy agrees to go on the trip at the end. "cool. cool cool cool." "that's a lie" UGHHHHH

4/5 gayness again. so typical

5x05: geothermal escapism

plot A

do I need to say a word

ouch ouch ouch OUCH

5/5 gayness especially the deleted dialogue from the last scene (I've posted it before but lmk if you don't know what I'm talking about. disclaimer it makes me want to launch myself off the empire state building)

alright. there it is folks. I was going to make another subsection of other random iconic trobed moments and cite the episodes they're from but basically every single episode has at least one, so that list would be Way too long to qualify as a supplement to this one lmao. however! if you have a Trobed Moment™ stuck in your head (or any Moment for that matter) and you can't remember which episode it's from feel free to ask me, I'm confident that my internal community database will be able to Remind You. anyway. hope this was helpful. bye

[ladyloveandjustice]

List of "Does it Like Women" Results and whether I agree

I find the "Does it like women" blog fascinating, as y'all have probably noticed. I always tend to think deeply about this topic when I consume media, so I wanted to make a list of results I disagree with, because it interests me! I'll likely be updating this through reblogs if my interest doesn't wane, I'll make a note in the replies when I do!

Loves Women

I agree with all of these so far!

Likes Women

Kill la Kill- Man it's 2013 again and I'm seeing tumblr make powerpoints about how klk is deeply feminist and it's actually a super deep critique of harassment that Ryuko has to wear the ugliest outfit ever and Westerners Don't Understand (person making this argument is inevitably a Westerner).

Yeah, based on the part I've seen and everything I've heard, hard disagree. But I have not seen the whole thing, just those three, I do know the part I saw included rape jokes a plenty, a weird victim-blamey take on "not being ashamed" of being forced into a skimpy outfit and how if you're bothered by men ogling you that's your weakness, and a vagina wedgie. I'm not as mad about it as I was back then,and I can appreciate the show has it's good points later on. Not having watched it also means my knowledge is incomplete. However, I have listened to really in depth breakdowns of the series (mainly Anifem's podcast), so I know exactly what happens, and yeah, the treatment of women doesn't impress me. I'm on the dislike side, (holding back on hates because again, haven't seen all of it)

...could understand mixed feelings though, I guess

Madoka- I'd definitely go more towards mixed feelings honestly (especially if we're counting Rebellion) but I get the people who say "likes".

Yuri is my Job- it loves women, it loves messy women, it loves women who love women, it loves them so much, idk why it got a sizeable no vote. People who only watched the first ep? People who think yuri is "bad"?

Mob Psycho 100- Someone in the notes says "accidentally likes women" and that's the only answer in the "likes women" area I'll accept. It has 10 million prominent male characters and like three prominent female characters. ONE really really obviously has a hard time imagining women as powerful or action heroes. (this is reflected in One Punch Man too) (One Punch Man actively hates women and queer people though, Mob is infinitely better) Only one who ever gets to fight and play with the boys, and she's a low level mook, and we have to spend 75% percent of her limited screentime on whether it's actually okay to fight women, with her winning argument being "Well you're literally a child so I guess it evens out" (???) The little girl with the evil dolls gets even less screentime.

I do like that the series examines how Mob idealized Takane and how people not caring about the real her made her tired, as well as how it allowed her to reject Mob and was basically a lesson in the importance of accepting rejection. But her screentime is also really limited, and I feel like we could have dove into her a lot more. Tome is a wonderful weird girl and I liked her little arc, and I hear she gets more in the Reigen manga, but still not a TON of screentime, and even with her there are a couple jabs about how she doesn't "count" as a girl due to not acting traditionally feminine we're clearly supposed to find funny. Emi is...there I guess. There's that sweet scene with the writer girl, and the bully girl, but they're like, not reoccurring at all, as evidenced by how I can't remember their names.

And uh. the girls school episode.

Anyway. Hot take but I don't think "they're barely in the story but when they are two of them are treated pretty decently and have some depth, though there is some weird stuff about whether women can even fight men or whatever" really counts as "likes women". I'd go more mixed feelings.

Life is Strange-out of the two options I chose dislikes, but my feelings are a lot closer to "mixed feelings". I go into why here.

Gushing Over Magical Girls- lol. lmao even. The anime about middle school girls who look 8 sexually assaulting other middle school girls DEFINITELY doesn't like women. I go into more detail here.

Cowboy Bebop: Mixed feelings, probably. I chose dislikes because yes, Faye and Ed are great (you could def read Ed as nb though), but Faye also is repeatedly damsel in distress'd and treated as incompetent in her field when I don't think she should be, she can be a failgirl without being the sole woman in the action side of the group and also the least capable (there's also That Scene in the movie). also i just. it's fine that she's sexy but I hate her outfit. give her something nicer looking, it's so ugly. But my main reason for a dislike vote is the treatment of Julia. Girl is a textbook example of fridging. They really gave her so little. But yeah I could see mixed feelings.

Also do you remember that one scene during Faye's tragic backstory where she's hospitalized and the camera requires us to look down her super (painful looking? like idk how she's not screaming about it) squished boobs during this tense and important moment god that took me out. whenever anyone acts like Faye always owns her sexiness and the camera never does anything I remember that scene.

Ranma 1/2: I've seen read a good chunk of it, and this result is...surprising. Maybe by the standards of 80's manga though, who knows.

Mixed Feelings

Dracula- IIII definitely think it dislikes women, sorry guys. Mina is a great character and you do have to take it in the context of when it was written. But there are surely contemporaries of Bram Stoker that wouldn't have randomly gone out of their way to scoff at the "New Woman". Not to mention again, really random sidebars about how men are so much smarter and cooler and women should be grateful to them. I could go on about Lucy and how Mina is treated and whether that's a critique of sexism or just playing into it and how it's so open to interpretation but I'll stop here.

also the book is hugely anti- Romani, immigrant etc and I think that ties into disliking women since some women are those Romani and immigrants

It really really felt like a case where a lot of people in the Drac Daily tag just wanted it to be super feminist because they liked it (you can like things without having to make them feminist! it's fine!), and the way they scoffed at feminist scholars who had "surface level readings" of the text (aka they dared to say it was sexist) still leaves a bad taste in my mouth.

The Lego Movie: dislikes women. what are y'all on. Even it's own sequel calls it out for disliking women. Wildstyle is basically the only woman with real characterization and she's the purest concentration of "hypercompetent woman must play second fiddle to Average Male loser who is the one who actually saves the world and also she falls in love with him because of course she does'. Then Wonder Woman got one line (in literally the first theatrical move she got to even be in) and Superman and Batman a lot of screen time.

Does not like

Scott Pilgrim- Don't get this result, I'd put it at likes or mixed feelings? It's literally about how Scott has weird issues with women where he doesn't see them as to full people they are, and it calls him out on that hard. The whole sixth volume is how he made up a damsel in distress scenario for Kim and always took her for granted, how he put all the blame on Envy for the end of their relationship when he played a huge role in that, Knives finally getting over him, moving on, and telling him he needs to grow up a little (highlighting how his grossness towards her was him refusing to accept that he was an adult now, and that he was horrible to her, and yes he does apologize), and accepting that he and Ramona are both messed up people and she's just as flawed as he is, taking down the pedestal he put her on. And having Ramona triumphantly confront her abuser. Scott acknowledges he has a lot in common with Gideon, the supervillain!

Roxy is a sticking point, the whole 'it was a phase thing' and her and Ramona's relationshipbeing unexplored was annoying (fixed in Takes Off) but even she had some moments of pathos and was definitely the (Ramona's) ex the story seemed to sympathize with the most.

I dunno. this seems like a tumblr lacks media literacy thing again. Did you think the narrative agrees with Scott. Did you only watch the movie.

Succession- I'd go more mixed feelings? Dislikes is fine, I think it doesn't have enough women and often privileges male characters over them, but sometimes it's examination of the sexism Shiv faces is really incisive, and she's a complex character. But she should have gotten that abortion.

Watchmen: hates women actually. Pretty much anything written by Alan Moore does.

Persona 4: I think it hates women actually. But dislike is fine too.

Merlin: Everything I've heard about the show puts in in the hates camp rather than dislikes, but i never watched it (I did watch this video on it, and the bootlicking is out of this world if it's accurate) so I can't really comment

Hates Women

Agree with all of these so far!

[they-breasted-boobily]

Ways the plot of tua s4 could have been improved while including a lot of the same storyline:

It goes without saying that a 6 episode season was too rushed for even the shitty plot we got given, but I'll mention that these ideas would have worked better for an 8-10 episode season. Or maybe you could use them for fics or comics- I'd love to see them!

1. The careers and new lives of non-powered umbrellas: While Lila, Klaus, and Viktor had decent set-ups, the others seemed out of place. Diego's personality and desire to be a hero would have been better suited to a mall cop or traffic cop, where he feels undervalued and underutilised, rather than just beaten down as a delivery driver for jokes about peeing in a bottle. Luther only mentioned Sloane a couple of times in the entire series- with more than 6 episodes, it could have been possible to give flashbacks of him trying to get back to her, but her not recognising him and not being romantically interested. Not sure what changes could be made to his job or housing though. Allison's setup was mostly fine, but we really should have been given an explanation for why Raymond left- maybe lean into the horror of being taken from your time and timeline raising a daughter you suddenly have? Five would not work for the CIA except as a double-agent, either that or he would be retired as a fishing supplies store owner. Ben is his own whole point later in this post.

2. The marigold sake shots: I feel like this plot point added to Ben just being an asshole and scapegoat for the entire season, which could benefit from major changes. If left relatively unchanged, the fact that Klaus threw it over his shoulder could have led to greater implications if it landed on an unknown person behind them and gave them powers. This person could have been the subject of an episode or two as they were tracked down when it was necessary.

3. Ben's character: While s3 Sparrow Ben was a dick, he was not as edgy, conceited, or self-absorbed as he was in s4. I think it's fine to start his arc with him leaving prison, but making the crime as major as crypto fraud (just because you think it's funny) makes it much more difficult for him to seem likeable and relateable to Jessica or anyone else. If the crime was something more minor, or he was framed/unfairly jailed it could set up a revenge/redemption arc from the get-go. With his relationship with Jessica, it would have benefited from being more of a slow burn, or if the gradual unnatural obsession had more than 6 episodes to build up.

4. The subway romance: While I can almost understand why it was Five and Lila due to their history working together and especially using time travel together, I think if Five needed a romance (which I don't but show writers can't stand having one member of the main cast never being in a relationship), it should have been someone he met while on that 7 year subway adventure (probably an older woman) and settled with in Strawberry Tradwife timeline while Lila keeps looking for a way out for the sake of her children. Lila would find the journal a few months later and using both it and the subway map, get back to Five because she still needs his powers to get entirely out of the subway system. Could you imagine a scene with Lila trying to convince Five to leave the peaceful Strawberry Tradwife life he's always wanted after dealing with the trauma of being stuck in time twice?

5. Klaus's return to addiction: I think Klaus's arc could have definitely benefited from the season being longer. If there was a slower burn towards his addiction returning and his confrontation with Claire and if she stressed more that he didn't need to go down this path again, it could have really been impactful. The ghost sex trafficking thing was gross but if that was the only way to get him buried alive then so be it, because having him in a situation where he would have to directly face his trauma from the mausoleum and become stronger would be so good for the sendoff of his character. Maybe that could have been the point where he learned how to levitate?

6. Reginald and false memories: Why was the fact that he's literally not human and crafted this timeline so he could have as much power as possible (including a militia town) not explored at all? The plot should have revolved a lot more around at least verifying what he was saying about marigold and durango, if not about handing him a final defeat for this final season. Everything around him killing Ben led to huge plot holes (why wouldn't Klaus know the truth from Ben's ghost? Ben easily could have been spared and only Jessica shot. Why was Jessica being in a squid never explained?). While it's interesting to see the Umbrellas all give a brainwashed explanation for Ben's death, it couldn't be something as blatant as that, because Klaus would have to know even if everyone else was brainwashed. The brainwashing is an idea with promise, but it should have been something like Ben and Jessica being consumed by the giant squid together because Ben went against orders.

What other things could have been changed? I personally liked the CIA subplot, especially as it taught Diego to appreciate his family more. I also found Jean and Gene and the Cleanse conspiracy theorists to be fun new mini-villains.

[hkthatgffan]

The fanmade Gravity Falls episode called Return to the Bunker is now out!!

I'll give my 2 cents below so, spoiler alert from here on out!

I loved how the episode was done. The artists did some amazing work with the animation and storyboarding for it. It surpasses in many ways even the work on Deep Woods. The VA's all did an awesome job too, with all of them being very close in getting to the voices of the original characters. I think the story was also really creative, fun and lore/character building. I've always longed for an episode diving into Mabel and Ford's bond and this episode did a great job with it. I also loved stuff like Stan and Dipper bonding, Wendy having more than just a background character role for once, how it explained stuff like the rift crack and especially that insane ending that makes it feel almost like a canon episode.

I have heard some negatives in regards to stuff like how Ford was handled by a lot of the Ford fans in the community which isn't too surprising given his character's love. I will admit personally that I felt Ford could have been handled better and as a retired fanfic and episode idea writer myself, it's not how I would have handled Ford, but I don't think for a sec it was unsalvageable. I think it would have worked better if Ford had more reasoning to why he was acting like that beyond trust no one, or that the end had him perhaps do what he did when they all were asleep so we wouldn't see the heartbreak in Mabel over that, but it is a fan episode. It's not how I would do it or probably Alex Hirsch, but that's us. I also feel there were plot holes here and there that were a bit hard to ignore that made the episode feel a bit clunky compared to how it was advertised.

But truth be told, the effort to put something like this together outweighs the flaws in it and I mean, it's fanmade so it's not actually canon or going to affect the show overall. IMO, Lost Legends had a lot more problems in how it handled the Mabel situation in ways (though that may be a bit of my left over Ford critic speaking from my younger days in the fandom when I was getting into all sorts of arguments over the Mabel issue with Ford fans on GF Amino but that's a tale for another day).

All in all, it was a great episode. If I had to give it a rating, I'd say 7.5/10 or 8/10. A huge congrats to the whole team for finishing it and releasing it. I know from speaking to Deep Woods members just how long and difficult these things can take to make and no matter the story, I'll always have respect for the artists and VA's who bring fan projects like this to life. What other cartoon has a fandom as dedicated as this one? Gravity Falls fans are one of a kind and 11 years on, we still show our love for this show in a greater way than other fandoms ever can.

To sum up, I have my pluses and minuses with this episode. Some are ones most fans will agree on and others will likely be a bit harder to do which I get. But my overall final take on it is good and my final rating out of 10 is a firm 7.5-8. I will agree though that Ford could have been handled better. Even back in 2018-2019 when I was writing fanfics and a bit more..."aggressive," in my stance of Ford to say it lightly, I did my best to write him in a way I felt was more aware and compassionate than RTTB Ford was. I am happy with how the episode handled Mabel however. I was so afraid they'd pull a Don't Dimension It type pattern but it was way better and I felt it was a decent step towards a Ford and Mabel like story. Still a way to go but not horrible.

But those are my two cents on Return to the Bunker.