#I’m on the colour stage of one and the sketch stage of another and now I can do neither

[ghoul--doodle]

I love having chronic migraines it kills my work flow like ✨nothin else✨

[omaano]

SW Hades AU May Status Update

I wanted to make a dedicated post about what I’m currently working on for the Star Wars meets Hades AU that looks more consistent than just sharing bits and pieces whenever I’m tagged in a Last Line Challenge. Because what else do I have but the poly sketch requests and this AU for my weekends? (If nothing else I know that the Hades AU has got me XD)

Other updates: June - July - August

For now Obi-Wan and Maul are stuck at the same stage: they are both lined, have their base colours down as well as the two adjustment layers of coloured lighting.

I suspect if I were ever to get through the agonozing few hours of shading Obi-wan’s face it would be mostly smooth sailing from there. The problem is that there are at least 2 - if not 3 - separate stages where the shaded face looks like I have no idea what I’m doing, and you need to get through the whole thing before it really comes together 😅 on the other hand Hades 2 has a lot of the directional shading I might need for his character art so that might help to get me there.

It also needs to be said that Obi-Wan comes with the extra disadvantage that is the entire background behind him. I’m really hyped to line it finally, it is quite a challenge, but at the same time I’m slowly coming to the realization that I have no idea how I will colour it. Hades backgrounds are so so pretty and full of details and gorgeous colours, and while I’m not delusional enough to think I could match that on first try… I still wish I could, you know? At the same time I will have to erase or recolour a lot of my lines, which will hurt quite a bit, I imagine. I’m so bad at killing my darlings 😅 also I hate laying down flat colours. I just find it very difficult to immerse myself in that process, while lining and shading can have their flow.

I had covered up so many lines and details in Maul’s spider parts it’s a miracle I didn’t cry XD However, tips on grouping my shadows and allowing the shape to speak for itself and the details in them are very helpful and on point.

Worrying over writing dialogue for them is also not as far down my to-do list as I wish it were. I have a good enough idea for a quip for Obi-wan, but Maul? He’d need a whole melodramatic rant of his own XD

Aphra has gotten some new lines and I had fixed the satchel I had forgotten the last time I shared the rough sketch for her, thanks to the new character art for Hades 2! Seeing Odysseus and Hermès’s updated looks were great helps here, so I might as well move on to lining her, and finally adding another female character to the roster on top of Ahsoka!

And then there is the biggest update on these little guys below! I will need to clean up the ones I had drawn for Cobb and Boba (and Din) well over a year ago, but with these my version of chtonic companions are done, and thanks to @lesquatrechevrons I have a full list of keepsakes for each character as well. I’m not very good at drawing these little tchotchkes (I say with Rex’s blaster right there LOL) but I hadn’t been very good at lineart or cell shading when I started this project either, so through forced practice I’m determined to change that :D

(It’s not a screwdriver under Boga, it’s one of Cody’s antennas. “It will grow back, don’t worry,” he says as he snaps it off his pauldron and hands it over to Din. Rex backs him up on that one without question. They can't lie for shit but trolling the shiny is their thing.)

Additional fun fact: the reason why I’d picked up the chtonic companions concepts was because I’d been poking at minor details in the background behind Maul (aside from the Chaos doors), and I started adding credits and recoloured nectar to the corner (before I realized that they wouldn’t be visible once the character interaction comes up oops), and I tried to figure out to whose keepsakes Maul would react favorably. I also mixed up companion dolls and keepsakes, so that’s why the Ahsoka doll came to being (I also forgot that that one belongs to Rex, and not Ahsoka herself but uh… they are close enough that they should count by proxy anyway. It’s not Obi-wan’s cup of tea and that should be enough!). Also bless @mapleowl18 for suggesting Lil Soka as companion for Rex ❤️

So this is the current state of this AU project right now. I have my lists and notes, a few scribbled pose ideas in my sketchbook for Sabine (she might be next, unless Bo and her Nite Owls make a comeback), Satine and Omega (with Batcher), as well as some angry scribbles and question marks for Quinlan (who has apparently made his way back into this AU even though he didn’t get a little icon of his own originally orz), and Obi-wan The Second that would stand with Cody post reunion, but I cannot make that one work for now 😅

[dom1re]

Hi 👋🏽 I so admire your arts too!! If it’s ok, I’d love to know more about your approach to shading and rendering. I always find your use of colour so calming and complementary. 💖💖

Whereas I tend to be over saturated and why I often draw in greyscale

When I read that you liked my arts too I died. I was down on the floor. Crying tears of joy. Then I realized I have a response to draft so I got up.

So here ya go!! I hope you find something interesting here. I organized it into 3 parts for easier reading:

Rendering Overview

Picking Colors

Shading (or winging it and hoping for the best)

Also if anyone has any tips I'm all ears!! I’m always trying to optimize my process, make it quicker + cleaner

Rendering Overview

My current rendering process on Procreate (click and swipe):

1. Rough sketches

This is where I try to get the anatomy and pose right. I can get up to 3 reps in here depending on how refined I want it to be. Yep I care a lot about my lines...

2. Clean line

... coz it's my favorite part!! I get such a dopamine rush seeing the sketches come together into a clean line lol. Here I use the Selection Tool and Liquify to resize and adjust the forms (gotta move away from doing this too much tho)

3. Color

First I create a flat base layer and color over it using Clipping Mask (pretty standard I think). Then I divvy my drawing into as many layers as possible - one each for skin, hair, shirt, waistcoat, trousers, etc - as I color them all. More on this below.

4. Shade

ewww shading... my least favorite part. I use Multiply layers and gray colors, again pretty standard. I usually have 1-3 layers here, stacked on one another, depending on the desired depth. More on this below.

5. Finishing touches

This stage involves a lot of small (but important imo) things, which vary depending on the drawing:

Tinting lines (Because shading makes the colors darker, lines need to get darker too)

Highlights on hair, face, clothes, eyes, etc. I can never make up my mind between Overlay/Hard Light/Soft Light layers for this

Little wisps of hair or lighting effects 

and voila I have something to share with the world. wooo

Picking Colors

Ok about my colors… I wish I had some fancy technique to show but tbh I just eyeball them and try them out a bunch. Now if I’m using a reference I could use the color picker, but I don't like to coz the results are way off for whatever reasons (ex. lighting in the img). Anyways it doesn’t have to be the same color as the reference; as long as the colors “make sense” to me I'm happy.

But what if the colors I chose are too saturated or too dark? I use the Adjustment Tools for this. I can just select the layer (or an area using the Selection Tool) and edit its darkness and saturation. I found this way easier than painting over or color-dropping repeatedly.

This is why I leverage as many layers as possible. It allows a modular control on my rendering - I can change the color of my character’s skin, eyes, or waistcoat patterns and keep all other components unaffected and clean. Sometimes I have like 100+ layers and it drives me batshit crazy but the pros still outweigh the cons. Or so I tell myself

( + I would love to understand grayscale and use it as freely as u do. I watched bunch of vids on it but something about it just hasn’t stuck with me yet 😔)

Shading I guess

Similar to coloring, I create several Multiply layers and stack them together for depth. For example:

This is again for that modular control but honestly I wouldn't be doing this if I was good at shading... I feel so lost every time, I just don't know how it works. But one ‘hack’ I’ve come up with is shading skins and clothes differently. I use reddish gray for skin (and brown/red hair), and just gray for everything else.

The character feels more lively and natural with a bit of red undertones in their skin. I don't think this is the best way to render skins though. Just a little shortcut til I get to study the topic more.

Something else I do to get over my fear of shading is using good references. I’m always lurking on Pinterest for them but alas, I can’t always find that perfect image with perfect lighting and poses. It’s kinda sad funny how the quality of my rendering depends so much on the reference:

(it's not a 'bad' reference per se - I chose it really for the pose, not for shading)

At the end of the day tho I’m just a learning artist so I try not to be too harsh on myself. Someday I'll render shiny shoes and shirt creases without refs. I yearn for that day 

Well on that cheerful note thanks for coming to my Ted Talk your interest in my rendering approach! I’ve been wanting to document it for my own records so this was great.

I picked up digital illustration just last year and self-learning it has been a fun but lonely process. If you have any tips or more questions talk to me ANYONE PLEASE I’m dying to talk about it if you can't tell by the sheer length of this post. For which I'm sorry but hopefully it wasn’t too dense a read ok I’m really done now bye!! 

[beartitled]

❗️Deadline is here ❗️

💥🫵 It’s 10th of February folks 🫵💥

That means Narratorverse March collab is coming to its close!

As for right now we have 48 animations ready

Some people need more time to finish up their animations, so I’m giving them a week of extra time to do so

Meanwhile I will be working on the credit list ❤️

As soon as I have every animation available I will start editing the full video together 👍

To contestants:

@rick-ety @thechaotichorselord @neat-o-things @etherealcatzz @paradoxspir1tart @tumbling-turmoil @machines-art-shenanigans @kelpiekidd @purpleskelet0n @roseaterougerues @bucketfullofstrawberries @miiints-repostiory @emcake1 @dsi-os-reblogs @indigo-art @crowv3xd @visillantopng @souppye

You guys will have a week of extra time

(10 February - 17 February)

Still ask you to try to make it on 10th or as soon as possible, but don’t stress yourself please, if you require the time - take it

(Another reminder, your animation doesn’t have to be perfect, 2 frames is always an option, if you need any help with finishing your animation please tell me - I can edit extra frames, colour your animation, etc. if you struggle)

After the 17th, if you couldn’t do it to this date either: I will edit the video without your animation (will rearrange some positions so it doesn’t look empty in the final)

Sorry, but we can’t stretch this deadline forever, hope this time will be enough 👍

👉Link to google form👈 (use only for downloading finished animations)

❗️One more important thing❗️

I need a design of your chibi narrator (or other characters you choose to animate) so I can start working on the credit list

Just 1 frame of your future animation (better coloured, but sketch is also alright) + please write how to credit you

I need this by the end of this day, without it I can’t start working on the credit list

You can send it to me through discord, tumblr or twitter 👍

Back to general info:

Roughly I think it will take about 2 weeks to finish up the collab

10-17 February - credit list + people finishing up the animations

17-26 February - editing stage (+ posting)

Please keep in mind those dates are rough, it might take more or maybe less time

It depends on people participating, my editing skills (+ my personal stuff💥)

So for now I’m going into full production mode 😈

I’ll be dedicating my full time to the collab and will be posting scheduled posts that I had beforehand

If for any reason it will take longer time, I will post collab updates o7

See you guys soon with the full animation video ❤️

[stepswordsen]

JuAli WIP doodles

So, I'm just gonna post my old JuAli doodles from November ~ April. Obsessed with them. I've been thinking about them non-stop. Judar is wearing traditional Chinese hanfu in these :) 

Here's my JuAli doodles for now <3 They're pretty messy, so I'll put them under the cut. Also I'm putting my thought rambles under the cut too. They’re snippets of thoughts I had, including ones with friends, feel free to read them if you’re curious!

Some rambles

I was considering whether I should post my JuAli doodles since I usually prefer to keep my art account for finished arts only, but I wanted to show my love for them. I still have to refine and redraw these tbh, but I'm excited to work on these in the future! 

I also didn’t know whether to post these rambles under my art or make a new post on my side blog. Well. It’s going here now. I’ll post the rest of my sketches and another rambles in another post 

The first two Judar in hanfu doodles are some of my fave drawings ever. I really want to finish this one soon...

I think Judar has red eyeliner in the manga, and the Magi anime has Judar's eyeshadow as purple? In Ohtaka's coloured arts, it looks like a more saturated red colour to me.

I like Judar with red eyeliner/eyeshadow like how Ohtaka colours in the manga. I like how the colours pop and the contrast against his design, and how it matches his red eyes. Also cuz black and red are his image/representative colours to me anyways

I want Judar to wear black, white, red, and gold hanfu... I’ve also been looking into hanfu earrings for him. I'm thinking of red and gold. I want him to have red eyeliner and black painted fingernails.

Also, in the future, I'd also like to draw Desi inspired Alibaba wearing kurta with churidar!

Some thoughts on JuAli

I love how my friends described them as besties and one-sided enemies/worsties dynamic (from Judar’s end lmfao), it’s soooo funny. I feel like they’d have a sort of Love-Hate relationship at first, like when you hate someone so much it’s love...

My friend mentioned that because Alibaba is so different and the complete opposite of him, it makes sense he doesn’t understand it, but it only shows that he’s curious and that deep inside he wants to know.

And Judar would just constantly be like “I really don't get this guy at all” and “I don't understand what he's thinking at all!” Like how he was with Alibaba on the Dark continent. I think it’s interesting how he recognized that Alibaba has qualities that draw people to him, but just couldn't understand why.

I love their Fire and Ice duality. Light/Darkness. Angel/Devil. Hot and Cold. Enemies to Lovers. They’d bicker and kiss and make out. Twink on twink violence is their love language /lh

I feel like in the early stages of them catching feelies they’d both be really awkward around each other and constantly headbutt each other… They'd always be pretty competitive with each other, but they'd warm up to each other over time.

I love their setup, I’m obsessed with them and their vibes. They’re so funny and cute… I love their dynamic, their vibes are impeccable. I could sense the sen-core with them, I love them so much.

I awaken to my final form. Meow meow mf x Empathetic, loving ball of sunshine… It's the sen-core ship formula: meow meow mf x ball of sunshine. Morally questionable/morally bankrupt x morally agreeable <3

Also I love Light/Darkness, Yin/Yang and Sun/Moon/Eclipse themed ships. And Rivals/Enemies to Lovers. Opposites contrast :)

I love Opposites Attract ships that are also combined with any of these tropes: Narrative parallelism (Yin/Yang, Light/Darkness, Sun/Moon/Eclipse tropes), Protagonist x Rival/Antagonist/Opposing Figure, Reconciliation of Opposites, Fated Enemies/Rivals, etc.

Sen-core characters/ships: being a menace to A) the world and/or B) their rival/enemy/lover.

Alibaba is the sun, and Judar’s leitmotif is the black sun (just like Douman). And he’s also technically the moon. One of my friends told me she sees him with Eclipse symbolism, which is really interesting.

[airborneice]

I'm very new to digital art and was wondering what sort of process/brushes you use for your Hilda art? I absolutely love your trolls and centaur designs ❤️

aw that’s very kind, thank you!! tbh my art approach is kind of all over the place but I’ll do my best to answer!

first off, I draw in photoshop and use mainly these two brushes -

the 1st is pretty much the standard PS brush and the HB one is what I used for most of the trolls/centaur stuff! generally I pick one of these brushes and use it for both lineart and putting in colour/shadows. (to be honest photoshop somehow got the settings on the HB brush messed up a lil while ago which is why I use it for lineart less now, but it’s still nice for doing shadows bc it has a really pretty soft edge :) )

as for art process, I’ll try to explain with the hilda little mermaid drawing I did recently - explanation thingy under the cut!

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so with most of my art I usually start out sketching it on paper first and then move the sketch to my computer - since you’re new to digital you might find it easier to start that way, it helps make things less complicated bc you already have something to start from

so for the drawing in question I started with this which is. A Mess

everything is all over the place and yasha from crit role is hanging out in the middle of it but this is the type of thing I start with! first with the lil thumbnail sketch up in the corner, and then doing the characters in more detail separately (if I know I’m gonna end up moving something to digital I’ll just draw the characters anywhere I can fit them on the page, bc I can worry about fitting them together properly later)

u can honestly skip the thumbnail sketch if u want, but for bigger drawings I find it useful to have something rough to refer back to, so I don’t forget what I’m aiming for overall when I start getting into the details

anyway then I move the paper sketch to digital and arrange things properly and add anything I’ve missed, and depending on how messy it is I do another slightly cleaner sketch overtop -

I’ve learned the hard way that fixing things at the lineart stage is a lot more hassle so I try to make sure everything’s looking as it should in the cleaner sketch - david’s initial sketch looked mostly fine to me so I only redid a couple things and added some details, while I changed a lot of kaisa til I was happier with the pose. I knew the salt lion was gonna end up being mostly hidden so I didn’t worry about refining it

SO next I make a new layer and start drawing the clean lineart over the sketch. I like using coloured lineart these days, so I pick a colour to sketch and do lineart in - literally any colour except black, since photoshop lets you change the hue later (you can go to Image -> Adjustments -> Hue/Saturation and change things as much as you like). I did all the lineart for the characters here in purple, like the sketch, and I made sure to keep all the lineart for different characters separate so I could mess with it individually later. I’ve got a bit of what kaisa’s lineart folder looks like below, and you definitely don’t have to put Everything on a new layer like I did, but I usually keep the eyes, brows and little details like the fin lines and scales separate bc they’re the things I’ll most likely want to adjust later

once I’ve got the lineart done in that one colour, I’ll use the Adjustments-> Hue/Saturation slider to change some parts of it (this is where having things on different layers comes in) to blend in or stand out more, so by the end it looks like it does below. I made some swatches so you can see which parts I changed from the main outline colour:

so I kept the original purple for most of it, but I changed the salt lion’s lines to blue, and kaisa’s scales to a light grey so they’d blend in more, and made her eyebrows much darker so they’d stand out from her hair. (I usually do this step after I’ve started colouring them in, bc it’s easier to see what’s working then and what isn’t, I’m just showing it here so you can see it in isolation). also, I’ll usually set the whole lineart folder to ‘multiply’ so it blends in with the colour layer even more

(tbh you don’t have to do it as complicated as this, everyone has their own approach depending on what they’re going for and it might take some trial/error before you find what works best for you. I just do this bc I’m used to it and don’t mind the extra hassle. pretty colours go brrr :) )

for colouring in, I use the lasso tool to trace over areas of the drawing and the paint bucket to fill them in. I usually put every different coloured area on a new layer so it’s easier to go back and change something if I decide I don’t like the colour. so everything is built up over a number of layers, and I can use the airbrush tool to soften the edges of some areas (like david’s arm fins). for the parts with gradients like their tails, I put down a flat colour layer (like the orange for david), select that area and then make a new layer and put the gradient on with a big airbrush tool. also for stuff from hilda I usually colour-pick straight from a screenshot of the show with the eye-dropper tool, it’s much faster than guessing them

so then we have the flat colours done, and I can show you why I like doing coloured lineart even though it takes longer bc

here’s the lineart all in black vs the final result with the colours. like…it’s fine, there’s nothing wrong with the all black one, but having the colours really helps soften things imo!

I didn’t really do much by shading for this one but to go over it real quick -

if I was just drawing a character on a white background I wouldn’t bother with this step, but here I know this scene is taking place in the dark & underwater, so I selected the characters, made a new layer and filled in a dark green colour overtop on a low opacity & set to Multiply, so the characters get this slight green tinge and look more like they’re in the setting (I did the same with the salt lion but I’m gonna just focus on these two for now)

for the actual shadows I got the same green colour, and on another multiply layer blocked it in, and just played around with the opacity til it looked about right

honestly not my best job at shading lol but it helps give it some depth and put them in the scene! if I hide the colours and lines for a sec you can see that literally all I’ve added over the original colours is this:

and if I add the basic colours of the background in, you can see how much it helps compared to the flat colours I started with -

they look so much more like they’re in the scene!

anddd after doing the same thing to the salt lion (which is just the same shading process but more layers and darker) and adding the rest of the background that’s it!!

don’t worry they’ll be fine lol

anyway sorry this got so long, I hope it helps!! I’m not the best at explaining myself so if anything I said here doesn’t make sense then feel free to ask :)

[dreamingpartone]

hi i love your art so so so much it's so warmy and nice <333

also wanted to ask if you had any tips for lighting? cuz yours is so so warm and soft and beautiful so any tips no matter how tiny at all would be swaggy xx

hi!! thank you so muuch, I’m very glad you enjoy it <333

and ahhh lighting tips! I could probably talk for ages about how much I love lighting, but I’m not sure how many useful art tips I actually have for it haha 🤔 let’s see….

✦ I suppose, to start with my usual art advice: observation! I haven’t done a lot of actual study when it comes to lighting, but I have spent hours and hours of my time just staring at/admiring light in real life and in media. (Which, again, I could ramble about examples of cool lighting in art/games/tv/films etc that I enjoy but we’d be here all day :’))

One practical thing I do is that I take photos, like…all the time, everywhere. Which a) is great for later reference if you want it, but also b) I think the act of photography is quite handy at training your eye to see the effect of light and shade.

Just for fun, here is a brief light-focused selection from my camera roll:

In particular, I think it’s really useful to observe how light acts on different surfaces (e.g. water and glass can get quite complex, but even when it comes to hair or skin, it varies; look at where it reflects or is absorbed, at how it shines through thin surfaces (a leaf, an ear!)) and how it changes the look/mood of an environment — either with natural light shifting throughout the day, or using different types of artificial light.

✦ The next thing I would say is (especially when it comes to intensity of lighting), don’t feel constrained by what’s “realistic”. Of course, what you aim for in your art is entirely up to you, but (I think I’ve said this about colour too) I am personally way more interested in using lighting to express a mood/idea/story than exactly replicate reality.

So, I tend to make the contrast between light and shadow more defined, and also like using as much colour as possible in them. (Which is another thing I think I’ve said before: try not to use pure black for shading! My go-to is blue or purple, but you can have fun experimenting with different colours!)

Like, for a recent example, how often does sunlight actually make everything this bright yellow/orange/red? Very rarely, but accuracy is not my purpose in using it :-)

✦ The other important thing, particularly when it comes to bigger pieces (i.e. art with backgrounds): don’t let lighting be an afterthought! I think when it comes to digital art especially, it’s easy to fall into the trap of going sketch -> lines -> flat colours -> maybe now I need to consider lighting? But if you think about it early, you can plan ahead to implement it best.

In recent years, I tend to approach lighting from a set design angle more than anything else. I don’t just go, “Ok if the window I drew is here and he’s standing there, then the light will have to hit him like this…” Instead, near the beginning of an artwork I tend to think about it like, ��Where do I want the focus to be? What do I want the lighting to say about the mood/atmosphere/etc? Ok, here’s where I’m gonna put a light source, here’s where I want shadows, these are the colours I’m using.”

Often that initial planning stage is very rough and just looks something like this:

(final version)

Or this:

(final version)

But it’s honestly super helpful to get even a vague idea of lighting early so you can figure out how the scene is going to work as a whole. (Rather than get annoyed later when you realise you could’ve done something different....I have been there....)

Anyway, I think that’s all I have right now…! TL;DR: take some time to look at how light works in different ways! Don’t let the pursuit of accuracy hinder your vision! And remember light is a tool for you to use! It takes some practice and experimenting, but it can be really fun imo :>

[ihearthes]

Author: @ihearthes Pairing: Harry x Unnamed OFC Rating: Light Smut Word Count: 3500 Inspired by: @wanderlustwaving and “The Lady or the Tiger” by Frank Stockton

His eyes dart around the bar, seeking her. She has to be here. It’s tradition. Their tradition. January 1st. Every year. Sunset. Anguilla. The Four Seasons. 

Harry had booked this table nearest the bay a full year ago, confirming it in mid-June and again in early December. Sitting silently, his eyes shaded behind his sunnies, he watches the giant ball of fire as it descends into the water. Less of a sizzle than one would expect. Each sip of his Casamigos Blanco over ice is perfect. The sky lights up with oranges, reds, and yellows that are reflected on the clouds, resembling the Monet painting San Giorgio Maggiore at Dusk which he had viewed in Cardiff. A second version hangs in Tokyo at Bridgestone Museum, and he had been lucky enough to see it once. 

The longer he watches its descent, the more he realises that this sunset is different from the paintings he’d seen. His fingers itch for watercolours or acrylics even though he knows his amateurish strokes would never capture the beauty. Last year, the sunset had been underwhelming, the clouds obscuring rather than reflecting the colours. Their first year, he had been unable to believe what he was seeing. It had been stunning with the reach of the palette across the sky, like tendrils of smoke straining to hug the entire planet. Now he captures his journal from the extra chair, opening it’s leather binding to a blank page. Flipping back to the beginning of his journal, he finds a sketch of her leaning on the railing -- drawn from memory years after their first meeting. His mind casts backwards to the non-date that had launched this annual trip. 

“Wow.” The voice belongs to a woman who steps to the railing next to him, leaning forward and twisting her head to take in the full sunset. Glancing at her, he does a double take as he recognizes her. Holy shit. She’s even more stunning in person. 

“Oh, I’d give it a solid 8.5,” Harry’s calm voice is the opposite of his turbulent emotional state. 

“Seriously? It’s much closer to a 9.2.”

“You’ve lost your mind. It’s worthwhile, but not a 9.2,” he scoffs, shifting his body slightly closer to hers. He turns toward her, planting a single forearm on the railing as he observes her in her floral sarong that matches her bikini top. Her hair is bundled lazily on top of her head, and her tanned feet are encased in strappy sandals. Surreptitiously, he takes in her curves while she’s examining the sunset. 

Twisting her head quickly, she catches his eyes on her ass. Rather than blushing, he smiles at her instead, well aware that the dimple is doing it’s job appropriately. The live steel drum band starts a new song, and she boldly turns to him, holding out her hand. “Dance?”

He doesn’t respond verbally. Grasping her fingers, Harry wraps one arm around her waist, stepping into her and leading them in time with the music. When he twirls her rather expertly, she laughs, planting a hand on his chest and gazing up at him with what appears to be a phony bashfulness. 

“I didn’t know you could dance,” she laughs. 

“Clearly you’ve never seen me live on stage,” Harry smirks. 

She clucks her tongue, “Oh, but I have. I said what I said, Styles.”

Looking away from her, he can’t help the smile that breaks loose. Damn, she’s got moxie. And it’s intriguing and beguiling. 

“You’re here alone?” he wonders, his eyes roaming the outdoor space. It’s filled with strangers -- to him anyway. 

“Tonight only. Yes.” She twirls him, and he grins at the move. 

“Me too.” The soft words are spoken into her ear as he’s drawn her closer. “I like to spend the first night of the year reflecting on the previous year.”

“Isn’t that what New Year’s Eve is for?” she wonders, her voice breathy. 

“Nah. That’s for drinking and celebrating with friends. Today is for reflection -- looking backwards and forwards simultaneously.”

“Planning to conquer the world this year, Mr. Styles?” 

“Indeed.” Arching an eyebrow, he mimics a cartoon villain, drawing his pinky to his mouth. 

She slaps at his chest, and he desperately wants to kiss her in that moment. After all, they are flirting, aren’t they? 

“Are you going to offer me dinner?” she asks boldly. “And take me to your room afterwards?”

Woah. Definitely gutsy. “Depends,” he whispers as he spins them both around once more while the band winds down. 

“On what?” 

“On what kind of sushi you prefer.”

“Ah!” There’s a gleam in her eye that he can’t resist. She’s playful and not shy about being the seductress. Harry finds the combination heady. Waving her hand in dismissal as she turns towards his table, “I usually try whatever the newest offering is -- especially if it’s fresh from those waters.” Fingers waggle in the direction of the bay, and he wants to grasp them out of the air and wrap them protectively in his own hand. 

Instead, he applauds the band before following behind her. At the table, she drags her chair from the opposite side of the small round table until she’s sat beside him. With his questioning glance, she again gestures towards the bay. “I’m not going to miss that sunset just so I can stare at your pretty face.” 

Rather than sketching the sunset, he attempts to paint the current sight with words. Everything he writes seems trite: clementines, flames, majestic, radiant, blush, hearth.

Where is she? Yes, it had been a year since they had spoken, but surely she would have sent a message if she weren’t planning to join him? Why hadn’t they exchanged numbers? Followed each other on Instagram? 

But he knows why. The mystery. The transcendental experience. The enchantment of meeting once a year, incognito, in this particular and magnificent place. No knowledge of each other outside of this 24 hours that belongs to them alone. 

Which is ridiculous. Because he certainly knows who she is and follows her career. And he would be astonished if she didn’t also pay attention to his. A few times this last year they had coincidentally been in the same city simultaneously, and he had seriously debated trying to locate her. Contact her manager maybe. Or put out feelers that would certainly have stretched to her ears like an old-fashioned game of Chinese Whispers (which of course isn’t what he should call the game now; it’s racist). The message, though, would have been garbled but sufficient for them to meet up. 

Every time, he refrained. Their unspoken commitment was to this place and this one day a year. Now he regrets not making contact. Had she decided that one day a year wasn’t worth the effort? Was she even now canoodling with someone else? There hadn’t been rumours of any recent love affairs on her end, and he snatches his phone anxiously to search her name just in case she connected with someone during the last week.

Picking up his now-empty glass of tequila as he scrolls through his phone, Harry draws an ice cube into his mouth, swirling it on his tongue to relish every tiny bit of the liquor there. The burn has vanished as it’s taken him nearly an hour to drink one tequila. No record of any new beaus. Maybe he should follow her now on social media? DM her? What would he do if she didn’t show? How much longer should he wait? 

“Oh yum! This roll is even better than last year’s.” She proclaims as she rushes to grasp the last bite of the Ceviche Roll. 

“Hey! That was mine!” Harry protests, laughing as she stuffs the full piece in her mouth. 

“Order more,” she mumbles around the rice, fish, and seaweed flavored with citrus and cilantro. 

“Nah, I’ve got a different appetite now,” he murmurs, watching her lips as she chews the sushi. 

Freezing, her eyes rush to his, and she slowly finishes the sushi she’s been eating, swallowing slowly. He wishes that she would move her chair to his side of the table like she had the previous year. This time, they’re seated on opposite sides of the table, but at an angle where both can watch the setting sun. 

“What?” Her look has made him nervous. “You’re not going to tell me you’re seeing someone, are you?” 

Her hair twirls as she shakes her head. “No. Broke up with him last week in anticipation of this.”

Having sipped his tequila, Harry chokes at her words. Coughing, he grasps the table with both hands. Holy fuck. She didn’t really expect him to --

“Kidding!” Her giggle lights up her eyes, bringing a light blush to her face. She’s truly stunning. Maybe even more than last year. 

When her foot, sans sandal, caresses his calf under the table, he knows that the night is going to be filled with sex. Fun, hot, brilliant sex that will last most of the night. Hmm...perhaps it would be best to fortify himself for their escapades. Raising his hand, he flags down the server. 

“Sir?”

“Another Ceviche Roll, por favor. Plus a bottle of Casamigos.” He pauses as her foot makes its way further up his leg, and he wonders if she’s going to slide under the table completely. “Send it to my room, please.” Voice catching as her toes make contact with his crotch, he demands, “Put it all on my tab please. I’ll settle up later.” 

With a nod of agreement, the server disappears. Quickly Harry rises, adjusting his slacks as he glances around the room. 

“Let’s go,” his voice rumbles. 

“But H -- the sunset,” she whines. 

“My room has the same view,” he insists, holding out his hand which she grasps. Gracefully sliding her foot back into her sandal, she rises and glides behind him towards the elevator. 

His stomach rumbles at the thought of eating, and he debates ordering food. The sushi at the sunset lounge is always fresh. In the past, though, they’ve enjoyed the dishes together, trying new ones every year. Dejected, he places his glass harshly on the table, his disappointment at her absence radiating across his psyche like the colours of the sunset. 

“I would say it’s a solid 8.5,” her voice sounds from over his shoulder, and he twists in surprise. Like the sunset beckons the stars, she summons happiness to his soul. He scrambles to rise, kissing her on both cheeks, his lips lingering each time. Not too long, though, in case others are watching and photographing. Which he always assumes these days. Fans. Paps. No privacy exists anywhere. 

“Hi,” he whispers, grateful for her presence, but unable to say the words that would tell her how worried he’s been. That might reveal too much of his emotions. And his heart. 

Fuck. When had his heart gotten involved? And why hadn’t he realised before this particular moment? 

“You agree?” she smiles, gesturing to the sunset. 

“I would say it’s a 9 or maybe even a 9.2,” Harry smiles, his dimple making an appearance to rival the sunset in front of them. 

“You finished your drink,” she nods at his empty glass. 

“I started early.” It’s a lame excuse, and he knows it. 

His annual partner tilts her head in his direction. “Or maybe I’m late?”

Not knowing how to respond, Harry waits, his fingers playing with the coaster underneath his drink, spinning it around, the glass slowly rotating with the cardboard circle with the restaurant’s name on it. 

“I debated,” she whispers, “unsure if I should…”

The server appears, a smile on his face. His white trousers and white shirt are complemented by a blue scarf at his neck, his accent strong. 

“What can I get you?”

Harry notices the man’s gaze on his companion’s breasts which draws his own attention to the bosom swelling around the buttons of her frock, which he just now notices has sunflowers across the lower half of the skirt. Was that on purpose? 

When she exchanges a knowing glance with Harry and smoothes the fabric over her legs, it becomes clear that she knows exactly what she was doing by choosing this dress.

He shifts in his seat. 

“I’ll have what he’s having,” she announces. 

Harry reminds the server, “Two Casamigos on the rocks please. And your newest sushi roll with light brown rice please. Thanks.”

Nodding, his date agrees to the order, and he’s relieved that at least the basics haven’t changed in the last year. 

“You were saying?” he prompts as the steward moves away from them. 

“Oh,” she blushes, her cheeks tinging slightly pink. “I just...wasn’t sure…” She swallows, her head down before she makes eye contact with him, “that this was a good idea.”

Taken aback, Harry settles his bum more deeply in his chair, feeling blindsided by the comment, wishing he had his tequila to soothe him in this moment. “I see,” he mumbles. 

“Harry --” she begins, and he waves a hand in her direction. 

“It’s just casual,” he unceremoniously argues, “right?” But his heart clutches at the phrasing. 

Her eyes drop to her lap where her hands are entwined. “Yes. I guess.” Her whisper makes him sweat. Fuck. Had she decided this was it? The last time? “It’s a pretty sunset,” she adds.

“Absolutely,” he concurs, anxious at what else she might say. Silence descends on the table much faster than the stars appear in the sky above them. Should he be vulnerable? Tell her how he feels? What he’s thinking? 

This year’s live steel drum band begins a new song, and without pause, she rises, holding her hand out for him to grasp. Grateful for the reprieve, he joins her in their corner of the outdoor restaurant, placing one hand on her waist as she rests her head on his chest. Together, they sway, and his mind wanders.

“I need another lime!” she shrieks gleefully, holding the bottle of tequila in her hand. Harry shakes his head from his position flat on the bed. They are going to need clean sheets before they sleep tonight. Maybe they will go to her room for actual sleep? 

What the fuck is he thinking? As if they had actually slept during their rendezvous in the previous two years. 

“Here. Hold this,” she laughs, thrusting a lime towards Harry to place in his mouth, pulp out. 

“Mhm. Me next,” he mumbles just before his teeth wrap around the green rind.

“You bet,” she giggles. Settling herself on the bed as she straddles him, her soft parts landing on his cock encased in its bright green briefs. She slides down his legs and leans forward, holding the bottle of tequila out to the side. “Mmmmm.” Licking a stripe up from the base of his underpants to his navel, she sprinkles salt there before tilting the bottle of Casamigos and allowing a shot of tequila to land in his taut navel. He’d worked hard on his abs the last couple of months, knowing that he would be lying here with her. They’ve got definition that most blokes only dream of. 

Quickly, her tongue captures the salt before she sucks the tequila from his belly and shifts forward to suck the lime that’s in his mouth. Fuck. If he hadn’t been hard before they started this game, he’s certainly got a hammer between his legs now. 

As he releases the lime for her, she grips it in her teeth, leaning backwards in her bra and panties, her core now on his chest, and he can’t resist reaching out with a single finger and tracing a pattern over the treasure he knows is underneath. 

“You waxed for me this year,” he comments. 

“No,” she protests, “I waxed for me this year. You give great oral, and I wanted nothing to get in the way. It’s been far too long since my pussy has been properly eaten.” 

“Oh?” Harry’s eyebrow raises, as he knows a couple of people who she dated during the previous year. 

“Yep. I would say,” she smiles, leaning down to capture his mouth in a kiss, her lips hovering just above his, “about exactly a year.”

“Hey…” he begins as they finish their silent dance just as their drinks arrive along with the plate of sushi, but he’s interrupted. 

“Here are your drinks. Our newest sushi roll is the Hot Lover,” which makes Harry cringe and shift again in his seat. “It’s spicy tuna, shrimp tempura, and avocado wrapped in soybean paper.” 

As he places the food in front of them, Harry smiles sadly and nods as the gentleman fades away into the restaurant, like the sunset has drifted into the ocean. 

“You were going to say something?” she asks, and he loses all of his courage. 

Shaking his head, he grasps a piece of the sushi roll between his fingers, sliding it onto his tongue. 

“Not bad,” he comments as he chews, trying to tuck the food in his cheek so he’s not rude. 

“It’s really not got a lot of flavour,” she grins as she mimics his eating habit. “Kind of boring.”

Did she mean their relationship? Was this one of those double-entendres? Swallowing the fish and rice concoction, he sips his tequila as the sushi sticks in his throat. For some reason, he wants to cry. It makes no sense, but the tears come unbidden to his eyes. Fuck. Looking away, he sips more of his drink as he watches the remnants of the sunset fade away, blinking furiously. 

“I wanted to call you when we were both in New York this year,” he comments softly. 

Her fingers pause halfway to her mouth, the soybean-paper-wrapped piece of sushi hovering near her lips. Harry watches as she debates how to respond to his comment, finally placing the fish on her tongue and chewing slowly. Unable to draw his eyes from her mouth, he unapologetically watches as she savors the restaurant’s latest speciality. Eyes closed, she moans. Her hands clutch the table on either side of her, and Harry feels his mouth go dry. 

Once she devours the food, she sips her tequila on the rocks, and he can visualize her tongue swirling the liquid around as she either tries to clear the flavour of the fish or fully taste the liquor. After all, her tongue has done that same move to his most favored body part. When she finishes, she makes eye contact with him, her hands resting on either side of her plate, fingers curled. Taking a deep breath, she straightens her fingers flat without breaking eye contact. Fuck. He’s sweating. 

“Truth be told, Harry -- I desperately wanted to call you when we were both in Edinburgh that time.”

“Why didn’t you?” His words are faster than his brain, and he immediately wishes he could draw back the question. 

“You know why,” she replies, and he nods because he does indeed know all of the reasons. “The sunset --” Her attention is drawn to the colours in the sky, “is lovely, don’t you think?”

“Honestly,” he admits, “I would say this is the best one of all of the times we’ve sat here together.” The words make him cringe. He wants to keep things light, but something about the moment prevents fluff. It feels momentous. Overwhelming. 

He watches as her eyes stray from his to the sky before they tear up and she nods in agreement. “Yes, Harry. I would say this is the most breathtaking of the sunsets we’ve seen.”

Did that mean that this would be the last one? Neither of them is getting younger. Sooner or later, one of them will meet “the one”. And then where will the other be? Stuck on an island with a sunset alone? Fuck. He doesn’t want to be that person. But he truly doesn’t want that for her either. 

“It’s a sensational sunset,” Harry pleads, his eyes not leaving her face, not straying to the glorious colours, not denying that they have some chemistry together. Why hadn’t he made a play for her before now? Was a hookup enough? Would he be happy if this is the last one? 

“Harry,” she sighs, sipping her drink again. “I wonder ---” 

The band starts a new song, and he shakes off the sound, willing her to continue. A group at the table behind them sings ‘Happy Birthday’ while another table nearby bursts into laughter and somewhere a server drops a tray of glasses, the shattering drawing applause from a few assholes close to the debacle. Harry ignores all of it. 

“Yes? Go on,” he encourages. 

“Maybe…” she bites her lip, looking away from him towards the sunset. 

“Yes?” His throat is dry, but he doesn’t reach for his tequila or his glass of ice water. Instead, his gaze remains riveted on her. 

“Do you think that perhaps we could…” 

His breath catches in his throat. What would she say? Would she ask for some random sex act? Cancel their relationship permanently? Or possibly -- miraculously -- suggest that they celebrate more sunsets together instead of just once a year. He holds his breath, waiting impatiently. 

“I mean, it would probably be best if we...” 

A/N: Reblogs are love, my readers.  I appreciate the likes, but reblogs help others find the story and, quite frankly, encourage me to continue publishing here. 

[peaceoutofthepieces]

Tracing Time

Saturday, 23:39

Song: David Bowie - Starman

Sander’s hands flit over the papers like wasps, mindlessly zipping back and forth in search of a target, lighting here and there for a quick moment before moving on. He leaves behind scraps of pencil or colour or words, molding them into a collage of unrestrained thought even as his mind races and runs back. There’s no room for anything else when his head is filled with art.

It’s only a case of luck that allows him to catch his phone lighting up as he moves away in search of his sketchbook. He halts in place and glances at the screen, lips twitching at the sight of Robbe’s name.

He goes to rub at his eyes and catches himself, eyeing the paint blotches and pencil stains marring his fingers. He uses a clean knuckle for the task, then wipes his hands off on his sweatpants before picking up his phone. There are a slew of messages waiting for him, and his heart gives a sharp, pleasant tug. A few are from his small group chat with his friends from the Academy planning to meet up tomorrow, and there are two from Lucas checking up on him and wishing he was there. Most of them, however, are from Robbe, and this is all Sander pays attention to.

oh god they’re starting to get gross why’d I agree to this 🙃

it’s just making me miss you more, tbh

I’ve finally escaped to bed and now I definitely miss you. how am I gonna sleep without my fave blanket/pillow?! 😪

I’m actually really tired now 🙈

Sanderrrr?

Sander bites down hard on his lip to suppress a smile at the obvious whining, and then realises there’s nobody around to see him and lets his grin out in full force. It’s sappy, his Robbe grin. He’s not embarrassed by it, far from it, but it scares him sometimes. His heart quickens then and he has to take a deep, shaky breath to stop it from overwhelming him, how easy this love comes and threatens to bowl him over. This happiness.

He realises he’s already made Robbe wait long enough for his message and taps out a quick reply.

sorry sorry. caught up with the project. have you been thoroughly traumatised yet?

The texting bubble appears instantly.

hmmm I think I’ve gotten off lucky tbh, so I’m not going to complain 😬

you abandoned them a while ago though?

tired. not as used to the train ride as Jens

why aren’t you sleeping then?

couldn’t without saying goodnight 🙈

There. Sander’s heart does the thing, that rapid stutter, as his lips spread into a smile so wide his cheeks hurt. Every time he thinks he couldn’t get any more fond, Robbe surprises him. He brings the phone closer to his face as he bites at his lip, as if that will make Robbe feel nearer.

I’m sorry. I didn’t mean to make you wait up

I’ll always wait for you

The message comes so quickly Sander knows his boyfriend doesn’t even take time to think about it. It’s just a casual, natural response; even though Robbe likely does have that cheesy, cheeky grin on his face as he waits for Sander to reply. He knows exactly what he’s doing and he has no idea. He doesn’t know how easy it is, how totally he has Sander wrapped around his finger. In fairness, Sander would have no idea how to express it to him. He glances at his project and corrects himself—he can’t express it outside of his art. At least, not fully. Not as easily.

I thought I was the one with the one-liners here

mmm I guess you’re a good teacher

I’m not sure you ever needed me to teach you that, Robin

you’ve always been a sap at heart 😘

hey!! and I thought I was getting a compliment there 😪

it is a compliment

from me, it always is

There’s a short pause, as if Robbe doesn’t know what to say or has fallen asleep. Sander drops onto the edge of his bed while he waits, holding the phone near his lap. The typing bubble isn’t reappearing, and he feels disheartened for a brief moment, and then another message appears. This time it’s a square, and Sander perks up as he watches the photo load, and then Robbe’s looking back at him. He does indeed look tired. He’s covering his face with his hand, but peeking through his fingers so Sander can see one sleepy eye, as well as half of his smile. His cheeks are a faint shade of red, and his shoulders are tucked up close, covered by one of his green t-shirts.

Sander falls back onto his bed at the sight of it, heart fluttering in adoration. It’s nothing new, and it’s nothing provocative, so maybe it shouldn’t be getting Sander’s heart racing as much as it is. But it is downright adorable—Robbe is—and it makes Sander miss him so fiercely, so suddenly, that he aches. It shouldn’t be so. He’d just seen him this morning. He sees him so often. How is it that he still manages to miss him all the time?

Robbe sends him another message.

you’re not even here and still

Sander grins.

still I can confirm you’re the most beautiful person in the universe

just this one?

every Robbe in every universe is the most beautiful person there

and every Sander better tell him so

🙄🙈 shut up and go to sleep

I can’t, still have work to do

Another pause, and then the typing bubble only appears for a short moment.

not too long, okay?

Of course. He doesn’t know what else he was expecting. He smiles again despite himself.

promise ❤️

goodnight Sander ❤️

night, Robin

sweet dreams

He keeps the chat open for another moment, just to make sure nothing else is going to come in, and then lets his phone drop to his chest. He pushes a hand through his hair and just breathes for a moment. Then he picks his phone up and looks at the photo again, smiling softly in the face of all of Robbe’s softness. He looks adorably sleepy, and Sander wants to join him more than anything, curl around his pillow and pretend it’s a familiar body and drift off into dreamland himself. Instead, he sets his phone aside and gets up. Rather than collecting his sketchbook or returning to his desk, he slips out of his room and creeps up the hallway.

He quietly flicks on the light in the kitchen and goes about getting himself a glass of water, then he digs about in the press for a chocolate bar as well. He doesn’t sit with them, but leans against the counter and nibbles and sips, hoping the little burst of sugar will spur him on.

At some stage, he zones out, and doesn’t notice his mother walking into the room until she speaks.

“I thought you’d already gone to bed.”

Léa Driesen tucks her robe tighter around herself and comes to stand across from her son, leaning against the table. She keeps her arms crossed over her chest but smiles softly at him, giving him a quick once over and shaking her head at his stained clothes. It’s a familiar, fond gesture. Sander feels warm rather than embarrassed in the face of it. He holds the remaining half of his bar out in offering. She shakes her head slightly. “No thanks, darling.”

“Everything okay?” Sander asks her. “Sorry, I was trying to be quiet.”

“No, you were,” she waves him off. “I was still awake, heard you out in the hall. You’re not still working, are you?”

Sander blushes, looking down at his water, and hears her sigh. “I just have a little left to do,” he protests.

“So you can sleep and finish it tomorrow.”

“It won’t take long. And I can just sleep longer then. But if I don’t finish it, and have to go to sleep knowing I don’t have it finished, then I’ll be stressed and won’t be able to sleep anyway. So really, it works better this way.”

She stares him down, eyes narrowed and unimpressed. There’s still a slight upwards curl to her lips. “And Robbe comes home tomorrow.”

Sander takes a sip of his water.

Léa shakes her head, huffing quietly. “He won’t be back ‘til late afternoon,” she reminds him. “You would still have it done before he gets back.”

“I definitely will if I just finish it now. Besides, Emilie wants me to join her and the others for a while first.”

“You’ll be falling asleep on the poor kids.”

“I will if you keep me up,” Sander says, pressing a kiss to her cheek as he moves past her.

She hums and calls over her shoulder after him. “You’re a mess. Not too late, okay?”

Sander huffs in amusement, shaking his head as he pauses to go to the bathroom on his way back to his room. He’s only a bit tired, and he feels a little brighter after splashing water on his face. He’s shaking his hands out over the sink when he catches sight of his reflection and gets caught up.

He’s still not quite used to his hair.

It’s strange, because it’s the hair he’s had for most of his life. But he’d gotten used to the bleach. Now, it’s still short from where he’d finally cut the dye out, and it still takes him by surprise. He supposes it’ll take more than a month or so to get used to again. It makes him look younger, he thinks, his natural colour, like he did when—

Well, it doesn’t matter. The bleach didn’t work to hide anything, either. It didn’t make a difference, after that time.

He goes to run a hand through his hair and pauses when he remembers they’re still wet. He settles for staring for another moment instead, and then he finally drags himself away, drying his hands and face and closing himself up in his room.

His project is still laid out, almost done. He casts his eyes over it, the scraps of sketch and photograph and poetry all melded together, examines every detail before nodding to himself. Then he fetches his sketchbook as he’d meant to a half-hour before and drops back into his desk chair.

~^~

previous/next

[blancamz]

“It’s Over Isn’t It” Reanimation progress

Honestly one of my favourite parts about animating is posting the WIPs online. Here’s the step-by-step of how I went about doing my reanimation for the end section of “It’s Over Isn’t It” from the Steven Universe episode Mr. Greg.

1) Idea and Prep

I was flicking through Steven Universe: Art & Origins. I think at the time I must’ve been between jobs or bored or something, because it came into my head to do a bit of animation based on the pilot style SU. I’ve always been quite fond of the pilot style, especially Pearl’s David Bowie / LaRoux look. The little tux design by Hellen Jo was quite snazzy as well, so I decided to have a go at doing a segment of “It’s Over Isn’t It”, using these designs.

I traced the turnaround from the book in Clip Studio Paint and approximated Jo’s design to it. At first I had the colour turnaround, but did the low-colour turnaround with the heads to give me a better idea of where the lines are and proportions of the body. I also get a clip of “It’s Over Isn’t It” and trim it down to the section I want to do.

This is a long one so strap in.

2) Sketch Pass

I’ll be using gifs that show the first 100-130 frames of the animation, because the full segment is 22 seconds long.

Very very loose animation of what I’m going to be doing with this segment, done in Adobe Animate. I have a video of the real segment in the corner of the stage and audio in the timeline, and closely reference them for layout and acting.

I’ve decided I want to go really nuts with the animation. Lots of angles on her face, smooth movement, secondary animation / follow-through on her various clothing elements. Technically her earring’s supposed to be on the other side but I want to animate that flailing around dangit, so I change it so it faces the camera.

3) Rough Pass

I tidy up the rough I did somewhat. It’s still very rough, but Pearl is better proportioned and the motion is more complete. I get a better idea of how she moves by focusing on drawing keys (the most important drawings) and breakdowns (drawings that help you figure out the motion a little bit, without full animation). I have Pearl, her suit, ruffles and earring on separate layers so I can turn things on and off or lower their opacity as needed.

4) Tiedowns

At some point between the rough and tie-down phase I realized that I’d been animating at 30fps instead of 25fps like I’d meant to, so I had to end up shifting all the roughs I’d been doing. Bad news: having to wrestle with getting the timings I’d so carefully planned out in the rough to still look good. Good news: I have to animate and clean up 5 fewer frames per second, so that’s 110 fewer drawings to worry about. Yussssss. For reference, the above clip has now gone from 132 frames to 107.

During the tiedown phase, I go over the roughs and more carefully try to match the proportions in the turnaround. I keep a flattened version of the first frame of animation to use as reference thoughout to prevent morphing. Sometimes when you’re animating, things will get bigger or small as you re-draw them, so it’s good to have a base drawing to refer back to and make the sizes stay consistent.

At this point I’m way more aware of reasons behind the big design change for Pearl between the pilot and the show. She’s so dang skinny and tall with that extra poof of hair up top that she’s really annoying to frame up. If you want to keep all of her in the frame, there’s going to be tons of empty space.

I also find that my turnaround isn’t enough reference for Pearl’s awkwardly-shaped head. I snap me a bunch of screenshots of pearl’s head from different angles and collate them into a big sheet.

5) Inbetweening

Inbetweening, aka filling out all the gaps in the timeline between the keys and breakdowns. If you’ve done your keys and BD’s well, inbetweening can be a pretty straight-forward.

But I’ve got like a million bits of secondary animation to content with, which means this still takes a significant amount of time. The hair and ruffles have to move a little later than the rest of the body, and some parts of the ruffles have to move at a different rate from the rest. I’m trying to animate like there’s wind since Pearl’s on top of a tall building. I keep animating until it feels good enough.

This is what my timeline and stage look like in Animate by this point. The animation is mostly on 2s, with some 1s, 3s and 4s thrown in when needed.

6) Cleanup and Colour

I did the cleanup in Toon Boom Harmony. As a program, I like it was more than Animate, even though it isn’t without it’s flaws. But it’s also really dang expensive. Fortunately, by this point I’d been working on the upcoming Deadendia series for Netflix. What with the pandemic, we were working from home and the studio gave me a license for Toon Boom. So I exported my frames from Animate, put ‘em in TB and started cleaning up.

I’ve found that cleanup is something that’s often offloaded to new or less experienced artists at studios because blah it’s just tracing the rough animation. But you’ve got good cleanup and bad cleanup, and a good cleanup artist will compensate for flaws in volume and have a good, clear and natural line.

I’m not terribly fond of doing cleanup myself. I feel I tend to end up rushing, which leads to sloppy work. I tried really hard to keep up a standard here.

7) Comping

a.k.a. Compositing, the final layering of the various elements before exporting a film. Another stage I don’t quite care for because of its nuances. Also drawing backgrounds.

I admit that I’m not very good at drawing backgrounds or environments. I tried to do the one for the second shot of this animation, since it was acutally really important. In shots 1 and 3, you don’t really see the ground or even the railing that Pearl is leaning on, but 2 is a wide shot. My first attempts at it were unfortunate. Fortunately my husband @joe-sparrow is both good at backgrounds and good at imitating the style and colour palette of the show. He volunteered to do the BGs and I accepted. See mine vs. his:

So yeah, get me some nice backgrounds, put the animation on top, then fiddle with a couple of elements in the comp to give things a little bit more depth. During this stage, errors that had happened during the animation progress that I hoped would just go away became annoyingly obvious, so there was a fair bit of going back to fix them.

So that’s how I done made this animation. I started April 2018 and posted in on January 1st 2021, so that’s over 1.5 years it took me to do these 22 seconds of animation. However, I wasn’t working on it continuously through that time. Sometimes I’d be working on it every day, other times I’d not touch it for weeks or months at a time. It really depended on how busy or whatever I was at the time. I think if I’d been working on it non-stop, it still would’ve taken me at least like 2-3 months to finish it.

If you made it to the end of this post, I hope you found all this information interesting.

Happy drawing.

It’s over, isn’t it.

[not-xpr-art]

Art Advice #3 - Drawing tips!

Hi everyone!

As you may know, every week or so I’m writing blog posts with art advice hints and tips for artists of any skill level in the hopes of helping some people out a bit! The tag is here so feel free to check out some of my other posts!

This week’s post is going to be some drawing tips I’ve picked up over the years that could hopefully be useful for beginner artists! 

(this is about 1800 words altogether btw)

Drawings tips!

I’m going to split this post up into little sections which will hopefully make it easier for you to scroll to find certain advice you’re particularly interested in!

Part 1 - How to get started?

I’m a firm believer that anyone can be an artist, regardless of what materials or equipment they have. So when it comes to my advice on what kind of materials I recommend for beginner artists, I’d mainly say ‘whatever you have’. 

But if that’s a bit vague, I’d essentially recommend you have a set of pencils which you can usually get relatively inexpensive online or in craft/art shops which range from 6B all the way to 6H (’B’ being for softer, darker pencils, often good for shading, and ‘H’ for the harder pencil leads which are best for much lighter shading or if you want a really faint sketch. Something important to note about ‘H’ pencils is not to press too hard with them since they’re a lot more likely to leave indents in the paper than ‘B’ pencils! For general sketching I personally use 2B or 3B pencils since they have the perfect balance of soft & hardness in my opinion!) 

Of course, you can just draw with whatever pens or pencils you already have, so definitely don’t feel you have to go out of your way to buy something new or expensive just because your favourite artists use a particular brand of pencil or pen... Of course, often higher quality pens or pencils (especially colouring pencils) will have better pigment payoff than the cheaper alternatives, but as someone who’s been using the same WHSmith pencils they got when they were a child, I definitely think that as long as you have something to draw with, you’re all set to produce masterpieces of your own!

A lot of my art education got us using charcoal for a lot of our drawing practise. It’s not a medium I’m particularly fond of personally, but it is a great way to practise being a lot quicker and expressive with drawing, so definitely if you’re up for the challenge you can try some charcoal stuff! Only piece of advice is that I wouldn’t really recommend those ‘charcoal pencils’ you can buy in some shops, since they mostly just break apart every time you try and sharpen them... Regular charcoal is messy, though, and smudges very easily, so if you are interested in using it I’d say to do a little bit of research before hand! 

(Or feel free to send me an ask if you want any further advice on using it!)

If you’re wanting to get into digital art, I’m planning on making a post discussing my tips for beginners to digital so... keep an eye out for that in the near future lol!

~

Part 2 - Getting over ‘Drawing Anxiety’

Drawing can be a daunting thing, particularly when artists who are already pretty good at it can seemingly produce a perfectly proportioned face out of thin air. But these artists weren’t magically born with this skill, of course, so with practise and some perseverance, I can assure you that you’ll be at that stage one day!

So my first piece of advice here is to be patient with yourself. Don’t expect yourself to be perfect straight away. 

Second piece of advice is to sketch constantly!! I notice a lot of people who haven’t been drawing long are really careful about how they draw, almost like they’re afraid to be rough with the pencil. So I’d really recommend just starting to sketch a lot: be rough, be messy, draw things you can see and things from your imagination! 

Observational drawing is another thing I think is crucial in improving your drawing skills (and I’ll go into more detail with this in a bit), but honestly just sketching things you like is such a great way to help you grow as an artist! And yes this includes drawing anime fanart or drawings of your original characters! 

Below is some comparisons of my attempts at drawing Freema Agyeman from 2013 to 2019... Is the latest version of this perfect? Of course not. But I just want to show what constant practise can achieve!

~

Part 3 - Observational drawing

I honestly think that observational drawing was one of the most important things I learnt in my years of art education. 

Observational drawing can take on many meanings. Perhaps it’s drawing a still life of a fruit bowl, or a life drawing class with a naked dude in front of you, or even drawing from a photo. The point of observational drawing is to improve how you translate the world around you onto a 2D surface, essentially. 

And you don’t need anything fancy to do observational drawing either! Just placing an array of things in front of you and trying to sketch them (try and focus on a mix of textures and surfaces for the objects. So, for example, including a cup along side a woolly hat will help you get a handle on how to create texture with your drawing, and drawing anything with a reflective surface like cutlery is both challenging and interesting to do! Basically just use what you have around you!)

If you’re lucky (or unlucky, depending on how fond you are of seeing naked people lol) enough to have the chance to do life drawing, I would honestly recommend it! Often the final results aren’t great, but it’s a really good way of practising your observational skills! And even if you don’t have the opportunity, just trying to sketch a friend or family member from across a room, for example, is something that can really help you improve! 

Top tip: a teacher once told me that when you’re drawing something like a face, for example, a way to improve how you draw is to see the face not as a ‘face’, but instead as a collections of shapes. Because our brains have a preconceived idea of what a face looks like that we end up drawing what we think we can see rather than what we can actually see! 

There’s a lot of art snobs who believe that drawing from reference images is ‘cheating’ in comparison to life drawing, Of course, this is bs, and I’d say I’ve learnt just as much from using reference photos for the basis of my art as I have from drawing from ‘real life’. For more information about my thoughts on references and how to use them, see This post!

~

Part 4 - Drawing from references: Tracing, Grids and Freehand (which is best?)

Tracing in the world of art is a ... Contentious subject to say the least. And I’m not really interested in getting into the ‘moral’ implications of whether it is ‘cheating’ or not.

Instead I want to focus on the pros of using something like tracing when you’re starting out. I think particularly if you’re trying to improve how you shade things, colour things or how to get better at blending, then I do think that tracing can be a useful tool! Even I used tracing in the very start of my delve into digital art, but soon found that tracing wasn’t really something that was helping me in the long run so moved onto freehand stuff. 

Overall, I think tracing is good as a starting point when you’re still learning about art, and also if you’re not too comfortable with your freehand drawing skills yet. I’d also recommend you mention if you have traced a piece if you share art to social media. Of course, no one is obligated to do this though! 

This is an example of an artwork that I traced (it’s from 2013, hence why it looks... like That lol)

But if you’re someone who perhaps has used tracing in the past and found it doesn’t really work for you, or if you don’t want to start with tracing at all, then a good ‘next step’ I’ve seen other artists get into is using grids. 

Now I have to admit, I’m not the best person to talk about grids since I’ve actually never used them lol... But I know a lot of artists who do, particularly people who do a lot of traditional work, since it makes it a lot easier to translate the reference image to your piece of paper or canvas. 

And in a way I would recommend grids more for people starting out in drawing than tracing, and this is mainly due to the fact grids force you to use a lot more observational drawing skills than tracing! If you’re interested in getting into using grids I’d recommend doing a bit of research yourself! 

The final technique of drawing from references I want to talk about is freehand! Now this is the one I’ve been doing for the majority of my art ‘career’ and honestly is probably the most ‘difficult’ to do of the three techniques. 

But I find freehand drawing particularly rewarding with the ways it can make you reimagine an artwork in ways you never intended! Like what I mentioned in my Reference advice post, I have found that making ‘mistakes’ in freehand drawing can actually lead to more interesting and unique works of art than tracing or grid work could ever do! 

I also think that freehand allows you to create your own characters or concepts in a much more free way. For example, my Spirit of Somerset piece was something I created from a variety of references (I seem to remember I used Isak from SKAM’s mouth as a basis for the girls’ mouth?) and the dragon was based on a real mishmash of references, which is something that I I feel I couldn’t have done if I’d have been using grids or tracing!

With this I’m not trying to say that freehand is the ‘best’ way of drawing, it is just the one that I personally have found to fit me the best, which is the entire point of this post! All of my advice is just pointers I think could be useful for new artists, it is up to you to find which ‘path’ in art suits you best!

And of course, I’ve phrased these techniques as separate purely for the sake of explaining them easier, but the fact of the matter is that you can use a combination of these in your art if you wish! 

If you struggle with drawing the outlines of hands, perhaps use tracing as a way to get a handle of the shape and then maybe use freehand to fill in the colour of them! Use a grid to draw a tree but freehand the leaves and bench below it! 

Remember that your art is your art, and no one can tell you how to draw things! 

~

I think I’ll leave this here for now! But I may do a part two at some point in the future! & my ask box is always open for anyone who wants any specific advice!

I really hope you found this at least moderately helpful, and a massive thank you to everyone for the constant support of these posts and my art!

[iatethepomegranate]

Just a post-Aeor fic where Caleb buys a house with Beau and Yasha in Rexxentrum, becomes a professor, and learns how to be a person and protect people from what he has endured.

Content warnings: Caleb's backstory (a lot of it)

Chapter summary: Caleb's mind was in overdrive. There were so many calls to make, so many spells to prepare, so many things that could go wrong at every stage of this delicate operation, so many plans and backup plans and backup plans for backup plans. He could not let the past repeat itself.

Chapter notes: Say hello to a major plot arc. Also, I did my best to figure out a vague layout of the relevant parts of Rexxentrum but I am bad with directions, so *finger guns*

Chapter title from Eight by Sleeping At Last.

****

Chapter 6: I’m just a kid who grew up scared enough to hold the door shut and bury my innocence

Caleb’s scars itched as he headed home from the Academy, mind buzzing uncomfortably. His hands were somehow steady as he messaged Beauregard.

“Beauregard. I had an unsettling conversation with Astrid and Wulf. Two Volstrucker students are missing. Felix and Nicolaus. Evocation wizards. May have self-orphan orders.” He realised belatedly that he had forgotten to ask Astrid for a description. Also, he hoped Beauregard never told anyone he had used the term self-orphan. He’d made himself a little queasy in his haste to keep to the word limit.

“I’ll make sure the Soul keeps an eye out. And I’ll get a description from Astrid in the morning. Get over here. Dinner’s ready.”

Beau and Yasha kept the conversation flowing over dinner, absolving Caleb of that social responsibility. He felt useless, sitting here while there were two boys out there somewhere, who were possibly in the process of deciding whether or not to kill their parents based on an implanted memory of treason. If they weren’t found in time, Caleb wasn’t sure he could ever forgive himself.

The two women hugged him goodnight after dinner, and he shook so hard he feared he would collapse. Yasha held onto him a little longer than she had probably planned, while Beauregard stepped back to take a look at him.

“Caleb.” She had that tone, the one what told him he looked like shit but she was trying not to freak him out. “Maybe you should take a spare room on this side tonight.”

“I’m all right, Beauregard.” He knew he sounded ridiculous. “Hear me out. Please.” Beauregard tilted her head in a silent challenge. “I need to think. I need to process this. I need to come up with plans for every possible outcome. And I may need to make some calls.”

“Do you want to talk it out?”

“I would like to be alone. Just for tonight. We will talk tomorrow.”

Beauregard looked for a moment like she was going to argue, and then she quite intentionally relaxed her shoulders. “Okay. You’ll tell us if you need anything, right?”

“Ja, of course.”

Yasha gave him one last squeeze. “We mean it. Anything.”

“I know. Danke.”

Caleb escaped to his bedroom. He forced himself to slow down a bit, take deep breaths, and get dressed for bed. He settled under the covers, slowly circling his palm over the quilt and feeling the different animal patterns. He’d already committed them to memory. But, on a night like this, it helped to know that what he thought was reality before was still reality now.

What a fucking mess. Before he could get too deep into his head, he messaged Caduceus.

“Hallo, Caduceus. Two of Trent’s students are missing. We suspect memories may have been modified. If we locate them, are you available to help us?”

There was a short pause; Caduceus was probably weighing his response, aware that he would not be able to track the wordcount once he began to speak. “Of course. Let me know when I’m needed. If you could spare a teleport, that would be great.”

Caleb cast the spell again. “I will give you a head’s up when I need you and then grab you from the Grove. Danke. Today has been… a lot.”

“Get some rest, Caleb. I left some sleepy tea in your kitchen if you need it. I’ll be here when you need me.”

That was one problem handled. Caleb burned through another Sending.

“Astrid, Caduceus is on call to correct any memory modification. Beauregard will be in touch with you tomorrow to get their descriptions.”

“Danke. I will ensure the Cobalt Soul is adequately informed. Now go to bed.”

Caleb let him feel her unspoken concern for him, just for a moment. Maybe one day they could be friends again. He curled up beneath the covers and closed his eyes. He would have to ensure he packed Counterspell and Sending every day. Perhaps Hold Person would also be useful. Control Flames would also not go amiss, just in case. And Expeditious Retreat or Fly would be useful in case time was of the essence at any point. Suggestion could be useful if they had the chance to talk. Running through spells he should prepare made him feel a bit better about how little control he had over this.

He was still losing his mind a little bit.

“Caleb,” came Essek’s voice, pumping air into Caleb's lungs. “Apologies. I meant to message earlier. I’m safe. Saved a child’s pet cat from a tree. He hugged me. Strange. How was your day?”

“Intense.” Caleb wasn’t sure how much to say, and he would definitely have to burn more spells to go into any detail. “Astrid promised to find a venue for the ex-Volstrucker support group. Two boys are unaccounted for. We are concerned. They are… almost graduates.”

Before Caleb could decide whether to say more, Essek Sent again. “Are you all right? Can I help with anything?”

“Not right now. We will… see how this pans out. They’re from Blumenthal, and I didn’t hear anything when I was there. May have time.” Caleb burnt another of his own spells before Essek did. “I have Caduceus on standby and Beauregard will talk to the Soul tomorrow. We may have a chance. I hope.”

“I will come in a heartbeat if you need me. Keep me updated. Get some rest if you can. Goodnight. You are in my thoughts.”

It helped, just a bit. Caleb still tossed and turned for a while, unable to turn his brain off. But things were… maybe they were manageable. He had half a mind to take himself to Blumenthal tomorrow, find out where the boys’ parents lived and get them somewhere safe. Or maybe he could… no, they would not handle a stranger showing up at their door in the dead of the night very well.

****

Astrid came to the house the following morning, with sketches for Beauregard to distribute to the Cobalt Soul. It was odd to sit on the couch with her. Like friends would.

“Eadwulf is in the city with the Volstrucker we could mobilise,” she said. “If either of them come to Rexxentrum, between us and the monks, we will find them. I spoke to my guard contact; the families are okay.”

“Have we considered evacuating them?” asked Caleb. The thought had kept him up for a long time last night. Maybe it was the best option.

There was a flicker of discomfort across Astrid’s face for the barest of seconds. “I don’t trust the Crownsguard to handle a delicate mission like that. It would be up to us. Or perhaps the Soul, but I’m already stretching our relationship with them.”

“Yudala Fon knows the stakes,” said Caleb. “If you are not comfortable visiting Blumenthal yourself…”

“Are you?”

“I have been once. I can bear it again to save half a dozen lives.”

They both knew it wasn’t just the parents whose lives were in danger. If Felix and Nicolaus followed through on this and were not stopped…

Well, Caleb had lost eleven years, and then another six running and running and running. Astrid and Wulf had lost their freedom as well. And Caleb could not even begin to comprehend the special kind of pain it would bring these boys if they murdered their parents only to discover Trent had been in prison for weeks, his crimes exposed, his orders no longer in effect. Caleb wasn’t sure he could have survived that.

Astrid must have understood what Caleb was feeling, because she spoke gently. “It is an option. We could also leave them in place under guard to draw the boys out.”

“I would rather not.” Caleb could already conjure a dozen scenarios in which that could go horribly wrong. “Astrid, we cannot fuck this up. You and I both know these boys could overpower a Crownsguard, or sneak past a security detail. No risks. We have to move the families.”

Astrid opened her mouth to respond, and then paused, eyes drifting upwards in concentration. “Thanks, Wulf. Do not engage. Herd him towards us if you can. We will be there shortly.” She focused back on Caleb. “Felix is in the city. Eadwulf is trailing him. They are approaching from the south.” She hopped to her feet, and helped Caleb up. “Shall we?”

As they raced out the door, Caleb messaged Beauregard. “Felix has been spotted. Approaching The Tangles from the south. Wulf is trailing. We are headed to intercept. Could use a hand.”

“I’m in the Court of Colours, southwest of your position. I’ll link up with Eadwulf. Will get the monks to surround. We got this.”

“Beauregard is southwest of us,” Caleb told Astrid. “She’ll try to find Wulf and have the monks form a perimeter.”

“We only have one shot with Felix,” Astrid muttered. “This could make or break everything. No fuckups?”

“No fuckups.”

They ran.

As they drew closer to the suspected middle point, Caleb shot a quick message to Wulf. “We are close to the midpoint. Turning invisible now.” He grabbed Astrid’s hand, hiding them both from view.

Wulf’s response was a whisper. “Slowing down. I think he knows I’m here, but hasn’t done anything yet.”

Caleb was grateful most seventeen-year-old wizards had not yet figured out teleportation. He and Astrid also slowed, still hand-in-hand.

“We try to talk to him before we do anything aggressive,” Astrid whispered. “Get us close.”

“Worst case scenario, Beauregard stuns him and Wulf carries him somewhere we can have a secure conversation. I can try casting Suggestion if necessary, before we do anything to freak him out.”

They turned a corner and Caleb spotted the boy in a crowd of people carrying baskets and cloths and the like, probably headed to market. Felix was slim and blonde, and looked like he hadn’t slept in a few days. His shoulders were tight. The pair stayed ahead of him. Caleb spotted the instant Felix started getting a little too nervous, his eyes darting backwards for the barest of moments, towards Eadwulf, buried even as he was in the crowd.

Caleb tugged Astrid’s hand towards an alley before letting go and stepping into it, hoping he had read this right. Felix also turned into the alley, putting his back to the wall of a nearby inn, raising a hand to prepare a spell. Caleb recognised the somatic components of Scorching Ray. He prepared to counter it.

As soon as Wulf emerged, Felix tried to release the spell, and Caleb counterspelled, losing his invisibility.

Felix shook out his hands, still focused on Wulf. “Why are you following me, Eadwulf?”

Wulf raised an eyebrow. “Did you consider asking that before trying to set me on fire?”

Felix’s eyes narrowed, and Caleb wondered if Trent had tried to drive a wedge between the Volstruck, and Astrid and Wulf.

Astrid dropped her invisibility, appearing next to Wulf. “Felix, what’s the matter? Are you well?”

Her emergence did not calm Felix in the slightest. “Am I--” He scoffed. “Are you kidding?”

“We have been looking for you for weeks,” she said. “What’s wrong?”

“Nothing. I have a mission to complete.”

Caleb considered recasting his invisibility, but the spell required verbal and somatic components. He just had to hold still and hope Astrid and Wulf commanded Felix’s attention until Caleb figured out what to do.

“Felix, you have been gone from the city for a long time,” said Astrid, and Caleb slowly reached for his component pouch. “Things have changed. Your mission, whatever it is, may no longer be viable.”

“We need to take you back to the Candles,” said Wulf.

Caleb felt his snake’s tongue and a piece of honeycomb, and began to slowly extract them from his pouch.

Felix didn’t move. “Why?”

Astrid glanced at Wulf, before evidently deciding on a course of action. “Trent has been arrested. We are trying to gather the Volstrucker so we can explain the charges against him.”

“That makes no sense.”

“Felix, what did he ask you to do?”

“It’s confidential.”

Caleb had the materials in his hand, so he rubbed the honeycomb against his lip, and spoke. “Felix, we are here to help you, but we need you to help us. Could we please have an honest conversation with each other?”

There was a moment where Caleb feared Felix would resist the Suggestion spell, and that Beauregard would have to swoop in and stun him. Felix turned to him, head cocked.

“Okay,” he said slowly. “You are Bren, right? Trent talks about you a lot.” He glanced at Astrid and Wulf. “He seemed worried the three of you were scheming behind his back.”

“Let’s head to his old office, ja? We have a lot to talk about. We will answer your questions, if you answer ours.”

“All right. Lead on.”

Caleb could not fucking believe that had worked. Judging from Astrid and Eadwulf’s brief but clearly shocked glances in his direction, they couldn’t believe it either.

****

Caleb couldn’t risk sending a message to Beauregard explaining what had happened, but she seemed to get the sense she shouldn’t reveal herself. Caleb led Felix through the city to the Academy, and up to Astrid’s office. They sat him in front of the fireplace.

Caleb crouched in front of him while Astrid stood by the fire, and Wulf leaned by the door. “Thank you for cooperating, Felix. Give me one moment. I need to message a friend who is going to help us.” He cast Sending. “Caduceus. We will need you in a moment.”

“I’m ready when you are.”

“I’ll go,” said Eadwulf. “Be right back.” With a muttered incantation, he had vanished.

“Where is he going?” asked Felix.

“To fetch a cleric friend of mine,” Caleb replied. “You look tired. Are you well?”

“Had a lot on my mind, I guess. Sleeping has been difficult.”

“I know the feeling.” Caleb looked to Astrid. “We should explain the situation, ja?”

“Why was Trent arrested?” asked Felix.

“A number of Volstrucker spoke with the Cobalt Soul about his training methods,” Astrid replied. “They documented it and took him to court. He’s in prison for life.”

Felix frowned. “I’m confused.”

Caleb should have expected Felix probably wouldn’t understand Trent’s behaviour as abuse; Caleb hadn’t either. “Felix, I would like you to listen to me.” He rolled up his sleeves so Felix could see the scars, which he was certain Felix shared. “A good teacher does not force his students to endure what we have.”

“We will face worse every day in our work,” Felix replied. “The pain… it makes us stronger.”

“And the residuum experiments? With no pain mitigation? I know people who have passed out in the process. Has that happened to you?”

“Once or twice,” Felix muttered, evidently still under the effects of the spell. “Puked more often.”

“Me too,” said Caleb, resisting the urge to scratch his itching scars. “It made me very ill most of the time. Astrid and Eadwulf had to force me to eat.”

“Why are you telling me this? Why are you asking me these questions?”

Astrid was gazing into the flames. “Felix, how old were you when Trent first hurt you?”

“Sixteen.”

Astrid managed to look at Caleb, just for a moment. “The same for him.” Astrid was a year older so it made sense to invoke Caleb instead, and maybe it was easier for her to project these things onto him.

Wulf popped back into the office, with the very welcome form of Caduceus beside him. Felix jumped, but Caleb had told him what was happening, and that seemed to be enough to stop him from bolting.

“Hallo, Caduceus,” said Caleb. “Can you give us just one more moment?” He turned back to Felix. “I’m going to have my friend Caduceus take a look at you and make sure you are well, but I would like to ask you a question first.”

“Fine.”

“What has Trent ordered you to do?”

Felix dropped his gaze to his lap. “My mother and father are plotting to betray the Empire. I have been asked to stop them.”

“That must have been weeks ago,” said Caleb. “What’s the matter?”

Felix scowled, and tried several times to supply an answer, as he was required to be honest while under the effects of Caleb’s specifically-worded spell. “I don’t know. They are not the people I thought they were. They are traitors. But. It’s not… I don’t know what to do. I’ve been waiting for Trent to give me more information, but I haven’t heard anything. I guess I was trying to figure out if there was a way I could convince them to…” He shook his head. “No. There is no mercy for traitors to the Empire.”

“I am sorry to hear that,” said Caleb. “It must be very difficult. May Caduceus take a look at you? You have clearly been under a great deal of stress.”

Felix had probably never seen a firbolg before, and he eyed Caduceus with trepidation. “What is he going to do?”

“It’s all right,” said Astrid. “He is a healer. The three of us have spent time in his family’s garden.”

“I… suppose…”

Caduceus approached slowly. “This will be quick, I promise. Just a healing spell to make you feel a bit better.” He already had the diamond dust for Greater Restoration in his palm. He touched Felix’s shoulder. It took a second for the spell to sink in, during which Caleb couldn’t breathe.

Then Felix slid to the floor, head in his hands. Astrid knelt beside him, whispering too quietly for Caleb to hear.

“One down,” Caduceus said softly, smiling at Caleb. “One to go.”

Caleb couldn’t speak. He watched Felix curl up on the floor, muttering to Astrid. She looked up at him, beckoned him over. Caleb knelt by her side.

“I don’t understand,” Felix said. “Why? Why? I don’t…” He shoved his fist against his mouth and screamed into it, eyes squeezed shut. “Why would he do this?”

There were a lot of things Caleb could say; he was not convinced any of them were right. But he had to say something. “He’s done this to all of us. Every Volstrucker went through this to graduate.”

“He does it for a few reasons,” Astrid said, quiet but somewhat detached. “It eliminates any family connections, leaving us reliant on Trent. And then, we’ve done the worst thing we thought we could do. Anything Trent has us do after that means very little. And those who break…” She looked at Caleb. “They are held up as an example of failure that we are measured against. We all know Bren’s name for a reason. First, as an example of failure, of weakness. Later, an example of endurance, of admirable but problematic stubbornness. A cautionary tale nonetheless.”

Felix looked to Caleb as well. “What the fuck am I supposed to do with this information?”

Caleb wanted to comfort him, but didn’t know what Felix would tolerate, and there was a pressing matter. “First things first, we need to find Nicolaus.”

Felix drew his knees up to his chest and hid his face against them. “I don’t know where he is. We argued and then we went our separate ways.”

“What did you argue about?”

“I wanted to come here and find Trent. Ask about the order. See if there was anything we could… I don’t know.”

“And what did he want?”

“Nico doesn’t know what he wants. He was always more scared of Trent than I am.”

“Okay, we have ways to track him down. Caduceus, can you scry today?”

“I can,” Caduceus said slowly. “Might I also recommend, if Mr Felix knows the spell, that he should try Sending to him.”

“I don’t know that spell,” Felix said thickly. Caleb would just make out the side of his face, to see it was screwed up as if in pain.

“I can teach you,” said Caleb, “but I suspect it will take more time than we have right now.” Sending was an Evocation spell, so it would probably only take Felix three hours instead of six to copy it into his spellbook and practice it until he could do it, but that was still too long.

Caduceus sat cross-legged on the floor. “Do you have anything of his? Or a likeness?”

Wulf handed him a sketch. “Does this help?”

“Yes. Thank you.” Caduceus closed his eyes and began the ritual.

“I can try messaging Nico,” Astrid said, gripping her copper wire. “Nicolaus. It’s Astrid. I must meet with you in Trent’s office. It’s an urgent matter.” She waited, scowled. “Nothing.”

Caleb refused to panic, no matter how bad that sounded. “Okay. Good to know.”

Felix lifted his head. “What if we’re too late?”

“We don’t know that yet,” said Caleb. “Whatever happens, we will deal with it.”

Felix frowned at the floor. “What happens to me now?”

“We can take you home to your parents once we’ve got an idea of Nico’s situation,” said Caleb. “Unless you need more time.”

“Just a bit. I think. But I’d like to see them. Not today.”

“There is plenty of dormitory space for however long you need,” said Astrid. “Bren will visit you regularly once you are with your parents, to check in.” Felix nodded. That had not been discussed, but it was something that Caleb would want to do, so he let it slide.

The ten minutes it took for Caduceus to complete the spell were some of the longest of Caleb’s life. But then Caduceus’s eyes went white, and it seemed to be working.

Caduceus began to narrate what I saw. “I see your boy. He’s in a field. The clouds are pretty dark. It’s hard to see much. I think I see some buildings ahead of him. I’ll follow him for a bit.”

There was a sick feeling in the pit of Caleb’s stomach. “We should be ready, just in case.”

Astrid’s fingers weaved around the wire. “Expositor, are you close by? We may need your assistance. Come to my office on the--ugh, just ask for directions.” She listened. “Expositor Lionett is outside the Academy. She will be here soon.”

Caduceus spoke again. “He is approaching the village. Not many people in the streets. Probably the incoming storm. He looks like he has a goal.”

“What can you see of the buildings?” asked Caleb. “Any signs?”

“The signs are Zemnian,” said Caduceus. “The buildings look like farmhouses, mostly. I think I saw an orchard.”

“Blumenthal is a farming town,” Caleb muttered. “Fuck.”

Beauregard burst through the door, gasping for breath. “I’m here!” She doubled over, hands on her knees, as she sucked in air.

“Get ready to move,” said Wulf, stony-faced. “It looks bad.”

“Shit.” She gulped in another breath. “Okay.”

Caleb felt a little better now that she was here, but he was wound too tight to process it. “Caduceus. Is there anything else?”

“He’s picking up speed. Turned a corner. Looking at a house in the distance, I think.”

Caleb did not let himself feel anything. He turned to Felix. “Felix, do you know where Nico’s parents live?”

“On the northeastern edge of town.” Felix’s voice was as tense as Caleb. “Look for the cabbages.”

“Danke.” He squeezed Felix’s shoulder and pushed himself to his feet. “We need to go.”

Caduceus was still in the vision. “Go on ahead. I’ll stay here with Felix. If I see anything I think is useful, I will Send. But it will break the scry.”

Caleb gathered Astrid, Wulf and Beauregard around him and cast teleport, aiming for the northeastern end of Blumenthal. He knew it well, once.

Caleb’s scars itched as he headed home from the Academy, mind buzzing uncomfortably. His hands were somehow steady as he messaged Beauregard.

“Beauregard. I had an unsettling conversation with Astrid and Wulf. Two Volstrucker students are missing. Felix and Nicolaus. Evocation wizards. May have self-orphan orders.” He realised belatedly that he had forgotten to ask Astrid for a description. Also, he hoped Beauregard never told anyone he had used the term self-orphan. He’d made himself a little queasy in his haste to keep to the word limit.

“I’ll make sure the Soul keeps an eye out. And I’ll get a description from Astrid in the morning. Get over here. Dinner’s ready.”

Beau and Yasha kept the conversation flowing over dinner, absolving Caleb of that social responsibility. He felt useless, sitting here while there were two boys out there somewhere, who were possibly in the process of deciding whether or not to kill their parents based on an implanted memory of treason. If they weren’t found in time, Caleb wasn’t sure he could ever forgive himself.

The two women hugged him goodnight after dinner, and he shook so hard he feared he would collapse. Yasha held onto him a little longer than she had probably planned, while Beauregard stepped back to take a look at him.

“Caleb.” She had that tone, the one what told him he looked like shit but she was trying not to freak him out. “Maybe you should take a spare room on this side tonight.”

“I’m all right, Beauregard.” He knew he sounded ridiculous. “Hear me out. Please.” Beauregard tilted her head in a silent challenge. “I need to think. I need to process this. I need to come up with plans for every possible outcome. And I may need to make some calls.”

“Do you want to talk it out?”

“I would like to be alone. Just for tonight. We will talk tomorrow.”

Beauregard looked for a moment like she was going to argue, and then she quite intentionally relaxed her shoulders. “Okay. You’ll tell us if you need anything, right?”

“Ja, of course.”

Yasha gave him one last squeeze. “We mean it. Anything.”

“I know. Danke.”

Caleb escaped to his bedroom. He forced himself to slow down a bit, take deep breaths, and get dressed for bed. He settled under the covers, slowly circling his palm over the quilt and feeling the different animal patterns. He’d already committed them to memory. But, on a night like this, it helped to know that what he thought was reality before was still reality now.

What a fucking mess. Before he could get too deep into his head, he messaged Caduceus.

“Hallo, Caduceus. Two of Trent’s students are missing. We suspect memories may have been modified. If we locate them, are you available to help us?”

There was a short pause; Caduceus was probably weighing his response, aware that he would not be able to track the wordcount once he began to speak. “Of course. Let me know when I’m needed. If you could spare a teleport, that would be great.”

Caleb cast the spell again. “I will give you a head’s up when I need you and then grab you from the Grove. Danke. Today has been… a lot.”

“Get some rest, Caleb. I left some sleepy tea in your kitchen if you need it. I’ll be here when you need me.”

That was one problem handled. Caleb burned through another Sending.

“Astrid, Caduceus is on call to correct any memory modification. Beauregard will be in touch with you tomorrow to get their descriptions.”

“Danke. I will ensure the Cobalt Soul is adequately informed. Now go to bed.”

Caleb let him feel her unspoken concern for him, just for a moment. Maybe one day they could be friends again. He curled up beneath the covers and closed his eyes. He would have to ensure he packed Counterspell and Sending every day. Perhaps Hold Person would also be useful. Control Flames would also not go amiss, just in case. And Expeditious Retreat or Fly would be useful in case time was of the essence at any point. Suggestion could be useful if they had the chance to talk. Running through spells he should prepare made him feel a bit better about how little control he had over this.

He was still losing his mind a little bit.

“Caleb,” came Essek’s voice, pumping air into Caleb's lungs. “Apologies. I meant to message earlier. I’m safe. Saved a child’s pet cat from a tree. He hugged me. Strange. How was your day?”

“Intense.” Caleb wasn’t sure how much to say, and he would definitely have to burn more spells to go into any detail. “Astrid promised to find a venue for the ex-Volstrucker support group. Two boys are unaccounted for. We are concerned. They are… almost graduates.”

Before Caleb could decide whether to say more, Essek Sent again. “Are you all right? Can I help with anything?”

“Not right now. We will… see how this pans out. They’re from Blumenthal, and I didn’t hear anything when I was there. May have time.” Caleb burnt another of his own spells before Essek did. “I have Caduceus on standby and Beauregard will talk to the Soul tomorrow. We may have a chance. I hope.”

“I will come in a heartbeat if you need me. Keep me updated. Get some rest if you can. Goodnight. You are in my thoughts.”

It helped, just a bit. Caleb still tossed and turned for a while, unable to turn his brain off. But things were… maybe they were manageable. He had half a mind to take himself to Blumenthal tomorrow, find out where the boys’ parents lived and get them somewhere safe. Or maybe he could… no, they would not handle a stranger showing up at their door in the dead of the night very well.

****

Astrid came to the house the following morning, with sketches for Beauregard to distribute to the Cobalt Soul. It was odd to sit on the couch with her. Like friends would.

“Eadwulf is in the city with the Volstrucker we could mobilise,” she said. “If either of them come to Rexxentrum, between us and the monks, we will find them. I spoke to my guard contact; the families are okay.”

“Have we considered evacuating them?” asked Caleb. The thought had kept him up for a long time last night. Maybe it was the best option.

There was a flicker of discomfort across Astrid’s face for the barest of seconds. “I don’t trust the Crownsguard to handle a delicate mission like that. It would be up to us. Or perhaps the Soul, but I’m already stretching our relationship with them.”

“Yudala Fon knows the stakes,” said Caleb. “If you are not comfortable visiting Blumenthal yourself…”

“Are you?”

“I have been once. I can bear it again to save half a dozen lives.”

They both knew it wasn’t just the parents whose lives were in danger. If Felix and Nicolaus followed through on this and were not stopped…

Well, Caleb had lost eleven years, and then another six running and running and running. Astrid and Wulf had lost their freedom as well. And Caleb could not even begin to comprehend the special kind of pain it would bring these boys if they murdered their parents only to discover Trent had been in prison for weeks, his crimes exposed, his orders no longer in effect. Caleb wasn’t sure he could have survived that.

Astrid must have understood what Caleb was feeling, because she spoke gently. “It is an option. We could also leave them in place under guard to draw the boys out.”

“I would rather not.” Caleb could already conjure a dozen scenarios in which that could go horribly wrong. “Astrid, we cannot fuck this up. You and I both know these boys could overpower a Crownsguard, or sneak past a security detail. No risks. We have to move the families.”

Astrid opened her mouth to respond, and then paused, eyes drifting upwards in concentration. “Thanks, Wulf. Do not engage. Herd him towards us if you can. We will be there shortly.” She focused back on Caleb. “Felix is in the city. Eadwulf is trailing him. They are approaching from the south.” She hopped to her feet, and helped Caleb up. “Shall we?”

As they raced out the door, Caleb messaged Beauregard. “Felix has been spotted. Approaching The Tangles from the south. Wulf is trailing. We are headed to intercept. Could use a hand.”

“I’m in the Court of Colours, southwest of your position. I’ll link up with Eadwulf. Will get the monks to surround. We got this.”

“Beauregard is southwest of us,” Caleb told Astrid. “She’ll try to find Wulf and have the monks form a perimeter.”

“We only have one shot with Felix,” Astrid muttered. “This could make or break everything. No fuckups?”

“No fuckups.”

They ran.

As they drew closer to the suspected middle point, Caleb shot a quick message to Wulf. “We are close to the midpoint. Turning invisible now.” He grabbed Astrid’s hand, hiding them both from view.

Wulf’s response was a whisper. “Slowing down. I think he knows I’m here, but hasn’t done anything yet.”

Caleb was grateful most seventeen-year-old wizards had not yet figured out teleportation. He and Astrid also slowed, still hand-in-hand.

“We try to talk to him before we do anything aggressive,” Astrid whispered. “Get us close.”

“Worst case scenario, Beauregard stuns him and Wulf carries him somewhere we can have a secure conversation. I can try casting Suggestion if necessary, before we do anything to freak him out.”

They turned a corner and Caleb spotted the boy in a crowd of people carrying baskets and cloths and the like, probably headed to market. Felix was slim and blonde, and looked like he hadn’t slept in a few days. His shoulders were tight. The pair stayed ahead of him. Caleb spotted the instant Felix started getting a little too nervous, his eyes darting backwards for the barest of moments, towards Eadwulf, buried even as he was in the crowd.

Caleb tugged Astrid’s hand towards an alley before letting go and stepping into it, hoping he had read this right. Felix also turned into the alley, putting his back to the wall of a nearby inn, raising a hand to prepare a spell. Caleb recognised the somatic components of Scorching Ray. He prepared to counter it.

As soon as Wulf emerged, Felix tried to release the spell, and Caleb counterspelled, losing his invisibility.

Felix shook out his hands, still focused on Wulf. “Why are you following me, Eadwulf?”

Wulf raised an eyebrow. “Did you consider asking that before trying to set me on fire?”

Felix’s eyes narrowed, and Caleb wondered if Trent had tried to drive a wedge between the Volstruck, and Astrid and Wulf.

Astrid dropped her invisibility, appearing next to Wulf. “Felix, what’s the matter? Are you well?”

Her emergence did not calm Felix in the slightest. “Am I--” He scoffed. “Are you kidding?”

“We have been looking for you for weeks,” she said. “What’s wrong?”

“Nothing. I have a mission to complete.”

Caleb considered recasting his invisibility, but the spell required verbal and somatic components. He just had to hold still and hope Astrid and Wulf commanded Felix’s attention until Caleb figured out what to do.

“Felix, you have been gone from the city for a long time,” said Astrid, and Caleb slowly reached for his component pouch. “Things have changed. Your mission, whatever it is, may no longer be viable.”

“We need to take you back to the Candles,” said Wulf.

Caleb felt his snake’s tongue and a piece of honeycomb, and began to slowly extract them from his pouch.

Felix didn’t move. “Why?”

Astrid glanced at Wulf, before evidently deciding on a course of action. “Trent has been arrested. We are trying to gather the Volstrucker so we can explain the charges against him.”

“That makes no sense.”

“Felix, what did he ask you to do?”

“It’s confidential.”

Caleb had the materials in his hand, so he rubbed the honeycomb against his lip, and spoke. “Felix, we are here to help you, but we need you to help us. Could we please have an honest conversation with each other?”

There was a moment where Caleb feared Felix would resist the Suggestion spell, and that Beauregard would have to swoop in and stun him. Felix turned to him, head cocked.

“Okay,” he said slowly. “You are Bren, right? Trent talks about you a lot.” He glanced at Astrid and Wulf. “He seemed worried the three of you were scheming behind his back.”

“Let’s head to his old office, ja? We have a lot to talk about. We will answer your questions, if you answer ours.”

“All right. Lead on.”

Caleb could not fucking believe that had worked. Judging from Astrid and Eadwulf’s brief but clearly shocked glances in his direction, they couldn’t believe it either.

****

Caleb couldn’t risk sending a message to Beauregard explaining what had happened, but she seemed to get the sense she shouldn’t reveal herself. Caleb led Felix through the city to the Academy, and up to Astrid’s office. They sat him in front of the fireplace.

Caleb crouched in front of him while Astrid stood by the fire, and Wulf leaned by the door. “Thank you for cooperating, Felix. Give me one moment. I need to message a friend who is going to help us.” He cast Sending. “Caduceus. We will need you in a moment.”

“I’m ready when you are.”

“I’ll go,” said Eadwulf. “Be right back.” With a muttered incantation, he had vanished.

“Where is he going?” asked Felix.

“To fetch a cleric friend of mine,” Caleb replied. “You look tired. Are you well?”

“Had a lot on my mind, I guess. Sleeping has been difficult.”

“I know the feeling.” Caleb looked to Astrid. “We should explain the situation, ja?”

“Why was Trent arrested?” asked Felix.

“A number of Volstrucker spoke with the Cobalt Soul about his training methods,” Astrid replied. “They documented it and took him to court. He’s in prison for life.”

Felix frowned. “I’m confused.”

Caleb should have expected Felix probably wouldn’t understand Trent’s behaviour as abuse; Caleb hadn’t either. “Felix, I would like you to listen to me.” He rolled up his sleeves so Felix could see the scars, which he was certain Felix shared. “A good teacher does not force his students to endure what we have.”

“We will face worse every day in our work,” Felix replied. “The pain… it makes us stronger.”

“And the residuum experiments? With no pain mitigation? I know people who have passed out in the process. Has that happened to you?”

“Once or twice,” Felix muttered, evidently still under the effects of the spell. “Puked more often.”

“Me too,” said Caleb, resisting the urge to scratch his itching scars. “It made me very ill most of the time. Astrid and Eadwulf had to force me to eat.”

“Why are you telling me this? Why are you asking me these questions?”

Astrid was gazing into the flames. “Felix, how old were you when Trent first hurt you?”

“Sixteen.”

Astrid managed to look at Caleb, just for a moment. “The same for him.” Astrid was a year older so it made sense to invoke Caleb instead, and maybe it was easier for her to project these things onto him.

Wulf popped back into the office, with the very welcome form of Caduceus beside him. Felix jumped, but Caleb had told him what was happening, and that seemed to be enough to stop him from bolting.

“Hallo, Caduceus,” said Caleb. “Can you give us just one more moment?” He turned back to Felix. “I’m going to have my friend Caduceus take a look at you and make sure you are well, but I would like to ask you a question first.”

“Fine.”

“What has Trent ordered you to do?”

Felix dropped his gaze to his lap. “My mother and father are plotting to betray the Empire. I have been asked to stop them.”

“That must have been weeks ago,” said Caleb. “What’s the matter?”

Felix scowled, and tried several times to supply an answer, as he was required to be honest while under the effects of Caleb’s specifically-worded spell. “I don’t know. They are not the people I thought they were. They are traitors. But. It’s not… I don’t know what to do. I’ve been waiting for Trent to give me more information, but I haven’t heard anything. I guess I was trying to figure out if there was a way I could convince them to…” He shook his head. “No. There is no mercy for traitors to the Empire.”

“I am sorry to hear that,” said Caleb. “It must be very difficult. May Caduceus take a look at you? You have clearly been under a great deal of stress.”

Felix had probably never seen a firbolg before, and he eyed Caduceus with trepidation. “What is he going to do?”

“It’s all right,” said Astrid. “He is a healer. The three of us have spent time in his family’s garden.”

“I… suppose…”

Caduceus approached slowly. “This will be quick, I promise. Just a healing spell to make you feel a bit better.” He already had the diamond dust for Greater Restoration in his palm. He touched Felix’s shoulder. It took a second for the spell to sink in, during which Caleb couldn’t breathe.

Then Felix slid to the floor, head in his hands. Astrid knelt beside him, whispering too quietly for Caleb to hear.

“One down,” Caduceus said softly, smiling at Caleb. “One to go.”

Caleb couldn’t speak. He watched Felix curl up on the floor, muttering to Astrid. She looked up at him, beckoned him over. Caleb knelt by her side.

“I don’t understand,” Felix said. “Why? Why? I don’t…” He shoved his fist against his mouth and screamed into it, eyes squeezed shut. “Why would he do this?”

There were a lot of things Caleb could say; he was not convinced any of them were right. But he had to say something. “He’s done this to all of us. Every Volstrucker went through this to graduate.”

“He does it for a few reasons,” Astrid said, quiet but somewhat detached. “It eliminates any family connections, leaving us reliant on Trent. And then, we’ve done the worst thing we thought we could do. Anything Trent has us do after that means very little. And those who break…” She looked at Caleb. “They are held up as an example of failure that we are measured against. We all know Bren’s name for a reason. First, as an example of failure, of weakness. Later, an example of endurance, of admirable but problematic stubbornness. A cautionary tale nonetheless.”

Felix looked to Caleb as well. “What the fuck am I supposed to do with this information?”

Caleb wanted to comfort him, but didn’t know what Felix would tolerate, and there was a pressing matter. “First things first, we need to find Nicolaus.”

Felix drew his knees up to his chest and hid his face against them. “I don’t know where he is. We argued and then we went our separate ways.”

“What did you argue about?”

“I wanted to come here and find Trent. Ask about the order. See if there was anything we could… I don’t know.”

“And what did he want?”

“Nico doesn’t know what he wants. He was always more scared of Trent than I am.”

“Okay, we have ways to track him down. Caduceus, can you scry today?”

“I can,” Caduceus said slowly. “Might I also recommend, if Mr Felix knows the spell, that he should try Sending to him.”

“I don’t know that spell,” Felix said thickly. Caleb would just make out the side of his face, to see it was screwed up as if in pain.

“I can teach you,” said Caleb, “but I suspect it will take more time than we have right now.” Sending was an Evocation spell, so it would probably only take Felix three hours instead of six to copy it into his spellbook and practice it until he could do it, but that was still too long.

Caduceus sat cross-legged on the floor. “Do you have anything of his? Or a likeness?”

Wulf handed him a sketch. “Does this help?”

“Yes. Thank you.” Caduceus closed his eyes and began the ritual.

“I can try messaging Nico,” Astrid said, gripping her copper wire. “Nicolaus. It’s Astrid. I must meet with you in Trent’s office. It’s an urgent matter.” She waited, scowled. “Nothing.”

Caleb refused to panic, no matter how bad that sounded. “Okay. Good to know.”

Felix lifted his head. “What if we’re too late?”

“We don’t know that yet,” said Caleb. “Whatever happens, we will deal with it.”

Felix frowned at the floor. “What happens to me now?”

“We can take you home to your parents once we’ve got an idea of Nico’s situation,” said Caleb. “Unless you need more time.”

“Just a bit. I think. But I’d like to see them. Not today.”

“There is plenty of dormitory space for however long you need,” said Astrid. “Bren will visit you regularly once you are with your parents, to check in.” Felix nodded. That had not been discussed, but it was something that Caleb would want to do, so he let it slide.

The ten minutes it took for Caduceus to complete the spell were some of the longest of Caleb’s life. But then Caduceus’s eyes went white, and it seemed to be working.

Caduceus began to narrate what I saw. “I see your boy. He’s in a field. The clouds are pretty dark. It’s hard to see much. I think I see some buildings ahead of him. I’ll follow him for a bit.”

There was a sick feeling in the pit of Caleb’s stomach. “We should be ready, just in case.”

Astrid’s fingers weaved around the wire. “Expositor, are you close by? We may need your assistance. Come to my office on the--ugh, just ask for directions.” She listened. “Expositor Lionett is outside the Academy. She will be here soon.”

Caduceus spoke again. “He is approaching the village. Not many people in the streets. Probably the incoming storm. He looks like he has a goal.”

“What can you see of the buildings?” asked Caleb. “Any signs?”

“The signs are Zemnian,” said Caduceus. “The buildings look like farmhouses, mostly. I think I saw an orchard.”

“Blumenthal is a farming town,” Caleb muttered. “Fuck.”

Beauregard burst through the door, gasping for breath. “I’m here!” She doubled over, hands on her knees, as she sucked in air.

“Get ready to move,” said Wulf, stony-faced. “It looks bad.”

“Shit.” She gulped in another breath. “Okay.”

Caleb felt a little better now that she was here, but he was wound too tight to process it. “Caduceus. Is there anything else?”

“He’s picking up speed. Turned a corner. Looking at a house in the distance, I think.”

Caleb did not let himself feel anything. He turned to Felix. “Felix, do you know where Nico’s parents live?”

“On the northeastern edge of town.” Felix’s voice was as tense as Caleb. “Look for the cabbages.”

“Danke.” He squeezed Felix’s shoulder and pushed himself to his feet. “We need to go.”

Caduceus was still in the vision. “Go on ahead. I’ll stay here with Felix. If I see anything I think is useful, I will Send. But it will break the scry.”

Caleb gathered Astrid, Wulf and Beauregard around him and cast teleport, aiming for the northeastern end of Blumenthal. He knew it well, once.

[dailyunsolvedmysteries]

The Gatwick Blackmailer

An attractive blonde stewardess in her mid-thirties arrived at Gatwick Airport police station in a state of clear distress, and placed on a desk the following letter that she had received whilst at work. The name of the recipient has been left out, but the letter is reproduced:

DEAR X

YOU DON’T KNOW ME BUT I KNOW YOU QUITE WELL. I’M UNEMPLOYED, BUT MAKE A LITTLE DELIVERING THINGS IN MY VAN. I’VE NOT HAD A GIRLFRIEND FOR FIVE YEARS. I HAVE DECIDED I’M HAVING YOU. YOU MUST DO THE FOLLOWING. GO TO A PROFESSIONAL PHOTOGRAPHIC STUDIO, DRESSED IN YOUR FULL UNIFORM, INCLUDING GLOVES, HANDBAG, STOCKINGS, SUSPENDERS AND HIGH HEELS – BROWN. I WANT 40 PICTURES IN GLOSS COLOUR, 10 BY 8, SO I CAN SEE YOUR TITS, WITH YOUR SKIRT ON BUT PULLED UP – NO KNICKERS, CLEAR VIEWS BETWEEN YOUR LEGS. SEE DIAGRAMS.

IF YOU DON’T COMPLY, NEXT YEAR AT SOME STAGE WHEN IT IS SAFE FOR ME, I WILL THROW CONCENTRATED SULPHURIC ACID IN YOUR FACE. I WILL NOT STAY AROUND TO WATCH YOUR FLESH MELT OFF. I WILL GET YOU, NO QUESTION. NO MORE CHANCES NO MORE WARNINGS. YOU CAN’T HIDE, AND IF THE PICTURES ARENT THERE BY DECEMBER 12, THAT’S IT. IF I CAN’T SEE YOU, NO ONE ELSE WOULD EVER WANT TO ONCE I’VE DONE MY JOB NEXT YEAR. DO YOURS AND YOU WONT NEED TO LOOK OVER YOUR SHOULDER ALL YEAR. BY THE WAY, YOU WILL PROBABLY BE BLINDED TOO, UNLESS YOU ARE LUCKY.

This horrifying message also contained with it disgusting and explicit hand drawn sketches of the poses that the author wanted the woman to adopt in the photographs, as well as detailed instruction about how to specifically package the pictures and where to leave them – the location being a ditch by a sign on a minor road near Gatwick Airport.

Detectives started an investigation, and although the letter was postmarked 20 miles away in Kingston Upon Thames, they theorised that the author was someone who was employed at the airport in some way. They discreetly began looking at the woman’s male colleagues for a possible suspect, and subjected the letter and envelope to forensic examination for fingerprints or traces of DNA. All fingerprints found on the letter and envelope were ran through fingerprint databases, but no match was found on file. There was no obvious suspect found either. Needless to say, the frightened woman did not comply with the writer’s demands, and the deadline of December 12 passed without incident. The same woman then received another letter on 12 February 1998, written in the same handwriting and in the format of capital letters, simply saying:

YOU HAVE NOTHING TO FEAR NOW, NOTHING WILL HAPPEN

Speculating that the author had gotten wind of the police investigation and had backed off, there was little more that detectives could do – except wait to see if the author wrote again. For nearly a year, there were no further developments.

Then, just after Christmas 1998, a second frightened woman came into Gatwick Airport police station with another disturbing and disgusting letter. It had again been posted in Kingston Upon Thames, and the recipient was again a blonde woman in her early 30’s, who worked on the ticket reservation staff at the airport. This time, the author of the letter had switched to referring to himself in the plural. Again, the name of the recipient has been removed here:

WE NEED YOUR UNIFORM FOR A FILM. IF YOU DON’T SUPPLY IT WE WILL TAKE IT. WE WILL FIND OUT A BIT ABOUT YOU, AND THEN WHEN THE TIME IS RIGHT AND YOU ARE OFF GUARD, WE WILL TAKE IT. EVEN IF YOU ARE WEARING IT. WE WILL ALSO TAKE ONE OF YOUR FINGERS FOR MAKING THINGS DIFFICULT FOR US. DON’T BE A CUNT, X, MAKE LIFE EASY FOR ALL OF US. YOU KNOW EVERYTHING CAN BE FORGOT

The letter also contained the same detailed drop off instructions and location as the previous letter. The recipient of the second letter also did not comply with these demands, and although the first inquiry was again looked at, there was no arrest and it did not advance the investigation further. There was no follow up letter this time, and things again went quiet.

Then in April 1999, the letter writer was back. The third recipient was a colleague of the first recipient, and was the now familiar pattern again of a blonde woman in her early 30’s. This time, the letter had been posted at Gatwick itself, and the writer had drawn up a list of “forfeits” for the recipient. He again wanted her uniform, and it was again to be left in the same spot as before. As with the previous letters, the demands were ignored, and a follow up letter a month later contained the threat that the writer would place an obscene picture of the recipient online. The recipient, like the first victim, had been photographed for the airline’s promotional literature, and the writer threatened to graft her picture onto an image of a woman masturbating with a wine bottle. It would then be placed on a website with a message for people to telephone her airline asking for the “cabin crew performance manager”, and to detail which obscene and degrading acts they wished for her to perform.

The fourth and what turned out to be the final recipient of “The Gatwick Blackmailer” also worked for the same airline that victims 1 and 3 worked for – but this time was brown haired and only 22 years of age. The letter had also been sent just a day after the follow up letter to the third victim, which alarmed police. This man was becoming bolder and was stepping up his attacks. He was also becoming more perverted. The letter to the 4th victim again talked of a forfeit system, but as what was becoming a common pattern with the author, used a slightly different approach from the previous letters:

I WAS ON YOUR FLIGHT ONCE AND I MANAGED TO FIND OUT WHO YOU WERE. I WAITED FOR DAYS OUTSIDE THE CAR PARKS TO GET A FEW PICTURES OF YOU. I THOUGHT YOU SAW ME – DID YOU? I THINK ABOUT YOU ALL THE TIME, AS I DON’T HAVE TOO LONG TO LIVE. I’VE SOLD MY HOUSE, GIVEN UP MY JOB AND DECIDED TO GO OUT, FULFILLING EVERY FANTASY I’VE HAD AND DOING WHATEVER I WANT. ALL IN ALL I’M YOUR WORST NIGHTMARE. BEFORE I DIE I WILL THROW ACID OVER YOU. IT’S SO STRONG NOBODY WILL EVER RECOGNIZE YOU AGAIN. HERE IS TASK ONE. WRITE ME A LETTER. DESCRIBE YOUR BREASTS AND HOW YOU MASTURBATE.

The letter also contained a threat that non-compliance would result in a picture of her being posted online with her face grafted onto that of a woman with a frog in her vagina. This would be accompanied by an invitation to call a number and to ask for private shows of the victim with a manner of objects inserted into her vagina and anus.

The 4th victim was so traumatised by this letter, that after reporting it, she quit her job and moved away from the area. Gatwick Police now had 4 victims of what was undoubtedly the same man, but the investigation was at a standstill. 

The offender was likely male, in the older age bracket, and was unlikely to be married with children – or even in a conventional relationship. He was likely a loner, computer literate and technologically minded, with an interest in machinery. There was a possibility that the offender may have some form of disfigurement – as acid and disfiguring featured strongly in his letters. He agreed with the police that the writer would work at the airport, as the lure of being around his particular fetish would be too difficult to resist. It may be a low-level job, but that did not mean the offender was unintelligent. He considered the offender to be heavily into “anal sadism”, who would gain thrills from the humiliation and degradation of the victim. He estimated that the offender would be heavily into pornography – particularly relating to air hostesses as this was his bent, likely having clothing or paraphernalia related to that of air hostesses at his home. There was also the likelihood that the offender had written many more such letters to other victims, which may have been dismissed and to not have been reported. The fact that he had contacted three of the four victims twice gave the opinion that the author was a writer rather than a doer; none of the threats contained in the letters had ever been carried out, the offender gained his kicks from purely writing the letters, with every word giving him deep satisfaction. He would also find it irresistible to visit the drop off location described in the letters.

The drop off location detailed in the Sutton letters had been surveyed by officers on the enquiry for two days covering one of the dates detailed by the author in one of the letters. No package had been left of course, but no one had turned up either. When the operation had been stood down, officers had left an empty bag and envelope at the scene to see the results. Shortly afterwards, the Sutton victim had received a letter asking her if she was trying to trick him with empty bags. It was clear that the offender had visited the scene at some point, even though the surveillance had failed to spot him.

Encouraged by this, DI Johns opted to put into action a round the clock surveillance operation upon the drop off location in the country lane near the airport that had been specified in many of the letters. A bag of clothing was deposited at the scene, a concealed video camera was installed that could observe the location, and two teams of officers hid a short distance either side of the location. On a Monday morning in mid July 1999, the operation began. 

For nearly three full days, police sat in wait but with nothing happening. But then, at nearly 11:00pm on 14 July 1999, the bag was collected. A car was observed stopping, and when the camera footage was later examined, the vehicles headlights were seen to illuminate the scene. A person’s silhouette could then be seen exiting the vehicle, going right to the bag and then returning to the vehicle before driving off the way the way that had approached from. The driver was stopped a short distance from the scene – and the bag was found on the front seat of the car. He was arrested and brought into custody at Gatwick, where he was interviewed in the presence of a solicitor.

The man arrested at the scene was Keith Downer, a 40-year-old British Airways engineer who lived near Redhill in Surrey, and who worked on the B Shift short haul line maintenance at Gatwick Airport. Downer was bailed following his interview, but allowed officers to take his fingerprints before he left the station. Within a few days, Downer’s fingerprints were found to be a match to outstanding fingerprints on two of the blackmail letters. He was re-arrested and exercised his right not to comment when this evidence was put to him. Coupled with being in possession of the bag of clothing left as bait, and the unlikely explanation Downer had given for being in the lane at the time, it was enough to charge him. Five months later, when the case came before Chichester Crown Court in December 1999, Downer pleaded guilty to eight counts of blackmail – including the Sutton offence. He was sentenced to eight years in prison, which however was halved to four years at a Court Of Appeal hearing in autumn 2000. Downer’s victims were understandably extremely upset by this and has since been freed. 

[wild-moss-art]

okay i love that lineart trick, but now i've gotta ask how you do your colouring, it looks so cool especially how you do your shading and how you blur your colours !!

OOoh I'm so glad you liked it!! :D Here is how I do my colors(sorry it turned out rly long lol):

Step 1: First, I think it's important to never color on a white background. Personally I think that really limits the range of colors and nuance that looks good, so I always change the background to gray or another color just to make my flats more vibrant. Then, I just pick colors I like and fill in the flats. I try to tint my blacks and whites with blues because I think straight blacks and whites look bad. Here is what it looks like at this stage:

Step 2: Shading! I like to shade with warm colors, I think cool colors can wash out a piece too much. It does vary, but usually I will pick a bright maroon for shadows and a pale pink for highlights. I create a multiply layer to put the shadows on and an add layer to put the highlights on, then use selections to limit where I’m placing the shadows and highlights. For this step I use a hard round brush with pressure transparency control. Sometimes, I will make another add layer for additional highlights in another color, because I think painting lights is fun. Here’s what it looks like at this stage:

Step 3: Once I’ve filled in the shading, I’ll add a simple background if I haven’t already sketched one in(If I have, I’ll just color that). This next trick I learned from @phinniasart (if you dont know their art please check it out!!) and basically what you do is copy the figure(I only copy the figure or foreground of the piece, essentially only the things I want to stand out), blur the copy, and set the layer to hard light mode. Depending on how it looks I’ll make this layer somewhat transparent. This effectively saturates the colors and softens up the lines. Here’s what it looks like:

Step 4: Lastly, filters! I learned everything in this section from Marc Brunet on Youtube. First, I copy the whole canvas and paste it on top of everything. Then, I mess around with the curves/levels to back off any colors that are too strong, or emphasize any colors that are too weak. In this example, I backed off the reds and blues and emphasized the greens. I also used the alpha channel to brighten the entire image. Next, I add a very slight chromatic aberration effect to the entire canvas; I keep it slight so it’s barely visible, just enough to add a little depth to my colors. Lastly, I add a noise filter on top of everything, at around 5-10% just to make everything a little bit crunchier and more cohesive. I think the filters someone uses are a huge part of their overarching style so I’d mess around with random filters until you find something you like!

That’s how I color! I hope this helps n I love sharing tips and tricks, so I’m happy to answer any questions. Also love learning about other people’s tricks, so please feel free to share yours with me!

[svtshine]

Tattooed in my heart

Pairing: Minghao x reader

genre: Soulmate!au, Fluff

type: oneshot, imagine

ability: Soulmates that share the same tattoo, which is located on a random part of your body. It glows when you’re going to meet your soulmate

extra: i’m not actually sure if minghao has this tattoo or if it was edited. Feel free to tell me if you know :’). But it’s still really gorgeous and beautiful, inspired me to write this

You were five when first felt the hot searing pain on your wrist. It shocked you and you immediately found your parents, tears running down your face at how painful the feeling was. After a while, a beautiful 8 figure formed on your wrist like an infinity sign, it was gorgeous you first thought, slightly sniffing after enduring the pain for an hour.

Your parents showed you their tattoo, and explained how soulmates worked. Everyone is born with someone they were destined to meet, to love and to spend their whole life with. There were different ways one would be able to find their soulmate. Matching tattoos, being able to feel their pain for example.

It seems that you, alike your parents, had matching tattoos with your soulmate. You stared in wonder of the beautiful figure and wonder what it meant

It was around the age of twelve when you learnt the true meaning of your tattoo. The infinity 8 symbol represent everlasting love and good fortune. Infinite energy, infinite love and endless abundance. You loved the tattoo at first sight, and now understanding the deep meaning that it symbolises made you love it more. You couldn’t wait to find your soulmate, you believed that whoever he was, was someone who would love and appreciate for infinity and beyond.

It was a nice evening, as you made your way to the restaurant you were working at for your night shift. You sighed as it was going to be a long night, but the beautiful colours that painted the sky made you wanna smile.

It was sunset, the hues of orange, yellow and pink mixed together and formed a majestic sight to behold. The wind also complimented the scenery and you stopped for a moment to admire it.

You knew it was hard to be alone, but the thought that one day, you were going to meet the one, that would protect you, love you and take care of you, regardless of any situation. Someone you could pay all of your attention towards and wake up every morning to make them breakfast, was worth every second. You hoped, somewhere out there, your soulmate could watch the very same scenery that you experienced.

You turned your attention from the array of colours as you felt a sting on the inside of your wrist. Your tattoo was glowing slightly and you scrunched your eyes brows in confusion as this has never happened before. However, the alarm on your phone set off, reminding you that your shift was going to start soon. You took one last look at the sky and rushed down the street

Your tattoo glowing brighter with every step

“Minghao, let’s go. coups hyung said we’re all gonna go get some late dinner” Hoshi said as Minghao looked away from the mirror in the practice room and replied with an ‘okay’

He stared back into the mirror for a while, noticing how his tattoo on his back, was emitting a small glow.

“hyung, am i thinking too much? why is my tattoo glowing” Minghao asked frustrated because this was the first time his tattoo had ever done that he didn’t know why it was doing it.

Hoshi came over to check and sure enough it was really glowing, “i don’t know man, but i’m sure it’s fine” hoshi patted Minghao’s back. Minghao packed up his stuff, “we’ll just ask the rest later” hoshi said waiting at the door. Minghao nodded and took one last look at his tattoo that he has grown to be fond of.

He loved the number 8, in fact his stage name was chosen after his tattoo. Coming from a chinese family, Minghao loved the chinese meaning of the figure 8 and what it stands for. Loving it more since it became his tattoo.

He was aware about soulmates, and he longed to meet his destined soon enough. In seventeen only woozi hyung has found his soulmate, and only accidentally. She is very kind and bright, always bringing refreshments for the boys whenever they finished practice. But the one thing that minghao envied about them, was the way they looked at each other. Woozi hyung and his soulmate that it. They always looked at each other, eyes filled with adoration and pure love.

Minghao wanted that, to look at someone and just smile by them laughing or doing something random. To spoil someone and to love that person with his whole being. He couldn’t wait to meet his soulmate and always wondered how it would be like, the first time meeting them.

His tattoo glowed brighter with every thought that passed his mind.

It was a slow night, as you sat on the counter and doodled on a note pad, the design of your tattoo. It was close to ten now and most of the families and couples have already left. There were only a few customers left in the restaurant.

You continued sketching your tattoo and hummed a soft melody to yourself. You looked up to check the time and got lost staring at the second hand ticking.

The sound of the doorbell jiggling pulled you away from your thoughts and you double checked the time, it wasn’t very often customers came in at this timing.

“Welcome, how many of you are there—“

Your eyes slightly widened at the sight of 13 young men that were all way taller than you, pooling into the restaurant. It was a large group and they were all wearing masks or hats almost to cover up their identity.

“Hi, can we have a table for 13?” The one infront spoked politely. His deep voice shocked you but the way he spoke with a warm tone made you less tense.

You flashed them a smile and took 8 menus in hand and guiding them to a table at the back. “Of course, we can only give you this table, it’s the biggest and there’s more space here”

The boys started choosing their seats and flipped through the menu. You took out your notebook and pencil, preparing to write down a very large order.

Minghao continued to stare at you as you focused on what Josh hyung wanted to order. He didn’t miss the way your eyes widened as you took in their whole group but he found it cute.

Even Mingyu whispered to him, “hey she’s pretty don’t you think?”

When you directed them towards the table at the back, he found your voice super satisfying, there was just something about you. That made him want to know you more.

When you finally reached him, since he was sitting at the end of the table. Your whole page was already filled with orders but you continued asking, “what would you like, sir?” looking at Minghao for the first time

He’s handsome.

The way his hair was styled, and how great he looked in his outfit even thought it was coming to midnight and you probably looked like shit compared to him. For a moment you just stared at his lips moving, it was like moving in slow motion and you couldn’t help but focus on them instead of his orders.

Minghao realised you were staring at him and he blushed slightly, praying that under the dim light you won’t be able to notice it. He waved a hand u tik you shook your head slightly and apologised to him before biting your lip.

Oh god that was so freaking sexy—, stop Minghao

You broke away from your thoughts and blushed, apologising to the handsome one infront of you.

“i’m so s-sorry, could you repeat yourself?” you stuttered.

The rest of the boys resumed conversing within one another so only Minghao attention was on you.

“it’s really fine, i’ll get fried noodles and hot tea please.” He looked at your badge, “Y/n”

You nodded, writing it down and announced that you were going to come back with the food.

Minghao’s eyes continued following you as you prepared the plates and interacted with the chef while preparing to serve them their dishes. You just seemed, perfect. he could almost see you glowing under the lights. Minghao didn’t understand why he was so attracted to you.

You served their drinks before going back and getting the dishes. You folded up your sleeves since you didn’t want to accidentally stain it, forgetting your tattoo for a second.

Minghao noticed there was a tattoo on your wrist, but under the lights he wasn’t too sure of the design. He also realised that you were able to memorise all their orders without even needing to ask them twice and found that super cool.

As you walked towards him with two plates of steaming food and placing the fried noodle dish infront of Minghao, that was when he realised he was staring at the same tattoo that he had on his back.

For a moment, he was still taking in the fact that he’s actually seeing his tattoo somewhere else that wasn’t his back. His eyes widened in disbelief and shock.

Minghao instinctively grabbed your wrist after you let go of his plate and looked up at you. Your eyes were as big as his, “T-this tattoo, i have the same one. O-on my back. Oh my god, i found you” he stood up and hugged you tightly.

You processed the information and proceeded to hug him back as tightly as the members cheered you on, some already knew as they recognised tour tattoo but didn’t want to spoil it for Minghao.

Minghao wrapped his arms around you and pulled away, brushing the stray hair away from your face and behind your ear.

“I think this is why i was so attracted to you ever since you entered but, i’m really going to need proof” You whispered shyly as you stared at the man infront of you, who you hoped deeply that really was your soulmate.

“y-yeah of course, do you have a staff room or something here? with more privacy?” Minghao questioned, still smiling and in a daze as he stared at you.

You looked at your manager, and judging by the noise and hoots from your soulmate’s group, he understood you guys needed some privacy and even gave you a thumbs up as you led Minghao to the locker room at the back that was only for staff members.

Minghao closed the door behind him and turned behind from your gaze. He took off his shirt and let you stare at the tattoo on his back.

he heard you gasp in shock as you left gentle traces on his back, following the lines of the tattoo.

“it really is you. I-i can’t believe it, i’ve been wishing for this day ever since i was a kid, oh god i even thought about meeting you just a few hours ago” You said quickly, voice clearly showing you were nervous and exciting about finally finding your soulmate. “what’s your name soulmate?” you asked

“Minghao, love” minghao said, wearing back his shirt and turning around to face you. He lifted his hands and his eyes silently asked if he could wrap them around your hips. You nodded and he instantly pulled you closer to him, admiring you.

“i’ve been dying to meet you too, Y/n. and can i say, you’re gorgeous, i’m so lucky you’re my destined” You loved the way your name rolled off his tongue and blushed as he complimented you.

You wrap your arms around his neck, “Minghao, you’re really handsome too. I can’t wait to get to know you, and i’m really grateful you’re my soulmate”

Minghao smiled at you and leaned in closer, hesitating as he was scared that you weren’t comfortable with it. After you nodded in approval, he softly placed his lips against yours.

it was, magical. A soft moan escaped you as Minghao’s hands came up to sneak around your waist and your hand pulled on his hair ever so slightly. His lips never stopped moving against yours. The two of you pulled away for air.

Minghao laid his forehead on yours, and the both of you smiled at each other. the same thought crossed your minds.

“thank you, for letting me have this blessing as mine”

and your tattoos, glowed brighter than it ever did before

Masterlist

[ryuichirou]

I really love the way you draw anatomy - you are literally perfect. Would you mind one day if you make a simple tutorial on how to draw anatomy, particularly hands and just keeping things in proportion. Sorry if this sounds like a demanding ask - u can definitely decline or not answer no offence taken x

First of all, thank you so much! <3 I’m so happy to hear that you think my anatomy looks good. I’m not sure if I can teach you anything, but I’ll try! And sorry it took me so long to reply.

I wouldn’t call this a tutorial, more like an outline of what I usually do (maybe with some tips here and there). Hope it’s at least a little bit helpful 🙏

I’ll start with how I draw the hands. Well, as you’ve probably seen on my previous post about this topic, I used to have a hard time with hands because I didn’t understand the logic behind them + my only reference was my own small and blobby hands. Practice helps a lot, but imo mostly because as you draw more hands, it becomes easier for you to break them into simpler shapes (this is important!) and imagine them in 3d in your head or as you draw.

When I draw hands, I start with a rough sketch. Basically I just draw a fingerless block first. It’s a bit illegible right now, but bear with me.

After this I add fingers. Once again, they’re all broken into shapes: a finger is just 3 short tubes connected to the block we just drew. Sometimes some parts of the “tubes” aren’t visible because of the perspective of the hand, sometimes you can clearly see all of them. As I already said, it’s all about learning how to imagine these things in 3d.

Since my sketch is so rough, I tried to make the shapes more clear here. I hope it makes sense.

After the sketch is done, I basically just… draw hands. Remember that this is skin and meat, there are going to be folds (??? Idk if this is the correct word) and stuff. And nails, oh nails… I scream when I remember the times when I used not to draw them lol They help to convey the perspective and the angle of the fingers, so for me it’s better to have them than not. I’m not drawing them the exact correct way, though, but still.

And once again, it took me a long time to start drawing hands more or less properly, and I still fix them all the time. For example, a thumb of the first one on the left is too short. In fact, I’d make all the thumbs bigger…  

So yeah, something among the lines. It’s not perfect, but this is the basic idea of how it works, at least for me.

About proportions… Well, I’m one of those artists who like to make 1000000 sketches before I move on to the inking phase, it’s just more comfortable to me. This way, I give myself more control of the pose and proportions and have a lot of time to adjust and fix whatever feels off to me. Many good artists don’t do that because they don’t really need it.

First, I make a very quick sketch just to grab the “feel” of the pose I’m going for, plus it helps with the overall composition of the drawing. It isn’t detailed at all, so it takes about 5-10 minutes to draw, even less if I’m confident about what I want and don’t try to find the pose that would work the best. At this stage I try to keep the proportions in mind, but I don’t think about them too much.

When I’m more or less satisfied with the basic idea, I draw my first sketch. At this stage I’m err building the body. There are a lot of ways to do that, I’m drawing something similar to a mannequin that is made out of meat. Oh no, that sounded horrible…

As you can see, this time I pay more attention to proportions and sketch all parts of the body properly. I make sure that both arms are the same length, both legs are the same length, that the shoulders are on the same level, stuff like that. At this stage I don’t think about the character, just about the body: I’m trying to make it make sense lol

Also you might’ve noticed, but I changed the position of the arms on this sketch because my initial idea didn’t really work (I tried to sit in the same pose and it was uncomfortable lol)

And then I draw yet another sketch. Sometimes this can be the last stage and I ditch the inking altogether and just colour this sketch instead, but more often than not it looks too messy and I have to make another sketch… (This is also where Katsu usually tells me to chill because we were planning to draw something simple and quick and I’m already making it complicated lol)

Here I’m adding more details, like face, hair, clothing, anything else that I need to sketch before inking/colouring. After this sketch is done, I look at it again and see if anything looks off. If it does, I try to fix it, adjust it, sketch it again, whatever works and whatever makes my sketch less stiff and more proportional.  It doesn’t have to be super realistic proportions-wise though.

Things that I pay attention to when I check the proportions on my drawings:

Shoulders: they should be the same size (although the perspective can create a distortion, but this is a whole other can of worms) + ideally they should be able to fit two heads in them length-wise.

Arms: I check if they’re the correct length (the hand part should start ~at the crotch level). If the arm on the drawing is bent, I try to visualize how it’d look like if they were straightened up. If it’s difficult to imagine, I just sketch it.

Oh, and the size of hands. I always check if they’re the correct size by comparing them to a face of the character: they should be about the same size (of course some people have larger hands and some of them have smaller hands).

Legs: same with arms, I try to make sure they are not too long and not too short. Also, when drawing arms or legs, you can draw this thing. The shoulder/hip and the hand/foot have the same distance from the elbow/knee. This… sounds confusing, I hope it at least looks understandable lol

There are a lot of ways to check if everything is correct: sometimes I just put my fingers on the screen to check if all of the lengths make sense lol and sometimes I draw these lil lines to check if the lengths of the parts that are supposed to be the same match.

If your drawing looks off, just create another layer and sketch the body (the meaty mannequin thingie) over it again. It might help you see some obvious mistakes if there are any. Some people might say it’s too much work, I call this practice lol

There are instances when I redraw some parts of the body completely. There are situations when it’s easier to do it all over again than to fix the existing sketch.

Another thing that I do is flip the image as I draw. Not very often though, you need not to get used to the flipped version of your drawing, it should be somewhat new to your eyes, this way your mistakes will be more visible to you. At least I think so…

It also helps to pay attention to details as much as you can, they make a huge difference. I still have a lot to learn about how the abs work, but like a year ago I knew nothing about them aside from “err I think there are 6 or 8 of them?? And they start below the boobs” (my boobs were also more square). After I started drawing them more often and learning how they actually work, my drawings changed accordingly. I think the right one is at least slightly better haha

So yeah, this is more or less my process. It isn’t necessary to draw 10203100 sketches and to go through all these stages, but I personally feel much more comfortable doing that because this way I can be sure that I would’ve noticed if there was a major fuckup somewhere.

To be honest, if we’re talking proportions, this image is literally the only thing you need to know.

Just keep in mind how many heads are in the human body length, how many heads can fit inside one’s torso, etc. Compare body parts to each other accordingly. Just make a habit out of checking if the proportions on your drawings are correct: make a shoulder bigger, make sure that the legs are the same size. It might be too much at first, but it’ll literally become a subconscious thing very soon, and you won’t have to actively think about all of this every time you draw. I google this image from time to time just to make sure that I’m fixing everything correctly lol

You don’t have to be exact with these proportions, but they still need to have some logic behind them. Like here, if we look at Osomatsu, who is clearly very stylized, we can still see that his body is proportionate. His shoulders are too small for his head, and his body surely doesn’t have 8 heads in its length, but he still doesn’t fall apart because there is logic behind his stylization: his arms are still long enough for him to put his hands in his pockets; they aren’t too long or too short. Hope that makes sense…

Sorry for the long read. Once again, I hope it was somewhat helpful or at least interesting. If you have any more questions, please feel free to ask!

Although I’m still learning myself of course, so there are things that I probably don’t know or forgot to mention…