#I wrote b-drama

[the-blind-geisha]

Just noticed The Demon King of the Desert hit 100,000 views on Ao3 and ranks 162 out of 53K reader insert stories on Wattpad. Geebus. 😅

Thanks for the support that story still gets. ♥ Y'all are lovely.

[tddott]

UGH I need more jealous Scott. He's so resentful and spiteful and bitter and ough. Horrible man.

[alternis]

had some very good thoughts and decided to scrap the zsasz subplot from third eye au and replace the character with an original villain named 'cut-throat', who shiva was hired to kill before a Wrench got thrown in the plans via tim. this allows me a bit more leeway to customise tim's trauma in fun original ways, and also gives a meta-reason why this villain never appeared in real canon (bc he would have gotten ganked by our girl sandy anyway)

[b-frank]

i’ve seen several posts in the past two days that are like “when i made my barbies date each other we should’ve known i was gay” but when i was a child who FREQUENTLY played with barbies it did not once occur to me to make them date each other so maybe my current crisis with aromanticism is precedented after all

[travalerray]

fanfic writing is always like:

questionable characterisation (not really familiar yet) => oh this is actually good => questionable characterisation (projecting)

[mariana-oconnor]

Types of AO3 Summary

Option 1 - The Excerpt:

The quickest, the easiest! Find a section of your fic that contains the main premise of said fic and also showcases your writing. Copy paste that into the summary box. BOOM! Done.

Best used for any fic, unless it's so short the excerpt would be the whole fic.

Option 2 - The No Frills:

Just a description of the fic. No need for drama. No need to complicate matters. Keep it simple, keep it safe.

Example: "A short character exploration of Blorbo's thoughts after Daisy leaves."

Best used for short fics, poems and fics where the style/format is more important than the plot. Or fics that tie directly into a scene/episode from canon or another fanfic.

Option 3 - The Hook:

Draw the reader's interest by giving them a set up with no conclusion. Introduce the main character(s), introduce the status quo, describe an inciting incident, leave a question in the reader's mind.

Example: "Blorbo is a barista at a coffee shop, struggling to pay their bills, but after handsome rockstar Obrolb walks into their coffee shop they find that they have to decide whether a chance at love is worth the cost of fame."

Best used for mid to long fic where there's a strong premise and follow through. Especially good for AUs. Can be expanded for more complex plots or used multiple times in one summary for multiple characters or subplots.

Option 4 - The Sitcom One-Liner:

"The one in which [over simplified description of one of the main plotlines]" This is essentially 'boil your plot down to the very simplest statement you can, oversimplify if possible. The more bizarre or unhelpful the better.

Example: "The one in which Blorbo learns to like cake".

Best used for fics with at least a little humour in them.

Option 5 - The Rule of Three:

Three is a magic number. Find three key moments in your fic and just list them. That's it. Often ends with 'not necessarily in that order' if used for comic effect. If it's an AU, establish that quickly (i.e. 'Star NHL player Blorbo…').

Example: "Blorbo makes a friend, falls in love, and almost burns to death, not necessarily in that order."

Best used for anything, really. Three is a magic number. The human brain loves things that come in threes.

Option 6 - The Trope Lure:

Why bother describing the plot? We all know AO3 readers are here for the tropes. Similar to The Sitcom One-Liner just using tropes instead of plot. Often followed by the phrase 'that nobody asked for'.

Example: "The Space western / A/B/O / Mail Order Bride fic that nobody asked for."

Often tacked on to the end of The Hook or The Excerpt as a tl;dr.

Best used for fic that plays its tropes straight with no shame or second guessing.

Option 7 - The Pre-emptive Strike:

(Not recommended) You just wrote this fic, the self doubt is consuming you. You feel the need to apologise profusely for your existence for no apparently reason. You feel cringe, you think the fic is cringe, you want everyone to know that you think the fic is cringe in case they don't like it and judge you for it.

Example: "So I fell in love with this pairing and had to write this. It's weird and terrible. Lol! I suck at summaries! Sorry!"

Best used for no fics ever. I cannot stress this enough.

(Seriously, I am begging you, don't do this. If you're planning to use this option, rethink it and do one of the others. I guarantee you more people will want to read your fic.)

Sometimes added on to any other summary as a strange disclaimer. (srsly. don't.)

Option 8 - The Unapology:

Embrace the mayhem, embrace the deep dark depths of your soul. The opposite of The Pre-emptive Strike. A combination of The No Frills and The Trope Lure that truly gives no fucks.

You have committed crimes and you are proud of them. You know what your USP is and you're going to make sure your target market finds you. Look upon my works, ye readers, and despair!

Example: "There aren't enough tentacle fics in this pairing, so I had to write one myself!"

Best used for fics with controversial/polarising tropes with all relevant details already clearly stated in the tags.

Option 9 - The Interrogation:

What if you wrote a summary entirely in questions? What if your readers had to read the fic to discover the answers? Who knows what will happen if you do this?

Example: "What happens when Blorbo McBlorbo gets his wish and Daisy doesn't make it to the plane on time? What happens when Obrolb finds out? How will this change Daisy and Blorbo's friendship?"

Best used for... I honestly don't know. This style of summary does not vibe with me. Mystery fic maybe? Sorry guys.

Option 10 - The Multipack:

Got a bunch of shorter fics in one work? No way of summarising them all without a wall of text larger than the Great Wall of China? This one is similar to The No Frills in that you're not describing the plots themselves and similar to The Trope Lure in that often broader genres and tropes are mentioned. What links those fics? Are they all in the same fandom? The same pairing? The same challenge? Just slap that right in the summary. A chapter list with 1-2 word trope/pairing summaries can be included or not.

Example: "A collection of Blorbo/Daisy/Obrolb fics based on Tumblr prompts. Chapter 1: Regency AU Chapter 2: Werewolves vs vampires Chapter 3: Ghost!Daisy Chapter 4: Space pirates!"

Best used for (obviously) works that are compilations of fic.

Option ? - The Void:

I said The Excerpt was the quickest and easiest summary to do. I lied, well... I didn't exactly lie. What is quicker and easier than not having a summary at all? After all, that's what the tags are for.

Example:

Best used for... nothing? Write a summary, guys. Please?

[leisureflame]

"I CANT THINK"

If you write, I assure you you have thought that.

Fear no more child, for I have found a solution.

it's called Rapid writing

something we learned when I was in 9th grade drama class and I cannot emphasize enough just how effective it is. Its actually what gave me the idea for my first book.

Stop what you are doing and do what I tell you

go grab either a pencil and paper (or open an empty document)

set a timer for 2 minutes

ask a friend to give you a random sentence. I have a few examples that I myself rapid wrote to: a) I looked around and saw b) the old lady hung from the ceiling and laughed c) purple paint dripped from her long purple fingernails d) there is a hole in my ceiling. e) when I am sad I... f) When you close the door, I... g) there is a wooden door with a gold doorknob

Now the most important thing is not to think of this sentence before you start writing. as soon as you decide which one if you are choosing from my examples (or as soon as you hear it if you are getting if from a friend), start the timer.

start writing the sentence and without hesitating just keep writing. the #1 rule here is to not stop or hesitate for a single second until the 2 minutes are over. you can write nonsense if you want and if you REALLY can't continue then write some random words for a couple of seconds then continue AS LONG AS YOU ARE STILL WRITING.

another rule is that you are not allowed to delete. even if its a spelling error, just ignore it.

after the timer is done, I promise you will have something to work with. now copy the paragraph you wrote and paste it below, here you can start fixing spelling errors and adding things at your own pace because now the creative side of your brain has opened.

don't think about the way you are writing or the words you use, think about the story you are telling. the idea.

Sometimes you will get something beautiful and deep like I did here:

When I am sad I go to my blanket, not many people know about it, all they think is happening is that a child likes to cuddle in a blanket, but no. my blanket has a special thing about it, it is a magical blanket, well, not the blanket itself but the embroidery on the blanket, it simply takes my sadness away but it adds the story of my emotions to the embroidery, my blanket is a very pretty one, it is a pastel blue color and it has so much silk embroideries that you just think its patterns, but it isn't, if you look deeper you will find stories every one of those stories came from someones tears... my tears. whenever i cry, i wipe my tears with my blanket and my pain goes but my story stays.

or

there is a wooden door with a gold doorknob on the door there is a painting of you, and there are many locks on the door from top to bottom, when you open the door, there is a mirror. this door is the door to self discovery, from the outside there is a painting of how people think you look like but when you open the door, you get to see what you really are in detail and look at yourself they way you want to, you can smile or cry and the refection on the mirror will change but on the painting, it doesn't show ur emotions, just how people see you usually.

or you can get something so stupid like i did here:

there is a hole in the ceiling in my classroom. everyday a dinosaur would a pear and eat my lunch and i keep coming home hungry but my mom dsays she packed me enough food. so she didn't feed me. i told her a dinasour was eating my lunch but she said that disasours only live in Norway! so i went into the school vents looking for that idino and revenge my food, we met at last, held our weapons, i was holding a subway sandwich and the dino was holding a bana na MY BANANA  i lost it, so i attacked him one hit on the head and the whole species were extinct , people thousand of years from now said dinos got extinct because of a meteorite but i know better, also i am still alive because whoever kills a dino becomes immortal, also i killed my mom for not believing me and let her starve in her grave just like she let made me starve. and then i killed everyone who was a flat earther because i hate them and now i can kill anyone once i tap them with my super subway sandwich 

(by the way, ignore the horrible spelling, the examples i gave were from the unedited version.)

THE POINT IS ITS ACTUALLY SO HELPFUL. you can use it for a new story idea (i used the blanket one as an element in one of my WIPs and it helped the story a lot) or if you get something stupid like the dino one I wrote THATS GOOD THATS FINE because now you have your creativity going.

I challenge you to actually try this and PLEASE share it with me I LOVE reading other peoples rapid writings. have fun <3

tagging @cosmosandcapybaras24 @ajsbookshelf @gloryofdawn, @chaoticharmony93 @deception-united and anyone else who's interested to try this out and share with me!

[kinnbig]

✨ Simple Gif Colouring for Beginners ✨

I wrote up my basic gif colouring process for a friend recently, but a couple of people here mentioned they'd also find it helpful! so, as requested, this is a beginner-friendly walkthrough of the way I colour my gifs :) it's aimed at brand new gif makers with no prior experience with photoshop or photo editing.

when I first started gif making I found colouring and photoshop in general suuuper daunting, so I've tried to simplify everything here as much as possible. hopefully this will be relatively easy to follow and not too intimidating!

a couple of things to begin with:

I'm only talking about colouring here - this is not a full gif making tutorial. I've linked to some of my favourites of those here!

I personally like to make bright, 'clean' looking gifs with vibrant but natural colours, so that is the style of colouring this tutorial is geared towards. most of gif colouring is subjective and about personal taste - the only thing that I'd say is possible to get wrong is skin tones, which I talk about a lot in this guide.

as I mostly gif Thai dramas, most of the advice is geared towards colouring for East Asian/South East Asian skin tones - but the techniques should be fairly universally applicable (and here are some tutorials that talk about gif colouring for other skin tones).

I'm not an expert! I'm not claiming this is the best or the only way to colour gifs - it's just how I do it.

this post is very image-heavy. if the images aren't loading (or the gifs are running slowly or cutting/looping weirdly), then try viewing the post in its own tab (rather than on the your dash or someone's blog) and refreshing the page.

okay, full walkthrough beneath the cut!

contents:

1. intro a. natural gif colouring goals b. very very basic colour theory 2. super simple colouring (the essentials) a. curves b. selective colour (and skin tone correction) c. hue/saturation d. saving and reusing colouring e. another simple colouring example 3. other adjustment layers a. brightness/contrast b. levels c. vibrance d. colour balance e. channel mixer 4. troubleshooting a. curves b. saturation 5. fin!

1. intro

the colouring part of gif making can be super overwhelming, especially if (like me when I first started!) you're completely new to photoshop and/or have no experience with colour theory or photo/video editing.

if you're opening photoshop and making gifs for the first time, I highly recommend getting used to making a few basic, uncoloured gifs to begin with. just to practice, rather than post anywhere (though you can always come back and colour them later if you want) - but it'll make the rest of the process much easier if you're already beginning to get used to working in timeline mode of photoshop. give yourself a bit of time to practice and get a feel for things like how many frames you tend to like in a gif, where you like to crop them for the best loop, what kind of aspect ratio you like etc* - so that you're not trying to navigate all of that for the first time on top of everything else!

* frames: for me between 60-90 frames is ideal, but 40-120 frames is the absolute min-max I'd personally use in a normal gifset loops: for the smoothest loops, try to avoid cutting someone off mid-movement or mid-word if possible. aspect ratio: for full-size (540px) gifs, I tend to go for either 8:5 (slightly 'skinnier' gifs), 7:5, or 5:4 (particularly big, thick gifs lmao)

✨ natural gif colouring goals

part of what can be so daunting about starting gif making is not knowing where to start or what you want to achieve. this is definitely something that gets easier with practice - the more gifs you make, the more you'll get a feel for what kind of look you like and the more instinctively you'll know how to get there. it also helps to see if any gif makers you like have made "before and after colouring" posts - these can help with getting a sense of the kinds of changes made through gif colouring. here's one I made!

in general, I like to make my gifs bright and 'clean' looking, with vibrant but natural colours. these are the things I'm usually hoping to achieve with colouring:

brighten dark scenes

remove muddy, yellowish lighting or filters

saturate colours

correct any skin lightening filters or overexposure

make lighting and colours as consistent as possible between gifs within a single gifset, especially gifsets featuring gifs from multiple scenes/episodes/videos

this guide is focusing on natural colouring, but of course there are many cool ways to make stylised/unnaturally coloured gifs. imo you'll need to master these basics first, but if you want to learn how to do things like change the background colour of gifs or use gradients or other cool effects, then @usergif's resource directory has loads of super helpful tutorials!

✨ very very basic colour theory

[disclaimer! I don't know shit about fuck. I do not study light or art. this is just an explanation that makes sense to me exclusively for the purposes of gif making.]

the primary colours for light/digital screens are red, blue, and green. having all three colours in equal measures neutralises them (represented by the white section in the middle of the diagram).

so to neutralise a colour within a gif, you need to add more of the colour(s) that are lacking.

in practice this usually means: the scene you want to gif is very yellow! yellow is made of red and green light, so to neutralise it you need to add more blue into your gif.

it can also mean the reverse: if you desaturate the yellow tones in a gif, it will look much more blue.

looking at the colour balance sliders on photoshop can make it easier to visualise:

so making a gif more red also means making it less cyan.

removing green from a gif means adding magenta.

taking yellow out of a gif will make it more blue.

tl;dr:

neutralise yellows by adding blue (and vice versa)

neutralise reds by adding cyan (and vice versa)

neutralise green by adding magenta (and vice versa)

2. super simple colouring (the essentials)

starting with a nice sharpened gif in photoshop in timeline mode. (these are the sharpening settings I use!)

some scenes are much harder to colour than others - it helps to start out practising with scenes that are bright/well-lit and that don't have harsh unnaturally coloured lights/filters on. scenes with a lot of brown/orange also tend to be harder.

I usually save a base copy of my gif before I start colouring just in case I end up hating it, or find out later that it doesn't quite fit right into a set and need to redo it etc.

so here is my base gif!

it's an okay gif, but it has a bit of a yellow tint to it that I want to reduce.

colouring is easiest to do in adjustment layers, which can be found under layer -> new adjustment layer - or for me they are here:

there are lots of different types of adjustment layers that do lots of different things - but for me the absolute essentials for colouring are curves, selective colour, and hue/saturation.

I also use brightness/contrast, levels, exposure, vibrance, colour balance, and channel mixer sometimes, depending on the gif - but I use curves, selective colour, and hue/saturation on every single gif.

✨ curves layer

the first thing I always do is a curves layer. when you first open one it will look like this:

first I usually click the ‘auto’ button, just to see what happens. sometimes it makes a big difference (it usually brightens the gif a lot) - but on this gif it didn’t do much.

if it had made the gif look nicer then I would have kept it and added a second curves layer on top to do the rest of these steps.

the next step is selecting the white and black points with the little eyedropper tools.

the bottom eyedropper lets you pick a white point for the gif. click somewhere super light on the gif to see what happens - for this gif, I clicked on the lampshade on the left. if it looks weird, I just undo it and try somewhere else - it usually takes a few goes to find something that looks good.

here's what that did to the gif:

then I pick the top eyedropper and use it to pick a black point by clicking somewhere really dark, again playing around until I find a black point that looks good.

here's what the gif looks like after picking the white and black points:

this can take some experimenting, but you can make super easy drastic changes to your gif just with this. in this case, the curves layer took out a lot of that yellowy tint.

and this is what the curves graph looks like now:

you can click and drag those lines to make further changes if you want - I usually leave them alone though. the colours of the lines indicate which colours have been changed in the gif - for example, you can see from that steep blue line on the graph that blue has been added to neutralise those yellows.

next I usually do another curves layer and just press the ‘auto’ button again to see what happens. usually it brightens the gif a bit more, which I like.

‼️if nothing is working: usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :( the troubleshooting section at the end goes over some options, including starting with a levels layer instead.

✨ selective colour (and skin tone correction)

skin tones are made up of a mixture of yellow and red.

removing yellow (or adding blue or red) to a gif will make the skin-tones too red - and removing red (or adding cyan or yellow) to a gif will make the skin-tones too yellow.

adding blue to this gif with the curves layer took out the yellowy tint, which I wanted - but it also took the yellows out of Kim's skin tone, which I don’t want. so I need to put yellow back into the skin tones specifically - without putting it back into the rest of the gif.

selective colour layers let you select an individual colour and adjust the levels of other colours within that colour. you can change how yellow the green shades are, or how much cyan is in the blues, for example.

I need to add yellow back into the red tones to correct the skin tones on this gif. this is the case for most gifs in my experience - the vast majority of the time, unless a scene is very heavily tinted in another colour, a curves layer will add blue/remove yellow.

in the 'colors' dropdown, select the 'reds' section and drag the 'yellow' slider higher - this will add more yellow into just the red shades within the gif.

the amount of yellow you need to add back into the reds depends on how much yellow was taken out of the gif initially - I just play around with the slider until it looks right. if you're not sure, it helps to have some neutrally-coloured (not white-washed!) reference photos of the people in your gif to compare to.

here's the result. Kim's skin is a lot less pink toned and much more natural looking:

✨ hue/saturation

this adjustment layer lets you adjust the hue and saturation of the gif as a whole, and also of each colour individually.

I don't use the hue or lightness sliders unless I'm trying to do something more complicated with the colouring.

clicking the dropdown menu that says 'master' lets you edit the saturation of each colour individually. this is useful if your gif is still super tinted in one colour.

I thought the yellows on this gif were still slightly too bright, so I switched to the yellow channel and desaturated them slightly. (remember if you do this then you need to go back to selective colour and add more yellow into the red skin tones to balance out the desaturation!)

then I increased the 'master' saturation of all the colours to +5:

I usually find the right amount of saturation is somewhere between +5 and +12, but it depends on the gif.

‼️if the gif feels undersaturated, but the saturation slider isn't helping/is making the colours worse, try a vibrance layer instead.

done!

✨ saving and reusing colouring

you can copy and paste adjustment layers between gifs to make your colouring even across each of your gifs for one scene - so if you're making a set of multiple gifs of the same scene, or you think you might want to gif the same scene again in the future, you can save it as a psd so you can reuse the colouring again later.

each gif's colouring will then still need tweaking - different cameras/angles/shots of the same scene can still start out with slightly different colouring.

I recommend uploading the gifs as a draft post on tumblr so you can see what they all look like next to each other and catch any inconsistencies.

✨ another one! (speedrun!)

HI KEN!

the white point for the curves layer was in the window behind them.

the curves layer removes the muddy yellow tint, but again it makes their skin tones (especially Ken's) very red toned, which is adjusted by the selective colour layer.

3. other adjustment layers

imo many many gifs can be coloured really nicely with just those three adjustment layers, but some need different adjustments.

✨ brightness/contrast

pretty self explanatory!

I personally usually avoid using the 'brightness' slider because I rarely like the effect - I only tend to use the 'contrast' one. 

the 'auto' button is sometimes useful though, especially if you’re struggling with the curves layer.

✨ levels

levels alters the white and black points of the gif, like curves - but unlike curves it doesn't also alter other colours.

use the sliders beneath the graph to alter how dark/light the gif is. you can slide the black slider further to the right to make the blacks darker, and the white slider to the left to make the whites lighter.

levels is a good place to start if your curves layer isn't working.

(I'm going to hit the image limit for this post lol so here are some screenshots of a table I made to demonstrate this rather than actual gifs. sorry!)

on both sides, I dragged the sliders up to where the big jumps are on the graph - this is usually a good place to start!

✨ vibrance

vibrance... makes the colours more vibrant. it's more subtle than saturation.

it's really helpful for gifs that feel grey. sometimes adjusting saturation just makes the greys kind of weirdly tinted, but a vibrance layer can fix that.

vibrance is much more subtle!

✨ colour balance

colour balance affects the overall balance of colours within a gif.

it's good for scenes with heavy tints.

I tend to stick to the 'midtones' dropdown, but you can also alter the colour balance within the shadows and highlights if you want.

✨ channel mixer

I avoided channel mixer for such a long time because it scared me. but it's great for scenes that are very heavily tinted in one colour.

basically, it works with the levels of red, green, and blue within a gif. you select an output colour and then play around with the levels of the colour you selected within each other colour.

kind of the reverse of selective colour?

so in the 'blue' channel, the levels of blue are at 100%, and the levels of red and green are at 0% - but you can impact how much blue is in the reds and greens and blues.

this tutorial explains it well - but imo the best way to get to grips with channel mixer is just to play around with it a bit (sorry)

(when I made this guide for my friend, I also made a slightly more complicated gif colouring walk-through that included using channel mixer. there isn't space to include it within this post, but if anyone is interested I could always upload it as an 'intermediate' gif colouring tutorial - lmk!)

4. troubleshooting

‼️curves

usually with a bit of fucking about a curves layer works well - but sometimes you can’t find a good white and black point anywhere, and instead your gif turns wacky colours and nothing looks good. this happens more often with very heavily colour tinted scenes :(

for example, with this base gif:

using many of the brightest points as a white point turn it wacky colours, like this:

yikes :(

some options for these cases:

try brightening the gif first with the 'auto' button on the curves layer or with a levels layer. having a brighter gif to start with can give you better options for picking a white point.

try finding an alternate, whiter/brighter white point. look for places the light reflects - on this gif, using the light on Porsche's cheekbone works well as the white point. it also helps to find places that would be white if the scene wasn't tinted - the lightest part of a white shirt is often a good place to start, for example.

skip the curves layer, and instead use a levels layer to alter your white/black points, and colour balance or channel mixer to balance the colours.

‼️over/undersaturation

if your gif (especially the skintones) is looking a little washed out or lifeless, it might be undersaturated. boost that saturation - or if that's not working, try a vibrance layer.

oversaturation is often easiest to spot in the mouths and ears of any people in a gif. if the mouths are looking unnaturally, vibrantly red, then you've gone too far with the saturation.

5. fin!

and done! I hope this was coherent helpful to somebody.

if there's anything that I've missed or that doesn't make sense pls feel free to shoot me an ask or a message and I'll do my best to help! I've also collated a bunch of additional reading/resources below.

happy gifmaking 🥰

✨ some links!

photoshop basics by @selenapastel

gifmaking for beginners by @hayaosmiyazaki

gifmaking guide for beginners by @saw-x

dreamy's gif tutorial by @scoupsy-remade (includes instructions on how to blur out burned-on subtitles or annoying video graphics)

beginner's guide to channel mixer by @aubrey-plaza

how to fix orange-washed characters by aubrey-plaza

colour correcting and fixing dark scenes by @kylos

does resampling matter? by usergif

how to put multiple gifs on one canvas by @fictionalheroine

watermarking using actions by @wonwooridul

resource directory by @usergif

[nolita-fairytale]

bad moon rising | carmen 'carmy' berzatto x fem!reader

summary: in another lifetime, you meet mikey berzatto by chance one halloween night in nyc.

or, the fic based on this headcanon

warnings: angst, use of she/her pronouns, no use of y/n, second person pov, drug usage, high mikey b, swearing, family drama, depression, not a happy ending

wc: 3.7k

a/n: i wrote about grief again. shocking, i know. thank you all for your interest based on the headcanon it came from and thank you for your patience. i wanted so badly to post this around halloween and have been sitting on it since the better part of last year as one of my wips. finally, finally, it's here!! i took a slightly different approach than the headcanon, but i think it still does it justice. let me know if you'd like to be added or removed from the carmy taglist.

this what-if fic takes place october 2021 because it's make my heart surrender-canon that mikey and reader never met; reader x carmy are best friends and colleagues but it has not gone further than that.

masterlist

Halloween, in another lifetime:

“Can I get hands, please!” Carmy shouts out to the entire kitchen, only to be met with a strong chorus of ‘hands’ in response.

His team works together like a well-oiled machine; a tight run ship, led by a captain near-suffocated under the weight of the chip on his shoulder. 

“Chef!” you hear the sound of your general manager’s voice ring through the kitchen, causing many a-heads to turn. She rarely comes into the kitchen during dinner service unless it’s serious. Her eyes lock with Carmy’s as he looks up from his expo, as if she’s about to deliver bad news. 

His mind races through the possibilities, preparing to solve the next oncoming crisis. Could it be an undercooked steak? An overcooked duck breast? Another complaint of ‘too salty’ or ‘underseasoned?’ 

“Chef, you uh… you have a visitor,” she says instead–the last thing he expects to hear. 

A visitor? 

“Wh-?” 

“Someone’s here to see you. Says he’s your… brother??” Carmy’s ears begin to burn, as he searches for your face amidst the chaos, your gaze there to catch him even from across the kitchen. Your presence feels reassuring, like a strong man in a storm. He doesn’t know what to do. He’s knee deep into service and he cannot get the sound of tickets being added to the expo out of his head. He opens his mouth to say something but he’s uncertain any words come out of his mouth, unsure of what he’d even say. You send him a reassuring nod, and it’s as if in one look, you’ve made the decision to go. 

“Chef, you good?” Carmy hears you ask the head pastry chef. 

“Yeah, we got it. But don’t take too long,” she answers with a curt nod of approval. 

He watches as you nod again, this time in recognition of your boss’ answer, as you pull the food-grade nitrile gloves off of your hands, discarding them in the nearby trash can. Without a word, you follow Kate closely behind, exchanging a few words with her as the two of you disappear to the front of house. There’s a war inside of Carmy as he watches you go–a pang of guilt and a feeling of relief–that whatever it is, you’ve agreed to take care of it. 

In all of the years that he’s been in New York, no one’s come to see him–the possibility of it happening now, let alone as a surprise, feels improbable. 

Must be a prank or some shit…. 

It couldn’t really be Michael, could it? 

As you seek out the answer, your feet carrying you faster than you anticipated, you realize that you’re searching for a face you’ve only seen in photographs. Kate follows closely behind while you push through the front door of the restaurant only to find a man pacing just outside of the restaurant, a ghostface mask in hand. You can tell he’s been sweating, the circles under his eyes just as dark as the ones you’ve become so familiar with in Carmy, with an anxious look in his eyes as his gaze turns towards you. 

He’s certainly not the larger-than-life older brother you’ve seen in the sparse amount of pictures that Carmy’s shown you.  

“I got this, Kate,” you mutter over your shoulder with a confident nod, letting your general manager know that you’re good on your own. “You sure?” she asks you quietly. 

“I’m sure,” you answer, watching as a disappointed look spread across Michael’s face as soon as he sees that: 

“You’re not Carmen.” 

“Uh… no. I’m not,” you reply, hearing the front door to the restaurant close behind you. The man swears under his breath, and you watch as face changes from disappointment to annoyance quickly, as you try your best to come up with an explanation that may satisfy him. “He uh… he can’t come out. Not right now. So he sent me.” 

Michael scoffs with a shake of his head, his eyebrows quickly rising and falling incredulously as he takes another drag off his cigarette. 

“Shit... the guy can't even make time to see his big brother?" he asks, the annoyance obvious in his voice this time. 

You take a step towards him, your arms folded across your chest. 

“I’m sorry. I-, I don't think he was expecting you,” you answer, much more compassionately this time. 

“Right,” Michael mumbles, barely loud enough for you to hear. You watch as he throws the butt of his cigarette down on the pavement, before stamping it out. 

“It’s just-. He would if he could. I know it. It's just a busy night. I-... we're doing 200 covers tonight and uh... well, he runs the kitchen so,” you try again, and you can practically feel the disappointment (and resentment) burying itself deeper in Michael. 

“Yeah, no thanks, lady. You don’t need to explain it to me. Jagoff can’t even make time to say ‘hi’ to his brother. Sends you to do his dirty work instead,” Michael dismisses you, bitterly. 

He takes a beat. And then another, as if he’s accepted that he’s not going to see Carmy after all. 

“Why don’t you come inside? I’m sure-,” you offer, taking another step towards him. 

“‘S alright, sweetheart,” he dismisses you again, this time gentler. “You don’t need to make up for his bullshit.” 

You open your mouth to say something—anything in defense of Carmy—but you’re certain that nothing you have to say will be enough for your best friend’s older brother (save for Carmy coming out here himself).

With a nod, you accept defeat, turning to go back inside. But there’s something that stops you—like you just can’t just go back inside without trying to remedy the situation one last time. This time all you say is:

“I don’t know how long you’re in town for but… we should be off by midnight.”

Michael only offers you a sympathetic smile before you slip back inside. 

—---------------------------------------

It’s not until you and Carmy are packing up your things to head home that he brings it up—his mysterious visitor—hesitant to ask the question that’s been eating at him all night. 

“So uh… was it really him? Michael?” he asks you, cautiously, as he watches your face carefully for any kind of reaction. 

“Uh… yeah. I mean, at least the guy I recognized from your pictures,” you reply, hoping that the answer (or the fact that he missed his brother) won’t break his heart. 

A beat.

“What’d he want?” Carmy asks, trying to mask his curiosity as best as possible. 

“I don’t know,” you answer honestly. “Seems like he found himself in the city. I didn’t ask. I didn’t… know if you wanted me to.” 

Carmy tries again. 

“Oh no. It’s-, no I didn’t-, no, it’s okay.” 

He takes his time, making up his mind about what he wants to say next. 

“It’s weird, right? Guy can barely pick up the phone to say hello but… he can show up unannounced and just like-, expect me to drop everything?” he asks you—the look in his eyes telling you that his mind is miles away. 

“I- I don’t know, Carmy,” you reply, heavily. “Are you… do you wish you had gone instead of me?” 

Carmy’s quiet as he follows you out of the back door of the restaurant, thinking his answer over. 

“I don’t know,” he answers slowly, a lack of confidence as the words fall out of his mouth. “Maybe?” 

He’s not sure how he’s supposed to feel and right now he just feels… ambushed, which only makes him want to shut down. 

Instead, Carmy changes the subject back to your post-work plans, the two of you debating what kind of post-shift late night meal you’re going to have before settling on a few slices of pizza on the way back to your place. You and Carmy cut through the alley to the front of the restaurant so that you can begin your late-night sojourn, and it’s only when he spots something odd that he stops you. 

“What the fuck?” Carmy cuts you off, holding an arm out in front of you to stop you from walking any further. 

You follow his line of sight right over to a figure moving towards the both of you. In the brief glimpse you’ve gotten of the person moving towards you, all you can see is a quick flash of the ghostface mask they hold in their hands as a bus drives by, obstructing your view. 

Carmy’s heart stops, fear filling his chest as the bus speeds by, the person getting closer and closer until…

“Michael?!” Carmy shouts, squinting as he sees the man approach. His expression of pure shock leaves his jaw agape, rendering him speechless as he scrambles to try to find better words that: 

“What-, what the fuck are you doing here?” 

“Shit,” Michael scoffs playfully, with a chuckle, his breath uneven from the light jogging pace he’d kept. Michael takes note of the arm his younger brother’s extended, shielding you from him. “What? Can’t your big brother come surprise ya in the big city?” 

Carmy shoots him a look that says, ‘when have you ever done that’ and Michael nods knowingly, his eyebrows quickly raising, then lowering as he makes peace with the fact that he’s never been that guy. 

“Me and Deb… we came up for the weekend,” Mikey admits with a heavy sigh. “Tried to do something nice for her but, you know, broad’s been a real bitch-.” 

“Mikey,” Carmy warns, taking a tone you recognize—the kind he uses when he’s going to yell at the saucier for a broken mornay. 

“Right,” Mike course corrects at the volume of a mumble, heaving a heavy, yet disarming sigh. 

Carmy nods slowly as he allows some part of him to relax, his arm falling away from you as the two of you exchange a look. 

“We uh…. Got into another fight. She’s on her way back to Chicago now,” Mikey explains, the disappointment evident in his voice this time, almost as if it were an apology. 

“Sorry,” Carmy mutters quietly, as you exchange a look with him. 

“Nah it’s-, she’ll get over it,” Mikey brushes off with a shrug, his tone shifting as he extens an arm out to you.

“Fuck, where are my manners? I never properly introduced myself earlier. I’m Mikey. Mikey Berzatto,” he grins with a charm and confidence that’s been absent in both of your interactions with him till now. The smile that spreads across his face is contagious as he looks from you to Carmy, then back to you. “Shit. I’m sorry. ‘M fuckin’ jagoff, interupting your night like this. I should probably get-.” 

“No!” you protest, almost too quickly, earning a look from Carmy. “We weren’t-, we were just getting off work and were gonna grab a bite. Maybe even… a drink?” you suggest, a hopefulness in your eyes as you turn towards Carmy. 

“Yeah?” Michael asks, his interest piqued. 

“Uhm. Just gonna grab a bite actually,” Carmy forces out, sending a glare in your direction. 

“You know what’s crazy? I know a spot. With food. And drinks,” you challenge him, silently begging him to just go with it. 

“You cool with that, Carm?” Mike asks this time, looking from you to his younger brother once more. It’s the first time that Carmy thinks Michael’s ever looked to him for approval. 

Carmy’s quiet for a moment, torn between wanting to burn it all down or declare a gleeful ‘yes’ because at least Mikey wants to spend time with him. 

“Um. Uh. Yeah. Yeah okay,” Carmy finally agrees. 

“Alright, let’s fuckin’ do it!” Mikey rallies. 

And as he turns to go, your voice instructing him that it’s only a few blocks from here, you and Carmy fall into stride, just a few steps behind Mikey. 

“I’m gonna kill you,” Carmy threatens you—though there’s no weight to it—through gritted teeth. 

You shove him playfully, bumping your shoulder against his side as the two of you walk, answering with a promise that: “You’ll thank me later.” 

—---------------------------------------

You sit on one side of Carmy, Mikey on the other, and you can see why Carmy looks at his older brother like he hung the sun, the moon, and the stars above. There’s something different about Michael—something different than when you met him just hours ago outside of the restaurant—as he corrals the three of you into a round of shots. 

As the shots of tequila arrive at the bar, Carmy dismisses his, his attention fixed to the still-full whiskey on the rocks he’d ordered earlier, just to appease his older brother. He watches you carefully as you and Mikey clink glasses before throwing back your own respective shots. 

“Carm?” Mikey asks, nodding towards the third, untouched shot glass. 

Carmy hesitates. 

“It’s fine. I’ll take his,” you jump in, half as an attempt to give Carmy the out he so desperately desires, and half because, admittedly, meeting the great Mikey Berzatto makes you a little nervous.

Before anyone can protest, you reach out, picking up the shot glass, before tapping it down against the bar top, fearlessly throwing it back. Michael watches you with a sense of amusement, as your face crinkles in response to the sting of the liquor and the bitterness of the lime you chase it with. 

He smirks, sharing a knowing look with his younger brother that says, “I like this girl,” which in turn only causes Carmy to blush. Before Mikey can say anything more, the song that blares through the speakers changes, earning his attention as he hears the familiar words:

“I see the bad moon a-risin' I see trouble on the way I see earthquakes and lightnin' I see bad times today”

“Alright, alright. Think it’s a little too on the nose if I admit that I love this song? On Halloween? C’maaaaaahn,” Mikey asks, almost as if it’s a confession in reference to the easily recognizable Creedance Clearwater revival hit. 

“No! No, I love this song,” you’re quick to assuage his hesitation as your eyes light up in response to his recognition. 

“You got good taste, kid,” Michael notes confidently, winking in his brother’s direction. “I like this girl, Carm.”

Only this time, he says it out loud. Carmy only shakes his head, the blush already running across his cheeks taking a deeper shade of red. 

“Yeah, yeah. Uh. You both uh.. Like music,” Carmy smiles, gesturing from you to his brother. At least this is going a lot better than he expected it to, he reminds himself. 

“Oh yeah?” Michael asks, clearly intrigued. 

“Oh that’s right!” you exclaim, simultaneously. The excitement that brews within you has you stumbling over your words as you manage to get out:

“You’re-, oh my god! The Lennon jacket!” 

“What?” Mike asks, shooting you a funny look. 

“I’m sorry. I just-. I realize I’m not-,” you stammer over your words, trying your best to explain your earlier exclamation over your own excitement. 

“You gave Carmy the denim jacket – the 1950s selvedge Wrangler!” 

“Just like the-,” Michael starts, the two of you finishing his sentence at once with: 

“... just like the one John Lennon had!” 

“Marry this girl, Carm. Marry her right now. Tonight! Or I will,” Michael encourages, slapping his hand down against the bar. He speaks with so much bravado and conviction that you can only imagine that there was none left for Carmy. “Fuckin’ christ. I never should’ve let you two meet,” Carmy groans on an exasperated exhale as he shakes his head once again. 

“Oh c’mon, Carm,” Mikey rouses him, with a playful eye roll. 

“It’s totally my favorite jacket of his! I-, well, it’s a long story but we actually became friends over the jacket because he spilled a drink on me and-,”

“Ahhh real smooth.” 

“No! No, it was okay, I promise. I-, I don’t know if we would’ve gotten to know each other if he hadn’t so-. Call it a lucky jacket, I guess,” you smile, stealing a look in Carmy’s direction. He shoots the smallest smile back to you, cognizant of the fact that Mikey’s observing the entire interaction. 

As you begin to tell Michael the story about the aforementioned Lennon jacket, it could be minutes, hours, or days that pass, once you and Mikey finish trading facts about music like they’re trivia cards. It’s almost as entertaining as watching Mikey and Carmy go at it, bouncing facts about the history of denim like you’re at the French Open. 

You excuse yourself to the restrooms—partially because you really have to pee and partially because it seems like this evening is going well—wanting to give both brothers some time alone. And as soon as you’re out of earshot, Mikey’s on Carmy like an FBI Investigation. 

“This your girl, Carm, or what?" he asks with a casualness to his voice that sets off alarms in Carmy’s head. 

"Mikey, stop it,” Carmy dismisses him, hoping more than anything for this to be the end of the conversation. 

Instead, Mikey scoffs, shaking his head as he downs another shot. 

"Then at least tell me you're hittin' that." 

“Michael!" Carmy hushes his brother, a warning and protectiveness in his voice this time. 

"Are you fuckin' serious right now, Bear?” Michael pushes further. “What, you're telling me you're not when she’s walkin’ around in your jacket, talkin’ about wearing your clothes to your big brother and I’m supposed to think-?" 

"She's not!” Carmy cuts him off. “She doesn’t do-, she’s.... my friend. Jus’ give it up alright.” 

"Shit. Wish I had a friend like that. Ya friends, kid, or are ya... you know... friends?" Mikey smirks, earning a venomous glare from his younger brother. 

Carmy shakes his head in response, jaw clenched, as he stares down at the bar top, a feeling inside of him that he doesn’t like when he even thinks about Mikey looking at you like that. 

"Shit, I thought I taught you better than that, Bear." 

There it is again.

That feeling. 

He’s not sure how to name it, but it’s enough to make Carmy want to deck his brother right then and there as it rises inside of him. 

"I'm serious, Mike. We’re just friends,” Carmy spits out. He’s much more serious this time. “Cut it out." 

But Michael’s too quick, his voice growing louder as he interjects on the tail end of Carmy’s insistence.

"Oh come on! The chick's smokin' fuckin' hot. And I can tell that you like her. I'm not blind, Carm. I see the way you-."

And if it’s as if something snaps inside of Carmy as he exclaims: 

"Don't talk to me like you know what's going on in my life! Fuck!" 

"Carm-." 

"Can't even pick up the damn phone and then you just... waltz into town acting like everything is okay?!” he fumes, standing up out of his chair. 

His face grows redder with each word, and it only confirms Mikey’s suspicions: that his little brother is absolutely a goner for you. He’s not sure he’s ever seen Carmy like this and he’s torn between feeling proud of his kid brother or pissed that the kid’s turning this around on him. 

"Well, if you ever bothered to come home. You know mom's been askin' about you since you never fuckin’-,” Mikey roars, eager to relinquish the hotseat here.

“Oh don't bring mom into this!" Carmy protests.

It’s your voice that snaps him out of it—brings him back to earth as he hears you ask:

“Everything okay?” 

Carmy can practically hear his heart pounding away in his ears; can feel the blood rushing through his head as he takes a deep breath. He swallows, takes a beat, then turns to you. 

“Yeah uh. I think we should go,” he states, his voice uneven and tense as you try to get a read on either brother. 

“Uh… yeah, I guess we can-, um,” you stammer out, wondering how things went from good to hell in a matter of minutes. Carmy mutters something about getting your stuff as you try your best to put the pieces together. 

“It was uh, nice to meet you, Mikey,” you say softly, as soon as you get your coat on. 

“Yeah. You too, sweetheart,” he nods, something distant in his voice. Carmen scoffs at his brother’s usage of the word before tugging on your arm. 

You wait a beat, in anticipation of some kind of goodbye between the brothers, but there is none as you follow Carmy out of the bar. 

—---------------------------------------

Halloween, again — in this lifetime:

When Carmy comes to, he can hear the faint sounds of an episode of Pasta Grannies in the background, uncertain of what time it is. 

“Hey, you. You fell asleep on the couch and I didn’t have the heart to wake you up,” you say, as he begins to sit up. Carmy blinks his eyes a few more times, watching as you make your way from the kitchen island over to the couch, taking a seat at his feet. 

“Did you still want to watch a scary movie? You know, in the spirit of the holiday?” you ask him with a soft chuckle. 

All Carmy can remember before falling asleep was what he was thinking about: what it would be like if you had met Mikey. It’s something he thinks of often, especially as the two of you grow closer—as your relationship gets more serious—and it’s something he hates that he’ll never be able to give to you. 

“This was his favorite holiday,” Carmy manages to get out, the sleep heavy in his voice. 

You’re not all that surprised. Carmy’s been on edge lately and you assumed it was because Mikey’s birthday’s coming up. But this… this makes sense too. 

“I wish I could’ve met him,” you smile, reaching out for one of his hands. 

Carmy nods. 

“Yeah. Uh. Yeah. Think he would’ve loved you.” 

Maybe a little too much, he thinks to himself. 

“You think so?” you ask with a vulnerability and a desire for reassurance that catches Carmy off guard. 

He nods with much more confidence this time, offering you a soft, sympathetic smile.  

“Yeah, sweetheart. I know so.”

[blackmoonlightexpress]

Luo Yunxi Appreciation Master Post: How can someone be so multi-talented?!

In case you did not already know, here are LYX's many talents. It's insane how many different things he can do at a near-professional level beyond acting!

1. Dance/Ballet

LYX graduated from the Shanghai Theatre Academy majoring in ballet with over 11 years of professional experience.

This is him doing 13+ pirouettes in a performance of Tchaikovsky Rhapsody (full video, he's on the right)

Interpret dance solo (燃烧的火苗) where he won the first gold ever for STA (video, news)

Swan Lake solo at the Taoli Cup Dance Competition in high school (video)

Modern dancing solo (黑白影画) at his graduation performance (video, he's the only guy in white)

He also taught at the Macao Conservatory for a year and danced in front of national leaders in Flying to the Moon (奔月) at the Macao 10th Handover Anniversary (video)

He's super flexible and has a strong core (despite being naturally thin)

In response to request from fans, he performed the Black Moonlight dance in a now viral video on Douyin.

2. Wuxia / Posture

LYX is known as one of the best actors working today for wire work - you can see him here doing 3 consecutive jumps 2-3 stories above ground (compilation videos 1, 2)

He does a lot of his own stunts and is often better (i.e. more graceful) than his stunt double, even though it's really risky and he's sustained some serious injuries from being dropped accidentally (And the Winner is Love: B roll video, actual scene, other BTS, other fight scenes)

He moves with elegance, not just in action sequences (Ashes of Love fight compilation 1, 2), but people have made video compilations of how he walks, kneels, works his sleeves and train

Of course, it's thanks to his dance foundation, but he also puts a lot of hard work into stunt training. Not something a lot of actors do because it eats up time to make more TV or go on variety shows (Ashes of Love stunt training, BTS)

3. Diving

He played a diver once in Flip in Summer (夏日心跳) and actually learned to dive... I mean he's no Tom Daley but this looks pretty good for an amateur... (full video)

4. Voice Acting

He’s always dubbed himself since circa 2018 (with the exception of And the Winner is Love due to Covid logistics issues), which is not the norm in Chinese drama (Ashes of Love dubbing BTS). In fact, he is sometimes the only person in the cast to use his original voice (e.g. in Princess Silver)

He also lends his voice to animations - he was the voice of Viktor in Arcane (BTS video), which received positive feedback (most people didn't realize he was not a professional voice actor)

He appears as a judge and live dubbing performer in Voice Monster alongside the top voice actors in China, Bian Jiang (aka voice of Yehua in Eternal Love, Nan Wangj in the Untamed) and Zhang Jie (aka voice of Donghua in Eternal Love, Sifeng in Love & Redemption). He has so much respect to those working behind the scenes, and it really shows (full video)

5. Singing

Some of you may know that he started out in a boy band called JL with Fu Longfei - these videos didn't age well, but here you go: JL (MV), 我们 (MV)

He has released a number of solo singles, including 缘起 (MV), 星星之火 (live), 不是我 (MV), 等风停 (MV). and 勇 (soundtrack), which he composed and wrote the lyrics himself (these are all mando-pop ballads if that's your jam)

He performed Big Fish 大鱼 at Tmall's 11/11 Festival (live video) - while his rendition is not as powerful as the original, he can hit really high notes with an impressive falsetto - I think it goes up to G5 (one octave above middle C)

He performed Pipa Xing (琵琶行) at the Douyin Festival (live video) - the notable part is his Peking Opera style singing at the end

He occasionally releases covers of songs on Chinese karaoke app Changba or Douyin: 要不然我们就这样一万年 (youtube), 黑月光 (youtube), 不染 (youtube), 山水又一程 (youtube)

He can also sing in other languages, including 喜欢你 in Cantonese (recording) - it's actually a very good cover and his Cantonese pronunciation is >95% accurate - there are parts where you can't tell he's not a native speaker.

6. Musical Instruments

He's an accomplished classically-trained pianist, which you can see in...

JL MV (video, starting around 3:30 mark) - don't mind the makeup, it's from ages ago

Mr Mossie season 2 (video)

Love is Sweet (BTS video) - impromptu jazz, he was deciding which song to play

Fan thank you recording (video)

He also plays the guitar, though probably at an amateur level

7. Music Gaming

During college he was obsessed with this music game called O2Jam (劲乐团) to the point where he created new tracks (i.e. arrange/compose the music) for the company under the username Dinoroy (explained by himself here, videos of him playing).

He became well-known within the fan community as the legendary D神 (D God). There are a lot of funny comments from old players saying that they thought D God is a bitter middle-aged recluse trying to screw them over with difficult tracks (read comments here).

D God was so prolific and reliable that gaming company accepted his submissions without review. Here are some of his best tracks - game arrangement only (Lydia, Croatian Rhapsody, Digital Emotions), music & game arrangement (黑暗魅影), original composition (光之乐章)

8. League of Legends

He's an LOL super fan, commentator, and player since season 2, went to see worlds in person twice, and was a cast member in a gaming show called Beyond It! Hero (episodes here)

He played the 2018 All-Star Event in Las Vegas teaming with reigning world champion Rookie and delivered the final blow that beat the other team 2:1 (video)

He got a quadra kill at a celebrity mobile game even though his team was crap (video clip)

He co-invested 1M RMB in a team led by Misaya 若风 - you can see them playing together in a live broadcast of the mobile game (video)

Update: Our longtime fan boy has become spokesperson of League of Legends and official commentator at the Asian Games 2023 in Hangzhou! The love is reciprocated!

9. Calligraphy/Drawing/Culture

LYX is known for his Chinese handwriting (he practices regularly) - there's even a font based on his handwriting called 汉仪罗云熙体 (download here)

He does all his own handwriting for marketing materials (e.g. Immortality below) and doesn't need a hand double for scenes where his character is practicing ancient Chinese calligraphy

He's also got amazing drawing skills - check out the Queen of the Night 昙花 he drew as Runyu while waiting around on set in between takes (video)

While he doesn't go on a lot of variety shows, he's often a guest on cultural programs, like the beauty of Chinese Calligraphy 书法之美 (video), Chinese Fans in 指尖上的非遗 (video)

His self-produced Mr. Mossie covers a lot of cultural topics (seasons 1, 2, 3), the segment on Hanfu was featured in the UNESCO Chinese Language Video Festival (video)

10. Photography

Luo Yunxi is often seen taking photos on set with his top-of-the-line Leica camera. Here are some of the photos he has shared:

[twig-tea]

Spoiler-free Pitch for Oppan (Ossan no pantsu ga nandatte ii janai ka)

Thanks to @isaksbestpillow generously creating subtitles for this show we have access to arguably the best family drama of the year, and what has become one of my favourite series of all time.

The premise is essentially: Makoto, a 'traditional' family man in his 50s who feels alienated from his wife and two kids, decides to learn to 'update' his beliefs with the help of a young gay man who befriends him.

There are so many pitfalls and ways this premise could go wrong, and the show falls into none of them. Daichi, the gay character that befriends Makoto, has a boyfriend, and they both have their own arcs. The friendship is two-way, and they both benefit from the relationship. Makoto's wife, son, and daughter all also have arcs, and we get to understand and love all of these characters. Nobody is in this show exclusively as a foil for Makoto; everyone gets to be their own person. The show is careful to not only show multiple experiences of gay characters, but also to chastise people in the show for making assumptions, as those can be hurtful, even when well-intentioned. And yes, while it isn't the focus of the show, we do get to see some of Daichi and Madoka's romance.

This show is so well-written, each episode is satisfying and builds on the previous one. The journey to improvement is not a straight line but a spiral, and Oppan depicts that so well. The mistakes Makoto makes are believable and realistic. And the way Makoto's relationships improve in every aspect of his life as he works on himself is gradual, realistically depicted, and so, so satisfying to watch. Trust is earned, and we see him slowly earn trust over time as he changes his behaviour. We also see the damage his past behaviour has wrought, and see him reconcile himself to that.

One of the best things this show does is viscerally illustrate how harmful upholding societal stigma and judgment is to those you love, and to yourself. Makoto's toxic masculinity, homophobia, amatonormativity, and judgment of anything he deems as "silly" or "abmnormal" hold his family back from connecting with him, and hold himself back from experiencing joy. Themes include (but are not limited to) sexuality, gender presentation, idol fandom, BL fandom, makeup, fashion, and workplace culture. And it isn't just familial relationships this show cares about; it touches on friendships, romantic, sibling, parental, and coworker relationships.

The lesson at the core of Makoto's journey is that genuine connection with others is how we heal and find joy, and that we can only have that genuine connection if we're able to make space for others to be themselves in our presence through kindness. And it's that core that makes this show so powerful, and made me cry (with happiness, catharsis, and relief) so many times. I genuinely feel like it healed something in me to watch this show.

Even putting all of that aside, this show is funny, and genuinely satisfying as a story arc. There's Carlos, the family dog who always seems to know what's going on and nudges Makoto when he needs it. Makoto's actor, Harada Taizo, makes some incredible faces. There are hilarious cut-aways mid-scene, usually when someone is getting too intense with their fansquee. The family dynamic, especially the sibling behaviour between Moe and Kakeru, is so hilariously familiar. It's not a chore to watch this show; it manages to be kind and healing and also fun.

Anyway. If that's not enough of a pitch for you, I've written about all of the 11 episodes individually, including outlining where and how each made me cry: 1 2 3 4 5 6 7 8 9 10 11 . And I'm not the only one; if you want more company while watching, @bengiyo, @lurkingshan @mikuni14 and @mynamisnotthepoint wrote a bunch about this show too mostly broken out by episode.

And to relive the magic, @avorbl, @theside-b and @my-rose-tinted-glasses created some gorgeous gifs!

Siiri has instructions on her blog, but if you need help watching this show, feel free to DM me or send an ask.

[delusion-mostly]

Regina George x Reader

Part 1/32 (yeah I know, right?)

Warnings: angst if you squint, name calling, suggestive wording

I wrote this a while ago, if you think I need to add anything else for this one, lmk!

Word count: 1,265

"What the hell are you doing on my ice, George? The hockey team already released the team list, we can't accept anyone else. Either way, we don't like drama."

"Actually, I'm not on the ice," Regina gives you a dirty look, pointing at the fact that she is right outside the ice, not on it, "and ew, this does not sound appealing. You look like a fridge wearing a knockoff dollar-store sports jersey. This also looks a bit rough." she makes a gesture at your outfit, and size.

Well, she was right. The school had a small budget for the women's team, and you tower over her. Your shoulder pads add to the size, you really are built like a fridge at the moment.

"Then what are you here for? To call me another slur?" You take your helmet off and lean your head down on your stick, smirking, "here for a good time?"

Regina fake gags, "Absolutely no. Gross. Quit speaking," she gives another dirty look, "I saw the poster that you needed a manager for the team. I can't play any sports and everything is so fucking lame. I can at least see fights here." She shrugs

"And why do you of all people want to be involved in anything  that doesn't involve pretty pink glitter and being a massive bitch?" Putting emphasis in the 'B' in bitch, you poke Regina with your stick.

"If I didn't have to I wouldn't," she shoves the stick off of her shoulder, "but my therapist is making me. I can't let last year consume me, and I have to be helpful or whatever."

You look at the clock and put your helmet back on then glide across the ground, your skates leaving gashes in the ice. Regina stands by the opening into the rink, dumbfounded that someone had just walked away from her. The clock makes a loud buzzing noise and pucks fly into the net and scatter the ice around it.

"Well, George, you gotta work up the food chain here," you get a smug look on your face, "Practice is over! We don't have to get the pucks tonight. Our lovely new manager Miss Regina George will get it for us. Won't you?" you skate up to the blonde, whose eyes sit wide.

The team leaves to the locker room before leaving the building as Regina nods. She could not believe that someone had actually spoken to her like that. You ask her shoe size, go to the locker room, and come out with a pair of skates. They are blue and gold, and old. Like, really old looking. The blade is sharp but the leather is worn and creased. You intentionally grabbed the oldest pair that would fit her. Queen Bee George wouldn't own the ice like she did the rest of the school. You drop the skates in front of Regina.

"You expect me to know how the hell to put these on?"

"Are you ACTUALLY kidding me right now George?" You don't get an answer, so you sit down in front of Regina, "wow you aren't. I will do this one time, and one time only." You hold up a one on your hand and Regina nods.

You lace the skates while Regina complains about how tight they are, then you describe why they had to be so tight, she finds some way to complain about your reasoning too. You lead her on to the ice, she isn't an awful skater, although she falls once. You teach her how to collect the pucks by scooting the net around the ice, then take her to the locker room.

"I really need to get out of these clothes, but as the captain it's my job to tell you what your jobs are. So I hope you don't mind," You start taking off your jersey, "so basically you will make sure the locker room and ice stays clean. You'll scrape the ice, make sure it's clean and pretty, get our stuff on the bus for away games, basic shit." you peel the outer layers of your gear off.

"So I don't have to drive the zimbabwe or whatever?" Regina asks, relief washing over her as she looks at you.

"No you will not be driving a whole ass country, honey," You look dumbfounded, "The custodial staff or our coach are the only ones who operate the ZAMBONI. And quit looking. I can't tell if you're jealous or you want me." You smirk over at Regina as she quickly rotates her head away from your direction.

You finish changing, she glances over at you one more time while your back muscles flex, pulling a shirt over your head. You throw on a pair of faded jeans and a red flannel. You pull your phone out and hand it to Regina on the contacts page.

"This by no means is asking you to ever speak to me outside of anything hockey related, or even hockey related, actually. Never text me," you smile and take the phone back from Regina, "this is just so I can add you to the team group chat."

Regina is left speechless, she has never ever been disrespected like that.

"You literally just met me, what the fuck is your problem? I will not let my year be ruined by your rude ass." Regina scoffs.

"My problem, Regina, is that my name was in that little book of yours. Right next to the words 'body count higher than points scored' and 'hockey lez'," you sit and stare at Regina, "I do not want to talk to you outside of this sport, and I will talk to you as little as I can here. I appreciate that you are getting better and working on your behavior after last years events, but this does not change the fact that words are mean. It didn't hurt, but I don't make company with assholes."

You walk out to your car, a 2015 Subaru Forester. You don't notice Regina's highly recognizable Jeep in the parking lot, and see her walk out of the building. She keeps walking past the parking lot, sprinkles of rain splattering the ground around her. You are an asshole, but not that big of one. You speed out of the lot and pull up next to Regina, who is walking down the side walk with her hot pink hood over her head, and roll your window down.

"Why are you walking? It's raining and you have a nice Jeep. This is ridiculous George." You shout.

"I still don't trust myself driving alone after the accident in case my back locks up, I like the rain, I'm fine." Regina keeps her head forward.

"Are you sure? As captain it is my obligation to make sure everyone get's home safe."

"Oh my God, you have already said you hate me, would you MOVE ON you fucking lesbo." Regina yells.

"Great choice of words when you are trying to better yourself Regina." You clench your jaw, roll your window up, and speed off.

This was going to be one great year, you can just feel it.

[bluespiritshonour]

Oh my God!

I just caught up with World's Finest: Teen Titans and I absolutely have to write this out:

First of all, I love this cover:

The thing that caught my eye: “you're grounded.”

Not the dramatic “you're fired” as if the motherfucker didn't raise that damn kid in his own damn house for YEARS.

(I know. I know. Bar on the ground, but what would you?)

Also, the anger palpable on Bruce's face and Dick's absolute disregard for it. I'm laughing here y'all. This is what teenagers act like. This is what fights between parents and children look like.

Also. Dick Grayson, I've been missing. You're back from war!

I love how curt he is. The “Get lost” hits in all the right places. We love a strongly-principled character that stands for what he believes in. With all the lukewarm Dick Grayson writing floating around I felt like walking into a coffee shop while it's snowing outside.

More of this writing, please.

I'd been waiting for this moment all through this series.

This conversation.

I compare things all the time. It might not be the right thing in every field but I think it serves well when it comes to comic books. We all have personal “canon criteria”—for example, mine are “Darwyn Cooke wrote this Bruce so I'm taking it as valid characterisation ” or “Every version of Bruce played by Kevin Conroy is valid”. (Minus Bruce Timm bullshit!)

Which was what cinched my hatred for Bruce after reading a Robin short story that Cooke wrote and alluded to Robin: Year One in it. I mean, I might not fuck with Dixon, but am I going to call even Cooke's Bruce OOC? No. It means Bruce is a jerk. Full stop.

Waid is one of the writers I respect (excluding Kingdom Come. I hate it and I can't put my finger on the why. But I just do: I hate it. I hate it for Clark. I hate it for Diana. And I'm a professional Bruce-hater so let's not even go there. I hate it for Dick too.)

And Dick and Bruce's relationship has a lot of baggage from the fact that a) Bruce is himself traumatised and fails to meet Dick's emotional needs b) he wasn't ready to be a father when he adopted Dick c) Dick simply suffers from being the eldest—the test child.

And very rarely have I seen writers manage to walk on the thin line of complicated-but-dedicated-and-strong.

Young Justice cartoon did it. Dick and Bruce's relationship is going strong. But they fight and have different values. And Dick can see all that is wrong with Bruce's approach to vigilantism in particular and life in general.

Grimm (Legends of the Dark Knight #149-154) did it right. Where Bruce hurt Dick deeply and made him feel unwanted all the while overthinking about Dick's well-being. Way to go, buddy! You can see the repercussions it has for Dick while simultaneously stare at this man who's tying himself into knots trying to think how best to parent.

I think that's what most Bruce and Dick comics miss: the excessive worrying. They don't show the worry, make them fight for drama, never address it apart from throwing out a “it's because Bruce's worried” (bitch, where?) and have Dick running back to Gotham at the first chance. It sounds an awful lot like “your parents hurt you 'cause they love you” bullshit.

I think World's Finest manages it well because foremost, Bruce says, in words, that he's worried about Dick's well-being. He's taciturn, he's putting constant pressure on Dick all in the hopes of making him quit Titans. All this makes him a jerk. But I don't hate him for it.

It's between Dick's “you don't trust me” and Bruce's “no, I don't trust them.”

Most teenagers clash with their parents. It's normal. That's what Waid has shown here and I love it. It feels very—normal?

Especially when the Bats aren't normal! Bruce sure as fuck ain't a normal parent. But there was something very bitter-sweet coming-of-age in this conversation.

Bruce does all those things that are bad for Dick and his growing independence. You're not supposed to handle teenagers like that.

He's worried and taking desperate measures. “If I punish him, then maybe he'll obey me and quit Titans and then he'll he safe”—lots of parents who don't know how to deal with teenagers do it.

But the sequence of it: Bruce is worried → Bruce wants Dick to quit Titans → for Dick it means proving himself to be better, to not get hurt (as if he can control that beyond a certain point) → Bruce being alarmed at Dick's insistence to stay with the Titans and taking desperate measures like benching him.

At least it makes sense.

Compare it to Dixon's Nightwing origin story, which honestly, personally I think was lazy writing. Drama for drama's sake. “You’re fired because you're spending too much time with the Titans.” The same writer also had Bruce say that he did it because he wanted Dick to strike out on his own. Blah, blah, blah.

And no matter whatever happens he'd never ever say it to Dick's face that he's worried about him because—well, reasons.

Robin: Year One logic:

I'm worried about Dick's health so I fire him. He runs off and can get hurt? He joins a school for assasins? None of my business. He can get hurt on his own, I don't care as long as it is not on my conscience. Peace.

—Bruce “professional narcissist” Wayne.

So, yes. When faced with this book(WF: TT), I'd call Dixon's writing lazy.

I'm also comparing this to several other instances when Bruce verbally says (never to Dick, mind you) that he loves that Dick's a better person and better vigilante than him. But in the same book he'd yell at Dick for exactly the same thing. (I consider that lazy writing, since BTAS made sure to show a shot of Bruce smiling whenever Dick was happy/not like him).

I like this thing here where he says it to Dick's face. He's still grounding him for “discipline's sake” or whatever—very, very IC for Bruce.

But he also lets Dick know that he appreciates his values, that are different—better—than Bruce's own.

I can stomach that.

Honestly Bruce's writing in this book felt like BtAS writing (pre-Bruce Timm fuckery). That's a compliment.

P.S. Waid's a good story-teller overall. His Superman: Birthright was one of the first Superman comics I read and I fell in love with Clark right away.

Peace ✌️😂

[nyerus]

Overview of TGCF Versions

Due to recent(ish) events, I thought it would be good to make another post cataloguing all the different "versions" of TGCF, for newcomers and old fans alike! I'll also be going over some FAQs that I've seen or been asked so this post can serve as a decent info thread.

For simplicity's sake, first think of there being two "main" version of TGCF:

The Original -- what all the translations are based on, as well as the manhua and donghua.

The Revised -- what was released in print last year in China (only), and what was recently updated on JJWXC. The audio drama is adapting this

The original webnovel was itself not "censored." By that I mean, it contained everything MXTX originally wrote including kisses, swearing, innuendo, etc. MXTX did self-censor to avoid Real Censorship (hence the lack of NSFW scenes we may have gotten like in her previous novels), but that's a whole different thing. For all intents and purposes, consider the original version and (most of) its translations as being uncensored.

The revised version was first publicly released as a print novel in China. As such, it was actually censored. While "Hualian" is still there, and things are alluded to, it's a lot more vague. Kisses and a lot of other things were cut, including certain dialogue tidbits that perhaps were deemed a bit too obvious. (Plus a lot of Feng Xin and Qi Rong's cursing was removed lmao.)

HOWEVER, shortly after the print release, the audio drama started adapting the uncensored revised version. So we all knew there was an uncensored revised version somewhere in existence. It wasn't until the end of last month that we actually saw it! TGCF was available again on JJWXC after years of being "temporarily locked" to comply with regulations. (Though it was possible it was locked for other reasons. We will never fully know!) Not only was it finally unlocked, but it was actually updated to the uncensored revised version!

F.A.Q.s

1.) Why did MXTX make a revised version anyway? MXTX has mentioned before that she was not entirely satisfied with the original version of TGCF. Because she wrote and released each chapter in a serialized manner, with frequent (possibly daily?) updates, it doesn't surprise me that it didn't turn out exactly how she wanted. Now that she has the opportunity to sit down with it and go over everything on her own time, she's able to get it closer to what she wanted. In short: she's just really passionate about this story!

2.) Is there and English translation, or will there be? What about other languages? Officially, not yet. We don't know if there ever will be, as MXTX would have to re-negotiate the rights with publishers for translations, and at this time, we don't know if that'll happen. Unofficially, there are a few options: a. ClearNoodle has done some fan-translations you should check out here! b. By purchasing the webnovel on JJWXC now, you can MTL (machine translate) the novel. If you've seen screenshots in English floating around that aren't part of the fan-translations above, this is probably the source.

3.) What is JJWXC and how do I use it/purchase TGCF on it? JJWXC is the webnovel publishing site where TGCF was originally released. It hosts a giant array of C-novels, including most other danmei that you may have heard about. SV and MDZS were indeed also on JJWXC, but are currently (still) locked. To purchase TGCF (or any other novel) on JJWXC, cangji.net has an excellent guide and list of other helpful links to get you all set up. Please do check it out! Additionally, buying on JJWXC seems to be the most direct way to support authors. You can also throw bonus tips at them!

4.) How much has really changed in the revised version? A fair bit. Mostly, the changes are to do with plot structure, minor characters, overall flow, and so on. It's still essentially the same story, but in a way that feels fresh. Hualian in particular have exactly the same dynamic as before. MXTX added extra scenes between them, including very sweet and tender domestic stuff haha! There's also a few new lines of spicier dialogue to go along with some of the scenes that already existed in the original.

5.) So what is considered canonical? Both, in a way. MXTX has stated that she's happy if fans can enjoy both at once, and that we're free to pick-and-choose as we wish. Personally, while there are many things I prefer from the original, the revised version is something closer to MXTX's true vision for the novel. So I feel that holds a little bit of weight there, too.

6.) Will the manhua/donghua be adapting any of the newly revised content? So far that seems unlikely. The revised version facelifts a lot from the early parts of the story, which is stuff these adaptations have already covered. It would be hard to change things down the line now. At most they could add some of the extra dialogue or such, but we'll see if that's the case. For now, we simply don't know and shouldn't count on it. If you'd still like an adaptation of the revised, please absolutely check out the audio drama! It's easily become my personal fave adaptation of the story, and is made by a small but very passionate team who are close to MXTX. Thus, it's quite faithful and does the source material such justice! <3

[yoursweetestbunny22]

Would you do a Rudy x film writer and director social media au where it also mentions an interview they did together talking about first impressions: Rudy and reader meet by him not realising she’s the director, checking her out when he passes her smoking outside the audition building and trying to chat her up & when he asks for her name and number she says “you’ll probably find it on the front of the script” 😭😂

Thank you for your request hope you like it !!

Rudy Pankow x Director!Writer!Reader [social media au]

Rudeth

Liked by madelyncline and 789 274 others

rudeth love you cupcakes! and my girl<3

View all 7840 comments

hichasestucks still finding sand in weird places…

⤷randomuser CHASE?!

⤷rafecameronwife that’s not-

⤷madelyncline I’m reducing your screen time babe

⤷mady234 @madelyncline NO MADDIE IM BEGGING 😭😭!!!!!

drewstarkey why am I not in there man?

⤷ rudeth …….. sorry kook

y/nuser love u pookie<33

⤷ rudeth love u pookieeee❤️❤️

⤷user23876 I want what they have..take care of my gf rudy 😔

⤷ rudypankowupdates @rudeth babe don’t cheat on me like that 😫

madisonbaileybabe miss y’all @y/nuser PLS MAKE SEASON 4 HAPPEN

carlaciagrant omg don’t make me cry rude boy 🫶🏻

jonathandavissoficial why am I the hottest?

y/nuser

liked by rudeth and 100 237 others

y/nuser Penning the next chapter of Outer Banks, and it's a wild ride! 📝 Thrilled to be shaping the story for Season 4 alongside our amazing cast and crew. Get ready for more drama, mystery, and heart-pounding moments. Big thanks to my partner Rudy for always being by my side.❤️#OuterBanks #Season4 #BehindTheScenes

View all 4782 comments

randomuser IM LITERALLY CRYING IM SO EXCITED FOR SEASON 4

User3768 IM BEGGING FOR MORE JJ AND KIE MOMENTS RN!!!

rudeth I’m so proud of you princess ❤️

⤷y/nuser love you jj

⤷user6902 @y/nuser SHE CALLING HIM JJ OMG I WANT WHAT THEY HAVE

User2749 is rafe and Sofia have something in season 4??

⤷y/nuser I vote for rafe + therapy <3

randomuser if the new season brings more close-ups of John B’s abs, I might need to invest in a new TV screen…😔

User2783 RAFE CAMERON BACK ON MY SCREEN?!?!?

obxupdates_22

obxupdates_22. Rudy spilled the tea in a recent interview he did with yn, the director and writer of outer banks, revealing his first impression of her. Turns out, he had no idea she was the boss when they first met! Caught checking her out while she smoked outside the audition building, he tried to make a move, but when he asked for her name and number, her response was, 'You'll probably find it on the front of the script.' #OBX #rudyandyn❤️

View all 6839

randomuser HAHAHHA imagine rudy thinking like “omg I’m soooo that man” and she just say that😭😭

kiaramygirl they’re living a wattpad romance in real life

User36784 This interview just made me love them even more! Who else ships Rudy and Yn?

rafecameronwh0re she’s so ugly and that response?…lol

⤷user2837 it’s so funny that you think that your opinion matters…gurl he’s not givin you a chance💋

User5748 NOW HOW AM I SUPPOSED TO SEE JJ AND SHIP HIM WITH KIE?

User19873 let me know if y’all need a dog..I CAN BARK 🐶🐶🐶

User78349 yn is so THAT girl?!she wrote this badass show and is also dating rudy pankow..AAAA

[conundrumoftime]

Fandom grandma tales: how I survived canon ruining two of the ships I liked.

(Written after a discussion with some of my TROP fan pals about how canon can break your heart re: shipping, and how fandom manages. There are spoilers here for the entire run of Babylon 5, and for one story JMS wrote after it. yes, that story. sorry.)

Babylon 5 was a sci-fi space opera show that ran from 1993 to 1998. It is sci-fi of the era of 22-episode seasons, of huge ensemble casts with characters who get their own B- and C-plots, with an effects and casting budget that doesn’t always match its ambition, and - something it was quite pioneering in, at the time - grand pre-planned story arcs. 

It’s the first fandom that I was involved with in internet spaces as it was running, or at least when its final season was (there’s Discourse and drama from earlier years that I missed). Its showrunner, J. Michael Straczynski - ‘JMS’ - was very active in (non-fanfic) fan community spaces, and you always knew exactly what he was thinking about things because he was part of the discussion around them. There was also fanfic, which he didn’t stop but didn’t go near on the grounds of legal liability for story ideas. 

Most of the fanfic in the early days as the show was airing was focused around two big ships, of which one was canon endgame (Delenn/Sheridan) and one was canon all-ends-in-despair (Marcus/Ivanova). I, as a teenager discovering a developing online fandom for the first time with all the overwhelm and excitement that causes (ask me anything about what reading fic was like before the days of tags/ratings/warnings!) got into Marcus/Ivanova and also into one of the minor ships, Delenn/Lennier.

Delenn/Lennier was never, ever going to happen in canon. This is obvious; it clashes with Delenn/Sheridan which was JMS’s baby darling OTP, the show’s big love story. Delenn is married for the later part of the show. Lennier is her diplomatic aide, is absolutely devoted to her, and they have a very intense mentor/student relationship, which it seems is kind of standard in their culture (when Delenn’s own mentor died she went briefly insane with grief and started a genocidal war over it) but is still Very Intense. He is canonically in love with her, but that’s as far as the explicit canon statements go.

However. HowEVER. Canon also gives us, for that relationship, some wonderful ship fuel. Lennier knows about every bad thing Delenn has done, including all the stuff she doesn’t/can’t tell her husband. He’s her link to her previous world and culture and stands by her even when they kick her out. She says at one point, “without him, I would stumble and fall and never get up again.” 

And then… we had Season 5, the final season.

Season 5, for various complicated production reasons, was operating a little outside of pre-planned story arcs and in this season the Delenn/Lennier stuff ramped up about three gears in one go. It was still very obviously never, ever going to be canon, and was almost certainly not intended by the creator (who wrote most of the episodes himself) to look like there was even anything there. At this point Delenn is married; any relationship with her aide would not only be going against the show’s OTP, but going against it in the sense where she’s cheating on her husband, and there is Just No Way JMS would have gone there. And yet! Season 5 gave us:

A scene where Lennier says he can’t stay, it’s too painful to be around her now she’s married, and she’s devastated and has the following conversation with her husband about it:

S: I got your message about Lennier. Is there anything I can do?

D [snapping]: Almost certainly not.

S: Is it because of me?

D: In part, I think so.

S: Yeah, I was afraid of that. Well, as we say back on Earth, three’s a crowd.

D: On Minbar, three is sacred.

S [slightly uncomfortable laugh]: Well, I don’t think I’m ready to handle that one, Delenn.

Delenn then calling Lennier back to the station to do some secret mission thing for her, which involves her sneaking out of her bed while her husband sleeps to meet Lennier in a darkened alley behind a bar, where she tenderly strokes his face and they have a whole conversation about whether her husband understands her or not.

A scene where Lennier comes back from his secret mission to meet both Delenn and Sheridan, Delenn goes to greet him with a hug, and Lennier does this very pointed step back and nod in the direction of her husband, and she pulls back and just sort of pats him on the arms instead. 

I MEAN.

But, the issue here is not what fans did about it but what canon did about it. Canon did the canon equivalent of dragging that ship outside and shooting it in the head. 

In the final few episodes of the entire series, Lennier tries to kill Sheridan, runs away in shame, and then someone finds his diary in which he’d been writing for ages about what a bad decision he thought Delenn had made and how her whole marriage was an awful idea. Even to this day, it’s fun/awful watching people go through a first-time watch when they get to season 5 and hit that. ‘Character assassination in the form of a diary’ was a whole thing for a while. It’s been 20+ years and the actor who played Lennier is stilll mad about it (not because of shippy stuff, but because he - correctly! - thinks Lennier absolutely would not have done that). 

What *fandom* did, on the other hand, was Fixed The Problem.

Delenn/Lennier was not at all a big ship when the series was airing, and for a few years after. Then the fandom dynamics started to change. With less pressure on what canon was going to do, it felt like fandom had more space to play around with things it didn’t do. Fanfic got less interested in trying to fit within the overall story being told and started spinning off in all its own directions. And *this* ship started getting bigger and bigger. People did really interesting things with it, canon divergence went in all directions, everyone wrote a fix-it story of some variety, some authors did a great series of connected stories based on an idea that Minbari have three genders, the quality of the writing has been brilliant. And I think without that absolute whiplash feeling of what happened in canon, there would never have been this feeling of “well I’m not having THAT” which led to all this.

We did not need canon! Canon had done its thing. And canon had broken our hearts enough ways with many of the other stories it told (entirely on purpose) and we weren’t just going to sit back and let it ruin us forever.

By comparison, the other ship I was into was Marcus/Ivanova. This is entirely doomed. Susan Ivanova’s love life is just perpetually doomed. The first partner of hers we meet is an ex who’s interested in getting back together, but then it turns out he’s just using her to infiltrate the station for the fascist terrorist group he’s secretly joined. Then she falls for an archrival of hers, Talia, who works for Psi Corps, the organisation she loathes most of all things - but it’s okay because it turns out Talia is starting to question them too! Maybe these crazy kids can make it work! They have one night together and then OOPS turns out Talia was being secretly controlled by a sleeper personality implanted in her by Psi Corps the whole time. Ivanova’s love life is doomed. 

So for two seasons, she has this sort-of-flirty, sort-of-bickery, sort-of-friendship going with Marcus, who is on the surface of it very much “why not fall in love at first sight like a true romantic, YOLO!” but it turns out is actually deeply messed up himself and full of survivor’s guilt and pain and, you get the clear impression, would have died of shock if she’d actually called his bluff on the OTT flirting and said “yeah, let’s go for it”. And then he sacrifices himself to save her life. It is a very tragic ending, it is absolutely the way he would have wanted to go, she wakes up both furious and absolutely distraught, says that the last thing she heard was him saying “I love you”, says she wishes she’d at least slept with him once, and says that in a way all love is unrequited. PAIN. 

So, lots of fix-it fanfic, lots of ‘Marcus comes back to life’, lots of canon divergence AUs where he doesn’t die and they live happily ever after and both get over their huge levels of unresolved pain. Pretty standard for that kind of pairing. And as a pairing it doesn’t get in the way of any big canon pairings, it doesn’t imply anything icky like mentor/student power imbalances or adultery. And JMS clearly quite liked it. So that’s better, right?

NO. It was WORSE.

JMS wrote an Marcus/Ivanova story himself, published in one of the sci-fi magazines, to try to give them a happy ending. This happy ending involves Marcus, many many years in the future, waking up from the cryogenic suspension he’s in (it’s sci-fi, keep up, keep up). Ivanova is long dead, but he isn’t about to let this get in the way, so what he does is to *create a new Ivanova* by getting some kind of DNA + computerised memory/personality bank thing, finding a doctor who will clone her, putting himself back into animated sleep until the clone reaches the age Ivanova was when she died, then - THEN, I’M STILL GOING - takes her to a distant planet where, with her memories wiped and their spaceship having deliberately been crashed BY HIM so there’s no way back, they live out their lives in peace.

WHAT.

That pairing still does okay in fandom but it’s not really taken on a post-show world of headcanons and riffing on other people’s ideas and tropes in the way that Delenn/Lennier has (and we all just pretend that story never existed). 

So! This has been my experiences in the field of What We Do When The Show Has Thoughts On That Non-Endgame Ship We’re Into. Fandom manages. Fandom will see you through. And in the words of Susan Ivanova:

Babylon Five was the last of the Babylon stations; there would never be another. It changed the future, and it changed us. It taught us that we have to create the future, or others will do it for us. It showed us that we have to care for one another, for if we don’t, who will? And that true strength sometimes comes from the most unlikely places. Mostly though, I think it gave us hope that there can always be new beginnings - even for people like us.