#I’ve talked forever about wanting to write an evil version of them
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letstrywritingmaybe · 3 months ago
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I got new library books, I’m excited to read a Cordelia Gray novel! I probably should start with the first book, but I was impatient and I saw the second one at the library and decided to check it out.
Writing wise au gust is still going though tomorrow’s and the next days are both shinshi so go figure. I should find time to write my actual WIPs. The sibling verse is due for an update and I gotta write midnights of course.
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bpdbaddies-blog · 1 year ago
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i’ve never shared my writing before so enjoy.
my pov:
i feel like i’m buried in the depths of hell
you can’t physically see the pain that’s lurking inside
it’s taken a toll on me and all i feel is numb
let me give you a glimpse of my life
i do my best hoping to be enough
longing for acceptance of all that i am
constantly told you talk too much
you feel too deeply
you’re way too much
i either talk too much or not enough
i see everything in black and white, there’s no middle path
i don’t think people love me
they love the versions of me i’ve spun for them
the easy parts of me, the easy parts to love
ive spend my life trying to please others
i tried to be the person they all wanted
i gave up my spirit and begged for acceptance
my very existence depends on your acceptance
i’m at war with my own body, my thoughts tell me to hate myself
i cannot look in the mirror for i fear what my brain will tell me
i don’t know who i am anymore
i stare at myself like someone i’ve never met
i’m trying to shrink myself
trying to become smaller, quieter, less me
i don’t want to be too much for people
i want people to like me
i want to be cared for and valued
i crave touch yet i flinch every time someone is close
i want to be wanted
i don’t want to hurt anymore
i’ve sacrificed myself to make others happy
i forgive over and over again and have never learned to let go
i obsess too much and pick everything apart
“i’m just a tragedy and a pity case to them” says my brain
i always feel inadequate and a burden to others
chronically unsure about life
i constantly feel so unworthy
i feel as though my life isn’t worth living
i constantly seek validation from others because i need to feel worthy
i’ll hurt you before you hurt me
“burn the bridge while they’re still on it” says my brain
i’m paranoid everything is against me
i feel trapped in my own body
i feel like i’m in a cage and it’s so hard to grow
i hate everything i am, i’m rotting inside
memories constantly flooding back
i was ruined from such a young age
they were the start of all my problems
they injected me with self doubt
i met evil when i was only a child
i was only a jester for your entertainment
i learned to be afraid as a child
harsh words stripped me of my freedom
i was just a well trained mutt
i didn’t want to be controlled
i wanted to be a child
but i never got the chance to be one
no one asked me if i was okay
why didn’t anyone help me
i must’ve deserved it all
everyone just watched me drown
i was just a child, you robbed me of my childhood
i’m too young to have these scars
i’m no longer a whole person and i never will be
parts of me died in the house i grew up in
please tell me when i will heal from your pain
i’ll forever crave an apology
but i’ll never forget the way you hurt the child i was
i was given the grab bag of mental illnesses
i wake up everyday trying to be a new person
how can someone feel so much but feel so empty
how can emptiness be so heavy
how have i survived so long when i’m so violently self destructive
you have no idea of the pain that runs through my veins
i feel so unspeakably lonely
i can’t manage all these feelings
sadness feels like suicide
distance feels like abandonment
joy feels weird and unknown
i’ll never feel good enough not even for myself
my mood was good, even great then it fell
up and down up and down like a constant roller coaster
there’s a constant battle of sad empty rage inside
i can constantly hear my heart breaking
my soul is broken in parts i didn’t know could break
i’m lonely in places i didn’t know existed inside me
i have the constant urge to run away
but i have no where to go
i’m just so tired of fighting a never ending war
i feel like i was born with tragedy in my blood
the world has drained me of everything i am
i want to dissolve into nothingness
sometimes i think i would be better off dead
but there might be another way out
but i wouldn’t know because i’ve been buried alive
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beatledumpster · 1 year ago
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considering writing a time travel beatles fic (i know it’s been done but they really do tickle my fancy), and as a result started wondering what each beatle would choose to do if they ever went back in time to the pre-beatlemania era.
i feel like the most natural thing for me would be to do it from paul’s pov, but i realized that he might not decide to change the course of events too dramatically, which doesn’t sound that interesting, as a story. after all he identifies strongly with his own ambition and work and even though his success may look effortless and i’ve heard him say that he ‘wouldn’t want to go through it again’ when asked about trying to reach the same level of popularity as the beatles with wings, he did work towards achieving commercial success with wings after the beatles, and always seemed to really care about charts and the reception of his work, so it looks like a wildly successful songwriting career has always been a focus in his life. the other three also tried to have successful music careers after the beatles but it seemed to me that they were less driven and cultivated other interests. maybe the story could be about him getting over an insecure need for commercial success or conforming to an expected path in general, but by the point he would realise it’s not worth it to do it all again it may already be too late and beatlemania would already be in full swing… and i think i’d rather write a story about the beatles with limited or no fame.
george’s pov on the other hand, would be more interesting but maybe too hard to write for me, as i know him less and i am not sure what kind of disruptions he would provoke and to what end. which life would he choose for himself instead of beatlemania, and how? leaving the band before fame and becoming just another member of the beatles’ entourage, as an ordinary guy, or a less famous solo artist or the member of another band, would be a radical but relatively straightforward possibility that george could choose. he could try to be in rory storm and the hurricanes with ringo (which is consistent with the fact that he used to try and get in alan caldwell/rory storm’s band back in 1957 or so), and be forever in the shadow of the beatles (assuming they’d still succeed as well without him) while still having fun and living similar experiences in a new band. he may try to fly to the US and meet bob dylan early on. he may leave for india and try to become a holy man. however, one reason he might not want to leave the band would be the risks of straining his relationships with the other two or three again, if they took it as a betrayal (which i think they would do, more than with stu or any other less important member). he could be sneakier then, and pretend to become a mediocre guitarist and get pete-bested (that is, if paul doesn’t confront him about it first and makes a version of the let it be arguments happen years earlier). seeing how the beatles never talked to pete again after he was sacked and probably looked down on him, that’s not an ideal decision. although i’m into this plotline, if he stayed in the band but tried to sabotage their success or at least limit its scope, it would be trickier and also slightly evil. and i don’t think he would be able to go against the enormous drive of his bandmates, except if he managed to get them depressed enough to give up in a moment of disillusionment, or if he was honest and convinced them that superfame was not what they wanted… which i don’t think would work. he could maybe be manipulative and sway paul using the opinion of his father, back when paul almost quit and took up a factory job.
anyway. i’m thinking!
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oneinathousand · 2 years ago
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Having gone through pretty much all of the game as I possibly could since I made my original posts talking about it about a year ago now, I can tell you that there is SO much more nonsense going on beneath the surface than 99.99% of people realize. One day, I hope to write a comprehensive essay covering everything, both good and bad, but I’ll list off some of the really bat-shit obscure stuff here:
Kether and Malchut, the aforementioned representatives of the shadow organizations, are what the game refers to as “Lost Angels”, meaning they’re reincarnations of people who once lived in Atlantis, which is also the Garden of Eden, and everything they have the player do is out of their desire to bring back their idea of what the Garden SHOULD be like.
The Count of St. Germain and The Man in the Iron Mask are heavily hinted to be the same person split into two by the Philosopher’s Stone, and one of them is the evil doppelgänger.
HIV/AIDS is said to have been the result of an alien autopsy gone awry. Hey, at least the game didn’t blame it on LGBT people…
The Greys who follow you around called the Legion are most likely artificial creations made by Horus, who in this game is the main villain and an evil fetus. The Legion abduct humans and cows partially because their artificial nature makes them break down over time and they need our hemoglobins or whatever, and they also want to make alien-human hybrid “star babies”.
The pig man called Pigface who shows up at the end of the game isn’t an anthro character like most assume, he’s a human who got caught snooping around the aliens’ secret underground bases and had a pig face forcibly grafted onto him.
The British government uses mind control to get its citizens to vote for the Tories. The game’s creator hated the Tories in real life. Okay, that’s kinda funny.
In the future section of the game, Bill Gates is a senator who launches a corporate takeover of Disney, meanwhile a proto-version of Amazon called Arcadia is everywhere.
The King Arthur plotline in Binah with Merlin and Morgana was supposed to be an echo of the Osiris, Isis, and Horus plotline in Chesed, but nobody realizes this because Binah and Chesed’s orders in the game got switched and Merlin was cut out.
The creator’s self-insert, The Relic Hunter, aka the mumbling old man in the plague doctor mask in Din, was one of the previous Chosen Ones by Kether and Malchut bring in your player character, who had the plague mask bolted onto him for failing to get the relics. I could go on forever about the Relic Hunter cause there’s a LOT but for now I’ll just say that his real identity is the actual poet Richard Henry Horne, who shares a very similar name to the game’s creator’s birth name, Richard Horne. In one of the most chilling coincidences I’ve ever seen, the Relic Hunter (who I strongly believe was voiced by the creator) ends up stabbing a copy of himself in what is either a murder or a suicide depending on what you believe.
Osiris came from a planet in Orion that was destroyed in a civil war, and on Earth he created Atlantis aka The Garden of Eden. An asteroid from the planet’s rubble created the Great Flood and destroyed Atlantis.
The entire game’s plot is kicked off by the previously-mentioned evil fetus Horus orchestrating the murder of his dad, trying to frame his mom for it, failing, and getting put in a water tank.
The only character in the entire game who knows all this is Baphomet, whose dialogue comes off as incomprehensible gibberish when you first hear him without context (and he seems to do it partially out of spite) but once you go through all the lore, and I mean ALL OF THE LORE, it actually makes sense.
I don’t have time to get into exactly where I got all this, I’ll explain it if I write that essay, but basically the intricacy of the story only came from literal years of planning, which makes Drowned God one of the very first games of its kind to do that. Even most other games of the time with a lot of story like Myst had the creators make stuff up as they went.
It’s too bad that one of the first games to lay the lore on this thick for players to uncover was… this, but term’s the breaks.
Why am I only finding out about Drowned God? It's got puzzles, fucked up imagery, and the most fucking bonkers lore and worldbuilding. If only the creator didn't unironically believe in all that ancient aliens shit (and killed his wife) that would have been great too.
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the-insomniac-emporium · 3 years ago
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Serenade (Daniela Dimitrescu/Reader) Pt. 12 FINALE
Fandom: Resident Evil: Village Rating: T for language Warnings: Nope! Notes: How lovely it has been, to go on this journey with you. Thank you, from the bottom of my heart, to every person who has liked, reblogged, or left a kind comment on this story. Combined, you all have genuinely changed my life. I'm writing more than ever, more consistently, and I'm having a blast. So if you like this story, and wish it wasn't ending, well... maybe don't worry too much. There will be a sequel of sorts, same timeline but new reader, instead focusing on Cassandra. Also oops this is hella long. And mostly dialogue. Past Chapters: Pt. 1: Nocturne, Pt. 2: Overture, Pt. 3: Accelerando, Pt. 4: Toccata, Pt. 5: Poco a Poco, Pt. 6: Elegy, Pt. 7: Harmony, Pt. 8: Obbligato, Pt. 9: Berceuse, Pt. 10b: Hymn AMAB, Pt 11: Cadence
Chapter 12: Cadence (Reprise)
(Cadence: Two chords that mark the end of a song)
Truth be told, she had never expected much of anything to come from this. ‘Twas not that she thought her daughter to be talentless, or that she denied the capabilities of the servant-turned-teacher, rather that she knew just how difficult it was to keep Daniela’s attention for any measure of time. Even as the weeks went by with undeniable progress, there was a part of her awaiting the collapse of it all. How long would this instructor last? How long before they were drained of blood, either for some perceived insult, or merely out of boredom? Surely, in the end, Alcina would not need to lift a single finger.
And yet here she was, at the end of a concert, pride roaring within her chest. What had she missed? What clues had eluded her, what had changed within her child’s nature? She knew that there were hints of deeper affections, fragments of a would-be love, but she had thought them miniscule. Thought that those feelings were doomed to crash and burn, unable to live up to the expectations set by decades of romance novels. Well, maybe they had failed. Maybe, somehow, Alcina had missed something else entirely.
The thought might have sent a shiver down her spine, if she weren’t so readily distracted by praising her youngest child… or by the looming shadow of a life-changing revelation.
“Mother… we need to talk. I… I have a confession to make,” Daniela explains, hesitantly slow, but with a conviction she rarely ever showed. Taken aback by the unexpected announcement, Alcina pauses, silently awaiting some form of elaboration. Instead, Daniela takes her hand, pulling her towards a set of chairs. They sit gingerly, each feeling the weight of terrifying possibilities upon their shoulders. When she at last continues speaking, she does so without a trace of showmanship or false bravado, trading it in for heartfelt sincerity. “I love them. All of this- these lessons, this concert- has been for them. For my sweet, innocent little songbird.” So here it was, the birthplace of her fears, brought forth from her mind into reality.
“I was afraid you would say that,” Alcina muses, leaning back into the chair with a deep sigh. Something itches in the back of her throat, and she yearns for her pipe, or even just a normal cigarette to distract herself. Without one, she is left to metaphorically chew on her thoughts. Realistically, there has to be some way to deal with this, some way that she can convince her daughter of the sheer foolishness of this mess. “Daniela… how can I put this in a way you will understand, hmm?… The two of you have only known each other for three months. There is no chance that you truly love them, or them you. How close can you possibly have become?”
“When have I cared about anything for three whole months? I dedicated myself to-” Daniela is cut off by the sound of the door opening, revealing the rest of her little family. It was guaranteed that they would have heard the conversation from outside, seeing as they were all inhuman, though they perhaps intended to intervene. A single hard glance from both of the room’s occupants convinces them to change their minds. “Wait, Ava, can you get us some tea, please? Something tells me I’ll need a soothing drink soon.” Hesitating in the doorway, the butler in question eyes the both of them, naturally tempted to stay and fill the role of a therapist.
“I do believe my daughter gave you an order, Ava. Don’t tell me you have forgotten the stipulations of your agreement with Mother Miranda?” Alcina interjects. With that said, the butler finally moves, exiting with an apologetic bow. An awkward silence hangs in the air once xe closes the door behind xerself, as Daniela takes a moment to recall her place.
“Three months is a long time for me. I put all of my energy towards both them and what they taught me, almost every single day. Even when their work kept them busy for too long, I still practiced, because I wanted to make them proud! For all my flirting, I’ve never bonded with anyone this way before now,” she says, hating the way her voice gets a little shaky. No matter how much confidence she has in her own writing, it is another thing entirely to be convincing out loud, with a truth she had been hiding for so long. All of her practice had been with lies. Now she had to contest with the hope that the strength of her emotions would be enough. “That song we played together, at the end, they wrote that for me. Doesn’t that mean something?”
“Oh, my dear… I want you to be happy more than anything. But we both know that your ‘history’ is stained with a number of incidents. You have always been absorbed within those books you read, and the fantasies that they provide for you. It is one thing to enjoy these stories on the side, but another matter entirely to let them corrupt your relations with others. As your mother, it is my duty to keep you safe, first and foremost,” Alcina proclaims, sitting up straighter, trying not to let her frown evolve into a full out scowl. Beneath the table, her hands ball into fists, clutched tight to stop herself from breaking the table. In the back of her mind she could think of little other than dismembering that damned piano instructor. Focusing on the discussion at hand, she takes a deep breath before finalizing her point. “You don’t know what a healthy relationship looks like, nor what it feels like. Your books are not ideal models for reference. One- or both- of you are going to end up suffering, and that is something I cannot allow, regardless of how ‘happy’ they make you before then.”
“You’re right,” Daniela whispers in defeat… or a feigned version of it. A split second later she’s making eye contact with her mother again, lips curling up into a smile. “I didn’t want to admit it, especially not to someone as attractive, talented, and charming as my Songbird, but I didn’t have to. They understood from the very start. We talked about it, about my expectations and my shitty behavior, and we worked on it. We’re still working on it. Maybe there will be bumps along the way, just like in every relationship, but that doesn’t mean it won’t be worth it in the end. What we have is still real, and they make me want to be a better woman. I know they’ve already helped me make the change.”
Once more the door opens, making the conversation pause, as Ava near-silently brings in the requested tea. If a pin had dropped at that moment, it would have felt as ear-shattering loud as a gong. Every second that passed felt like it dragged on, stretched out by the tension in the room, as though xe was moving in slow motion. The ‘clink’ of ceramic against the table makes xer flinch, almost spilling the tea. Neither Alcina nor Daniela react, or even acknowledge xer presence with anything more than their eyes, instead remaining impassive until xe makes a hasty retreat.
“Use what you’ve learned on someone else, then. Perhaps another one of Miranda’s experiments will someday provide a suitable match. But this ‘songbird’ of yours? They’re nothing. A human, a servant, they are not worth your time, nor are they worth mine. No matter what words or songs they weave, or illusions of grandeur they show you, you will end up getting bored of them. I’m afraid it is inevitable, my dear,” Alcina says, as soon as the door is closed once more. Then she attends to her tea, with the composure of someone convinced that they had just won an argument. On the other hand, Daniela was not so quick to give in, some of her worry melting into anger.
“How can you say that? How can you be sure? We were all human, once! Even Mother Miranda was human. And my Songbird is no mere human- they are wondrous, with flowery prose and lovely melodies, with soft-lipped smiles and reassuring eyes, and don’t even get me started on how beautiful they are!” She rambles, voice getting louder with every word. All at once it is too much for Alcina, who sets down her glass a little too hard, nostrils flaring as she stares at her daughter. When Daniela speaks again, she does so with love coating her tone. “We have weathered each other’s anxieties with no signs of stopping. I promised that we would weather yours.”
“I only want you to be happy. I need you to understand where I am coming from. This may be your longest lasting infatuation so far, but you have yet to honestly convince me that this is any different from your past ‘distractions’. I’m sorry, Daniela, I simply cannot allow this to continue,” Alcina sighs, hating to break her youngest daughter’s heart like this. There was only one thing that Daniela had yet to try. Maybe two, if she was willing to resort to begging.
“Can’t you trust me enough to give us a chance? Cassandra of all people seems to understand. Bela went as far as to lie to you, for our sake! She never does anything she thinks will hurt me, or you, or any of us. Please, mother, please. How can you ever know if what I have will last, if you cut it down now? Are you going to wait forever for some ‘perfect candidate’ for me? And what if that person loves someone else? Or what if the ‘perfect’ person doesn’t exist! What if we’re stuck waiting for them like Mother Miranda waits for another child, hmm? Would you have me spend another century alone, my only memory of genuine romance being poisoned by the thought that you broke us apart?” Daniela’s words ring throughout the chamber, echoing a damning accusation, somehow more bitter than the taste they left in her mouth.
All at once, Alcina’s heart takes a hit like no other. Her hands damn-near tremble, her lungs ache, her lips purse, and her brow furrows. So be it, she thinks.
“Bring this ‘Songbird’ here. Let me talk to them.”
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Goddess, you are practically vibrating at the speed of sound, palms sweaty, nervousness trashing your mind. What the hell had Daniela done? Last thing you knew, she was determined to keep your secret, even if meant being unable to celebrate with you. But now you were getting tugged along by her, while tears threatened to spill from her eyes. She had said something about “mother” and “important”. That was all the context that you had been given. When you round one last corner, pulling up in front of Lady Dimitrescu’s study, you are shown a sight that somehow makes you feel worse: Bela, Cassandra, and Ava are all resting outside of the room. They appear exhausted, and motion for you to be quiet as you approach.
“They’ve been listening in on our conversation,” Daniela admits with a whisper. Then she’s pulling you into the study, ensuring that the door doesn’t open wide enough for the eavesdroppers to get spotted. Something told you that Alcina was already well aware of their presence. “Alright, mother, here is my Songbird. What did you want to ask us?”
“Daniela… leave us. My questions are for ‘Songbird’ alone,” Alcina replies, seemingly confirming the absolute worst of your fears. This was where you would die. By her hand, without your lover by your side, after what could have been the happiest night of your life. Of course. But Daniela is not willing to go without a fight. As soon as the words leave her mother’s mouth, she is moving between the two of you, just as she had when she first called you her teacher. Before she can speak, her mother stands up and stares her down. “Don’t make me ask again- there will not be a third time.” When she still hesitates, it is your turn to be brave.
“Hey, it’s okay, we’ll be okay,” you promise her, reaching out to take her hand. Instantly she’s returning to your side, hand cupping your cheek, eyes filled to the brim with sadness. “Firefly… ‘Tell me love, we shall last until the end of days’. I love you. Nothing is going to change that, not now, not ever. We’ll be okay.” Maybe not now, you think, but you’ll be okay eventually. Cassandra and Bela, and Ava I suppose, will make sure of it.
“Okay. We’ll last until the end of days. I love you too,” Daniela says, swallowing the lump in her throat. With one last kiss she pulls away, wishing that her departure didn’t feel so much like a betrayal. She pauses in the doorway, meeting your gaze, unable to bring herself to move until you give her an accepting nod. The door swings into place with a click, sealing the room and your fate.
“So,” Alcina begins, returning to her seat as she does. For now you stay standing, unsure of just about every part of this situation, especially your upcoming role in it. “You have been deceiving me. That alone is a crime worthy of severe punishment, and yet you stooped so low as to do far, far more. I had hoped you had, somehow, managed to teach my daughter a real lesson, that you had inspired a love of music in her, that you had made an honest difference in the way she learns. But all this time… it has been nothing more than a ruse.” The last word comes out dipped in venom, acidic enough to make you flinch. Thankfully, your beloved was not the only person who had a gift with words. More than that, this was a topic that you had spent numerous nights thinking about, making you as prepared as you could ever hope to be.
“You know, as much as I desire to claim that I am that interesting, or that Daniela felt so strongly from the very start, I can do no such thing. The truth is this: Music is what brought us together in the first place. It was the catalyst for our first real interaction, the first time she ever looked at me as more than just another servant or bloodbag. We bonded because of it, and so when we went to play together, to learn, Daniela honestly did connect to it,” you explain, despite the fire in Alcina’s expression. To your surprise, she does not interrupt you, and you take it as permission to keep going. Which was very good, considering that being nervous only made you ramble more. “Music is something we’ve shared for the entirety of our relationship. Even if it’s not something she would do much of on her own, I know that she’s grown to care for it more than she might be willing to admit. And, well…
“Even if you decide that what I’ve done is unforgivable, even if I’m destined to die within the hour, I know in my heart that everything the two of us worked on still matters. Because, like it or not, she is capable of growth, of change, of progress. And even if I die, someone else will come afterwards. Daniela will get to use music as a way to forge connections for the rest of her life, now that she knows it works, now that she knows how it works. And every goddamn time that she plays, or Bela plays, or you play, she’s going to remember me. She’ll remember every moment we spent together, every piece we ever played. I’ll live on in the melodies we made. In the song that you can’t quite place, that gets stuck on loop in your head. In the song the maids sing to themselves between shifts. In the quiet evening when the rain against the window feels so much like a familiar rhythm that your daughters can’t help but start humming along, without even thinking, muscle memories in sync.”
“Are you trying to convince me that there’s no point in killing you? That, regardless, you will be in my life until the end of time?” Alcina’s eyes are narrowed, but there isn’t even a hint of anger in her tone. Just curiosity.
“No, not really. Guess I’m just making peace with my fate the best way I know how- by remembering the echoes I’ll leave behind,” you answer, pausing to wipe a few tears from your eyes. All you can think about is how much Daniela will miss you. How much pain you think she’ll go through. Because at this point, who are you trying to fool with your hope? Yourself, or the people listening?
“Hmm. I think I understand. Now, tell me… what was that you said to my daughter a minute ago, before she left the room? It sounded familiar, though I cannot place it,” Alcina questions, idly toying with her glass of tea. You’re not entirely sure why it matters to her, but you have no qualms delaying the inevitable by answering. Besides, it was a chance to talk about how much you loved Daniela (and you’d never skip such an opportunity).
“It’s a line from a poem she wrote for me. “Tell me love, we shall last until the end of days”. A promise. The song Daniela and I played together… I wrote it in response. My way of doing what she asked of me, I guess. Like I said, she’ll always have the music we shared,” you answer, unable to stop yourself from smiling.
“Damn this… I can hardly believe I am asking this, yet I feel I have no choice: Tell me, do you love my daughter? Do you honestly, with your entire being, desire a future with her? Or was this a game of survival you couldn’t afford to lose, that turned out to be more ‘fun’ than you had anticipated? Show me your heart, as it is, bare as it would be if I tore it from your chest, this very moment.” There’s no room for argument in her voice, using the very same tone she reserved for maidens who got a tad too close to refusing her.
“Alright. It was a game. At first. Daniela wanted a distraction, something to entertain her. I didn’t want to die, like I had heard so many of her ‘playmates’ did. I can’t tell you when things changed, at least not for her,” you confess, with a shaky breath. Did that make you a monster? One worthy of death? If so, you wondered if it actually made you more fit to date Daniela. “For me… I just remember her smiling wide at me, hand on my cheek, having just cracked some lame joke. Next thing I knew, well, I knew. We had a spark of something, and all I could think about was how badly I wanted to make her happy, you know? All the sudden there was nothing I wouldn’t do for her. I just wanted to see that smile again, everyday for the rest of my life.
“To answer your question: Yes. Goddess, yes. A thousand times yes. A ‘yes’ for every smile she’s ever shown me, for every butterfly in my stomach, for every time she’s held my hand, for every breath she’s stolen from my lungs, and for every single time my heart has skipped a beat in her name. I love her. I know we haven’t been together long, but the things I feel are undeniable. I will give her every part of myself, for as long as she wants me, for as long as I am blessed to live,” you pour your heart out, weaving your heartbeat into every turn of phrase, spilling your lifeblood onto the very conversation.
“And what will you do if she does change her mind? If she grows bored of you, as she has done with a dozen others?” Alcina counters without hesitation.
“I will weep. I will fall to my knees, and mourn this beautiful thing. But I will cherish every memory she leaves to me. Every moment where I am hers is a moment worth living, worth remembering. It will be better to have loved her with all my heart for a little slice of her immortality, than to love another, lesser so, for all of my life.” With that, Alcina sets her empty glass of tea onto the table, eying you with an unreadable expression. Something seems to stir in her chest, and at last the mask crumbles. She smiles.
“I see. Daniela, you may come back in now. Do not bother pretending that you have not been eavesdropping.” Not even a full second passes before the door opens, revealing a shaking Daniela, both of her sisters quite visible behind her (though they quickly move out of frame, leaving behind Ava, who gives a cheesy thumbs up as the door closes in xer face). She rushes to your side, taking your hand, looking stunned that you were still alive. But what shocks her more is what her mother says… “Of all the women I have ever known, family or otherwise, you are, perhaps, the most determined. Normally only in… ‘spurts’. Yet here you are, defying what I have come to expect of you. It almost feels as if I have been fooling myself this whole time, falsely believing that there is more than one possible outcome. So, ‘Songbird’, I say this: Three months ago, I agreed to give you a chance to prove yourself worthy of my daughter, for the sake of her happiness. Now, I suppose it is only fair that I do so once more.”
“Wait. Are you saying-” Daniela is once again cut off by her mother, who seems eager to avoid a trademark rant.
“Yes, yes I am. For the time being, the two of you have my blessing. I cannot say that I am entirely convinced of your chances at success, but, having seen the strength of your affections for one another, I sincerely hope that you will prove me wrong. Now come here, Daniela. I never got to finish telling you what I thought of your concert…”
—————————
In the glowing comfort of your girlfriend’s room, with the fireplace keeping things warm and cozy, you lay with your head against Daniela’s chest. One of her hands absentmindedly plays with your hair, and you release a sigh of bliss. Ava had assured you that xe would let Daphne know the good news, as xe thought that having one of the castle ladies visiting the servants’ quarters might cause a stir (and Daniela was far from willing to let go of you so soon). Now the two of you were just enjoying time holding each other close. Regardless of Alcina’s concerns, you knew that everything would be looking up from here. Assuming that Daniela didn’t have any more surprise confessions to involve you with.
“That was one hell of a surprise, Firefly. But I’m glad we don’t have to hide anymore. I love you, and I don’t know how long I could have survived without being open with it,” you say, a light teasing to your voice. Beneath you, Daniela chuckles, but holds you just a bit tighter. Then she places the softest of kisses to your forehead. “I’m always gonna love you, Firefly.”
“Until the end of days?” She asks, in a delighted whisper, grin practically audible.
“Until the end of days.”
—————————
Elsewhere in the castle, a caring mother takes another long, hungry drink from her glass of wine, staring intently into the fireplace. By her side is a silver-haired servant, who wordlessly watches her every move.
“There’s still a chance that this will all end horribly. Only time will tell, of course… but I can’t help worrying for her, she’s my daughter,” Alcina proclaims, gripping the glass hard enough for a web of cracks to form along its bell. But it does not fully shatter. No, it remains just steady enough to still be of use to her. For now. “Of course, you knew about this all along, didn’t you, Ava?... I know that you value how close you are with my children, and I know that they trust in you as much as I do… but if there are relationships or entanglements that I am unaware of, I expect you to tell me, or there will have to be consequences, regardless of your affiliation with Mother Miranda. Do you understand?”
Sighing, the mute servant pulls a notebook from xer pocket, opening it up to pen in a fresh script. There’s much tension in the air, and it only gets worse when Alcina catches a glimpse at what the note reads. As xe hands it to her, she scowls, and the wine glass fully breaks into countless shards. Immediately, Ava gets to work, picking up the largest of fragments with xer bare hands, refusing to complain about the resulting cuts. All the while Alcina stares into the fire, thoughts racing, wondering if maybe this time she could end her daughter’s problem before it was too late. Beginning to brainstorm ideas, she sets the notebook aside. Inside, in perfectly penned cursive, is a very, very dangerous piece of knowledge. The sort that could affect not only Castle Dimitrescu, but the entire village.
“In that case… there’s something you need to know about Cassandra- and Mother Miranda’s lovely little ‘pet’.”
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yoitscro · 3 years ago
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HOMESTUCK RAMBLE
The most troubling thing about the Sarah Z situation is that everything felt like damage control, tactical intimidation, and knee-jerked censorship. Right off the cuff of Hussie’s patreon message*.
(*Does anyone ever notice how Hussie only talks to the fandom when some kind of trouble eventually boils over, usually pointing a finger in one direction, versus addressing things earlier or addressing things period? Such as him having the power to speak against the actual anti queer jargon toward his employees prior to them leaving when things got worse? Or him mentioning the concerns of HS2 that people only found out through word of mouth and were reasonably upset about, such as them getting rid of the content warnings, or the fact that Hiveswap Act 2 was released without credits?
Would certainly make me less irritated if I didn’t know that that message is probably going to be one of his only few that he chooses to write and not mention other things, such as the returned antagonism toward fans. 
But this is also the same guy who continues to write passive aggressive messages in his comic and game scripts that calls everyone else a loser for still being mad about the racism and ableism. (Seriously, Psycholonials is just a vague post in game form and it’s chaotic as fuck to do things like using riots (racially prominent a year ago) in the toned environment of 2020 as goofy plot points. I thought we were suppose to do BETTER after Skaia Net.)
Idc if he’s not apart of WP anymore. Even then, he certainly left a lot of baggage for other people to handle. It’s incredibly irresponsible.
Anyways.)
Those journals have existed forever. Whether right or wrong, they have. They’ve gone unaddressed despite being known for existing. A big name youtuber giving an auditory version that doesn’t take up all the video probably shouldn’t have been the reason that fans finally got some kind of answer, and it’s blatantly transparent that it was to protect the IP from having it’s name tarnished. As if Homestuck doesn’t already have issues that it refuses to acknowledge after a decade that everyone else has talked about.
I can imagine that some kind of NDA was keeping them from talking about Hiveswap to their kickstarter backers, but the convenience of that expiring once Sarah said something gives me an inkling that the people who’ve actually stuck around to support Homestuck could’ve heard sooner. Not to mention that before this big blowout, people just wanted to know that the game was being worked on period. There was actually no NDA preventing that communication.
People wonder why there’s such a rift between WP and the homestuck community, and it’s stuff like that. The fact that Hussie only comes down to address damage when it piles up to a breaking point, rather than earlier. The fact that if you have one criticism, friends or associates of the people who write their favorite characters will maul you in the name of whatever marginalized group they happen isolate you from.
And at the end of it all, it’s almost like some big, surface level moral, because no one cared 3 days after Sarah’s video. Everyone treated it like usual youtube commentary essays about troubling developments and moved on.
Instead, now, still, everyone cares about the fact that an opinion video about Homestuck was getting legal threats during 4/13. After years of a troubled relationship with it’s fandom, this was the last thing they needed to do. I’m trying to wrap my head around what the favorable outcome was here; to look GOOD?
I can’t even imagine what this stunt looks like to other studios and IP groups. I wonder if Homestuck is secretly blacklisted at this point because so much bad behavior has been normalized instead of having a healthy blend between criticism and sympathy.
BC again, a transphobic bigot sending death threats bc homestuck “isn’t what it use to be”, and responding to that rightfully, isn’t the same as someone thinking that more jarring post-canon content and execution of things like toblerone wishes suck some, and figureheads deciding to insult minors, stir character drama, and call other bulk criticisms from the queer community homophobic or transphobic. That in fact loses support, money, and causes infighting, actually.
I’ve never seen a fandom decline in stable activity as hard as 2019-2020 Homestuck.
This is the part where I say that my caliginous crush from wanting to see this IP improve itself flares up from time to time, but is starting to die down knowing that, unless there’s a massive overhaul on how things are run, things aren’t changing...seriously. There are things HS can do even without Viz Media’s overbearing presence, but it doesn’t want to. Starting a feud on your holiday wasn’t one of those things to do, maybe, actually.
I think it’s telling that it’s actually bad enough that I usually refrain from talking as much as I am now, because some part of me knows that some ex WP member, or a friend of one, is reading this and potentially sharing it in whatever snotty chat to once more emphasize how evil of a person I am for saying what everyone else is thinking, lmao.
I think that if anyone wants to pride themselves in not being “terminally online” and in fandom, they should refrain from putting their hands on a story that’s literally embedded and literally about it’s fandom. Go join a private discord instead, or try a different franchise. Maybe have some self awareness. Just a thought.
Anyways, the trust is tainted. The fallout has been followed by quiet, and the current members are reshaping the ground of this community before the weeds eventually rear their heads again.
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saby-chan · 3 years ago
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Why the ATLA comics fail when it comes to Zuko and his family
To whom ever took their time to actually stop and read this post, thank you in advance for not skipping my post and willing to stay and read my humble opinion! I hope I won’t disappoint you!
As a relatively newcomer to the ATLA fanbase since 2020, I’ve come across a lot of interesting debates, comments and rants about the show, characters and fandom in general, but nothing has captivated me as much as the dumpster-on-fire that are the ATLA comics, more specifically: The Promise and The Search. 
On one hand we have the hardcore fans who want them to be animated or serialized into the Netflix live action, praising the comics for the new views and subject matters they’ve brought into the show’s lore, while on the other hand we have the furious Azula fandom who is really angry for the fact that best girl didn’t get the redemption arc she rightfully deserved so much after the painful event that was the Last Agni Kai and the even more angry fans of the Urzai ship (yeah, the people who actually ship Zuko’s parents unironically) who hated the retconning of the show’s cannon since the comics basically took a huge fat dump on what was previously established as official cannon, when the Search entered the scene, but between these two sides, who has the more valid point? In the end, are the comics good cannon or bad written fanfiction?
Well... Here are my two cents on this matter since I myself happen to be an Azula and Zuko fan and had huge expectations from these comics (since I wanted more from my fave hot-headed fiery siblings duo) but ended up disappointed: the comics are indeed a huge mess and actually bad written fanfiction when it comes to Zuko and his family! Don’t click off yet, because I actually documented the reasons why exactly the comics fail in this area:
1. The author of these comics is not part of the BryKe duo
Yes, I would like to start with the fact that if you actually take a second to look up who in the heck took the time to write these two books, you won’t find Bryan, nor Mike, but a fellow man named Gene Yang. This is important because while the wiki of both The Promise and The Search state BryKe as the creators, that doesn’t mean that they were the actual minds behind these comics, but rather because ATLA is their “baby” and these comics involve their characters, over which they have copyright. Mr. Yang here is the actual brain behind the plot, as the main writer, which explains why we find huuuuge inconsistencies between the show lore and the comics, especially Zuko wise.
My main issue with Mr. Yang isn’t that he isn’t BryKe specifically, but because he did an unforgivable mistake in his writing process: He projected himself into Zuko’s character, based on the relationship Zuko had with his father. This is a documented fact from an interview in which he explains that he sees himself and his dad’s relationship into Zuko and Ozai and used that when writing their interactions and built Zuko’s character in the comics. And this is wrong because when you have an already very developed and complex character such as Zuko, you can’t just come in and be like “Oh, I was an angsty teen just like him in my teenage years, fighting with my dad and whatnot, so he must have the same thought process as me!”. NO! This is bad fanfiction writer behavior! Zuko has his own personality and philosophy, which he developed over the course of 3 seasons and is not defined by only 1 unfortunate aspect of his past, so you can’t just base his whole mindset and actions off of your own personal experience just because you had the same daddy issues he had!
2. The whole “Promise that you will kill me if I turn out like my dad!” nonsense in The Promise
Reason number 2 why these comics fail and go under the category of “bad fanfiction” is because they fail to convey the core essence of the source material. The whole point of Zuko’s redemption was that he realized the wrongdoings of his ancestors and his own mistakes. He outgrew his desire of gaining his father’s acknowledgement in favor of choosing his own destiny. Having him worry that he’ll turn into his father is utter nonsense and feels like poor angsty drama material for the sake of angst. At this point in time, Zuko has overcame that obstacle in his life a long time ago and should be at the level where he himself is the “Uncle Iroh” for other people and in no way someone concerned of becoming their own worst enemy!
Not only that, but the whole point of Aang’s journey and the story of the show as a whole was to teach us, the viewers, the importance of forgiveness, empathy and love in life. Aang didn’t spare Ozai, aka “the ultimate evil” just to flex in front of his pals or because he is a “ 12 y/o vegan pacifist monk kid”, but because he knew that killing someone, no matter of what they did or wanted to do, wouldn’t restore balance into the Universe, on the contrary, him killing the villain would have meant perpetuating the “endless cycle of hate” that plagued the world. So having Aang promise to kill his best friend in case “they turned into an evil maniac like their dad” contradicts Aang’s whole character and it’s a nonsense that throws into the trash what we’ve learnt throughout the entire TV series.
3. Azula deserved (and was supposed) to have a redemption ark
This might still be pure speculation, but I count it as a documented reason because I’ve heard quite a few people saying that there should’ve been a book 4 in the show, aka “Book 4: Air”, and no, it wasn’t The Search, but actually Zuko and Azula’s journey as Zuko helps his younger sister heal her broken mind by being her very own “Uncle Iroh”. Sure, they prolly were going to end up looking for Ursa, but the journey should’ve ended with them actually being happy and a family again and not the bs we got in The Search where a still very unstable Azula runs away and becomes the “Next Joker”! The only problem is that M. Night had to pop up and curse the world with his movie, which forced BryKe to delay the project (and eventually abandoned it in favor of Korra).
All in all, either if BryKe had this preplanned or not, it made sense for Azula to get a redemption ark, she deserved it because she was just a broken 14 y/o child! If Katara’s mom’s murderer deserved to be forgiven, so did this poor child who had no fault for what happened to her since she had a dysfunctional family! What Gene Yang did in his poorly written fanfiction was to just antagonize a broken child, turning her into a monster for the sake of friggin angst!
4. The Search is the worst of the two, being flat af character wise
And finally, getting to the point that I personally find the most annoying about these comics: The Search. This one... This one is a mess on a hella lot many levels, and just to list a few: characters are flat as fudge, being either black as vanta black (like Ozai and Azula) or pure white like Gene’s Gary Stue OC, Mr Ikem (or how I like to call him, IKEA man) and his ‘victim’ rendition of Ursa, Azula gets to suffer more for no reason (see reason number 3 to why I find this as a no no), Ursa’s whole character sucks ass (man, I could write a whole thesis on why Yang’s version of her is terrible and doesn’t match the strong woman we got in the show) and Zuko does morally wrong stuff (my man literally used his unstable sister to bribe their dad into spitting info about Ursa... Show Zuko would never do that!;-;)
Oh boy, as a person who’s seen a ton of anime and other media and read many books, I can’t begin on how much I despise this type of writing: flat characters are the worst!
 ATLA characters in the show are nothing close to being flat! What I mean by that is that none of them fall perfectly into pure white (aka goodest of good characters with no imperfections) or vanta black (aka lowest and darkest twisted monsters out there), each of them are various shades of grey (like Aang who is a very light grey because despite being a very kind and nice character, he still isn’t a “perfect hero” since he ran away from his duties, practiced tax fraud with Toph, had insecurities and even threatened to kill people on ocassions like with the sand benders who took Appa) and this is a good choice because that prevents them from becoming what’s globally known as Mary Sues and Gary Stues (aka those either “perfect” characters with no flaws and/or unlimited power, or the twisted monsters full of flaws).
And the other reason why many other people hate The Search: it literally negates previously established cannon. And here comes my short essay on why this comic fails Zuko’s family (since we’ve already talked enough about Zuko himself).
In cannon and even interviews with BryKe, it was clearly stated that Zuko’s family was “once happy”. Where is this “once happy” family in The Search? All I see is pain, deception, lies and betrayal, nothing close to anything that resembles happiness. Okay, some of you might come in and say that “It’s because it was never the case! It was only lies and Zuko trying to convince himself that he didn’t live in hell forever!” and here is WHERE YOU WERE ALL WRONG! And why? Because, my dear fella, where were depicted the flashbacks of Zuko’s “happy family” in The Beach? Ember Island. And what do we know and had been even quoted in the show?  "Like waves washing away the footprints on the sand, Ember Island gives everyone a clean slate. Ember Island reveals the true you." (direct quote from the show). Exactly, no matter who you are or how hard you try, you can’t hide your true self when you are on the Ember Island, best example being Azula, who’s impenetrable though shell cracked and revealed the true vulnerable child that was underneath. If Azula couldn’t resist the “spell of the island”, no one can. So this means that Zuko’s family was indeed happy once and yes, Ozai wasn’t always the douchebag we got to know in Season 3 (I have a whole nother essay on my theories regarding what could be his real past story and why he’s actually the “Zuko” of his generation, based on stuff I gathered from old wiki entries and character analyses I made, but that’s for another time, lemme know if ya’ll are interested).
And what I guess is the biggest proof why The Search did this family’s past trash is comics Ursa herself. My dude, if this woman were indeed the victim of years of endless abuse and never loved her husband, I guarantee you that she would’ve been closer to what we saw in Todoroki’s mom from BNHA and Zuko would’ve gotten that scar or even worse long before the Agni Kai, not from his “daddy dearest”, but from “mommy dearest” herself, because no sane woman would be soo affectionate and attached to a child that’s the perfect copy of their abuser, sepecially appearance wise (again see Todoroki’s mom’s case from BNHA because the stories are really similar) and in no way would’ve she been willing to sacrifice her life for said child’s sake. With this ocassion, I remind ya’ll folks that according to the ancient ATLA cannon wikis on Nick’s site, Ozai was designed with Zuko’s appearance in mind, being meant to be like a “grown up scarless version” of Zuko. So yeah, remember this with a grain of salt that whenever you simp over grown up Zuko, you involuntary simp for Ozai too.
So yeah, I guess this kinda concludes my “not so short” rant about why the comics fail and are bad fanfiction. Lemme hear your thoughts in the comments and if you agree, feel free to leave a like and even reblog.
Bye bye and remember that Momo is the true strongest character of the show!
 Saby out.
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ranboo5 · 3 years ago
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whats 'the clip' and knifetrick?
Augh. Under the cut for shipping discourse and p/dophilia ment (nothing graphic or specific). Gets long bc I discuss my thoughts on DSMP shipping in general. You are setting me up fr anon
Some quick vocab -
intimacy here is used to refer to. Well. Any kind of intimacy between characters, of any sort, as an umbrella term /r, /p, and /qp here are used as shorteners to denote "romantic," "platonic," and "queerplatonic," both as adjectives And as verbs ("to /r" = "to portray romantically") shipping here is used to refer to any focused examination of intimacy between characters
And some clarity that Should follow from the essay next but may not - """anti-antis"""" and RPF writers delete forever
The Clip is from one of if not the? most recent Discord stage(s) Mr Live has done (which I missed when it was live RIP) wherein he issues a hard ban on shipping him ("do not ship me, in any way, with anyone!") which would less influence c!beeduo (which has been portrayed/stated to be romantic AND nonromantic both conflictingly for a while until being confirmed unconfirmed several months ago, that being the last was heard) without its direct invocation if he hadn't also cited for the reason as being underage ("'Cause, one, it's straight up pedophilia") which is! a) immediately applicable to At Least his DSMP character, Partially and b) while not Strictly True (should b obvious that portraying a relationship within the bounds of what it is in canon and in a nonsexual way is not That, and /r-ing c!beeduo etc was possible to do Appropriately again by remaining w/in the bounds of canon) is Clearly Indicative of the fact that baggage-wise it IS associated with people being fucking creeps
This Really complicates things bc like okay the apparent solution is "lol just don't /r it" but it's really like. A Worse issue than that bc like.
Okay the reason shipping in terms of fictional characters is a Different Bar is bc it's an examination of Intimacy and certain lines exist in certain dynamics of intimacy that Isn't Shown (which is the whole Within The Bounds Of Canon thing) which is important in a medium like DSMP because of the smaller gap + more personal relationship b/w character and streamer. Examining intimacy beyond th bounds of the consent that has been established in that regard is Weird at best and Violating And Creepy more often and, As Mentioned In Ranb's Stage, Literally Evil at worst
Which is why writing abt like. QPR or platonically intimate Techno and Philza (characters) is smth that is fine because that's smth that has been shown and repeatedly stated onscreen; it's in the bounds of canon n thus within th bounds of what the streamers've consented 2 be done with their characters. But writing T3chza making out or whatever is fucked up because it's smth that's beyond those consent barriers
And the thing is right
Slapping a /p on T3chza makeout doesn't. Make it less violating
Like what you CALL romantic is not the measure or whether it's past those barriers yk? And if it's indistinguishable, if it's in extrapolative territory that is Past The Bounds, it Does Not Matter how much you /p it EVEN IF IT IS TECHNICALLY PLATONIC y feel? Like at the end of the day placing a moratorium on some/all forms of shipping is placing a moratorium on certain examinings of intimacy
And okay 2 go back to Mr Live and his character. What it implies taken in context w/ older portrayals of c!beeduo and said by invoking smth that both evokes Really fucked up baggage (that does unfortunately exist btw I'm sorry if you didn't know that but People Really Do B Fucked Up Abt Beeduo) AND applies to his character is a revocation of consent to examining deep intimacies:tm: with his character, which is gonna apply regardless of the nature of that intimacy (even if nonromantic)
Like I don't /r c!beeduo myself, do not, never have, but I talk to people who have and have consumed content where they r background /r; I also don't think it matters. Like I don't Actively /r it and I don't Actively Not /r it because imho w/ the intimacy regarding c!beeduo that is plot relevant and character important whether that intimacy is /p /qp or /r doesn't really matter. I don't consider myself Less of a c!beeduo shipper than someone who /rs them because that would be dumb as hell and while none of the content I've made* is Intrinsically or Intentionally /r it certainly can be read tht way as much as it can be read /qp or /p. It's be dumb and hypocritical of me to like, dunk on ppl for /r-ing c!beeduo when I'm also invested in these two and my tonetags r not gonna suddenly Delete the picking apart I've done of the dynamic @ hand
Which Has Been. Within Bounds Of Canon. It's been what's been shown (sometimes to my great distress. There is a reason that the :canon_beeduo: emote looks the way it does) Directly Onscreen and in general keeping with the tone n intensity/directions of what they've Done With The Characters
HOWEVER
As mentioned up there. Revocation of consent
It makes. Full sense 2 me that Mr Live wants to place a moratorium or fullon ban on shipping his characters perhaps where he wouldn't have before because of the Unfortunately Very Extant trends of people being Fucking Weird about shipping his characters AND of using them as a Thinly Veiled Excuse to ship HIM, which. I should not have to explain why shipping real people is fucking abhorrent
THIS creates a problem which is a. Bit of a vacuum in interacting with what is a facet of c!Ranboo's arc, decision making, and character. Like you CAN have c!Ranboo w/o cbeeduo but you Can't Really have his plotline without examining c!beeduo. And as I mentioned earlier: even if your examination of c!beeduo is fully platonic, the significance of it To the plotline means that any examination of it and its relevance to the plotline and characters IS gonna be an examination of intimacy, which. Regardless of it's platonic, Is Still Shipping
Unless some HARD retconning happens it leaves this like. Hole in an aspect of c!Ranboo's arc and decisionmaking and it's very. Uncertain? God. Fucking months ago I was already kind of :huh. Does he know what the fuck he's doing: irt c!beeduo and desperately wishing for things to be cleared up and now it's only That Much Stronger
NOW. KNIFETRICK, FINALLY
Knifetrick (or, as it’s actually listed, Bishop’s Knife Trick) is a fic about "Ran and Jackie from The Pit TFTSMP" in a "canon-typical ambiguously romantic relationship." As you can tell from the scare quotes, especially if you've seen me vague, both of these are, to put it politely, Doubtful. I've read the fic; I will not be sharing my opinions because that would be neither productive nor responsible (I will just say I can't recommend it and leave it at that) but I WILL say the following that Is relevant to the conversation:
Ran's and Jackie's characterizations respectively have very little to do with characterizations from The Pit, and bear a dollar-store-version resemblance to tropes and personality motifs found in ESPECIALLY fanon c!beeduo, especially later in the fic. I would not go so far as to say they are Intentionally Literally Ranboo and Tubbo but they are transparent expies and were clearly written at LEAST unintentionally w/ c!beeduo in mind (esp since. Ran and Jackie barely interacted in The Pit), and for a readerbase that, as far as I can tell, is HUGELY dominated by /r c!beeduo shippers. Like. Sorry. This is off-brand c!beeduo.
The dynamic between the two is pretty unambiguously romantic, also; despite what the fic's white knights claim, romantic tropes and implications/motifs/imagery from at LEAST chapter two, and is very much explicitly romantic by the most recent chapter.
FROM CH1:
"And now, with raised eyebrows and a pursed lip, the newly named General Jackie observes Ran in such a way that makes the enderman’s skin crawl. Ran reminds himself that this kid, as short and harmless as he may look, is trained to kill. [...] Jackie narrows his eyes and tilts his head a little, as if he’s trying to read in between every one of Ran’s imperfect scales."
FROM CH2:
"It makes Ran’s skin itch with discomfort. [...] 'That actually doesn’t explain much of anything at all,' complains Jackie, and he pops a few croutons into his mouth with one hand. 'Tell me what you’re thinking, pretty-boy.'
"Ran feels his face flush, no doubt mildly glowing green.
"Yes, that was the other thing. The unnecessary compliments to his physical appearance.
"They don’t happen very often, and don’t seem to have very much meaning or intention behind them— Jackie often speaks like an unthinking kid— but when they do happen… they’re embarrassing. [...] It’s annoying how the rug is pulled out from under his feet in these moments when he’s 'embarrassed'. Like the conversation see-saw has temporarily shifted weight in the general’s favor."
I am not going to include excerpts from Chapter 6 because it's just the entire chapter.
I WILL SAY, HOWEVER, STEPPING ON THIS SCORPION BEFORE IT STINGS: they are not written in an RPFy manner and I don't think there's any grounds, including Vibes, of accusing Knifetrick of being like. Closet truthing or whatever. Also, while I think there's certainly Some Weirdness ESPECIALLY around the reaction, the romance itself is Not written in any way I'd call weird or problematic pre-clip; it's nothing inappropriate or like Weirdly Fetishy or whatever. Knifetrick is not #problematic or anything and I don't have beef with like the concept of liking it intrinsically; if I thought it was like. Abhorrent I wouldn't be sharing excerpts lmao dhjfnhdsbvdnfjh. Hence: if anyone uses this post or anyth like it to send harassment or bad faith ANYTHING to anyone involved with Knifetrick I will hunt you down in the fucking night even if it WAS #problematic that'd be the LITERAL OPPOSITE of productive and as it stands it's Literally Not. Essentially: Knifetrick is a (questionably-written /mean) fic using Ran and Jackie from The Pit as a vessel for a large chunk of the dynamics and headcanons of fanon /r c!beeduo in particular
And again, I would not call it problematic in any way (aside from the disingenuity of the insistence that it's TOTALLY UNRELATED TO BEEDUO and TOOOTALLY WASN'T INTENDED TO BE ROMANTIC GUYS like own your shit please)... IF it weren't for the advent of The Clip, which is calling in2 question the Entirety of the problem of /r-ing any variant of c!beeduo or any of Ranboo's characters at all
I really do not have an answer for this tbh. I genuinely wanna hear from the streamer on this more specifically because I like,,, I got no clue where 2 go from here? Do I just consider an arc retconned? Was it an issue of speaking abt a troubling subject kneejerk wise and I'm reading too much in2 it?
I just. I dunno
Tl;dr (AT LONG LAST)
- The Clip is a clip of a Discord stage where Ranboo (streamer) loudly explicitly decried shipping in a way that implicitly applies to characters he plays - This would be all well and good but is rendered complicated by the plot relevance of c!beeduo, which does not stop being shipping if it's /p'd due to it still necessarily being an examination of a particular intimacy in a way that is in canon hard to distinguish the /p, /qp, or /r nature of - Bishop's Knife Trick is an AO3 fic centered around using TFTSMP characters as /r c!beeduo expies which is not a bad thing in and of itself unless it also is covered under this moratorium - Things remain unclear until and unless we get clearer word from streamer, but considering Mr Live seems to be allergic to clarifying anything abt c!beeduo this is doubtful
*very little if any of the content I personally have made 4 c!beeduo has been posted publicly, for related reasons. You May have seen it if you're in servers w/ me, depending on Which Ones
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blueberry-sunghoon · 4 years ago
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"meet me at the ice rink after school" | park sunghoon
words: 5.3k
genre: high school romance, fluff
warnings: none that i can think of
i hope you like this story :))
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☆September 2013☆
One late summer afternoon, you and your best friend Sunghoon were at the ice rink, your all-time favorite hangout spot. Of course, your skating skills weren’t nearly as stunning as Sunghoon’s, but throughout the years he had taught you enough so you could manage yourself on the ice. Sunghoon liked to show off new moves he had learned every time he saw you, and he loved to see how your face lit up with amazement when he pulled it off perfectly. 
You mainly liked each other’s company, though. When you both were skating with each other, you were free to tell each other everything from your joys to your worries, trusting that the other would laugh with you or be there to comfort you. To each of you, skating with the other felt like home. Today especially, you both needed that. It had been a long day for the both of you; it was your first day of fifth grade, which also happened to be your first day of middle school.
“Today was rough,” you said as you skated alongside Sunghoon. 
“Yeah. I didn’t think we would end up not having any classes together. Being apart from you for the whole day… ” Sunghoon sighed before he finished his sentence, “that’ll take some time to get used to.”
“By some miracle, we ended up in the same class every year from kindergarten to fourth grade,” you replied. “Obviously I didn’t think we would have every single class together until 12th grade, but I didn’t think about how hard it would be to be without you.”
“Me neither,” said Sunghoon. "After we got off the bus in the morning and I said goodbye to you, I only saw you once more the whole day. Unfortunately, we were in the hallway and you were way too far away for me to say hi to you. But sitting through eight classes without you in any of them felt really weird, like there was something missing.”
“I didn’t see you at all. All I could do was sit through all my classes, lonely because I barely knew anyone. I missed you, Sunghoon. I don't know how I’m going to do this,” you said with a cracked voice. 
Sunghoon noticed you were about to cry, so he stopped skating and hugged you tightly. He let you rest your head on his shoulder as you cried. “It’s okay, y/n, don't cry.” 
“It’s not okay!” you retaliated. “How am I supposed to survive middle school without you?”
“We won’t be without each other,” Sunghoon assured you. “I’m still alive, you know. We can still hang out like this after school. And once school clubs open up, we can find one we both like. In the meantime, I’m sure you’ll make some new friends; you’re good at that. You won’t be lonely for long, I promise.”
There was something so reassuring about Sunghoon’s voice that made you feel better. He was right; he wasn’t going anywhere. Even if you couldn’t be together in class, you would still see each other all the time. “Thanks, Sunghoon,” you said softly.
“Mm-hmm,” he said as he pulled away from the hug and wiped away one last stray tear from your face. “Are you good to keep skating?”
“Yeah,” you answered, and the two of you continued to skate. The two of you were quiet for some time, and then a lightbulb went off in the boy’s head.
“y/n, what’s your locker number?”
“56. Why?” you asked.
“Nothing,” Sunghoon said slyly as a sneaky smile crept up onto his face, “I was just curious.” 
~~~
The next morning in second period, you were daydreaming instead of paying attention to the teacher. Among many other things, you were thinking of why Sunghoon wanted to know where your locker was. I’m sure it was nothing, you reasoned, but for some reason you couldn’t push the thought away.
After what seemed like forever, the bell rang and the class was dismissed. Your locker was right outside of that classroom, so you went there to switch out your things. As soon as you opened your locker, however, you were surprised to see a sticky note posted on the inside of the locker door. You were more surprised to see Sunghoon’s handwriting on it. Sunghoon had written you a note. It read,
What do you call a factory that makes okay products? Satisfactory!
You playfully scoffed at the joke before you continued to read the note. 
Now you have this corny joke to remember me by all day so you won’t miss me as much. I’ll see you after school :)
From, Sunghoon your favorite person
P.S. My locker number is 179. Do what you will with this information ;)
You were so happy that your best friend had done something that special for you. You took the note and carefully placed it inside the cover of your binder so you would never lose it. 
179, huh? You made sure to write Sunghoon a note in reply and put it in his locker before the day was over. 
And so began a tradition between you and Sunghoon. Every day you would place a note in the other’s locker, whether it was a corny joke or a word of encouragement if one of you had a big test or a blank note on April Fools day. You never skipped a day; the only way one of you wouldn’t receive a note was if the other person wasn’t at school that day. This continued far beyond the fifth grade. You kept this up all the way through middle school, and now, almost all the way through high school.
☆March 2021☆
You and Sunghoon were now high school seniors, still each other’s closest friend. 
Friend. You now shuddered to think of the word. You didn’t regret being by Sunghoon’s side for as long as you both could remember, but over the last two or so years you had developed feelings for him. You wished so badly that you could be more than friends, but you never brought the subject up to him because you didn’t want to risk what you’ve had since you were babies. The sophomore version of you figured that it was probably just a phase, that soon enough your little crush would go away and you wouldn’t have to worry about it anymore. 
How you wished that was the case.
Instead, your feelings were stronger than ever, and you found yourself constantly worrying. High school graduation was only three months away, and after that, the two of you were heading off to different universities. Would I have missed my chance by then?
Sunghoon, who was sitting next to you in history class, tapped his pencil on your desk, shaking you from your thoughts. You whipped your head in his direction, confused. He then pointed his pencil at the teacher, who was looking at you and expecting an answer. “I asked you a question, y/n.”
You glanced around the classroom and noticed that the whole class was staring at you. Embarrassed, you mumbled, “I’m sorry, Mr. Kim, I didn’t hear your question.”
Mr. Kim sighed in frustration. “I asked you what year the French Revolution started.”
You hesitated for a second. “Um, was it 1799?” you guessed, unsure of yourself.
“No,” he replied sharply. “1799 would be the year it came to an end. The revolution started in 1789. y/n, this is the third time I’ve caught you daydreaming during my class this week. I suggest you start paying attention.” And with that, he continued teaching.
You heard a few snickers around the room and you felt humiliated. You felt more blood than you thought you had rush to your face and you slouched down in your seat in shame. 
Sunghoon glanced over at you sympathetically. He gave you a sympathetic smile as if to say, “I’m sorry,” and you reciprocated his smile.
You tried your hardest to pay attention to Mr. Kim for the rest of the class period, but it wasn’t easy. In fact, you were so far gone that the bell’s ringing at the end of class escaped your notice. As Sunghoon was packing up his things, he noticed you staring off into space, so he tapped his pencil on your desk once again. “Class is over, y/n,” he said. You saw that half the class was already gone and Mr. Kim was giving you an evil look. “Oh,” you said as you began packing up your things. 
By the time you started to pack up, Sunghoon had already finished. You were lucky that he was nice enough to wait for you. “I’m sorry, Sunghoon,” you said apologetically.
“Don't apologize, y/n. I have no problem waiting for you,” he replied. “I have lunch right now anyways, so it doesn’t matter if I’m late.”
What did I do to deserve such an understanding friend?
Finally you finished packing up your things. “I’m ready to go now,” you said to Sunghoon as you put your backpack on.
“Okay, then,” he said. “Let’s go.” You walked with Sunghoon into the hallway.
“Is it an A day or a B day?” you asked as you walked alongside him. “I’m either going to study hall or AP Bio right now and I have no idea which one.” You hoped it was an A day, because you needed some time to yourself after what just happened in history.
“Today is a B day. You have a double period for Bio.” 
You sighed in frustration. “Ugh.”
The two of you went quiet for some time. Then Sunghoon finally broke the silence. “y/n, are you okay?”
You quickly glanced at your friend, not knowing what he was referring to. “Yeah. What made you think otherwise?”
“You seem so unfocused lately.”
“Okay, Mr. Kim,” you said sarcastically.
“I’m serious, y/n. And I’m not just talking about history class. Like, you’re always on top of things. These days you seem so forgetful. For example, you’re the one to always remind me whether it’s an A day or a B day, yet today you had no idea. I know you tend to daydream easily, but these days you just seem so out of it. Is there something on your mind? You know you can tell me anything.”
I like you, Sunghoon. I like you a lot, but I have no idea how to tell you. I’m scared of ruining our friendship. I have the constant feeling of running out of time before we go to college, and I don't want it to be too late before I finally get the courage to tell you how I feel.
Of course, you couldn’t tell him any of that. All you could say was, “Don't worry, Sunghoon. I’m fine.” You felt a bit guilty because you rarely hid things from Sunghoon. He was aware of nearly everything that had ever worried you. But you just couldn’t bring yourself to tell him about this.
Sunghoon didn’t believe that you were as fine as you said you were. He thought that there was no way something wasn’t bothering you, not with you like this. However, he wasn’t the kind to pry, and he trusted that you would come to him once you felt comfortable. He said, “Okay. If you ever need anything, you know I’m here for you.”
You simply nodded, and the two of you continued to walk in silence until you approached the AP Bio classroom.
“I’ll see you later,” you said.
“Yeah. Um, I have ice skating practice after school today, but I’ll FaceTime you as soon as I get home. I’ll see you then.” He then smiled at you and said, “Keep your head up, okay?”
Once again, you responded by nodding your head. Sunghoon waved you goodbye and he was off to his next destination.
You watched hopelessly as he walked away, and you didn’t enter the classroom until he was completely gone from your sight.
~~~
As soon as you got home from school, you went straight to your room and onto your bed. You pulled your sheets over your head and closed your eyes, trying hard not to think about anything. You were mentally exhausted from thinking so much. Of course, your efforts to not think about the things that stressed you only made you think about them more. Finally, you felt yourself drift into sleep.
After some time, your eyes fluttered open and you checked your phone to see the time. You were out for two and a half hours. You wanted to face your problems instead of avoiding them, so you sat up on your bed and decided to call your friend Sunoo. Sunoo’s good with stuff like this, you thought as your phone rang. You bit your nails as you anxiously waited for him to pick up.
“Hey,” you heard Sunoo say finally.
“Hey Sunoo,” you replied. “What’s up?”
“Nothing much, how about you?”
“Well, I kind of wanted to talk to you about something.”
“Go ahead, I’m listening.”
You took a deep breath to get rid of the nervous energy before you explained. “See, there’s someone that I like. A lot. It’s been a while since I’ve felt this way, but I don't know how to tell him how I feel. We’ve been friends for a long time now, and the last thing I want to do is ruin our friendship right before we head off to different colleges.”
“Oh,” said Sunoo. “Sunghoon, right?”
You felt your heart skip a beat and you raised an eyebrow. That’s suspicious. That’s weird. I’m pretty sure I never told Sunoo that I like Sunghoon. In fact, I didn’t tell anybody… “Um, yeah. How did you know it’s Sunghoon?”
Everyone and their uncle knows you and Sunghoon like each other. I’m pretty sure you two are the only people who don't know. You guys make it painfully obvious, Sunoo thought. “Um, uh, well I know Sunghoon has been your closest friend for a long time now. I figured if there was anyone you liked, it would be Sunghoon.”
“I suppose so,” you said.
“You should tell Sunghoon how you feel.” 
You didn’t answer. You wished there was another way around this problem, but there wasn’t. The only option you had was to tell Sunghoon how you felt about him.
“y/n? Are you there?”
Shaken from your thoughts, you hopelessly said, “I can’t, Sunoo. I’m too scared.”
You heard Sunoo sigh before he responded. “There’s a chance he might like you too. But you have to shoot your shot, y/n. Because if you don't, one day you’ll be forty years old, wondering what might have been if you had told the boy you liked when you were 17 how you felt.”
You hated how right Sunoo was. “Sure, there might be a chance that he likes me too,” you started, not believing for a second the statement you just said, “But what if he doesn’t? I will have ruined our friendship.”
“I doubt something like that would ruin your friendship,” said Sunoo. “The bond between you two is incredibly strong, probably stronger than you realize. It’s gonna take a lot more than that to break you guys up. Of course, if he didn’t reciprocate your feelings, things might be awkward for some time, but eventually things will return to normal. Sunghoon would never leave you no matter what, and I know you wouldn’t leave him either.”
“Yeah, I guess so. But how do I even go about telling Sunghoon that I like him?”
“y/n, you’re way overcomplicating this. It’s a lot easier than you think. All you have to do is say the words: ‘Sunghoon, I like you.’ Repeat after me: ‘Sunghoon, I like you.’”
“Sunghoon, I like you,” you mumbled with clenched teeth.
“Louder, y/n, I can’t hear you,” Sunoo teased in a singsong voice.
You took a deep breath. “Sunghoon, I like you.”
“That’s more like it,” Sunoo said, satisfied. Then, all of a sudden he got an idea. “Don't y’all leave notes in each other’s lockers every day?”
You weren’t sure where Sunoo was going with this. “Yeah, why?”
“Slip a note in his locker asking him to meet you at the skating rink tomorrow after school. It should be easy to tell him then.”
You had to admit that it was a good idea. Wait. Tomorrow? “Tomorrow? That soon?”
“Mmm-hmm,” Sunoo answered without hesitation. “I don't see why not. Otherwise you’ll keep pushing it off and you’ll never actually do it.”
At this point, you were almost infuriated by how right Sunoo was. 
“Okay, bet. I’ll do it tomorrow.”
“You better. In fact, I’ll make sure I call you before I go to bed to ask you how it went.” 
You laughed a little. “I hear you laughing!” said Sunoo in a playful tone. “I’m serious, I will call you.” 
You heard your mom call you for dinner. “Yeah. Listen, Sunoo, I have to go now, but thanks so much for the talk. I really needed that.”
“No problem, y/n, I’ll talk to you tomorrow.”
“Okay, bye.” 
You put down your phone. I can do this, you said to yourself, feeling more determined than ever.
~~~
Not even five minutes after Sunoo got off the phone with you, he received another call. Who could that be? He thought to himself as he looked away from his homework and at his phone. A sneaky smile appeared on his face when he saw who was calling him. 
“Hi Sunghoon,” said Sunoo as he picked up the phone.
“Hey,” said Sunghoon. “Uh, I called because I need to talk to you about something.”
Sunoo could see where he was going. “Of course. I’m all ears.”
“Well, there’s someone at school that I’ve liked for a while, but I really don't know how to tell them. I’m also worried that I might ruin our friendship.”
The smile wouldn’t come off Sunoo’s face, no matter how he tried. Are y/n and Sunghoon really that oblivious? “Park Sunghoon, it’s about time you talked to me about this.”
Sunghoon was confused. “What do you mean?”
“It’s y/n, isn’t it?”
“Yeah,” said Sunghoon, more confused than before. “But what do you mean ‘it’s about time’?”
“Sunghoon, everyone knows that you like y/n. I’m not sure you could make it any more obvious. The way you look and smile at them when they’re talking to you says everything. You’re obviously whipped. When I first noticed, I was so excited for you, and I wanted to talk to you about it. But I didn’t want to bring it up first because that might have made you uncomfortable. So I waited. It’s been two long years.”
Sunghoon could feel his face flush red with embarrassment. Sunoo really said “This you?”
“Oh,” Sunghoon replied softly. “Well, does y/n know? Do you think they like me too?”
No, they don't know. They’re just as oblivious as you. It kills me how unaware of each other you guys are. Sunoo took a deep breath and chose his next words very carefully. “I can’t say. The only way you’ll know for sure is if you ask.” 
“But I can’t tell y/n how I feel. I might ruin our friendship.”
Oh my god, thought Sunoo, it’s almost like they share the same brain. Sunoo assured Sunghoon that he wouldn’t ruin his friendship by telling you how he felt about you. Then, to spice things up, he decided to give Sunghoon the same suggestion he gave you.
“Wait, you might be on to something,” said Sunghoon.
“I know,” said Sunoo, “it’s a gift of mine.” 
“That’s actually a good idea, Sunoo. I’ll try it. I have to go now though, I’ll talk to you tomorrow.”
“Alright, see ya.”
Sunoo hung up the phone, feeling quite proud of himself. “I love it when a plan comes together,” Sunoo said out loud as he continued his homework. 
~~~
It was third period the next day. Calculus was your favorite subject, and the one you usually paid the most attention in. Not today, though. All you could think about was going to Sunghoon’s locker and putting the note in there. Once you did, there would be no going back. 
You pulled out the note you had written from your folder. Meet me at the ice rink after school today, there’s something I want to tell you :) was what you had written. You stared at the piece of paper as if it would eat you alive. Your hands became sweaty and you could feel your heart racing. How could something so simple torment you so much?
The sound of the bell ringing interrupted your thoughts. Calculus was over, and it was time to go to lunch. You packed up your things and left the classroom. This was usually the time of day when you would slip your daily note into Sunghoon’s locker, so today before you went to lunch, you started to make your way there. It was the same time that Sunghoon would normally do the same thing (except he was on his way to physics), so you two would cross paths in the hallway. 
Today when you crossed paths, you quickly said “hi” with a smile to each other. Of course, you both knew that you were going to each other’s lockers, but what you didn’t know was that you had the exact same message for each other. 
As you approached Sunghoon’s locker, your heartbeat quickened and your temperature rose, making your glasses foggy. With shaky hands, you put in the combination on the lock and opened his locker. You stood there for a moment, negative scenarios flashing through your mind. You thought about what you would be risking (which, by the way, was everything). We’ve built so much over the years. Do I even dare? 
You fixed your gaze on the small, blue, diamond-shaped magnet on the door of Sunghoon’s locker. Every day since fifth grade, you would use that magnet to attach your message to his locker. He had managed to keep the same one all these years. You were so used to seeing it everyday, yet soon enough you wouldn’t be seeing it anymore. That reminded you that you didn’t want to lose your chance with Sunghoon. It’s now or never.
You took a deep breath, then attached the note to the inside of the locker door. Before you could think about taking it back, you closed the locker shut and headed off to lunch. There was no turning back.
After lunch, you went to your locker to switch out your books. Once you opened it, you saw Sunghoon’s note... It wasn’t anything near what you were expecting. Your heart skipped a beat, and your eyes opened wider than you thought they could. "Meet me at the rink after school, there’s something important I need to tell you."
As if you weren’t more nervous today than you had ever been in your whole life, Sunghoon’s note sent you into anxiety overdrive. What could Sunghoon possibly have to tell me? There were endless possibilities. You thought for a second that maybe, just maybe, he wanted to tell you the same thing you wanted to tell him. But you immediately rejected that idea and laughed it off. Don't be ridiculous, y/n. 
You convinced yourself that it likely had something to do with his ice skating - he probably had been invited to a championship or something like that. It wasn’t the first time Sunghoon had invited you to the rink so he could tell you something important. It was just a coincidence that you both had big news that day. You switched out your books and walked to your next class feeling confident. 
~~~
When you made it to the rink after school, you saw that Sunghoon was already there, putting on his skates. “You’re late,” he teased. 
“Yah, no I’m not! Just cuz you got here first doesn’t mean I’m late. I’m here after school, aren’t I?” you said as you playfully punched his arm. 
Sunghoon burst out into laughter. “y/n, what was that? That didn’t even hurt.”
“I could have made it hurt if I wanted to,” you teased. “You’re lucky I’m nice.”
You went to get your skates, and a few minutes later you both were skating alongside each other. You and Sunghoon were talking to each other, but it was mostly small talk. It was obvious that you both were preoccupied with what you wanted to tell each other. 
“How’s your sister?” you asked.
“She’s doing good.”
A pause. 
“Have you decided on a topic for the English essay?” Sunghoon asked.
“I’m most likely going to do the Civil War. You?”
“I’m doing the Industrial Revolution.”
“Nice.”
Another pause.
Sunghoon sighed as he ran his fingers through his hair, a habit you noticed he had when he was nervous. “Let’s get rid of the elephant in the room. We both have stuff to tell each other," he said.
You felt your heart rate go up and you found yourself playing with your fingers to ward off the nervous energy. “Mmm-hmm.” 
Sunghoon noticed that you were a bit uneasy. “Do you want me to go first?”
As much as you wanted to say yes, you didn’t trust yourself to not chicken out at the last minute. It took every nerve in your body for you to say, “I’ll go first.” 
“Okay. I’m ready when you are.”
“It’s definitely a big one,” you said. You stopped skating, and Sunghoon followed. You were so nervous that you couldn’t even make eye contact with him. I can do this, you thought to yourself as you began.
“Well, Sunghoon, we’ve been best friends since the beginning, you know? And, um, through all these years you’ve been there for me through thick and thin. You’ve honestly been the best friend I’ve ever had. Well, you see, it’s been about two years since I started feeling differently about you. I’ve been dying for so long to tell you how I feel, but I was scared that I might ruin our friendship. But I’ve been thinking a lot about my feelings lately, and I just can’t hide this from you anymore.”
Are they about to tell me what I think they are? Sunghoon thought to himself.
You took a deep breath before you continued. “I guess what I mean to say is,” you said as you finally looked up to make eye contact with Sunghoon, “is that I like you, Sunghoon. Could we be more than friends?”
At this point, you were insanely anxious. Your heart was beating out of your chest, and you thought you could faint. And it didn’t help that Sunghoon wasn’t saying anything, just staring at you. What you didn’t know was that he was just as anxious as you; he was just better at keeping it all in than you. He could hardly believe that he had just heard those words from you.
You immediately broke eye contact with Sunghoon and looked off to the side so he couldn’t see how embarrassed you were. “Or not,” you mumbled. “I mean if you don't wanna be more than friends that’s okay I mean we can still be friends that’s completely fine I just hope I haven’t ruined everything oh God who am I kidding what have I done-”
You were interrupted by the sound of Sunghoon sighing. Out of the corner of your eye you could see him smiling from ear to ear. You turned your head to face him and said, “What?”
“Stop rambling already.” 
Before you had time to process what he said, he leaned in and quickly, yet softly, kissed your cheek. You were in utter shock and disbelief, and you felt your face go hot. A tiny smile came across your face.
Sunghoon saw your glasses fogging up and that’s when he knew you were blushing. He decided to tease you. “Aw, I make you flustered.”
You became playfully defensive and flicked his hand. “Yah! No you don't.”
Sunghoon laughed. “Yes I do,” he said as he swiftly took your hand and intertwined it with his. He swung your hand up and down and his smile got even bigger as your eyes lit up. “You look like the pleading eyes emoji right now.”
You let out a nervous yet happy laugh. “Sunghoon, you’re killing me.” Never in your wildest dreams did you think this moment would ever come to be.
Sunghoon cleared his throat. “In all seriousness though, y/n, I really like you too.”
“I’m so glad I was able to get that out,” you said as you let out a happy sigh. “I’d been keeping it in for a long time. I was so worried about messing up our friendship and especially over the past few weeks I’ve been worried about once we go to college, we’ll be physically apart. Thankfully, though, yesterday I talked to Sunoo about everything and he really helped me muster the courage to tell you how I feel.”
Sunghoon’s heart skipped a beat when you mentioned Sunoo. There’s no way. “Oh, you talked to Sunoo? I heard he’s good with stuff like that. What did he say?”
“You know, he told me that it was better for me to shoot my shot so that down the road I wouldn't regret not taking a chance. And he was right. I don't regret this at all.”
“Well, I’m glad you told me, because I would really like to be more than friends with you. And, um, I’m not worried about going off to different colleges or being physically apart. I believe in us; we’ll find a way.”
“Then I’m not worried about it either,” you said, relieved. 
“I’m glad,” Sunghoon said. “Does Saturday work for a date? I can pick you up at your house around 7:00.”
“That sounds great, Sunghoon.”
“Perfect,” said Sunghoon, his smile bigger than ever. “You wanna keep skating now?”
“Yeah,” you answered. “I’d like that.”
You and Sunghoon continued to skate, and the rest of the afternoon was filled with happiness and laughter. The smiles never came off either of your faces, and neither of you had even thought of letting go of the other’s hand. The two of you were so happy in this moment and you didn’t want it to end. 
All good things must come to an end, though, and your afternoon with Sunghoon was no different. Sunghoon felt his phone vibrate in the pocket of his hoodie and he pulled it out. His mom had sent him a text. “My mom’s asking me where I am,” said Sunghoon with a twinge of disappointment. “I guess I can’t blame her; we’ve been here for almost four hours. I should get going.” 
“No problem Sunghoon. I should probably get home as well. I need to get started on my homework.”
You and Sunghoon left the rink, still holding hands. You two were parked next to each other in the parking lot, and there you said your goodbyes. Before you went in your car, however, you thought of something. “Hey, Sunghoon, did you have anything in mind you wanted to tell me when you invited me here? You know, anything not related to what I told you?”
“Nope. That was exactly it,” Sunghoon said with a smile. “Believe it or not, I also talked to Sunoo yesterday evening.”
“No way,” you said, a bit dumbfounded. “Did you actually?”
“Yeah. Looks like great minds think alike.” He gave you a wink, and before he turned around to get in his car, he said, “I’ll see you on Saturday.”
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itsclydebitches · 4 years ago
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RWBY Recaps: Volume 8 “Creation”
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Happy Saturday, everyone! Oh man, oh man, oh man. I think I'll need to steer clear of the general RWBY tags this week, simply because I know the sort of responses I'll see to this episode. From smug celebration at Ironwood's downfall, to bad takes about what makes us human, this episode is a petri dish of sensitive material handled insensitively.
Let’s unpack it, shall we? 
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We open on an action that feels like a summery of the last three volumes: a grimm attacks an airship from the front, no doubt killing its pilot, while the other grimm conveniently ignore our heroes, no masking in sight. The group looks a little sad at the destruction around them, but ultimately ignore it because they have bigger, heroic things to do. I could write a whole, additional essay on how the huntsmen code — to protect the people — has been warped and abandoned by our protagonists in their effort to do what they think is right. It's a tale that might have been compelling if only RT knew they were writing it.
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We get a shot of Atlas drones unloading the bomb before one is taken out, presumably by Qrow and Robyn. Segueing to Ironwood and the Ace Ops, they're waiting for Penny to arrive, the former carrying a massive gun presumably capable of capturing her. Despite the horror we saw on their faces last episode at the realization that Ironwood would kill Marrow for speaking up, it seems that now the Ace Ops are entirely in agreement with these measures. A week ago the implication was that they fell back in line out of fear, but now Harriet talks passionately about "putting down" the group if they were stupid enough to accompany Penny. "The General gave his terms." Vine sighs at this, but doesn't actively disagree. He's just "retracing the steps that led us here."
So, congratulations on introducing four new characters, not bothering to develop any of them, killing one off while ignoring Qrow's hand in that, and having the other three become all, "Yeah! Mass murder is a perfect solution!" off screen. Marrow is the only one with something resembling development and, as covered in these recaps, that's been pretty badly executed too.
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Ironwood sends them to deal with Robyn and Qrow after Winter reappears to "assist" him. That gets quotation marks because most viewers at this point have realized that she's who our two birbs spotted in the elevator. Winter isn't on Ironwood's side anymore, she's just skillfully clearing the field for the final attack. Indeed, we get a moment where she hesitantly brings up the bomb and Ironwood responds that he hopes she's not going to try and talk him out of it. No. Winter doesn't think that's possible. This was her final attempt at peace.
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One of the reasons why I think I'll stick to my own blog for a while is because the fandom has a tendency to paint broad personality traits as evil when applied to some characters, yet simultaneously heroic when applied to others, when really it's about how that those traits are used. What I mean is, I've seen a lot of Ironwood critical posts that emphasize how stubborn he is. He thinks he's right and he won't back down. He wont listen to others. He's going through with this plan and if anyone tries to stop him? That's their mistake. Totally evil, right? Except, this is the exact same behavior Ruby displays, particularly in Volumes 6 and 7. She was stubborn about stealing from Argus and continuing the fight to the point where it endangered her and her teammates, to say nothing of the rest of the city. She refused to listen to Qrow, or Ironwood, or the Ace Ops, loudly announcing that she was right about, well, everything. If they didn't agree with her, the options were to leave the group entirely, or fight her. The actual difference here is that the writers have taken Ironwood to an extreme, one that's incredibly easy to understand as bad because it is bad: bombing Mantle has no defense. Ruby pulls the exact same nonsense, it's just not to that same extreme and her actions are followed by scenes that are meant to make us forgive her: a sad look because she didn't mean to get a city attacked by a leviathan grimm, a cry on the staircase because she didn't mean to risk the lives of an entire kingdom... even though she did. Ironwood is the bad guy because he's been written to take specific, OOC actions like shooting unarmed kids. He's not the bad guy because when other characters go, "Don't do this" his response is, "I have to." Because that's been Ruby's motto ever since she "had" to use the Lamp to rip Ozpin’s life story away. RWBY introduced those extreme actions of shooting the youngest in the group (for no reason) and threatening to bomb a city (for no reason) or shooting a councilman (for no reason) because when you remove those you've got a man who looks exactly like our hero. Ironwood's arc has been peppered with these confusing, unpersuasive actions because if you just keep the story as him stubbornly keeping to a plan he thinks will save the world, you're left with the reminder that all Ruby has done lately is stubbornly keep to plans she thinks will save the world. This moment with Winter just highlights how ill thought out Ironwood's descent has been because he does everything Ruby does... with a few, tacked on, “and randomly shoots people!” moments to ensure we understand that he’s definitely evil. No comparison to our heroes here, folks! 
Ironwood is a bad guy now. That’s certain, but he was made that way so the story never had to grapple with the question of what that means for Ruby if we really start condemning things like lying, secrets, stubbornness, or endangering others for the greater good. Well then damn, if we strip away the hypocrisy then she might not be a good person after all. Or the people she’s simplistically labeled as bad might not be the devils Ruby claims they are. 
But that’s a level of nuance RWBY would rather pretend doesn’t exist. 
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All of which is highlighted by Ironwood’s reaction to "Penny." He sighs and sags over the gun, immediately putting it aside. With his hand on her shoulder, Ironwood tells her she's "done the right thing." Precisely the same way Ruby would lower Crescent Rose and give someone a smile when they decided to fall in line with her.
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Which, of course, is the moment when Emerald reveals herself, dispelling the Penny illusion and revealing Team JNPR The Second behind her. She gives a quip about it feeling "weird" to do the right thing before disappearing.
From there the action picks up fast. I really enjoyed this battle simply from a choreography and energy standpoint. It gets the blood pumping, Ironwood's hand-to-hand is spectacular — especially that moment against Ren — and the group actually displays teamwork for the first time in what feels like forever, all of them needed to land a hit on Ironwood. As always, out of the context of the rest of the show it feels and looks great. My primary issue is that we get this fantastic fight against Ironwood. Not Salem, not Cinder, not Watts (like last volume when Ironwood was still a hero), not even Emerald as a means of transitioning from murderous villain to the group's best bud. No, what's arguably the best action sequence in the volume thus far goes to beating up the guy they betrayed from the start. There's no catharsis for me here, only frustration as we watch Ironwood stand in shock as Winter powers up Nora — who's fine now, I guess — and she slams her hammer into his face. 
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It never should have come to this and when a good character is done so dirty, their downfall doesn't evoke the emotions the writers are looking for. Watching Ironwood fall doesn't generate feelings of victory, or even tragedy at a course of events others were powerless to stop. It's just frustration at watching years worth of bad writing, sprinkled with fantastic ideas that never go anywhere.
Oscar gets a few hits in, Ironwood snatches his cane, and just as he's about to throw a punch, Winter arrives with the most dramatic sword slash I've ever seen.
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Ironwood's aura breaks and he falls, unconscious. We cut to an image of a droid's head separated from its body, one of Robyn's arrows through its skull. That doesn't have meaning or anything.
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I suppose I should be grateful they didn't rip Ironwood's arm away during the fight, or outright kill him, though I'm still expecting him to die before the end of the volume.
Hmm. Wouldn't that be something? If after Salem's arrival, freezing cold, a Hound attack, grimm soup, a giant whale, a massive army, and a hack ending in self-destruction, the one character who actually dies is Ironwood. 
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It's looking more and more likely.
Honestly, beyond all the obvious, what's so frustrating about this fight is that characters are only now using their impressive abilities to their fullest. Emerald creates an entire fantasy of what's happening and then straight up disappears, but she only does a half-assed version of that when fighting against Penny. (And really, she put more effort into helping the heroes she just joined over Cinder, the woman she's been obsessed with since the start?) Marrow refuses to use "Stay" against a group they wanted to peacefully arrest because that's just too horrible an act, I guess, but he'll do it on his own teammates the second Qrow and Robyn don’t want to fight.  
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This is what I mean when I say the rules of the world bend to assist the protagonists in absurd ways. It's not nearly as egregious as Amity suddenly being up and running, but the fact that characters become substantially more powerful while fighting for the protagonists than they do against them is still a significant problem.
So Ironwood is down and out. As much as I hated watching that and didn't necessarily want more, am I the only one who felt like it was... a bit lackluster? I mean, the action was great, yes, but relatively short. There was no dialogue, such as another delve into the moral questions that led to this fight in the first place. There certainly wasn’t any hesitance against fighting a former ally. (Again, we’re meant to believe that the Ace Ops won because they just couldn’t bear to fight the group seriously, but every former ally here is capable of wailing on Ironwood without a single pause or pained look?) Ironwood just skillfully blocks for a while, is blindsided by Winter's betrayal, and then falls unconscious. Given that we learn he and Jacques will be evacuated after the rest of the kingdom, it's possible he'll escape somehow and we'll get a fight 2.0, but if not that feels like a rather tame end to the guy forced into the antagonist seat. Plus, what was the point of having Qrow frothing at the mouth to kill him this whole volume? I never wanted that to happen, I'm glad it hasn't, but I'm nevertheless left to ask why we bothered with that eleven episode side plot if we were going to erase it with one sentence from Robyn about Qrow being better than this. If that's all it took, let them work through Qrow's irrational anger while sitting around in a cell.
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Winter tells the group to move onto "phase two" which is when we're treated to a flashback. We return to the ending of the last episode, with Ruby realizing that opening the vault is an option. Jaune, all smiles, goes, "We never considered using what's inside!"
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This is what I mean about no consequences! This is what I mean about it all being a meaningless circle that ends with undeserved praise for the group! We started this horror show with Ironwood going, "We don't have a plan to protect the people, so I'm going to take what people we do have to safety" and the group going, "We don't have a plan either, but we're going to stop you implementing your plan because it's not perfect, risking a kingdom's worth of lives in the process." Now, the group has used two plans, one of which two characters knew about at the start and another they could have devised with the information they had. Oscar and Ozpin's, "We have an all powerful magical blast in our cane" and the group's "What if we used the Staff for something other than raising Atlas?" are both things that could have come up in the office debate. These were both always on the table! Instead, Ruby grew furious over the mere thought of cutting their losses, betrayed Ironwood again, attacked his people, denounced him to the world, and then two days later goes, "Oh wait! We could do something now that we could have easily done before if we hadn't made a needless enemy!" 
Everyone realizes how much worse they made things, right? Turning against Ironwood, bringing everyone left in Mantle directly under Atlas, sitting around while an army was devoured, drawing it out until Penny was hacked... all of it would have been avoided if the group had thought and discussed things for a few minutes, not jumping straight to violently resisting what Ironwood came up with first. "We never considered..." Ruby says. Yeah, you didn't, except that's not something to smile about. The group made the situation a thousand times worse with their reaction when they could have just magically evacuated the kingdom from the start. “Maybe we could use it to save Penny and get everyone in Atlas and Mantle back to safety." Nothing has changed! They had this ability the whole time! Nothing about the last twelve episodes led them here, they just randomly thought of it after RT had padded the volume with needless drama. Considering that they're heading to Vacuo now, we could have just made this the finale of Volume 7 instead: big fight with Ironwood, revelation, get everyone  evacuated while Salem attacks, leave her behind, then Volume 8 begins in Vacuo with the group knowing Salem is out there looking for them. This entire volume has been pointless. What did they accomplish?
Oscar got kidnapped and beat up, Nora was scarred, Ruby and Yang realized horrible things about Summer, and the whole world is panicking about a witch. Good things are... Ren and Ruby unlocked some semblance stuff? Weiss loves her brother again after he proved himself useful to her? Great work, team.
So this one moment makes everything they've done up to this point useless and, of course, once thought up the plan goes off without a hitch. Note that the summary of this episode says, "It's risky, dangerous, and nearly impossible — but it's the only plan they've got." Nearly impossible? That's a whole lot of talk for a plan that was implemented perfectly.
There is, admittedly, one snag, but one that is likewise made meaningless just seconds later. We'll get to that.
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We see Winter call Weiss who also smiles at hearing from her sister. Obviously interactions like the group's with Emerald are the bigger concern, but it's still an issue that no one reacts as they should to people reappearing in their lives. Rather, RWBY continually confuses audience knowledge with character knowledge. We know Winter is on their side now, but Weiss hasn't a clue. Last she saw, she and Winter were agreeing to head down different paths. She has no reason to think her sister isn't loyal to Ironwood, so why isn't the group treating this call with suspicion? What if it's Ironwood trying to mess with them through a presumably safe party? I swear to god, with any consistency in the story this group would be dead ten times over because their decisions are so stupid. Oscar decides to believe in the guy currently beating him to a pulp, the group decides to trust a villain over a flawed ally, and now they see Ironwood’s second calling and are like, “Great, big sister Winter is checking in!” There’s a difference between a hopeful story filled with second chances and characters whose reliance on the narrative bending to assist them makes them come across as insanely naive. 
None of which even touches on characters forgetting that other characters are presumably dead. Ironwood shot Oscar off the edge of Atlas, but doesn't react to learning he was kidnapped, or when he shows up to the fight. Thanks to Marrow's comment, Winter thinks YJOR have perished in the whale, but also has no reaction to them appearing to help with this plan. Absolutely nothing is followed up on.
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We then get a flashback within the flashback (fun) of Winter — shock — not arresting Marrow. It's precisely as I assumed, with Marrow angrily asking why she hit him and Winter responding with, “Because you were about to get killed if I didn’t do something!” As I said last recap, I feel like I should let the marginalized groups lead this discussion, but I do want to add that no matter how well intentioned — or strategic, as I mentioned last time — the imagery itself is still harmful. No matter the context, we were still left with white woman Winter putting her knee on black man Marrow's back to arrest him, and it’s an image that everyone in the U.S. should be familiar with the horror of. Far more of a problem than the (presumed) ignorance of this scene is, I think, the choice to make Winter entirely unrepentant. I think some of this discomfort could have been alleviated if RT had written Winter as apologetic, contrite that it came to that and asking Marrow to understand that she only did it as a means of assisting him. Asking his forgiveness. Instead, we get this
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So what, the only emotion we have room for is gratitude that Winter beat him up? Yikes.
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As a lighter side note, I find the animation here unintentionally hilarious. Winter's assistive device makes her shoulders look too high, making this gesture more, "Woman exaggeratedly pouts about not getting ice cream for dinner" and less, "Woman sternly closes off during a disagreement about saving lives and betraying their general." Gotta find our humor where we can, right?
What's intentional, but far less funny, is the needless animation to show us that, yes, Marrow is peering at Winter calling Weiss. Oh, the shenanigans. 
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The elevator opens where Qrow and Robyn spot them. "Speaking of help," Winter says, as if she has any reason to believe Qrow didn't kill Clover. He and Robyn lower their weapons a bit, as if they have any reason to believe Winter and Marrow aren't still loyal to Ironwood. Would it really be so hard to have Winter immediately throw up her hands in the face of their almost-attack, blurting that she's not their enemy and needs their help, please listen? Again, RWBY can't remember which characters know what, let alone what their motivations and reactions should be.
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We then enter the third part of the flashback where everyone piles into the Schnee dining room and discusses doing the things they could have done from the start. I'm metaphorically banging my head against that table. In RWBY's favor though, we also get a long shot of Jaune continuing to boost Penny’s aura.
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Though it's only one of many issues, just the other day I asked, "Hey, why has Jaune always needed to hold onto the person he's assisting, but now suddenly he can touch Penny once and the boost remains?" It still doesn't explain why he was letting go before/why him needing to boost her continuously didn't put a hard time limit on their plan — not that Mantle's hour limit meant a thing — but at least they're showing more of that here.
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Oscar notes that Atlas has enough gravity dust that it won't fall immediately when they use the Relic, but they will have to move fast to ensure no one is underneath. Yeah, like all the civilians you put there. He also cautions that the Staff isn't a "magic wand" that they can just wave to make all their problems go away... even though that's precisely what they're going to do. Ozpin gets some lines that aren't apologies or followed by attacks — hallelujah! — about how the Staff's spirit is a "character" and requires that you be able to precisely explain anything you want him to make. Blueprints, examples, a firm knowledge of how this will be accomplished — all of it is required to actually get what you're after. That's a cool limitation. It's just too bad we didn't know about it episodes ago, forcing our heroes to find ways to meet those requirements. Instead, they already have everything ready to go the moment they learn about it: Penny has her own schematics and Whitley apparently has knowledge of the entire kingdom after sending some ships out. Normally I'd go, "Really?" but I'm still just struck by how much good he's done compared to everyone else in this room. Your show is seriously broken when the side character the writers didn't even want the audience to like until a few episodes ago is more active, mature, and sensible than the heroes.
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From there we see the group implementing the plan. They fly up through the hole Oscar left, straight to the vault. Penny opens it without any trouble and Ruby uses her speed to grab the Relic and stop time, halting her self-termination. I do like that combination of skill and their knowledge of how this magic works. That felt like a smart move. What's interesting though is that the Relic appears to stop time in the entire kingdom. We see people in Mantle and Atlas slowing to a halt too. I assume no one remembers that happening after time restarts, otherwise people would be freaked out by suddenly being frozen in place.
Wouldn't that have been cool though? The group often takes a while to use the Relics, either deciding what they need, or watching Jinn's information, so what if you had a population that blinks and suddenly, from their perspective, half an hour has passed? How long might Ozpin have sat on his knees after Jinn told him he wasn't able to defeat Salem? How long was that space frozen? We could have had a world built around rumors and fairy tales. Not the random stories Ozpin brings up to make a point and that we never hear about again, but tiny details that foreshadow these revelations. A Beacon where the kids tell each other spooky stories of people suddenly losing time, once a whole day. The wives, sisters, daughters, and nieces who disappear, or wake up one day with horrifying, unnatural powers. We see magic influence the world around it, but we've seen very little of the world reacting to that influence. The one time I can think of is Blake reading a book about "a man with two souls," the fiction clearly inspired by knowledge of Ozpin. And indeed, it felt great to recognize that as a significant detail and then be proven right years later as the lore was revealed. We could have gotten so much more of that if RWBY was better planned out.
I'm getting off track though. As time stops we see a series of images: Ironwood being led to a cell with Jacques, Penny succumbing to her hack, Team JNPR The Second preparing to contact the kingdom about what's going on. Then everyone is distracted by the giant, blue, buff Ambrosius who comes out of the Staff.
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...there's a lot of innuendo in that last statement lol. At least RWBY is committed to the crazy design they chose? I was never particularly comfortable with the image of characters gaping up at a giant, naked woman in chains, so it's nice to balance that a bit with an equally giant, naked dude in chains.
From here things get confusing. In all honesty, I'm not sure if this is another moment where RWBY is trying to pass off a retcon as the group being brilliant, or if I, as an individual, simply didn't follow the logic. I won't bother to rehash the slow, meandering way that Ruby reveals their plan — that certainly didn't help with the clarity. Not in an episode where we didn’t even know these rules ahead of time — but it boils down to this:
The moment they have Ambrosius create something new Atlas will start to fall. Two of his creations can't exist at the same time.
He needs clear instructions about what he's making in order to create it.
The group has brought him Penny's schematics so that he understands how she's built.
They want, specifically, "a new version of her... using her exact robot parts."  
They can't just create an exact duplicate of Penny because that would carry the virus with it.
They can't create an exact duplicate without the virus because that Penny would cease to exist as soon as they used Ambrosius to make an evacuation plan instead.
So they essentially want Ambrosius to create a new Penny by removing all the robot parts from the Penny that currently exists, carrying the virus with them, and leaving only the human parts of Penny behind: her aura/soul. Then, the purely robot version is destroyed when Ambrosius creates something new.
Except... this new Penny, this human Penny, still needed a human body. That's what Ambrosius created and that's the snag I don't understand. They want a version of Penny that's just her aura, just her soul, but that soul still needs something to be housed in. Ambrosius himself notes that. At first I thought the group would just have some wisp-like version of Penny they'd have to find a new body for — perhaps leading to a new one for Ozpin too — but she's just... given a human body when he takes the technology away, something she absolutely didn't have before. That is Ambrosius' creation. That is what should have disappeared along with the removed parts of Penny, leaving only her soul — what Ambrosius didn't touch — behind. Instead, the plot oh so conveniently has Penny get a new body for free and it's untouched as they move onto the next task.
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Ruby drops a casual line about Ambrosius not being able to kill, or destroy, or something, which I think is meant to be the justification here. The rule (which, again, we JUST learned) about not killing anyone supersedes the rule of two creations not allowed to exist, allowing Penny to stick around. But even if that’s true, it’s a load of bull. What, does the magic think no one in an entire city might die if the floating mechanism is removed and it plummets to the ground? Ambrosius didn’t say, “Sorry, can’t stop floating Atlas because thousands of people are still here and they’ll die if I create something new,” but we’re supposed to believe the group skated by on, “Sorry, can’t destroy the last creation like everything else because there’s a single person still using that body and she’ll die if I create something new”? 
Seriously, did I miss something? Or is this another, "Amity is ready because the group needs it" situation? The rule of creations ceasing to exist is bent because the group needs to have their friend around. Ambrosius is certainly enthusiastically complimentary, saying how "smart" the group is and that they've "done their homework," but I'm not so sure. It feels like a moment where the show is (once again) insistent that the group is far more talented and brilliant than their actions actually imply. It's only the rules of the world twisting and turning that allows for their success. To say nothing of how the episode dropped all these rules on the viewer in a ten minute info dump, ensuring we didn’t have any time to think about them before the deed was done. 
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It doesn't add up for me and honestly, even putting that aside? I hate this. I absolutely despise it. Look, if it turns out this really does make sense then props to the group for coming up with that plan. Our snag aside, the rest is a legitimately well thought out wish. I don't have a problem with the execution so much as the message. I've been saying since Volume 7 that RWBY has done Penny a disservice in terms of her "real girl" narrative. Whereas before we had a firm message that you don't need "squishy guts" to be human, to be real, Volume 8 continued to carry us further and further into the idea that it is necessary. That Penny's body is entirely inhuman, something to hate, but at least her soul is human and good. That's what the virus arc taught us: your terrible, technological body might be betraying you, but hold onto the parts of you that are really human. I hated that too, but I never thought RWBY would go this far. They made Penny fully human and went, “THIS is the version that always should have existed.”
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And this isn't just me reading into the implications. It's right there in the text. Blake says that they're looking for “Penny, the girl who’s always been there underneath." Meaning, underneath the metal. The girl exists trapped in the robot body. Yang holds up her arm and says that the metal is only "extra," it's not really who you are. 
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That gets into two perspectives on disability that RWBY just doesn't have the nuance for: what's an integral and celebratory part of one person's existence can be seen as something separate and discomforting to another. Though there are many people with disabilities who would happily cure themselves with a magic Staff if given the chance, there are just as many who say no, this is a part of my identity. I don't want to change, I just want the world to accommodate my existence. However, RWBY takes a hard stance here, saying that any metal in your body is intrinsically bad. We didn’t use to have this take, but now the show has embraced it. Blake says the real Penny is trapped in there. Yang's words implies that she'd get rid of this "extra" bit of her if possible. Mercury with his metal legs is the enemy. Ironwood with half his metal body is the enemy. Whereas once difference was truly accepted, now it's shunned and fixed whenever possible. Those who can't be fixed, like Yang, must simply deal with the lot they've been dealt, reassuring themselves that the metal isn't really them. But Penny? Penny they can fix.
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So they do and the very first thing Penny does is hug Ruby, exclaiming, “Do hugs always make you feel this warm inside? Wow. More!” and proceeds to hug all the others. 
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What's the underlying message there? Penny didn't understand hugs before this moment. She never experienced the "warmth" of them while an android, despite the fact that here warmth is entirely metaphorical and has nothing to do with a literally cold body. RWBY really went and said that the "real girl” android was never actually real at all — not as real as she could be — because it's only when she's given "squishy guts" that she understands the true happiness of a hug.
Wow.
I mean seriously, wow. 
Never-mind that, you know, we've seen that happiness and warmth since she was first introduced.
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RWBY is really rewriting all the core themes introduced in Volumes 1-3 and it sucks. The show is absolutely the worse for it.
To say nothing of all the other disservices to Penny's character here. There's all this buildup about whether she'll still be the same Penny once the wish is complete, but of course she is. We wouldn't want to have Penny struggle when she becomes something other than what she's always been, would we? After all, it took Yang an entire volume to work through the shock of a metal arm, but taking away a metal body for a human one is in no way traumatic. Having a normal, human body is intrinsically a good thing! Of course Penny accepts it with nothing but smiles. Becoming human is celebratory, but becoming more machine is a horror.
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She gets to watch her body self-destruct, glitching out and collapsing in front of her. But again, nothing to unpack there that can't be covered with a hand over her mouth.
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There's no discussion of whether Penny still has the Maiden powers, or whether a wish like that would mess with the transfer in any way. How did the group know this action wouldn't register as a clear-cut death, forcing the power out of her and into someone new? Obviously they couldn’t know, but no one even thought to bring it up? 
And the entire time they're formulating their evacuation plan, there's no talk of whether these portals will appear before everyone currently alive in the kingdom. I mean, if they do then Ironwood and Jacques can just waltz through and escape into Vacuo. If they don’t, then Maria and Pietro don't necessarily have a way out. We still don't know if they're stuck floating in Amity, or if Amity crashed, or if they made their way back to Mantle or Atlas. More importantly, the characters don't know. I have no problem with RWBY keeping that a surprise until the finale, but I absolutely take issue with Pietro's daughter walking through a portal, seemingly not to care whether her father is going to make it out too.
It's been the same with Qrow and his nieces' relationships. The show is good at insisting that these families love each other because they hug and smile while on screen together, but when shit is actually going down, none of them care about pesky things like disappearances, arrests, or “The last time I saw you, you were with an old woman on a damaged station after a villain attack, potentially stranded in deadly cold if life support failed.” 
So yeah, this entire arc with Penny has been a disaster. From throwing away her framing subplot, to giving her a virus that did absolutely nothing, to giving her the Maiden powers which she's also done nothing with, to erasing her android status for a “She's really human now” message, Penny has been done dirty by the show these last two volumes. Not nearly to the extent Ironwood has, but still. At this point I wish they'd just kept her dead dead. Why do I want her back when that resurrection produces no reaction, her conflicts lead nowhere, and one of the core things that made Penny Penny has now been magically erased?
I've been saying for weeks that killing Penny off and keeping Penny around each had serious downsides attached, yet I never expected RWBY to do BOTH.
Also, I'm warding off any, "But Pinocchio was made into a real boy too" defenses. RWBY is not Pinocchio. Penny is not Pinocchio. I thought the allusion was going to be the Pinocchio inspired girl heading into the whale, not the show forcing the exact plotline  —  down to a blue, magical creature — onto a character whose entire journey has been about accepting herself as an android. Congratulations, RT. You just obliterated years of work.
Again, if you'd like an example of how to do this far better:
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As Penny's character falls apart, Atlas shakes, alerting Jaune and the other that a new wish has been granted. Jaune pecks at the screen and realizes "That did, uh, something…?” but doesn’t realize that there's a giant, red "LIVE" up in the corner.
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Jaune tries to warn the entire kingdom about their plan, but what he actually says is
“Atlas is falling, but — !”
And then the communications cut out. 
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Watts, perhaps?
Our heroes are really good at saying things that make large populaces panic, huh? This is the one (1) snag in their "impossible" plan, but as said above, it doesn't amount to anything. We get a shot of Nora, horrified at the thought of kingdom-wide communications being down, but literally seconds later Team RWBY has made portals appear that everyone can walk through. So... why do we care about communications? More importantly, why does the show try to make us care? So much time is spent getting the viewer invested in problems that never come to mean anything. 
Including the problem of Salem herself.
Because the group successfully creates that evacuation plan. This is it. Everyone is leaving while Salem still reforms. 
Yang asks if they can use the vaults themselves as a single point for everyone to go to and Ambrosius agrees. So everyone is going to pile into the Vacuo vault that can only be opened by an unknown Maiden? They're going to put an entire kingdom's worth of people, including their enemies, into the vault where the Relic of Destruction is? Yeah, that's great. Prior to this — like if this had been the plan at the end of Volume 7 — I would have 100% agreed that these risks are better than death by Salem/grimm/cold. Now though, Oscar as axed Salem for an unknown length of time, the cold is having no impact on the civilians outside, and the grimm only attack background military personnel that supposedly no one cares about. They couldn't have spent another few minutes (especially with time stopped!) to figure out a means of getting to Vacuo that doesn't involve revealing and providing access to the location of a super secret vault? To say nothing of what they're going to do if Salem wakes up and snags one of those portals for herself. Two kingdoms for the price of one!
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But that's what they're going with. Weiss gives Ambrosius a schematic of the kingdom, I guess, and he makes branching pathways appear with numerous portals for everyone to step through. They'll enter through one and, when they exit another, will be in Vacuo. Easy peasy, right? Especially since Ambrosius doesn't seem to have any limitations about how often his power is used. Is it three creations every 100 years like Jinn? We're not told, at least not to my recollection. However, I was expecting there to be a waiting period, that they'd fix Penny, go to evacuate the kingdom, and learn that sorry, I can't make another creation just yet. It feels like the sort of shit move these beings would pull — "Don't cry to me when it's not what you wanted" —  it would have been another commentary on the group's insistence on putting friends over the people's safety (like demanding the Ace Ops not bomb the whale because of Oscar), and crucially, would have kept the action in Atlas. Isn't that what this volume is? The battle for and potential destruction of the Kingdom of Atlas? We have two episodes left and, unless something unexpected happens, we're moving that action to Vacuo. Why? 
Meanwhile, Penny's corpse is just chilling in the background 😬
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While all this is going on, Winter reassures Jacques that he and Ironwood will be evacuated too, though she makes it clear saving him was Weiss' idea. It checks out, considering Weiss is the one who turned her father's arrest into a joke last volume. Winter still takes his abuse seriously.
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The group prepares to leave with a celebratory, "We did it!" from Weiss. I'm still banging my head against that dining room table. Before they can pass through the portal though, Ambrosius leaves them with one, dire warning: "Do not fall." 
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In any other story a line like that is a neon sign announcing to the audience that someone will absolutely fall, and maybe they will, but RWBY has dodged consequences so often I wouldn't be surprised if this was merely another way to string us along. Remember all the hype surrounding Salem? The cold combined with her army and magic? How she was going to decimate Atlas and leave our group broken in a Fall 2.0?
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I mean, we still have two episodes left. Forty minutes of content. Salem might still decimate them, especially since something has to happen in the finale. But god, it's a problem that we've come this far without a payoff. Salem randomly decided not to attack anyone, was stopped by a weapon added in solely for this purpose, and now the whole kingdom is being evacuated with a plan the group could have used at the start. This volume really is meaningless. 
“We go to vacuo and hope we’ve thought of everything” they say as the camera zooms in on Cinder's smiling face. For the second week in a row.
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Bingo time!
Winter betrayed Ironwood, the group used the Staff of Creation, and I'm axing Maria on behalf of Pietro. You can't have the guy's daughter become human — after he was killing himself to give her his aura?? — and magically walk to Vacuo, not knowing if he's even survived since she last saw him, and expect me to think he hasn't been forgotten. Same with Maria. Has the group mentioned her since Amity cut out, notably for reasons they couldn’t explain? Of course not. Did they care to find out what happened? Of course not. I have no doubt they'll both re-appear in the next two episodes, Pietro crying over how perfect his girl is now and Maria congratulating the group on their actions, but we're still marking it.
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This is the ugliest thing I’ve ever created, I hope you all are enjoying it :D
Another week, another couple feet added to the hole we’re digging. I know I keep saying I have no idea what's going to happen next... but I have no idea what's going to happen next. A Vacuo ending was not in the cards, not outside of them miraculously showing up in ships. Maybe they have been on their way to Atlas (somehow...) and will arrive precisely when everyone has left! Anything is possible at this point.
See you next Saturday, everyone. Hold on until then lol. 💜
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letstrywritingmaybe · 11 months ago
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5. Marriage Verse
(Re:part two of my list of fic ideas I’ll never get to)
It’s been done before, but never by me so here we go.
You guessed it, post black org and antidote, my queen gains a lot of haters. So to protect her, what better way then getting with the savior of Japan?
• basically to help prove Shiho isn’t evil and was a victim in all of this, the Kudos vouch for her. To the extreme. My ship is getting married y’all!
• now did they really have to go this far? Probably not, but why do they do it? Well because Yukiko is extra as fuck and also, Shinichi is in love with Shiho so this is a win win for him
• he keeps claiming it’s for the greater good and he’s doing this cause he wants to protect her. Which kinda true, but the real reason is because this is how he keeps her forever
• typical of my queen wanting to leave and move on, cause she thinks of the canon ship (who are very broken up in this verse though feelings linger…) and of course Shinichi has abandonment issues so he’s not for her leaving
• besides she’s still low key treated like a criminal so it’s not she can leave anyhow. So operation help Shiho gain a good reputation is a go! So off to the chapel my ship goes!
• similar to how my green card au went, he’s obviously already in it while my queen is in denial. She thinks once this blows over they’ll get divorced and he can be with his ex. Which is not at all where he thinks this is going
• I know it seems like I hate marriage cause of my fics, but I’m of the belief that it should be forever. (That being said I know it doesn’t always work that way, hence why I never really write about it in my fics and why Shiho is a cynic when it comes to marriage) which is how he sees it, so he isn’t just being rash when he suggests getting married
— side note, I do actually have a divergence of this verse in which Shinichi’s plan of them getting married doesn’t happen cause he was in a coma, so instead to save Shiho’s reputation the Kudos adopt her. Which makes things very messy cause now Shinichi can’t just get what he wants and make her his wife. This version is kinda messed up though cause I envision Shiho moving on and loving the fact that the Kudos have been so kind to her and accept her as their own, meanwhile Shinichi is not taking it well. I’m sure no one will know what I’m talking about but there was a Taiwanese drama I watched called Devil Beside You a long time ago and that’s the vibe of this fic. Basically they’re siblings but not biologically and they still end up together. Except Shinichi is way diabolical in this verse cause he’s completely lost it. Also Shigo is a thing and again Shinichi is insane. It’s low key heartbreaking for Shiho and such a toxic relationship, but some days I can’t stop thinking about it
• basically I just wanted an excuse to write a short fic where they can be all cutesy and he can properly woo her. I feel like I had more of this verse planned but the alternate version completely took over and I’ve lost the plot. But I know a lot of it was him being like the That’s my wife! guy. So over how he’s the one everyone is obsessed with, give me a Shinichi who knows how lucky he is to be married to my queen
• there’s definitely drama with the canon ship cause listen, if my boyfriend of like idk a month who I’ve always thought was mutually into me since we were kids all of a sudden breaks up with me over the phone then goes radio silent then shows up with a whole ass fiancée a year later? Best believe someone’s going to catch these hands cause what!??
• also this is probably unpopular but I love how much Sonoko stans Ran and is on her side, these besties are definitely scheming to break shinshi up. At first they’re like it’s not real, he’s not really gonna marry her. But then they do get married and they’re like what!?! So then it’s operation show him what he’s missing and remind him how great Ran is which leads to a shinshi divorce and all is right in the world! (Though Ran low key has mix feelings about this cause if he really did love her why would this even happen? She still trusts him and he always tells her he can explain but this time he doesn’t so she’s doesn’t know what to think)
• meanwhile Shiho sees through their ploy but also doesn’t think the marriage is real so she’s just like okay yeah, go for it, steal my man cause he’s not actually my man. Which is just for my benefit cause I have a thing for him trying extra hard to prove they’re real
• also since this is my verse, they do consummate the marriage on their wedding night. I know it’s a thing that every drama does where they don’t until they’re like actually in love and on the same page, but I actually kinda hate that (even though I low key did that in the green card verse too…) (which is weird cause I’m ace but I’m also just like get it over with already! Plus I think it makes the dynamic more interesting cause people are weird after the relationship becomes sexual too, but maybe it’s just cause I’m a Vegas gal) plus you’ll notice a theme in my belief that Shinichi thinks sex=love while Shiho thinks it’s just fucking
• also would love a recurring thing where Shinichi loudly proclaims to just about anyone that Shiho is his wife, so hands off! Like that’s his woman and he’s gonna protect her damn it!
• idk if they’ll have kids, but it will be discussed (again my bias in thinking he absolutely wants to knock her up cause he low key has a breeding kink) of course Shiho is overruled in this, cause what better way to prove they’re real then by having kids! A win for the Kudos! But Shiho is like um no! That’s way too much! Having kids complicates things! I’m doing this to have freedom, how is having a child going to set me free? That’s another shackle! Besides, even if she leaves her kid behind which she would never, it’ll be harder for Shinichi in the long run as a single father to remarry. Again queen is still waiting for the rouse to be over
• obviously it ends with them living happily ever after cause it’s my fic, and again like the green card au I hate the whole they get divorced then get married again for real thing, it’s such a waste of time imo and so much paperwork. Like I get why it’s a thing, but I still think it’s dumb. So they stay married the whole time and that’s that
• this is the verse that I’ve been dreaming of lately and keep adding details in my head. Like the beginnings of it, when Shinichi is trying to justify a kiss and taking her out on dates and she’s conflicted.
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bigskydreaming · 3 years ago
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I know some people just aren’t comfortable engaging with parts of canon where Bruce is abusive, because that’s just not the version of the character they’re here for, and I get that.
But the second a fic shows a willingness to address or even center itself around something like RHATO #25 or the Batman issue from King’s run where Bruce hits Tim......but DOESN’T acknowledge any of the many, MANY times that Bruce has been abusive to Dick on both sides of the Reboot, from post-Forever Evil to after Jason’s death post-Crisis and times in between?
Yeah, that’s when I see red.
Cuz that’s when it starts to look an awful lot like people are viewing abuse as some kind of narrative spice that they can selectively dole out only to those characters they like, while ignoring the times its applied to characters they don’t like because it might make them too sympathetic or interesting or what the fuck ever.
And I know people aren’t viewing abuse that way, right? Like surely there’s got to be some other explanation for why fics that heavily reference every single time Bruce has done something bad to Jason or Tim seem to act like Dick was just passively at Bruce’s side through all this, backing him up or else just being too naive to think Bruce could ever be like that, instead of like....actively a victim of their father’s abuse as well.
Look, its one thing for a certain character to not be your focal point or someone you’re particularly interested in, but you GOTTA look at the way this looks when you treat a character who has had instances of being a victim of Bruce’s abuse going back over thirty years, as like, being enabling, uncaring of or even party to Bruce’s abuse to the others in more recent years. Like, I focus a lot on the times he’s done it with Dick like in NW #30 or NTT #55 and just talk about Bruce and Dick in reference to those, because I’m trying to keep the focus limited to just Bruce and Dick for the purposes of whatever point I’m making, but the thing about that is.....I’m not CLAIMING that Bruce has never been abusive with any of the others, they’re just literally not even coming into the post because it isn’t about them. 
But the second you open things up to a full fic where things from all points of canon are being referenced in characters’ issues with Bruce, and you have a full cast list assembled.....it doesn’t work the same way because now you’re not just not talking about Dick’s experiences there because he’s not the focal point, now you’re actively writing over his experiences with a veneer of oh Dick and Bruce are fine, nothing like this has ever or would ever happen with them. That’s when you’re making for whatever reason a conscious CHOICE to depict certain kids of Bruce’s as victims at his hands, but NOT depicting the one who inarguably has been written that way the LONGEST and going back the furthest....because you simply don’t WANT him to be as sympathetic or the others or someone who can relate to them on this front, you want him to be an OBSTACLE to all that.
That’s shitty. I don’t know how else to tell you that that’s shitty. Please stop reserving abuse as some kind of ‘prize’ that’s only awarded to your personal faves’ backstories, because oh my god is that an offensive fucking take both coming and going. Not only are you unintentionally framing abuse as something ‘that can be quite good, actually, cuz it makes characters (people) interesting,’ you’re also again, as I said, seeing absolutely zero problem with taking a canon abuse survivor and making him part of the issue instead of someone similarly affected by it, simply because you don’t like him or find him interesting and you don’t want him to be the same as Jason or the others in this regard.
Frankly, this applies to the way this fandom treats a LOT of specific kinds of traumas. Like catch me side-eyeing the massive trend of Jason-as-Robin era fics that have Jason view Dick as spoiled, pampered, and harder to relate to or understand even than Bruce because god forbid one of those fics go with the juvie origin for Dick. I’ve more than once heard people say “I just don’t like that origin for Dick because I find it too angsty” and I gotta say, its a good thing that Cass and Damian’s origins aren’t too angsty to avoid and that nobody has ever extrapolated from what we do know about Jason and Tim’s childhoods to go into extremely elaborate and angsty detail about every possible facet of abuse or neglect they might have endured. 
I mean nah, this isn’t yet another way in which people deliberately depict Dick as just ‘not getting it’ because he hasn’t been through the kinds of stuff the others have, and its like. Okay but see thing is, he actually HAS, and you not acknowledging any of those instances is a CHOICE that you’re making as a writer, and as readers, we’re allowed to question those choices. We can look at what you’re presenting in the way that you’re presenting it, and think okay, but one of these things is not like the others, and the way you treat various characters as extremely sympathetic because of various aspects of their canon stories or their backstories while acting like the same could never ever be true of a character it absolutely has been true of on many different occasions....its super uncomfortable. And it kinda casts a shadow over everything you write into your story about abuse or specific other traumas because now there’s actually this implicit undertone where its like, okay but we actually only care about these things when they’re affecting someone or some character we LIKE, and that’s.....yeah. Not awesome.
I’ve ranted many a time before about the abuse apologism that runs rampant in this fandom, particularly in the vein of people refusing to acknowledge Bruce’s abusive actions (which again, I understand and am fine with up UNTIL...) but being perfectly comfortable sticking with any and all of Dick’s REACTIONS to literal abuse, but now deliberately separated from the inciting actions which makes it look like he’s just instigating shit or upset for no reason whatsoever. That’s literal abuse apologism, no matter what your intentions are, because hate to break it to people, but “Avoid Acknowledging An Abuser’s Actions And Flip The Focus To What The Abuse Victim Is Doing Wrong Instead” is literally chapter one of Abuse Apologism 101. But this shit? Abuse only happens to people I care about or find sympathetic already, because weirdly I seem to be able to make excuses for or overlook any instances of abuse that happen to someone I DON’T like?
That’s literally chapter two of the same damn book.
And good god but am I tired of people harping endlessly on about how much they care about these topics while blithely doing nothing BUT reinforce abuse apologism tropes and narratives in the process of shining a spotlight on the abuse that happens to personal faves and personal faves only.
And this definitely falls into the same pattern of people who happily talk about taking a match to canon and watching it burn at the exact same time they make the deliberate choices to depict Dick as the one Batkid who just doesn’t truly get the others and never will, or is unrelatable or all these other things.....
And its like hey guys? 90% of the stuff you hold against Dick Grayson or cite as your reasons for not liking him? When we say those aren’t canon its not because we’re trying to be the canon police always showing up to bust up your fun and be like no no no you naughty people, that never happened so you’re not allowed to write that. No. That’s not a thing. That’s not what that is. What it ACTUALLY is, is us pointing out all the times and ways where when Dick comes across as a giant asshole in fics, and we’re like why tho, we’re just literally trying to understand where your interpretation of his character is coming from, and you guys are like bitch its canon, and we’re like okay no but thing is, its really actually not. Its us just being like hey, the vast majority of the stuff you say you dont like about the guy or the times you leave out all the stuff that you cite as what you DO like about other characters, its like....
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But anyway....
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ghastspidergwen · 3 years ago
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I love @doctorsiren's dadskall au, and I thought I'd write a little fic about it. basically, the dadskall au is where xisuma and ex (alex)'s dad is doomguy, but some sort of accident/crazy magic/whatever made him and iskall share a body, go check out doctor siren for the whole story, she has great art, too!
disclaimers (you can completely ignore this section if you want): I have played about 15 minutes total of all the Doom games, read none of the books, seen none of the movies, but the ost is great, so this will probably be ooc for doomguy. xisuma and alex are more based on the featherweight au versions, not the real hermitcraft versions. this story is not part of the dadskall au nor any of dr siren's other aus, it's just a break for me to write some fluff. it takes place ~3-4 years after where fw currently is (s7 election era) but is not set in the fw au world. link to the post part of this is based on. ...and I think that's everything, onto the fic!
.
Xisuma took a deep breath, “I think dad’s alive.”
“You said you saw him die,” Alex, previously known as Evil Xisuma, said, turning to his brother, “They told me he died”
“He wasn’t exactly dead, it’s hard to explain. It’s more like...the horcruxes in Harry Potter. When dad died, I think there was some magic at play that made it so his ‘soul’ transferred into the nearest healthy, person. And I think I found them.”
“Uh-huh, and who might that be?”
“HALLO!” Iskall burst in, “What did you need me for?”
“Iskall? Seriously?”
“He was there that night and I have no reason to believe-”
“You really think Iskall-”
“It’s my best guess, everyone else was injured, and the magic had to choose the nearest healthy person, so it must be Iskall.”
“What must be Iskall?”
“Are you sure we’re talking about the same Iskall?”
“No, Iskall86,” Xisuma said, sarcastically, “Of course this Iskall, how many Iskalls do we know?”
“I still have no idea what we’re talking about, can -”
“No!” The void brothers turned to him and responded in sync. Xisuma pulled his brother into a side room, “Stay right there, thanks Iskall.”
“What?”
Xisuma exhaled and closed the door behind them, “Phew, OK, I have reason to believe that 13 years ago, Iskall was present the night that dad-y’know-and since everyone else there was either corrupted or injured, as the only uninjured person, dad’s spirit ended up inhabiting his body, but’s been so weak that it was only using Iskall as a means of staying alive, not influencing him or trying to take control of his body at all. Do you get me?”
“A little.”
“And I think I know the spell that will separate them, and give dad his old body back,” They went back into the main room with Iskall, “Should I do it now?”
“Blast ‘im,” Alex backed out of the room, putting a protective wall between him and the magic.
“WHAT?!”
A glowing green ball of energy swirled between Xisuma’s hands, and Iskall backed into the wall, “H-hey Xisuma, what are you doing?”
“This...shouldn’t hurt.”
Iskall held up a hand in a stop gesture, “SHOULDN’T?!”
Xisuma blasted him with the magic. Iskall glowed green, floated into the sir, then split into two people who fell down.
“I...think it...worked,” Xisuma muttered, collapsing to the floor.
Doomguy looked up, and noticed someone lying, unmoving, on the floor. His saving-people instincts kicked in, and he pulled himself over to the person. “C'mon, don’t be dead, don’t be dead,” he said, shaking them.
Someone was shaking Iskall. He sat up and opened his eyes, “Holy heck, it’s Doomguy!”
“You’re alive!” Doomguy said relieved, and pulled Iskall into a hug.
Absolutely starstruck, Iskall sat there, frozen. It’s Doomguy, I love Doom, Doomguy is right here, and he’s hugging me, it’s Doomguy! Iskall’s mind looped.
Pulling out of the hug, Iskall spotted Xisuma crumpled on the floor, “W-wait, I got-gotta check on my friend.”
Doomguy turned around, and spotted his son on the floor.
“Xisuma!” He stood up and stumbled toward him.
“Wait, you know Xisuma?”
“He’s my son. Well, your son, too. Our son.”
“Wha-”
“Short answer, I am you. You are me. We’re the same person.”
Looking at his hands, one thought crossed Iskall’s mind, I’m Doomguy. It was closely followed by “I HAVE A SON?”
“Two sons.”
“TWO SONS? And one of them is dying!” Iskall sprinted across the room and cradled Xisuma’s head, “I don’t know what to do!”
“Health potion?” Doomguy suggested.
“Oh, yeah,” Pulling a potion of healing out of his inventory, Iskall splashed it onto Xisuma. He held his breath and waited to see if it would work.
Xisuma opened his eyes. He sat up.
“Dad!” He jumped up, and buried his face in his dad’s chest plate, giving him a hug the same way he did when he was younger.
“I’m your dad, too,” Iskall said.
“You know?” Xisuma asked, breaking off the hug.
“Yeah, Doomguy told me. So give your poppa a hug,” Iskall uncrossed his arms and gave a very confused Xisuma a hug.
“Oh, OK,” Xisuma awkwardly pat Iskall’s back until he stepped away.
“Is Alex here?” Doomguy asked.
“He should be right outside, he didn’t want to be in the same room as an untested spell.”
“Wait, you didn’t test it? Then why did you cast it on me?” Iskall asked, panicked.
“How many people do we know that have another person living inside them?”
“Wels/Hels, I’m pretty sure Ren did for a while, a pregnant lady,” Iskall ticked off on his fingers.
“Different circumstances. Wels and Hels are one person, like two sides of a coin, Ren-I don’t know what happened with Grimdog or The Red King or whatever, but I definitely don’t want to mess with those, and did you just compare yourself to a pregnant woman?”
“Uhhh...nevermind.”
“You said Alex was just outside?”
“Yeah,” Xisuma pulled the door open, to reveal Alex sitting on a bench outside, drumming his fingers against the seat
“Did it work?”
“Yeah.” Stepping out of the doorway, Xisuma revealed their dad standing behind him.
“Hi, Alex.”
“Dad?”
“It’s me,” Doomguy sat next to his other son.
“Dad!” Alex hugged him, and they pulled Xisuma into the hug after a second. They sat there before the hug was interrupted by another pair of arms joining in.
“Family, together again,” Iskall sighed.
“What’s up with him?” Alex asked, glancing at Iskall.
“I’m part of the family, call me Dadskall.”
“OK...Dadskall, can we have awhile alone with our dad?”
“Oh, yeah. Sure. See you later.” Iskall trudged out of the room.
“I haven’t seen you guys in forever! How long was I…”
“15 years.”
“So that would put you guys in your mid-30s, right?”
“Yeah.”
“Has anything big happened in the last 15 years?”
Alex pulled off his helmet, “Nothing too bad. I was imprisoned for a bit of it,” he glared at his brother.
Xisuma also removed his helmet, “I said I was sorry, how many times do you want me to apologize?”
“I wasn’t saying it’s your fault, I was just making the point that-”
“I get it! I was an idiot and I didn’t listen to you when you were clearly right.”
“Just like old times,” Doomguy chuckled, he examined his son’s faces, “You look so much older, like real adults. I’m so sorry I missed out on the last 15 years, I would’ve loved to see you grow up.”
“It’s not like you could do anything about it.”
“I know you would have been here if you could.”
“Also how did you guys get those scars?”
“Someone needed to keep slaying the demons after you left,” Alex shrugged.
“I angered some Watchers years ago.”
“You angered some Watchers?” Doomguy asked, standing up.
“I just realized someone was right, but it was too late to save them.”
“Darn right, I was.” Alex and Xisuma also stood up.
“I...forgot how tall you were,” Doomguy said looking, at up at Alex, who was only a few inches taller.
“Oh, yeah. Xisuma was jealous he never got this tall.”
“No, I’m not!”
“Sure,” Alex smirked.
“So, anything else new?” Their dad intervened.
“Daisy’s still alive.”
“Should’ve guessed,” he chuckled.
“Oh! You’re a grandpa!”
“What?!”
“Yeah! I adopted a guy named xB. I’ll call him over, so you can meet!”
<Xisuma> hey xb, can you come on down to my base, I’ve got something to show you
<xBcrafted> ?
<xBcrafted> yeah, be there shortly
“How did you meet this xB?”
“I was doing some exploring between seasons, looking for a good seed, when I found a small single player world. xB was alone in there. Poor kid was only 13, didn’t know where his parents were, said he had been handling himself for the last 2 or 3 years, so I took him back to Hermitcraft with me. He’s a great kid, you’ll love him.”
“Xisuma has practically adopted the entire server.”
“Server? You’re an admin?”
“We both are. I’m main admin of Hermitcraft, Alex is the backup admin.”
“I’m so sorry I missed out on all of this stuff. I really wish I could have been there for you two.”
Something thumped into the outside of the building they were in, and the door opened, “Freakin’ rockets, stupid friggin’ elytra,” xB mumbled. “Oh, hey Uncle Alex, hey, dad.”
Doomguy gasped, “I love him already!”
“Wha-”
“xB, this is our dad, Doomguy.”
“Wait, I thought he was dead.”
“Wonky magic stuff.”
“OK then. I’m xBcrafted,” xB said, offering his hand for a handshake.
Doomguy scooped him up in a hug, “Hello, xB, you can call me Grandpa Flynn, or just Grandpa, or just Flynn, I don’t care. I have a grandson!”
“Nice-to-meet-you,” xB gasped.
“Dad, I don’t think he can breath.”
“Oh, right,” Flynn released his grandson, “sorry, got a little overexcited.”
“Nah, it’s fine. I’m glad you’re back.”
“Glad to be back.”
“Do you want to go meet the rest of the server? There’s just under 30 of us, total.”
“Oh, you’ll love all of them. There’s me, of course, but Hypno and Jevin and Wels and False are all set up near me, Stress and Gem are also pretty close, and Doc and Ren are just past them, and…” xB rambled as the other three grabbed their helmets.
“You ready?” Alex asked, pushing open the door.
“Let’s go, I want to meet the rest of your family.”
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somethingwritey · 4 years ago
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commission: “kids in love” - a zukka fic
hi all! i was commissioned to write a zuko/sokka fic by @kurisu-80. it features a 5+1 style, some hurt/comfort, and lots of zuko pining. we brainstormed the premise of the fic before i began, and it’s here just in time for valentine’s day! 
💖 commission me! visit this post for more commission details!
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Zuko didn’t know how to feel.
The hardest part was over, presumably, and yet the brand new emotion coursing through his body - no doubt unlocked by the Avatar’s reluctant trust - unsettled him. He wanted a name for it.
After thinking it over, he settled on relief.  
For so long, he’d been consumed by nothing but white-hot anger - and beneath that, searing pain - that relief was hard to recognize. It wasn’t hot. Instead, it ran down his back and legs and arms like water. But… he had to admit, he rather liked it.
“Unpack,” came a voice behind him. Zuko jumped a little; he’d almost forgotten that Sokka was still there in the doorway. “Lunch soon. Uh… welcome aboard?”
Welcome.
Zuko hadn’t felt welcome in a long time.
He looked up at Sokka to thank him, but paused - suddenly struck by his eyes.
Blue. Water. Cool. Healing. Wonderful.
Zuko suddenly felt the need to study Sokka’s eyes forever, to never tear his gaze away. Sokka let him for a moment, like he understood Zuko’s need. And then the moment passed, with Sokka shaking off whatever had come over him and exiting the room.
Zuko didn’t move, though, staring after him for a while longer. A new heat had begun somewhere in his body, but it wasn’t anger. It was… contained. Almost hungry. He wished he knew what it meant.
Two new emotions in one day had to be some kind of record.
///
Sokka looked… younger when he slept, somehow. Like one of the tired kids they all were instead of a general orchestrating a covert rescue mission into the depths of the Fire Nation’s most heavily guarded prison.  
Zuko watched him for a few moments before training his eyes back on the landscape around them.
Don’t be creepy, he scolded himself. Sokka wasn’t his to look at like that.
Instead, he thought back to what Sokka had said before they left.
“I have to regain my honor.”
Zuko shivered a little at the memory, so similar to his own favored mantra and yet, somehow so different. Zuko’s had been selfish. He’d wanted to save himself; Sokka just wanted to save his father. And Zuko was fairly certain Sokka wouldn’t mind staying behind in the prison forever if it meant ensuring his father’s freedom.
The Water Tribe boy didn’t need to regain any honor; he had more in every bone of his body than Zuko ever would.
Maybe that’s why Zuko was so drawn to him.
///
Oddly enough, the version of Sokka dominating Zuko’s mind that night wasn’t the one splayed out with a rose in his mouth.
Although he was thinking about it. Maybe a little too much.
But the Sokka that he’d been shown after had wrapped a hand around his heart and squeezed until Zuko thought it might burst.
Vulnerability. Sokka had shown him vulnerability.
He thought about the way Sokka’s voice changed when he talked about his mother’s murder. Beneath the jokes and the sarcasm, Sokka was quietly patching over the part of himself that he’d lost - same as Zuko.
Zuko wished suddenly that he’d told him about losing his mother, too. Maybe the other boy would’ve confided in him further. Maybe it would’ve been Zuko that Sokka would set up candles for by moonlight and looked forward to -
Stop!
That feeling was back. Zuko shook his head and limbs, trying to scare it away. He had to stop this obsession. It was eating away at him, leaving him exposed.
After the war is over, this will end, he told himself. You’re just bored. Nervous. It won’t be like this forever.
By the end of the night, watching Suki sneak away from Sokka’s tent in the early morning light, he’d almost convinced himself that was true.
///
Fire Lord Zuko.
The title still sounded so foreign and unwieldy. Like it didn’t quite belong to him.
“Congratulations, Your Zukoness,” came a voice.
Zuko turned around, raising an eyebrow. “Sokka, how did you get in here? I thought -”
“Eh, Toph is distracting the guards.” Sokka shook his head. “You really should get some better security, I mean. A couple of rocks and -”
“Sokka!”
Sokka smiled, resting his weight on the crutch he was using. Zuko was instinctively aware of the bandages wrapped around his own torso beneath the heavy new robes.
They all bore scars of the recent battle; peace had come at a cost.
“I came to wish you luck in person,” Sokka continued, less joking and more genuine now. “You’ve come a long way.”
“Aren’t you coming to have some tea with Uncle tonight?” Zuko furrowed his brow. Was Sokka leaving? Was this goodbye?
“Yeah, yeah.” Sokka waved his hand. “But everyone is gonna be there. I wanted to tell you in private, I guess.”
In private.
Zuko hoped his cheeks didn’t look as hot as they felt. Even after Sokka left to join his father and Katara outside at the reception, he found himself smiling… just a little.
Sokka had that effect on people.
///
Time was a finicky thing, Zuko was realizing.
One moment, they were children, and the next, they… weren’t. Or maybe they’d never been children at all, too burdened with adult worries and fears their whole lives. Most of them had lost people at a young age, forced to grow up far too quickly.
Aang had lost his entire culture.
Zuko had lost his mother.
Katara and Sokka had lost their mother, too. And now their father.
Chief Hakoda had passed peacefully in his sleep, Zuko had been told. Even after the tenuous usurpation attempt by Gilak, Hakoda’s time at the helm of the Southern Water Tribe could hardly be called blemished. His strength and rationality had brought them to new levels of international recognition and power.
He had been one of the most influential chiefs in Water Tribe history.
Zuko hadn’t been able to make it to Hakoda’s memorial - unable to get out of several Fire Nation industrialization meetings - but he had managed to make it to the South to see Sokka become the next Chief.
“You made it,” Sokka said after the short ceremony. “I wasn’t sure you would.” His voice was heavy - lacking its usual bravado.
“I wouldn’t miss it.” Zuko laid a hand on Sokka’s shoulder, walking with him across the frozen landscape - away from everyone else. “I’m so sorry about your father.”
Sokka’s eyes turned glassy, and he looked away - unable to speak.
“He was a good man,” Zuko continued. “And he would be proud of you. I know it.”
Without warning, Sokka threw his arms around Zuko, burying his head in his shoulder. Surprised, Zuko stayed frozen, wishing he could do more to comfort the strongest man he knew.
“You’re going to make a great chief,” he said quietly.
When Sokka lifted his head, his face was inches away from Zuko’s - closer than the two of them had been in a long time. Zuko almost leaned forward, almost cut through the last bit of space between them, but before he could, Sokka was moving away.
“Thanks, Zuko.” He straightened his furs. “I should get back to Katara and our people now. You’re welcome to stay the night.”
And then he was gone.
////
Zuko hadn’t stopped pacing all morning.
He’d sent the letter after an agonizing few days of rewriting, second-guessing and re-thinking.
But he’d finally done it. Finally watched the messenger hawk lift into the sky. And now, all that was left to do was wait.
“Fire Lord Zuko?” a guard said, at last, bowing low as he entered the room. “The Chief of the Southern Water Tribe is here to see you.”
Zuko took a deep breath, straightening his topknot. “Send him in.”
Sokka burst through the doors, trailed by a couple Water Tribesmen. “I got your message,” he called before he’d even reached Zuko’s side of the room. “What’s the big emergency? Where’s the threat?”
Sokka looked strong - a powerful and more confident version of himself. Being the leader of the Southern Water Tribe had been good for him.
Zuko glanced at the entourage Sokka had brought and winced. He needed to speak with him privately.
“Give me a moment alone with your Chief,” he said to the others. Glancing at his own attendants, he waved for them to be dismissed, too. He wanted the throne room to be perfectly and totally empty.
“What’s this about?” Sokka looked around, seemingly unnerved. “What’s wrong?”
“I wanted…” Zuko cleared his throat. “I want to talk to you. About a partnership between the Southern Water Tribe and the Fire Nation.”
Sokka raised an eyebrow. “What kind of a partnership?”  
Zuko swallowed hard. “The kind where their Chief and Fire Lord are… together.”
“Okay, okay.” The true meaning of Zuko’s words clearly hadn’t registered with Sokka, who began to tap his chin. “We team up, you’re saying? Form a political alliance? Hold on, hold on - don’t we already kind of have one? Isn’t that what my Dad was trying to -” And then he broke off, eyes narrowing. “Wait, together? Like… as a couple?”
Zuko rubbed the back of his neck. “Well, when you say it like that -”
“I didn’t say it! You did!”
Sensing Sokka’s imminent rejection, Zuko tried to save the situation. “I didn’t - look, it’s not like that, I just meant -”
“You made this whole emergency up, didn’t you?” Sokka shook his head. “Just to get me here! That’s -”
Zuko cringed, waiting.  
“Kinda genius,” Sokka finished, nodding. “Somewhat evil. But genius.”
“I’ve liked you for a long time,” Zuko sighed. “I think. It’s confusing. But I just couldn’t wait any longer to tell you. I had -” His eyes widened for a moment as Sokka’s lips landed on his before they fluttered shut.
When they broke apart, Sokka seemed surprised at his own actions. “Is randomly kissing the Fire Lord grounds for arrest here?”
The idea made Zuko laugh. “Not if the Fire Lord wanted it to happen.”
Sokka grinned, and then paused. “You - you did want it to happen, right?”
“Yeah.” Zuko leaned forward to kiss him again. “For longer than you could possibly imagine.”
Finally, Zuko thought, letting himself get caught up in the moment. He understood what that feeling was now, the one he’d been so confused about that day at the temple and every day after that.
Love.
He loved Sokka, so full of honor and eyes bluer than water.
And he probably always would.
----
💖 keep an eye out for more commission pieces coming soon!
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dotthings · 4 years ago
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So here’s my thoughts on an alternate ending plan for S15. While the remade heaven was something that fit, very little else did, and if they were aiming for self-actualizations being fulfilled the ending didn’t convey that. It feels incomplete to me (I have posted enough analyzing why and that’s all I’ll say here). This is a more earth-bound take. An ending where all of TFW 2.0 defeat Chuck and are together and figuring out life free of Chuck’s maze. This also incorporates some of my previous meta spec that didn’t get addressed at all in the finale but things are left so ambiguous, I have no reason to think my spec can’t be canon now. Also I think if canon can screw things up this royally, then I’m allowed to state that my version is not only kinder, but makes more sense. I’m sure there is some loose end I’ve missed, and I’d want to have all the Wayward Sisters appear too. Gosh, endings are hard!
Envisioning this as one extra long episode. To be extra subversive I’m still using the start of ep 19, but mostly this diverges after the end of ep 18.
-the phone call from Cas in ep 19 isn’t a troll from Lucifer (Lucifer can stay trapped in The Empty for all eternity). It’s actually Cas.
Here’s what happened: The Empty took him, fulfilling Cas Jungian arc about confronting his shadow and instead of fighting it, accepting it as part of himself. Inside Cas, a soul has been growing for many seasons now. Spontaneous soul combustion. It started small and kept growing. The act of confessing his love to Dean was the final spark to complete the growth. As The Empty drags Cas away, Cas’s grace merges with his soul and the grace is the power jolt it needs to make his soul blaze to full life. His grace is effectively gone, burned out in the act of bring his soul into being. The Empty cannot hold him, his soul is pure, and he’s not filled with self-loathing. The Empty spits Cas out in Lawrence, KS because that’s where Cas’s soul home beaconed to. Effectively human, this process was fairly traumatizing to his body, so he’s weakened. He staggers across town to outside the bunker, calls Dean, and collapses. Dean (as we saw in ep 19) races up the stairs and reaches Cas first, but Sam isn’t far behind, and both boys help Cas down into the bunker. Dean, being Dean, can’t stop touching Cas. There’s some awkwardness after Cas’s confession but they aren’t going to talk about it yet. Dean’s just relieved to have Cas back
-Jack’s also overjoyed Cas is back. Cas explains to the fam what happened and that he has a soul now. This will change the dynamics of TFW interact, changes Cas’s demeanor slightly, and how Dean and Cas interact, but Cas’s personality is basically the same
-Michael sides with TFW. His decision to stand up to his father is sincere. There are Cas and Michael scenes where they start reaching some kind of understanding of each other’s pov
-There is a further scene showing Sam mourning the snapped Eileen, as he finds something that belongs to her in his room
-They hatch a plan to confront Chuck. Cas assumes he’ll be joining them but Dean balks because Cas is freshly human and not battle-ready. “You and Sam are human, and you’re going into battle” Cas argues. Dean’s not really being logical about this, so Dean and Cas bicker while Sam, Jack and Michael have to go guys? Guys? Evil god to stop? World to save? “Get a room,” Sam snaps.
-Dean wins the argument, mostly because Cas has to give in just so they don’t stay derailed. They proceed with Cas holding down the fort at the bunker in case they need a further spell or information from the MoL archives
-They confront Chuck at the beach. Following some parts of ep 19, Chuck starts pettily beating up Sam and Dean, who refuse to give up. Sam and Dean shoulder to shoulder, laughing at their enemy through their bloodied faces. (That was a good moment, I’ll keep that) Michael intervenes, Chuck tries to destroy him but Jack steps in. Chuck is fending both of them off for the moment. Kind of looks like Chuck might overpower all of them. He raises his fingers to snap them all away
and a familiar voice yells HEY ASSBUT. Cas hurls a magical molotov cocktail at Chuck. Because Cas he found a spell, and while the thing certainly won’t kill God, it certainly makes for a great distraction. Chuck’s body burns for a moment, and then the flames go out with Chuck unharmed. The distraction allows Michael to get the upper hand enough for Jack to grab Chuck and absorb his powers and render Chuck powerless. They all leave Chuck on the beach.
-Michael looks deeply amused by the cocktail. “At least you didn’t hurl it at me this time”
-unsnapped Adam switches in.
-Sam and Dean look beat to hell. Cas says something sad about how at one point he could have healed them with a touch but he can’t now and Sam and Dean reassure him it’s fine. Cas asks Jack to heal them and Jack says he’s going non-intervention God and yeets. Sam, Dean, and Cas seem taken aback by this move and their son vanishing into thin air
-Michael switches back in and offers to heal them but Sam and Dean refuse again. Cas rolls his eyes. Typical Winchesters.
-Sam calls Eileen. “Eileen, are you okay?” All is well. Dean checks on Jody and the girls. They’re fine. Everyone unsnapped.
-Adam switches in again to say goodbye but maybe see you soon, shakes hands with Sam and Dean. A promise of maybe someday they could figure out how to be family. “Where you headed to now?” Dean asks. “Around, I guess,” says Adam, and then Michael switches back in and says “the french fries on earth are worth hanging around for a bit” and Michael yeets out.
-They won. They’re free. Chuck’s defeated, Jack is going to be a new, uncorrupted God. But wait, there’s still half an hour left, what’s left to resolve? What else could there be?
-We get a montage. Sam and Dean continue to hunt, the bruises and cuts on their faces from the battle with Chuck fading. A scene of Dean giving Cas shooting pointers and Cas is a pretty decent shot but maybe he should hold the shotgun a bit higher. Dean sure does keep touching Cas a lot when it’s not necessary. They still haven’t talked. Sam doing laundry. Dean studying a job application at the desk in his room. The bruises and cuts from their fight with Chuck are almost gone. Eileen hanging out in the bunker, she and Sam doing research at the library table, laughing as Sam makes a joke.
-Sam, Dean, and Cas get wind of ghoul activity and set out on a hunt together. Dean and Cas are waiting together, leaning against the Impala, while Sam is inside a gas station getting them all snacks.
Dean: Are you okay with this? Human...forever?
Cas: I’m adjusting. Rather enjoy being able to taste the pb&j again.
*Awkward silence*
Dean: Cas—what you said—I—
Cas: It’s all right Dean. You don’t have to say anything. I told you, it’s not about the having, it’s—
Cas doesn’t get to finish the sentence because suddenly Dean’s holding his face in his hands and then leans in and kisses him.
Dean pulls back, staring right at Cas’s stunned pikachu face.
Dean: What makes you think you didn’t already have me?
They hold each other. Sometimes it’s not in the saying it’s in the actions.
Sam, who just emerged from the gas’n sip station, stands there holding packets of junk food and yells “FINALLY!” and Dean and Cas jump apart. Dean is beet-red but both Dean and Cas look happier, more peaceful than we’ve seen them look in a very long while.
-Standard hunt. They kill some ghouls, badass Team Free Will action scene. Cas gets taken off guard, but Sam has his back.
-Back at the bunker. Sam answers a text from Eileen—they’re meeting up next week.
-Sam, Dean, Cas are in the bunker having dinner when Jack randomly appears. Raises his hand. “Hello!” They’re all startled, but tell Jack they miss him. “You don’t write, you don’t call,” Dean complains. “Well,” Jack says. “I figured just because I’m non-interventionist doesn’t mean I can’t stop by for dinner once in a while.” “Darn right,” says Dean.
-TFW 2.0 have dinner together. Jack mentions he remade heaven, no more barriers. Released trapped souls like Kevin’s to heaven. New set of rules. Mentions he met with Rowena. They’re working out a better system. Reform.
“I would have gotten rid of the monsters,” Jack explains, “but can’t do it without upsetting the natural order of things—what’s done is done. The alternative is to reset everything. I won’t do that. Too much would be undone, too much good lost.” The implication is also: while he won’t intervene and be the God perching on Team Free Will’s shoulder, he also can’t bring himself to do anything that will undo them. “Sometimes it’s all worth putting up with a few monsters,” Sam says.
Jack vanishes again. “Guess we’ll get used to that eventually” says Dean.
-very last shot. It’s dusk, outside the bunker. Sam and Dean leaning on the Impala, watching fireflies, drinking beers. Not talking, just being.
Dean: We did it.
Sam: We did it.
Dean: Well, here’s to freedom.
They toast their beer bottles. Both look more peaceful than we have seem them look in a very long time.
Overhead shot of Sam and Dean, the Impala, the bunker.
*Kansas version of Carry On, Wayward Son plays*
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mactheactor · 3 years ago
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Can you give us your thoughts in Rockoon and the Trouble Makers in the T.O.M.E. game? I understand if you would rather not in order to avoid spoilers, but I find Rockoon a genuinely fascinating character and I love hearing you exposit about him.
Thank you so much! It means so much to me when others find him interesting. I wouldn't know where best to begin simply because I could talk forever about Rockoon and the characters he's closely connected to in both canons. There are countless stories I could tell through them. If you have any questions that aren't too spoilery though, I'll try my best to answer them. (And if it IS too spoilery, I'll save it for a DM!)
I'll start by saying I was initially not at all interested in writing him as a villain again or retelling a version of his webseries arc with Skeight, as was pitched to me. He has progressed beyond pursuing pure self-indulgence and I wanted to write about leadership. This is part of why I requested Archy as his protégé, who was originally slated to be in the Cast O' Dreams. Even in a different canon, continuing their relationship was also just extremely important to me. Chris was very gracious and helpful in allowing me to tell a story I found to be creatively fulfilling while still fitting the needs of the game's overall narrative. Although it took a while for me to figure out, I've come to really enjoy the dynamic Skeight adds to the group.
Rockoon is essentially a balance between the two polar opposites that follow and admire him -- the timid, pure-hearted Archy and the wildcard degenerate Skeight.
Webseries Rockoon is a miserable, shy loner who essentially roleplays as a kooky, "evil" and destructive toon. We only catch glimpses of his true, sensitive self. RPG Rockoon is more confident in himself and laid back. He doesn't wear such a facade as a result.
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