#I'd like to do more things like this

[strangest-beanz]

I like to think of these two as workplace besties

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[lazylittledragon]

if i had a nickel for every au spawned from twitter that i SWORE i was going to be normal about

[druid-for-hire]

[images ID: three images of a comic titled "one must imagine sisyphus happy" by druid-for-hire. it is a visual narrative beginning with someone with wrist pain (depicted by bright orange nerves) working at a drafting table. the reader is shown the same wrist as the person uses it for many everyday tasks such as carrying a grocery basket, pushing elevator buttons, typing, and doing dishes, until the pain dissolves all the panels into chaos. the person then performs several physical therapy exercises until the pain subsides. they sit back down at a desk with their laptop, sigh, and begin typing. a small spark of pain reappears. end id]

a fun little piece i made during the semester and submitted into our school comic anthology! (which you can buy at the Static Fish table at MoCCAFest in NYC ;] ). it's about artists and injury

[journey-to-the-attic]

"karasu search how 2 cheer human up"

"karasu search difference between sad human and zoning out human"

"karasu search how long is it safe for humans to zone out for?"

(+ a longer look at each scene:)

[divorcedwife]

my angel from way above

[why-the-heck-not]

the saturday-sunday night diabolical "life is falling apart"- to do list followed by a mad scramble

[ann7av]

Spoilers for act 2

Isha is Jinx's inner child just as Warrick is Vi's inner monster and their mutual destruction is actually a pivotal event so they can both evolve as individuals, in this essay I will--

*start yapping*

No, I mean it, the hyper fixation kicked in and it kicked me hard. This is just about Vi's perspective in ep.5 btw but in my defense, she looks so tired

In the first arc, Vi starts to separate Powder from Jinx as a way of coping, she feels guilty about the destruction Jix caused and, as we know, Vi would never intentionally hurt her sister so the only way for her to try and stop her is to separate the two.

She can't kill her sister but she can kill Jinx (at least she thinks she can)

In ep.5 we see her spiraling into self-destruction, her entire character thus far has been taking care of others and now she has no one, and as such she doesn't think she has value simply as an individual.

Vi cannot accept change, that's her biggest flaw, she can't accept her sister's change or the change in the underground, and she begs Cait not to change in arc one. She somewhat recreated what her life in prison must've been like (she has a tiny apartment where she keeps herself enclosed, she's fighting on a daily basis, she's angry) so Vi's seeking familiarity in whatever she can find.

Now, she wakes up to Jinx in her little "protected" new reality, and her first instinct is to attack. She chokes Jinx (not her sister) and tells her off when she tells her about Vander, but THEN what happens?

Jinx starts to cry, and for a millisecond the illusion of Powder X Jinx is broken and Vi lets go of her, allowing her to say that "Vander is alive" and that "He needs OUR help".

Just like that, Vi's forced to face the possibility of change, she's not trusting that any of this is actually real and not one of Jix's "delusions" but it doesn't matter, the chance that someone NEEDS her help is enough for her to finally look at her own reflection on the mirror she broke in anger and denial, she has a choice to stay in the illusion or to take a risk.

Now, Vi follows her out and sees the mural. Not only does the mural depict Jinx (the person Vi is convincing herself killed her sister) as a hero but it also has Vander in it.

Jinx became Silco's daughter, the man who killed Vander and tore their family apart but for Zaun, she's also Vander's legacy of revolution. Vi is having to face that both things can be true at the same time.

They walk the tunnels and they start bickering, throwing things at each other's face and it's clear she's trying to avoid thinking too hard about what Jix is telling her.

Vi drops her gauntlets to make a point she doesn't need them, but her gauntlets are a physical symbol of her own emotional barriers, she takes them out when she's comfortable enough to let her guard down.

In this scenario, she's using her anger as a shield against Jinx, and anger is a safe emotion so she assumes there's not much risk, she doesn't expect Jinx to hit her, and when she does she hits back.

The thing is, that fight does not seem serious, they're not actually trying to hurt the other but rather just trying to prove their own points.

Now, Isha is serving as Jinx's inner child here and, as one would expect, she jumps in to help. But Vi's not expecting that and (as she does) she reacts.

She hits Isha (the embodiment of Powder) while fighting Jinx, she didn't mean to hurt the kid just like she never meant to her her sister all those years ago, but by fighting with Jinx (the sister she cannot accept) she does.

That's a visual representation of her inner turmoil, there's Jinx and there's Powder and she cannot see them as one, but she can't fight one without hurting the other, where one goes the other follows, they are one and the same.

Jinx goes to comfort Isha, and THAT'S when she puts her gauntlets back on, that's when she builds her defenses again, she can't allow herself to humanize Jinx or else she'll have to admit she's her sister and that she's changed.

Then we have Singed talking about Warrick (not Vander) something like:

"The beast was once a man victim of a great tragedy, but he had an incredible will to live, tolerance to pain, and was very resilient but it got lost in the bowels of the beast" - Yeah, sounds familiar?

We see in Warrick's pov, and he remembers wiping Powder's tears the same way Vi wiped Caits but Vi is blurred, her memory is still lost to him just like she's lost to herself

They find an office that belonged to Vander and Silco, and Violet takes one of her gauntlets off after she enters but keeps the other, her defenses are faltering but she's not willing to lower them yet.

They find a letter from Vander apologizing for what he did after the riot (the thing that broke them apart and later on separated Vi and Jinx)

Warrick came back to where Vander's apology to Silco was never read, he's roaming a familiar place with no purpose, desperately trying to find something he doesn't even know what means anymore.

And what guides him to the sisters is Isha's blood, the blood that was shed when Vi struck her in her fight with Jinx.

Jinx says everything might have been different if Silco had found the letter, and that same thought could apply to them.

If Marcus hadn't taken Vi away before she could come back to her sister, if Jinx had known what happened, if they had talked sooner after reuniting

Vi's defenses are crumbling here, they're both thinking the same thing and for a moment Jinx and Powder are the same, she almost comforts her with her uncovered hand, Jinx is being vulnerable, but Vi hesitates to trust her, so instead of reaching for her she reaches for the gauntlet again, putting her defenses up.

They leave back to the tunnels when Warrick finally catches on, and Vi sees this "beast" running towards them

It doesn't matter Jinx is telling her it's Vander, because Vi is still not trusting her, all she can see is Warrick and he himself is not stopping either, he can't recognize his daughters.

The only person who trusts the beast is Jinx, but she's not the person who can stop him at this moment, Vi is, and she does. Just like she has always done she gets in the way to protect the people she cares about.

Now, now, something very interesting about how this show deals with details is that Warrick was following the scent of Isha's blood so when he jumps to attack the camera focuses on the two.

As I commented, these two characters are being used to show Jinx and Vi's inner turmoil, and the fact Vi's inner monster (Warrick) is specifically aiming to hurt Jinx's inner child (Isha) is very telling.

But what is even more telling is that Vi is the one to stop him from hurting her, and by extension, she's protecting Jinx.

Just like before we see that Vi cannot attack Jinx without hurting Powder here we see that she can't protect Powder without protecting Jinx as well.

And THAT'S when we have the Jinx X Powder separation cracking

She says he's going to kill YOU, she's not worried about herself here, and the way she tries to protect them is to fight.

Vi always tries to fight her problem away by either violence or avoidance and now is no difference, she tries to fight him but here she's metaphorically fighting her own anger, the same anger that hurt her family and herself

The problem is that you can't fight fire with fire in these situations. Anger will not beat anger, punching will not stop the fight it will only make it worse.

They fight and he throws her against a wall before turning to focus on Isha but Jinx gets in the way and for a moment he recognizes Powder again

Jinx has been trying to protect Isha while making them stop and she tries again, but this time Vi is willing to hear her out,

She doesn't see Vander inside Warrick yet, and as this ginormous thing is barreling towards her she makes a decision, and for the first time, she trusts Jinx again, lowers her gauntlets and stops fighting. Vi's accepting the beast

There's a sequence where the image goes from Vi to Warrick repeatedly and they have similar expressions but then her eyes change and she calls for her father again.

Everything goes dark then, and we see Jinx completely terrified holding a lighter and looking for them. She doesn't know what she's going to find, she doesn't know if she was right in blindly believing Vander was still there.

The lights were bright during the fight but now everything is dark, and the dark is often used as a space of uncertainty and vulnerability Jinx couldn't save her sister from the beast and all she could do was try to guide her into saving herself.

Violet tried everything she knew, she tried fighting Jinx but in the process, she hurt the child, she tried avoiding the connection with her sister and by extension avoiding the family history but Warrick caught up with them again nonetheless, and when he did she tried to fight him off but the beast can't be killed by the same violence that created it.

In the end, it was the act of trusting Jinx that brought Vander back, Vi hugged him with the same gauntlets she used to hurt Warrick, she recognizes Jinx is also his daughter and by doing so she opens a door to seeing her as her sister again, even Isha got pulled into the hug.

Important to add that I do see Vander and Isha as more than just inner versions of Vi and Jinx but this show makes so many connections that everyone is everyone's inner something at one point tbh

Also, wdym both Cait and Jinx go to Stillwater and yet there was not ONE little detail of them thinking about Vi while my girl is literally hallucinating and only thinking about them? ONE MENTION

[brainmuncher]

The emergency

A good number of members within the Justice League have children. Not all of those kids are biological or adopted but they are their kids nonetheless. Some of those kids are even old enough to be adult heroes of their own, but even then they are still their kids. And the other kids tend to take up heroism at a very young age to most people's chagrin. Although as shown by the original child hero, now going by Nightwing, it’s not as easy as telling the kids to stop.

It was learned through intense hardship that smothering the child heroes was just asking for trouble. Despite how much the older heroes wanted to stay close to their kids, it was seen as overbearing and a show of mistrust. They would act out with even less backup in retaliation, which would only bring even more stress.

So to satisfy the need for protection without stepping on any toes, two new emergency meeting signals were introduced.

One was for the kids to send off. Each one was gifted a small device that could be hidden in their person. The device had both a mic and a tracking chip that could be activated when they were in extreme danger. As soon as the device was active a signal would be sent to the league for an emergency distress signal with the details of who sent it. Due to an outcry from the kids, the device could not be activated by the guardian of the child. The mic and locator could only be activated from the device itself. It wasn’t nearly as protective as some of the more worried leaguers would like, but it was at least something. 

The second signal was one that the leaguer with a kid in danger could activate. This signal could be activated with a single code into the communicators that every member owned. If the member who sent out the signal didn’t specify what kid was in danger, every member would receive a generalized notification of the emergency alert for one of the kids. This wasn’t ideal, but it was learned early on that the guardian of the child was often too distressed to make the code more complicated. It was best to leave it simple and answer questions at the emergency meeting.

Which was great in all, until someone who doesn’t have a child involved with heroics in their care sends off a general emergency.

In places all over the globe, an emergency meeting signal message was sent by Hal Jordan, one of the lanterns. He didn’t include what child was in danger in the signal, meaning that it could be any of the underaged heroes. And considering he didn’t have a child in his care, that made multiple members panic.

When was the last time they checked in with the kids in their care? Who was the one he was sending the code for? What happened to the child he had noticed was in danger? Why is he the one that noticed? Where were their kids? Who was in danger?

Because of the nebulous nature of the call, it didn’t take long for multiple heroes to find the nearest transport to the watchtower and tumble in. What they didn’t expect was the absolute haggard appearance of their friend. He was standing in the meeting room looking like the world had been destroyed before his very eyes. The way he sat without even cracking a sarcastic remark made multiple members pause.

“Hal?” Wonder Woman called, her face pinched in concern. “What has happened?”

The aforementioned member looked over who had already arrived before settling on her face. It was at that moment she knew that he was only looking so collected through willpower alone. This wasn’t just any child of the league, this was personal.

“My nephew Danny has been captured,” He began, sending a wave of different emotions circling the room. “I’ve been trying to find where they took him for a week now and I can’t get any leads. I need your help.”

The unsaid questions and emotions were nearly palpable. Multiple members turned to one another or stared with a million questions. Nobody had known that Hal even had a nephew named Danny. Sure he mentioned someone named Jason at times, but he never indicated anything else. The fact that he hadn’t mentioned him or the fact that he’d been apparently searching for a week was strange.

“And why are you only telling us now? Why did you wait so long?” Superman asked, speaking up the question that was on multiple minds.

A fire of anger curled in Hal's eyes. It was fierce and protective. It was a mixture of appalment for being questioned on his decision and fury for the reasons why he had to do it in the first place. He stepped forward towards the center table, slamming his palms down and leaning into it.

“Because any person that goes against the group will be declared an enemy of the United States. I’ve already had my account and housing connected to Green Lantern seized,” He explained with a deceptively calm tone. “I also needed to make sure that they didn’t have any connections with the Justice League. They have their agents everywhere.”

Unsurprisingly, Batman appeared from the gathered heroes from seemingly nowhere. Despite the feud between the two of them, the Bat was completely zeroed in on the situation. While he had a decent amount of distrust in the lantern, mainly because of the parallax incident, he could tell that the man was genuine. And the Bat always did have a blind spot for children.

“Explain,” Was all Batman said, staring Hal down.

The lantern in question looked at him with a grim face. This was it. Now or never.

“They’re called the Ghost Investigation Ward, or GIW for short. They hunt down and either exterminate or experiment on anyone they deem ectocontaminated or a ghost,” Hal started to explain, his hand curling on the table in frustration. “My brother Jack faked his death and ran off to be with another woman. Those fucks deemed my nephew as ectocontaminated and tried to take him from his home. He ran from his family so that they couldn’t be arrested for knowingly harboring an ecto entity. Told me that he remembered my face from a photo his dad tried to hide in the attic and sought me out.”

If the fire in his eyes were any stronger, they would probably become physical and burn down the room. It was undeniable that Hal Jordan was understandably completely pissed off. This situation was terrible from down to the very root.

“I tried to hide him but they somehow found him anyway. Now my civilian name is being heavily monitored and Green Lantern is being hunted down,” He finished his explanation. “If you join me in this, be prepared to lose everything.”

This was so much worse than anyone could’ve predicted.

[morningstarwrites]

some expressions from the show!

[evercelle]

2024 art summary! it sure has been a year

[mellosdrawings]

It was for mermay but since I'm reposting everything I might as well bunch post all of those.

Did you know ? Octopi are my favorite marine animals alongside sharks and jellyfishes! Every time I participate in mermay I draw at least one octomer.

Did you know ? There are actually three plurals of octopus : octopi, octopodes, and the most common octopuses. Technically all three are grammatically correct.

Did you know ? Some octopi living in the deep are bioluminescent! Azul's eyes already seem to be glowing the one time we see his merform. What if his actual merform was more colorful/luminescent but at the time he was just covered in blot so we couldn't see it ?

Did you know ? The smallest octopi measure about one centimeter while the biggest can measure up to ten meters. Murray eels however measure between fifteen centimeters and four meters.

I headcanon that underwater, Azul is muuuuch bigger than the tweels. But on land, since Azul is of average size for his species, he is also average size as a human. The tweels on the other hand are big for murray eels, so they are also big on land.

(Did you know ? I know far too much random trivia about octopi you'd think I have AuDHD and an unchecked internet connection- wait.)

[lazylittledragon]

isn't it weird how if you get up at 7 or 8, do your work all day, then have free time and go to bed at 11 that's absolutely fine

but if i said i get up at 10, do fun stuff in the morning then work in the evening and go to bed late, i could be called lazy, nevermind that i'm getting just as much or MORE work done as i would in a traditional work day

[phoenixcatch7]

I get that calling white lotus lbh a sticky little 'sheep' is a canon translation and stuck in the fandom now anyway, but I do feel the intended spirit of the original word wasn't the sheeple/dumb herd animal that's more common in the western world, but instead something actually conveying sweetness, innocence, purity and youth - lamb.

Famous for being utterly adorable and following around their mothers, gambolling in sunny meadows, curly white wool shining.

And NOW we can talk about black sheep/wolf in sheep's clothing metaphors.

[knismarijuana]

sorry for implying i'd like to strap u to an exam table and fill out a spreadsheet on where youre ticklish can i still hit

[fox-guardian]

[ID: A digital illustration of the cast of Mouthwashing in the style of a Christmas family photo. They are all posing, holding onto each other, and wearing ugly Christmas sweaters. Jimmy is the only one not holding onto anyone, hand shaking near Curly's waist. Jimmy and Swansea are the only ones not smiling, and Swansea is also holding up a large figure of Polle who is also wearing a sweater. Text on the image reads "Happy Holidays, from our family to yours!" in cursive. end ID]

~~~~

it's almost not christmas anymore but whatever. company mandated tulpar family photo