#I want to write fanfics about him too

[aromanticannibal]

while I see the appeal of izuku calling kacchan katsuki I think if he does katsuki should be allowed to burst into tears immediately

[necrotic-nephilim]

this is not a ship post, but something that frustrates me a lot in fanon concerning Jason Todd that attempts to soften Jason's return to Gotham for the sake of found family domesticity or easy hurt/comfort or just sliding him into the Batfam sooner, is they all seem to fundamentally misunderstand Jason.

because there seem to be a lot of fandom popular concepts of Jason coming home much sooner and just not having his whole Under The Red Hood arc. which in theory is fine and i can see the want to simplify canon to make room for your lighthearted more fluff-leaning concepts. but in everyone without fail, the way they address the clown-shaped elephant in the room is by having some throwaway line that "oh Jason quietly kills the Joker and moves on".

when the Joker being dead or alive is not the *point*. if by some chance accident, the Joker had died prior to Jason's return, whether by ridiculous freak accident, getting whacked by a fellow villain, hell even someone actually doing so to avenge Jason, it *would not* satiate Jason's anger. because Jason's end goal in UtRH is not to simply kill the Joker: it is to make *Bruce* kill the Joker. Jason's anger is directed to the idea that to Jason, if Bruce truly loved Jason, he would've killed the Joker. that is love, for Jason. compromising your personal values for love and not letting someone go unavenged. when Jason was Robin, almost every angry or misguided thing he did was born of love. he wanted to kill/hurt Two-Face because he believed Dent killed his father. he was so angry at Felipe because an innocent woman was dead due to that man's actions. he wanted to save his mother in a situation he knew he shouldn't be in because he loved her. his anger, his violence, it is driven by love and feelings of righting wrongs. that is how he thinks wrongs *should* be righted. that is how you avenge and *love* someone.

because so long as Jason's return to Gotham doesn't end in Bruce killing the Joker (which, it never will bc Bruce is Bruce), Jason will never forgive Bruce. you cannot wave away the layers of hurt and complicated trauma by killing Joker offscreen. because Jason will still be angry that Bruce didn't avenge him. in his eyes, that means Bruce did not love him enough. he was not truly loved by Bruce the way he loved Bruce. bc Bruce was Jason's whole *world*. prior to being taken in, Dick and Tim, they had support systems. they had loved ones. they knew what stability and healthy family love looked like. Jason *didn't*. and that's not to say that Catherine Todd did not love him with her whole heart and thus he loved her, but it certainly wasn't a stable and safe support system for Jason to grow up in. Bruce was Jason's first real sense of a stable, healthy life. and so of course Jason poured everything into Bruce and loved Bruce so devoutly. Bruce was his world. like he says, if it had been Bruce, Jason would've stopped at nothing.

so his betrayal is rooted in that he was not avenged, not that Joker is alive. so long as the Joker does not die by Bruce's hands, it will never be enough for Jason. (in this era, at least.) notably, this is also why i don't think it would change a thing if Jason knew the whole "oh Bruce wanted to kill the Joker but Superman stopped him" tidbit that fanon has really latched onto as a way to pacify Jason's anger toward Bruce. Jason knowing that wouldn't change a thing, in my opinion. because Jason knows Bruce. and a tenant of Bruce's character is that he grapples with murder *every day*. the whole point is how *easy* it would be for him. he is a human weapon, trained by killers, trained to be deadly. he is the greatest strategist to exist. he knows he could kill someone and get away with it. *no* trace, no proof, nothing. and he knows he *wants* to. wants to kill the Joker, Joe Chill, anyone who's hurt him that viscerally.

but he *doesn't*. that's the point. Bruce wakes up every day with that question on his mind, and every day the answer is the same. Bruce's morality is not a decision he made in an alleyway when his parents died, it's a decision he continues to make every day and he *must* continue to make in order to remain who he is. Jason is quite familiar with the fact that Bruce grapples with this daily. i do not think it surprised nor fazed Jason to know that Bruce did *consider* killing the Joker. that he wanted to. maybe even planned to. but a consideration, a want, a plan, is just a thought. it's nothing substantial, and substance is everything to Jason. at the end of the day, Bruce didn't. he was talked down by *Clark* of all people with an excuse of diplomatic immunity, as if Jason and Bruce don't both know that Bruce could've *easily* found a way to make it look like an accident or some other loophole. because he's Batman. there's always a loophole. he always finds a way when he actually intends to. but he never actually intended to kill the Joker. so he didn't. and Jason would know that there was never an intent. it's an interesting piece of fodder to add to the nuance of Jason and Bruce, but honestly, i think it'd make Jason angrier to have that excuse thrown in his face. as if Bruce hasn't beaten Clark half a dozen times by now. it's a flimsy nonsense excuse that Jason would rip to shreds.

so while yes, i understand the wish for easy lighthearted fanfic that doesn't have to deal with the nuances of canon, i think that Jason's character will always be so deeply robbed and altered if you try to fix his thirst for vengeance with an off-page killing of Joker at Jason's hands. it was never the point. the point was that -in his own eyes- he wasn't loved enough for Bruce to make an acception. he realized that not even his *death* would come before Bruce's Mission. Jason truly believed that Bruce loved him and held him as the most important thing in the world, and now he has proof that Bruce didn't. because the Mission mattered more.

i'm not saying i have a solution to this conundrum if you're attempting to solve it for fanfic/fanon, nor am i even saying it's a bad thing it exists. i just think it becoming overwhelmingly common has led to misunderstandings surrounding Jason's motivations and feelings about this arc and it's an unsatisfying solution that only seeks to pacify Jason's rage and his trauma responses for the sake of found family-ification.

[thethespacecoyote]

I still feel like the craziest part of the book of bill is bill making ford stand on his roof in the freezing cold and ford realizing bill couldve made him jump but didn't. like. what the fuck

[nandermoenthusiast]

The coffin lands with a crash, Nandor already out of it gracefully as his vampiric nature grants him.

“Have you survived the fall Guillermo, are you allright?” he asks haughtily and with a barely concealed predatory grin at the yelping heap of limbs and clothes that is Guillermo right now. Of course he was never truly worried for his well being, Guillermo might be human, but he is no regular human, if his van Helsing blood has anything to say about that. Nandor just likes to tease.

“Yes master, im fine, i just wasnt prepa-“

Nandor offers him a hand out of the coffin, the way Guillermo has done so many times before for him. Nandor looks at him curiously, Guillermo looks all flustered right now, hes cute. Hes always cute of course, but damn. He hasn’t even realised the obvious parallel yet, just took his hand absent-mindedly as he was rambling about something. His hair is all mussed up too. Cute.

Probably the moment registers into Guillermo’s mind as Nandor hears his muttering protests suddenly cut short. He’s looking at their gingerly intertwined hands and kinda looks like hes about to swallow a frog, or maybe like he’s about to start crying again. This fucking guy. Always a theatrics with him. But Nandor has learned to lean into his little guy’s moods. He leaves him to his maybe horny maybe emotional thoughts and finishes helping him out of the coffin.

The air is thick between them now. He can sort of hear Guillermo’s heartbeat from this distance, the little guy probably has a concert thumping in his ears right now. Nandor enjoys playing with his food, always has, and today is no different. He takes a step closer. Guillermo takes an infinitesimal step back. There is a wall very close to his back. Right where Nandor wanted him.

“You know as i was saying about the cameras, Guillermo…” he starts feign-casual as he very not casually hovers over him, black eyes boring into him with the fire that only very rarely comes out in front of the crew. Guillermo looks like he’s a mixture between disbelieving and like he’s gonna pass out from hyperventilation at a moments notice. It’s an endearing mix.

“Y-yes, you -were saying something about your hair…” Guillermo couldn’t physically look away from Nandor if his life depended on it right now.

“And other reasons”, very seriously.

“- Yeah”, an exhale.

Just look at his eager little eyes. Should he put the guy out of his misery? Well come to think of it, should he put himself out of his own misery? He’s been in love with the guy for the better part of a decade now. Of course he’s not about to say that now. Let him play the part of suave vampire for his Guillermo, let him fullfill any fantasy he’s ever had, at the very least this very first time they do this dance. There will be time for the mushy stuff later. Come to think of it, what is Nandor doing?? Acting on years of pent up sexual and romantic tension, of course, but what is he setting himself up to? Heartbreak.

Violent, earth shattering heartbreak. Maybe not today, maybe not in 10 years, but soon. Soon to a vampire anyway. No- you don’t know that. If Guillermo loves me, he might find a way to not leave me like he always does. He always does leave. But then he also always comes back. Doesn’t he? Nandor loses himself in these thoughts for a moment, and Guillermo seems to notice his mind is suddenly somewhere else.

Oh, to be known so completely. Oh, to have a worthy partner, a partner who knows everything about you, a Lazlo to your Nadja, a Charmaine to your Sean, a Sire to your Baron. And to have to lose it in a matter of years. Just his luck. But also like Colin Robinson said, dont be sad cause its over, smile cause it happened.

Nandor’s eyes keep searching Guillermo’s as he draws closer and closer, eyes intensely registering every microexpression on his beloved’s face, the little crinkle between his brows and the small nervous smile that’s forming around his lips. His hands land seamlessly and delicately on either side of Guillermo’s face, and he feels his breath hitch. He really doesn’t give a flying fuck if he’s gonna suffer for a thousand years, Guillermo is here right now and he looks like he’s gonna break under his touch. One hand goes to cradle his head, thumb delicately swiping over Guillermo’s ear and pulse point, as Nandor brings their noses together and they breathe the same air for a moment. The other hand is held gently across his cheek, just there, a reassuring weight. “I’m going to kiss you now”.

And Nandor kisses him.

[arandomferretsthoughts]

This popped into my brain and wouldnt leave so I wanted to share it with yall

—

A young boy and his parents are attacked on the street, only the boy makes it out.

It's a rare occurrence, an event like this, the police find the man and arrest him and everyone else is safe.

Bruce Wayne goes home to a mansion that feels larger and lonelier than ever, with only his butler to take care of him.

And yet the young boy finds himself too afraid to leave for more than necessities.

The young boy grows into a young man, he inherits his parents business and starts to leave his house a little more, unwilling to lose this connection to his lost parents but still he finds himself afraid, afraid to be around people, to be seen.

Until one day at a gala he must attend for the sake of the shareholders, he sees a man, a reporter, who holds himself in an odd way, clearly a tall and strong man who could be intimidating if he tried but the man held himself as if to appear smaller and unassuming, Bruce's brain flitters across the idea that the man is hiding something, or more hiding himself.

His brain that has soaked up comics and movies for years so as to not grow bored in his home.

And when he learns of all the good this reporter has been trying to do, he thinks the man would make a good superhero.

When he goes home the thought wont leave him alone, he thinks of a world with a hero, a world that needs a hero, one where his parents murder would have just been one of many, but this hero wouldn't have been there to help, he was too bright, a hero for the daytime, not for the shadows of night.

He thinks maybe he could have been a hero in this world, one that saves other kids from suffering a fate like his own.

One who is afraid and fights anyway.

The next time he leaves his home there's an event at a museum, with some special objects that are in town for a few days. There he sees a woman who knows so much about ancient relics and is so beautiful that he doesn't believe she could be just a normal human.

He thinks she would share her knowledge and kindness with the world given the chance.

While he remains mostly alone, other than his Parental figure/Butler, he also keeps in contact with two friends from when he was in school.

One is now a psychiatrist, with an interest in learning about fear and how it can change people, and the other a psychologist, both working at the city's asylum. 

Harleen is who Bruce considers his best friend, a goofy but kind girl who cares alot about others, she tells him about a patient, without going into much detail, who she claims would be cute if he wasn't so insane. Smiling and laughing while he talks about harming others. 

She got a boyfriend somewhere along the way, a man Bruce is sure abuses her but she can't seem to leave.

The three get in a fight one day, and lose contact, and Bruce supposes you can't have heroes without villains, though he can't bring himself to think of Harley as a villain by her own choice.

On the news Bruce learns of a man working to better science as they know it, a man who always seems to be a few minutes too late, he follows the story until the day something goes wrong and the man is there on time to shield workers from flying chemicals, killing him but saving others, Bruce thinks the man a hero in death, and could have been one in life, one who always made it to where he was needed just on time.

As time went on Bruce tried to get out more in normal ways, one night he went to the circus, he enjoyed it, reminding him of the day when he was little and his parents brought him to one just like it.

It was a few days later that he learned at the next show there was an accident, and a little boy lost his parents, he remembered being small and feeling alone when he had lost his, thankful for the man who cared for him he wished he could do the same for this little boy, but knew he didn't have the skills needed.

He could, however, make sure the boy got somewhere safe, and other kids like him too.

So he held a fundraiser and donated a lot of money into the foster system, doing what he could to make it safe.

And he thought of a world where he could have taken the little circus boy into his home, making it brighter and less lonely.

As he ventured out more and more Bruce travelled through different parts of the city, he saw a group of little children cowering behind one bigger who had just chased off a grown man, Bruce smiled as the kids cheered for the little hero.

It was the news that later told him the boy was dead, a homeless kid who stopped being seen, the little hero was gone.

Bruce held another fundraiser, this one for the homeless shelters and kitchens.

It was the news that told him the boy was not dead, found by the police, with other stolen children. 

Children that returned to a better place.

The day he lost his last parent is the day where he began to feel truly alone, the only person there for him gone, but Alfred would live forever in his memory's as the man who loved and cared for him.

He reached out to Harly again not wanting to be all alone, and they made up, he learned she had gotten free of her abusive boyfriend and had fallen for a woman who's love of nature was refreshing and new.

He knew little about his neighbours, but he tried to get to know them better, he struggled but eventually learned that the woman that lived there was very sick and that the man was not home much, when he learned of the child who spent so much of his time alone, he thought the kid was brave and told him if he ever needed anything to just ask.

The kid needed someone the day when his mother didn't wake up and his father wasn't home. Bruce did what he could, he was no father but he cared for the kid the best he could until his was able to return.

Bruce knew it was expected of him to have a family, someone to give his things and his business when he passed. He tried dating, but nothing ever seemed to work out.

However one day he learned of a child, a son, one the mother hadn't told him about, he tried to gain any sort of parental rights but couldn't get any custody, only visitation, he met the boy, a quiet but fiercely determined child, And he loved his son even without seeing him much.

When the quiet, hermit, billionaire Bruce Wayne, best known for appearing, donating large amounts of money to random causes and then disappearing again, passed away his belongings and company were to be split between two people, Timothy Drake, and Damian al Ghul, when the two met up to split his things, they found writings the man had never told anyone of.

Writings of a world where regular people became heroes, where aliens walked amongst humans, and where magic made lives exciting.

They agreed to publish the story's for the world to see.

To most people, the writings were just an entertaining fiction story that a billionaire wrote with his unlimited free time.

But to the retired reporter who knew his height frightened others, who now rested and found the stories learned that someone had seen how he stood, and what he had done and thought of him as a hero,

To the artefact collector and preserver who learned this man believed she was so knowledgeable about what she had strived to learn everything about, as well as beautiful, that he thought her to be blessed by the gods,

To the old psychologist who mourns her friend, a man who thought that no matter what she went through she'd always make the right choice in the end, 

To the family of a man who lost his life saving others, who this guy they had never met thought so highly of,

To the man that lost his only family to an accident at their circus, he was a man who wanted him get a good home, where'd he'd get anything he ever wanted, 

To a man that went through so much, believed dead for so long to learn this man who he had only seen once, saw him not as a poor homeless kid but as a fighter and protector,

To the boy that new the man for a short time, as a temporary guardian and protector, who made him feel safe and not alone when he needed it most, 

And To the boy who wished he could have known his father, but was kept away by his mother,

The storys showed to them all that this man, who some thought of as cold and egotistical, as he locked himself away and refused to be around others, was actually an anxious, lonely man, who saw what others didn't and cared about everyone in his own odd way.

—

I just thought it was a cool idea I wanted to share with yall, so I hope you guys like it

This is my first post on here, so please be nice,

Also, ignore any spelling or grammar mistakes Dyslexia goes brrr

If you want to know what I think he based the other heroes and character off of, just ask, and I'll figure it out!

Thanks for reading, and have a good day!

Edit:

Thanks for all the nice comments and reblogs :)

I genuinely didn't realize how sad this was, lol. Sorry, not sorry, guys

[youchangedmedestiel]

Destiel AU idea (again)

Dean is searching for a flat because he recently divorced Lisa. He wants one that is big and comfortable enough to welcome his children, Ben and Emma. It's been months since he started searching for one. Fortunately, Lisa is understanding enough to let him stay in their old house until he finds something.

They actually aren't in a hard and conflicted relationship right now, their marriage stopped because there wasn't love between them anymore. They still care about each other.

Dean knew he wasn't in love with Lisa anymore and he suspected the same for Lisa, but he was fine with it. Lisa though thought otherwise. She asked for divorce because she said that they both deserved to find love and be loved.

So, Dean is doing his umpteenth visit for a flat that he spotted on Internet. This one seems really nice and clean, his children will be able to have their own rooms. And the kitchen looks awesome with enough place for him to cook.

The real estate agent who give him the tour of the flat isn't bad either. He has blue eyes, which looks surreal, long and dark eyelashes that match his hair and his growing beard. Dean listens to him attentively and can't help but look right into his eyes when he speaks. Dean wants to confide in him and he does that naturally actually.

He tells him that he is sick to search for a home for his family. It's been months, and he's exhausted to be disappointed each time he thinks he found something. But at the same time, he wants his children to feel good in that new home so he is demanding.

That real estate agent, Castiel, is compassionate and doesn't understand why Dean doesn't find one with his solid, complete application. Castiel tells Dean that maybe it's because others real estate agents are struggling right now. There's a lot of people searching for a new home at this time of the year, so a lot of work. Castiel admits that he, himself, is buried in work all day long.

He works 6 days a week constantly. Since Dean is really attentive to what the man in front of him says, he notices that Castiel doesn't seem to have someone in his life to get back to. So, he goes for it. He asks Castiel if he wants to go and get a drink with him once they have finished the tour.

Castiel seems surprised by the offer and looks away. He fumbles with his pen and papers and puts them on the kitchen counter. He takes a deep breath. So, Dean fears his answer.

"Are you asking me on a d-" Castiel starts asking hesitantly.

"Yes." Dean cuts him, because he somehow fears that word. It sounds too official and he's still living with his ex. Plus, it's been a while for him.

"O - okay. Yeah." Castiel agrees, and neither of them is able to look at the other.

[yeyayeya]

No problem at all! I am absolutely in love with Yin Yu’s character (best character in TGCF hands down)

I adore his character as well, and I love seeing other people’s opinions and headcanons for him

We stan Yin Yu in this blog

thinking about yin yu (again) and

i think we have got to recognize collectively that yin yu is almost definitely much more terrifying than he seems

“oh but he’s so sweet and quiet and barely has a presence!” IS NO ONE CONSIDERING ALL OF THE THINGS HE COULD DO WHILE NO ONE IS LOOKING?

i love yin yu so much and that’s why i believe he could be terrifying and people could be super afraid of him

he helps hua cheng run ghost city, shouldn’t the ghosts fear and respect him just as much as they fear and respect hua cheng?

besides, we mainly only see him interact with the people who are basically his bosses, ofc we don’t see him kicking ass. but that doesn’t mean he doesn’t and he can’t!

anyways i’m not all the way finished with book 7 so this might be totally wrong but I LOVE YIN YU AND BELIEVE HE DESERVES TO BE SCARY thanks for coming to my tedtalk LMAO

[dootznbootz]

Deeply fucking sorry to the anons who asked for Wips and snippets for taking so long. I'm still working on them AND my other Wips and ADHD is kicking my ass so here's some random food. I hope to give y'all hearty meals soon.

Beggar OdyPen angst. Sappy, scrappy, and crappy as usual :P

Water Son saves his dipshit dad.

And of course...

"My Wife is a bitch and I love her so much."

(no, she doesn't in any way hate Helen. She loves her cousin and deeply cares for her. They were best friends growing up in my writing. She's just a bit snooty and arrogant (Likeminded. hubris is a flaw of hers as well), especially about weaving and Helen's style has always been "loud and flashy". And while Penelope's is "attention grabbing" as well, she's very detail-orientated and very thoughtful about colors and what fits together. Helen's style is a bit of her trying to have attention away from her physical looks. Kind of to have folks see her more for her CHOICES in how she looks instead of just seeing her face, even if said choices are a bit "tacky".

"Look at what I'm wearing, not me. I CHOOSE these clothes. I DESIGNED them. They're MINE."

Penelope, looking at Helen's weaving: "You know, Iris will want her rainbow back... And she'll want the colors put back in the right order." Helen: "Says the girl who puts into her weavings every frog, fish, flower, blade of grass, cloud, leaf, tree, hill-" Penelope: "Okay, fuck off. ರ_ರ I'm taking the red thread as I need it and there better be enough of it."

it's unedited af but yeah, food. Mwah. I love you all.

[beanghostprincess]

When they start dating Sanji finds comfort in the assumption that Usopp has never dated anybody else either. Kissed anybody else. Lost his virginity yet. Because Sanji hasn't, and he just assumes Usopp can't possibly know more about relationships than him.

But Usopp grew up with Kaya until he was 17. And he has done all of those things. So now Sanji is even more nervous about all of this, but Usopp doesn't seem to be more relaxed, either? And it's so confusing. So while Sanji panics about all the firsts they have yet to have together, Usopp does the same.

So Sanji is kind of like "Why are YOU nervous?! You're the one who has done all this shit already I- I don't even know where to start!"

"But it's the first time I do them with YOU. "

We often forget they're canonically anxious teenagers who really really really don't know anything about love and they have to experience these things together. And I find that beautiful.

[venusmage]

i think im over astarion but then someone draws him really hot and im so back

[nevesmose]

Somehow the idea of Curze whispering poison in his sister's ear repulsed Perturabo most of all.

[purplemoon-28]

Quick, what kind of books do y'all think Theo would read? Actually, what hobbies in general do you think he'd have, as someone who lived his life with a bunch of creepy scientists? I may or may not be writing a thiam fic and it's hard to think of what he'd actually like, y'know?

[faislittlewhiteraven]

Tower of Dormont ISaT AU

Had a weird dream I figured would make a great ISaT AU if anyone wants to take a swing at it so umm, general idea:

Instead of the House being taken over by the King, instead the Favor Tree is warped into an evergrowing tower reaching up, up, up into the heavens.

Instead of the King's Curse slowly making its way across the land and Mirabelle being the 'Chosen One' to collect the orbs to stop it, it's time freezing Sadnesses raining down from the top of the Tower all over Vaugarde and surrounding countries, with heroes from all over (Euphie, Claude, various Defenders, people from other countries, etc) heading into the Tower to figure out what is happening only to never return...

And well. It looks like the end for Vaugarde, Mirabelle (having finally hit the 'I know what Euphrasie said but I've got to do something' point) has recruited Isa, Odile and Bonnie for a last ditch effort to try and stop the world from ending by Tower and...

Within the first few floors (which keep changing but kind of look like... The House of Dormont? No, that bit there looks like Odile's family home, and that room there is just like Nille's???) they find an unlocked bedroom and in that room an exhausted, terrified and near hopeless Siffrin who can barely remember anything from his life before being imprisoned here (even takes a bit to recall his name over the now despised 'Bright One') but after a bit of coaxing they admit they know a LOT about the floors ahead and might be willing to help the party reach the top of the Tower where they can put a stop to the madness going on outside but in return they must not let the King catch them (not again not again not again)...

Party are actually pretty cool with this (you know, aside from general 'is this person legit or actually an enemy?' concerns) but well, it's hard not to notice as their guide goes from barely able to fight beyond weak scissors craft and buffs to healing and every craft type under the sun. From claiming they don't know what's behind a certain door or above the next floor to explaining in detail that the prisoners in cages on the next floor are all Sadnesses, or that 'the King is coming, he hasn't realised I've left the room yet but I need something, anything, to mask my scent' (and later gets everyone to leave false trails down halls via jars of sugar and honey they picked up a few rooms previous). From claiming that the party are the only other people they've ever seen here to having near breakdowns over finding books or paintings with imagery and words that seem eerily familiar (think a book that reads like 'Claude wonders why Euphrasie and their amnesiac guide are so fussed about the walls here apparently being covered in stars? Why do stars matter anyway?'), etc.

Oh and they glow more and more with each floor which er, is probably going to make hiding from the King (who is VERY DEFINITELY after them judging from all the "Bright One, you know you are not supposed to leave you room. You do not want me angry again do you Bright One?" roaring) increasingly difficult.

...

And yeah. I don't actually know what is going on in this story beyond cool imagery due to the whole 'Literally woke up with this in my head because dream' but...

Been thinking it's kinda like an 'end game Persona series' situation where a chance friendly meeting/talk between Sif and the King right before the King's rampage would've started, led to the King to realizing he could use his Wish Craft to force the people of Vaugarde to 'wish with him' (see: escalating brainwashing madness), forcing a terrified Sif to go along with it (no brainwashing for the Bright One no, not when they were clearly sent by the Universe to be the King's guide ignore the Bright One's screams that this is wrong, that they want nothing to do with this; clearly oracles only relay the Universe's intent not share it themselves), and the current 'raining time freezing Sadnesses/Sif clearly being stuck in some weird looping variant' stuff being the result of Sif's 'Please protect Vaugarde and restore our home' wish said at the King's orders being heard by the Universe as "please Universe do whatever you can to stop all of Vaugarde- No, the world from falling under the King's control! + Someone, anyone save me! + 'immense amounts of self loathing and a desire to known and held accountable for inadvertently sparking a man made apocalypse' + Universe I wish I had people who actually cared about me/who would never only use me as a tool to save the world" and er well. The Universe had a way to 'protect everyone from the King' that would also kind of fit the King's wishes, a whole heap of power from all the brainwashed people the King was leading plus the 'meant to be repurposed' freezing all of Vaugarde in time ritual the King crafted to work from Dormont and... Yeah. Add to that people all over Vaugarde and possibly other countries 'adding' to the 'please save us' wish bank after Sif had already accidently centered it all around himself and basically both Sif's loops and the Sadness hell storm are being powered up by everyone everywhere in one huge ball of 'Hmm, I wonder if this all ends with the King getting killed or is there gonna be a big old morality question thingy post King killing at the end where Sif, upon remembering that "this is all my fault" tries to get the others to kill him which other heroes may have done (and thus triggering the loop, sending Sif back to the start possibly missing memories of them to hide away in shame/terror/etc) whereas Mira, Isa, Odile and Bonnie have gotten far too attached to this tragic, self sacrificing idiot and were willing to let the rest of the world be fully frozen for the rest of Sif's natural lifespan if it meant he could finally be free (not happy about it mind you, but like, just the 5 of them living in a quiet world until everyone else is safely freed after Sif's natural death is better than murdering someone who went through an eternity of horrors to protect a world they couldn't even remember and who's death might not even be the true answer anyway)'.

Oh and the King should basically be treated like a yandere version of the Reaper or something throughout the story (dream had way too many 'and then the King was suddenly there killing someone until Sif slashes their throat -no tears to use in this Tower alas- and from the party's perspective basically has a 'vision of the future' and/or freakout for seemingly no reason in the middle of Snack Time), while each of the many many floors of the Tower are basically due to being altered to match the minds of everyone (frozen or not) in the Tower, kinda like a Palace or P4 dungeon, due to well, Sif unconsciously wanting to learn more about them, wanting to remember/forget, possibly on some level wanting the King to how horrible this all actually is IDK (snack rooms, like the bedroom Sif was in are basically P5 saferooms but less 'area weak in cognition' and more 'Sif wishes for there to be places safe from the King and all the Sadness so there are some even if he knows he can't stay in them forever least they become prisons for him'). ...Might be nightmare floors as well? To represent Sif's terror of bad things happening to anyone he becomes attached to and wanting to be able to protect them so basically, they are accidentally making their own opposition (possibly based off of what they hear the others being afraid of/the desire to be useful to them) and I think Slay the Princess might make for great inspiration there if you need an idea of how crazy that might go~ XD

...So. Yeah. If anyone wants to use any of this for any fanfic ideas, please go ahead as I kind of would like to focus on my Selkie Au and fics for other fandoms more than this weird dream that basically took over my brain and said SHARE in caps so loud I've been stuck thinking about it ever since.

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[psychologicalwarclaire]

Uh

Did

Did the twins

Did the twins's birthday pass while they were in the nexus

please say no (please say yes but please say no)

I'm sorry your fic just makes me feel things

Yep :D

[mushroomsie224]

so i'm gonna fail tomorrow but whatever. greylock.