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roseyful · 3 years ago

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Mars Red: Edge of the Nightmare - Review

Now, my Tumblr has been a bit quiet lately (been queuing a lot of things so then it wasn’t too quiet during my absence), but it has been for a good reason; last month I was approached [on my private twitter account] and asked if I would be able to playtest a game and write a review, and of course, being someone that enjoys games, especially those that follow an otome style, I had to say YES.

So its proud to say that after a while of playing the game, I finally get to write this review.

Now before I get into the game itself, I would like to take the moment to give appreciation to the team for being so helpful during my time of playtesting the game and before that, as not only would they let us know when there was an issue and the date had to be pushed back, they were so polite and helpful whenever I would run into a problem. That’s something you’d want to see in a gaming company and I’m so glad that my first experience with this company is one with positive results. I personally found no issues with the team themselves, and I do hope they keep this up after the release. Thank you favary for being so lovely and patient with me, and other beta testers.

Mars Red: Edge of The Nightmare was the game that they asked for me to play, however when I originally looked at their website, I couldn’t help but notice that the concept was originally one of a ‘Sound Theatre’, and while I couldn’t figure out what that was, I eventually was lead down a rabbit hole and ended up looking at the other things that Bun-O Fujisawa has worked in. Very interesting stuff, just like the game. However, it’s best to look at his other stuff in your own time.

Please note: I will be keeping this spoiler-free for the sake of letting people go in with no idea of what’s going on besides what I mention and on the website.

Story

The game is set in the early twentieth century in Japan, or better known as the Taisho, in which the website also says ‘[is] influenced by Romanticism’, in which vampires rule the night, as they could only feed off blood and those that stepped into the sun would surely die. Keen senses, incredible physical abilities, and yet they were still vulnerable. You see that very early on with the main character that we play as; Yutsufusa Yuki, a vampire whom became one against his will.

I will be honest, I did not like Yutsufusa when I first started playing, as I felt like he was a bit too willing to die, but that is something that you can overlook when you get further into the story. Yutsufusa is obviously one of the youngest in the group, due to the fact he wears the more ‘modern’ [at the time] clothing out of everyone, well, there is someone else who wears similar clothing but he’s human.

You control Yutsufusa throughout the game, influencing his voices and living his life through his eyes, him acting as the reader insert as you learn about the other characters and begin to grow a bond with them. While the story is a bit slow at first, it does start picking up around the middle-end of chapter 1 and the beginning of chapter 2 after you play the prologue, as you begin to assist “Code Zero” in their work to rid the world of vampires that wish to feast on humans..

Be mindful that there is an anime, however, Yutsufusa does not appear in it, as it focuses on the other main characters, so if you have watched the anime already be sure to remember that they’re either two separate timelines or different points in time. I do not want to confuse anyone with this.

The main cast is quite an interesting bunch, as it covers a wide range of personalities, and sometimes even time periods as you play through the game and unlock things; you might say you might learn a bit of history from it if you end up looking up some of the references I’ve found in the game. This is a great reflection on the idea of ‘immortality, and even has moments where said immortality leans into a few jokes (such as knowledge of birds).

If you’ve played games such as ‘Ikemen Revolution’, you may be familiar with the ticket system. Every day you’re allowed a certain amount of tickets to progress through the story, however, if you run out of tickets and you must read more, then you’re able to progress the story via using ‘amber’, the game’s currency that you can use for different functions. However, this is not needed, as every day your tickets will be replenished. I personally found myself not even needing to use my amber, as I would always wait for the next day. There are mini-stories that you can get if you finish a chapter within a certain amount of time, but I personally don’t find them to progress the story a lot after I read the first one I got. Then again I had other things to occupy my time while I wanted as well. If you wish to reread chapters, you get a bonus third option of currency; coins. Coins can be used to reread chapters in the place of amber or tickets, which means that you can grind out coins via the exploration option in order to see more options (looked at a bit later).

I personally found the story to be engaging, between the use of minigames (or investigations, covered a bit later), it broke up the reading with fun activities that progressed the story.

Is the game an Otome?

No! I was shocked as well when I saw the all-male cast since I was wondering if I was playing a boys love game, but in the end, I was pleasantly surprised to find out that this is actually a detective game. While it may carry the usual look of an otome, with the story and choices of how you speak influencing the endings of chapters, the game more feels like one of finding new friends and solving kick-ass investigations than finding romance. It’s refreshing.

This is especially true between the minigames in which helps influence the story that is all very unique in their own way and do not seem repetitive once you get into the flow of how they work.

Minigames

The minigames come forward in two forms; investigation, interrogation, and infer. Investigation sounds exactly how you’d expect, as you have to poke around and look at things, which you can review in a little notebook that sits in the top right of your screen in the case you need to review what you’ve looked at. When I was first launched into this section for the first time, I had a little trouble remembering exactly what I needed to look at (as I was given a set of things to tap), however, I do have to thank the team for thinking ahead and adding the option to be able to watch ads in order to see what you need to do. This was one of the two times I’d have to watch ads, as they don’t shove them in your face every few seconds like most mobile games do which is rather nice. Sometimes you gain information or items that you have to use later, so it’s a good idea to keep track of what you look at.

Interrogation acts as a question-based information gathering, in which you talk to NPCs in order to gather information to use in the investigation. Like Investigation, these points are put into your notebook for later.

Infer takes the first two investigation segments and combines the information, as you now get interrogated by one of the main characters, and you must respond back with the proper information in order to make sure that this segment is successful. You are able to read back on the notes from the other segments at this point by pressing the button with the book icon in the upper right corner, as this aids you in selecting the right answers. When I first came to this section, I did feel under pressure due to it, but it was interesting to see the negative answers from the character if I got it wrong.

Exploration is another part of the game, that while outside the story, there are parts that require a certain amount of story points in order to clear ‘point blocks’. This is where you get the coins from and frankly is good to use once you have finished using all your tickets for the day and want to use the rest of the time to grind coins. During the exploration, you set up 2 characters, a place, and a set [in real life] time of how long you want them to be out and about. Depending on the number of points earned, you may earn something called a ‘mummer’, which reveals more about the characters you chose to send out, and even get dialogue of the characters interactions (which can be pretty funny in itself) that shows the dynamic of the two characters- are they friends? Are things tense? You get to learn more by sending them out together.

Artstyle

As an artist, I was incredibly pleased with the art of the game, as the characters do not look the game, there are different body types and ages (from teen to elder), you never had to look at the same face twice for two characters. I will be honest, I do wish the characters were a bit more ‘animated’ with their expressions (such as body movement when they’re feeling certain emotions), however other than that, the sprites are magnificent.

The backgrounds are also really interesting to look at and even tell so much story before you even start investigating within the investigation sections. The design team also needs props, because while a few characters are wearing similar outfits, they’re all wearing them in different ways which shows their character and even the way they probably fight. Though I will say I am a bit biased towards Takeuchi, then again, I really enjoy fun and loud characters in general, and his hair is interesting in a sea of mostly black, purple, silver or blonde hair. Maybe will make a fanart of him in the future if I learn to draw his eyepiece. (on that note, please release the full sprites for us artists to reference, we’d love you eternally for it haha).

Oh no, it’s a-

Yes, its a bit of a gacha game, however, you do not need to actually play the gachas in order to progress through the game; it mostly just unlocks bits of story for those that want to have extra stories, or just want that extra dose of dopamine (haha, me). As someone who plays gacha games ever since they turned 13, I was glad that this game isn’t actually gacha centric, and thus is very free-to-play friendly due to this.

Who would I recommend this for and would I recommend it myself?

Personally, I think this is a game that suits the niche of those that enjoy a good mystery and even play those ‘find an item’ games, mixed in with those that enjoy reading otomes and history. Maybe even someone that enjoys theatre since there’s a character that does theatre. Would I personally recommend it? Yes, I would. The game is very interesting and engaging, the staff behind the game are so lovely.

Once more, here’s the game’s website link ❤️: https://marsred-game.net/en/

#Mars Red #Mars Red: Edge of The Nightmare #otome #game review #otome review #mobile game #mobile otome

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bywordofaphrodite · 3 years ago

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Book Reviews 3&4: Nancy Drew and the Lilac Inn by Carolyn Keene & Trixie Belden and the Secret of the Mansion by Julie Campbell Tatham

This review’s theme is girl detective books ! Audience age range: roughly 12 and up !

Just as Enid Blyton’s books made me fall in love with magical creatures and faraway lands, detective novels became an obsession during late primary school, with classic lead female characters Nancy Drew and Trixie Belden being my absolute favourites. My school had an extremely small and limited library, and the Nancy Drew books were one of the only decent series there- even with a great chunk of the collection missing. My mother introduced me to Trixie Belden, which she insisted was better than Nancy Drew, though I refused to listen to such a declaration at the time.

Now, though? My opinions have definitely changed.

Nostalgic review

Rating: ★★★★★

From memory, Nancy Drew is a clever, beautiful and well-off girl in her late teens, living with her lawyer father Carson Drew and her housekeeper Hannah Gruen, who has looked after Nancy since her mother’s passing when she was only three. I always enjoyed the dynamic between Nancy and her father, as it was similar to mine with my father, also a lawyer- Carson doesn’t step in unless Nancy needs his help, but he does assist in legal advice when necessary. I also loved Nancy’s friendship with the cousins Bess and George, and liked that her relationship with her ‘special friend’ Ned never got in the way of solving mysteries or hanging out with her friends (‘hanging out’ was practically code for sleuthing in these novels anyway). Overall, my memories of this series amount mostly to exciting searches for missing heiresses, finding beautiful jewels and battling crocodiles in Florida.

On the opposite side of the spectrum is Trixie Belden- rough-around-the-edges thirteen year-old from a poor family living with both her parents and three brothers. Where Nancy has a housekeeper, lives in an affluent suburban neighbourhood and never wants for money, Trixie lives on the outskirts of a small town, both her parents work, and she is constantly reminded of how important it is to work for money as they do not have much of it to spare on mindless things. Nancy is a fairly solitary character, often working alone unless her friends show up, and even then she does most of the legwork; Trixie is also the main sleuth in her series, but her best friend Honey is almost always at her side. While the mysteries were great, the warm friendships in Trixie Belden novels are what I remember best.

Regardless of whatever my thoughts may be after rereading books from these two series, I’ve never ceased referencing either of them and my love of the mystery genre still holds fast even now.

Nancy Drew and the Lilac Inn Review

Post-read: ★★

Synopsis: girl detective Nancy Drew is called to solve a series of odd goings on at her newly engaged friend Emily’s inn, in what seems to be an attempt to prevent Emily and her fiancé from opening. Disaster strikes when her aunt retrieves Emily’s inheritance of diamonds- Emily’s last hope to cover the costs of fixing up the inn- and they are swiftly stolen within the hour. Nancy vows to catch the thief and the intruder and save Emily’s inn from failure.

I struggled in choosing which Nancy Drew book to reread for this review, and after reading through multiple rankings lists I decided on the Lilac Inn because it ranked highly on every list. I now wish I had just gone with Crocodile Island anyway… at least there was something snappy about it. In between the bomb, the theft, the doppelganger, the underwater fake-shark, the kidnapping, the spear-gun attack- I think I’ve made my point. There’s far too much going on, and if it was well-written I would be okay with it, really I would, but it’s all so blandly articulated that half the time I had to reread just to make sure I’d read correctly what nonsense was occurring at any given time.

Straight out the gate, I just want to say how shocking the writing was- that’s shockingly bad, by the way. If I thought Enid Blyton’s work was stunted, well, this was far, far worse. Especially since it lacks the excuse of being written for young children. It was incredibly difficult to push through in the slower parts, and I must admit I basically skim-read the lead up parts to the action sequences (which were incredibly minimal compared to the gnashing crocodile teeth I longed for, but alas). Sadly for me, Bess (my old fave), George and Ned were not present at all, and I cannot remember if they had actually been introduced that early in the series because they are not mentioned once.

I did really like the concept of the story, and the element of Nancy having a creepy doppelganger posing as Nancy to cause mischief (she has several over the series) was fun, even more so that said doppelganger was an actual actress and quite ruthless in her attempts to steal Emily’s diamonds- I love a morally-corrupt pretty female villain as much as the next person, after all. There is a romance teased between Nancy and a young man staying at the inn, a young man who continuously seems to be in the same room as the diamond thief messing with Emily’s inn, but ultimately both never amount to anything. This hardly surprised me given the book is written in the thirties, and Ned and Nancy never do anything but attend dances together the entire series, but still, come on. He could’ve at least stolen the diamonds to add some spice to his useless appearances.

It’s possible that were a very talented scriptwriter to take this book and make it into a movie it could work out a lot better than it does on paper- provided the casting was done well. The sets would be interesting, and I think the creepiness of the ‘ghost’ in the orchard and the diving scenes would translate a lot better on camera. Normally I’m not one to nominate live actions of novels for no reason, but this thought kept recurring as I struggled to get through the writing.

Characters who aged well: Nancy is smart and weirdly good at everything (they don’t explain why she knows how to do all the things she does, but diving and freeing herself from bonds seems to be easy enough for her. Given male characters are always allowed to be perfect without training, I’ll allow it). For a female character written in the 30s she has plenty of agency and does not once rely on a man’s help to do anything, which is why I always enjoyed her books. Carson Drew also aged well- not present that often, but useful without being interfering, and his trust in his daughter is refreshing. As for the other main characters in the series… they didn’t even show up in this book so I can’t really comment on this.

Characters who aged badly: plot twist- I’m adding Nancy here too. She is a little too perfect, too polished, a common criticism by modern readers, though at the time of publication was her main selling point. Additionally, earlier editions of the series featured racist comments made by Nancy, although those have since been taken out. However, the publisher and creator of the first books was not a very pleasant person, so I find myself able to separate that from Nancy’s character.

Favourite scene/quote: ‘The article went on to tell that Nancy had just completed a course in advanced skin diving in the Muskoka River, and that she had finished first in total points in the twenty student group’.

I find this quote amusing because there is really no need for Nancy to be good at every single thing, and this is a good example of the many times throughout the series that Nancy is the ‘best’ at a very random activity that is often never mentioned again.

As for my favourite scene, though nothing interesting actually ends up happening in the orchard, I did like the eerie setting of Nancy dressing up as a ghost and chilling behind a tree for a while (okay it was partially eerie, mostly just oddly comedic). The actress/impostor posing as Nancy provided a few good scenes, too, but for the main villain of the story she was hardly in as many scenes as she should’ve been in.

After doing some research, I discovered something most interesting: Nancy was written with significantly more character by the original ghost-writer of the series, a woman named Mildred Wirt Benson, who wrote Nancy ‘embodying qualities that she wished she had’- but the publisher Edward Stratemeyer did not want a bold female character, and she was rewritten with similar dialogue but now accompanied with ‘dainty’ verbs to sweeten her words. Stratemeyer was also known for his beliefs that women belonged in the kitchen, and the only reason he created Nancy in the first place was to capitalise on young female readers who wanted their own equivalent of the Hardy Boys.

With all of this in mind, it’s very possible that the Nancy from my memories is a mix of the older and new editions, which allowed Nancy more personality as the series went on, no longer needing to confirm to the sexist expectations of the 1930s. And despite these origins, Nancy Drew aged quite well as an unintended feminist icon: she solves her mysteries alone and rarely needs Ned’s help at all; in fact, most of the time, Nancy is the one doing the saving. It’s nice to think that, almost one hundred years later, Mildred Wirt Benson’s version of Nancy is the one being kept alive, both on paper and onscreen.

Trixie Belden and the Secret of the Mansion Review

Post-read: ★★★★★

Synopsis: energetic teen Trixie Belden’s boring town of Sleepyside is turned upside down when a rich new family moves onto the property opposite her own, an old miser winds up in hospital and his empty mansion is suddenly inhabited by a runaway boy, and a missing fortune is waiting to be uncovered.

Whewww.

This was a massive breath of fresh air after the Lilac Inn! After being so unimpressed by both Blyton and Keene’s writing, Tatham’s writing restored my faith in my childhood judgement. Her words flowed well and the conversation between the characters was very natural. The blank slate characters in the Lilac Inn were showed up by the animated and multiple-dimensional characters in the Secret of the Mansion, and I never once felt the need to rush myself through the chapters.

Unlike my method of choosing a Nancy Drew book, I simply decided on reading the first Trixie book for this review. While I almost went for a later book where all the main characters had been introduced, I couldn’t remember how Trixie first met Honey and Jim, which I felt was pretty important to her character. I’m very glad I did. Even in the first book, Trixie endures so much character development (contrasting very strongly with Nancy’s flawless existence). Longing for a friend, Trixie takes herself up the hill to the newly habited mansion to introduce herself and her little brother Bobby, who she is babysitting to earn money to buy herself a horse. There she meets rich girl Honey Wheeler, a sickly and sheltered but sweet girl of the same age, whose parents pay little attention to her. Things fall into place with all the expected luck of a teen heroine- Honey’s governess is a lovely woman who wants Honey to befriend Trixie and offers to look after Bobby, and of course Honey’s stables are now filled with horses and a stable hand who can teach her to ride.

But for every easy thing comes an opportunity for Trixie to grow: she comes to admire Honey’s bravery after previously being irritated by her fear of trying outdoor activities; she ignores the stable hand’s orders not to ride the stallion and falls as a result, leading to her having to work to regain his trust and also being taught the valuable lesson to recognise her own limits; finally, as much as Trixie hates looking after little Bobby, when he is bitten by a snake Trixie is resourceful and quick on her feet in helping him, keeping him well enough until a doctor and other adults arrive.

Rather like the Lilac Inn, the mystery of the story centres on the hidden will to a supposed fortune of the elderly man who lived in the old mansion not far from Honey’s new home. On a whim, Trixie nags Honey into accompanying her to snoop around the building, leading to their discovery of the old man’s nephew Jim hiding there. By the end of the book, the girls have helped Jim to find the will and safely escape his abusive step-father. Later in the series, Jim is adopted by the Wheeler family, and also becomes Trixie’s primary love interest (I love that this relationship is not at all rushed either).

The reading level for the Trixie Belden series is listed as grade 3 and above, but I had no problems being completely involved and intrigued by the storyline and characters as a twenty-three year old. I think I’ll continue to read the series on my own time, as I always enjoyed the full character line-up developed after a few books in.

Characters who aged well: Trixie! If my praise during this review didn’t make clear enough, she’s a wonderful character with great development. Honey and Jim are also solid characters, and Bobby and Trixie’s parents are well-written too- supportive and kind, but realistic concerning raising Trixie to be a responsible kid. Also going to add that Trixie’s group of best friends- self-named the Bob-Whites of the Glen and consisting of her two older brothers Brian and Mart, Honey, Jim and the later additions of Dan and Di- have a strong presence and very distinct personalities when they show up in the later novels.

Characters who aged badly: nobody! All the side characters were well done, including the villain. He wasn’t over-the-top by any means, his abuse of Jim was both emotion and physical in a realistic manner that concerned the adults around him enough to comment on it without actually taking proper action to help him, as it often goes. I appreciated the author’s ability to write a male character the vulnerable one, to recognise what was wrong about the situation, and to gladly accept help from two girls younger than him.

Favourite scene/quote: “‘serves him right,’ Trixie said, wiping her grimy hands on her rolled-up blue jeans. ‘The mean old miser. You should have left him lying in the driveway, Dad.’”

An earlier quote in the book, this sets the tone for Trixie’s character: she’s messy, no-nonsense and cheeky. For a female character written in 1948 I found this quite amusing. There’s none of the internalised misogyny that often popped up in ‘tomboy’ characters of the time: Trixie just is what she is, and she’s great.

A standout scene would be Trixie sucking the venom from her brother’s snakebite to save him, and the chapters focused on the developing friendship with Honey and Jim while the two teach Trixie how to handle horses is also enjoyable.

Overall verdict:

My mother was right, Trixie Belden is far better than Nancy Drew in every category I can think of. I wish that the series had gained the popularity that Nancy Drew did, because it would make for a fun movie or television show. There is an eighteen year gap between the publication of the first novel from both series, and both heroines saw many more books written after that. Nancy Drew is so persistent, however, that multiple movies and even a recent CW show have been made, though it is not very accurate to the books at all. Even now, modern-day setting Nancy Drew mysteries are still being released under the Carolyn Keene pseudonym, showing her unending mythical status.

I still love Nancy, bad writing and all, but in all fairness, Miss Trixie deserves a cut of the nostalgic hype surrounding the girl-detective genre. I’d also like to bask in the poetic justice of Nancy not only remaining a more iconic character than the Hardy Boys, but also becoming more feminist as time goes on. I’m sure the publisher is rolling in his grave!

#nancy drew #carolyn keene #trixie belden #girl detective #fiction #university project #nostalgia #feminism #female characters

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terramythos · 4 years ago

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TerraMythos 2021 Reading Challenge - Book 12 of 26

Title: A Wizard of Earthsea (Earthsea Cycle #1) (1968)

Author: Ursula K. Le Guin

Genre/Tags: Fantasy, Young Adult, Third-Person

Rating: 8/10

Date Began: 5/6/2021

Date Finished: 5/12/2021

Ged is a talented young magician with incredible potential-- possibly greater than any before him. He sets off to join the wizarding School of Roke, and quickly surpasses all of his peers. But in an act of arrogance, Ged tries to bring back the dead to impress a rival student. He unleashes a malevolent shadow upon the world, leaving him traumatized and permanently scarred.

Soon Ged finds himself hunted by the shadow wherever he goes. None of his magic seems to work on it. Worse, he lives in fear that if the dark creature overtakes him, it will use his body as a weapon to harm others. Ged journeys from island to island in an attempt to find the solution and banish the shadow once and for all.

Only in silence the word, only in dark the light, only in dying life: bright the hawk’s flight on the empty sky.

Content warnings and some spoilers below the cut.

Content warnings for the book: Violence and death, including child death and animal death. Traumatic injury.

As a fiction writer, Ursula K. Le Guin is best known for her Earthsea series, but I haven’t read them until now. She had a big impact on my childhood via a series of picture books called Catwings (they're... about a family of cats who can fly). As an adult, I’ve grown more intrigued as I've learned about Le Guin’s philosophies, especially anticapitalism. I read her famous horror story The Ones Who Walk Away From Omelas last year and found it unsettling and thought-provoking. So I decided to read some of her longer works! And, of course, speculative fiction is always the way to my heart. My wonderful sister gave me the first four books of Earthsea for the holidays last year, and I’m finally getting the chance to read them.

Overall I had a good time with A Wizard of Earthsea. It’s structured differently than a lot of fantasy novels I’ve read. While there is a big overarching plot, the individual chapters usually have their own complete story arc. It’s the type of book where you can read one chapter before bed and feel like you got a whole story; each part advances the main narrative while also providing a complete side adventure.

There’s a lot of travel in A Wizard of Earthsea due to the setting. Earthsea is a giant, possibly world-spanning archipelago, meaning there’s a ton of islands, each of which has its own way of life. The conflict naturally has Ged travel from island to island and interact with various peoples and creatures. The closest comparison I can think of is The Odyssey, and I’d be shocked if Le Guin didn’t draw inspiration from that. Both stories involve the protagonist traveling by sea and meeting a variety of characters and mythological creatures through smaller, discrete conflicts and interactions. Usually I find long travel sequences boring, but in this case they were one of my favorite parts of the book. There’s always a sense of anticipation on where Ged’s journey will take him next.

The magic system is also is pretty cool. The idea is that all parts of nature, from humans to goats to oceans, have hidden “true” names. Knowing something (or someone’s) true name gives one power over it (or them). Thus wizards use true names to manipulate nature; giving another person your true name is an act of absolute trust and devotion. However, a big theme of the book is equilibrium. One must always be aware of potential consequences when using magic. Changing the wind in one part of the world could cause a devastating storm one island over. Sort of a butterfly effect type thing.

Even though violence is one of my content warnings, I’m impressed that Le Guin largely circumvents it in the story. In many fantasy stories, a wizard/mage character uses their magic to fight and crush their foes. Not so much in this novel. While Ged clashes with various entities through the story, he usually just outsmarts them. Thus his showdown with a big, fuck-off dragon boils down to Ged guessing its true name and telling it to leave. Antagonists are usually the ones instigating violence.

One thing I found odd about the pacing of the book is it slowed down a lot in the last few chapters. There’s a big action sequence with serious consequences around the novel’s midpoint, but everything after that is slower and more reflective. On a surface reading level, I’m not sure I liked this. I’m used to stories ramping up the tension more and more until the end. However, I did like the climax itself, when Ged reveals the shadow’s true name. The central moral of the novel is that one needs to accept everything about themselves, including their past mistakes. Everyone has a dark side, which ties into the central theme of balance, and even the opening poem of the novel (which I used as the excerpt for this review). It’s a pretty universal idea, but Le Guin presents it in a thematically satisfying way.

I tagged this as a Young Adult novel because Le Guin wrote it for a teenage audience. YA didn’t exist as its own genre at the time, but A Wizard of Earthsea is a coming of age story (a staple of YA), and even has a moral message of sorts at the end. However, sometimes it’s really obvious that it’s intended for a younger audience. As I get older, I’ve noticed that YA tends to be pretty blunt about its meaning and symbolism in a way adult novels aren’t. For example, while pursuing the shadow, Ged gets lost in a mysterious fogbank. To me this was a clear callback to the first chapter, where Ged outsmarts a band of barbarians by trapping them in a fog. But Le Guin also made sure to tell me several pages later, in case I missed the parallel. I’m torn on this when reading YA. While I’m not the intended audience, I feel this approach underestimates teenagers’ ability to critically examine a text. But YA teaches many how to view things that way, so I see why authors do it. Teens aren’t a monolith, but it is interesting to see this tendency to over-explain in a novel from 50+ years ago.

A Wizard of Earthsea is surprisingly progressive in many respects. Perhaps the most obvious is race. Ged and most of the main cast are explicitly nonwhite and described as such in the text. This isn’t a huge revelation in 2021, but it’s amazing to see something like that in a mainstream fantasy novel from 1968. Apparently Le Guin struggled with publishers for a long time, as many early covers whitewashed Ged for the sake of “sales” until she gained more creative control. And the (shitty) film/TV adaptations of Earthsea are just as guilty. I went through a LOT of covers while researching this book, and even newer editions often opt for heavily stylized art, nonhuman subjects, etc. The cover I chose is from 1984, when Le Guin presumably had more influence on Ged’s portrayal. I’m interested to see how past book covers stack up when I deep dive on the other books.

However, I found the book to be not so progressive when it came to gender roles (I know, I wasn’t expecting that either). Le Guin makes it very clear that all the famous and powerful wizards/mages in Earthsea are dudes. The wizard school toward the beginning is all dudes. All the adventurers and sailors in the story are dudes. Ged himself makes some pretty sexist comments (though to be fair, that was pre-character development). There are relatively few female characters in the story, and many are either bit parts or (in one case) a seductive, power-hungry villain. Portraying sexism in a fantasy setting isn’t an inherently bad thing. Jemisin’s Dreamblood duology, which I read earlier this year, introduced stringent gender roles in order to explore the insidious nature of misogyny. But A Wizard of Earthsea doesn’t really go beneath the surface level. Yarrow is probably the most well-written female character in the story, and she only shows up in the last few chapters. Again, I’m interested to see how Le Guin handles this in later entries; the next book stars a female protagonist and Ged’s the deuteragonist.

I liked A Wizard of Earthsea overall, and I think it serves as a good introduction to both the series and a central recurring character. While I have some criticisms of the first book, I do realize it’s a relatively early work of Le Guin’s. The last novel in this series was published in 2001, so I’m interested to see how the characters and writing changed over 30+ years.

#2021 reading challenge #8/10 #taylor reads

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sneakystorms · 4 years ago

Note

ó, ü

this got a bit long so, under the cut!

ó: Is there any characters you feel could have been portrayed better?

Ok so like in terms of portrayals that are historically inaccurate in harmful ways or offensive stereotypes... I'm sure that stuff has been talked about to death and I'm not very knowledgeable about history OR modern asian political relations so i won't comment on it. The only thing I'll touch on is alfred being "found" by Arthur - and looking so much like him, wowie! what a coincidence!! - and it only bothers me personally because I've read a bit more about usa history than the average polish youth for a competition in hs.

However, staying away from historical/political incorrectness and speaking strictly of character writing? I guess there's a few things that irk me. Keep in mind that I've only read the tankobon volumes that came out in poland plus some scattered strips, so I'm not taking later strips/strips that weren't included in those volumes into account!

For one, even though I'm still fond of spamano, the canon portrayal of it (especially their early relationship) is pretty gross and I wish Antonio wasn't written as some lowkey sho.tacon joke... I've seen reimaginings where Lovi is at least a teen during spanish rule (or even older than Toni!) and those are really cool, but even if Lovi stayed child aged it still could have been handled better.

What else... I think Yao could have been given more of a distinct personality given that he's supposed to be one of the main cast? I don't hate his character or anything but I always found him a little bland in comparison with others from the main 8.

ü: Have you visited your favorite character’s actual country. Any pics? (Don’t have to do the pics part!!)

Ooh, fun!! At first I thought I'd have to say no, but then I realised that I DID visit some of my faves! I think going to Malbork (currently in poland) counts as visiting gilbert, and although I don't have any pics of it I do have this record of me saying "Malbork is nice, I thought about gilbert a lot" </3

My other fave is Lovino and I can now say I've been to southern Italy AND i have pics! my mom and i stayed in monopoli, venturing to various places around it. check out my pasty face before it got sunburnt to hell and back lol

my favourite was definitely matera which is a city where a LOT of people deadass lived in caves until, like, the 50s. most of those caves are freely accessible (though i'm not sure if going in there is allowed? but if it's not then that's very poorly communicated lol) i don't have good pics of the caves but the surrounding architecture was also really cool!

æ: Your favorite character and how they became such.

Speaking of favourites! Ever since I first got into hetalia I had cycled through favourite characters... I would get really into some character or other for a few weeks, then move on to another and so on. However, the two characters who have consistently been my favourites! Are gilbert and lovi! I couldn't tell you how they became such because it's literally been a decade - but i can try to psychoanalyse myself and try to figure out why those two appeal to me so much, haha.

for gil, i think it's so many things... I love cheeky bastard characters, I love characters who are really full of themselves and confident but with the actual skills to back it up! I love characters who enjoy power a bit too much, I have a weakness for albino anime boys and I love the contrast (intentional or not) of gilbert's medieval religious fervor with a physical appearance that would make him a prime candidate for demonisation in those times! And speaking of that, I also love a good old fashioned character with an unhealthy relationship to religion, even if it's not really explored outright in canon. I also used to ship him with erzsi BIG time, and I still consider pruhun somewhat of an honorary het ship.

for lovi, it's mostly the angst of it all... Himaruya really has a gift for sprinkling just enough pathos onto his otherwise comedic characters to suggest a hidden undercurrent of drama that an eager reader can easily read into and exploit. And i think lovi has some of the most explicitly stated angst out of the whole cast! his inferiority complex is plainly visible, stemming from feeling overshadowed both by feli and rome. But i like contrasting this and his childish behaviour with his fairly old age, his moments of genuine maturity and his past of formidable power! And again, I like ruminating on his relationship with religion, seeing as christianity is so closely linked with italian history and culture.

#aph #s #ask #this was fun! sorry for the lengthy responses haha #feel free to ask more :D

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countessofbiscuit · 4 years ago

Note

If you're taking potential prompts...Fox and Riyo discuss tattoos in their respective cultures? Maybe while one gets a new design or a touch-up?

Fox didn’t set the Republic military standards, but he sure as heck has to exemplify them. So it’s my headcanon that he doesn’t have any tats until Riyo’s affection works on him and/or the shittiness of the rest of his life strips his uptight grain. But I like to think this still fits the bill! Thanks for the prompt : )

- - - - -

Inked

2k. Teen. Also on Ao3.

- - - - -

The Senate concourse never slept, but most of the Dome’s regulars had long since made for their beds when Fox spotted Senator Riyo Chuchi waiting for the Annex hovertram. She stood alone on the platform, arms wrapped snugly around herself and engrossed in the floor's marbling. The hour was far from social, but Fox had both an apology to make and thanks to offer. And there was no time like the present.

“Good evening, Senator Chuchi,” he greeted from a polite distance. Natborns, especially politicians haloed round by ego, took personal space seriously; brothers wouldn’t give both ears unless someone were right on top of them and they still might not pay any heed.

She straightened up, almost startled. But then — a diplomatic smile. “Commander Fox. Is everything alright?”

Species and biographic profiles popped across his display. Fox blinked them away.

“Yes, ma’am. Sorry for the disturbance. I wanted to apologize for not addressing you properly the other day, when you kindly held the lift for me.” For him, the discomfited idiot, who couldn’t bring himself to enter the public turbolift he'd subversively called when faced with a mere Senate guard and a pretty woman. “And to thank you — for that, and for not giving me away to Senator Robb.”

They’d only just been formally introduced yesterday by the Security Committee Chair — and Senator Chuchi had not let on that Fox had recently broken a Dome directive. Ignorance or indulgence, it mattered little. The effect on the fresh-off-the-transport commander was the same: he was very grateful.

“Oh! Of course. You’re most welcome,” Senator Chuchi answered mechanically. Diplomatically. Stalling for understanding with a squint behind her smile.

“My database wasn’t synced to my input feeds yet,” Fox clarified. He’d been plagued by a deep need to reassure her that he took professionalism seriously. That he wasn’t chronically cavalier with protocol. “I didn’t know who you were, at first. But I’ve modded the software, so I —”

The tram approached. But it was Senator Chuchi’s blue hand on Fox's gauntlet that really stopped his thoughts short at the brainstem. She was very petite and looked about as warm as a silk petal in a breeze; but Fox’s skin prickled strangely under the plastoid.

And she wasn’t cutting him off: she was holding him in place. When the tram doors parted, she did not let go. Senator Chuchi meant to keep him with her. Closely. As no one else was around — especially as no one else was around, Fox had no argument against overstepping another rule if the Senator condoned it.

The tram was reserved for senators whatever time of day; when Dome-bound platforms were busy, and certainly when a vote was called, no mere aide, intern, attaché or privileged tourist could expect passage. The tram droid would spot you at fifty paces, bleat and wail with flashing lights, shame you into the permacrete. Clones were just supposed to walk — or, in Fox’s case, bike.

“Truly, you’re very considerate,” Senator Chuchi replied once they were onboard. “But I didn’t notice. I forget that my face doesn’t always give me away.”

It certainly gave her away as being very beautiful. Fox killed his display entirely. He even indulged the idea of removing his helmet, the better to appreciate her. But that would be quite forward: she hadn’t asked and the Guard had a lids-on policy handed down by the executive office.

Fox cocked his helmet in silent encouragement.

“Chuchi tattoos.” She touched two fingers to her cheek. “Obvious to Pantorans.”

Fox cast his mind back to cultural modules. He remembered certain trivia and understood that this was a situation which called for small talk. “I've read about Pantoran ink. Is there really aurodium in yours?” he asked in a carefully modulated voice, though there was no one to overhear.

“Yes. It’s still common practice for — among certain families. Impossible for the layman to tell, however.”

Fox mentally calculated about twenty seconds until arrival. The time begged another question. “Did it hurt?”

“The first time. But everything is unbearable to a child. They were filled out when I came of age and it wasn’t so bad.”

“Who did yours?” Fox found his questions coming as naturally as her answers. This wasn't so bad. Not at all.

“Someone my Grandmama knew. They decide these things. And they keep the rakes.”

“Rakes?”

“The tattooing tool. Usually the bone — well, it’s … it’s customary to keep an ulna and radius of one’s mother to be fashioned into rakes, and then into button hooks or hair pins once they’re worn down.”

Wasn’t the oddest natborn tradition he’d ever heard. And just the other day Stone reported that a detachment of MPs had cut their teeth over Ohma-D’un breaking up a brawl about some cursed finger of Jango’s. A few units claimed to possess one. Everyone deferred to Geonosis vets, and really, what was the harm? Well, until they came to blows over it. “Huh.”

“Do you have any?” she asked.

“Ma’am?”

“Tattoos?”

Thankfully, the hovertram was slowing into the station. It allowed Fox a transitory moment to consider why she’d care and to gather his conflicted thoughts on the subject as they disembarked.

Strictly speaking, tattoos were against regs, at least for clones. The RCMJ prohibited any bodily ornamentation that might bring discredit upon the galaxy’s preeminent military, but culturally significant tattoos and jewellery were permissible for natborns — the unspoken being that clones didn’t have a culture to claim.

“No, I don’t have any. It’s, uhh … not allowed in the Guard.” Not that Fox hadn’t seen some. Even before deployment — back before it was his problem to punish — the occasional itch to differentiate, to distinguish, had defied the longnecks’ surveillance, at least until the next quality control inspection.

Some experiments with filched hypos and med-markers had lasted longer than others. Stars and heavens help the bastards who’d inked themselves and paid for it in sweat and blood and punishment tours, only for the artistry to fade. Or for the shine to quickly wear off their youthful love of Coruscanti opera or the Galactic Senate. Or for the limb get plain blown off.

“Oh. On what grounds?” she asked.

In the main, Fox liked the RMCJ: it accorded a comforting set of guardrails, standards, and norms in a new and overwhelming operating environment. But he sensed a rebuke of the hard facts of life forming in the good Senator’s mind.

No point clouding the issue for her sensibilities; the regs only referenced what the Military Creation Act made plain in Section 3: all of clonedom, from marshal commanders to the lowest and last trooper on the production line, belonged to her federal government. Down to the dermis.

“Defacement of Republic property,” Fox offered as he followed her onto the Annex slideramp, since she hadn’t dismissed him yet.

Senator Chuchi did indeed frown up at him. “Does it really say that?”

“Yes. In the uniform code.” In a number of articles, actually — like the ones about mistreatment of service property and punishments for desertion. “There’s a certain leniency out in the field, I gather,” Fox added lightly, though privately he marvelled how any officer could sufficiently shake that feeling of a cold finger hovering behind their ear and get inked; would he even recognize himself without observational stress? “But it’d be nice to have it codified — or, err, uncodified.”

While he’d made it widely and painfully understood that facial tattoos would be burned off before they could be flagged as culturally insensitive, Fox wasn’t wholly a rule-bound, stuffed suit of armor. He was slightly more practical than purist. The Guard’s plates needed to be uniform and finer than dinnerware, sure; but so long as you were fit to fight, what happened under your blacks was between you, your sergeant, and your capacity to endure barracking.

Fox chose not to see a lot of things and liked to figure what natborns couldn’t see couldn’t hurt them.

Problem was, natborns liked to see fucking everything, especially politicians curious about how fully organic their new army was. Inspect, his shebs — bother, interrupt, and gawp at, more like. Guard Central off the Executive Thoroughfare was hardly incognito and not necessarily off-limits if you could nab some natborn logistics lieutenant with the most basic clearance.

It was only a matter of time before a guardsman got his favorite dancing girl slapped across his back in glorious color and some peeping bureaucrat kicked up a stink about a gross lack of standards in the locker room. Fox could do nothing about General Tiaan or other top brass, but at least they trumpeted a few hours before their arrival to ensure the proper pomp and ceremony — and they didn’t care about the showers.

Senator Chuchi had gone quiet as they reached the main Annex lobby. Fox’s neck dampened to think he’d lowered her spirits or given her cause to regret his company.

He also believed guilt helped no one. She didn’t seem pompous or presumptuous, just unfailingly polite. Maybe he had a chance to make a real ally. “If I may request a favor, ma’am,” he ventured, steepling his hands at his navel like he’d seen the Chancellor do when putting forth a sensitive proposition. “For my own ... err, family.”

This time Senator Chuchi arrested Fox with both hands on his gauntlets. He couldn’t have moved if Corrie’s axis pitched. “Certainly,” she said. “I like to think I’m a public servant. And not only for Pantorans.”

Fox had been primed to make a short speech about clone personhood and the need for senatorial sympathy. He was damn tired, though. And moonstruck. Enough to make him chuckle and ask instead, “If you could maybe … I don’t know, discreetly put it round that it’s gauche for politicians to drop into the barracks unexpected? The men don’t get a lot of privacy and the shower block’s the closest thing to a spiritual retreat they’ve got.”

Senator Chuchi’s bright eyes widened, his display registering a sharp increase in her pulse and temperature. “Of course. You have my word. I’ll see if can carefully address this matter of … discretion. And I’m sorry you had to ask.” Her knuckles paled as she squeezed his armor; he felt nothing but her sincerity.

“Thank you, ma’am.” Fox was so flustered, he nearly invited her to drop by his block anytime, which would’ve been the height, depth, and breadth of stupidity. Instead he said something else that was only marginally short on sense. “It’s very late. May I escort you home?”

“That’s kind of you, Commander. But my driver will be here now.” Her driver — of course: she was as rich as Koros, she possessed a smile literally finer than gold, and she wasn’t touching him anymore. Fox bowed his head low — a head that had almost outgrown his helmet in a moment of unprofessional conceit.

He had to walk back down the Thoroughfare to fetch his bike. As he did, Fox wondered what might bring him to patronize that closet in the barracks he wasn’t supposed to know about. What he’d ask for, if he ever forgot his station enough to ask. What could ever stir his heart so much, that he’d wish to mark the spot.

Hypos and hypotheticals: Fox, senior commander and paragon of the Guard, didn’t have time or liberty for either. He tried to forget all about it.

#foxiyo #commander fox #riyo chuchi #coruscant guard #biscuit fic

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geniejackman · 4 years ago

Text

Recasting Twilight

Okay everyone, buckle yourselves in. It’s quarantine and I have absolutely nothing better to do, so here we are! I decided to re-read Twilight for the first time in years, and it got me thinking about who could potentially be cast in the various roles if the book were remade as a film/mini-series today! (well, you know, not TODAY today, because corona).

Just a disclaimer- I won’t be casting any of the Forks High Students or the Volturi guard as I believe those should be opportunities for unknown actors. Same goes for Jacob and the Quileutes. Those roles should absolutely go to actors of Native American ancestry.

Please keep in mind that these are just my opinions, I’m in no way trying to infer that the original cast is bad. This is just something that I’ve been toying with in order to keep myself entertained, and for the general amusement of the 3 of you that follow me. I’ll continue on with the other books in separate posts if I feel like I have it in me after finishing this one up. Here we go!

Bella Swan - Anya Taylor-Joy

I’ve been fascinated by her ever since the one-two punch of The Witch and Split. She definitely has the capacity to get across the emotions of the character through facial expressions alone. She also has an understated beauty and charm that just seems very Bella.

Edward Cullen - KJ Apa

It’s all about the jawline baby...

Oh, okay, I guess I should actually list a few legitimate reasons.

Edward is described as having bronze colored hair in the book, which KJ definitely pulls off better than any real human should be able to. He’s also got the tense, sometimes overly-serious attitude of Edward down, while still having a killer smile and a great sense of humor.

Alice Cullen - Lana Condor

I know what you’re thinking, an Asian Alice?

Hear me out: Alice is petite, quirky, and full of energy and fun. Lana Condor fits that description to a T. She’s also dazzling, and would look great with the pixie hairdo. Also, like, all the Cullen kids are adopted, and the entire town of Forks knows they’re adopted, so there’s no need to make them all defacto white just because the parents are. Plus, look at her! She’s so darn cute! But she could also play the scenes where she needs to be scary and intimidating very well.

Rosalie Cullen - Dianna Agron

I know I’m about to fully out myself as a Glee stan (seasons 1-3 anyway), but Dianna has always been what comes to my mind when I think of breathtaking blondes. Rosalie is described in the books as the most beautiful person Bella has ever seen, almost too perfect. Diana is definitely that. She can play the mean girl, but she can also be snarky and bad-ass. She’s a little older than the rest of the cast playing the teens, but have you seen pics of her lately? The woman never ages. Almost like she’s a real vam... no... it couldn’t be...

Emmett Cullen - Noah Centineo

So I know Emmett isn’t a HUGE role, and Noah is a pretty big Hollywood heart-throb these days, but maybe he wouldn’t mind having a smaller role in what would definitely be a big-budget film/series. He’s a cutie and handsome as hell, but he’s also playful and tough like Emmett. I’m sure he’d also have a lot of fun in the fight scenes.

Jasper Cullen - Dacre Montgomery

After Stranger Things, I’m sure we’re all eager to see Dacre take on more high-profile roles. I think he could do a lot with Jasper both in the early films when he’s supposed to be slightly more demure and apart from the others, and then later when his leadership skills are called on. Plus, he and Lana would be adorable!!!

Carlisle Cullen - Matthew Goode

I’m taking a slightly different approach from the films with the casting for the parents from the original film, we’re going younger with Carlisle and Esme this time around in order to stay more accurate to the source material. In the books, Carlisle was 23 when you was changed, so if you think about it Matthew Goode is actually pretty old for the part (42). However, he can definitely appear younger than he is, all while giving the feeling that he’s lived hundreds of years. Plus, this is the guy that’s supposedly even more handsome than Edward, and Matthew definitely has the looks and the charm to pull that off.

Esme Cullen - Michelle Cockery

Esme is described by Bella as having a heart-shaped face with Silent Movie Star looks. Michelle literally looks like she’s stepped off an Old Hollywood set, and she’s so classically beautiful. Also, it would be interesting seeing her play a sweeter, kinder figure than we’re used to seeing on Downton Abbey. She has well-established chemistry with Matthew Goode from working with him on Downton, so they’d be very believable as the Cullens Mom & Dad.

Charlie Swan - Dylan McDermott

Yes, it’s the “20 Dollars? What do you need 10 Dollars for?” dad from Perks of Being a Wallflower. Dylan has experience playing dads, but he’s also played romantic figures, so you can see what would make 18-year-old Renee leave the big city.

Renee - Melanie Lynskey

Not only does Melanie really look like Anya, but she also NEVER. AGES. So she definitely can pull off the young-mom look. She’s also got this naive sweetness in all the characters she plays that is perfect for Renee.

James - Jonathan Groff

Okay, I know what you’re thinking. Not my sweet innocent Groffsauce, not my happy-go-lucky King George/Kristoff/Jesse St. James. Hear me out though- despite the ‘nice’ characters he plays, I feel like there’s a dark side to Jonathan that would be perfect for James. Also, aside from some snarls and dirty looks when the bad guys first meet the Cullens in the baseball field, James isn’t all that outlandishly evil. Bella notes that his voice is fairly ordinary, almost soothing. Jonathan definitely has that, and he’d have a lot of fun with the snarky lines and the ironic nature of the character.

Victoria - Mary Kate Wiles

Mary Kate is more of an Indie Actress, but I think she would bring something really unique to this big-budget-extravaganza. She can play seductive, sassy, and high-energy in the baseball field scene, and then she can transform into the vengeful, focused, crazed-killer in the later portions. Plus, it’s about time MK got some high-profile roles!

Laurent - Louis Garrel

Just what we need to finish off this first post, a seductive Frenchmen! Louis has the perfect look and a great accent for Laurent, and I think he would be amazing in the scene with Bella in ‘New Moon’. Honestly, after ‘Little Women’, I just need to see more of him in main-stream Hollywood.

That’s all for now! Like I said, we’ll see if I can work up the energy to cast ‘New Moon’, ‘Eclipse’, and ‘Breaking Dawn’! Let me know what you think of my choices. Who’s your dream cast??

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britesparc · 3 years ago

Text

Weekend Top Ten #490

Top Ten Female Superheroes in the Movies

I feel like female superheroes – and I'm stretching the definition to include those who aren't consistently out-and-out heroic – are finally, belatedly, starting to get something approaching their due. Already this year we've had two Disney+ shows that had very prominent leading roles for female supers (I'd argue very strongly that Sylvie becomes a co-lead), and on the DC side there's still Supergirl and Batwoman. At the pictures, however, women in capes have historically suffered; if a film had a female lead, any poor performance at the box office was seemingly blamed on gender rather than, y’know, the film being crap. Fortunately the last few years have seen this trend starting to be reversed; Wonder Woman, Captain Marvel, Birds of Prey, and the recently-released Black Widow have all showcased super-powered female leads and been (for the most part) big successes too.

So, anyway, inspired in large part by the fact I’ve watched both Wonder Woman and Black Widow this week – and with an eye on future female-focused flicks too – this week is dedicated to my favourite filmic femmes (hmmm, there might be such a thing as too much alliteration. I need an avalanche of Advil…). I’ve tried to be pretty strict here and only use movie superheroes – although I’ve stretched that to its limit, as you’ll see. And, like I said before, I’m allowing “anti-heroes” – hey, I had a whole list about them last week, might as well double down! And I know what you’re thinking – surely, in over nine years of making stupid lists on a weekend, I’d have done this before. But no, I checked, and apparently I haven’t. Really I should have scraped the bottom of this particular barrel by now, but fortunately not!

There’s not much more to say at the moment really. Here are my ten favourite female superhero-type characters from the movies. I’m tempted to make some kind of terrible, cheesy reference to “girl power”, or end with a “you go, girl”, or something like that – but let’s face it, that’s a really, really bad, hackneyed idea. Let’s just get on with the list instead.

Wonder Woman (Gal Gadot, DCEU, from 2016): there can be only one! Yeah, still the best female superhero on the silver screen in my book. Gadot gives her the perfect blend of steely determinism and wide-eyed naivete; full of faith and righteousness, but also a fierce fighter. It’s clear from the moment she blasts, fully-formed, into Batman Versus Superman Colon Dawn of Justice that Gadot was born for this role, encompassing every aspect of Diana – the princess, the warrior, the ambassador, the goddess. Like Superman all those years ago, her solo film is equal parts optimism and pragmatism, and (despite the dodgy finale) it remains a wonder. Sorry.

Raven (Tara Strong, Teen Titans Go! To the Movies, 2018): here I go, cheating already. Yes, Raven is mostly from a TV show and I’ve decided this is a list of movie characters. But she is in a movie! And she’s the main character and focus of the straight-to-DVD sequel, Teen Titans Go! vs. Teen Titans. So yes, whilst her sole cinematic outing doesn’t really show her off to the greatest degree, she’s still amazing. A deadpan, dark-tinged comedic tour-de-force from voice veteran Strong, Raven is profoundly hilarious, one of the all-time great sarcastic pieces of comic relief. And, whilst we’re talking about the DVD sequel, Strong does a terrific job differentiating between the sillier, looser Go! version of the character, and the more sombre and serious OTT animated Titan.

Laura (Dafne Keen, Logan, 2017): otherwise known, in the comics at least, as both X-23 and, latterly, Wolverine. Laura is a frankly outstanding performance by a child actor. Steely, determined, pissed-off, wounded, proud, but still coming across as a child and not at all precocious or precious. And then there’s her physicality; she storms through the screen, a whirling dervish, leaping around and, frankly, slashing the shit out of everybody. She holds her own against the nuclear charisma explosion that is Hugh Jackman, and against the titanic chops of Sir Patrick of Stewart, and brings a huge amount of heart and pathos to one of the best superhero films of all time.

Catwoman (Michelle Pfeiffer, Batman Returns, 1992): yeah, okay, she’s not really a superhero. But Pfeiffer’s performance is phenomenal; one part sheer unadulterated sex appeal, one part wronged woman seeking revenge, one part utter batshit craziness (no pun intended). She created interesting layers of manic craziness to a character already a good fifty years old at that point, informing the portrayal of the character in comics and cartoons, and her chemistry with Keaton’s Batman lights up the screen. And, frankly, she was so damn sexy that she gave puberty to an entire generation.

Rogue (Anna Paquin, X-Men movies, 2000-2014): presenting Rogue in the first X-Men as a younger character, without her stolen Captain Marvel powers, was a masterstroke; making her the audience surrogate as a way to introduce the X-Men themselves and Logan in particular, giving the latter character one of his comic-book trademark young female proteges. Paquin does a tremendous job giving her an inner strength despite her heartbreaking power, and although she fades from prominence as the (increasingly bonkers) series progresses, she continues to give it everything she’s got, even if the films don’t do her sufficient justice. An excellent portrayal, sadly cut short.

Elastigirl (Holly Hunter, Incredibles movies, 2004-2018): ah, our first non-comic book character! Hunter is brilliant in this role, presenting Elastigirl as a feminist icon even as she’s forced into an increasingly domestic role. Despite the risk of her being portrayed as a shrill nagging housewife, stomping on Mr. Incredible’s fun, Hunter (and the script, to be fair) walks a fine line, and we as viewers are actually on her side as her husband takes foolish risks. And then, when the action kicks in, she’s amazing – full credit to director Brad Bird and the animators and Pixar. The sequel, which is mostly more of the same but still pretty great, gives her even more lovely character beats.

Black Widow (Scarlett Johansson, MCU, 2010-2021): I’ve given it an end date but let’s face it, none of us will be surprised if she turns out not be dead. The first real female superhero we see in the MCU is still the most important and effective. Johansson does a great job fleshing out Natasha, overcoming the cheesy nature of her debut in Iron Man 2 and some of the problematic wrinkles given to her in Age of Ultron. Over the series of films, she is a consistent action superstar, but also gives us interesting layers and wrinkles and depth, evolving from the badass assassin we first see to the hard-bitten leader in Endgame. Her belated solo film gives her some great opportunities to correct those early missteps, as well as deepening the character even further, and showcasing her action chops. A great character, but it would be nice if we knew there was even more to come.

Harley Quinn (Margot Robbie, DCEU, from 2016): another DC not-quite-hero, Robbie does a phenomenal job as Harley Quinn, one of those lightning-in-a-bottle perfect pieces of casting (and, I’ll be honest, the only other actor/character match-up that’s quite as perfect on this list is Gal Gadot as Wonder Woman). Harley is a character who can be so easily misused: the abused moll, the bit of eye candy, an objectivised woman denied agency who’s only seen through the lenses of the men. And, true enough, there’s a bit of that in her debut in Suicide Squad, but Robbie is smart enough and her performance strong enough that she transcends the muck that surrounds her. She nails the accent and the demeanour, and in what we shall choose to call her solo film, she gives us a raucous, hilarious performance as an emancipated Quinn, blasting through police stations with glitterball shotguns and snapping limbs left right and centre. It’s the anarchic anti-hero of modern comics turned up to 11 and with the pottiest of mouths, but she’s also smart enough and skilled enough to give us embers of a conscience beneath the crazy, and offers up some great character beats and a believable relationship with Cassandra Cain. I can’t wait to see what she does next.

Scarlet Witch (Elizabeth Olsen, MCU, from 2015): Here we have another performance that matures and develops over the course of a franchise – surely one of the greatest aspects of Marvel’s multi-film narrative arc. Coming in as a minor villain in Age of Ultron, Wanda is powerful enough to temporarily get the better of the Avengers just by being “weird”; subsequent films see her attempting to be a hero, suffering a series of tragedies, falling in love, and coming together to save the world in Endgame. In what amounts to a series of snapshots – a photo montage of ongoing character development – Olsen is able to flesh out Wanda, giving her depth, showcasing different facets of her character, and making her consistently believable. Yes, I know I said this was a list of movie characters, but it’s stupid not to own up to the fact that this all comes to a head in the frankly phenomenal WandaVision, which – despite having two Avengers’ names in the title – is really all about her. The series leaves Wanda in a totally different place, and as we see her next in The Multiverse of Madness, I feel like her story is only just beginning.

Jean Grey (Famke Janssen, X-Men films, 2000-2017): I mulled over whether to include Jean Grey here or Valkyrie from Thor, but despite Tessa Thompson’s terrific performance, I’ve gotta go with the Phoenix. Back when superhero films weren’t a cinematic religion, Janssen gave a terrific performance as a resolute, thoroughly sensible Jean Grey; a telepathic Girl Friday to the officious know-it-all that was Professor X, she shows intriguing cracks in her façade when confronted with the gruff and unutterably sexy Logan. Clearly a powerhouse without needing to show off, she gets more development and some great hero moments in the phenomenal sequel, before being giving an epic sacrificial send-off that sets up a rise from the flames that never really comes. Yes, despite being brought back in The Last Stand, it’s a storyline that’s fudged from the start, and the Phoenix as a mopey emo version of Jean just doesn’t cut it. It’s a storyline that’s handled better, but only just, in Dark Phoenix, but that film sadly doesn’t have the weight of character behind it; despite the excellent work of Sophie Turner, we’re barely introduced to the character in Apocalypse before hints of the Phoenix are coming forth, and next thing we know she’s going all crackly and accidentally killing dudes. So yeah: I prefer the OG Jean, and Janssen’s great chemistry not just with James Marsden’s Scott but Jackman’s Logan really does justice to that element of the comic book character too. Still, two timelines, two actors, two versions of the Phoenix Saga, and it still ends in disappointment. Hopefully we’ll get a better version eventually in the MCU.

#top ten #women #superheroes #female superheroes #comics #comic book movies #mcu #x-men #justice league #wonder woman #teen titans

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carriagelamp · 4 years ago

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~ Queer Lit 30 Day Book Challenge ~

I decided to do this challenge I came across for June! Originally it was designed as a “day-by-day” thing, but my June was way too hectic to do a write up every single day… so I decided to make a nice compilation for the end of the month instead!

This is perhaps not the “purest” form of the challenge but I wanted it to be personal for me. Growing up when I did and where I did, I had very little exposure to queer books, especially age-appropriate queer books. That being said, there’s some books on this list that are really only “queer” by technically, or through a secondary character rather than the main character. I debated whether to include these but finally decided that, yes, I would. I owe it to myself. Even though some of these books that aren’t “as queer” as other, they were (or are) really important to me as a queer person and my journey is understanding that, so I wanted to acknowledge them!

More info about the books and the challenge under the cut!

Day One: First Queer Book You Remember Reading

Color by Taishi Zaou and Eiki Eiki

Remember how I mentioned a lack of available, age-appropriate queer books? I was one of those kids who was definitely exposed (probably too young) to queer manga/yaoi. It wasn’t necessarily what I wanted, especially as a wee ace teen, but it was the best I had at the time and it meant the world to me at the time, to see same-sex relationships even if looking back on them is very “YIKES”.

I’m sure I read others before this, but Color is one of the first that I really remember and which I a) actually owned and which b) wasn’t completely repellent in hindsight! I haven’t reread it in probably over a decade so I have no idea how it stands up, but at the time it read like a much more “realistic” account of two teenagers developing a crush and starting a relationship and as a questioning teenager it really helped me realize that this was a real, viable option.

Day Two: Queer Book That Reminds You Of Home

The Witch Boy by Molly Knox Ostertag

I hummed and hawed about this one for a long time because honestly I tend to read books that make me feel far from home. I decided to go with The Witch Boy though because it’s a story that challenges gender norms and stars a large family out in the woods, running wild and exploring magic, and honestly it gives me vibes that remind me of vacationing with my extended family. We’re also partially ginger and inclined to run wild in the woods. If we knew magic we’d have used it for sure.

This book is about 13 year old Aster, who lives in a family where the women all become witches and the men all become shifters. Aster, however, has no interest in shapeshifting and instead finds ways to study magic and learn the arts of witchcraft while constantly being pushed out by his female relatives… though everything might change when a new danger, that may or may not be connected to Aster studying magic, begins to appear.

Day Three: Queer Book That Has Been On Your TBR Too Long

Beneath The Citadel by Destiny Soria

That was an easy choice, this has been sitting on my bookshelf for months, staring at me accusingly every time I enter my room. I’m really excited to read it (Magical heist? Rebellion? With an asexual protagonist? Yes please) but for some reason I have not gotten around to it. Some day, baby, some day.

Day Four: Queer Book With A Name Or Number In The Title

George by Alex Gino

George is an absolutely charming middle grade novel about a child named George who the world perceives as male… but who knows she’s definitely a girl. The novel begins when her class decided to put on a play about the novel they had just read: Charlotte’s Web. George is desperate to play Charlotte, her favourite character, but isn’t even allowed to try out because it’s a “girl’s role”. George and her best friend struggle with how to handle this problem and manage George’s secret amid elementary school and home drama.

This book is really adorable – it was a nice, easy, cozy read for an adult, and would also make a great read aloud to elementary-age children if you want to introduce them to transgender characters.

Day Five: Queer Book Where The Protag Has A Fun Job

The Magic Misfits by Neil Patrick Harris

Not actually a queer protagnoist, but a queer side character who plays a major role in the series. Mister Vernon, one of Leila’s fathers, has arguable the coolest job: he’s a retired stage magician turn magic shop owner, which is complete with large rabbit, hidden room, and tons of fascinating gadgets to help a young practical magician learn their trade. He is hands down one of the neatest character in the series and is a major catalyst throughout the series.

The first book follows Carter, a runaway orphan who practices street magic to get by, as he runs away from his horrible uncle and winds up meeting a gang of magic-loving friends in a small town. Hiding from his uncle is only the beginning though, and the mysteries surrounding the town and Mister Vernon become thicker and thicker as the series goes on.

Day Six: Favourite Queer Graphic Novel

Check, Please! by Ngozi Ukazu

There’s lots of fantastic queer graphic novels out there, but I have to name Check, Please! as my favourite (and not just because I’m Canadian and am legally obligated to at least show interest in a hockey story). Check, Please! is the friggin cutest story about Eric “Bitty” Bittle, former figure skater and avid baker, who joins the Samwell University hockey team. The story is told in the form of Bitty’s vlog as he recounts the bizarre quirks of the Samwell hockey team, his struggle to overcome his fear of checking, and his growing crush on the team captain, Jack. Seriously guys, this is cavity-inducing sweetness and you can read it all online for free, here on tumblr @omgcheckplease or at its own website, checkpleasecomic.

Day Seven: Queer Book You Often Reread

Boy Meets Boy by David Levithan

Another book I haven’t reread in years, but this was the first queer novel I ever read (and owned!) so I read it obsessively, first the copy from the high school library and then my own copy (which is, let us say, well-thumbed by this point). It was pure fluff, in an aggressively diverse, relentlessly accepting, rainbow-coloured high school and it was exactly what I wanted in high school, and it still makes me happy whenever I remember it. It’s a straight-up high school romance, pretty traditional to the genre, but it has the most delightful supporting cast you could ever ask for. Maybe I should reread it again this summer…

Day Eight: Queer Book With A Happy Ending

Of Fire and Stars by Audrey Coulthurst

This was a bit more of a “yeah it was fine” book for me, but honestly… queer people deserve some average, run-of-the-mill YA fantasies. As far as my normal reading preferences go, run-of-the-mill YA fantasies are my bread and butter. And this one has a cute sapphic romance to go with it. It’s about Denna, a princess with a dangerous secret: she has a magical Affinity for fire, despite being betrothed to the prince of a kingdom that aggressively prosecutes and fears magic-users. So now Denna is in a strange land, trying to hide her increasingly volatile magic, solve an assassination that rocked the kingdom, and deal with the growing connection between her and the prince’s wild sister, Mare. It has court intrigue, a murder mystery, horses, and lots of confused sapphic pining so it’s totally worth picking up if you want a light summer fantasy adventure.

Day Nine: Queer Book With (Over) 100 Pages

River of Teeth by Sarah Gailey

I decided to try to get as close to 100 pages as possible! River of Teeth is a 114-page novella that I haven’t quite finished (work and covid stress happened) but which I am fucking losing my mind for. I can’t recommend it enough. It’s peak alternative history, about queer hippopotamus-riding cowboys in Louisiana during the early 20th (late 19th?) century. Like… I don’t know how to emphasize how unbelievably cool this book is. Genderqueer demolition expert with a giant crush and a penance for making things blow up and attempting to poison guests when they’re bored?? Check. Gay gunslinging hippo-riding cowboy with an angsty backstory (and also a giant crush)? Check. Sexy, fat, badass lady con artist with an albino hippo that she spoils? Check. Like damn guys. I’m not done the book and I’ve already bought the sequel because I know the second I pick it back up I’m not gonna stop until I’ve ploughed through it all. This book is the epitome of “refuge in audacity” and “rule of cool”. Is it over the fucking top? Absolutely but that’s the point.

Day Ten: Favourite Queer Genre Novel

The Red Scrolls of Magic by Cassandra Clare

I’ll be honest, I’m a little shaky on what counts as a genre novel (isn’t… everything… a genre??) so I decided to interpret it as “slightly trashy YA supernatural fantasy” because that sure is a hella specific genre I’m weak for.

I really thought I was done with the Shadowhunter novels, I thought they were a goofy series I left behind in teenagerhood that I could look back on with amused indulgence. And then I found out that there was a novel specifically about Alec and Magnus and! Oh no! Ding dong I was wrong. I fell back in hard because listen… I love them. They were one of the first canonical same-sex relationships I ever read about in an actual novel, they meant a lot to me then and still mean a lot to me now. I have nothing to say to defend myself here except that this book wrecked me and I can’t wait for the sequel.

Day Eleven: Queer Book You Love In A Genre You Don’t Read

Laura Dean Keeps Breaking Up With Me by Mariko Tamaki and Rosemary Valero-O’Connel

I am very rarely a slice-of-life / romance genre sort of person. I like my stories cut with a heavy dose of fantasy, scifi, action-adventure… something. So a graphic novel that’s not only a romance, but one about an unhealthy relationship and infidelity is like… super outside my usual range of reading material. But it was very much worth the read! The art was stunning, and the complicated emotions it tapped into really touched me. I’m very happy to have read it, and was so damn satisfied by the end.

Day Twelve: Queer Book With A Strong Sense Of Place

Belle Révolte by Linsey Miller

Linsey Miller is one author I very actively follow, I love her works and they always have very distinct, complicated worlds with unique societies and magic systems. Belle Révolte was her latest book and followed a prince-and-the-pauper type of story, in which wealthy Emilie des Marais is determined to learn noonday (magical) arts in order to become a physician, someone who can actually work to make her home a better place… but this is not something a proper lady would ever be allowed to do. So she flees her finishing school and meets poor, but magically gifted, Annette Boucher and offers her the chance to switch places. Annette goes back to school as “Emilie” and gets to hone her skills at the midnight arts while Emilie will use her name to sneak into medical school and fight her way up the ranks to physician. This is a challenging enough task, with rebellion roiling just beneath the surface and the country about to slip into a arrogant war that threatens the lives of hundreds…

Day Thirteen: Queer Book That Really Made You Think

Our Dreams At Dusk by Yuhki Kamatani

This is a four book manga series that is completely breath-taking. It’s touched by magical-realism and completely drowned in visually stunning metaphors and symbolism. Seriously, I’ve reread these books multiples times trying to digest how the wide variety of symbols overlap and contradict and compliment and challenge each other. I still haven’t really gotten a solid handle on it, it’s very fluid, so yeah… definitely makes me think.

The story starts with Tasuku Kaname who believes he may have just been outed as gay by a high school friend, and feels like he’s watching his entire world crumble around him. He is seriously considering taking his own life, when he runs into the mysterious woman “Someone-san” and winds up leading him to a drop-in center that’s run by a local non-profit, and is also a hub for a number of queer people in the community. The books follow Tasuku as he grows, learns, makes mistakes, and confronts his feelings, along with a number of other members at the drop-in center. It is completely beautiful, optimistic, but also quite stark and harsh at its look at homophobia and transphobia in modern Japanese society and how it can effect people in different ways. I just bought book four and can’t wait to read it and see how everything ends.

Day Fourteen: Queer Book That Made You Cry

The Marrow Thieves by Cherie Dimaline

Holy shit guys. Listen. Listen. If you don’t read any other book on this list, please consider reading The Marrow Thieves. It is hands down the best book I’ve read so far this year. Another book that doesn’t have a queer character as the protag, but as one of the main supporting characters and listen, his story fucking destroyed me as a person. That romance just… aaaaaaah. AAAAAAAAH.

Anyway. The Marrow Thieves is a Canadian dystopian novel. It takes place in a post-climate change world in which society has been ravaged – partially due to the wildly different and extreme weather patterns, but also through a strange disease that has spread through the population that has left people completely incapable of dreaming. Now unable to rest, process their lives, and dream of a future, people are being driven insane and only one group appears to be immune: North America’s First Nations people appear to be unaffected. And so they begin to be harvested, rounded up and collected in “school” in order for people to suck the marrow out of them to give to white people afflicted by this disease. The Marrow Thieves follows a First Nations boy named Frenchie as he flees the recruiters and tries his best to survive in this post-apocalyptic like wilderness, banding together with other First Nations people who are heading north, where they hope to find communities of their own people with whom they can shelter and start to rebuild their lives.

It’s a YA level novel, not very long, and such an insanely good read. I cannot emphasize enough PLEASE GO READ THIS BOOK.

Day Fifteen: Queer Book That Made You LOL

Mostly Void, Partially Stars by Joseph Fink and Jeffrey Cranor

Welcome to Nightvale always makes me laugh and it was a lot of fun to get to read the transcripts of the episodes. I’m a sucker for novelizations/transcripts of shows. It was a nice nostalgia trip and gave me an excuse to go back and relisten to some of my favourite episodes too! If you’ve never gotten into Nightvale… hey, it’s a classic! Podcast is fucking stunning if you’re into podcasts, and if you’re not but would enjoy a weird, queer, eldritch horror comedy then try the book! It’s the first “season” compiled in text form, exactly how it’s heard in the show.

Day Sixteen: Queer Book That Is Really Personal To You

Jughead volume 1 by Chip Zdarsky et al

Including this one because gee golly it sure did make me want to fight a lot of people for quite a while. It was one of the first stories I ever found/read that had an explicitly asexual main character… (and a character I already really loved! Which I now got to feel an even stronger connection to! It was so fun and validating!) so it was super awesome how like half of tumblr decided for a year there that this was apparently a cardinal sin. Imagine… one single version of old, long standing comic series deciding to retcon a character to represent a heavily under-represented community… imagine being so fucking angry about that that you decide to start a hate campaign on the internet. So much fun to live through that as an ace person. Anyway, these comics were nothing amazing but I sure do love them aggressively out of pure spite, even now that the aphobia on tumblr has died back down I will hold this to my chest and adore it.

Day Seventeen: Favourite Queer Book Sequel or Spin Off

The Lady’s Guide to Petticoats and Piracy by Mackenzi Lee

Honestly do I even need to say anything here? Is there any queer person who hasn’t read Mackenzi Lee’s The Gentleman’s Guide to Vice and Virtue series? If you are someone who hasn’t read it yet… go do that?? Absolutely stunning, one of my all-time favourite book series. It’s the perfect combination of hilarious and goofy, intense action, heartfelt character development, and a dash of “wait was that supernatural or??” This sequel was fantastic, this time focusing on Felicity, Monty’s sister, and her quest to become a physician despite being a woman in the 18th century. Awesome look at femininity, feminism, asexuality, and race. (Also… OT3? OT3.)

Day Eighteen: Favourite Queer Book By A Favourite Author

Monstrous Regiment by Terry Pratchett

One of those “ehh is this technically queer? Not really but close enough, it is in my heart” books. It was one of the books I read as a teenager when I was still beginning to seek out and try to explore queer lit in so much as I could.

Terry Pratchett is, hands down, my favourite author, and though he doesn’t tend to write explicitly queer literature, his exploration of gender through allegory is top fucking tier. Everything to do with the dwarves in his series is fascinating, and a really great challenge/critique/exploration of gender, and this is the book that takes it to the next level (and brings in at least implicitly queer characters). It’s about Polly Perks, who lives in a small, war torn nation, choosing to join the army in order to find out what happened to her brother. However, as tradition dictates, she can’t join as a girl… so she disguises herself as Ozzer, a young man. There’s a lot of twists and turns, and as always Pratchett delivers fantastic humour and just absolutely delicious satire.

Day Nineteen: Queer Book That Changed Your Life

And Tango Makes Three by Justin Richardson

This was the book that made me realize that I, as a queer teacher, could have queer kid lit in my future classroom. Maybe a comparatively small revelation, but a really important one to me. It made me realize that this didn’t need to be something I kept a secret in my professional life and which could really positively influence children, especially queer children. It was the first queer children’s book I ever bought.

Day Twenty: Favourite Queer Book Series

Candy Color Paradox by Isaku Natsume

Alright… I’ll admit it, this isn’t actually my favourite series, but I’ve used my favourites in other spots. And this is a good one! Definitely more of an actual “yaoi” than the other manga I’ve included (here there be sex) but it has a very different vibe that what I’m used to from that type of manga. The main pair are actually both capable, mature adults, with careers they actively care about, and who get together in the first volume!

The rest of the series is less about them angst-ily toeing around their relationship, and much more about them learning to grow as a couple and balance their work and relationship and society. It’s funny and sweet, and I really enjoy these two losers. It’s a very low-stakes enemy-to-friends-to-lovers story, in which Onoe (a reporter) and Kaburagi (a photographer) are paired up on a news story they’re supposed to dig into together. What starts as a bickering rivalry gradually becomes respect, friendship, and love~ Onoe is a gremlin of a protag, so he’s a treat to follow.

Day Twenty-One: Queer Book That You Recommend A Lot

Mask of Shadows by Linsey Miller

To repeat myself: Linsey Miller is awesome! This is my favourite book of hers, the first of a duology. It’s kind of like an intense, edgy Tamora Pierce novel with murder. In this world, the Queen has a team of assassins known as the Left Hand. They’re an elite group that keeps the Queen safe and does the dirty work that needs to be done to protect the kingdom and keep the encroaching nations at bay. When the assassin Opal is killed, a contest is announced to find the new Opal. People from all over come to complete for the honour of being one of the Queen’s royal assassins, including gender-fluid thief Sallot Leon. Sal has some deep motivations to become Opal that go beyond a loyalty to their kingdom, but they’re going to have to survive their competitors if they even wants a chance at it… (Sal generally goes by either she or he in the books, but I’m using they in this instance since it’s in a more general sense.)

Day Twenty-Two: Queer Book That Made You Take Action

The Deep by Rivers Solomon

Uhh, I don’t really have any books that made me take action per se, but this one sure gave me a lot to think about. It’s about deep sea mermaids who originated from the pregnant slave women tossed into the ocean to drown during passage to North America. From those dying women, this race was born and were taken in by whales, raised and protected until they could descend into the deep ocean waters, to form their own safe society. Their collective past is so painful though that as a species they’ve developed a very short term memory. But a people can’t live without any ties to their roots and so one of them, the Historian, holds all the memories for their entire species and shares it with everyone once a year so that the community can be connected to their ancestors before once again returning the memories to the Historian for safe keeping. Yetu, the current Historian, is so overwhelmed by these memories, that she can no longer take it – she flees her people, her responsibilities, and her pain and escapes to the surface instead...

Day Twenty-Three: Queer Book By An Author Who I Killed Is Dead

Cybersix by Carlos Trillo

I cannot emphasize enough, this is not actually a queer comic, it is in fact a very homophobic, transphobic and sexist comic written by a horrible person.

That being said, he’s dead and I own it now the TV series was essentially about a genderqueer superhero and a very confused bi biology professor who has a crush on both personas. I had a passionate crush on both personas as a child, and I will cherrypick this comic until I die in order to enjoy the only kickass genderqueer/genderfluid noir antihero I’ve come across. I am valid and I am not open to debate or discussion. Do not read this comic it’s horrible (but consider watching the show).

Day Twenty-Four: Queer Book You Wish You’d Read When Younger

The Prince and the Dressmaker by Jen Wang

This is such an incredibly soft story with the nicest art. There’s so much understanding and compassion in it and its exploration of gender and self-confidence and being true to yourself would have been very reassuring to me as a child, especially by late elementary/middle school.

Day Twenty-Five: Queer Book In A Historical Setting

The Song of Achilles by Madeline Miller

A retelling of Achilles’ and Patroclus’ relationship from childhood to the Trojan war. So yeah, you can imagine that this was also a candidate for Day 14 :’) I haven’t read this one in years but god it was lovely and emotionally destroyed me as a person.

Day Twenty-Six: Queer Superhero Book or Comic

Overwatch: Reflections by Michael Chu and Miki Montillo

I don’t really read superhero stories very often (the comics have always driven me a little bonkers, trying to find a way to enter the totally unapproachable Marvel/DC canons, and the MCU burnt me out years ago for every other sort of superhero story) so this is the closest I can get. Tracer’s a superhero yeah? Anyway, I, like every other queer person in the Overwatch fandom, lost my fucking mind when this dropped for Christmas a few years back and officially declared Lena Oxton not only the face of the entire franchise but also a lesbian. It’s an adorable little comic and Tracer’s girlfriend is a sweetheart.

Day Twenty-Seven: Favourite Queer Children’s Picture Book

Prince & Knight by Daniel Haack

There’s a number of sweet queer children’s books that are popping up these days, but this is my favourite just because it’s less about “explaining the gays to children” (though those books also have their place) and more of a cute little fantasy adventure in which the actual protagonist is gay. It’s about a prince who sets out to find himself a bride who can help rule by his side, but it quickly becomes clear that he isn’t interested in any of the girls. Instead, when a fire breathing dragon threatens his kingdom, he meets a brave knight who fights along side him. It’s very supportive and the art is lovely.

Day Twenty-Eight: Queer Book That Made You Feel Uncomfortable

Let’s Talk About Love by Claire Kann

This is a book with an asexual protagonist that I was originally really excited for. I know there are a lot of people out there who really enjoy this book and connected with it, but it didn’t do it for me. Maybe because my expectations were too high, but the protagonist’s experience with asexuality was vastly different than my own and the narrative voice ended up rubbing me wrong (and let’s be honest, slice-of-life romance is NOT my usual genre at all). So it’s not “made me uncomfortable because it’s Bad And Wrong” more just… totally vibed wrong with me. Maybe the perfect book for other people but definitely not for me, I had to return this one unfinished because it’s portrayal of asexuality just made me so deeply uncomfortable.

Day Twenty-Nine: Queer Book That Made You Want To Fall In Love

The Gentleman’s Guide To Vice And Virtue by Mackenzi Lee

This book had to make it on here somewhere, and honestly it could have gone in a lot of different spots, but I chose to put it here because the relationship between Monty and Percy is so incredibly sweet and authentic it really does make you want something like that. TGGTVAV (for anyone who has somehow not heard of it) takes place in the 18th century, and is about Monty, his best friend (and crush) Percy, and his sister Felicity going on a final “hurrah” tour of Europe before Monty's father finally tries to pin him down in England and force every part of Monty that’s deemed “unacceptable” out of him. So Monty intends to live this summer up… until everything goes off the rail and the three of them are suddenly fleeing across the continent with assassins at their heels and a strange, stolen artifact in their possession.

Monty has a lot of growing to do in this novel, and that’s one of my favourite things about it. For his and Percy’s relationship to ever have a chance, Monty needs to learn and change and actually communicate with other people, and it makes the relationship feel strong. Not a fluffy, surface level romance that often happens in YA but something built from the ground up by two friends who really want to make it work. Ahh, it’s lovely. One of my favourite novels.

Day Thirty: Queer Book With Your Favourite Ending

My Brother’s Husband by Gengoroh Tagame

A two-book manga series that was completely stunning. It deals with queer relationships and homophobia in a very stark, real-world manner that you don’t often get in manga, while still being incredibly loving and sympathetic. The book is about Yaichi, a single father whose estranged brother (Ryoji) recently died. One day, a Canadian named Mike arrives, introducing himself as Ryoji’s widower. Mike had come hoping to visit his late husband’s homeland to try to get some closure, and Yaichi ends up inviting Mike to stay. The whole story looks Japan’s societal biases, through Mike’s experiences, Yaichi’s thoughts, feelings and prejudices, and those of his daughter who adores Mike.

Seriously, this is one of the kindest, most earnest looks I’ve ever seen to internal prejudices that critiques them without demonizing the person who feels them. Instead it lovingly embraces grief, growth, and love. This series made me cry multiple times, was good enough that even my straight brother practically ordered me to go out and buy the second book when he finished the first, and the ending was just *chef’s kiss*

Honourable Mentions

A few books I really wanted to fit on my list somehow but couldn’t quite manage it, so here: All Out an anthology of historical fiction short stories about queer teens. The Tea Dragon Society series and Princess Princess Ever After, graphic novels by the amazingly talented Katie O’Neill. Heartstopper a webcomic turn graphic novel by Alice Oseman about a pair of rugby players. The Different Dragon a cute picture book in which the boy has two moms and which is about accepting different ways of being. And Lady Knight a part of Tamora Pierce’s Protector of the Small series because because Kel is word-of-god aro(and/or ace) and I’ve adored that series and Kel since I was about thirteen so by god I’ll take it.

Now for those that wanted to do their own challenge, I found it on @gailcarriger’s blog.

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thejonzone · 4 years ago

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Riverdale is the Best Show You’ve Written Off

About once a month, a tweet will go around, reading something like “I can’t believe Netflix cancelled [SHOW X], but Riverdale is still on?!? *eye roll emoji, angry cussing emoji*.” It can be difficult to read tweets like these, because I like Riverdale. But I understand why it has struggled to keep an audience-- there is a perception that the show has gone completely off the rails, a chaos of hot actors in their mid-20s playing glamorous high school sociopaths, with the show choosing excess over narrative cohesion. That perception is pretty accurate. It’s an easy show to write off and easy to make fun of, especially because, as a CW show, it’s ostensibly geared to teens. So it brings me no pleasure to say that Riverdale, currently in its 5th season, has reached a renaissance, and its episodes so far this season represent its high-water mark.

To appreciate how stunning and exciting Riverdale’s new direction is, it’s important to understand how we got here.

In the first season, a murder in the titular town revealed an underbelly of thugs, power brokers, and shady backroom rulers, all vying for control with gothic morbidity. What followed after that season though, was something else entirely.

Riverdale, ramping up during Seasons 2 through 4, became a beautiful mess. I think it’s important to state that no other show on television is even attempting to do what Riverdale did/is doing. The show is, at any one point, 5-7 wholly different shows. There is a season’s worth of plot per episode. It’s storytelling mania and in-real-time dementia. I don’t remember what happened at the end of last episode because SO much happened. And besides, coherence is overrated! Give me hot actors, give me drug-addicted mobsters, give me creepy principals! On Riverdale, the parents are both former teen heartthrobs and serial killers, children operate underground speakeasies, and for some reason not one therapist has realized they could make a fortune helping our cast work through the intense psychological terror and emotional abuse they receive every episode.

This show is beyond pastiche, hyper-loaded with reference. My roommate and I had a joke that the show’s third season could be mapped to a quadrant of influences: Twin Peaks, True Detective, The Sopranos, and Gossip Girl. At any point Riverdale was acknowledging and playing into the influence of one of these shows. Season Four doubled down on the show’s horror anthology tendency. No one wants you to miss the references being made. You know that menacing boarding school Jughead attends in Season Four? You’d be right If it reminded you of Donna Tartt’s A Secret History. After all, consider Jughead’s classmate, whose name is Donna Sweet. Maybe you picked up on the violence simmering underneath the surface of Jughead’s other classmate, Bret Easton-Elli-- I mean, Bret Weston-Wallis.

Every week, the show seems primed for failure, attempting to juggle more storylines than possible or even necessary. The show is like a house of cards that has already fallen, and yet the writers are somehow still haphazardly adding more cards to the top. “Be reasonable!” I would plead. To no avail. And that’s the thrill of it. The plotlines are secondary to the spectacle. The show is a celebration and parody of violent legacy dramas, camp, teen horror, canonical literature, and anything else it can stuff under the hood, as much an ode to other pieces of media as it is an original work itself.

But now, something completely different is happening. The beginning of Season Five brought an end to the seasons-long saga the show felt trapped in. Archie, Veronica, Betty, and Jughead graduated high school, and the show flashed forward seven years. What might be considered a hokey technique was one of the best decisions the writers ever did. Because now we have a blank slate for our main cast. The writers effectively cut the fat from three seasons of violent, ridiculous maximalism. And it’s psychically refreshing.

At the heart of any good sitcom, we just want to see our main characters hanging out together. Change is part of life, but it shouldn’t be in television. Which is why this new season is so exciting-- Riverdale is now in the process of bringing its four main characters back from their adult lives and re-engaging them in the deadly politics of their hometown. Pop Tate, the owner-manager of Pop’s, Riverdale’s diner, is retiring, and Archie gets the gang back in town to celebrate the man who helped make the diner such a great hang-out spot. In the words of Jughead, “You gave us a home, Pop.” Like so mant other sitcoms before it, Riverdale used Pop’s to establish its characters and their relationships to each other.

I grew up on Seinfeld so I’ve always been attracted to the idea of the diner. The pandemic has made me yearn even harder for the sitcom diner, that idealistic place where all my friends are, where people enter with problems to be solved, drama to be explained, good news to be celebrated. Riverdale’s acknowledgment of Pop and his diner as the show’s connective tissue is a grounding and human choice. It works fantastically to set up this upcoming season, where our gang must confront the newest nefarious plot for control over the soul of Riverdale.

No doubt the show will continue its pattern of naming and spoofing genre. Veronica, in her adult life, had an Uncut Gems-style few scenes where she works as a charismatic (of course) diamond merchant. She married a possessive, boring guy who’s only characteristic seems to be that his voice is *exactly* like Veronica’s megalomaniac dad, Hiram. Something something Freud, something something daddy sexy. And credit where credit is due, Mark Consuelos is really hot.

Jughead is a writer now, in the most white guy college freshman fantasy of being a writer possible. He attended the Iowa Writers Workshop as an undergrad, something that is definitely not possible. He’s written a hit book but now suffers from *gasp* writer’s block?? He’s a cool guy writer who, in his opening montage, gets recognized by, hit on, and then has sex with a college-aged fan. Back in Riverdale, Jug writes a speech for Pop’s retirement and sends it to his agent. His agent is smitten with the work, calling it “tragic americana” and proclaiming that Jughead’s next book will be titled “Elegy for a Small Town”. This is almost certainly a reference to J.D. Vance’s bad book, and I’m sure the show will be bringing in more elements of “tragic” “americana” as the season unfolds.

Betty is FBI in training, because as the show has loved to tell us, Betty has “the serial killer gene”, but is using it for good. For the record, her dad was a serial killer, and her brother was a serial killer. And it’s not like her mom or sister can cast the first stone. Betty’s endured enough trauma to fill 100 lives with unending pain and I’m sure the show will have no trouble heaping more on top. Already in the new season we’ve seen flashbacks to some point during the time jump when Betty was taken hostage, in what’s clearly a homage to The Silence of the Lambs.

And then there’s Archie. I don’t know if anyone knows what to do with the guy. Played by K.J. Apa, who is both really good-looking with his shirt off and a god-awful actor, Archie has been in the army. The show is using him to shill for the military-industrial complex.

I’ve long joked that the Riverdale writers have no idea what they’re doing. But through a global pandemic affecting TV production and *the* major narrative complication in any high school-set show (graduation), the Riverdale writers have seamlessly transitioned the show to a new stasis. Past seasons are informing this one, but we aren’t bogged down by the details in this new season. The bigger joke, of course, is that the writers have known exactly what they’ve been doing this whole time, and I’m just an idiot. Well I mean, of course I’m an idiot. I use television to regulate my emotions and simulate a static friend group that doesn’t leave or change. And Riverdale is perfect for that. If a renaissance is a rebirth, well then my friends, cut the umbilical cord and save the placenta to put in pills, because Riverdale is cranking out episodes that are better than ever.

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elenathehun · 4 years ago

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Watching the Clone Wars, part 2

Another week, another batch of episodes watched. Some of these were (dare I say it) actually good, and some of these are rather bad. Read on for the details of my opinion on “Clone Cadets”, “Supply Lines”, “Ambush”, the three-episode “Malevolence” arc, and “Rookies”.

“Clone Cadets” (3x01)

This was very clearly a way to capitalize on the success of episode 1x06 “Rookies”, one of the top five episodes in the first season of TCW, providing background on the mostly-doomed Domino Squad. Unfortunately, I couldn’t really warm up to it, even though I liked all the characters, and was excited to see 99 and Shaak Ti. I think the core issue is that it was framed as a coming-of-age story, but coming-of-age stories imply agency. No clone has agency in this war - or if they do, it’s something they have to carve out themselves. Their entire existence is dependent on their martial performance, damn all their other qualities. Success throws them into the meatgrinder of the war; failure dooms them to an ignomious existence as janitorial staff. There is a lot a viewer can pick out regarding how physical disabilities are seen by the Kaminoans and the trainers, as well as how those values are transmitted to the clones, in 99′s story, as well as further hints of some kind of inter-clone caste system, but none of this is ever elaborated upon, at least in the episodes I recall.

Either way, Domino’s “success” left a sour taste in my mouth. TCW insists on portraying war as worthy and necessary, and in certain situations, that can be true. But the Clone Wars is not one of those situations.

“Supply Lines” (3x03)

Another day, another episode where we see some cool characters die! RIP Captain Keeli, you deserved better. TCW did not have a military advisor, as the tactics used as abominable. Like, I’m not asking for much, but hey, a little bit of mass fire wouldn’t go amiss, or even the use of an infantry square...

There is sort of an interesting theme in this episode about the duty of the government to it’s people. Cham Syndulla is right to be upset that his people are being hung out to dry, but on the other hand...it happened to Naboo ten years previously. It’s honestly surprising the Republic hasn’t fallen apart faster. I’m rather neutral on the mission to Toydaria. On one hand, it’s nice that Star Wars is trying their best to redeem Lucas’ very obvious and horrible stereotypes. On the other hand...idk, Bail Organa vs Viceroy Gunray wasn’t really a great showing for what either side believes in? I’ve already forgotten most of it

However, I feel like this is the first time I’ve ever seen Jar Jar Binks subvert his own reputation for good. If he was always like this, he would be much better as a character.

“Ambush” (1x01)

This episode is mostly a showcase for Yoda, an 874-year-old murder machine. This guy is basically a one-man army. I like all the clone companions, and it was nice of him to give them a pep talk, but they were sort of superfluous to his reign of destruction, you know? It would have been nice if we had seen the obvious end result of this natural-born killer fighting and beating Asajj Ventress. Not really sure he actually has any mercy in him in the heat of the moment.

Boy, the writers are trying so hard to make these battle droids personable! It’s should be funny, and it occasionally is, but it mostly leads to many questions about computer programming in the GFFA. I like to think that Dooku has pulled a Krennic (or did Krennic pull a Dooku?) and he has a whole team of unwilling computer programmers writing the code for the droids, which is why they are so badly programmed.

Of course, the real answer is that Star Wars is space fantasy, and the real answer to the droids is magic! Bad magic. One might even say...incompetent magic.

“Rising Malevolence” (1x02)

I really intensely enjoyed this episode. Finally, a superweapon that makes sense! A giant ion cannon to be used against capital ships! That’s actually brilliant. Now, I have my quibbles with the design: since the CIS is mostly staffed by droids and drones, it doesn’t really makes sense for there to be a missive ship superstructure around the cannon. It would make more sense for it to basically be like the old Legends Darksaber, which was basically the Death Star laser sans the battle station. The ion cannon, repulsors and a hyperdrive, turbolaser emplacements and attached hangar bays for starfighter drones, as well as a screen of protective cruisers to defend the cannon against more maneuverable ships - that would make more sense. But of course, it would have a much different silhouette in that case.

More truly graphic clone death. Seeing several men get spaced is not PG, idek how this managed to get past the censors. That is actually a real war crime, and I have no how parents explained this to Little Johnny and Sally (age six) when it aired on Cartoon Network. And although I do love the relationship between Ahsoka and Plo, the central emotional question of the episode was left unresolved. Who would come for a clone? As it happens, a Jedi, but only if they’re looking for another Jedi :(

“Shadow of Malevolence” (1x03)

This was an OK-but-not-great episode? Unfortunately, I read the X-wing novels multiple times as a pre-teen and teenager, so I have pretty high standards for starfighter combat and this didn’t really measure up to it. I did love the space manta ray scene, though, it was very pretty. Also a nice shout-out to the Y-wings, the perpetual butt of all the jokes in the X-wing series.

Again, I have no idea why “it’s a kid’s show!” was ever even tried as an excuse for the shoddy writing. This is the third episode ever released, and the CIS is deliberately targeting a hospital. Again, this is not appropriate for small children to watch!

On the bright side, a fun AU would be to play with the fact that this ion cannon apparently shorts out anything. It would be pretty funny to see a story where the 30,000 walking wounded (I think) who were being medically evacuated, as well as Wolffe, Boost, and Sinker (plus Shadow 7, 8 and 10) are spread throughout the GAR when Order 66 comes through - and it doesn’t work for them, because the cannon shorted out their chips and no one realized.

Just a thought, that’s all.

“Destroy Malevolence” (1x04)

This episode mostly exists to show that Anakin will definitely put the greater good aside for the purpose of rescuing his main squeeze. I think it could have been cut for that reason alone. Also to have some standard R2 and C-3PO hijinks, as well as Obi-Wan just being insufferable in general.

Honestly, I would like this episode better if Padme was a Sith apprentice that Palpatine was trying to kill, that would at least make it more interesting. Aside from that, it could have easily been cut.

“Rookies” (1x06)

This is definitely one of the better episodes of the first season. Finally, Filoni gives the people what they want: an episode mostly dedicated to clones! For a show about the clone wars, they’re in awfully short supply. This was a nice war story, artfully executed. I wouldn’t call it original, but honestly, originality is over-rated. Cody and Rex are delightful as always, and unlike “The Hidden Enemy” (or “Clone Cadets” for that matter) it portrays clone relationships in a more positive, wholesome light.

I also loved the droid commandos. Kudos to the animators, who gave them a unique, more menacing walk and style. However, I do dislike the continuing use of instantaneous communications through hyperspace even in star wars. It’s a shame that the writers are either unwilling or unable to use the tension of time in their stories so far.

Next Week: “Downfall of a Droid”, “Duel of the Droids”, “Bombad Jedi”, “Cloak of Darkness”, “Lair of Grievous”, “Dooku Captured”, and “The Gungan General”.

#watching the clone wars #star wars tcw #television is hypnotoad

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popculturebuffet · 4 years ago

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Reviewcaps: X-Men Evolution: Strategy X

I take my first look at X-Men Evolution the second and less famous, but no less loved, cartoon about everyones faviorite mutant outcasts. In our first episode Scott blows up a gas station, Nightcrawler finds what it feels like to have a home, Toad tries to join the x-men and both of the latter two end up nearly dying because Chuck forgot to teleport proof the one room in the house with deadly lasers. All this and football under the cut.

A few days ago I realized something weird: I hadn’t reviewed any superhero cartoons on here. What makes that weird to me, is that I realized when writing this that Superhero cartoons are what MADE me a superhero fan in the first place. I grew up as a little kid watching the spider-man and x-men animated series, and watched most marvel shows that came about as I grew, and became a lifelong fan of Green Lantern and the Flash thanks to Justice League , the Teenage Mutant Ninja Turtles thanks to the 2003 cartoon (another franchise I absolutley adore I haven’t covered on here for some reason) and the Teen Titans thanks to well.. Teen Titans, not to mention all the great original superhero shows at the time like the legendary Danny Phantom (even if butch heartman can take a short walk into a cave full of bears lately), My Life as a Teenage Robot, El Tigre.. the list of good shit goes on. So being on an X-Men kick again lately, I decided to revisit what turned out to be one of the first of this wave, and a show I’d had the opporoutnity to binge for a while , first on hulu and then on D+, and wanted to revisit to see how it holds up, while, if not as fast as I watch them, reviewing them here to combine my two intrests. And it probably wont’ be the last marvel animated series I binge or cover here, nor the last superhero show I cover so if you have any, Marvel, DC, from other companies or completely original, shoot me an ask or reply to this and i’ll see if I can get to it. For now we’re starting the evolution. Evolution was the first X-Men cartoon, and somehow one of 5 overall not counting the hulk vs wolverine movie, pryde of the x-men pilot and various crossover apperances in other cartoons, to follow the 90′s one, which as you probably know was a huge hit that defined the x-men for a generation of young fans, was a huge sucess and launched the mostly great sorta shared cartoon universe with classics like Spider-Man the Animated Series (Which not concidentally is what made me a lifelong fan of the webslinger), The Incredible Hulk, and the second season of Iron Man and Fantastic Four.. and yes only the second as the first seasons were both by entirely diffrent creative teams and gave us things like this.

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Yes that is Johnny Storm doing an objetivley terrible hip hop song, no it dind’t cause that building to sink into the earth, and yes it is so bad it’s delcioius. Sadly the rest of hte series is more flat and boring than “bwahahahaha” but my point is made. The point is Evolution had a steep hill to climb, and with the previous cartoon compressing most of the decades long Chris Claremont era and some of what came after into 5 seasons of good if cheesy stuff, the creators clearly, if only because Ic an’t find a making of, decided to go in a diffrent route, making their own unique take on the characters and world of the x-men instead. For starters rather than being vetrans with years of experince, either from being an x-man or just from general life experince like the comics were since the 70′s aside from the ocasinal exception like Kitty Pryde and Jubilee, they’d be teens, grappling with hormones alongside blue fur, head lasers and not being able to touch anyone. This wasn’t something x-men had shied away from, New Mutants and Generation X existed, but it was the first time in decades the X-Men themselves were kids. Sure Storm and Wolverine weren’t aged down, but there were just as many missions that were just these teenagers hoping to surivive the experince and keep mutants a secret till the world was ready.. and then dealing with the fallout when an unready and hateful world found out anyway. And I honeslty like the direction: The previous series had done the mostly straight adaptation bit, there wasn’t anywhere to go and aging scott and jean back to teens, and having nightcrawler and rouge get to be ones for the first time though, was an intresting idea, as was having Kitty Pryde be a teen alongside them instead of their plucky teenage member Another intresting direction was, while Xavier’s still existed and was where the cast lived and learned to use their powers, the X-Men also went to regular high school. While it’d take till season 3 for them to actually have to deal with being out mutants in the setting, it was still an intresting tactic: The X-school in the comics, while no less studious is still an isoalted boarding school and when the New Mutants met some friends in town, most had only heard whispers about the old Xavier Mansion and were delighted to visit for a slumber party.. granted this being an x-men schindig our heroes ended up having to deal with an alien who eventually became one of their closest friends that night but still, for the x-men having the robot, or technoorganic in this case, NOT try to murder them on purpose and be a loveable 80′s sidekick instead is an easy night. While i’ts not done perfectly here from what I can remember, the main human characters we see are nightcrawlers love intrest amanda (who is thankfully NOT his adopted sister this time around thank christ), local stock blond football bully and flash thompson impersonator Duncan, and Scott’s nondiscript friend paul, who I can’t think of without thinking two things; one , what do you WANT paul:

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I mean a man so vauge just can’t be trusted. The second is that paul looks a lot like Doug Ramsey and i’m suprised they didn’t just.. make him Doug and have him go through a similar arc from the comics:A crush on kitty and the rest of the team finding out he’s a mutant and eventually bringing him into their world. For those unaware Doug Ramsey is a mutant with the ablility to translate any languge, including computer code from the get go and body laungage when he came back, an easy fix to him being the non-combatant of the group no one thought of, who died tragically in story sacrifcing himself to save his girlfriend’s life and out of story because the artist tricked the writer into killing him off. Thankfully he did come back about two decades later, took a level in badass thanks to a combination of the body language thing above meaning he could anticipate moves and dodge and computers having advanced to the point that part of his powers was now 80 times more useful, and has recently become a key part of the dawn of x relaunch. He’s also a faviorite of mine as you can probably tell and given how much the early 2000′s loved their computers, it’s weird to me they didn’t think of this and it’s even weirder he didn’t show up with the lions share of the other new mutants next season, along with Karma and Warlock which somehow has become a recurring theme thanks to the movie saving them for sequels that ended up not happening because fox stupidly put the movie in Limbo where it remains until maybe next month. But yeah even if muted a bit the idea of the x-men going to a public school alongside their training is a decent one.. sure a hero going through high school is again a cliche, but it’s a thing the x-men hadn’t done in this way before or sense, and was intresting to see in action. Most high school scnees in x-comics are usually some poor mutant having their powers manifest and either hurting someone by accident, being treated like crap for it by their class or hunted down for accidently hurting someone before the x-men show up to kick their asses and welcome this youngster. Or getting rejected by family and friends then coming to the x-men.. there’s a lot of angst directions to go in. My point is we’d never seen the x-men try to blend in and have a more standard school experince, and combining that with them hiding their powers instead of being out in the open at first made for a unique dynamic for the x-men that makes well tread ground nice nad fresh even 20 years later.

So that’s our basic setup going in: The X-men wake up, go to school, then save the world or train to save the world while harnesing wonderful and dangerous powers and protecting the helpless agaist less charitable mutants. The basic x-setup with a 2000′s era superhero high school show flavor. Good stuff. But we’ll see what it does with this premise, how good it holds up and what’s still delightfuly cheesy about it as I take a nice look at the first episode Strategy X

We open at night and

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Yup Scott and Jean are at the football team where the aforementioned Duncan, guy voted most likely to peak in high school in last year’s yearbook poll, is playing some foot ball and trying to flit with Jean Grey whose the first X-Man we meet and is somehow receptive to this despite his radaiating douche and is lucky this Jean’ , unlike say the time transfered one from the comics who thought the best approach to helping Bobby Drake come out of the closet so he could help his older self do the same and be his best self, was to just blunty say he’s gay and refuse to let him explore thtt for himself or get someone more quliafied to help her. And yes that did indeed happen and yes the original x-men were brought into the present for a while and yes it was weird Moving on. Still i’m pretty sure duncan’s thoughts would read like “Man she looks good.. I want to bang her so hard she uh.. wakes up sideways.. yeah that’s it. Your a legend duncan, a total legend. “. As you can probably tell I don’t have fond memories of this character or this sorta but not really love triangle, and question why they couldn’t of just had spyke be the other man in the triangle if they wanted to do this. Granted Spyke himself is kinda annoying, but it still makes more sense to have him fill in for angel or wolverine in a jean-scott love triangle than this walking burnt end. The warren, scott one worked, as much as a 60′s love triangle could because warren was conventionally handsome and had angel wings while scott has to keep glasses on just to not murder anyone he looks at, so there’s a bit of contrast there, while with WOlverine it’s straight laced dependeble scott versus unhinged manly man Logan. You know before recently where they just decided to all bone in a pile and wolverine even goes on vacation with them. And that’s not a joke I made up, that’s actual canon. Both make logical sense while Jean would be intrested in both in the former case, as Scott was still a kind and dependable leader, and tempted in the latter case if never acting on it before recently and with her husband’s full consent and either watching from the closet or taking one up the ass for jean to watch. Duncan in contrast is just wholly unlikeable and it makes me question why use him as the third in this love triangle, ESPECIALLY since the show would later introduce another scott and jean based love triangle with Rogue wanting scott that’s way more intresting, and even people wanting those two to hook up don’t want Jean with Duncan! Instead of creating a vitable alternative to make a later love triangle more intresting or create some shipping wars or anything of value any hint jean may be intrested just wastes screentime and tests my patience and is thankfully breif here. As for why Jean’s here sh’es taking pictures for the school paper since the Daily Bugle wasn’t intrested in photos that weren’t of spider-man and they already had a teen photographer for that. Porker or something. Anyways this episode ofa low rent friday night lights knockoff is interuptted when one of duncan’s buddies on the team spots local trouble maker and ,judging by context, bully punching bag Todd Tolansky, aka Toad which is a cruel nickname turned slightly lesss cruel code name here, pick pocketing the people in the stands, and sensing a flimsy context to punch a nerd, Duncan goes to tell the coah he’ll be busy for a moment totally not carving someone’s face in again. Coach says as long as he leaves him breathing, and through a straw still counts and since their so far ahead as long as he’s back for the celebratory rampage anything goes. Also spotting Toad’s stan pines approved sticky fingers is Scott Summers, leader of x-men and all around cool guy. Scott here is a bit more emotive than he was int he comics at a time, a trait he’d have later on in the late 2000′s and even currently and a version I prefer to the “has something shoved so far up his ass you can see it when he opens his mouth” boring straightman of the 90′s cartoon. He’s a bit more impulsive, a bit more emotivie but still a good and well thought out leader and the tactical genius, at least as far as I can remember, that he’s known for being. IT’s a good portayal so far, it reminds me of 2k12 leonardo: he’s still growing into being a leader in some way but clearly has the talent and drive for it and a deep sense of heroism> That deep sense is shown here as Scott leaves to go confront toad.. and then confronts Duncan and buds when he finds them about to squish Toad. Unlike Duncan, whose “heroism” consits of a filmy excuse to beat a third hole into todd’s head, Scott wanted to stop Toad because it’s the right thing to do, and wants to stop Duncan because his actions are just as wrong: Sure Toad is stealing stuff, but it’s clear from the way he and his buddies grin widlly at seieng toad pick pocket that they just want an excuse to pummel the kid and not get in trouble for it. It’s confirmed when Scott makes a resonable offer: Since Toad still has the money and most of the lifted wallets, he can return what he stole, which Toad not wanting to die today agrees to, but Duncan refuses. Scott however gets the three thrown to the ground and while Toad escapes, with the two other idiots in persuit, an enraged duncan attacks. But since Scott Summers, even teen scott summers has batman level judo, it’s an even fight despite Duncan being bigger and more muscular.. until Jean runs in shouts scott no.. despite you know Duncan starting this and Scott merley defending himself, distracts Scott long enough for him to get shoved to the ground.. and loose his googles, sending an optic blast out before he can clamp his eyes shut, knocking duncan over and igniting a nearbye propane tank. Toasty! Also yikes. Cue the opening theme and credits. While the opening Creidts are very 2000′s, they aren’t half bad but the main draw is the theme song which.. honestly I feel is great and very close to the 90′s x-men theme in quality, only not being AS good because that one’s one of the best theme songs period. but this one’s no slouch as it’s fun, energetic and will get stuck in your head. Good stuff. After the theme we cut back to the credits where Scott is closing his eyes despeartly holding his powers in. It was a good opening and a great way to show off the premise of the show and just how dangerous mutant powers can be even accidnetally, with this followup showing it’s not inetentional. it was even shown before as while scott’s eyes flash, he notably never uses his powers in the fight and they only came about accidnetally. We also get some JeanScott ship tease as she finds his glasses ,and with Duncan having a concusion and not remembering anything, a bit that hasn’t aged well, things seem well.. except the cop seems to notice something supscious.. before help arrives in a rolls royce. Charles Xavier, voiced by the icomprable David Kaye who I feel is one of the best daviers and does a great job here and quickly makes the guy see nothing supscious, a classic use of his powers and an understdanable one: while yea going into someone’s mind isn’t a great tihng to do.. scott being possibly outed as a mutant this way would only land the poor boy in a jail cell, as it did for Bobby Drake in the comics when his own powers activated and hurt someone. We also meet storm who unlike the others isn’ aged downa nd is one of two senior staffers for the school, a touch I like as she was a great mentor figure to kitty pryde and the comics and the roll suits her, while evolution also tones down the ham 80 degrees so she’s even more like the comics; reserved but utterly confident and badass and a good #2 to xavier. Xavier also likely wiped Duncan’s memory of scott’s power triggering I figure.. I mean he could’ve got concussed but I wouldn’t be suprised if chuck manipualted that too. Jean comforts Duncan for.. again some reason. Like he was just in a fight with her best friend and she’s a telepath.. I get she’s being respectful but time and place. Scott is naturally Jelly, but Toad.. genuinely thanks Scott for the help while Scott brushes it off. It was the right thing to do and Toad is still a creep, but it’s still a nice gesture. Also toad eats a fly to show that yep he too is a mutant. Xavier and Storm go to the train station and pick up a mysterious teen clad all in robes. Ohohoo hominus. Meanwhile somewhere in the westchester area, Wolverine comes in! Snkity sknikty snoik. He’s voiced by, and dresses exactly like, Scott McNeil, a vetran and awesome voice actor who I honestly think does a better job than his prdecessor. Not that 90′s wolverine is bad, it’s just McNeil has more of a range even while keeping the gutteral growl of hte former and can tur it off at times while his previous acto rwas pretty much on snarl mode constantly. He wasn’t bad, all the 90′s voice actors were at 100 most of the time and undersndably given the hamm nature of that cartoon, but its’ still a ncie change of pace and one we’d see again with steve blum in the next cartoon. More on that obviously when i inevitably cover Wolverine and the X-Men He picks up a paper about the explosion, and sensing he must go his people need him, cuts the top off the water he ordered, because you can’t get beer on a childrens cartoon, and thanks the clerk who wonders what the fuck just happened. And it’s a weird ass scene especially because in this series the x-men are trying to keep a lid on mutants and Logan’s just .. causally cutting off a water bottle because fuck it. It fits the character a LITTLE but it’s still just weird and out of place. Speaking of weird and out of place sabertooth is stalking logan on a mountaintop because..

Thank you wrestlecrap. He dosen’t show up again and is apparently introduced several episodes from now, and sports a design similar to the 2000 movie which isn’t a terrible look apart from the long lead singer from Creed haircut. The next morning at Xavier’s scott’s annoyed at jean taking her time in the bathroom because “women amirite?”.. yeah...

On that gag. Before the two dart off for school Xavier calls them in to meet the new kid: Kurt Wagner, aka Nightcrawler, whose blue and fuzzy as ever, though without the fully yellow eyes he usually sports, though I figure it’s less because they wanted to make him more humanoid, though his Kelso from that 70′s show hair certainly helps with that too, and more because that way his human disguise he’ll get in a bit can just be an easily just recolor and redres his civlilan design. Though why he couldn’t just have the yellow eyes in elf form and give him regular ones in transducer form, epsecially since they had to make a whole new outfit and ears for his non elf form anyway is beyond me, but whatever. At least he’s a full part of the team here and oh so adorkable. As you can probably wager by the fact there’s only 3 x-men and one asshole here, Evolution takes it’s time introducing everybody, the first few episodes using the debut queue style of storytelling and introducing the main cast about one or two per episode.. which I like a lot as it gives each of the x-men room to breathe and get a proper introduction, while usually doing the same for the latest addition to the brotherhood. IT’s a godo way to ease us into a decently sized main cast and let each get their own origin story of sorts. Good stuff.

Jean and Scott are shocked by the poor boys three fingers, but Charles helps asuage kurt.. by pointing out scott’s fuckup then berating him. Both don’t come off great: Scot whines about having two cannonballs under his eyes, which while fair is something he knew going into a situation where they might get knocked off and didn’t prepare for, while Charles lambasts him for “not having more control”.. and his tone implies it’s more about his POWERS. If it was about self control fine, that’d be godo character stuff but if it’s of his powers.. Scott didn’t use his powers at all during the breif scuffle and was only let loose by pure shock, and something you easily covered for minus the explosion part. It could just be both having a point but I dunno. But with that Xavier does show kurt that even human passing mutants like Scott have huge struggles and he no longer is alone. Jean is curious what his power is and Kurt demonstrates his teleporting, impressing both and bonding the three a bit. Xavier sends them off to school, and they’ll talk more about kurt tonight. At school Toad is getting dressed down by principle darkholme, aka mistque whose apparently also his boss.. yes while the founding x-men are two upstanding well trained, if one a bit hot headed youths, Mystque got.. a guy who pick pockets because as we later see the house she got for them looks like the ghosts of the frat who used to live there did a number on the place. Yeah easy to see why your guys later become the comic relief villians Raven. Anyways she plans to have Toad use his newfound leverage with scott to try and sneak in with the x-men before shapeshifting into a knockoff brood to scare him because she’s a dick. Also how the hell would she explain that if someone walked in and DIDN’T comically walk right back out and just explose her posing as a monster for the student body to see. Not a bad show of her powers but a really goofy and nonsenical one. Also yeah unlike the comics raven can change her shape further than just humanoid.

Back at the school Kurt is excited to see his spacious and luxrious room, his parents, whoever they were, having sent him here, and is even more excited when Xavier gives him a gift; an image inducer. This is something that actually comes from the comic: it’s a device disgused as a watch that holographically makes Kurt look like your standard human. Kurt in the comics of course used it to look like errol flynn. Naturally Chris Claremont eventually realized the implications of a person of a minority who looks diffrent masquerading as someone else to blend in and Kurt later decided to go without it, as he shoudln’t have to hide himself. Evolution does use it better though: For starters when Kurt says he’s finally normal, Ororo assures him he always was, this is just to help a bit and the idea of him needing to blend in makes sense since the x-kids are going to public high school and mutantkind is more hidden to avoid prosecution. It’s sitll a BIT shaky, but it’s at least trying to avoid a lot of the pitfalls of the concept and modernizie it a bit and I can give them credit for that.

Back at School scott’s preparing to lunch, telling paul to save him a seat. Good old Paul, when Toad comes up to him thanking him again and revealing his own mutant powers and stealing Scott’s glasses because that’s how you charm someone. Toad offers to hang but Scott wisely refuses and moves on though he does use the cafeteria pay phone to call Charles, who already found out about todd via Cerebro and despite Scott’s understandable reservations about letting a literally slimy pick pocket who talks like goddamn j-roc , know what i’m sayin, into the team, Charles in a very charles xavier move says they can’t turn their back on ANY mutant, even the assholes. Now read that in a patrick stewart voice. Your welcome. Scott wonders if he should ask Todd over to play fooseball and ask about joining his teen militia but Chalres said no need, he’ll take care of the audition himself. He then explains Cerebro to a curious kurt, global telepathic mutant tracker basically, and prepares for the audition.

That night Toad goes to the mansion.. with a costume already. And rather than evaluate all the costumes up front i’m going to do so as they show up in series. As such.. toad’s is REALLY good, a nice armor look with a small part peaking up resembling a collar of some sort , a nice update of his silver age costume’s collar. It really feels frog like and really is neat. Storm, who is watering her garden a detail I like, heads out and rains on his parade. Her costume is fine, a standard storm outfit, nothing really outstanding but still not bad. Storm then sends lighting at him to see what happens when a Toad is struck by lighting.. probably the same as everything else before he runs inside and runs into kurt.

Kurt then shows up, and while I’d forgottten this, he was already in costume from earlier having gotten his at the same time as the inducer. His costume.. is about the same as the comics except hte gloves and boots are yellow, i’m somehwat eh on it but I get doing so to have him fit with the black and yellow color scheme of most of the other x-men in some way. Though i’d love to see a black and yellow redesign of his classic oufit someday that’d look spiffy. But yeah it’s pretty good and one of the standouts of the evolution costumes. The two trade barbs thanks to toad being kind of a dick about nightcrawler and end up having a petty squabble and tussle for a bit around the mansion. Xavier still considers Toad x-men material while Storm considers not missing with lightning this time. In all seriousnes this is more good character stuff for Charles, as it shows that no matter how troublesome, he’ll welcome any mutant child in with open arms. Though I question why neither questions the fact that a mutant they just met somehow brought his own top of the line uniform, but I chalk it up to that probably not having been written into the episode and either being an error or execs wnating to show off his battle suit to have a proper superhero tussle to close out the episode. However said tussle, which is really more a hilarious fight between an asshole and a dork, is interupted when Kurt accidnetly ports them into the danger room, an x-men staple.. no really “new mutant accidently enters or finds the danger room” is old hat at this point, most iconically with Kitty in the comics shortly after she joined.

Naturally not wanting to have to clean up another set of teen corpses, he just got the Vulcan smell out of there, Xavier dispatches Cyclops and Jean to go deal with it.. since Jean dosen’t have a code name here since marvel forgets to try and get her a non phonenix one better than marvel girl and it annoys me. Anyways fashion show time again, and yes i’m aware these aren’t from strategy x, but I didn’t want to just use hte model sheet shots from the wiki so I combed for decent action shots. Scotty’s costume is decent, a bit bulky with the very 90′s shoulder pads and boots, but otherwise looks pretty good, a nice combination of his 90′s uniform and his second x-factor uniform. Even with the bulk it looks really good. On the oppsite end.. we have Jean, who easily has the worst outfit of the main x-men by a mile, with a weird lime green stripe for some reason. Maybe they were going for phonenix colors I dunno, but it just looks half assed in comparison to the rest of the gangs outfit. The gold rings and fingerless gloves are a nice touch, but this one’s still just bland in comparison. Like they couldn’t figure out how to update jeans 90′s outfit so they put her in a jassercise outfit instead.

Scott and Jean arrive with Jean saving nightcrawler, Kurt asking if sh’es an angel, she asking if he’s a demon and me asking if I can get a trashcan to vomit in. It didn’t work for George Lucas a year before this why did you think it’d work here? Anyways Kurt realizes their not in xavier’s snuff dungeon, as far as he knows and it’s simply a trianing room and tries to disarm it, but it instead nearly blasts toad who nopes outta htere, scott too injured to follow. And while when watching the episode yesterday It hought it was a bit abrubt.. it really fits. Toad is a bit of a coward from memory, bosatful and cocky.. till reality reminds him he’s freaking toad as seen with the bullies earlier and mystique after that. So of course he’d run the minute things looked dicey and it looked like xavier reguarlly put his students through the hunger games to thint he herd. Xavier bemoans that Toad simply isn’t ready.. sure he’s a mutant and xavier likely senses mistque’s involement.. but he genuilly WANTED to help todd and give him a real home and support.. its just Toad/Todd dosen’t WANT it or to put in any real work to be better, and you have to WANT help to get it. Kurt blames himself and ports out feeling he dosen’t deserve to be there and Scott goes after him while out front Toad runs into a returning Logan, whose ready to add another dead teen to the pile out back when Xavier insists he let him go... he’s not an actual threat, and as we find out later Xavier removed the schools location from his mind and probably gave it to toad in the first place, so while Logan says he’ll be back.. he has no way of coming back and there’s no sense roughing up a teenager, when that’d just draw more attention to them and give Toad an angle to work. That being said Charlie still gladly welcomes Logan back though both smell trouble on the horizon.. and also toad. He tends to leave a scent that one.

We then get what I feel is the best scene in the episode: Cyclops finds Kurt in the room with the blackbird, which this show remembers is an actual type of plane and that the x-mens is simply a souped up version of , though I can’t tell you what version he’s saying it’s superior to because I don’t know planes THAT well. But Scott comforts Kurt, saying it’s OKAY to fuck up: the entire point of this place is so they can afford to make the mistakes they can’t make out there and learn and grow as people. Everyone screws up, as Scott himself did rushing in without a plan at the start, but the point is you learn from it and do better next time and Kurt decides to stay. Welcome to the X-Men Kurt, hope you surivive the experince. Also Scott decides to show him where they hide the sodas.. which either Chuck is a dick about their pop or that’s code for booze.. or possibly both. I could see Logan really liking root beer alongisde his nightly 6 pack.

We close out with Mystque berating toad for running the hell away and for you know, getting mindwiped.. the latter is far from his fault, but the first part.. yeah Toad kinda sucks at this and Raven screams for him to get out, with her turning back into her natural form for the first time.. and then being confronted with HER boss with Magneto, from.. somewhere.. he appearas as a spooky projection but I don’t know if he’s using a device to amplfy himself or he just hides in the closet of her office all day for when he needs to consult her on their evil schemes. Probably the latter. Anyways Erik wisely consults her to be a bit easier..while toad is a bit of a dipweasel.. they can’t afford their ranks being thinned.. and really he’s not wrong. The x-men currently have them 6 to 3. Even if he’s the weakest of the three of them, they can’t afford to spare him. He then ominously says htis is only... THE BEGINING.

FINAL THOUGHTS: Strategy X is a decent start for the series but not without it’s problems, with one or two questionsable moments like the whole angel and devil exhcange or the entire “Storm stalks toad as he goes to the mansion” scene as a way of testing him, which makes both her and charles come off bad and makes me wonder how the hell that was an actual test of anything. But it’s held up by good character: While Jeans kind of a bit of wallpaper here, the rest of the x-men and our three villians are all given great character moments that show them off to the audience well and really show the writers get the characters while taking their own spins on the younger ones: Nightcrawler, who could be a bit of a dork in the comics, see here his seduction tequnique.

I mean damn if that shit isn’t still Sexy but still. They just ramped it up a bit since this version is younger and more naive, while Scott is likewise a bit more rambunctious and likely to question Xavier, while still being a good hearted guy who knows how to lead. It’s good stuff. While the quality isn’t PERFECT, it’s a good start and I look forward to watching more and EVENTUALLY reviewing more on here. If you liked this be sure to let me know and like I said above if there’s any other marvel show or any dc ones you want me to cover, and any specific episodes at that, lemme know. Comics too. And until we meet again, courage. PS.. what the hell is up with the title of this episode? No really it has nothing to do with anything. Is it Mystuues’ inflitration plan?

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theexecutionerssong · 5 years ago

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Hi! This is completely random question and you can totally feel free to ignore it because I don't want to give you a work. :D But I'm just working on a list of trivias from Skam France for one fan portal of TV shows in my country and was wondering if you can think of any? Like it's the first remake to continue after season 4, the remake that had to follow the original script in first two seasons and so on. I follow news quite closely but right now I'm totally blank and nothing comes to my mind.

Hey! Oh damn I have an whole doc of trivias and BTS stuff about skam france, here are a few bits that could be interesting, don’t know if that’s what you’re looking for:

Skam France had the rights for the 4 seasons first but had to follow the original script almost to a T for the first 2 and if the audience was big enough then they would be allowed to distance themselves from OG

Skam France was the first remake to have a clip from the French Even’s POV

Skam France was the first TV show on French TV to have a black muslim woman wearing a hijab as a main character

Skam France was the first remake to get renewed for 2 (possibly 4?) original seasons

Skam France owes part of its popularity to how accessible the cast and crew are, either on social media or IRL, with 6 entirely free events organized to get the fans and the cast and crew to meet, watch episodes together and have Q&As during seasons 3 and 4.

Skam France shooting locations have become extremely popular for the fans to hang out at and leave little mementos, to the point that the mayor of Paris has asked the team to pick completely untraceable locations, or make sure they are not in Paris itself for the next seasons

Skam France is one of the only remakes which doesn’t geoblock the clips on youtube, making it also more accessible

Skam France is the first and as of yet only remake which subtitles its clips for D/deaf/HoH viewers (for now it’s still a bit wonky and only for season 5 but hopefully it gets better soon…).

Skam France casted actors that were as close personality wise to their characters as possible, which made it easier for the cast to identify with their characters and made the friendships developping between the characters more believable since it was also developping off screen

They were not allowed to cast underaged actors who would have been closer to the real age of the characters due to the long hours of the shooting conditions

Skam France films two seasons at a time simultaneously over about 2 months. They film about 12 minutes of content a day - most TV shows that film closely to their airing date rarely film more than 5-7 a day.

Most of the actors in Skam France come from theatre and many had no or little previous experience with shooting for a camera before

Since season 3, the Skam France writers room is made of a head writer who’s openly gay and 4 other people, including 3 women. David and Niels brainstorm the main plot points for the storyline by interrogating people around them, friends, families, experts, teens etc, Niels comes up with vague drafts and then hashes it all out with the writers team.

I have no idea if this is even remotely interresting or what you were looking for, it’s pretty basic stuff that I’m 99% sure people already know. If not, I messed up dfghjkl. Let me know if it’s okay?

#gaelle parle #Anonymous

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suspiriu-m · 4 years ago

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Examining Youth Culture

Youth Culture in television in cinema is a theme we’ve all seen before. In some way or another, we’ve all probably related or even seen ourselves in something we’ve watched. A lot of experiences we see in these coming of age style pieces most of the time have something to do with at least one of three recurring themes. Sex, drugs and alcohol. Character archetypes are also an important part of these stories too. To sum it up, we’re generally confronted with Jocks, Nerds, Goths, Popular Kids, Pot Heads etc.

A major point to take into account when looking at this type of media is the perspective the story is told from, and where it’s taking place. For example, Barry Jenkins’ 2016 film Moonlight, is completely different from 2018’s Love Simon, directed by Greg Berlanti. Moonlight tells the story of a young Black man named Chiron. Through three different time periods in his life, we see him come to terms with his identity and sexuality, all while living with his drug addicted mother in an impoverished neighborhood in Miami. Throughout the film Chiron not only faces the struggles of his sexuality within himself, but how his unaccepting peers react, his mess of a mother, and maneuvering masculinity without the guidance of his missing father. In a review written for The Guardian, Peter Bradshaw says that Moonlight

“is a film about masculinity, the wounds and crises of which are the same for all sexualities, but conditioned by the background weather of race and class” ((Bradshaw Moonlight review – a visually ravishing portrait of masculinity).

Love Simon however, is a completely different ballgame. The juxtaposition between the two films is extremely noticeable, even from just from looking at their promotional images. While Moonlight is more of a serious, realistic and emotionally charged movie, Love Simon has more of a young adult, coming of age, happily ever after tone to it. In the film, the main character has to find his way through growing up, high school, coming out to his friends and family, but most importantly figuring out how Blue is. Blue is the person that Simon has formed a connection with through emailing each other. The only problem? He has absolutely no idea who Blue even is. One of the more important aspects of this film when looking to compare it to others is the fact that the main character and most of the cast are all white. Not only that, but it takes place in a much more suburban setting compared to that of Moonlight. Simon’s relationship with his parents is very strong, his friends are all super close to him and the impression is given that they would obviously support him once he comes out. Surprise, they do.

In terms of which character I related to from the selection of films and shows assigned, I don’t really feel like I can truthfully say that I felt some sort of connection with them. Being gay myself, there wasn’t a crazy amount of representation in terms of queer youth in the films. Yes in Mean Girls you had Damian but he was kind of underutilized and exaggerated. In Euphoria you have Jules who is a trans woman but that also isn’t something that I’ve experienced and won’t pretend to. Could I relate to a few aspects of her character? Of course, i’m sure anybody can. But am I able to say I identify with her? Definitely not. That’s not a bad thing though, trans stories need to be represented in the media. More importantly they don’t always have to be represented in some tragic story or situation. Even though we’ve seen more queer representation today than ever before. We still have a long way to go. Rachel Bays wrote an article for The Advance-Titan stating

“Out of 109 major studio releases in 2017 researched by GLAAD, roughly 13% had LGBTQ characters. Of these films, about 64% featured gay men, 36% featured lesbians, 14% featured bisexuals and 0% featured trans-inclusive content”(Bays The complicated history of queer representation in film: The Advance).

It’s imperative that we see more queer representation mashed with Youth Culture in our media because not every single person experiences the same thing, especially queer kids. In terms of Kids, Saved By The Bell and Mid 90’s, I don’t specifically remember any particular moments in which I personally felt any sort of strong connection.

Now, if we’re gonna speak about common themes in a lot of these stories, then here is where I can say I definitely connected with some situations more than specific characters. Sex, drugs and alcohol are topics we see come up in a lot of coming of age or youth centered stories. In Kids, the main cast is basically parading around the city smoking, drinking and fornicating multiple times throughout the entire day. In Euphoria, one of the main characters Rue suffers from drug addiction. Kat comes to terms with her sexual awakening and a lot of her storyline is focused on her coming in touch with that side of her, whether or not it was the best way to portray it. And most of the other characters are all seen smoking, drinking out having sex at some point in the series.

Growing up, especially in our teen years, we’ve all had the opportunity to partake in at least one of those activities previously mentioned. I know for a fact that I have definitely been to parties, drank alcohol, smoked weed. I’ve encountered hookups and the whole nine yards. Something that really stood out to me in Euphoria was the episode in which Jules ends up meeting with an older man in a hotel room late at night. We shall not name the character for sake of spoilers but those of you who watched know exactly who i’m talking about. That entire scene was just gut wrenching for me to watch and I know it was for many other young queer people as well. Everything about that scene was purposefully uncomfortable to watch from the cinematography, music, acting and the location.

Speaking of music, the soundtrack to a film or TV show is super important and a lot of the time helps the creators in getting their point across. Euphoria specifically used a lot of modern music but also threw in some classics as well. The singer-songwriter Labrinth played a big role in adding music to the show’s soundtrack. He even collaborated with Zendaya in making All For Us, the show’s theme and closing track. It was premiered in the last episode of the series and incorporated into the storyline with a performance by Zendaya herself. This song specifically is so important aside from the rest of the show’s music because it aids in showing Rue’s downfall at the end of the season. She goes through so much in her recovery and relapsing and her relationship with Jules that when Jules finally decides to hop on that train and leave even though Rue tells her it’s not the best idea, it absolutely crushed her. In an interview for Rolling Stone magazine, Labrinth stated “When you look back to your teenage days... it feels semi-magical but semi-crazy and semi-psychotic. I wanted to make sure the music felt like those things”(Marks How Labrinth Created the Perfect Soundtrack for HBO's 'Euphoria').

To help convey how certain songs can help in telling a story, I created a short playlist with songs that I felt matched certain plot points in the show. Without going into too much detail in an attempt to avoid spoilers, I want to give you guys a short explanation of each song about how I feel it can fit into the show. In no exact order, the first song I chose was Regulars by Allie X. The song is about trying to fit in with society and the people around you when you feel out of place all the time. Personally, I feel like this is a good representation of Rue when she comes home from rehab and has to try and blend back into society knowing that everybody knows where she was. Halsey’s Beautiful Stranger is about meeting somebody after being hurt so many times, or just being in a bad headspace and finally feeling like this person could be the one. This is a good explanation for how Rue feels about Jules when she first meets her. She’s hesitant but slowly starts to fall in love with her before Jules starts acting out. Contaminated by Banks is a piece about loving somebody but having their history or the other person's actions make you feel not so good about the relationship you have with them. This is how Rue feels after her first little fallout with Jules. They kind of have an on and off relationship throughout the season and Rue subconsciously has doubts. Simmer by Hayley Williams is a song about suppression. Suppressing your emotions, especially the bad ones like anger, fear, sadness, rage. Nate in the series suffers with a lot of mental suppression. He suppresses his feelings about his relationship with his father, his questioning sexuality, his feelings for a specific character. Although he does lose his cool multiple times throughout the show, it’s not until the end of the season that he really bursts and lets everything out. Another song from Hayley Williams with her band Paramore called Fake Happy is also on the playlist. Fake Happy, to put it simply, is exactly what the title suggests. Pretending to be okay when you’re really not. In the show Rue relapses a few times whether that be big or small, and she has to hide it from her friends and family.

Maddy and Cassie are both the pretty popular girls of this show, leading me to choose Rina Sawayama’s XS as a representation of them. The title XS, otherwise interpreted as “excess” is literally about money, appearance and materialistic items. All of which Cassie and Maddy display throughout the show. The popular cheerleaders with the nice clothes and toned bodies, the pretty makeup and done up hair. It’s a perfect representation of their characters in my opinion. Even though they do have storylines going deeper into their minds, this is what they portray on the surface level.

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Hallucinogenics by Matt Masson is a song about going somewhere else most likely due to drugs, and feeling like a different person. Although the song is a bit lighthearted in terms of sound, I think it fits with the scene with Jules and Rue taking drugs together and tripping in her room together. Rue was wary about doing it especially after the fact that she just got clean, and she already has this war in her mind going on but she does it anyways because she likes Jules. Attack of Panic by Aly & Aj heavily focuses on anxiety, which is something Rue deals with multiple times throughout the show. Especially the episode when she’s in school and pretty much has a mental breakdown and runs to the bathroom and hides. Even though the character Kat isn’t the primary focus of the show, her storyline has a bit of line shined upon it multiple times. For her storyline i chose Doja Cat’s Cyber Sex. Kat becomes a cam girl at one point in her sexual awakening and kind of goes full throttle into it. The song talks about having sexual relations with somebody over the internet and that’s exactly what Kat does, except she sees it more as a way to make an income.

Last but not least, I of course had to choose Labrinth and Zendaya’s song made for the show All for Us. The song represents Rue’s feelings of not wanting to let her family down, knowing the struggles and pain they have gone through and not wanting to upset or disappoint them again. Everything she’s done to get clean and sober up has been because of them. She loves her family so dearly but in the end she just broke down again, all because of Jules and the mess that she got herself involved with pertaining to many of the other characters she meets throughout the show. I hope you guys enjoy the playlist and take a good listen to the lyrics and themes in each song! They might not be perfect, but to me they have a lot of commonalities with themes and specific moments and themes from the show!

https://music.apple.com/us/playlist/playlist-for-euphoria/pl.u-AGAaiylr2l

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#Youtube

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huds-hub · 4 years ago

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THE POSITIVE & NEGATIVE; MUN & MUSE - MEME

FILL OUT & REPOST ♥ This meme definitely favors canons more, but I hope OC’s still can make it somehow work with their own lore, and lil’ fandom of friends & mutuals. Multi-Muses pick the muse you are the most invested in atm.

Stolen from @mrfunnybone. Since this meme has a bias for canon muses, I’m tagging two of my favorite canon writers that I know didn’t fill this out yet: @soulcoerced and @spearslinger (I wonder if a fellow Undyne RPer has a different take on some of these questions? ^^;;). For everyone else, feel free to steal it and tag me if you do! I’m curious to see how OC muns answer some of these questions...

MY MUSE IS: CANON / oc / au / canon-divergent / fandomless / complicated [[ The adult version of my muse is canon, but her teenage equivalent is not present anywhere in Undertale / Deltarune. So, uh… canon but kind of complicated I guess??? I like describing my muse as canon-wise. My Deltarune fishies are undoubtedly AUs at most, canon-divergent at least. ]]

[[ Mun’s note: I’m going to cheat on this. For the next 8 questions, I’ll answer for both Undyne as my teen muse AND regular adult canon Undertale Undyne. My thoughts on her counts as something, right? My muse is based on canon! ]]

Is your character popular in the fandom? YES / NO / IDK [[ Undyne’s character to the rest of the fandom is unpopular (compared to Sans, Chara, Gaster, etc…). It’s a shame, because her dialogue portraits alone would make great meme fodder. HOWEVER, among Undyne fans, I notice there’s an interest in depicting her early years because she’s one of the few cast members who’s had their childhood explicitly mentioned. ]]

Is your character considered hot™ in the fandom? YES / NO / IDK [[ She’d better not be, because my muse is a C H I L D. As far as I’ve seen, canon adult Undyne is depicted more often as a ‘badass’ than a ‘sexy fish.’ ]]

Is your character considered strong in the fandom? YES / NO / IDK [[ Younger Undyne is definitely interpreted to be a determined, tough kid. Of course it’s the same for adult canon Undyne. It’s basically her most distinct character trait. ]]

Are they underrated? YES / NO / IDK [[ Lordy, Undyne as a whole is entirely underrated by the fandom... ]]

Were they relevant for the main story? YES / NO [[ OMG... you’re gonna get me started. I’m marking ‘no’ on this question because this is supposed to be about my aged-down muse. But Undyne... sweet violent Undyne’s very important to Undertale’s story! *fangirling START* Besides being the mid-point antagonist in the game, Undyne adds a layer of the theme of DETERMINATION to the game and how it can manifest in monsters if their bodies are strong enough to handle it. In an allegorical sense, she represents extremism in reaction to oppression and how that passion can take on the form of extreme love or extreme hatred depending on circumstance. So HELL YEAH she’s important to the main story of the game! AAAHILoveThisFish!! *fangirling END* ]]

Were they relevant for the main character? YES / NO / THEY’RE THE PROTAG. [[ Same as the previous answer for my teen Undyne: begrudgingly marking this with a ‘no’... It’s a YES for canon Undyne. In all routes, original game’s Undyne is the first character who is purposefully trying to kill the Player. Players can’t get the best ending without helping her hook up with Alphys and not incurring her wrath by killing any monster. In the worst ending, she’s one of the two antagonists that put up enough of a fight to make any player abort the Genocide Route. ]]

Are they widely known in their world? YES / NO [[ My muse WANTS to be significant to her world. In the original game, Undyne’s only mentioned by others in Snowdin and Waterfall (not counting Alphys in Hotland). She’s described as a “local hero” by Gerson. I get a sense she’s not exactly famous to the people in the entire Underground compared to, say, Mettaton. ]]

How’s their reputation? GOOD / BAD / NEUTRAL [[ Oof. Pretty sure my teen fish annoys the residence of Waterfall for being a loud-mouthed little scamp. The only reason she’s not considered ‘bad’ is because it’s pent-up energy and misguidedness, not flat-out cruelty. In canon, it seems like the people who talk about Undyne do it in either a positive or neutral light. You have Monster Kid, Papyrus, and Onionsan singing her praises. The Royal Guard members respect her. Asgore thought of her well enough to have her lead his military. Uhh, for a neutral instance, I remember an NPC in Snowdin saying she’s “loud, rude, and beats up anybody who gets in her way” (I don’t remember the exact quote). To weigh this more on the side of my muse, I’ll mark this answer as ‘neutral.’ ]]

HOW STRICTLY DO YOU FOLLOW CANON? [[ Since I have an aged-down character, canon is literally my END GOAL! I gave her a “starting point” on her journey to the determined, dedicated, and excitable warrior fish we all know and love from the game. I filled in the gaps from there, using parts of her past mentioned in the game to glue the headcanons together. Deciding what she was like when she was younger – What’s her family background? What aspects about her changed as she matures? What internal and external conflicts would she deal with as a teen? – THAT’S the non-canon part. My Deltarune AUs are… different. Canon is my end goal too, but the timelines are all wonky to fit the needs of wanting to interact with the Fun Gang. LOL ]]

SELL YOUR MUSE! AKA TRY TO LIST EVERYTHING, WHICH MAKES YOUR MUSE INTERESTING IN YOUR OPINION TO MAKE THEM SPICY FOR YOUR MUTUALS. [[ This kid is spunky, loyal, compassionate of the plight of her people, and will see through anything she sets her mind to, despite life’s barriers. She’s got a lot of pent-up energy and is searching for what she can do with it to help her achieve her goal of setting Monsterkind free! ]]

NOW THE OPPOSITE, LIST EVERYTHING WHY YOUR MUSE COULD NOT BE SO INTERESTING (EVEN IF YOU MAY NOT AGREE, WHAT DOES THE FANDOM PERHAPS THINK?). [[ The teen fishy has a streak of selfishness and short-sightedness. Being honest, Undyne would be a racial supremacist if she existed in real life. Big yikes. Also, she’s willingly being trained as a child soldier. Another big yikes right there. ]]

WHAT INSPIRED YOU TO RP YOUR MUSE? [[ Ages ago, I RPed the adult version of Undyne, which resulted in a bunch of headcanons for her past. I had no desire to RP any of them after it ended. A year later, I commissioned an artist for a Gerson vs. teen Undyne piece. That single-handedly made me want to get back into RPing again. ]]

WHAT KEEPS YOUR INSPIRATION GOING? [[ My fellow RPers wanting to interact with this silly fishy! When I first started, I expected my interest to peter out over the months. I didn’t expect many RPers wanting to interact with an aged-down character. But here I am, wanting to expand my headcanons further and making AUs so I’m not limited to canon. ^^ It’s all thanks to you guys!! ]]

SOME MORE PERSONAL QUESTIONS FOR THE MUN.

Give your mutuals some insight about the way you are in some matters, which could lead them to get more comfortable with you or perhaps not.

Do you think you give your character justice? YES / NO / I SINCERELY HOPE I DO?

Do you frequently write headcanons? YES / NO / SORT OF? [[ I should do it more often TBH. But I find showing them via story-telling more fulfilling than just explicitly explaining them in posts. Plus, it gives me more leeway if I’m still playing around with an idea. ;) ]]

Do you sometimes write drabbles? YES / NO [[ I’m not counting the three pending drabbles until I finish them. ^^;; ]]

Do you think a lot about your Muse during the day? YES / NO [[ She finds a way to bother me! Usually in the form of sudden inspiration for how to respond to RPs. ]]

Are you confident in your portrayal? YES / NO / SORT OF? [[ Sometimes I wonder if I forgot some aspect about Undyne that’s in canon, or unintentionally exaggerating other less-important aspects of her other characteristics… ]]

Are you confident in your writing? YES / NO / SORT OF? [[ Generally, yes. But I do have my days when I suffer from low self-confidence. ]]

Are you a sensitive person? YES / NO. / SORT OF? [[ It depends on what’s meant by that. I’m sensitive to other people’s feelings, so I don’t intend to sound rude OOC, even if I’m expressing something negative about something I think the other did. If this is referring to being sensitive about events in RPs… my sensitivity is equivalent to that of being invested in any work of fiction. I know it’s not reality. I can pull away from the fictional world and it won’t bring down my real life. ]]

DO YOU ACCEPT CRITICISM WELL ABOUT YOUR PORTRAYAL? [[ If it’s given in good faith and is constructive, sure. ]]

DO YOU LIKE QUESTIONS, WHICH HELP YOU EXPLORE YOUR CHARACTER? [[ Hell yeah, give them to me! ]]

IF SOMEONE DISAGREES TO A HEADCANON OF YOURS, DO YOU WANT TO KNOW WHY? [[ It depends if they want to tell me. I don’t mind either way. Personally, I like hearing other people’s interpretations! ]]

IF SOMEONE DISAGREES WITH YOUR PORTRAYAL, HOW WOULD YOU TAKE IT? [[ *shrug* It doesn’t matter as long as they don’t harass me. ]]

IF SOMEONE REALLY HATES YOUR CHARACTER, HOW DO YOU TAKE IT? [[ I’d just ignore it. They don’t need to interact or follow me. If my muse really is a bother to them, they can block my account. ]]

ARE YOU OKAY WITH PEOPLE POINTING OUT YOUR GRAMMATICAL ERRORS? [[ I hope my grammar’s good enough, or else my English degree studies went to waste! But yeah, sure. Fun fact: explaining grammar rules so people can avoid major errors in the future is more helpful than nit-picking insignificant errors without explanations. ]]

DO YOU THINK YOU ARE EASY GOING AS A MUN? [[ As long as fellow RPers aren’t being rude OOC, don’t break any serious rules, or do something that I mention are personal triggers to me, I am easy-going! RPing is fun and it should stay that way for everybody involved! ]]

#mun monday #ooc #long post #yikes that took me a week to finish writing #but it was fun #this post was such a pain to format

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