#I would like to one day make a manga (or novel) about the scene when Sakurako finds out the truth.

[tamayula-hl]

Selfish and manipulative Sebastian🤭

[penultimate-step]

Lately, I've been thinking about the effect of real-world time on perception of media. Or, wait, let me start from the beginning.

When I was 11, I read the book Ender's Game for some school assignment or another. I don't remember ever considering Ender a relatable character, but certainly my understanding of the events was shaped by being of an age to see the protagonist not so much as a young child but as someone of my peer group, someone who could have been slotted amongst my classmates without anybody batting an eye.

Over a decade later, I read the sequel, Speaker for the Dead; it takes place many years later, when Ender is in his thirties, and my feelings about the in-universe time skip were undeniably shaped by the real life time gap between my reading of the novels. Reading the first book back then and then the second book now created a feeling where it's almost like, I'm browsing the facebook page of someone I had known in middle school but lost contact with, checking up on how they're doing today. The real-time factor caused me to perceive it less like a timeskip, and more like a reunion - the feelings were closer to "oh wow, that's my boy! I haven't seen him in years! Wonder what he's up to?" Which in turn gave me a better position to appreciate the parts of the narrative about him struggling to find a place in his adulthood than I would have been had I perceived it more strictly as a quick skip from 11 to 20 to 36.

While musing about this, I considered a VN I played a few years back, which took place over three in-game days - except at the end of one in-game day, the game would lock you out from progressing for 24 hours real time. So that as the in-game investigator protagonist was ruminating on the information that had been discovered that day, the player would be forced to do the same. In this example, by forcing the player to experience the same timeframe as the in-game characters, the sense of it being an in-depth and extensive investigation increases, even though without the forced pauses the game would be short enough to blow through in a handful of hours real-time.

Which brings to mind how time effects things in long-running serial works. It's well known that an audience which watches an episode or reads a chapter week by week has a very different experience than one binging through whole seasons or volumes at a time, but I wonder if the real time relative to the in-universe time makes that effect stand out more? Fight scenes, for instance, have been known to take up several chapters in certain manga or webnovels. What does it do to the reader's perception, if from their point a view a fight takes a whole month, while for the characters they read about it's only been a couple hours? Readers might feel that the situation is more stressful, since the pressure of the fight has been ongoing for a long time for them, while in-universe it was a rough afternoon but no more than that. Contrastingly, when a series skips ahead or otherwise has long periods of time for characters that feel short for readers, it can feel like no time has passed and everything is still the same, unless the author really stresses the differences in world-state that occurred offscreen. Because the reader hasn't changed at all.

No conclusion here exactly, I just think it's interesting how often an audience's response to a work, the emotions felt, are more closely tied to their real-life timescale, something almost completely out of the author's control, as opposed to in-universe time, which can be intentionally shifted or played with for the sake of the narrative.

[mythicalartistx]

I know now without a doubt Kingdom Hearts is L—

No actually I think Kingdom Hearts is honestly purposely censored.

I used to be like well I don't think it's inherently the translators faults, Japanese is a tough language for people to know what it's referring to and likes to Americanized certain things like adding heteronormativity and romanizing things. People like romanticizing thingz so I can't exactly blame them it's part of westerners.

Like when you think of relationships most think of straight relationships so that probably what they thought of it's probably about even though the relationship doesn't really develop that much.

A lot of Action movies have the same problem when there is a male main character, there is always a forced romance with some side girl character when it's not a developed or good relationship it's just there to mark of the love interest category.

But now realizing how much Kingdom Hearts censors things, maybe they had an idea.

Some lines are WAY off from the original made to romanticized so much when the original wasn't even anything remotely like that or about a character in that way. And some scenes take out movements and edit it.

They change the entire meaning to censor things for American Audiences.

Nobody knows why.

And all I can think of is to make it have things that American Audiences would rather enjoy having romance in places unnecessarily or censoring things to be "safe"

I made a post about the Dream Drop Distance scene which gotten a crazy amount of attention only on the first few days it's at 300+notes, but the post was essentially about how when Sora was sleeping he tells Donald and Goofy it's his job to keep him on his toes and he puts his arm down in a fist. Then Riku moved his arm slightly to the left and put it in a fist again?

But the scene actually had Riku telling Donald and Goofy how he slapped Sora awake whenever he fell asleep on the beach and it shows Riku moving his hand in a slapping motion, not whatever that awkward motion was.

The thing is DDD was one of the side games and I thought they didn't pay much attention to the censoring in those. And given how gay DDD is and it wasn't as censoring their dynamic.

However, it got censored and it's like why? Did they think Audiences couldn't handle it?

Like it just seems like a silly thing he would do. It's kinda like how some people would pour water on someone to wake them up.

Like a teasing thing which he does A LOT and it probably wasn't that hard.

And other times I heard about how the language had some swearing or words that could be translated that way but of course since it's Disney the western version had to censor that.

The novels and manga actually still have more language in it.

And I think the main problem is Disney. They censor things a lot now.

They used to be more open to this kind of thing, but now they are soft and never take risks. I also heard how their team would edit things that would be in their original movie to tone it down for KH players.

It's kinda sad because there is definitely a lot of meaning to KH that is lost in translation. The battle with Vanitas is one in particular I had realized it's meaning is a bit more than the western version. The western version also simplifies things and tries to condense aspects as well. Xehanort's reason for everything is also worded very differently in the western version.

One of the reasons I look at fan translations is because it gives more meaning to certain events, not only because of dynamics and possible ships that are lost, but also explanations that are no longer there.

I'm so grateful for everyone who tries to retranslate things accurately and sometimes I use a site for certain things I'm curious but by no means do I speak their language and I get translation is hard, I really hope their future installments don't do this especially with KH4 and ML coming up in the next several years.

[ladyloveandjustice]

My Favorite Books I Read in 2024

I read a ton of good novels last year- 32 in all (and uh, 82 manga/graphic novels, but we’ll examine that in another post). Here’s a link to my Goodreads year in books (the manga is at the beginning, the novels start with Red, White & Royal Blue) and my storygraph wrap up.  

I got to have fun reading some classics like The Odyssey and The Wizard of Oz, but I also read a lot of notable newer books! Let's take a look!

The Spirit Bares Its Teeth by Andrew Joseph White

The story follows Silas, a trans guy in an alternate 1883 where violet-eyed people have the power to talk to spirits. If someone is perceived as a man by society, this power is treated as useful. But for anyone society perceives as a woman, it's a different story. There's this idea that the power to speak to the dead causes women to "go mad". Silas is diagnosed with this "sickness" and gets thrown in a horrible sanatorium that forces patients to become obedient wives. But this school has some dark things going on under the surface, and Silas might not even make it out of this alive...

This is a horror that keeps you on the edge of your seat the whole way though. The setting is vivid and creative, the characters who suffer under the weight of oppression are varied and complex, and the protagonist is easy to root for. It's very spooky, pretty relentless, pretty gory and pretty twisty. It's very hard to figure out who you can actually trust! It's also a fascinating exploration of transphobia and misogyny. It obviously draws on real things women and trans people struggled with in the 1800s (accusations of having "hysteria" and other "illnesses" just for existing) but also talks about ableism too, as the main character is autistic. It really makes you consider how terrifying and isolating it would be to live in a time with so few resources and such limited knowledge, but of course, this still persists in a lot of places today.

 It's not all horror though, there is some catharsis and nice moments of Silas finding solace and support in other trans people and it leads to some really touching scenes and relationships. There's also satisfaction in seeing marginalized people banding together and doing all they can to fight back.

Emily Wilde’s Encyclopedia of Faeries and Emily Wilde’s Map of the Otherlands by Heather Fawcett

This fantasy series follows Emily, a professor and dedicated researcher of the mysterious and often dangerous fae. Emily is out to make an encyclopedia of fae lore, and she has no interest in socializing with others when there's faeries to find. Unfortunately for her, her scholarly rival, Wendell, show up and decides to be all insufferably social and charming and interested in her. He might secretly be a faerie though, and Emily is interested in that, so, ugh, maybe she has to put up with him.

 These books are a ton of fun. It's a cozy adventure the creatively draws on some cool fae lore. It's biggest charm is our protagonist, who is wonderfully grumpy and stubborn and clever and only wants to bury herself in researching this thing she likes She's the kind of person who puts footnotes in their own journal, and it's delightful.

Even when she starts catching feelings for Wendell, her research is always her number one priority. And Wendell, who is very obviously smitten with her the second he appears, is okay with that! In fact, her stubbornness and fearless, unshakeable commitment to her research is pretty much exactly why Wendell is so down bad for her, which makes him a really relatable love interest. He's obnoxious in a genuinely charming way and the teasing banter between Wendell and Emily is very entertaining.

Lonely Castle in the Mirror by Mizuki Tsujimura

Kokoro has been unable to go outside her house ever since she dropped out of school due to horrible bullying. One day, her mirror glows, and she enters it to find herself in a castle with six other students. A little girl in a wolf mask tells all of them that there's a room in the castle that can grant one single wish, but only for one person, so whoever finds the room first gets the wish. They'll have an opportunity to hang out in the castle every day until the deadline, after which the castle will disappear. But as the kids get to know each other, things get more complicated.

This is such a lovely, healing story I'm glad I finally got around to reading it. While the story goes into the causes behind the epidemic of hikikomori and futoku in Japanese students, it's also a universally relatable story about the ways bullying, grief and trauma can affect a child and lead to severe anxiety. Kokoro's slow journey of recovery is touching and feels realistic, despite the fantastical elements. The book shows how brave and hard it is to take these small steps, and how Kokoro struggles to even talk about what happened. The focus of the book is the connections the kids make with each other. It explores the secrets they carry, how they accidentally hurt each other, but also how they ultimately are able to empathize with and support each other. Each character is interesting and achingly human in their own right. The whimsical fairy tale elements of the story complement the themes well, and the book delivers some really solid plot twists that serve to make its themes stronger too.

One thing to warn for is we learn that a fourteen year old girl has entered a relationship with a man in his 20s. This isn't shown to be healthy or good for her though, and the reason she does this is heartbreaking. There's also some (non graphic) attempted SA. With that in mind, this is just a really cool tale, and I full recommend it!

First Light by Liz Kerin

This is the second part of a duology that began with Night’s Edge, which I recommended last year, and honestly, this book is even better than the first one, which was already pretty great. The book continues to use vampirism to explore the cycle of abuse effectively. This time, Mia is seeking vengeance on her mother's abusive ex-boyfriend, who was responsible for turning her Mom into a vampire. But when she finds the ex-boyfriend and infiltrates his little cult (with her kinda-girlfriend, who actually genuinely wants to join), she gets manipulated by him the way her mother did, her trauma and past making it easy to fall into a cycle that's familiar. She starts to understand her mother, and vampires in general, more than she ever thought she would. It's just a really interesting take on vampires, and this one actually addressed some of the thing I thought were a little iffy in the first book. It's dark, but there's also a lot of catharsis.

I think these books are easily among the top of my list of favorite vampire media. Content warning for abuse, and the vampire bites having a hint of a metaphor for sexual violence like they often do.

Bright Young Women by Jessica Knoll

 Bright Young Women follows a young woman in the aftermath of a serial killer breaking into her sorority and killing several of her friends. The media and police are all too willing to question her testimony and distort the details to fit their narrative. Another woman suspects her girlfriend was murdered by the same killer, and they team up to find the truth.

Bright Young Women is a page-turner, and I honestly didn't realize it was so heavily based on the Ted Bundy murders until I read the reviews, because I didn't know much about him (or most real life serial killers, a fact which I am very okay with). But the book is here to dunk on Ted Bundy and the ways his "intelligence and charisma" were greatly exaggerated by the media and even the judge at his actual trial, rage about the ways the victims stories are erased in favor of the killers who are glamorized and fawned over, point out the ways the police constantly fail victims, and to set the record straight to those who idolize serial killers.

The story centers the survivors and victims, talking about their lives and triumphs and the goals they were working toward and what could have been. It's depressing, but it also shines the light on the bravery of the women whose testimonies got the killer convicted even when the rest of the world was dismissive of them.

This book is a really tough read, and obviously there's a huge content warning for sexual violence, the graphic aftermath of horrific deaths...the method of one rape and murder actually really disturbed me (mentioned in the aftermath, the book never shows the actual acts), it was so gross and horrible (and unfortunately, happened in real life). Read with caution. But it's a book that will definitely stick with me for a while.

The Rise of Kyoshi and the Shadow of Kyoshi by F.C. Yee

I never got around to the Kyoshi novels because there's been a lot of mediocre Avatar the Last Airbender spin-off media...but I should not have hesitated, because these were actually really good. They follow the life of Kyoshi, the famously badass Earth Kingdom Avatar, and shows how she became how she is.

Yee does a great job capturing the world of Avatar, while also expanding on it in interesting ways. I really liked a lot of the little details that deepened the world--for instance, it's mentioned that Firebenders shave their heads when they lose an Agni Kai because of the disgrace, which gives context to Zuko's initial hairstyle and actually makes the fact he actively kept his hair from growing back for three years extremely sad, since it implies he thought he would only be worthy of that once his father approved of him again. It was something I think Yee definitely came up with himself, but it made a lot of sense with the show in a way that felt natural.

The novels were definitely darker than the show, but not in a Netflix Avatar let's-watch-a-bunch-of-people-we-don't-care-about-burn-to-death way, but in a way that felt natural to Kyoshi's circumstances. I found I usually did care a lot when a character died because they were often likeable. I found the death of one character in particular near the end of book one genuinely heartbreaking.

The books did a good job explaining why Kyoshi became more severe later on, and in how she wrestles with how far she can go with her role as the Avatar, what justice is, and whether killing people solves anything. The second book was not quite as good as the first, with its decision to switch out the cast of the characters for entirely new people and just being more meandering in general, but it was still a good read. I definitely rec if you're an Avatar fan, odds are you'll really enjoy them!

Voyage of the Damned by Frances White

In the country of Concordia, each province has one heir who has a "Blessing"--basically a unique magic power. Ganymedes (a.k.a Dee)'s dad cheated on his wife a bunch, and one of the children from those affairs must have inherited the Blessing rather than Dee. To keep this a secret, Dee's dad makes him pretend to have a Blessing. Now Dee has to go on a voyage with the other Blessed and, sick of the charade, he's decided he's going to make them all hate him so he gets kicked out of the group. But that plan is extremely interrupted when his shipmates start getting murdered one by one.

Voyage of Damned is just a really good time. A queer murder mystery romp with a ton of suspicious and varied characters vying for power, a fun lead with a distinctive voice, tragic romance, cute friendships, and even some touching exploration of prejudice, suicidal ideation and self loathing. It was just extremely readable and I was entertained the whole way though, but it also made me feel things sometimes. It also delivered a ton of solid plot twists, including a big and satisfying one that made me want to go back and read through a bunch of scenes knowing the truth (and I did).

Dee and his distinctive glib narration probably won't be for everyone but I liked him and vibed with him. He goes through a lot, including finding out his boyfriend he'd been separated from for five years is now engaged to a girl and acting super cold to him. The tension between Dee and Ravi and how it affects all his relationships is a real emotional hook, and his banter and dynamics with the people he likes (or even some people he doesn't) are generally fun to read. If all I've said sounds cool to you, give it a try, you might like it!

Bonus Rec: Someone You Can Build a Nest In by John Wiswell

Shesheshen is a blob monster who dines on the humans (mostly those who try to kill her). She can look human with some effort, and go into town to feed sometimes. But the she falls in love with a kind woman named Homily. This clearly means she needs to do the proper romantic thing and lay some eggs in Homily so their little monster kids can be born by devouring Homily for the inside out. Wait, humans aren't into that? That's awkward. And despite her biological impulse she doesn't really want Homily to die? Even more awkward. Oh, and Homily's family are monster hunters and it turns out that was Homily's brother Shesheshen ate a while back? Super mega awkward. What's a monster to do...

 I'm a lover of actually monstrous monster women, so I was hyped for this one, especially with the great cover by @jmfenner91! While it disappointed me in some areas, it was still fun and heartwarming enough I'd recommend it.

Our monster lady is a great character, and her unique point of view where she's nonchalant, cynical and often hilariously baffled by humans is a joy to read. Her personality, her super gross biology, and how she sees the world...she's so charming and her romance with Homily is very cute. I also really like that the book focused on healing from abuse and finding a way to move forward with each other's support. I also liked the romantic climax, and the discussion of finding kissing weird, because that made me feel seen.

There were quite a few things that kept it from being a five star review in my heart though--Sheshesen is completely disconnected from people, has just spent her life alone in her cave, but she knows what an abuser is and exactly how abusive people operate in a weirdly modern way. Abusers are also only portrayed one way: openly cruel and evil with zero sympathetic qualities to every single person they interact with. There is no cycle of abuse with these people, they never act nice to to draw their victims back in, we don't see more subtle, manipulative emotional abuse, almost no claims of caring about people. Obviously cartoonishly abusive rich people exist in real life, and I don't necessarily need abusers to be humanized. Still...it just felt like the nuance of most real life abuse was being ignored. And because these people were so one dimensional, it was pretty tedious to spend SO much time with them.

Still, the book was very monstrously sweet, and it was overall a good read. I wish it could have been a little more, but what we got was pretty nice.

[unforth]

Hello! Forgive me for the strange and invasive question I’m about to ask, but I noticed in your bio that you’re a mother and you seem to be a danmei fan as well, and my question pertains to that.

I’m in my mid 20s and enjoy danmei. I read 2ha before the published paperbacks came out and was pretty excited to be able to eventually own physical copies of the story i love so much. But I somehow end up feeling very self conscious about buying them, since they contain multiple explicit scenes and I’m worried if someone were to browse my bookshelf someday and come across these, they’d judge me harshly. I’m not sure if marriage is in the cards for me, but if/when I do end up getting married and having children, how exactly would I explain having these books to my husband and kid(s)? In my country, joint families are fairly common so I also might end up having to live with my husband’s parents and I’d be toast if they were to come across these 😬. I know it seems silly to be worried about a hypothetical future husband and children but I’m afraid I can’t help it. Since you have kids, how do you manage keeping your danmei novels? Do you hide them, or just tell them they’re books for adults?

Anon you sound like you've got some pretty incredible hang-ups about sex. Are you this worried about if my kids find the scene in MDZS where Wen Chao has to eat is own legs? Or if I allow your hypothetical, are you worried what your spouse and kids would think of that kind of content?

The 2ha books are books. I keep them with the books. I have a dedicated shelf for danmei in my bedroom, and they're there. My kids have seen me reading them and can access them anytime and have never given a single fuck or shown any interest whatsoever in what I'm reading, EXCEPT when I'm reading shounen manga and then they're excited. Oh or that time I read some Pokémon manga. And sometimes they're interested in the YA queer graphic novels I get from tbe library. Okay yeah if I'm reading comics they sometimes care. But a prose book? Zero fucks given. I tell them nothing, because they don't ask, but if they did ask, I'd tell them a simplified version of the truth, and I know my kids: zero fucks would continue to be given.

This whole "omg ~sex~" thing doesn't exist unless you as the adult make it exist. I don't act like there's some great mystery they're missing out on but will be ~initiated into the secrets of~ when they're older. That is the surest way to make them desperate to know things they're not ready for. They've had some age-appropriate sex-ed in the Our Whole Lives program offered at our church, and the one time I made the mistake of thinking my son knew more than he did (he knew sperm + egg = baby, so I assumed he knew penis inside vagina was the process. I assumed wrong.) his reaction was a hilarious, "they do WHAT?" and he has never brought it up again. The other day we read a book that included a joke about a teenage man being given a shirt that says "I make chicks hot" (he was going to work at a fast good joint, the joke was its about literal chicken) and my son looked me dead in the eye and said "that joke is NOT age appropriate." He's almost 9, so I told him puberty is coming whether he wants it to or not, and I'd rather he know these feelings exist before the first time they happen than be blindsided when they do (I didn't say, "if they do," I figure the nuances of my utterly asexual non-awakening aren't a detail he needs quite yet.)

All of which is to say, I find this ask utterly baffling and it honestly feels like a trap, but I'm trying to take it in good faith, and in good faith, anon, I'm telling you this:

If the hypothetical husband in your scenario would disapprove of what you're reading, then why the fuck is hypothetical you marrying him?

If the hypothetical kids in this scenario might find age-inappropriate materials, why aren't you worried about the violence? Or the horror parts? And why is hypothetical you telling the hypothetical kids anything at all about the books? Did they ask??? Or are you thinking hypothetical future you is so terrified of being caught with sexy books that you're the one bringing up adult stuff, unsolicited, to these kids? Cause THAT'S the weird thing to do. Going "and just so you know, kids, these books are for ADULTS" when they haven't paid any attention at all is going to create a problem where none exists. I'm not gonna pretend the kid doesn't exist who isn't more interested in what their parents read than mine are about my reading, and of course some kids will end up in traumatic situations that result in them knowing more than they normally would about these topics, and that's tragic that some kids have that happen. But in my experience of the kids I used to run into when I worked in schools, my own kids, their friends, etc., these kids have absolutely zero, zilch interest. When my kids ask what kinds of books I'm reading, I say books about men in ancient China. That leads to immediate negative interest cause it sounds dry and boring to them. Problem (no actual problem existed) solved.

You want to know what IS hard to talk about?

Warning them about predators.

When it's never once crossed their minds that anyone would have any interest in their private parts - because they're just a normal part of their body - having to explain that if a grown-up touches them in certain places, or asks to look at them naked, or tries to get them alone, etc., then they have to say no and find an adult they trust. When they were younger, explaining THAT was hard.

I'm not afraid of what my kids might find in a book. They're not interested, and even if they were, these books are above their literacy level right now (my son has nearly finished his first chapter book! It's Charlie and the Chocolate Factory. I'm very proud of him). And if they could somehow read a book this hard, and understand it, and accidentally read an age inappropriate part, and and and... well, then, we'd talk about it. I trust them to come to me if they run into media they're uncomfortable with, and I also check in periodically to open the door. And they have sometimes brought up concerns, and we talk about it, and that's that. The hardest right now to explain? What the alt-right pipeline might look like in a Minecraft YouTuber video. Fuck but that is HARD to communicate to kids who have only the vaguely idea of the current political situation.

Honestly I'm more worried they'll read the part where the demon mom eats her own child alive. That is the most triggering scene I've ever encountered in fiction. I've never read the whole chapter.

But you didn't even think of that. Because you're too busy thinking about how to tell your non-existent kids that these books have SEX and it's not for KIDS and they shouldn't read it.

Anon, I'm not afraid of what my kids might get exposed to in books.

I'm afraid of what real people might do to hurt my kids, and how I prepare them for actual trauma.

A book can't hurt them. Well, maybe if someone throws it at them. But if they read something that freaks them out they know to just. Stop reading. And they can ask us about it and we can help unpack it.

But preparing them for the harm actual humans can do to them? Explaining why we're at a BLM protest? Explaining why they have to be wary of any stranger OR NON-STRANGER (because most abuse is by someone the child knows!) who wants access to their body isn't okay? Having to wrap my head around "I don't think any of our relatives are sex abusers but IF they secretly are what language do I use to convey to my child that their aunt, uncle, cousin, grandparent, shouldn't have access to their body in certain ways but still can touch you to wipe poop off"? Trying to say "I know you like this person's minecraft persona but if they start saying mean things about a group of people different from them you have to stop watching and tell a grown-up"? Knowing there's no warning on the planet that can prepare them for all the actual harm that can come to them from real people? That's the hardest part of parenting. I can't protect them without smothering them. I have to let them face some risks or else they'll never develop. I hate this. It's so fucking hard.

Anyway.

That's the hard stuff anon.

You are entirely and utterly worried about the wrong problem.

If this was a good faith ask... you should sit and unpack why you are uniquely worried about the sex parts of 2ha and not the violence parts. You should ask yourself why you think you'd love and marry and raise a family with someone who'd disapprove of your taste in books. You should ask yourself why this is your hang-up, and why you think you'd have to say anything at all about the books to a person browsing your shelf, a spouse, an in-law, a kid.

If this wasn't a good faith ask...idk what you're fishing for, anon, but the fact that you think I'd say anything at all about the contents of a book they are absolutely not ready for is fucking weird. I will say something when they ask and not a moment before, and when they do ask I'll tell them honestly it's a book with a lot of violence and sex and adult stuff and if somehow that didn't drive them away (it would right now, instantly) then that'd suggest maybe they're ready to know more, and I'd steer them to more age-appropriate ways to learn a bit more about sex. There, the problem you made up is solved.

Good luck, anon. Whether this was good faith or not, you have a lot of mental baggage to sort through.

*

I just reread the ask in preparation for posting, and as a few final notes: 1. My wife (no husbands here) knows what I read, 2. My father lives with us, and he knows what I read, 3. My mother in law also knows what I read, and it makes her uncomfortable I think but she recognizes that's a "her" problem and leaves me alone, and 4. My mother is chomping at the bit to get her hands on my 2ha, she's been very disappointed that most of the danmei she's borrowed post MDZS and SVSSS hasn't been more "like that." So don't assume your in-laws will flip out. Most people know books are just books. But I also don't know your culture/country/situation. I was raised by incredibly progressive people in one of the most socially progressive cities in the world (New York City, we have race problems but in other areas we're not bad), and like. My entire cultural surroundings are chill about stuff. I'm also not Christian. Obviously in another culture with stricter mores I can see why this could be more of an issue but you asked how I handle it and I can only give an honest answer from the actual reality I live in, which is that it never has crossed my mind anyone would care and sure enough, no one has cared. 🤷 I'm sorry if that's led me to be dismissive of legitimate concerns, it's very hard to know what anons on tumblr are well intentioned and which are from people who are just waiting to go HA THAT EVIL PERSON PUTS THE NAUGHTY DIRTY BAD PORN WHERE THE KIDS CAN GET IT. Considering that people have been sending me asks recently that my son should die, or that he will grow up to be a rapist because that's what men do, because my post that maybe people shouldn't hate men has brought enough attention that the fucking weirdos think lashing out at an 8 year old is an entirely normal and reasonable response to "stop virulently hating men just because they are men," I hope you can understand why my tone is what it is and why I have to consider that this ask is not being sent in good faith. Those anons I block and delete unanswered, so me writing this response is already giving you some benefit of the doubt.

Regardless. Work on you first, anon. You deserve people who will love you even knowing that sometimes you read kinky shit, and do not under any circumstances tell your kids, should you have them, a word more than they need to know. If they're very precocious early readers MAYBE move the books, but otherwise odds are they won't be able to even read the back blurbs, much less the inside, until they're old enough to know a little about how life works, and you can frame what you tell them to what they know then.

Alright, I'll shut up now.

[angstydisaster02]

An analysis about why Bakudeku is one of the most inspirational relationships. (Manga spoilers)

First part : my thoughts

Tbh, I really have this impression the manga is coming to an end very soon, which breaks my heart because I don’t know what I’ll do without my daily leaks. However, I trust Horikoshi about the rest of the story and I do think he’ll make an open ending about which “ship” is canon, even if we all know that the biggest and most developed relationship in the manga is bkdk.

It would be interesting to see the “after” of this war, the hospital beds, the tears because they lost people, the relief because it’s over and the final conversation beg the ending. Knowing Horikoshi until now, never made things randomly because everyone is thinking in advance, including the conversation between Izuku Midoriya and Katsuki Bakugo.

You can’t tell me the author of this manga who always did things with a smart brain will put aside such an important detail about the dynamic between his characters.

A part of me hopes we’ll have the bkdk talk at the hospital or somewhere else because there’s no way these two idiots keep living their lives as if nothing happened. I have high expectations due to the fanfics, but I’m pretty sure I’ll never be the same once the chapter with the bkdk talk comes.

Second part : the analysis feat manga panels

looking forward, it’s incredible how Izuku Midoriya and Katsuki’s relationship started in the worst way (I’m not including the childhood memories) and…Ended up being something like that.

I’m emotional when I think about everything they’ve been through, the many realizations about losing each other, the development of their relationship after an emotional scene such as Deku Vs Kacchan 2, the way they need to push each other’s up to be the best version of themselves in any situation.

It’s not a surprise if these two are mean to be canon (in a platonic or romantic to way, depends about your opinion !) and each little moment highlights this statement.

Think about it : they all learned one of few important things with the other’s presence by their side, on purpose or not. Their dynamic is something unique you can’t find in others shonen or mangas, because they have this specific bond, the one getting stronger though the years because their mistakes became a reason to improve and be a better person for this childhood friend they knew since the early days.

Izuku Midoriya needs Katsuki Bakugo like Katsuki Bakugo needs Izuku Midoriya.

You can’t take away this part of their soul, and even when people like AFO tried, they ended up paying the price by revealing how much they care about each other.

Don’t startd with the Heroees rising thing because I can write an entire novel about them, but this is another proof of how they’re made for each other. Their relationship improve though the years and it’s only the beginning, I can’t help but imagine how future bkdk will have an amazing relationship once they figured out everything and untold truths.

They’re each other’s pillars, holding the other up to do the best and watch from afar their other’s improvement.

That’s why the hospital conversation might be the peak of their relationship: the moment when they’ll both break their shield, welcoming the tears and listening how life is a fragile line on a thread.

None of them refuse to break this meaningful thread, because this is something they’ve built for years, and it’s their biggest strength (and biggest weakness like Shigaraki pulled out)

In conclusion: they’re driving me crazy and I have no regrets following their journey because it’s probably one of the best relationships I’ve seen (and I watched a lot of anime/manga, read a lot of books and they’re still superior !)

Thanks for reading my analysis because it’s one of my guilty pleasures when I’m passionate about something, especially my comfort ship ! Take care of yourself <3

[katzkinder]

A lot of Chrome’s weirder actions and lack of thought for consequences align with someone who’s never had to think for themselves before tbh

Like kissing tsuna on the cheek, squirting Ken with water because he won’t take a bath (what was that supposed to do, Chrome, really…), dropping the bento box full of food when it was rejected (these last two come from a drama cd and secret bullet light novels, respectively)

She’s old enough to know whether those things are appropriate to do or not but she doesn’t put any thought into that. She’s like a wind up toy at the start of the series. Set her on a path and watch her go

I think she looks at the Namimori girls and thinks they are so much stronger, so much braver, than she is, even though they aren’t combatants

Chrome’s still figuring out how to be vocal about her selfishness instead of a passive recipient of whatever the world does to her, and future arc is the first time she really like. Gets a taste of that normal, every day bravery that makes Kyouko and Haru shine so brightly in her eyes

This is also why it’s so important to me that the person she seeks comfort from after Mukuro “abandons” her post future arc (quotes because that’s how she perceives it even though his intentions were more along the lines of giving her a safe and normal place. Unfortunately he is just as bad, if not worse, than she is when it comes to communicating) is Kyouko and not Tsuna. It would have been sooo easy to push her relationship development with Tsuna there because Tsuna is the person her beloved Mukuro trusts with her safety. But she’s hurt and scared so she seeks comfort from one of the people who had ALSO been hurt and scared not so long ago, yet still reached for her and grasped her hand.

Chrome’s most important development as a character happens in very small and mundane moments between her and the other members of the female cast. And I’m going to be honest with y’all. I didn’t like Chrome at first! It was very easy to be annoyed with her character in a way I wasn’t with the other girls because she was actually introduced as like. A fighter who is supposed to be competent, only to immediately shove her into the damsel role. A single scene between her and Ipin during future arc made me fall deeply in love with her potential, though, and watching it slowly but surely blossom into the Chrome we eventually got, who has found the strength of will to overcome her abusive upbringing which told her she was worth nothing, and even surpass Mukuro in her ability to wield her illusions to her ends? Curse of the rainbow was so fucking good to her I’m so mad we didn’t get that animated lmao. And it all started with just. The kindness of sharing a meal together. I also really loved how Chrome, who so desperately wants to learn to speak the language Mukuro grew up with, to communicate with him on his own natural level, is the character Ipin is shown to speak her first japanese word with in the manga… To bridge that culture gap because she wants to understand and be understood by Chrome? UUUUUGH THE WAY I CRIED???

I might have a bone to pick with how the girls are handled in general, but the way their relationships with each other are written is absolutely not one of them!

[mcgrillzdumpinc]

I'll likely make a more in depth post once I've read through all the translated light novels but

Hello Apothecary Diaries fans I am in volume 8 and would like to reassure you about the choking scene from volume 5

Spoilers under the cut!

Okay so there's a scene at the end of volume 5 (the manga is not there yet) that many have interpreted as sexual assault. For the sake of those sensitive to such topics, I'm going to give a light on spoilers version of the scene and then an in depth analysis. Personally, I do not view the scene as sexual assault, but it is very forceful and carries A LOT of very sad subtext. You'll understand what I'm getting at in the more depth part.

So, the general gist of the choking scene.

MaoMao and Jinshi are in the garden to escape a banquet. They talk for a bit about a very scary incident that occurred that day (thankfully nobody was killed) and share casual conversation. Then Jinshi brings up that they're at this banquet to find him a wife. I won't spoil the specifics, but fyi MaoMao has been wearing an accessory this whole time that loudly announces (to everyone except herself, of course) that She's The Favorite™. Despite how obvious Jinshi has been with his intentions, including holding her hand and combing his other fingers through her hair while mentioning the whole wife thing, MaoMao evades him while thinking "I'm not capable of love". So, she tries to dodge him by offering up another woman. This is what causes Jinshi to snap and choke her, as well as hold one of her arms behind her back to stop her from fighting back.

He doesn't kill her. As far as damage to her throat, the text doesn't indicate any. He then leans his weight on her. MaoMao then remembers how she was taught sex techniques against her will be the Verdigris House women & decides to use those techniques against Jinshi. She then promptly leaves and Jinshi feels like the most pathetic man in world.

The two don't interact beyond official matters until towards the end of volume 6. Jinshi brings more rare medicine in lieu of an apology. The two talk around the wife situation again and MaoMao gets tickled. It isn't until volume 7 that they have an actual conversation breakthrough.

That's my light on spoilers version of the events. Now I'll give a more in depth version, that's honestly a good chunk of my own meta-analysis around the events of volume 5.

Honestly, volume 5 is full of really interesting scenes regarding Jinshi and MaoMao. This is the first volume after Jinshi has been forced back into Imperial Brother status, yet the first thing I noticed that actually changed between JinMao is how MaoMao takes initiative with him now. As soon as she learns an insect plague might be on the horizon, she dives into unprompted research and delivers her findings to Jinshi. She's no longer working at the palace or for Jinshi, but she still takes on the extra burden. She also takes initiative to get Jinshi some extra sleep (though she misinterprets his desire to not sleep alone). And later in the novel, when they're in the paper makers' village, MaoMao acts so cute when reapplying Jinshi's burn scar makeup. I'll let screenshots talk for me.

Like man. She's so cute. And I wonder, if these two didn't have to deal with social standing and imperial drama, would we get way more of them just being cute and companionable? If MaoMao wasn't an unwitting member of the Who Wants To Be An Imperial Princess race, would her feelings for Jinshi have grown without so much pushing and urgency on his end?

But I digress. I think a lot of volume 5, especially once they reach their travel destination, is MaoMao trying her best to keep her blinders on even though she is in the thick of imperial drama. She's especially desperate with regards to the blazingly obvious fact that a certain someone of very high status is in love with her. I think the end of chapter 6 does a very good job of driving home one of the major reasons why MaoMao is reluctant to trust Jinshi's feelings.

To add fuel onto this unfortunate fire is that MaoMao, as an unmarried courtesan's daughter, was attacked as an infant by her mother, sought after by fucking Lakan of all people, ignored while crying as a baby, and forcibly taught sex (to the point of tears!). She also had to cover for Luomen's own eccentricities, specifically ensuring they had enough money to feed themselves. MaoMao, to put it shortly, has been taught not to believe she can attain anything beyond her very simple life of being a lowly apothecary.

And then here's Jinshi who, as a prince, has been forced to grow up fast & have all his favorite things taken away from him. I think MaoMao is the first time he ever wanted a person. He is, for lack of a better word, obsessed with her. I think a lot of his pushiness & tendency to be clingy with her is him desperately trying to make sure he doesn't lose her. If he makes her his wife, then, well, she can't leave.

And I think the choking scene is him finally at his breaking point. At this point, he has lavished her with gifts, been very forward sexually with her twice, and given her a new hairpin that is essentially this story's version of a promise ring. It's MaoMao's repression/reluctance vs. Jinshi's desperation and so far she's winning.

But then she pushes him past his breaking point and he takes physical action against her. MaoMao responds by performing an unspecified sexual act on him.

So why don't I personally take this scene as sexual assault?

Mainly because I think the people actually guilty of sexual assault her are the Verdigris House women who forced MaoMao to learn sex.

As far as I understand it, whether MaoMao can actually say no to Jinshi is left up to interpretation. If we're talking on social status terms, she can't say no. But if you look at Jinshi's overall treatment of her, both before and after this scene, I very much think MaoMao can say no and instead chooses to defuse the situation.

Because what isn't for interpretation, however, is MaoMao's abysmal impression of what love and sex can actually be for her. So she defuses a situation by using sex, something she herself doesn't like, and doesn't allow Jinshi to reciprocate, which leaves him feeling terrible, too.

I want to be clear. I do think Jinshi is in the wrong for physically attacking MaoMao. But the sexual portion of the scene, at least to me, falls squarely on the shoulders of MaoMao's fucked up backstory.

Anyway, I think I've typed for long enough. I am using the official translations of the light novel for this analysis, so if any fans have access to alternate translations or WN only knowledge that throw my analysis in the trash bin, please let me know (fyi puedo leer el español).

[raven-at-the-writing-desk]

Idia, Silver: Somehow I’ll be Strong

Silver casually doing his usual knightly duties and Idia being shocked at such Chad behavior will never not be funny 🤡 but seeing Idia passionately share his hobbies in the vignettes was wholesome! (The story about Idia singing with Ortho as they went to the bathroom together at night was also adorable 🥺)

Idia’s legs are so damn long, everyone’s been memeing them to the Underworld and back 😂 … Okay, but wtf is up with THAT face he’s making in the groovy?? That’s on a whole new level of sinister 💀 Is this really your mans, Eliza—

asiulbdg8yoadasbqerqo I'M HYPERFIXATED ON ONE OF HIS VOICE LINES where Idia threatens to flick your forehead if you get in his way but then he also confesses that his finger will hurt from doing that so you'd feel bad for him... bro, how weak ARE you...

A Tale as Old as Time.

Gazing upon the good and righteous was nothing new for Idia. He had pored over countless manga and light novels, binged shounen anime after shounen anime.

Here was another hero, bathed in bronze sunlight, posing triumphantly, a sword to pave the way forward and a battered training dummy to protect. His trusty winged steed beside him, a stout, wizened satyr, his mentor, hanging off of one bulging bicep. True, the arena they stood in was empty, save for the training equipment scattered about—but there was no doubt that the world would soon know his name, and his face written in the stars.

A platinum frame divided Idia from that legendary man.

Clutching onto one limp, flabby arm, he quietly scoffed. Haaah, it looks like a scene straight out of some musclehead's training montage...

"You're admiring this painting too, Idia-senpai?"

Idia's thoughts came to a screeching halt. Goosebumps prickled his skin, hair standing on end. A young man with a build similar to the hero in the artwork had appeared, handsome-face framed by moonlight locks.

"E-Eep! S-Silver-shi?!" His voice was pinched, a reverberating squeak.

The knight bowed his head. "Hello. It sounds like you're in good spirits."

Idia took a step back, as if he were the night making way for the encroaching day. The shadows were where he felt the safest, wrapped up in a cloak that granted him near invisibility from the average onlooker. Not with Silver. He who cast a revealing light wherever he drifted.

"Y-Yeah, what a n-nice painting..." Idia mumbled, not bothering to summon the effort to lie. He attempted to skitter away, cutting the conversation short, but—to his dismay—Silver continued.

"I look up to him too. There's many historical heroes we can look back on and learn from," Silver said with a nod. "I refer to them when I consider my own training regiment. They're inspirations to us all."

What's this?! Idia paled. Obviously I was trying to signal to him that I was gonna go AFK but this guy just starts spamming the chat!! H-Have I accidentally tripped an event flag...!? Or does he lack even more social awareness than an introverted otaku like me!?

Silver regarded him seriously—innocently, even. "Can I ask if this is the one you aspire to?"

Idia grimaced at the suggestion. "You're joking, right? Th-There's no way I could be a fraction as buff as he is!!"

The second year blinked, seeming undisturbed by the flustered response. “I don't think that's a concern."

“How’s it not? A hero can’t do crazy godlike stunts if he doesn’t have the right stuff…”

Silver shook his head. “My father has told me stories of warriors who were able to overcome their lack of strength with other provisions. A woman once pretended to be a man to infiltrate the military. Her wit saved their entire country from collapse."

"This man too…” Silver indicated the placard below the platinum frame. “… He gave up his strength to protect someone he loved. It was his noble heart that made the heavens recognize his godhood."

“W-Well…” Idia but his lower lip. He knew the tales as well as Silver did, but still he hesitated. “That’s true, but… isn’t it too unrealistic to think ordinary people could rise to those kinds of feats?”

His grip on his sleeve tightened.

The main character in Star Rogue... He started off as a zero and became a hero. But that's just a video game. Can something like that really happen in real life...? When true heroes are one in a billion?

Silver-shi makes it sound so easy.

His stomach lurched, wrenching into distorted shapes.

“If you have the drive, you can go the distance and somehow become strong,” Silver told him. His tone, reassuring yet firm.

“Somehow? H-How vague can you possibly get? That’s no way to achieve results…”

“It’s not brawn alone that determines your worth as a hero. Please have more faith in yourself, Idia-senpai."

As if just saying that will make my faith meter shoot through the roof! Anxiety-induced sweat beaded on Idia’s forehead.

M-Maybe if I tell him what he wants to hear, he’ll leave me alone… He warily eyed Silver. “O-Okay… I get it already. I’ll try, so…”

Please stop talking to me!! I-I don’t know how much longer of this pure-hearted anime protag speech I can stomach!

“You will? That’s great.” Silver smiled softly. His expression, Idia realized, reminded him of that of the hero in the photo frame.

A sparkling face, full of hope for the future.

A hero in the making.

That could be you, a tiny voice in his mind whispered.

A weight in his chest steadily lifted, then dropped again. Like a lost soul bobbing between life and death. Unsure of which way to go.

No, don’t be deceived. Life isn’t a game route that plays out with an easy ending. One misstep, and I’ll be floating in the River Styx.

Idia cut away from his underclassman. The hero’s big grin snagged in the corner of his eye.

Perfect, pearly, perky. Not a visible crack in a man seemingly chiseled out of marble.

But nobody’s perfect, not even the immortals. Everyone has a weakness or two in their systems, a security flaw, bug to exploit—and the bigger they are, the harder they fall.

Trust in excess turned into gullibility. Willingness to help could become one’s hubris. Goodness twisting into other shapes.

Suddenly, the hero was no longer infallible. His courage, painted foolishly.

If a hero could crumble, then so, too, could those at their lowest points rise up and rebuild a city. Make something of themselves. True one way, and true the other.

Someday, somehow, he’d be strong enough to face the odds—turning the impossible into the possible.

A slow, sinister smile crept onto his lips. Eerie, gleeful laughter filled the air. His shoulders, shuddering.

“Hihihihihihi…”

Silver’s ears perked. He inclined his head toward his upperclassman. It looks like Idia-senpai is reinvigorated. I’m glad I could encourage him.

[miaitzia]

My review on episode 5 + some comparisons with manga and ln1.

It's mainly about Souheki because if i don't talk about them every chance i get i will explode.

Start of the episode ,i love the idea of using the sound the Ramune bottle and marble to attract Atsushi's n audiences' attention.It's a shame that they didn't animate Kunikida's soft smile when Ranpo was being even more rude in the manga.

annnnnnd ofc he's gonna focus on the marble and leave Atsushi sitting there awkwardly. Ranpo autism moment.

Atsushi thought Ranpo can't do anything without an ability is funny.Atsushi sweetie that's some wild assumption for a guy you just met a few days ago.He really just saw Ranpo can't take the train and assumed the worst lol.

this scene is always interesting to me because this is the only time we saw Ranpo paying respect to the dead like this.Now i have a few guesses of the reason.

1.a simple one is that maybe he did this all the time,after all we only saw him solve crimes with real bodies like two times.in perfect crime arc they were on rush.

2.Ranpo actually said "oh it's a lady",so yeah maybe he only did that to certain people

3.it's the start of the series so eveything is still uncertain

I don't have anything to add here,i think we could all agree dazai being there wasn't a coincident.

Another thing i mourn not making into Anime is that Ranpo saying even Dazai is an enigma to him in manga.it adds more layer in their relationship.tbh it's a bit boring if Ranpo always knows what Dazai is up to.

Now it's cute seeing Dazai defending Ranpo like that because i dont think minoura would actually hit him or something,maybe Dazai just wants to stop the bickering.

I love Ranpo's motto "All's well that's well for me" because it just like him.It seem self-center at first, but if you know him a little better, you'll know it actually means as long as he's fine he can make sure everyone else is fine.It's not just the meaning,this is how everyone's impression of him at first vs when they get to know him.

this part annoyed me the most cause Dazai looks so fond in the manga ,but he looks passive and serious in anime.LIKE WTF WAS THAT???DAZAI NEVER LOOKED AT RANPO LIKE THAT>>this leads to my biggest complaint of this episode⬇

//spoil for light novel 1

it has been talked many times how messed up the azure messenger arc aka light novel 1 adaption is.But I want to add it was so poor that it has already affects this episode.In the manga, Dazai didn't explain how he knows Ranpo didn't have an ability to Atsushi.The explanation here is actually straight up pull up from ln1 what he told Kunikida after he first met Ranpo.BUT because Bones don't wanna properly adapt the novel, they have to stiffly add it here.So that's why Dazai seemed serious when testing Ranpo,they want to add the impression this is the first time he discover it.

Do you want to know another fucked up thing about this scene is?They phased it like Dazai never work with Ranpo , that they're unfamiliar with each other.But in reality, Dazai has saw Ranpo's "ability"the very first time they met.They have worked together so well that they received their own name "Souheki".Dazai admires Ranpo so much that he constantly compliment him.

End the post of my favorite shot of this episode<3 Look at my son having the best time in his life🤩🤩🤩good for him good for him.

[emotionallychargedtowel]

Intense Subtext in Front of Oblivious Side Characters: "I had no wife in the year six"

There's a thing, I guess it would be considered a trope, that is one of my favorite such things in any form of media but especially any sort of romance-centered story. I don't know of an existing term for this and I'm terrible at being concise so I'm not sure how I could put it briefly. Basically, it's the thing that happens when a larger interaction is happening with a group of people but there's a subtext to it that means something very different--and generally, much more meaningful--to the central characters. You could call it something like Intense Subtext in Front of Oblivious Side Characters.

I've been thinking for a while about possible parallels between BLs and Jane Austen novels and/or adaptations. This is my attempt at taking a small, specific example of a parallel I sometimes notice and talking about it. Austen's novels do a lot of this trope I mentioned. That's in part because of choices Austen made in what she wanted to write about. But it's also because of the social context of her time. There was a lot going on that people couldn't be explicit about, for a variety of reasons. I think one reason why I see similar things happening in some BLs--and maybe one reason for the appeal of certain types of BLs--is the fact that being queer in a homophobic society makes openness complicated in a way that doesn't come up as much for hetero relationships these days. Especially when we get into things like office romances, in which appearances have higher stakes. These complications around openness have a kind of similarity to the reasons Austen's characters had to play a lot of things close to the chest.

Fellow Old Fashion Cupcake fans will remember an example from that series that I think really fits here. Nozue and Togawa agree to attend a goukon, or "mixer" as it's sometimes translated--basically a group hangout intended to help men and women meet for the purpose of finding people to date. Nozue is hitting it off with a cute younger woman, which is bad enough. But then he mentions his "anti-aging" efforts, and because of the mysterious way he words it, the woman asks, "Does that mean you're in love?" which of course catches Togawa's attention even more. He's clearly affected when Nozue answers, "If I were, I wouldn't be here."

@jdramastuff did a great screenshot post of this scene if you want to see what this looked like.

After Nozue's comment, Togawa starts knocking back alcoholic drinks like it's going out of style, ensuring that Nozue will have to help him home instead of going home with the woman who's been flirting with him.

(You could argue that this isn't so much a case of subtext as it is the significance one person assigns to what another is saying. Subtext really requires some degree of communication between more than one person. But while Nozue doesn't fully grasp what's going on, I think he does understand in some ways what he's communicating. I don't want to go on too much of a tangent, so I'll just say that having just read the manga the series was based on, it strengthened my belief that while Nozue is repressed, insecure, even deluded at times, he has glimmers of awareness of his feelings for Togawa and even suspicions of Togawa's feelings for him, and on some level he knows what he's saying, though I don't think he knows in this moment how much these words will hurt Togawa.)

I have another favorite example of this, a scene from Persuasion. It's rendered really well in the 1995 adaptation of the novel with Ciaran Hinds and Amanda Root. (The whole thing is phenomenal, by the way--I think it's the best Austen adaptation ever made, personally.)

A bit of background for anyone not familiar with the story: Anne Elliott was engaged to Captain Frederick Wentworth in 1806 but was convinced by Lady Russell, her neighbor/family friend and a kind of surrogate mother to her following her mom's death, to break off the engagement. She has regretted it ever since. Wentworth was deeply hurt and angry when she broke things off, not surprisingly.

More than eight years later, Anne is visiting her sister and her sister's in-laws, the Musgroves, when Wentworth comes to the area and starts spending a lot of time at the Musgrove place (and with the Musgroves' eligible young daughters). Wentworth acknowledges Anne, but just barely, while paying enough attention to both the Musgrove girls that everyone is gossiping about which one he's going to marry. Anne's sister Mary was away at boarding school when her previous relationship with Wentworth happened, so neither Mary nor the Musgroves are aware Anne and Wentworth were involved and think they were only acquaintances.

At a dinner party, the Musgrove girls try to look up the ship that Wentworth first commanded, the Asp, in the Navy List, a book that chronicles the various ships in the British Navy, their commanders, and so forth. Wentworth tells them not to bother--"she" is not in the current version of the List because "she" no longer exists.

Louisa and Henrietta Musgrove are suitably horrified.

Admiral Croft, Wentworth's brother-in-law and superior in the Navy, remarks that Wentworth was lucky to get a command so early in his career at all, no matter how seaworthy (or un-seaworthy) the ship was.

(Remember, 1806 was the year that Anne and Wentworth became engaged and then un-engaged.)

Gut-wrenching. And nobody else sitting at that table has any idea what just happened. I love it.

I have some more thoughts about this languishing in an excessively long post in my drafts, which I'll try to get out one of these days. I know I've talked to a few people about trying to do some BL/Austen posts and had meant to tag them but the only person I remember talking with about it was @absolutebl. If you're reading this and you want a heads up next time I write about this stuff, let me know!

[halliescomut]

Love Sea Ep 2 Watch Along

I am a couple days late because migraines suck, but I'm finally sitting down to watch ep 2. I'm gonna try to gives some first inpressions here, but we'll see how we go.

-Opening shot and I accidentally caught crew in the back of the boat. Hehe...whoops. Can't always catch that.

-When he says "what this man's sex taste like" does he mean literally or figuratively??? Like...I'm just not sure if it's wonky translation, or ???

-Okay, but the way Mut put's their legs together, but keeps their torso's apart....like touching, but not invading Rak's space....that's kinda hot.

-I do come from a seafood family, literally my maternal grandparents ran a seafood restaurant for over a decade, but I'm not a seafood person, so I kinda feel like the food stuff is going over my head.

-Like...I knew it was gonna happen, but I'm still blushing so hard. That eye contact is DANGEROUS.

-Peat's muscles!!!! AHHHHHH!!!!!!!

-Literally Rak is so cranky that he hurt himself and cut off sexy time. His grumpy face.

I love Mook so much. I would die for her, she's so precious.

Are those generic baby shark bandaids??

I love how quickly Rak takes advantage of the loophole Mut presents him with. He immediately is like "you are correct, this is not my bed, let's bang!" (Also I fucking loved this line in the trailer. It's quippy, it's clever, Fort delivers it so well. Perfection.)

I mean...if your gonna engage in sexy time on the beach...oral would be your best option, so....

Jesus with the leg over the shoulder....goddamn.

Those hips are moving quite a lot Rak, be careful with Mut, you don't want to break him.

The mouth wipe.....I'm dying. I will say the timing was a bit fast there at the end, but like...legit portrayal of oral, and not just vaguely refering to it is new in Thai BL, so props for that. (Also it was one of my bingo squares. Yay me.)

I was predicting the whole "I'm inspired, we gotta go back to my room right now", but that did not stop it from being funny as hell.

Is Tongrak basically Mame's self-insert?? I just thought about this, bc they used the MMY logo for the fake website, probably just so they didn't have to bother with getting a non-copywritten one, or pay to use a real one, but like I just thought about this, since he's a writer who writes Y-Series, and part of what P'Vie does (I'm pretty sure) is make them into shows.... fascinating to consider.

We do see the cover for The Boy Next World, both the BN one and the orignal manga-style one...interesting.... As well as the cover for Love Director, which is one of the novels directly related to the LITA side of the Mame-verse....also interesting.

Rak's fake insta is hot. I tell you what, Mame shows got their issues, but costuming is pretty much always on point.

Okay so P'Vie is an actress...still involved with Rak's shows, but not the director I guess.

I really do get distract by how pretty Peat's eyes are.

Okay, Though he was just showering, but then I saw the motion... the blushing begins again. (Look I know I've written smut, and I watch BL, but I'm still Ace, so a lot of times my reaction is very Edwardian noble lady. I'm sorry!)

No, but I paused it to write that last sentence and the look on Rak's face!!!!

Rak is very bite-y. It suits his character, really. I Like it.

That was....very athletic.

I have thoughts about the sex scene. I'll save those for the 'Thoughts' post though.

I do think it's funny that Rak is so disturbed because the sex was good. That's funny.

Side note, I know this is an adult show, it includes a lot of adult themes, but somehow the Hallmark Movie-ness of Mame's shows makes it feel very weird when people cuss. Like, it feels odd for Rak to say Fuck there. It somehow just gives the vibe of 'see how grown-up we are with the cussing'. IDK if that makes sense, or if anyone else feels that way.

Mook's reaction to the forehead kiss is so cute, but P'Vie's got two episodes to get her act together, or I'm gonna start to dislike her.

I still don't remember the name of Mut's friend (I'm sorry) but I do think he's very funny. The actor is doing a very good job.

I know IRL, I would hate the entitledness/possessive-ness of Rak, but that was kind hot.

I love how amused Mut is by Rak. It's one of the things that feels like Fort peeking through tbh.

Oops...none of us did consider that a considerably long motorbike ride the day after some pretty vigorous back door sex may not be the best idea. But also, I feel like this is part of why prep/aftercare is important, and they (meaning BLs) should focus on it more. Like it's wouldn't fix everything, but it would help.

Oh, I really do like Mut's friend...who's name is Palm....I will try to remember.

I doubt this was Mame's intention, but I do appreciate the discussion of how franchised tourism can be harmful to local residents.

Sweet Mut so shy about taking genuine compliments. That's so cute.

Oh I'm familiar with that kind of manufactured flippancy when it comes to speaking about family ties that have been broken.... there be trauma there mateys.

God I have a lot of incomplete thoughts about this scene. I'm gonna have to rewatch and break it down later.

Oh, Rak is 100% a self-insert.

I do wonder when we're gonna get more info regarding that first thought about escaping though. It feels like Rak is trying to keep things surface level, but is accidentally revealing more than he intends.

I respect the attempt to get info out of Kom. I also respect Connor for not giving any.

I'm excited for the diving and underwater shots, but Rak--why the fuck are you wearing a small fortune in high-end designer jewelery for that?? like, leave that shit in your room dude.

Also, I've officially decided I love Palm and his doofus-energy. I will now protect him with my life.

God Bless Wetsuits! Amen!!

Sir what the fuck are you doing???? If this were a different couple I'd say Rak is well on his way to a spanking.

But also, this is so pretty,

Flashback!!! Yes, another bingo box, but also...why do drama parents always break up directly in front of their kids?

There's a metaphor happening about not diving alone and the flashbacks and reconciling his traumas in relation to love/trusting men (in a romantic way)....my brain is too stupid to make a cohesive explanation, but it's there.

I love the way Mut just looks at Rak... like it's fascinating how much Fort is able to portray with his gaze. I thought that during LITA, but it's confirmed here. Because, yes the longing/loving gaze is alive and well, but you can see the concern, the confusion, even the questioning that's happening. It's wild.

Well that's all for the episode. I'll probably rewatch tomorrow and thry to organize my thoughts into something vaguely cohesive, but no promises. Despite the very swift jump into the sex, we got a lot of insight today, into to both of them really.

[neonscandal]

Manga With Me: Obscure Head Canons (and Hypotheses) You’d Probably Develop When Reading the JJK Light Novels, Pt 1

For an anime with literally no filler episodes 🥹... the first light novel provides a brief insight into the days before (and behind the scenes of) the trauma. As someone who thrives on the misery of being a JJK fan, would the experience be complete without them? The answer doesn't matter because everything you need is below the jump! I saved my biggest theory for last so hop to the end for it.

⚠️ Spoiler Warning for Jujutsu Kaisen Summer of Ashes, Autumn of Dust and season 2 of the anime (manga spoilers are vague at best).

Head Canon: Gojo is the Riddler Purely For His Own Entertainment ✨

As someone who can process things the way a Six Eyes holder probably can, there’s no way he allows Yuji and Megumi to get the drop on him during their surveillance of sensei on his day off. But he takes them around (at a distance) doing silly things like record stores and maid cafes because I think it prompts them to enjoy things they wouldn’t. Especially Megumi. It’s kind of sweet, both their inherent curiosity about him but also lonely the way that he explores his whims so far removed from everyone else. It really highlights that “Who is Gojo Satoru?” question when you realize even Megumi’s interest was lowkey piqued at the possibly knowing a bit more about Gojo.

In the second story, Gojo speaks in straight up nonsense (think Mad Hatter) and it is no wonder when he's working alongside the most straight laced sorcerer there is, Nanami Kento. To a degree, I wonder if it’s genuine chaos spilling from his head or if he knows, after years of pushing Nanami’s buttons, how to precisely drive him up a wall. I question whether it's for his own entertainment or to his own alienation. Maybe Geto really was the only one who could follow the winding thread of Gojo’s thoughts.

Head Canon: Gojo Secretly Worries About Nanami

I think with Haibara’s death and the knowledge he would have made light work of whatever caused it, Gojo makes it a point to join Nanami on missions.. just in case. After all, Nanami and Shoko are all he has left from before. He’s lost many people and, as the strongest, I don’t think that fear is something he’d admit aloud, but its reality is demonstrably what pushes him forward physically and philosophically. In the story where they go on a mission together... it almost seems like an unspoken and uncomfortable understanding between them, the elephant in the room neither want to point out. People around Gojo never wanting to acknowledge how his strength eclipses theirs is rather common which we see with Nanami in this story and even Ijichi later. So while he may make light of this chasm, he still pops in as an unsolicited protector. With grace, he allows Nanami to assume he's just being a nuisance but I really think he takes an ounce of prevention where possible when it comes to the people he cares for. After all, imagine the turmoil if he ever came to realize his absence could make or break another person's survival again.

Head Canon: The Elders Have Always Known, If It Came Down to it, Gojo Would Always Choose Geto

There’s a reason they kept the idea of reanimating the dead a secret specifically from Gojo. In fact, they should probably consider themselves lucky that he was so vehemently disgusted with the curse user capable of such puppetry. I wonder if he experienced hope before allowing the reality of the sham magic to break his heart all over again because, in their secrecy, it seems like they know the lengths he’d go to protect and choose Geto. Geto was allowed to walk the earth for 10 years after his execution was ordered. Maybe they were right to keep it close to the chest. Gojo still saved his body, after all. To what end when he knew a body can run the risk of becoming a curse?

Head Canon: Gojo Saved Ijichi's Life but Condemned Him to Something Worse

Okay so this is kind of a manga spoiler (though I believe the flash back is during the Premature Death/Hidden Inventory arc) but, as a student, Gojo straight up told Ijichi he was weak and should find something else to do so he doesn't get himself killed. So he does. He becomes a steadfast and detail oriented manager which is a critical fixture in jujutsu society but damn, doesn't it just put Ijichi in an ivory tower of suffering? Years pass as he sends first his juniors, then fresh sets of kids into dangerous battle after dangerous battle. Some survive, some don't and all serve as a reminder of his powerlessness. He can cross every "t" and dot every "i" and it still doesn't prevent what happened to Yuji at the Juvenile center from happening. What does that do to one's soul?

Head Canon: Gojo Still Thinks "We Are the Strongest"

As seen with the Premature Death/Hidden Inventory arc, we know that Gojo saw an exponential growth in response to the losses suffered. It seemingly drove a wedge between he and Geto as Geto struggled to grapple with his powerlessness. With his defection, we see where Gojo changes his posturing from "we are the strongest" to "I am the strongest" but in the back of his mind (Alexa, play "Always Forever" by Cults 🫠), we know he still holds a soft spot for his first and last warm spring of youth. At the end of JJK 0, he refers to Geto in the present tense, as his "best friend, [his] one and only." Even after everything, I truly think Gojo leaves space for Geto beside him. This is furthered in the light novel during a story which is placed post Junpei and upon Yuji's return to life at Jujutsu High. Yuji, while still playing dead, helped a kid who had a grade 3 curse that seemed to be resurrecting and, after exorcising it multiple times felt he needed Gojo's assistance. When Gojo refused, he resigned himself to ask Nanamin for help wherein Gojo employed a Teachable Moment (TM).

He approached Itadori, who was hanging his head. "In this world, tragedies too often end in misery, even when it's possible to help. But the problem isn't lack of strength or getting there too late." As Gojo passed Itadori, he patted him on the head without making eye contact. "The main reason it happens is that people forget they have the strength to help."

This was enough to restore Yuji's confidence in his own competence but also sounds informed by what happened between Geto and Gojo in a sense. I interpret Gojo's assertion to center Geto to be the assumed lack of strength (which was most pertinent to how he was advising Yuji) and himself with the poor timing. Ultimately, to Gojo it doesn't matter because he never thought Geto was weak. The insecurity was a product of a situation he failed to reason himself out of, at the time, and it bred resentment within him alone. I don't think Gojo blamed Geto for anything that happened with Riko nor could he blame himself. It simply spurned him to figure out ways to limit his vulnerability in the future. In the face of that loss, Gojo still said they were the strongest and maybe in that moment with Yuji, he was employing a lesson he wished he could have been in a place to tell Geto to quell his festering guilt and grief. You can be strong and still fallible.

Hypothesis: Mimiko and Nanako (and Anyone Else...) Going After Managers is Not a Coincidence

As we saw with JJK 0, Geto's twins were rather merciless in going after the suits who make everything covert about jujutsu society possible. Based on what we knew at the time, the managers provide cover for sorcerers on missions (with curtains, getting them transportation to, providing cover stories) and plug them in with resources as needed. But we begin to realize that managers serve additional purposes. In season 1, we see that they are sometimes part of the investigative force when it comes to getting information around developing situations. With the Shibuya arc and the arc that follows, we see that they are also integral means of liaison and communication between sorcerers and to other points of contact within the community, including windows.

So. Windows are people who can see curses but aren't sorcerers which begs the question, what are managers? As we learn and can infer with Ijichi, who was a former sorcerer in training, managers are people who can see curses and may even be able to manipulate cursed energy. They aren't full blown sorcerers but they aren't completely helpless either. So why go after them?

As we see in the story centered around Ijichi's "boring day" at the office. Managers are sorcerers' only connection to the "human" world. They are what keeps them tethered to their mission in protecting others while similarly upholding the etiquette and traditions around how the rest of the world works. They maintain a very delicate balance of things alongside the supernatural. Without them, you'd have the unchecked ego of teenage Gojo basically just doing as he pleases without curtains or respect to the possible implications of a civilian seeing him work out in the open. To suit Geto's needs during JJK 0, why should sorcerers operate under some guise of hiding their strength for the sake of those who are weak? As to what happens during the Shibuya arc.. imagine the fear, the anxiety. Imagine the chaos! Imagine the curses it would yield.

Hypothesis: Yuji is Still the Main Character, We Just Haven't Seen the Curse that He'd Manifest When Broken Saying it louder for the people in the back

Certain corners of the fandom have largely cast Yuji aside. With the release of JJK 0 and appearance of Yuta, many wonder why Yuta isn't carrying the series. Afterall, his inherent overpowered-ness and ability to copy any technique for sure casts him as the next gen Gojo, right? In the literary sense, we've seen the rise and fall of his story. We haven't seen the last of him by any stretch of the imagination but he is, as we discovered, also jujutsu society royalty. A distant cousin of Gojo's, actually.

Of the main cast of first and second years, Yuji and Nobara are subsequently the only characters who do not have apparent ties to jujutsu society. Nobara, plucked from the countryside, is tested by Gojo upon her initial introduction to the series to make sure she's crazy enough to cut it. Yuji's origin is still a ways from truly coming to light but his inherent strength and the simple ability to house Sukuna and maintain his identity has, in many ways, been indicated to be an anomaly. Subsequently, as the viewer or reader, we know there's more to the story which has yet to come. I won't go into it here given my desire to not spoil the larger manga story but I think laced within the light novels is enough evidence to talk about Yuji and what his power and subsequent threat level is.

Yuji, for all intents and purposes, is an outsider. From what we can tell, he has experienced loss. Most apparently with his grandfather but we also assume he is a victim to the MC syndrome that leaves him orphaned and prime for a journey rife with struggle. He's fifteen with the pure heart of a child despite any previous hardships and just so happens to be armed with the mission to help people.

Yuji approaches the introduction to this new society with the wonderment of a kid finding out superheroes exist. But this naivete, this untempered light, actually has the capability of being something so fearsome when we learn how curses manifest through negative emotions.

In the anime, we see this as Sukuna scratches at Yuji's mental when they realize the possible origin of Tsumiki's curse may have begun killing it's victims when Yuji ate the finger. Mahito employs a similar means of manifesting ill will in Junpei that ultimately also becomes a burdensome guilt that Yuji bears. Countless times in the Shibuya arc, Yuji is forced to witness catastrophic losses of his mentors and friends while he can only stand idly by. The survivor's guilt is compounded by the shame of his own inability to help which only gets worse.

Since Yuji is relatively noble and sincere in nature, he considers these losses personal failures. He takes ownership of any sins against others that Sukuna commits when he is not in control over his body and, subsequently, his spirit takes a beating time and time again. He sought to do good in the world but his ledger becomes increasingly bloody through no means of his own and it weighs on our sunshine character.

It's easy to lend a hand to a child who has fallen, but it's a teacher's job to show a child how to stand up unassisted. It isn't always easy. - Gojo Satoru

The first light novel closes the gap between how Yuji went from training in a basement away from anyone who'd want him dead a second time to being under Nanami's care. While wrapping up Nanami's case, Gojo is uncharacteristically somber in requesting Nanami's assistance. He explains that Yuji requires Nanami's influence as someone who knows human suffering. The losses shared between them are unspoken and are not acknowledged within this exchange but, from what we know, hang as a burden between them. Still, both Nanami and Gojo have continued on as sorcerers somehow, from the grief of their youth into their late twenties. But Gojo gives voice to the concern that, because of Yuji's bravery and altruism, that the reality of what's expected of a sorcerer will one day break his heart if someone with emotional intelligence isn't able to help temper it. They seem to both understand the precariousness of youth and have both been shown to insist in protecting it where possible. This exchange and their mutual understanding is how we have Yuji under the care of Nanamin. It's also where we get the heart rending reminder that "Being a child is by no means a crime," and "You've escaped death many times. But that doesn't mean you've become an adult."

In the last story of the book, as Yuji is reunited with the other first years, he is contemplating a situation he encountered that still lacked resolution. He'd exorcised the exact same demon several times but to no avail. He hopes to enlist Gojo's help but Gojo encourages him to think about the problem more because not everything can be solved by fighting and exorcising when the source of curses is from human emotion. As Yuji races off to resolve the issue that's been weighing on him, Gojo reflects on his responsibility to preparing Yuji for the ups and downs that are sure to befall him.

Itadori's sincerity was a more significant attribute than his being Sukuna's vessel. As a result, trauma had the potential to become a curse more fearsome than anything else, a nasty curse preventable only by confronting one's own heart. Instead of cradling that heart, Gojo could teach it to be prepared. That's what it meant to raise students.

While the story resolves without consequence, we see that Yuji's reflection on the situation is as endearing as one would imagine though still a bit warped. He is galvanized to be stronger, dedicated to providing the help the people need whatever it may be, and to not give those he cares about reason to worry which seems in line with what Gojo was hoping for. But being offset by his consideration for how others feel like Nobara and Fushiguro when he died, it almost feels like he's creating an even larger burden of expectations for himself. This gives rise to Gojo's very real concerns about how far someone can fall into despair, especially someone who is such a beacon of positivity.

[mythicalartistx]

Updating KH ship lists

Again I don't care if those disagree or like another better as long as no one calling each other delusional

Anyways here are my 11 KH ships + a few honorable mentions

#1 Soriku

This is probably my favorite ever, there's so much to say I don't even know where to start. I shipped them as friends but who also should date. Besides they're just really cute and silly to me.

The dark realm scene in kh2 is so good, they have an understanding of the other and are happy to be there together with the other person.

They both just love each other and do everything for the other (Riku's sacrifices for Sora in days kh2 kh3 and trying to save him in ddd) Sora is always trying to find him because he wants to be with him; and he just misses him. Riku's jealousy and feelings showed his insecurities to bring the island to darkness when he feared Sora's and Kairi's relationship and leaving him/ Sora befriending others with the belief he was being left behind.

The novel also has some added cute scenes where Sora is just bashful around Riku or just happy to be with him. They hug and hold hands more. Also there's a scene in the kh2 manga where Riku gives Shang a papou fruit to give to Sora. And Sora instantly know who gave it to him because "only Riku would do something like that".

The papou scene in kh1 manga Riku gets so close to his face and then Sora is blushing later, thinking about it. In DDD, it's about Riku's feelings for Sora and the darkness right? Some of those things are seemingly parallels.

Finally in kh3 Riku scarifies life for him because he doesn't want him to be sad and with the parallel to Hercules sacrificing someone because all he knew was that he loved someone and didn't think. Sora is just always thinking about Riku and wants to be with him especially with the failing to be a keyblade master.

Also there are no orders to these

#2 RepliNami

Honestly this is the only Riku that I like with her at all and also people end up confusing which Riku did what— they're different people, Sora said so himself. Repliku still has his feelings for Sora but now he decides to keep a promise for Naminé even if it didn't happen because he wants to do something himself.

Not something with memories that belong to Riku. And Naminé also does care for him. There's mainly KH CoM and Kh3 to go by. In COM he fights for Naminé against Sora thinking it was him (though all these things end up fake) but still he choses to embrace these memories for the sake of Naminé.

In kh3 he admits that everyone moved on except for him who was in darkness. When Riku notices his presences they work together and Repliku admits that he has one more thing to do and wants to save Naminé.

Then in his death he finally leaves the world and gives up the chance to have a body all for the sake of her having one so he asks the original Riku to dl him one last favor and making sure she's okay.

#3 Rizoriku / Yozoriku

Rizoriku because lack of RIZZ and it sounds so silly

I recently got into this and yeah I'm probably like one of the few people who are even into this.

They haven't EVEN INTERACTED. Riku felt Yozora in his dream/ secret ending but they never really seen each other. Yozora probably had in the secret ending/ dream. He was looking at him at that matters.

But imagine the possibilities, they are both tied together by Sora. Riku is searching for him and Yozora potentially hurt him, he hates that. They cannot stand the other. They fight the other so much. They're both looking for "Sora" to save. They look similar and Yozora has been stealing other's forms (It's toxic but eventually turn cute.)

Now they have to work together to find Sora / Nameless Star and then they start being cute and caring. I thought there might be at least more of this but no it's so rare I only seen like 4 fanart pictures of this and it's all from the same person

I got so happy when I saw some

#4 AkuSai / LeaIsa

It's so toxic. They've broken up too many times to count. They're divorced. And there's a whole ton of tension. It also have parallels to soriku.

Lea and Isa worked together to save X but she was gone and decided to become apprentices to save her. Then Saïx had to work his way to the top to find out what happened while Axel went off making friends and spent less time with Saïx which caused jealousy.

Their arguments and tension is so thick in 358/2 days, and in kh3 during that clocktower scene. You can tell there is something there. Also during DDD when he faced Saïx when saving Sora.

Then they finally have an understanding and Saïx apologies and admits he was jealous. Lea holds him in his arms, then after Saïx gets recompleted I think they finally will calm down and get back together, let's see how long it lasts.

#5 Kailette

I'm not super into this one because lack of content but I feel like this has potential to be super interesting and fun. Olette being one of the first real people she meets outside of the world and besides from Sora and Riku who kept unintentionally leaving her behind.

They befriend each other and Olette likes listening to the stories Kairi tells her.

I think they're really cute and have potential to go places or even Kairi becoming part of the sea salt + twilight town gangs. I see more fun fan content for this that makes me love it and hopefully we'll see more in the future.

#6 Zemyx

They're so silly together. I honestly love this. I ended up loving this because of fan content. It was just so great to me.

Like Demyx is kinda silly and dumb and Zexion is smart and intelligent they can't help be attracted to the other.

That one manga panel of them played twister though.

Also when they finally meet in kh3 and he realizes is that you? Also props to the manga version of the scene where he calls security on his bf until he realizes he's on their side.

#7 Xehaqus

They're actually so cute. I'm not joking. The fanart is so good and honestly dark road just shows their relationship and how it fell apart.

Eraqus is so silly and just enjoys his time with Xehanort but also believes to do what is right for fear of everyone losing to the darkness (which is why he did what he did in BBS).

I love that they often worked together and whispered just between themselves that the others would often say what are you whispering about?

They're post kh2 Soriku in dark road and then it turns into kh1 Soriku. Eraqus was blinded by love and didn't want to separate from him which is why he kept him around during BBS after he disappeared.

They're chess buddies and there's a deep relationship there and finally at the end of 3 they can be together at last

#8 NamiXi / Namishi

I don't think about this pairing as often but I also like it. Like I see the vision and I'm definitely for it. Naminé is definitely a lesbian + whatever thing she has going on with Repliku. Again I'm a multishipper so 🤷

Naminé helped Xion see who she is and actually honest with her. They're definitely friends too, but then will date. What they have at the end of kh3 is really cute to me where they collect seashells together

Also with them both being aspects of someone else can relate to seeing memories that aren't theirs/ wishing to be another person.

(no picture of them interacting 😢💔)

#9 RepliVani / VaniPliku /NamiVanpliku

I originally liked them as the duo first being friends who are just silly and fight. But now I'm really into them as also a couple. Naminé is definitely there breaking the tension.

I wish they did interact since they're similar both being created from someone else. Vanitas being part of Ventus and Repliku being part of Riku.

As a fan of lost trio I also think the concept of them fighting over Naminé could also be interesting like who better friend/ Vanitas thinks he is going to be left out and pretends he doesn't care. But their interactions I need

#10 MarLar

I don't think about them that much but again I really like them. This is probably my only one that's part of Union x in a way.

Marluxia is the only one Larxene really tolerates and they both have plans to be overthrow the organization together.

They are closer than any of the others and keep finding their ways to each other.

In Union x they were also close and befriended each other and ever since then they stuck together even if they had memories or not.

#11 Roxner

This could also be with the HC of transfem Marluxia

I'm still new to this ship but I recently thought you know I actually like this. Roxas and Hayner's relationship is honestly likable friends that could honestly be something more. Especially in kh2 beginning with how they interact with the other.

I also want to point out kh3 desire for him To want to find Roxas too.

Also in days when Roxas spends the day hanging out with him and the rest of them.

Fandom makes this honestly nice and cute couple through fanart and comics.

Conclusion

Anyway that's the ones I like in no specific order except Soriku is number 1.

Those that aren't here means I am either indifferent/ neutral towards to ship, dislike it, or I think it's weird as in an adult that's 26 being with 14 yo would be.

And most I don't even dislike if seen my other posts about this subject 99% I'm neutral towards except og Riku and any female ship.

However honorable mentions towards Brain and Marluxia I think they have potential to be interesting but not a lot about them, this goes for Brain and Ephemer too.

Cinderella and Aqua, it's honestly the only Disney + original character pairing most people agree one is good.

I like seeing the art about it but that's about it.

Larxene and Aqua as well as Terra and Marluxia as honorable mentions, I've seen some fanart that makes me think otherwise.

[lunaneko14]

I love Kushina and Hinata. They are very Beautiful and Strong women. But Kishi did them dirty. Both these women coming from such Powerful Clans feared by Nations got converted into housewives supporting their husbands. It would not have bothered me if they were just normal shinobis. Kishi had made them so Badass. Kushina had the nine tails Power. Kishi could not give her the Kurama mode. Instead made Minato have one in the Fourth War. Why couldn't He bring back Kushina during the War ? She was a Strong Shinobi too. And Hinata had the Most Potential among any of the Naruto Girls. She had the Chakra of Hamura Otsutsuki. She was a Badass in The Last. By the End of the Shippuden, She was the strongest Female character, may be alongside Tsunade. But Kishi forgot all about that and made her a housewife. Like I understand her and Naruto are the only couple with 3 kids to manage But Atleast Kishi could have made her train her Kids in Hyuga Taijutsu. It's stated in the Novels But antis don't care unless it's in the Anime or Manga.

There were So many missed opportunities. Hinata and Hanabi fight from the Parent and Child Day Novel was cut out in the Anime. Her fight with Momoshiki and Kinshiki was cut in the Anime. Hinata could have sparred Boruto to check if he had the Jogan or not instead of Hanabi. Hinata could have fought with Delta instead of Naruto while trying to protect her kids. She was such a Badass during the War. Her playing Ping Pong with her family got More than 5 M views on YouTube. Fans just Love to See her in Action. Wish we could have gotten more, now that She's an Adult. Even Temari and Ino got to train their kids. Sadly, the Only Big Moment for her in Boruto would be her Slap to Kawaki.

Because that’s not the goal of the series or their characters in the series. Kishimoto also made it a point to show that Kushina and Hinata were forced into being shinobi and would rather have peaceful normal lives but because Kushina was taken away from her parents to be nine tails vessel because of something she couldn’t control and was born with (her immense chakra) and Hinata was born into the Hyuga and not only that but as the eldest child in the main family that protects the clan and village. She was seen as weak because she didn’t want to fight to begin with especially to hurt her little sister.

Yes both are strong and badass but they can also want peace too. I don’t like how people are using housewife as an insult to female characters because in reality it also takes a lot to raise children and manage a household.

Hinata and Kushina wanting to be housewives doesn’t make them any less than any of the other female characters. And yes just like with the ping pong scene we still see Hinata is badass and we even have Boruto saying in the manga and anime that Hinata trains both him and Himawari and that’s why he was able to do the palm in the chunin exams.

It’s the same with Ichigo, people call him a wimp for not being a soldier for the Soul Society when the whole manga he wanted a NORMAL life. Characters wanting Peace doesn’t make them less.

[unhappy-sometimes]

other than spy fam what are your favorite animes :) p.s. sorry for causing a monsoon in your notifications, i recently followed and tumblr is putting all your stuff in my feed and for each one i'm like I LIKE YOU HAVE A CUPCAKE

i will not stop tho teehee

never apologize for spamming my notifs

(i like the taste of spam and i have notifs turned off anyway)

okay big list of series and opinions below the cut! as well as a little unso lore! please read it, tumblr crashed the first time i tried to answer and i had to retype EVERYTHING 😭

favorite series of all time: fullmetal alchemist

brotherhood, if we’re talking anime, but the manga is still the superior version no matter what. best art, best story, best characters, best fight scenes, best EVERYTHING: the pinnacle of what shonen should be. fma made me want to pursue visual storytelling and quite honestly changed the course of my life. could talk about it forever. cannot recommend it enough. riza hawkeye best character forever and ever.

second favorite series ever: ouran highschool host club

once again, the anime is decent but the manga is where it’s at. ohshc subverts classic shojo tropes while also playing into them and i love love love it for that. i recently reread it and was delighted to find that it still holds up for the most part. makes me scream with laughter and i cannot choose a favorite character (mouri best host tho). it was also just super ahead of its time. hilarious while also being heartfelt and genuine. greatest love confession scene in the history of the world.

the following series are not in any order, i just like them a lot:

spy x family

you guys already know what’s up

apothecary diaries

maomao MAKES👏THIS👏SERIES, i love her SO MUCH. this series has taken over my life. i watched the anime over and over and when i got tired of that, i read the manga over and over, and when i ran out of that, i began READING THE LIGHT NOVELS which i NEVER DO. i read nearly all of the light novels over the course of a week while i was super sick and coughing my lungs inside out, but it was a good time. i still actively read the english translations of the light novel chapters they come out and it honestly makes me week every time. also gaoshun is my favorite character and i would marry him SO fast.

mob psycho 100

yeah :,))))))

natsume’s book of friends (natsume yuujinchou)

if i had to describe this series in one word, it would be nostalgia. that may be because it was the second series i ever read as a kid, but it also just FEELS like blurry summer days and childhood friends you’ve nearly forgotten about. also manga natsume is way more fine that anime natsume. i can’t believe they changed his hair color >:(

detective conan

…or “case closed” as they call it in the united states. i have a lot of contempt for series that drag on for forever in the sake of making money but lemme tell you, early conan was GOOD. it was gory and dark and sometimes kinda scary but it was also a little goofy and cheesy. throwback to the early volumes when conan rode a large dog to rescue a kidnapped girl and also held the hand of a dying woman covered in blood as he told her his true name. you don’t get stuff like that anymore because the show’s demographic is getting younger. but i miss the days when people were getting decapitated via roller coaster. i stick with it for sentimental reasons because i’ve watched/read it since i was a tween. i also own the first 80 volumes of the english manga and named my cat Osaka aftwd heiji hattori. also kaito kid sucks and i hate him.

and now, rapid fire list of animes i saw and enjoyed

link click, frieren (first ep always makes me cry, manga is meh), buddy daddies, saiki k, vinland saga, demon slayer (the art was good, everything else was fine), inuyasha, a lot more but it’s late and i’m sleepy

ANYWAY, i have a LOT of anime/manga opinions but i don’t feel like getting into them rn. here is but a taste of them.

also, the first series i ever saw was called “hikaru no go” and i just think it’s funny that i’ve never met another soul who has heard of it and yet my childhood library in the middle of nowhere had the entire series. i think i own two of the volumes because i lost them, paid a fine, and then found them again. good time.