#I wrote some really cool things with it as a war story

[tracle0]

Storyteller Saturday - Tell us a little about The Crow's Death: where did the title come from and who are the main characters?

Hi hi! I can definitely do that :)!!!

The Crows Death! It's the sequel to The Spiders Song and follows the same cast of Atlas, Andy, Sam and Dolly. Just before the group can return from successfully retrieving the cure for a major sickness in their home, Andy is kidnapped and held hostage, with the intent to kill him and swap his life for that of another.

The title came from the same structure as 'The Spiders Song' - god-based noun (the Spider is the god of illusions, the Crow is the god of death) who features heavily in the book, and... verb? Something they do?

Mm. The Spider's magic comes with. Music, of a sort, that only its servants can hear! Atlas hears this song constantly and struggles against its lure constantly.

The Crow is the god of death.

And the main characters! For TCD... sadly, Andy is the main character proper. As said, he is kidnapped by a group of Foxes - servants to the god of perception, and natural enemies to the Crow. As he tries to think of a way back to his home, his friends pursue him and try to recover from the previous trauma.

The main difference is that in TCD, we have. Olly! Atlas's boyfriend, and servant to the Bat - god of tracking - to help try to bring this wayward prince back home.

[georgeweasleyslostearhq]

ENTRY- HER

Pairings: George Weasley x Fem! reader Summary: George reads the letters he wrote about you to himself throughout Hogwarts Warnings: mention of have a b0ner, boobs, tears, hinting to masturbation, the use of Y/n is used a few times, I'm sorry

George bent down on the floor of his bedroom, he looked beneath to bed and pulled out a box that had been left untouched since he and Fred opened up the shop before the war

he sat down and leaned against the side of his bed, opening the box and pulling out the book

he sighed before opening it, turning to the front page, the first day he met you

-

1 september 1989

Dear diary

it's the first of september, meaning it's the day Me and Fred go to Hogwarts.

Me and Fred couldn't find an empty compartment to sit at, and there was no way we were going to sit with Percy, or Charlie- as his was already full

but we Found one with a boy in our year, Lee. he's cool, he let us sit with him and gave us some candy- which made mine and Fred's nose bleed. I didn't think anybody other than me and Fred would care about jokes and pranks, but i guess I was wrong, cause Lee does too!

the train started moving and we waved to our parents. i think it was about five minutes later when i saw a girl walk past, still holding her bags and stuff, she looked lost

I opened the door and let her inside

she smiled and sat with us, she wasn't that interested in pranks, but she laughed at the stories we told her.

Her name is Y/n, and I have a feeling she's going to stick around for a while.

George smiled and turned to the next page, a year and a bit later.

-

December 12, 1990

Christmas is coming up soon and our friends are doing a muggle thing Lee told us about- secret santa

not all our friends wanted to do it, but the main ones like Y/n, Angelina, Alicia, then it's me, Fred and Lee, so there's six of us, even

I got Y/n, I still don't know what to get her, there was no money limit or anything like that, but I just don't want to get something too cheap- but that's probably all I can afford

she's a good friend and after the first day of first year, she's stayed by our sides, no one else let her in to sit with on the train but we did, so she stayed

I'm glad she did, she's funny. and as much as she says she hates doing it- she helps me and Fred with pranks a lot, mostly because she's smarter than us

I wonder if she got me for secret santa, the odds of that would be really low, but it's not impossible, i would accept anything she would give me with a smile

George had gotten you some candy from Honeydukes- and you, infact did not get him, instead you had Fred, to which you gave him a bunch of products from Zonko's

George flipped to the next page as he heard noise coming from outside, dinner was probably coming soon and George would have to hurry before he was caught reading these

-

November 28, 1991

My third year at Hogwarts started a few months ago, the Famous Harry Potter started his first year

my younger brother Ron is his Friend, along with a strange girl, Hermione?

her and Y/n get along pretty well, i think they go to the library together

speaking of Y/n, we've gotten closer, she would have to be my best friend- other than Fred. Lee is up there but he's been spending quite a bit of time with Alicia, I think there's something going on there, but i don't really know

Y/n decided to try out for the Quidditch team, due to mine and Fred's encouragement, she's really good, she should've been on the team last year, she's a chaser, and she's brilliant!

she's got the latest broom and it goes wicked fast, sometimes in training, we'll just race each other, she always wins though, mostly because I let her but who cares, it's worth it when i see the big smile on her face when she rubs it in

Fred started to tease me about it, saying i'm being soft.

I'm just being nice

-

October 13, 1992

fourth year started last month, school is getting a bit harder.

Fred Invited Y/n over in the holidays, she stayed at our house for about a week, I was a bit nervous that she would be overwhelmed by our family but she fit in great, Mum loved her and said she should come over for breaks from now on.

so she'll be coming over for christmas this december.

she stayed in Ginny's room, although she snuck into our room to mess around with jokes before she'd actually go to bed, I think mum knew that we did that because she glared at us when we would come down for breakfast the next mornings, she wouldn't say anything, just put her hands on her hips when we yawned

she's really cool, she's really pretty too, i don't think i've ever noticed it before, but she is, and Fred doesn't mind telling her that.

I think he fancies her because they always giggle to themselves

I don't know why but I would always get this pit in my stomach every time I saw them alone together.

He talks about her to me before going to sleep in our dorms, it's starting to piss me off, it was getting annoying because I just want to go to sleep and he'd start talking about something funny she said to him that day and he'd just laugh

i cover my eyes with my pillow every time to try and block him out, though it never really works

George laughed at that entry, looking back on it now, he should've known what the feeling meant

-

September 5, 1993

we got back from Holidays a few days ago, Y/n couldn't come over because she went over to Italy with her family

she had gotten boobs and the tight low cut shirt she wore to the train station really left little to the imagination, I know I sound weird and like a pervert, I shouldn't think this way about my best friend

but I can barely make eye contact with her anymore without my eyes lowering to her chest.

she's stunning and everything about her makes my heart flutter now.

she also had a slight tan and her hair was longer, she's always playing with it and I can't help the way my mind begins to wonder when i stare at her

she's making my body feel different, the way she bites her lip when concentrating, the way her eyes flutter when she looks up at me to talk

she's using lip gloss too, one that makes her lips look really kissable

I hate to admit it but i sat next to her in class yesterday and my dick decided it was a good time to get a boner, as painful as it was, all i could do was push it down.

she had noticed my uncomfortable state and in her sweet, innocent voice she asked if i was alright

"you ok there, Georgie?" she giggled

I could only nod my head.

and as horrible as it was, later that night, when laying in my bed, I couldn't help but ease the pain to the thought of her.

-

September 20, 1993

I fancy her, I've completely and utterly fallen in love with her,

it sounds like its just because her body has changed but it's so much more than that

she is kind and funny and sarcastic. and beautiful, like HOT.

too bad she has a boyfriend now, he doesn't deserve her and he wouldn't treat her half as good as I would if I were hers

Fred found out, turns out he never fancied her, but he just cares for her, as friends.

Fred thinks I should tell her, but I can't and I never will

Update- she broke up with him!

George laughed at the update at the end, which was 2 months later and flipped to the next page

-

December 6, 1994

McGonagall told us about the Yule ball today, a dance

my eyes were fixated on Y/n as she sat down laughing with Angelina across the room as I stood with Fred

Fred told me he liked Angelina a few weeks ago and I'm sure he'll ask her to the ball

Ron got called on to demonstrate the dance and she whistled at him, making him glare at her, to which she laughed

when the class was dismissed, Y/n came up to us and started joking around

I couldn't help but notice the way she has the top buttons of her shirt undone, and her tie a bit loose

it was getting rather chilly and she wasn't even wearing a jumper

I asked her if she was cold and she shook her head with a smile

"I like the cold, George, you should know that" she giggled, nudging me

she was rather short compared to me, the top of her just barely met my shoulder so she always looks up when talking to me

I've also noticed she likes to roll her skirt up, so merlin forbid she bends down to pick something up.

she's also gotten a bit more touchy, not just with me but with the rest of our friend group

her hugs would only happen coming back from breaks and holidays but now she'll hug you almost everyday in the mornings

her hugs have always been nice, but the way I can practically feel her boobs pressing up against me makes it all the better.

-

December 18, 1994

most people I know already have dates to the ball, Fred had asked Angelina to the ball within the first few days of hearing about it

Y/n has been asked a few times but she's politely declined every one

Fred keeps pressuring me to ask her already and I strictly telling him no, she'd reject me like every other guy whos asked her, and then it would make it weird.

We're also doing another secret santa this year, I got Alicia

Alicia is...nice? she just has a really big flirting problem, and that's not with everyone, just me

she asked me to the Ball a few days ago, and as much as I didn't want to go alone, I still said no

She's not really my type, and as much as i try to make her stop flirting with me, she just keeps doing it, I speak for all of our friend group when I say it's annoying, and I know that because they've all said it

it's nothing against her, but it's just weird

and Y/n doesn't mind talking about it, making jokes and stuff

the only person i have ever felt something for has been Y/n, and I don't want it to be anybody else

-

George remembers that week like it was all yesterday.

-

George was sat on the Gryffindor couch, your head in his lap as you told him about your day

"but anyway, why haven't you asked anybody to the ball!?" you sat up, sitting on your knees next to him

"I- I don't know, why haven't you said yes to anybody?" George questioned

"I don't like any of them, barely friends with most of them" you shrugged

"w- well do you? like anybody?" George stuttered

George noticed the small blush rising to your cheeks

"uh- not really" you smiled sheepishly "you?"

George's heartbeat quickened as he grew nervous

does he tell her?

"not really" he responded, copying your words

"you should go with Alicia" you nudged him shoulder, making him roll his eyes

"merlin" he cursed under his breath as you giggled

"only kidding of course..unless you actually want to?" you frowned

"if i wanted to go with her I would've said yes"

you smiled

"it's getting pretty late, i'm going to head to bed" you yawned

George nodded his head

"alright, goodnight"

"night, Georgie" you kissed his cheek before getting up and going to the dormitories

George stared off at the fire as the kiss lingered on his cheek, making his skin feel funny, a good funny

-

a few days later, Fred pushed George into asking you

"just go talk to her, this is probably your only chance!" Fred whispered before shoving George into you

you stumbled forward and almost bumped into Angie, who had to pause her sentence

you looked back and saw George

"sorry" he apologised

you grinned and gave him a hug "it's fine!"

Angelina saw Fred look at her from behind and walked over to him, leaving you with George

you stared up at George to see what he wanted but he only looked back at you nervously

"is there something you wanted, George?" you chuckled

"I want a date to the ball" he sighs, finally saying it, knowing that Fred would kick his ass if he didn't

"I'm sure Alicia will take you" you smirked

George licked his lips and thought of what to say

"no- no ok um...do you want to go with me? no! I would love if you would accompany me- wait ok. I really want you to go with me to the ball...I- I uh-"

-

December 20, 1994

I asked her to the ball, after what feels like forever being in love with her, I asked her

Fred pushed me into doing it

so I did, I sounded like a complete fool and I wish I could've said it better, word it so I didn't sound so stupid

maybe if I did that, she would've said yes

better yet- I had also admitted that I loved her, that I have for a long time. I had gotten so nervous that I outed myself

she just stood there in surprise before I ran off in complete and utter embarrassment

-

December 25, 1994

I went with her, it turns out that she was going to say yes but I ran away before she could've said anything

she told me she loved me too, and she made me the happiest man in all of Hogwarts

it was the Ball a few hours ago, you should've seen her, she was stunning- a type of stunning that when you see her, you can't say anything out of shock on how beautiful she is (which I did)

I can't describe the feeling I get when I'm with her- or see her, but it's overwhelming

i feel faint now every time I see her

she told me she would go with me the day after I had asked her in that stupid way. that was when she told me she loved me

she actually loves me.

I don't know how I can manage to make her love me but I'm grateful- and cautious

what if I mess up?

but that doesn't matter, we're not together

Update: jan 5- I asked her out, she said Yes!

-

February 19, 1996

Valentines day was 5 days ago, Y/n was obviously my Valentine and we had a great day, I took her to that tea shop in Hogsmeade she's been talking about for a while, it was very...pink and not the type of romantic that I like.

but she enjoyed it so I loved it.

we've been dating for a little over a year and it's great, I am absolutely in love with her and I think she is too

she's mad at me right now though

Today, at Quidditch, I beat up Draco Malfoy for bad mouthing, making Umbridge ban Me, Harry and Fred from the team, which is total bullshit!

anyway, I didn't get badly injured, Malfoy can't punch for the life of him

I only got a cut on my lip but Y/n yelled at me when walking back to the castle

I told her I don't really care I got kicked off but she still told me off, she's cute when she's mad

and I can't be mad at her for worrying about me, especially when she said I looked hot when beating Malfoy up

she let that slip from her mouth and hit my arm when I laughed at her

Merlin I love her, and I never want that to change, so just so you know. you are an idiot if you EVER LEAVE HER.

Fred and I are finalising our plan on leaving Hogwarts to start the shop up

Y/n knows about it, I've reassured her that we'll see each other, but I'm still worried she'll break up with me so I can focus on the shop

but right now I have to make it up to her for getting in a fight so.

-

April 21, 1996

she told me she wants to break up, she said it wasn't because of us, but because she wants to focus on our futures

I refused, it's the day before me and Fred leave.

I don't want to leave her, it feels like I only just got her and screw anyone who will try to take her away.

I told her I didn't want that and then it turned into a fight

she said she only wants what's best for us, but she is the best for me, and I will try to be the best for her

she left my dorm and I don't know where she went, but I want to see her, to tell her it will work.

I knew this was going to happen, but i didn't want it to.

Update- I found her and I begged her to stay with me, I told her that she should come live with me and Fred when she graduates and she didn't know what to say, she said she'll think about it

-

June 26, 1996

she moved in with us, she decided to stay with me and live with me, all her things are here now and she's in the bathroom right now, going through it and putting things in there, I couldn't be more happy.

I have the girl of my dreams to wake up beside me and go to sleep in my arms, forever

"George! dinner!" He heard Fred yell out before the door opened

"George..." he heard Fred sigh sadly

George felt the tears start to prickle in his eyes as he thought of you and how much he loved you

"I told her not to go...why didn't she listen?" George asked as his tears met the page from a few years prior, before the war

the same war that took you away from him

Fred walked into the room and sat next to his twin

"come on, I told you not to find this" Fred said, taking the book away.

--------------------------------------------

it's been a while! i'm sorryyyyy

[dev-solovey]

Reading up on the history of American Idiot (album) and realizing exactly how revolutionary it was and I just have to yell about it for a hot second

So, before they started working on American Idiot, the band was having problems and they were thinking they were going to break up. But for a couple of reasons, they switched directions, most notably because they all felt strongly about the Iraq War and how it was manufactured by greed and warmongering from the Bush administration, which was amplified by the news media. I read a quote from Billie Joe Armstrong where he talked about how the news media was becoming "more of a reality show" than it was news, and he couldn't have been more right. In fact, that problem got worse, and now we're living in an era of rampant misinformation where everything is politicized to a point where just supporting human rights for marginalized people is considered controversial. The song American Idiot came out in 2004, and when Donald Trump first visited the UK at the beginning of his presidency, it was the top played song on every UK radio station, 12 years after it was released. Most things would be culturally irrelevant at that point.

When creating the album American Idiot, a lot of thought went into it - they had a very specific message in mind, and their goal was to send that message to youth. This is because they realized at some point that their fanbase was a bunch of teenagers, and even though they hadn't necessarily intended it that way, they suddenly had a platform with the youth of America and they decided they ought to do something good with it. The drummer, Tré Cool, said something along the lines of "I've never really liked the idea of preaching to kids, but I realized we don't really have a choice at this point." And I love that so much because like, so many people who get rich and famous just become completely out of touch, and when they get a platform, it's very easy to exploit that platform, influence them with terrible ideas, or encourage them to act in terrible ways for self-serving reasons (ex: JK Rowling, Andrew Tate, Dream, Logan Paul, Onision, etc etc). Green Day refused to allow themselves to get to that point. They know the platform they had gave them power and they made an active choice early on to be responsible with it. And a lot of that moral code comes from the fact that they came up in the DIY punk scene in Oakland, which held its members to a very high standard of ethics, a code that they still follow even after they were disowned by that scene when they signed on with a major record label in 1994.

The song American Idiot has a message of "this mass media hysteria is manufactured bullshit, don't fall for it," and it is not subtle about that message. It punches you right in the face. I remember being 12 years old and listening to it and thinking, "yeah, I don't want to be an American idiot." And now, at the age of 28, I am a staunch leftist who is firmly against the atrocities the US government commits, and I feel strongly about stopping misinformation. So I can say with absolute certainty that they succeeded.

I also get like, really upset when people say that American Idiot is the album where they sold out, because that's objectively not true, both for the reasons I've provided above, and also because of the song Wake Me Up When September Ends. Not a lot of people know the story behind this song, but it's actually a song that Billie Joe wrote about the experience of his dad dying of cancer when he was 10 years old. The story, as he tells it, is that when he came home from school, his mom gave him the news, and being (understandably!) upset, started crying, ran to his room and slammed the door. When she knocked on the door to try and talk to him, he shouted "wake me up when September ends!!" in response. It took him decades to be able to write this song, and it shows because it's the perfect grief song, having been played at benefits for 9/11, hurricane Katrina, and so on. The first time I heard that song it reduced me to tears, because you can hear the intense sadness in it. A "sellout" would never write a song like that!! (Side note: maybe stop tweeting at Green Day to wake up every October 1st, it's super tone deaf given the subject matter,,,)

Anyway, I think I'm done being autistic about Green Day (that's a lie, they'll forever be my special interest), so TL;DR:

Thank you, Green Day, for creating a generation of leftists who aren't about the bullshit

[cripplecharacters]

Hello! Thanks for all your hard work.

I have a character who lives through a war and experiences a traumatic head/facial injury that leaves him with asymmetrical features. Before discovering this blog, I wrote him as being a little insecure about it even years later (the main story takes place long after that), but have since retconned that as I realized writing it that way was the result of ingrained disfiguresmia, which I don’t want to perpetuate. As it currently stands, he does not have any particular feelings about his appearance itself/the visible remnants of the injury, nor is he treated differently for it. It’s just a thing, and not the focus of his character. Recently, however, as I was working on more of his background, I realized he ended up bearing a strong resemblance to one of his parents, who harmed him quite badly as a child.

So, my question is this: While nobody would be happy to experience a traumatic injury, would it be in bad taste for him to eventually end up being pleased that he no longer looks so much like his parent? Not that the genetic resemblance has somehow disappeared as a result of an injury, but rather that when he looks in the mirror, he sees himself instead of someone who hurt him?

I want to be careful to portray facial difference respectfully. I thought that maybe associating the visible result of something traumatic (cranio-facial injury) with gaining a stronger sense of identity (in a positive way) might be alright. But I wanted to check, because I don’t want to go too far the opposite direction and romanticize it.

(I’m using this emoji combination so I can find my ask later:🪞💙💥)

Hi!

My original note when drafting this was "This is genuinely a rare and interesting take on a character's feelings after getting a facial difference and it goes hard as fuck", which is a Way to say that I like it.

I don't think it's in bad taste at all, it's more of a breath of fresh air with interesting characterization mixed in. Has the character's backstory influencing his feelings on a current event. I get to mildly see myself in this kind of experience as I'm also glad to no longer be told I look really similar to a family member since my partial paralysis got more obvious. Cool as hell.

I really love that you figured out something positive that makes sense for your character to take out of an acquired facial difference. I mean, this is what people do in real life; try to find positives. It looks like your character managed to do that and that's awesome.

I wouldn't consider this romanticization at all, but even if it slightly was then I think we can have a bit of it as a treat after decades of hearing how looking different makes us fundamentally worse. It's not like you're doing some inspiration porn shtick about how an acquired disability suddenly made him into a saint who no longer has a single mean thought in his head.

If this worries you though, try to keep in mind the negative symptoms that he almost surely has - does he have nerve damage, migraines, problems with speaking, fear of loud noises? These things don't go away if you feel positive about something, though it might make it easier to mentally deal with. Show the parts he's more glad about, and the ones that make his life more difficult, days that are better and days that kinda suck. Make him struggle in areas of life unrelated to his disability, and have joys that are unrelated to it too. The usual advice.

This was probably my favorite synopsis of a character with a facial difference I read in a long time, so thank you for sending this. I'd love to see more characters as carefully thought out as this one.

mod Sasza

[hotvintagepoll]

Propaganda

Anna Magnani (Rome Open City, Mamma Roma, The Rose Tattoo)—don't take my word for it, here are some of the things she was called during her career: "la lupa (the wolf) of Italian cinema," "passionate, fearless, and exciting," "the volcanic earth mother of all Italian cinema," "one of the most impressive actresses since Garbo," "Whenever Magnani laughs or cries (which is often), it's as if you've never seen anyone laugh or cry before: has laughter ever been so burstingly joyful or tears so shatteringly sad?" and maybe best of all, from Tennessee Williams, who wrote multiple roles specifically for her: "She is simply a rare being who seems to have about her a little lightning-shot cloud all her own...In a crowded room, she can sit perfectly motionless and silent and still you feel the atmospheric tension of her presence, its quiver and hum in the air like a live wire exposed, and a mood of Anna's is like the presence of royalty."

Rosemary Clooney (White Christmas)—Rosemary!!! Her singing voice is incredible, she looks stunning in everything she wears, she has this quiet gravitas on screen that I haven’t seen anywhere else!! She deserves to be known as a lot more than George Clooney’s Aunt (if anything, I think of him as Rosemary Clooney’s nephew who also went into the business). Also when she got older she had this amazing sexy raspy voice (which sadly was due to smoking a lot but doesn’t take away from the fact that it’s very very sexy)

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Anna Magnani:

An icon of post-war neorealist italian cinema - an unbelievably good actress. Also, the first non-english speaking actress to win the Oscar for Best Actress (in 1956)!

realness!! amid the typical hollywood pristine glamour anna magnani stuck out as sexy in a really real, grounded way. so much so that even shallow 40s hollywood allowed her to come over from italy to be in some high profile movies. an icon

She smoked, she drank, she didn't give a f-. Her acting was described as explosive, with a lot of emotions and drama and they called her a she-wolf. Playwright Tennessee Williams became an admirer of her acting and wrote The Rose Tattoo (1955) specifically for her to star in, a role for which she received an Academy Award for Best Actress, becoming the first Italian – and first non-English speaking woman – to win an Oscar.

Rosemary:

Rosemary Clooney made very few movies, and built her career mostly as a singer--however, anyone who has ever seen her in White Christmas understands that this was Hollywood's loss, because she exudes glamour and charm and does a wonderful job acting it as well. She's gorgeous, she has a beautiful voice, she has one of those faces that the screen just loves, and she is, frankly, hot as hell.

An absolutely amazing singer and so stunning. Her performance in that black dress in White Christmas just takes my breath away every time. She's also George Clooney's aunt.

She was a very cool woman, who had a very hard life. She had severe mental health struggles throughout her life and left the stage for quite a while, but fought hard to make her career comeback later in life with a little timely help from good friend and frequent collaborator Bing Crosby. She also duetted with Marlene Dietrich early in her career

Okay so obviously she's more a singer than an actress, but she was still one of the best musical actresses of the era! They just didn't know what to do with her. She really wasn't a dancer at all, so you'll see most of the numbers in White Christmas she's got a convenient prop to sweep around. However, this ~weakness brought about a love story for the ages! Dante Di Paulo (you may know him as the mustachioed townie rival to the Pontipees in Seven Brides for Seven Brothers) was hired to teach her to dance and they fell in love over rehearsals. Separated by filming schedules, Rosemary ended up marrying José Ferrer and breaking Dante's heart, but 20 years and two divorces from José later they met in traffic. Not about to miss her second chance, she honked her horn and yelled her phone number at him (talk about carpe diem). He moved in a couple of months later but they finally made it official in 1997 because "our grandchildren want us to get married". They were utterly devoted to each other and he was very much a Wife Guy.

when she. when she. 'love you didnt do right by me' from white christmas-

She was very funny and very civic-minded, she campaigned with RFK during his presidential run. She had a very close bond with her nephew (that George Clooney yes), he even had her songs on the playlist when he proposed to his wife! She didn't enjoy singing this song from White Christmas, as it wasn't quite in her range, but she's incredibly powerful and undoubtedly very hot in this scene (fun fact, oscar winner George Chakiris is one of her dancers here, before his big break!) -

[chaifootsteps]

tbh one thing i liked about the instas that i dont think the series will bring back is him wearing casual clothes outside of work. the concept of a gay male sinner from the 1940s embracing modern day fashion from the current era because of how cute it is without anyone caring because its hell, (with the implication he mightve been doing this for decades beforehand before he came to the hotel,) is just really cool concept to me :3 it gave him a fashion identity outside of his sex work (something the show really doesnt do at all,) and it let him explore a more cutesty side to his character, but in a really natural way! i also just liked it because most of the sinners we saw tended to stick to dressing from their era, which made angel stand out more.

but this isnt present at all in the series, and even weirder, the one time he has a chance to put on pajamas in episode 2 like the girls have, where hes alone in his room with fat nuggets, he doesnt. maybe we wouldve had time for that if there wasn't a joke dedicated to showing how tone deaf and christian charlies morals are for the bisexual daughter of lucifer morningstar.

all the clothes he wears, there's more of a focus of his outfits from posion rather then anywhere else. i hardly see as much fanart of that stupid ugly ripped finale suit, as much as i see fanart of the latex suit angel wears while singing about being unable to help swallowing poison. either that, or the outfit he wears while dancing with val. love the fluffy spider butt, but cmon. we can get an angel dust design thats more spider in a natural way, but we can't see him wear casual clothes when he isnt working? or even see him in a full suit? (i really miss the purple suit from the instas, no stupid pink stripes, full suit for both arms, and his boobs were out w his tie instead of being hidden away like they are in the finale, which was perfect for his character </3)

him wearing clothes separate to his identity as a pornstar also helped him reclaim some of his freedom under his contract, obviously being unable to choose what val makes him wear on set. that's what angel dusts actions reflected in the instas and the comics too. (the "work shit" box comes to mind, i hate that borderline on screen rape is fine for an amazon funded show, but a box of dildos is too much,) even the addict mv shows this, with angel wearing just a pink sweater and some purple shorts when laying with cherri. or even just the casual, but cute outfit he wears when he blows up that club with her.

its just one of the few things that made him feel human, especially when fashion is bound to change in so many ways when youve been in hell for 77 years like he has. this part of his character being missing (along with the implication he even has a life outside of his work in the series; pilot ad was coping with work with hard drugs, being an teasing asshole as a defensive mechanism, getting into turf wars and murdering mafia goons. but still dresses cute and gets to be cute w his friends in his own time! series ad is coping by self destructing and letting people drug and fuck him so he'll be "broken" but then gets better by going out once after being waterboarded at work, only to not relax and be a mom to a joke character at a club called fucking consent,) is one of the reasons im still bitter about the instas being nuked. but not the only reason.

viv will always takes the credit for them anyway, no matter if she feels they do or not, because her fanbase isn't smart enough to realize someone else wrote these stories they still love. even if theyll be the first one to remind you they arent canon, because the creator said they arent. but my honest to god confession is that sometimes the instagrams feel more like the canon hazbin hotel to me, even months after s1 dropped, simply due to the nuance and detail it has compared to the actual series. it wasnt perfect, but you could tell there was passion there- passion that now, only the leads are allowed to put in hazbin so their favorite character can get more screentime and attention.

Thank you, Anon, for this absolutely beautiful writeup. It was true, seeing the difference between the outfits Val forced him into versus the outfits he chose to wear on his own time was one of the most interesting aspects of Instagram Angel Dust. It was a more safe-for-work extension of the "work shit" dildoes that didn't make it to Amazon Prime (while his graphic on-screen gang rape did) and it was powerful.

Of course, there are practical logistical reasons why cartoon characters wear the same outfit, but if only one character in HH was going to have a big wardrobe, it absolutely should have been Angel. But of course it wasn't, because as far as Viv and Raph were concerned, the only Angel outfits that mattered were the ones that fed into their shared fetish.

[alpaca-clouds]

Solarpunk Storytelling - And People Who Have Never Read A Book (apparently)

And once more I am back at the topic that maybe annoyes me the most of all when it comes to "white people having bad opinions about solarpunk". (And yes, let's face it, most of the people are white.)

And that is people that argue like this:

"Uhm, actually, how are we supposed to bring in a conflict if it is not about the utopian solarpunk world hiding a dark secret?!"

To which I will always have to assume that these people are not in fact familiar with the concept of books, movies, series, or stories in general, and have not consciously ever consumed a story at all. Because otherwise I cannot fathom how one could come to this conclusion.

Because here is the thing: Most stories out there have a conflict that does not involve a government having a dark secret.

Unbelievable, right?

Escuse my sarcasm in this, but I really just find this argument so silly. I mean, Lord of the Rings most certainly does not draw its conflict out of any government hiding a dark secret. Nor does any of the Sherlock Holmes stories. Titanic is a very popular movie not building around the concept of a dark government secret. And... Ugh, I don't know. Forrest Gump and Fight Club are two very popular movies, that I don't like, but in fact do not work around a dark government secret as a conflict. Nor do my favorite Fantasy books: The Magic Castle trilogy (that includes Howl's Moving Castle) and The Witcher series.

You will find there are a ton of stories out there not focused on a dark government conspiracy. In fact those conspiracies tend to be a feature of only certain subsections of genre fiction: thrillers and dystopian fiction. And obviously especially dystopian thrillers. Which is why it is so common in the original punkpunk genre Cyberpunk: Most Cyberpunk stories are dystopian thrillers.

But Solarpunk is not Cyberpunk. And you can tell a lot of different stories that do not feature those kinds of conspiracies.

What those people do not really seem to grasp is that at the very core fantasy, science fiction, and all the punkpunk genre actually do not quite describe the sort of story you tell, but just the setting. Think about it: High Fantasy does not say anything about what kind of story you can expect. Sure, a lot of High Fantasy is either a war story, or an adventure story, but I have read high fantasy thrillers before, just as I have read one really cool indie mystery story that was high fantasy. Same with Urban Fantasy. Are most Urban Fantasy novels some sort of detective novel often with a strong romantic/erotic subplot? Sure. But I have read Urban Fantasy horror, pure Urban Fantasy romance, and Urban Fantasy adventure stories. (In fact I wrote an Urban Fantasy pirate adventure myself.)

Same with the other punkpunk genres. Yes, most Cyberpunk is in fact some sort of dystopian thriller. Some are more action heavy, others are more mystery heavy. But I have seen Cyberpunk erotica, Cyberpunk adventure, and Cyberpunk drama novels. Sure, they always tend to have dystopian subtext, because Cyberpunk worlds are dystopian - but... It is not the central theme in those stories.

Steampunk is maybe even stronger in this. Because I have seen I think any genre in Steampunk before. Romance, adventure, mystery, action thriller... I have seen it all. And I do not even like Steampunk particularly!

So, I really have to wonder: Why in the world can those people think of telling only one type of story with the Solarpunk-setting? And why is it the kind of story that is literally the polar opposite of Solarpunk as a setting-idea?

Because I can guarantee you: Every single genre is very much still possible even within an utopian Solarpunk setting, where the utopia is not a sort of conspiracy hiding a darker secret.

Mystery? Well, even in an utopian world people will go missing. Even in an utopian world, someone will commit murder. The world being utopian will not just fix humanity from its darkest instincts.

Romance? Duh, people will still fall in love in an utopian world. And people will still be complicated about it.

Adventure? Within a Solarpunk world there will still be people looking for lost treasure. Hell, there will probably still be some asshole private collectors who want it for themselves. Or you can even do it fitting with the theme: Instead of a lost treasure people are having an adventure looking for a supposedly extinct species!

Action? You do not need a government conspiracy for someone to come up with guns and do bad things with it, forcing good guys with guns to stop them and have cool fights while doing so!

Thriller? Again, it does not need to be a government conspiracy for that to happen. (Heck, I might write a different blog about that tomorrow.)

Horror? You can have both serial killers/slashers in a Solarpunk world, abusive people for psychological horror, and ghosts/demons if you wanna go supernatural. Literally neither of those care much about the setting they are in.

So, yeah. Really. If you think you cannot write an interesting story within a Solarpunk novel that does not involve the government hiding something and the world being build on a lie, that is very much a skill issue. Or to put it different: Maybe writing is not for you.

[gwenllian-in-the-abbey]

Ironically i thought F&B was the worst thing Grrm has ever written, however watching hotd has made me appreciate F&B alot despite how terrible it's compared to other Grrm's good stories. it's still better than whatever Condal came with. The fact that book!Alicent& Rhaenyra despite being historical figures have much more agency than show!Alicent& Rhaenyra who are pov characters is so funny to me.

I do like F&B, but I like it for the faux history aspect of it, not the story. The story is nothing special. There are some cool bits, and I think most of the characters have the potential to be really fascinating, but they are bare bones at best.

Ultimately though, the characters in the F&B do generally act in a consistent way, and if you work backwards from their actions, you can arrive at a characterization. I feel like the show has done this with Aegon and Aemond for the most part, and even with Daemon, with a few hiccups along the way. But with Alicent and Rhaenyra they did the opposite and it shows. They started with the characters they wanted to portray, and then went about forcing these new characters to perform book events, when those events were not written for a pair of estranged ex-friends, they were written for a stepmother and stepdaughter whose relationship has always been contentious at best. The actions that Alicent and Rhaenyra take in the book are not the actions that people love each other would take. If George had written them as close friends from the start the Dance would have played out very differently!

But that's not the story he wrote, and adapting actions written for people actively antagonistic towards each other to characters who are meant to love each other forces the showrunners into certain corners. Making Otto and Daemon the masterminds orchestrating the violence (remember, in the book Otto never suggested murdering Rhaenyra and her children, and Daemon was the one who urged caution when Rhaenys wanted to go straight to war), inventing a prophesy and deathbed misunderstanding which fundamentally alter the nature of the conflict, these things are done to soften the impact of the canonical actions of these women, but it also absolutely takes away from their agency. You get a really odd situation where the showrunners simultaneously want us to believe that the women should be in charge because the men ruin everything, but the women themselves are both unable to take direct action for fear of harming each other, but also unable to retreat, because the story demands they come to a certain end. Rhaenyra cannot accept the peace terms Alicent sends, or any future peace terms she proposes, and for all that they might come into conflict, Alicent cannot actually join team black and betray her entire family, the children she spent her whole young adulthood keeping alive. Ryan Condal has said that even after Luke's death he still believes there is hope of reconciliation but we know that fundamentally that can only be true in theory because the ending is a forgone conclusion.

There are people who say that Alicent is fundamentally caught between duty and desire, and that is why her character is inconsistent, but I cannot help but think that the reason why her actions are inconsistent is because half of them were written for another character entirely.

[klerothesnowman]

The New Lower Decks Episode Wasn't About Multiverse Fatigue

I know I usually talk about Star Wars but I like other things that start with Star too! Stargate, Starfox and yes, Star Trek.

I also really, really love Lower Decks. The combination of irreverent comedy and absolutely reverence for a franchise's history and themes is a great combination, no matter what. To bring it back to Star Wars just for a moment, look at the latest Lego Star Wars movie. People love it, and it's got the same DNA as Lower Decks!

But I have a feeling about the new episode of Lower Decks and a cursory search on tumblr suggests I'm the only one feeling it, though people are brushing against it! So I guess I gotta be the one to say it.

Lower Decks is, as an elevator pitch, a Star Trek series starring Star Trek Nerds, made by Star Trek Nerds. Everything in this show drips with a desperate love for every facet of the franchise, from its characters and stories to its themes and universe and this love is reflected in its main characters, especially Mariner and Boimler. Our main pair are absolute giddy nerds every time something Star Trek happens. They lose their minds at the idea of meeting famous Star Trek characters, they know the tropes of a Star Trek episode and get big smiles when they recognize them. Mariner's big emotional climax in Season 4 is even reflective of the way some Star Trek Nerds react to DS9 and post DS9 Star Trek content. It's darker, it's violent, it's big space battles where no one comes out as a hero rather than exploring the galaxy with an optimistic glee. It's not Star Fleet. It's not Star Trek.

These characters are another facet of Lower Deck's desperate love. It's their love for the Fandom.

I'm going to completely contradict my title for a second, yes, absolutely, Boimler's entire character in this episode was about how sick people are of the Multiverse. Because boy howdy are we so fucking sick of it right? We all agree we're sick of it? But here's the thing about the corporate hellscape Multiverse that we're all so sick of.

It's not Gashir being confirmed. No one is making canon alt universes where characters are gay on screen, they were already gay. Yet they're the alternate universe characters who are treated with the most importance.

Garak and Bashir take up a sizable portion of the episodes run time for literally no reason. Their lovers quarrel doesn't matter. You could get rid of Bashir entirely and nothing would change, you'd just need to pad out about 5 minutes of episode. So why was it there?

Because it's fucking Garak and Bashir being on screen gay as fuck, what am I talking about that's worth 5 minutes! And like, yeah, I'm right, absolutely, BUT ALSO?

At the emotional climax of the episode multiverse explorer Lily Sloane convinces Boimler that the multiverse is cool because it's a glimpse into humanities limitless potential. How it's enlightening to experience how different someone could be just because of a minor change in their trajectory. How a completely different team of Avengers would handle the battle of New York, how Spider-Man would be if he was a neo-noir detective, what Hela would be like if she was banished to earth instead of imprisoned.

But that's not Star Trek Multiverses, right? Star Trek multiverses are like... What if we flipped the entire script stuff. Terran Empire and all that. They don't explore minor character changes. They're not about minor variations on beloved characters. This isn't the Star Trek that Lower Decks is dripping with love for.

Another Tumblr user (@abigailnussbaum) had a theory that Curzon was supposed to be Jadzia, because every other character in the crew was "Someone who was screwed by the narrative, writers or just something the fans have long wanted to see"

Another user (@halfbakedideas) said that the episode felt like "a fanfiction writer wrote it"

The reason so much of this episode focused on Garak and Bashir's enduring and perfect love for each other is because the alternate universe where they are on screen gay lovers is the point. It's the beautiful universe that we're exploring.

The episode was about Fan Fiction. It was the Lower Decks writers expressing their appreciation and desperate love for the Fandom writing these characters in new situations, exploring their limitless potential from a narrative position.

[delusionalme8]

hey, i have been a fan yours since your Instagram and old tumblr days, so just wanted to pop in ask you how you've been doing? also asking for your hinny fic recs!

Hey, that's actually so cool!

It's been about three years since I stopped using that account. Unfortunately I had to study a lot to get into University and my free time has been greatly reduced. But all in all I'm fine now, thanks for asking. I hope you are too!

There are so many fics that I love that it's impossible to remember them all, so I'll try to fit some in here!

Consider that I like really everything from these authors, so I recommend you read their other fics in addition to the ones I suggest. It's totally worth it!

-Brumous by @seriouslysam8 and its prequels (my personal favourite is Backstabber). As far as I'm concerned, it's one of the best fics I've ever read and she's an amazing writer. She's on a break from Brumous at the moment, but is releasing Selcouth which is just as good in my opinion!

-7 Scandals and a Baby by @ginnyw-potter ! It's a story set during the Regency and has an incredible atmosphere around it! She's an incredible writer and has an insane creativity too. Think of any trope and 99% of the time she's already written about it lmao (if she hasn't already, she almost certainly will). Also, her Harry and Ginny are soo good. (Not a Done Deal is one of my favourites too!)

-These Cuts I Have by Melindaleo and its sequels. It's a trilogy set in the post-war period and it's a wonderful read. I just reread it for the third time and I love the way it deals with Harry's horrible childhood and the relationship he develops with the Weasleys! Read it!

-The Path From You by @takeariskao3 too! I feel stupid for only now discovering her work, but I'm spending my afternoons catching up on it all lol. It's a story full of angst and great tension building before Hinny arrives. But I love a good slow burn, I have to admit, and she wrote it so damn good! I really recommend reading it!

-An Hour of Wolves by @solvskrift ! This one is quite heavy and angsty because it deals with a particularly sensitive subject, but I think it's absolutely worth it. The worst thing is that it's about something that could have easily happened in the canon and it's horrible to think about. I love the way it is written and deals with such sensitive topics, as well as the wonderful characterization of the characters. It is a work in progress, but it is definitely worth reading because it is incredible!

These are just a few fics and I don't know how many more I'm missing, but feel free to recommend me some too!

[sleepy-vix]

How to annotate your books like i do

i'm writing this because i am bored :)

📰🪶

what you will need:

- a bunch of annotation tabs in a variety of colours (you can buy these on amazon)

- a pencil (preferably tiny so it's not always in your way, but that's up to you.)

- no pens. too permanent and they bleed

- no eraser

- no ruler

- no highlighters, colour pens, or colour pencils

- a pencil hook holder thing that you attach to the plastic flat thing that your annotation tabs are on and put your pencil through. compact. keeps all your stuff together when you're not using the pencil

- a book. obviously

- a drink: optional, and unrelated.

How i make the key:

choose colours that match your book. I usually pick out 5 based on intuition. This is how i make my key:

- the darkest colour is for sad/ horrifying/ basically wtf moments

- i always have one for quotes

- i sometimes have one for fun fact; depends on the book

- i like to have a tab that i label as "hm" which basically means "ooh interesting idea proposed here" (not all books will let me have this tab. like a fantasy book wouldnt have this tab, but a dystopian book would. i love it when books allow me to add this tab ^^)

- sometimes i have one for beautiful descriptions and writing

- i have one for cool protagonist moments

- i have another for 'cool character moments: side characters' (i only give side characters their own tab if i find that i am very attached to them. like i was reading the poppy war, and i was bookmarking kitay moments alot so i decided to give him his own colour)

honestly, i do alot of this based on my intuition, and i like to adapt it as i go along

also here are some more general facts abt my annotation habits:

- i usually leave space in my annotation key because half way through the story i will probably add more to the key

- i don't believe in having a tab for plot points. i'd much rather write my thoughts on foreshadowing and plot theories in the margins of the book with my pencil. i see no need to give it a tab

- my pencil is everything. i try to use pencil to express my thoughts whenever i can. i only tab when i really loved a scene or line and feel that my future self would want to easily flip to it

- i don't force myself to be articulate in my written annotations cus there's no space to be. most of the time i just wrote lol, aw, draw a skull, draw a straight lined face, or draw a crying face so that my future self can see what i was feeling when reading it

- i don't like underlining a whole paragraph, i feel like it looks clunky. so instead i draw a bracket like this [ in the margine so it draws my attention to that entire paragraph and future me will know that i found that entire paragraph to be interesting

- my lines are messy, and i love it. it breaks my reading rhythm to bust out a ruler and meticulously rule my lines, i just wing it and move on

- usually, in my annotation key, to start with, there are no tabs for ships. i usually add that in later on if there is any that i care about. if there is romance that i don't care about then i simply won't add a tab.

my annotation experience is very personal and it's done for my future self, or anyone that would like to see my personal thoughts on the story.

i don't care to annotate in a logical way. i won't make tabs for every main character or every plot device or every romance ship. that makes me feel like i'm shallowly categorizing the scenes in the book... ykwim?

- ooh also, by the end of the book, if i find that i am head over heels in love with it, i'll usually go back and draw on any blank space i can find (i try to draw the scene that is happening)

btw none of these photos are mine

thanks for coming to my ted talk

[brainstirfry]

im making a thread of things that happened in the wolverine's canonical lifespan. Cause they had movie that was supposed to be his ORIGIN story, but it gave 5 minutes to one experience in his childhood and 45 cumulative seconds to like THREE major wars he was in. So just to highlight how rich this character COULD be with culture across actual CENTURIES here's some shit that Logan Howlett lived through since he was born in the year of our lord, 1832. (By the way, as of earlier this month, that makes him 192 years old cause I think some people just wanted him to have the same birthday as hugh jackman which is great and I support it but I also can't find any evidence that it's actually true.) the last note I will make is that 1832 is neither the date supported by the comics and I've heard that it's not even true for Origins, but it's the most commonly cited and I think it will all be okay. it will all be okay in time. Oh yeah, and spoilers for x men origins Wolverine.

- For historical background, 1801 in America saw the election of Thomas Jefferson, who was the THIRD ever president of the US, so just for context the revolutionary war was just under 30 years prior and the events of Hamilton the musical will shake out within 3 years.

- Anyways in Canada after the American revolution the British split the territory in half, upper and lower Canada and all the British loyalists in the North American colonies went up there. 20 years after the split was the war of 1812.

- Washington Irving was alive during what would be Logan's parents? Time? which I mention because I think Beast would quote him and it would send Logan into a flashback that's the only reason

FROM HERE OUT Logan was probably alive for these things:

- Charles Darwin visits the Galápagos Islands in 1835 but it's hard to say how that really fits in with there being 'evolved' mutants but it's an interesting thought.

- Telegraphs were being widely used by the 1840s. Cool

- there's the Great famine in Ireland late 1840s which kicks off a lot of immigration to the US, in time for the gold rush starting around 1848. Also during this period Edgar Allan Poe hits national fame

- Ok finally getting to the First fucking thing we even see in Origins after the initial opening scene. This is being shown WHILE credits are rolling: the civil war. (1861-65) (Idk if him and Victor are still living in Canada at this point or if they've emigrated to the US after being on the run(?) but it doesn't really matter since Canadians did fight in the war regardless, mostly on the union side, obviously. By this time, they're both certifiably adults. Also Abraham Lincoln is assassinated.

- the late 1870s had graham bell's telephone and Edison's lightbulb. And wax cylinders for music on phonographs. Battle of Little Bighorn in Montana in the summer of 1876

- 1886 I wrote "statue of liberty put up. damn."

- 1890's: Wounded Knee, Carnegie hall OPENS, Sherlock Holmes first appears in a newspaper. kinda thought that was interesting. 93 there's a depression in America that foreshadows the Great Depression, then oh this one is important,

- 1894 has the first motorcycle production in the US! wow.. later Logan will buy his favorite '48 panhead "new off the line"

[edenhasfeelings]

The Death of Media Literacy, Religion, Misogyny, and Cognitive Dissonance

Spoilers for Dune Part 1 and 2 and the Ballad of Songbirds and Snakes

I'll admit, I have not read the Dune books yet, but I am a huge fan of the Dune movies. Not only did Denis Villeneuve just make two incredible, epic movies with a lot of nuance, gorgeous visuals, and an incredible score by Hans Zimmer, but the story itself is really compelling for a lot of reasons. My mother had tried to get me into Dune when I was younger, but at the time it wasn't my thing. I really liked Part 1, but Part 2 was something else entirely. I was gripping my seat the whole time, genuinely enthralled by everything happening. But I came out of the theatre with one definite conclusion: Paul Atredies is not a hero. I shared my thoughts in the car, and while my boyfriend agreed with me and my father had no opinion, my mother adamantly refused. She read the first book in college, and loved the 1984 version of the film (watching that, in my opinion, was like slow cooking your eyeballs over a campfire, but it was cool for the time period I guess). She was insistent he was the hero, and then tried to say that they changed the story to make him seem more like a villain, but he wasn't in the first book.

No hate to my mom, it's been a long while since she read the first book, and me and her are going to actually read the whole series soon. From my understanding and the research I've done, Frank Herbert wrote Dune as a cautionary tale against white saviorism and a commentary about America stealing oil from Middle Eastern countries and their subsequent colonization. I've also heard it was meant to be a standalone originally, but because people were portraying Paul Atredies to be the hero so much, he then wrote Dune Messiah to further drive home the point he was originally trying to make. But even without the knowledge of the books, it was apparent to me that he was not meant to be a hero in the movies. Of course, it isn't spelled out for you, and Timothée Chalamet does have some really epic, badass moments. But one of the biggest clue that you can have to what's going on is Chani, and how she reacts. She loves Paul, and she supports him, but she doesn't support him becoming a religious figure that leads her people because she feels as though that level of fervent religion is dangerous and not right; she says that a born and raised Fremen should be the one to free their people. You also see a huge shift from how Paul acts in the first movie and the first part of the second movie to how he acts after he drinks the Water of Life. In the first movie and first part of the second, he refuses to fulfill any prophecy, and tells them that he is not the one they are looking for. He is only wanting one thing: to avenge his father and his house. He even gets into an argument with his mother, Jessica, and he tells her that the Bene Gesserit were the ones to perpetuate this prophecy for their own gain. He knows it isn't real, and that it isn't divine, and that he was raised by Jessica to fit the qualifications for this prophecy for her own gain and the gain of her order. He knows what will happen if he takes up the mantle of Lisan al-Gaib: holy war spreading across the galaxy in his name. But when he feels like he has no other choice but to drink the Water to rally the Fremen to fight the Harkonnens, things instantly change. He becomes arrogant and demanding and self-confident, completely uncaring of how Chani feels and becoming solely focused on becoming Emperor. The line "lead them to paradise" felt really, really gross upon delivery, partly due to Hans Zimmer's masterful score. It feels damning.

While looking like a white savior story at very simplistic face value, Dune: Part Two is in fact a critique of it, even without the addition of Dune Messiah. The other big thing that the movie critiques is religion, especially blind faith at the cost of your critical thinking skills, religious fanaticism and idolization, and how religion is taken advantage of by people in power or people who want to be in power. Now I've seen a lot of tone deaf critiques of Dune, and a lot of ignorant comments made, usually in regards to the racial and political elements of the story. I have also seen a lot of people who get it and were able to help me expand my reasoning for the feeling of wrongness I got from people thinking Paul is a hero. But nothing compares to the TikTok I saw today. Someone blended the audio of Timothée Chalamet's Wonka character introducing himself, with the scene after Paul drinks the Water and goes to rally the Fremen to fight for his cause. The first image in the slideshow was an image of Wonka with the caption "Being raised in a religious household and calling yourself 'a Christian'." The second slide shows Paul in the midst of his religious fanaticism in the movie, with the caption "After being born again and having your entire worldview change." Absolutely no hate to this creator if you know who I'm talking about, but this video quite honestly had me gagged, for lack of a better term. I was absolutely shocked at not just the usual lack of media literacy that revolves around this movie and so many others, but the fact that they were so far gone from the point of the movie and Paul's character entirely that they thought it was a good idea to post that online in reference to their own faith. Paul Atredies took advantage of a prophecy that he knew was engineered to control the Fremen to do exactly what the Harkonnens wanted to do, just in a different font. His intentions might have been good to start, but ultimately, because of Jessica and the Bene Gesserit (specifically the Reverend Mother, as she talks to him in his visions and pushes him forward), who he realizes he is being manipulated by, he ends up where he is: a religious idol who (Spoiler for Dune Messiah) leads 61 billion souls "to paradise" and causes irreparable damage to the galaxy.

As someone who was raised Christian, I can tell you without a doubt that religion in general, but especially Christianity, can heavily damage your critical thinking skills and media literacy. When you look at everything from the lens of, "Ok but how does this piece of media validate my feelings and beliefs regardless of intention, subtext, or true meaning?" you end up falling into some really dangerous territory. Paul is not meant to be venerated in any way, shape, or form. He's a badass character and Timothée Chalamet did an excellent job portraying him, but you should not be comparing yourself to him, especially in the context of your religious journey. That is incredibly dangerous as you then shut your eyes to the true message of the story: white saviorism is bad, colonialism is bad, exploiting entire peoples for resources of any kind is bad, and spreading and using religion to control people is bad. Of course if you phrased bluntly any of these things to religious people they would (probably) agree that those are bad things. But when you put it into the context of film/literature/music/etc, and then you have no one spelling things out for you like you're used to people doing for you in your religion, and you've already tossed your critical thinking skills out the window in order to avoid doubting your faith, you end up supporting and turning a blind eye to the bad things that you would otherwise disagree with if it was made simple for you. Even if you have no ill intention, even though it was just a silly TikTok, the ease in which people delude themselves by refusing to look any deeper into media causes such mass amounts of complacency and allows history to repeat itself. It is repeating itself right now. When we learn about the Holocaust in school, everyone would say that if they were Germans living in Germany, they would have opposed the genocide of the Jewish, Romani, and queer people during WWII. But here we are, watching the genocide of the Palestinian people live on our phones, and yet people are still sitting in denial and complacency, and often using the Bible and religion as an excuse for why its' ok.

Steering away from the topic of religion, another clear example of media illiteracy recently was The Ballad of Songbirds and Snakes. I both read the book and saw the movie (full book review posted on my book review blog @385bookreviews). While in the book you get Coriolanus' raw thoughts and it is made more obvious that he is not a good person even without the influence of Dr. Gaul, the movie still does a really good job of showing his decline into the person we see in The Hunger Games trilogy. And yet somehow, even with the context of the first three Hunger Games books (and the four movies), somehow people were still painting Coriolanus as the misunderstood good guy of the story. The latent misogyny that came out of so many people, especially women and girls who claim to be feminists, by saying Lucy Gray was manipulative and everything was her fault, was honestly appalling to watch. There is always room for personal interpretation of media, however that is widely different from purposefully ignoring canon information and editing the text to adhere to your own cognitive dissonance. This can once again come back to religion, as I believe people of every organized religion also practice this habit of picking and choosing whatever they want from their holy texts and then conveniently excusing the rest of it. Media illiteracy is shown in another way with the Hunger Games series fans as well. A lot of people can go to the movies or read the books and root for the rebelling protagonist and recognize perfectly the plot of the story: government bad, so good people rebel and fight for their freedom, and those are our heroes. And yet these same people will then turn around and ignore genocide because "the oppressed people attacked first, they should have stayed peaceful".

While not all media reflects real life, or is meant to be taken as seriously, The Hunger Games and Dune are definitely not two of those series. By ignoring the context and subtext and purely engaging with things as fiction, and then ignoring the real life applications and implications of the work, we are being purposefully and consensually blinded and allowing ourselves to become mindless cogs in a capitalist machine. We all need to learn to think for ourselves, now more than ever, and that starts with our media consumption.

[aleksanderscult]

I don't understand how Leigh Bardugo could write something as bad as King of Scars and a trilogy as average and problematic in its messages as Grisha ?!

Knowing that she also wrote Six of Crows which was very good for me, limits most people to only knowing that about the Grishaverse (even if, if you take it in the context of the original trilogy, that makes the fate of the Grisha and of the Darkling even worse)... The Language of Thorns with some really cool stories, the Demon in The Wood (which makes you wonder even more why the Darkling is supposed to be the fucking bad guy in the original trilogy and die at the end ?!). Not forgetting recently The Ninth House which has 2 very good volumes and the beginning of The Familiar.

I have a hard time understanding how she can produce good things and such bad things.

I hear that not everyone is perfect, but for me the gap is still huge.

And the most paradoxical thing is that while she seems to gradually improve her way of writing, at no time does she acknowledge having made questionable choices in the writing of Grisha ?

Just see her attempt at moralizing backpedaling with the King of Scars duology...

TW!: Genocide

I don't think she knows or even cares about how genocide and prejudice in real life are not how she portrays them. And they definitely don't vanish by magical means. Clearly she put them in her story as a dramatic effect but she handled it with such unrealism and carelessness that makes you wonder what was the point of putting such issues in her book in the first place. She places such importance to the romance part (Mal × Alina, Kaz × Inej, Nina × Matthias) that the problems of her world take a third place in her books.

Six of Crows and Crooked Kingdom weren't such flawed because the heroes there did some personal jobs and didn't have a humanitarian goal. Kaz, in particular, has made it clear that he doesn't give a fuck about the world, only about his pocket. So they were some pretty straightforward books and well-written enough that you cannot see the issues.

But in the trilogy we have this huge war going on while the protagonist wails about her love interest, kills her enemy at his weakest (so no flex of her powers against him) and other people vanish the Fold for her.

In the duology Bardugo wanted to get back to her own readers:

- "People dislike Zoya. Hmm... Let's make her Suli with a very sad background. Also let's make her the most important character among the heroes just for these haters to shut up. Because if they don't, they'll be racists and misogynists"

- "People love the Darkling. Hmm.... Let's remind those readers of mine what he has done by having Zoya conjure up every delulu thought about him. Also let's have Mal, Alina, Zoya, Nikolai and freaking Misha make him shut up and look stupid"

- "Ah shit they love Aleksander too much. Ok how about this. I'm gonna make the Starless Cult out of them to prove how blind they look"

- "People didn't like the R&R ending. Hmm.... Let's bring Alina back and have her say how happy and peaceful she feels with her current state"

- "People hate Mal. Hmm... Let's have him be likable and funny while thwarting Aleksander's comments like a pro. It's not like he isn't a hot-tempered guy or smth"

(and about bringing the Darkling back, this was lazy writing. Instead of making the heroes face new foes from the north and south, she recycled villains)

By the way, when the TV adaptation of S&B came out she said that she wanted to fix the diversity. Can you imagine that? Not book!Alina as a character, not the trilogy's ending (not protesting on that cruel scene on the show where the Crows gleefully kill the Grisha that stood with the Darkling) but the diversity. Season two's ending was the showrunner's idea as well as Mal's change of personality, not Bardugo's.

Anyway, she should stay on writing short stories. I really love the Language of Thorns and Demon in the Wood so why ruin your fictional world further?

[lover-of-mine]

On the question of the new viewers. Let me preface with after getting burned bad I made a promise I would never ship Canon straight characters as queer ships ever again. It just comes into play to understand the readers digest version of this. Yes I was always aware of the Buddie ship and the actors but that was it

I accidentally started season 6. It just came on, and I just didnt look away. Here's how it went.

I actually saw the lasagna dinner scene and thought wait they went Canon? That's them right? Then quickly realized. Nope 2 straight besties. Bucks a cool uncle (didn't know about will scene forgive me). And proceeded to not get attached.

Actually easy because they separated them a bit. But then there was the lightening strike and poker date and I was like oh somethings happening. I was wrong they had the dopey ass ending and I was like bless me for not getting invested.

Then.... It was a year wait!!!!!! So it was a boredom tune back in. I was pleased to see Bucks bi story. I thought the first kiss was charming. Then he was just there. I left the season thinking Eddie was tragically in love with his dead wife and Buck was experimenting.

If I didn't go back to binge I would have gone into 8 with these expectations. Eddie either excepting he was a tragic single father forever. Buck, yes probably seeing Tommy, but no I was not a shipper. Firstly because of appearance. I have no problem with age difference but with them I just don't like it. Tommy seems older and rougher. On the flip side personality. That Tommy wasn't what I pictured Bucks end game as like at all. I wanted someone like Spencer Reid if it wasn't Eddie.

But... . I did go back and binge. S1 was a trip. Got to S2. Saw the opening. Went duh I get why they ship them, but you ain't getting me. Until the elf scene. I really was good. But right after the elf scene I remembered hearing how Tim wrote it as a nod and double checked.. Remember, it would be weird to see the scene and know Tim knows after knowing full well yes Buck would come out queer. So it really was a no brainer after that. No way Tim created this in S2 if they weren't end game if there was ever a chance.

Then came the well, tsunami, shooting, will reveal, break ups, co dependant idiots and finally caught back to the lasagna and lightening. Also seeing how much Eddie isn't a reliable narrator about his relationship with Shannon. The version I got at the end of 7 is not what was happening on my screen in 2. I would almost label it a red herring depending on how this plays out in 8. Also after watching the begin episodes I understood anyone's frustration that Tommy was just white washed.

Final conclusion. Not even trying to sound condescending but I don't know why the other side even thinks this is a "ship war". I was late and I never hated Tommy but I would have never shipped them as end game. I couldn't even tell if Tommy actually liked Buck. I was left with the ick of Buck was a consolation prize or second choice and Buck was trying way to hard. Taking scraps and being grateful. Maybe because I binged it was more fresh but it was more of how little self respect Buck had for himself in trying to be in a relationship.

And if anyone finished reading that you deserve an award.

This is an interesting view of things, I think if you only have the s7 context, you will see them differently because the whole Kim thing really messes with the perception of Eddie and love, thank you for coming and telling me this, really.

But this kinda made me talk about my experience with buddie, so I'm gonna do that, because I think it's funny. I didn't know much about the show, but I knew of buddie, I started watching during the hiatus between 5a and 5b and during that time there was some big talk about queerbaiting going around and I know of them next to ships like destiel and stucky and destiel, I had just read an article on queerbaiting that had a section talking about them, so I kinda assumed buddie would be the same as they had enough context to create a ship but not enough for it to have a real chance of going canon, so I was set on not shipping them. Like, I was legit ready to roll my eyes and see that Buck and Eddie with their respective female love interests and be like "okay they are never going anywhere" but then an elf pretty much calls them gay as Eddie justifies sleeping with his wife 10 episodes in and I was like "oh oh" because they have a compelling friendship and I'm a sucker for best friends to lovers, but I was fighting it, until the tsunami, because seriously, I watched Eddie go "there's nobody in this world I trust with my son more than you" after a situation where no one would blame Eddie if he needed time and I was done for. Then they just kept getting more insane about each other. I remember watching the will reveal and being like "wait, fuck me, are they gonna go there?" because they follow all the basic procedural slowburn tropes, and I started s5 being like 👀 about everything that was happening to them. Now that Buck is bi, I'm seriously 95% sure buddie is happening because all the elements are there. There is something very compelling about Buck and Eddie together when you look at the whole show and s7 really added to that. Settling for Buck in a relationship with someone who's clearly not that into him just because it's a queer relationship doesn't feel right when Eddie is right there.

[girlfriendsofthegalaxy]

tuesday again 6/18/2024

might flood today! might not! who knows! i live in the paved over swamp! mackintosh’s main concern is this bowl of grapes

listening

sligo river blues performed by john fahey. part of the point of doing this weekly is when i sit down to draft these, i am occasionally forced to go "ooh. i forgot to listen to music while pacing around last week. maybe that's why i was a tremendous cunt and wanted to claw out of my own skin."

anyway i care about two people on tiktok and one of them is a couple renovating a stunning house in the pacific northwest from a level 5 hoard (DK Dreamhouse), and one is this guy dylanwesch who is i guess music nerd tok? a lot of ambient stuf which i love to click around on the computer to. listened to part of this album while debugging a GIS problem this week

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reading

i read six books this week, which is really the clearest possible sign i need to up my antidepressants. read the shepherd king duology by rachel gillig (Fine but i had some issues with the authorial style, felt very YA as opposed to NA, did have a very cool magic system, unfortunately i liked the second couple’s banter and relationship Way More than the main couple’s). finished the last three books in the temeraire series, i have not much to say about them except i adored them wholeheartedly. also before i read those i wrote all the below in a fit of pique

the great state of west florida by kent wascom. instagram kept serving me ads for this book and i am once again a little unnerved by meta's advertising.

publishers' weekly synopis

In Wascom’s wacky and wild fourth adventure for the Woolsack clan (after The New Inheritors), lawless gunslingers and reactionary Christian nationalists face off in a divided Florida. The year is 2026 and 13-year-old orphan Rally Woolsack is rescued from the abusive foster family who brought him to Louisiana by his long-lost uncle Rodney, who regularly responds to challenges of mortal combat on the app DU3L. Rally is thrilled to get away from his tormentors and return to Florida, although it turns out Rodney has pulled him from the frying pan into the fire. Troy Yarbrough, a state legislator whose family runs a creepy evangelical Christian college in its mansion on Florida’s panhandle, has introduced a bill calling for the region to secede from the state. Rally, reckoning with the long-running bad blood between his family and the Yarbroughs, derides Troy’s vision as a “Jesus-riddled white ethnostate with a beachside pastel tinge.” With the bill on the floor of the state legislature, and with everyone packing firearms, the Florida Wars begin. Fans of pulpy dark humor will relish the climactic showdown between Yarbrough’s henchmen and those loyal to an elusive figure called the Governor, as right-wing nutjob Troy is saddled by mad cow disease and Rally is rescued by his crush. This high-octane satire feels all too plausible. Agent: Gail Hochman, Brandt & Hochman Literary. (May)

i had some trouble with this one! on its face it seems like the kind of thing i would eat with a spoon. in practice it's more of a coming-of-age than a just-before-the-apocalypse story and i have a lot of trouble relating to a thirteen-year-old boy. even if he is bisexual. in this interview wascom says he's "re-mythologizing the Western" which i can kind of see? it's very pulp and ultra-violent in a spaghetti western kind of way, and seems written in a way easily adaptable to the screen. not quite vaporwave but a lot of anime influence: the author thanks twelve Japanese directors and manga artists at the end of the book.

there's an odd authorial quirk where the thirteen-year-old boy often points out (internally and externally) that the adults in his life are just talking at him about politics. which is a pretty accurate portrayal of childhood, but lampshading it in this way doesn't really make me excited about wascom's authorial chops? this is your fourth book. this book revolved around a couple brutal fight scenes (and one giant setpiece crowd scene, which has vibes and atmosphere in spades), and that's a perfectly fine reason to write a book, but if that's your strength i would be very happy to have you focus on that instead of sections where both the kid and i the reader are bored.

there's a scene with babysitter/babysittee sexual abuse that unlocks how the abused character makes decisions for the rest of his life, but it was extremely graphic and i wasn't really prepared for that. i don't know that i would have read this book if i had that knowledge aforethought.

overall not quite what i wanted it to be: the author in this interview said he's been working on it for over a decade and had to keep throwing out parts coming true during trump's presidency. i picked this pulpy novel up as an escape from the terrible politics of today, which is not what this books is. i don't know if i buy that he was simply too good at predicting the future, but i do like the choice stated in his interview "I abandoned the predictive stuff and tried to tell a story like it was written on an obelisk in the future, like what Denis Johnson did with Fiskadoro, or Joanna Russ with The Female Man". it does feel very much like the narrator from Mad Max 2 telling his story of meeting Max as a feral kid. again, some interesting ideas in here, does deliver on the Southern Gothic doomed political family aspect, as well as the same flavor of heat-wave climate tragedy as JG Ballard's The Drowned World, but i would have liked to focus more on his cool furiosa-like aunt in a white mustang with an anime mech arm. criminally underused character

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watching

watched The Hunter (2011, dir. Nettheim) because of the Temeraire books! they used an archaic name for Tasmania that made me go “where the Fuck is that” and then i looked at the media mentions section of the wikipedia page. beautiful film in a very spare way. lots of long loving shots of willem defoe in the wilderness enduring various weather conditions.

i don’t know if it stuck the landing quite as well as i would like, but like defoe you fall in love with the land and the family so slowly it’s very startling when you finally do fully realize it. i think i was supposed to cry at the end but didn’t quite manage it. one of my favorite springsteen songs is part of the diagetic score in a way that made me cry, which i also did not expect.

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playing

shoutout to the Thing Matching genre of phone game. this one is very much watch-ads-to-win but the levels are pretty long and i like shuffling objects around while listening to podcasts and trying to fall asleep

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making

fallow week