love my own like theatrical relationship to shakespeare which is a) being so slow to realize like "oh, i've loved theatre? everyone doesn't just feel this way & go 'of course acting onstage would fucking kick ass' & adore rehearsals and hanging around backstage and in greenrooms and changing and performing & etc?' never really occurred to me" and b) my response to most encounters w/shakespeare being "wha" when it comes to anything granular yet the relevance still in the spirit of things lol
namely one prominent example being i was an on campus college student where said campus has a shakespearean theater literally three blocks away, and we had like a freshmen orientation weekly class there doing shit with actors and checking out the theater, not to mention like punchcards to see four shows free (to write up about afterwards but yeah sure whatever) and this wherein also you always got student discount tickets And there were pwyw performances....kicked ass. i went there for shows so many times. i have never fucking known what tf is going on in any of the like dozen shows i saw there when a) audio processing can be tricky enough for real life modern vernacular parsing and b) sure am not used to ye old very stylized language nor any other qualities of shakespearean material so lots of times when i finally started to kind of acclimate to the language it would be like "oh wait that was the conclusion? ok. hoorayyyyy" like also c) You Have A Great Time Seeing Shakespeare Productions Anyways like again i loved going anytime. it's Theatrical and if people are just putting their damn backs into delivering and performing the material it's An Experience even if you're really not following lmfao. and i suppose one can read the text / familiarize oneself beforehand
also like my first and really one of my only like regular theatre performing experiences was my literature class in fourth grade doing a few scenes from julius caesar. i was so hype for getting cassius like one of the most prominent roles? a guy? an antagonist if you're caesar or dante??? oh Fuck yes. b/c of technical difficulties we got to perform it twice in a row when we did a field trip to some other school to perform our respective [scenes from various shakespeare plays] altogether. even back then i was way into it and cared about stuff like "we have like no Effects to make it that dramatic when we kill caesar. or like, non silent. bit awkward" and "also i like, don't know how to act and am just winging it. and of course, i'm also like 9" like in theory i do like to know How to do something vs trying to make it up myself. somewhat lol. a balance, who can argue w/that
beyond that there's also lots of things i just didn't quite realize "counted" lmfao like, when you're a theatre gay with a parent req'ing you go to church every week but you have a good time being in the choir....i was sure on those tenor harmonies & singing loud. and going relatively often to various live theatrical events, having an engaging enough time there, but also would've assumed anyone would be into it And that that's not really the same as actually being in them, of course. but that most of my firsthand experience was just sticking w/ballet for like a decade, and kind of live theatrical performance adjacency there. don't say shit, for years was effectively just like, an ensemble for the occasional performances, but even then it's like hoorayyy i Love rehearsing and being onstage and backstage and dealing w/costumes and coordination behind the scenes and shit. and eventually being like, a distinct individual character in shows, so despite again nobody saying shit you're still somewhat interpreting and doing whatever character work while also enjoying the bennies of [it's dance, so also it's choreographed]....even more clear like oh i love backstage and rehearsing and behind the scenes and onstage and putting together stage character makeup, and i don't mind tackling technical difficulties, and etc etc. didn't even necessarily have the reference like, idk, wouldn't / doesn't everyone feel similarly. classic ye old memory of like being idfk 7 or some shit simply getting to walk with classmates behind a backdrop to the opposite wing of a stage, and loving that lmao. combines a love for [backstage] and [secret passages] type deal lol, big fan of these elements
also in 7th grade doing a theatre/drama class for a few months and we couldn't really get like all this in depth extensive stuff b/c you know, intro course for like 8 weeks for rando middle schoolers, but idk it was just illustrative lmao like after julius caesar, us slapping together some kind of script and my getting to be this fun little theatrical(tm) antagonist guy again? feedback was "what was supposed to be happening" but could've stood to have learned that the enthusiasm and affinity i felt for acting onstage was perhaps indicative of enthusiasm and affinity for acting onstage rather than just, idk, the exact kind of baseline experience any & everyone would have lol. not that i would've necessarily had the chance to really do anything with that knowledge, but even now, ofc i don't particularly anticipate getting to use it, but it's great having that knowledge like ohhh i see. the entire time i've been huge into doing theatre with all these kind of adjacent & gently overlapping brushes with it. gotcha
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izuku loves to talk about you during interviews
- anything and every topic it will ALWAYS be about you
- the question won't even be remotely related to you and still izukus answer will revolve around "y/n, my wife!!" <3
- oh, the glint in his eyes, the peaking smile when he speaks about you, lover boyyy
- the media knows he LOVE LOVES you, they think it's funny for this big, confident, mighty hero to be reduced to sap when it comes to you
- it's like his whole is personality is HIS WIFE
- the journalists lowkey get so SICK of him for this, they don't want to invite him anymore 😭
- but they kinda have to, due to to his status as #1
"Good evening everyone and welcome Hero Talk! Tonight we'll be staring someone you all know and love, single handedly the greatest hero of all time, Deku! Alright, Deku how are you tonight?"
"Feeling pretty good! This is one of my wife's favorite shows, so I'm even more grateful to be here. And how are you?"
"Oh, same old. Really, just living. Now, we wanted to ask you some fun questions. Let's start with this one. Why did you want to become a hero?"
"Wow, haha! That really brings be back to my youth. When I was kid, my biggest influence was All Might, and he miraculously became my mentor. He was a good hero, and a good man. I wanted to be just like him: fearless, persevering, saving people with I smile. I would beg my mom everyday to watch this video on the computer of him saving a bunch a people. I was really swayed by All Might. I wanted to become a hero to make an impact in the world. I wanted to save people with a smile too."
"That sounds really endearing, Deku. I remember All Might's reign. He wasn't number one on the top charts all those years for nothing. So, did you ever think you'd be standing as Japan's top hero?"
"Well, it was never really my goal to become number one. That was Kacchan's- Dynamight's. My dream was, like I said, to become a hero and save others. But I have to say, it really is a blessing. I'd like to thank my Mom, All Might, my friends, and especially my wife for who I've become. My Mom has really done a lot for me growing up: protecting, encourage, and just always caring for me. All Might has kinda been that father figure for me when my Dad was away. My friends have shown me what it's like to work together and really be part of a heart. And my wife? Haha...I can't thank her enough for all the times she's been right by my side, even before we were together. Nothing I can say or do will ever be enough to express how much she means to me."
"Mm. Quite the supportive group. Your wife sounds like quite the lady!"
"She is. She's wonderful."
"Moving on to the next question, do you use social media often?"
"Occasionally, yes?? My wife uses it regularly, posting about us when we go out and stuff. It's mostly for her family to see how she's doing. She handles most of my official accounts. She says it's to be more appealing to the public, and I guess to show that there's more to heroes on the inside?? I'm not really sure, but I trust her process. Although, I'd rather be appealing to her alone."
"The public will always interested in a hero's private life! Now, Deku, what is your ideal setting of relaxation?"
"My wife doesn't like places that are too crowded or noisy, so maybe a cozy day at the beach?- but early in the morning or in the evening when the crowds calm down. Maybe a movie theatre, but days after the movie is released so it's just us together. Actually, a lazy day at home together is great too! Cooking meals and watching a movie on the couch? Really, any place is relaxing if my wife is with me."
(am i questioning Deku's wife or Deku!?) "How scenic! Those sound very fitting for you!! How about any restaurants?"
"Not really. My wife really knows how to cook, it's amazing! I love her home-cooked meals, so there's no way I'd go out of my way to a restaurant. But if my wife is feeling it, I'll be sure to make reservations."
"(sigh)"
"(smiling warmly)"
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“The Same Place as the Music” Lighting & Color
“Where is the light coming from?” “The same place as the music.” Andrew Lesnie, Cinematographer of LOTR
How & Why It's A Problem
If I had to summarize the frustration I have with this topic in one image, I'd use JeCorey Holder's (queer Black creative!) meme:
Now here's the thing. I'm not saying you have to be a master at lighting. I'm surely not. Hell, I still play around with lighting in my art in ways that aren’t the ‘most realistic’. You can’t ask me the technical explanations behind ‘color theory’ or 'contrast' without me doing some more reading. However… I don’t think anyone needs an art degree to understand this point:
We should be able to SEE your brown skinned Black characters!
I brought this up in my lessons about skin tones and blushing, and it applies with lighting as well. If all of your other characters have focused light and shadows, so should your Black characters.
However, this does NOT mean making them lighter-skinned!!!!
It's not funny nor logical at all to suggest that they somehow can't be seen like your other characters when you’re the one creating the piece. It's like a classic fifth-grade racist joke, “You blend in at night”. Har-de-har.
I was once rudely told to my face (well in the DMs) that a Black character that was completely Europeanized looked like that “because of the [sepia] lighting”. So I'm going to give you all, gracious readers, an example to show that that's not true.
This is Ana Flávia, Afro-Brazilian model! Gaze upon her beauty! Notice how in both of these filters, Ana did not, in fact, turn into a white woman! Because, my friends, that is not how that works! At all!
Here are some other examples of Black people in non-color lighting:
None of these people vanished from the frame just because there was no color. They didn't have to paint on lighter makeup to be captured by the camera. What do they all have in common (in this example)?
Lighting!
Now let’s discuss different ways to think about and potentially try instead!
What I want you all to keep in mind, is that the art you’re painting:
And I know that's silly right, like yeah no shit Ice, we knew that. BUT my point here is don’t be afraid to study photography, theatre, and staging for ideas. They actively work with light! It’s why I share so many images of models; it’s purposeful, focused staging of light with many of these compositions!
Brown-skinned Black people- brown-skinned people in general- GLOW in the light! Our skin reflects environmental light! There’s so much opportunity to play with that, and you can see different examples in those mediums.
Here are a couple articles of lighting in film focused on Black actors.
When lighting a person with dark complexion, the answer is not LIGHTENING THE SKIN, it’s understanding how light reflects off of dark skin.” -Nilah Magruder
Nilah Magruder (Black creator!) has an ENTIRE, thorough and wonderful essay on the topic, far better than I could give! She incorporates the use of cameras, lighting, painting, and more- so rather than be redundant here, I'm going to spotlight (ha see what I did there. It's okay, I know I'm funny) her and her explanation.
Incorporating Blackness in Color/Colorful Lighting
@dsm7 has an excellent and short visual explanation of how picking certain colors will lead to washing out or whitewashing Black characters, and how certain lighting and backgrounds (think the black and white photos on brighter backgrounds) will change the way their skin tone looks.
@nicosbighead has one of my favorite images on here, that shows how many different colors can still be used to convey the image of Blackness. Notice how all those pinks still worked?
@gaksdesigns has a beautiful picture here that I feel utilizes the light in a very minimal yet effective way to show highlights even on a palette that's fully brown.
This article approaches from a lighting perspective via filmmaking, but essentially Sade Ndya suggests instead of increasing the amount of light, change the color/lens of the light based on your character’s skin, as well as for the circumstances of the scene. They'll remain vibrant that way, and you’ll still capture what you need.
I know one way I do this on CSP (I think I’ve mentioned this but I can’t remember) is to use the Add Glow tool with the same or a similar shade of the character’s brown skin tone as a highlight under natural light, or maybe use different colors or filters depending on the sort of light on their skin at the time.
Here’s a reddit about it too, just because I know y’all value Reddit on here, and someone else discussed the topic that both Nilah and Sade discussed.
Is It Intentional?
There are going to be times where you intend for the light to be minimal. Maybe it’s a style choice. That should still show purposeful composition. Here’s an interview with famed Black director Ava Duvernay discussing the intentional darkness on Black actors in the prison scene in the movie Selma. To show that they're both trapped in prison AND that Martin is temporarily low on resolve- it's a part of the story that's being told.
I'm always talking about this: there is a difference between intention (and following through), and neglecting to think about it at all. And neglect isn't what we want, because often we can tell visually when it is- when an artist simply did not think to do it for one versus the rest.
Sidenote, on Youtube in the suggestions after Ava's interview, are also plenty of videos discussing lighting for dark-skin as well- why not take the chance to look?
Conclusion
We do not lack for light! We aren’t flat and lightless when you see us in life. It's actually a pretty awesome part of being brown-skinned. If you’re giving proper, flattering lighting to everyone else, give it to us as well. Study and experiment with ways to highlight brown skin.
You already know what I’m going to say. It’s going to take practice, same as anything else, because it’s the thought that counts, but the action that delivers!
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