#I’ve been getting used to it tho

[13personalities]

idk why but my stomach does this thing where everytime I eat something, even the smallest snack, my stomach will either: 1. Hurt mildly for the next like 5-15 minutes. Or. 2. Give me a sharp pain that last about 5-10 seconds about 15 minutes after eating.

and unfortunately I can’t say anything about it because I’m asked if I’m on my period. Like no, I ended that a week ago, this has been happening consistently for the past three ish months

[twistedappletree]

mfw i’m only 16 and have single-handedly made several of the most powerful cultivators cry simply by calling them stupid and telling a few “yo mama” jokes without any repercussions from the elders of my own clan who let me do/say whatever the hell i want because they’ve given up on trying to stop me

[oneofthosenightbees]

Do you plan on making full body ref sheets for Champion of Chaos and Champion of Famine?

I might make one for the Goat and Seal someday, but for now I’m glad that I finally figured out a full ref for these two!

(some bonus stream doodles below)

[its-your-mind]

*deep breath in*

the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏

let me explain.

so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.

Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home

Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.

Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.

Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.

Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.

Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.

Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.

And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.

Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.

There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.

Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.

Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.

The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”

Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar

[galaxostars]

“where else did he want to run to when he was scared besides right here?”

extract from a scene in Hide Your Fires by @starsworth

I am still in pieces since that hug ✌🏻

[thou-babbling-brook]

Same vibe tbh

[bishblip]

I’m trying out new brushes 😎

[mezzbians]

sierra the superfan

[satorisoup]

people will think im ordinary until they say one (1) thing about tmnt and all of a sudden im explaining the entire lore starting from the 1990’s movie & why donatello is the best turtle i fear… T^T

tag limit fights me… i must yap… please listen… SOB </3

[cherubdulce]

I guess you can say im comfortable enough to get out of my hiatus

Does anyone miss me ….. 🥹

[nox-sssscraps]

Gawd I’m. it’s 4:20am and I’ve been listening to exclusively the new 21 savage album since it dropped last night and I’m thinking abt my ocs . And spacewaffles I suppose

[chirpsythismorning]

Nah bc why do I feel like Netflix and the st writers are beefing so hard rn bc of the strike that someone from the production leaked the casting for Linda Hamilton so that the reveal on Tudum would be super anticlimactic…

I also thought Chase Stokes was sort of random for a host, but considering OBX 4 literally just started filming days ago, it’s almost like they’re rewarding those that are being most loyal to Netflix 👀

[eeveelikessoda]

The Ink Demonth Day 23: Stairs

“Is he asleep?”

Oooh this one was hard. I suck at drawing scenery, especially ones with dimensions, so this one was difficult. I like how it turned out though! The stairs were such a pain tho.

[makeshiftloops]

Got a couple new sketchbooks!! Kermit gets the first page of this one 💚

[batfossil-fr]

I’ve been really thinking of reopening my art shop soon… I’ve been taking some practice doodles (hence all the posting lately) while I shake off my rust and I’m finding things I enjoy working on again. I miss trying my hand at more dragons/OCs and colors. my shop’s so broken rn lmao but that’s a problem for a later date it’s just nice getting back into art

[lynxfrost13]

AUGH! I miss working out yall!!