UGH I need more jealous Scott. He's so resentful and spiteful and bitter and ough. Horrible man.
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The musical episode.
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okay hi so listen hear me out
sea snake is a bit too obvious (and too boring)
so i made him based on some kind of lionfish??? (bc something something venomous marine animal) also with a LOT of creative liberties i made with how the fish looks like
let’s also give his fins some rips and tears here and there bc what are the implications of that??? that’s for you 🫵 to decide
anyways chat i lowkey dont know what i was doing
i had no other thoughts but haha funny snake man i turn into fish
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The Curse Of Hope
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Danny is in another universe. He had a reason, but he doesn’t remember anymore. He can only stare, horrified and disgusted, at the sickest city spirit he’s ever seen. Shivering and swaying with every step, core exposed, and ectoplasm leaking from wounds that are decades old. A ratty blanket was thrown over their shoulders, barely hiding the spirit’s pale grey skin and protruding black bones.
The spirit didn’t even sense him until he reached out to touch its wispy shoulders. The spirit flinched, clutching at the dozens of trinkets hanging from their neck and tucking in on themselves like they were expecting a blow.
“Oh, shit,” He swore, floating back a few feet, hands in the air, to show he meant no harm. “I’m sorry. I promise, I’m not here to steal from you.” The spirit shivered again and rolled a pearl necklace in between their fingers. A nervous habit. “Uh, I like that pocket watch? It’s very nice.”
That got their attention. They peeked at Danny, and he saw that more tattered cloth was covering their eyes, blending in with the stringy hair that reached the ground. Their blanket fluttered weakly, revealing hundreds of thousands of tiny marks etched into their skin. Scars, really. Scars that wrote out curse after curse onto the spirit’s very being. They burned with evil intent, and even reached inside the spirit’s body and wrapped around their core.
Occasionally, blinding specks of color raced across their body, temporarily erasing the writing, but it always returned quickly. He watched, a little detached, as one particular line rewrote itself across their rough forearm, drawing fresh ectoplasm like someone was writing it with a thin knife.
“Are you…alright?” Danny stuttered. A stupid question.
The spirit cocked its head. He couldn’t see their eyes, but he felt their burning gaze as they pondered the question.
“The pain of others becomes mine own.” They rasped. “The lights of the city dim as rotten wealth clogs mine veins. Magicks long forgotten have eaten mine skins, pulled mine cloak, and darkened mine skies. Helios has refused to grace mine doorstep, and the seasons of the Earth have revoked their kindness.”
Danny held his breath. It felt like he was the one with the exposed core, not the spirit.
The spirit shivered once more. “Tell mine soul, little lamb. How could this Forsaken City know peace, when it was long since ripped from mine hands?”
Shit, he needed Frostbite. And maybe Clockwork. Now.
-Or-
Danny meets the spirit of Gotham City. The villains and rogues that have plagued the city for decades are literal curses that are taking quite the toll on Gotham, and honestly, Danny isn’t sure how much longer they can hold out. The heroes seem to be doing some help, and are probably the reason Gotham made it this far, but the poor city needs help from the Realms if they want to get better.
Luckily, Danny can provide that help.
But only if he could get Gotham to leave their city behind. Because recovery is going to take a very long time.
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so, old news obvious news blah blah, but i keep seeing people not getting this about my girl gideon nav so have to say:
i think at first blush, people get the impression that Harrow’s got all the convolutions and layers and hidden vulnerability whereas gideon wears her heart on her sleeve and is just brazenly herself (a loveable rowdy himbo) & that’s the contrast.
and yes, that’s there, but that’s not all. that dynamic itself is a part of their mutual (codependent) front, and like everything else in this book, it gets peeled back.
i think the real contrast is that they’ve both got masks, and those masks are complimentary. they’re both kids who never got a childhood. they grew up tortured in the same place from very different angles with no one but each other to butt heads against. they both had to play-act grown up versions of themselves with few models for what a well-adjusted adult even looked like. so it’s cartoonish. gideon is the plucky hero of her own adventure story that will totally have a happy ending some day, far far away from her nemesis whom she’s totally not in love with. harrow meanwhile (to grossly oversimplify) has to imagine herself as someone cruel and cold enough to cope with being alive at the price of 200 other people. these two things fit very well together. gideon can play the hero to harrow’s villain, and harrow can enact cruelty toward gideon to make herself feel strong and mean (and generally just to vent anguish). the way they hate one another is a kind of mutual protection - it re-enforces the self-image that each of them needs to get through the day. but that’s the coping mechanism. harrow the ruthless bones overlord. gideon the hapless swords idiot, who thinks of nothing but tiddies & sweet sweet vengence (harrow’s corpse in various states of disgrace ) all day. and behind that they’re both tearing apart at the seems beneath caricatures of themselves that are deeply unsustainable and neither of them feels safe letting on the extent to which that’s the case. their hearts are a goddamned mess. neither of them is wearing that shit on their sleeve.
so yeah, there’s a lot more to gideon than being a swords himbo but that’s not the wild thing. the wild thing is she’s so convincing that she somehow manages to sell people on her no braincells act while being the pov character of entire first novel.
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lol imagine having two actors on your show that have amazing chemistry AND wanted both their characters to be gay and yet ignoring their requests and not exploring the potential of those 2 in a relationship.
jjpope i am sorry i was not your writer. you deserve so much better.
the way the show fumbled with this ship will go down in history.
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MDZS Fanon VS Canon: 10/?
Wei Wuxian was called the Yiling Patriarch during the Sunshot Campaign
Rating: FANON – CONFLICTING
There is, understandably, a bit of confusion about when Wei Wuxian started to be known as the Yiling Patriarch. For convenience's sake, he's often called by this title throughout many fanwork depictions of the Sunshot Campaign, and/or the period in which he was coreless. This makes sense from an aesthetics perspective, as during this point in his life he was already adopting the persona associated with the Patriarch brand, but in canon, the title was only given to him after he liberated the Wen prisoners.
Put simply, it's not possible for Wei Wuxian to have been called the Yiling Patriarch during the Sunshot Campaign, because by definition the title must have been given to him once he was based out of Yiling – after he liberated the labor camps and set the Wen settlement up in the Burial Mounds. Although Wei Wuxian had been thrown into the Burial Mounds by Wen Chao, ostensibly drawing that connection before the Sunshot Campaign, nobody else (besides some of the Wens) knew at the time.
However, the title was not given to Wei Wuxian immediately after settling in the Burial Mounds. We can actually pinpoint the exact turning point when Wei Wuxian "became" the Yiling Patriarch:
After Wei Wuxian defected from the Jiang Clan of Yunmeng and became the Yiling Patriarch, he’d been in significant conflict with the Lan Clan of Gusu, especially in the months prior to his death.
(Seven Seas Ch. 4)
Wei Wuxian was only known as the Yiling Patriarch after his split with Jiang Cheng and the Yumeng Jiang Sect. This means there was a period of time in between the formation of the Wen Settlement and Wei Wuxian's defection, in which Wei Wuxian was living in the Burial Mounds but was NOT yet publicly known as the "big bad evil cultivator" Yiling Patriarch.
We also know the first time the words "Yiling Patriarch" are mentioned chronologically:
None of the fierce corpses Wei Wuxian had ordered to patrol the foot of the mountain actively attacked anyone—the most they did was hurl them away with teeth bared in a snarl. No one was ever hurt. And so, more and more people crowded at the foot of the Burial Mounds. Wei Wuxian once saw a long pennant in the distance, emblazoned with the title “The Supreme Evil Yiling Patriarch,” and spat out an entire mouthful of fruit wine at the sight.
(Seven Seas Ch. 17)
This implies that the title of "Yiling Patriarch" was formulated not by anyone in the cultivation world who saw Wei Wuxian as a threat, but by the common people who idolized him. The title could have then spread to members of cultivation sects, who adopted the common name.
In fact, the next time we see a reference to the title is when the Jiang siblings secretly meet with Wei Wuxian and Wen Ning, and Jiang Cheng uses it to tease Wei Wuxian:
“Wei Wuxian and Jiang Cheng were still standing inside the courtyard. Jiang Cheng raised his bowl.
“To the Yiling Patriarch.”
“Hearing the title reminded Wei Wuxian of that long pennant fluttering shamelessly in the wind, and his mind was filled with its huge dazzling words: “The Supreme Evil Yiling Patriarch.”
“Shut up!” he said.”
...
He finished the rest of his soup in a single mouthful and stood. “Impressive. Amazing. As expected of the Yiling Patriarch.”
Wei Wuxian spat out a piece of bone. “Are you done?”
(Seven Seas Ch. 17)
Meaning while the title spread incredibly fast, it was not taken seriously (by Wei Wuxian, at least) for at least a short period of time while the rumors surrounding Wei Wuxian were building up. Notably, Wei Wuxian does not associate himself with the title.
My interpretation of why this happened is that during the period that Wei Wuxian was still part of the Jiang Clan, his actions were seen as representative of – or at least the responsibility of – the Jiangs. Regardless of whether the cultivation world knew he was working alone, as it were, he was still beholden to a sect who had power over him. Wei Wuxian would not have been seen as a "patriarch" in his own right.
After the defection, however, Wei Wuxian was an unknown in terms of affiliation, and thus a potential threat. With the rumors about him already beginning to paint him as evil and unstable, combined with the fact that he was going on public night hunts with Wen Ning, he quickly became notorious:
After stealing the show at several Night Hunts, quite a few people came knocking, drawn by admiration of his reputation and in hopes of joining the “Grandmaster” to become disciples under his banner.
(Seven Seas Ch. 17)
Thus, the title of "Yiling Patriarch" would have only been popularized once it was assumed that Wei Wuxian wanted to start his own sect. This would have only exacerbated the hypothetical threat that Wei Wuxian was to the cultivation world as well, and contributed to his mythologizing as a quintessential sort of boogieman. This is actually an excellent example of a major theme in MDZS, of how quickly rumors can cause severe harm.
In the end, regardless of how or by whom the title was created, Wei Wuxian was only (unwillingly) given the title of Yiling Patriarch after he defected from the Jiangs.
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Thinking about Steve Rogers finally getting the chance to go to college post-ice and being the most fucking annoying student in a philosophy professors class
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Master manipulator vs Master manipulator
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insane how people act like charles is ‘the jealous one’ like edwin didnt spend the whole first episode screaming crying throwing up every time charles looked at crystal and not him
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Being an autistic person who loves Abed and relates to him but also thinks there's a lot about the show's treatment of him that really hasn't aged well feels lonely because I feel like I'd get hated on for it.
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Netflix needs to stop promoting ST as a teen show for season 5
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FUCK THEM UPPPPPPP TILL OH MY GODDDDDDDDDDD
The visuals of Till's splash art (in my humble opinion, the best one so far) is STUNNING. AND very interesting.
For Till specifically to cover All-In is an interesting message to give off, All-In is a song about freedom. A type of freedom that allows you to live confidently and freely, creating whatever type of world you want, the stage is yours, so make what you want of it. living confidently in YOUR OWN SKIN. And living freely "cause you only got one life to live"
Freedom is something Till fights for relentlessly, and confidence is a bravado, as by far the most uncontrolled and tested person in the cast, he still fights for his boundaries and self-expression even when he's punished, molded into something he's not, or beaten into obedience, tested far past the limit; he never loses his bite. A wild dog can never be tamed.
This is the cover that follows what becomes of Till after round 6, and still, in Till's all-in, he sounds so raw, pained, energized, and passionate desperation is evident. It's a contrast from HyunA's celebratory cheers and upbeat mood because Till isn't celebrating the idea of freedom; he's angrily proving to everyone, especially the aliens, that he isn't backing down yet and he'll still keep fighting and that he can fight for his own freedom.
Till's cover of All-in is truly the most powerful depiction of Till's fighting spirit, after everything he's gone through, the pain, the grief. It's all in his voice and the way he sings he's pained the entire time he sings and he's aggressive because the fire of his spirit is lit once again. He's going "all-in" so to speak and expressing himself.
The tape around his neck--
It's a contrast to HyunA who doesn't mind showing her brand, even proudly showing it off as a form of reclaiming her individualism.
Till is different. Because being reminded that he is and was once a pet is not something he would want to remember about himself, he will always bitterly try to distance himself from that fact in any way he can, HyunA feels free from the system when she can own it, but when Till sees his branding, he'll still always feel that collar. It's a testament to his self-deprecation, as long as the evidence of his past is present, and he still feels all the pain the aliens inflicted on him, It'd be presumptuous to think he'd ever feel like he can relate and fit in with the other "fools" who are so free.
It'd be presumptuous to think he'd ever feel free. That's what the aliens wanted, right?
Another interesting part of this is that the name 'All-in" is actually a real-life poker reference, to go "all-in" in poker is to voluntarily bet all of your remaining chips, there is nothing else you can do but hope for the best after that point (and hope you win).
When HyunA sings All-in, she deceives you into thinking she has the upper hand or good hand, and that she will win. When Till sings it, he's giving it all away recklessly, he's showing all he has. Basically, him saying fuck it. he doesn't know if he'll win or not but says, "Let's go all-in and risk it all anyways" Even if internally he knows that this is stupid and risky, this is his foolish rebellion.
At this point he has nothing to lose and nothing to gain, it's his final stand as he lets his heart out not for the crowd, but for the family he lost, himself, a form of self-expression. He will be so nervous, so aggrieved but it's the freest he will ever feel on that stage.
The color symbolism also drives me CRAZY.
For his other two splash art, he's been represented with a color close enough to teal. In both songs, he's open when he sings and fully serene. Teal is a generally calming color, and it's not too evocative. It's more emotional (and has it's own reservations)
And then, we have green, which is a general symbol of growth, new beginnings, and freshness. After all, Till has been through all-in is a sign of his growth. And a new era of his life, or in other words a sudden tonal shift from his depressive state in round 6.
And for my favorite (it's not.) part! the head shot, (interesting how his has nearly the biggest impact out of them all.)
A bit of a theory.
It's a bit similar to one particular art of him, he has a little shape that's almost akin to impact from a gunshot near the same area.
So, I think this is tell-tale symbolism for a future injury, but the gun portrayed is a bubble gun. I believe it is symbolism for the wound being non-fatal, so even if Till loses and gets shot, he'll survive, fundamentally changed. and will probably join the rebellion, too.
/side note
The heartbeats in Till's version of all-in are faster and louder than HyunA's version, similar to CURE.
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hakdjkajs these last few days I've been thinking about an "AU" (if I can call it that, I don't know) where all branch's brothers like him, are adopted by their Mom Ruut
since uhmmm i like that idea yk, it makes me sad to think about how many little trolls were left without their parents thanks to the trollstices celebrated by the bergens aaand i take advantage of the fact that branch's brothers canonically are much older than him
i'm working on a miniiicomic that explains all this a little better AAHG because i can't get the idea out of my mind hajsha
Ruut, unlike her adopted children was on the verge of becoming an orphan, but she did not do so because Rosepuff was able to save herself thanks to this event, she is more affected by finding JD and Bruce orphaned
the last one she finds is branch...he is just an egg and she incubates him, and quickly becomes too fond of him as he is just an egg and is left without parents TwT!! but this is not an AU to get sadder, after all when they meet again thanks to trying to help Floyd they tell branch what their lives were like and that they are happy that their mother Ruut made them a family
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