#I’m on that villain shit

[hkayakh]

Ahh. Link the Twink. Sans the Trans. Minecraft Steve. You’ve all come here to stop me, but you’re too late!!!

[dukeofdadykes]

I drew Sage bc I LOVE HER rahHH her powers are so cool I’m so interested to see what they end up doin w/ her!! 😤

[little-pondhead]

*tosses these into a pit and bolts*

[heshemejoshi]

brand new body

[bnha-trash]

justice for lov ☹️

[hijinxinprogress]

Yj takes to mocking their mentors behavior after being lectured for being irresponsible and the public’s perception of YJ

Bart is going on about science that no one would understand even if he wasn’t talking at Mach 3 and popping out of no where going ‘flash fact-’ or starting a fight with a villain while eating an entire large pizza

Tim’s whaling on some fucking rogue and dude is 🤏🏾 close to being unconscious and tim goes “😡 now talk” (it doesn’t make it better that the rest of yj is in hysterics)

Anita mimicks the powers of whichever magic user she’s seen or heard most recently unless she gets bored and decides to act out horror movies which just leads to a villain cutting the power but they realize Anita showed up and they’re frantically trying to turn the power back on bc everyone thinks she’s actually possessed

Kon goes full on ‘Fear not, citizen! For I have arrived, a lone kryptonian with naught but justice in his heart’ along with saving one specific reporter first in every disaster (it’s linda and she thinks this is hilarious) he does hero landings and he says all the cheesy hero lines just bc he knows sometimes the medias perception of Clark annoys him (there’s a clip of a fan confessing and Kon goes on about how his only love is justice)

Greta before retirement is saying the lanterns oath before every attack and clowning Tim any chance she gets but Greta after retirement occasionally does crowd control which is just Greta doing finger guns and saying shit like totally tubular and gnarly while leading civilians away from danger or going on long winded rants about planes

Cissie is telling every person she saves that’s at least five years younger than her that she’s adopting them and then paying off some random debt and never speaking to them again or flirting with whichever member of yj is closest/has already taken down their opponent this doesn’t change much when Cissie retires, she just starts filing paperwork to adopt whoever gets second place and she will tell everyone that she’s married to the yj member on the news no matter where she is or what she’s doing

Cassie has a battle axe, a shield, and a lasso and somehow manages to use all three every fight while mimicking Diana’s speech patterns and demolishing anyone that gets a hit on yj (the only thing ww takes offense to is Cassie’s over the top feigned ineptness when it came to technology ‘Suffering Sappho! What is this strange contraption?!’ ‘🤨 my fucking phone??’)

[mickeym4ndy]

genuinely what is wrong with shameless fans on tik tok have they never heard of nuance in their lives or

[darc-la-farse]

Lou and Zac did a great job playing divorced characters

[babygirlhaljordan]

one of my biggest complaints for dc is the lack of indian ppl in gotham. like if ur setting a city in new jersey, a state thats literally dubbed as “little india” from how many indians are there yet not a single 1 in gotham?! how am i supposed to take you seriously

[itsabouttimex2]

Not sure if you have covered this, but I’ll ask. How would you have gone about Macaque’s redemption arc…if it’s possible with how he was written before season four? No hate or debate, just curious. I like alternate takes on characters :3

Hmm okay I thought on this for a little bit, and the crux of my problem with Macaque’s arc is that he’s established late Season Three to be “not a bad person” when-

1. He enjoys hurting people

2. He goes out of his way to hurt people

3. He hurts many people

4. He expresses no regret or remorse for hurting people

5. He faces no consequences for hurting innocent people aside from his intended victims winning their fights against him

6. His victims are reduced to a hivemind of non-autonomous set dressings who have no feelings on his presence or past crimes

And he promptly just becomes a person that everyone is okay with despite everything. So, if we have to keep the “one good action is enough to redeem you for betrayal, deceit, slandering, multiple counts of assault and attempted murder”, then we need to shift some things.

So I think the best thing to do if we want the actual “redemption arc” to hit the way it’s supposed to in canon is-

1. Thin his list of victims

2. Thin his list of crimes to the point that one good deed is actually a reasonable atonement for all of them

3. Play up his victimhood at the hands of the Mayor

4. Establish his inability to escape from the Lady Bone Demon much sooner

If the crux of his arc is just being forgiven by ONE of his many victims and then becoming a good person, then we just need to sharply reduce the amount of victims he has to make the immediate and all-encompassing forgiveness feel more realistic.

When he’s “sieging” the city in Macaque, the Smoke Demon ignores everyone who isn’t MK and deals no structural damage, creating no victims aside from the Monkie Kid.

When he’s performing in Shadowplay, Macaque portals MK away to fight him alone, leaving everyone else unharmed, creating no victims aside from the kid.

Then, when he’s stolen away by the Mayor, either:

1. Lady Bone Demon implants him with her powers right away, preventing him from running away and immediately establishing him as desperate, or, what I’d argue for-

2. Send the Mayor with him.

When he receives the compass and is released, Macaque pulls a Bone Key-

and throws it away, trying to shadow portal away, only to be greeted by

The Mayor, who proceeds to outright accompany Macaque on this journey, thereby serving as a foil to Tang Sanzang.

Where Sun Wukong was taken under the wing of someone who genuinely cared for him and wanted to see him improve, Macaque is forcibly dragged along by an outright malicious figure who wants to see him rot.

(Fuck, have Lady Bone Demon give Macaque an ice circlet to seal the “foil” deal! Have him be forced into these actions in outright agony! It would help Sun Wukong sympathize with him, expediting the “forgiveness” that a redemption arc needs!)

In fact, every time Macaque tries to leave, or steps out of line or even just fails? You hear an offscreen thud and yelping and then when we get to see him next, there’s new bruises on his body, new tears in his clothes. His fur becomes messy. His eyes grow haunted.

Play up his victimhood to coax the audience into sympathizing with him.

Macaque tries to run. The Mayor hurts him. He tries to stall. The Mayor hurts him. He tries to argue. The Mayor hurts him. He tries to fight back. The Mayor beats him back into subservience.

Establish that Macaque has utterly exhausted all avenues of “escape” before he resorts to attacking the Monkie Kids, and even then, have him try to avoid the majority of them in favor of MK, only to be forced by the Mayor into actually fighting Mei, Tang, Sandy, and Pigsy.

So now every character understands why he’s doing this- and don’t have a reason to hold it against him or expect any further atonement because none of his worst actions (like sieging the Dragon Palace) actually need to be addressed- they aren’t his fault.

That basically solves all the problems I have with the “arc” as it stands, honestly.

[meteor752]

What the fuck is up with Hook

Why is he at some random prep school? He’s already got the hook hand, so Peter Pan has already cut it off meaning he’s been to Neverland, also he says he’s a captain so like why the fuck are you here

I hate this movie so fucking much, nothing about it makes sense to me, why is Hades a teenager, why did they make some fankid of a Sofia the first villain instead of using one of the many Disney Villains that exist, why is Maleficent a lackey, why am I devoting so much of my time to try and make sense of this movie

[pastelpousay]

This scene did something to my brain chemistry i swear

[dear-ao3]

me: wow i am so excited to be home this is wonderful this is lovely

my mom, making pierogis and measuring out the potatos the onions the salt the pepper and the cheese: we have to follow the recipe!

me, ripping my hair out: AAAAAAA

[kagoutiss]

idk anything about astrology

[cable-salamder]

Wwait wait wait. so. There’s people who genuinely hate Harumi but love Morro? Do people not realise they are literally the same except for the fact that Rumi manipulated Lloyd for a bit while Morro just straight up possessed him? What

[throwawayasoiafaccount]

When I see stuff like this I kinda want to bash my head into a wall:

To start off, I’m not sure whether this person was commenting on book or show Cersei, but honestly, it doesn’t even matter because she’s so much more than the ‘ambitious villain’ or the ‘murderous girlboss’ tropes in both the book and show.

(Of course, I do have my issues with the way Cersei was written in the show like most people but this is simply a rant post so I’m not going to go through the differences of Show vs Book Cersei)

Cersei is a female character who was shaped by her environment, who’s insecurities were created by her environment, and she’s a woman who’s idiotic mistakes can be traced back to how her environment shaped her. She’s much more than a murderous girlboss, she’s both a victim of the system and also a beneficiary of it, while also acting as an agent of it to keep the status quo while also desiring what the system denied her.

Cersei is NUANCED and complicated and even now people hate that about her and want her to have been a purely evil woman handcrafted in a vacuum, ignoring the context of her life because readers would rather not engage with Cersei’s victimhood and nuances because that ruins their idea of: She Was The Problem and Always The Problem. (People would rather say that she deserved her walk of shame instead of interacting meaningfully with the theme of systematic gender-based violence that is so prevalent in Cersei’s story. The exploration of patriarchal violence in Show Alicent’s story is done so horribly in comparison.)

And what really pissed me off about these tags is that this person has clearly decided that they don’t care to interact with the nuance of Cersei and are fine with flattening her, and yet they shit on others for not liking Alicent.

Because of the way Alicent is written in this show, she almost always has a ‘woe is me I can do no wrong’ attitude, which of course drives people away from the character (woe is me I deserve to take a child’s eye 🥺). However, what actually annoys me is how she’s made out to be stupid, foolish, ignorant, and inconsistent due to the horrible writing of this show, all of which are deviations from her book characterization. Also, I despise it when people want me to support writing decisions and changes made in adaptations that are downright misogynistic and are meant to attract the male gaze.

But what pisses many people, including myself, off is how the changes made negatively impacted many other characters. Alicent’s terrible characterization is like a black hole that distorts and warps the whole story! It’s annoying af!

So when people like this say: ‘She’s nuanced and people just can’t handle it 🙄;’ I say: No. She’s horribly written and a different character from the book and people have a right to be critical about these changes that stripped a female character of 1) her agency and 2) her intelligence!

And the thing is, there was little reason for the writers to have made all these changes to Alicent’s characterization! In the book she is an interesting character with clear motives and understandable reactions. She’s cunning and ambitious and acts the way a noble lady who became queen would. And despite her clear ambitions and dislike of Rhaenyra, she still makes a comment wondering about who would protect the Princess from Ser Criston, and yet she then takes Cole into her service after his falling out with Rhaenyra. That’s a perfect example of nuance! Show Alicent could never compare to book Alicent’s clear moral values and consistent disregard of said moral values in pursuit of power.

And because of this, Book Alicent isn’t easy to stomach. It’s hard for most people to come to terms with a character like her and it’s even harder for people to feel sympathetic for her at the end when she went mad with grief.

On the other hand, Show Alicent was designed in a way to garner pity, and when the writers felt like her current arc wouldn’t be enough to garner the specific reaction they wanted they would then throw in a time skip and suddenly she’s completely different and yet still Thee victim. She’s designed to be as sympathetic as fucking possible! The camera angles, the background music, and the lighting is set up in a way to make sure you the viewer feels pity or sympathy for her! Cause that’s her role in this series! She’s thee Ultimate Victim!

But too bad for the writers as many people are fed up with this kind of inconsistent writing. Even when the writers created a whole new challenge for Alicent where she’s shitted on by the green council and forced to face the beast she helped to raise, I and many others could never feel any satisfaction as it was clear that once again Alicent was being made to be Thee Ultimate Victim who was just led astray by the patriarchy and was a victim of it and was only just realizing it so don’t you pity her don’t you feel sad for her and now she’s trying to do the right thing so pls pls pls pity her 🥺~ So it shouldn’t be surprising that many people are annoyed by these eNLiGhtEnEd changes that have led to a complete deviation from the source material.

To summarize: Cersei is an excellent fucking character who’s by no means easy to stomach, and because she’s not easy to stomach she’s often reduced to annoying ass tropes by dumbasses who are reading above their comprehension level. But when you actually try to understand her, you can easily see why she turned out the way she did and you can feel sympathy for her while understanding that she’s both victim and perpetrator! On the other hand, Show Alicent is a mess and HOTD is trying to make her serve a different narrative role than she did in the books so ofc people are going to be unhappy with the changes as book readers are once again faced with the annoying reality that the writers don’t give a fuck about the source material.