#I want to meet him this is great

[t0ast-ghost]

I love those YouTube videos for fandoms where they’re like “Kirk and Spock. Are they gay?” And it’s like a straight dude talking about it. Sir. I’ve read fanfictions you couldn’t imagine. Now lemme introduce you to mcspirk

Anyway this video is beautiful

[emacrow]

Alfred's day off came as he went for a visit that cause suspicious in the batfam.

Alfred was looking rather energetic and enthusiastic as he was fixing himself up in the mirror, cleaning any lint and dust on his casual clothes.

The batfam has been noticing he is getting more excited that he even made everyone's favorite lunch in record time as today was one of alfred rarest day off.

Tim on the other hand is thinking that alfred might be dating someone, because he saw alfred bring light blue letters that had a soft jasmine smell.

Bruce believes Tim finally lost his marble because when does alfred had the time to date around.?

Until Dick mentioned that even old people get lonely and tend to matchmake in the form of letters like the good old days..

Which right now the batfam and Bruce leading them are currently spying on Alfred far enough where they think he wouldn't noticed them stalk- observating him.

Alfred was picking up a couple of presents, one that had plants, another had old Techno theme, one with birds, a fire theme one and a space theme present that he loaded his car with along with a stuffie bear.

Steph thinks that he could be visiting relatives at that point..?

While Bruce was remaining quiet with a calculating glint in his eyes.

They follow alfred all the ways to the one of the barely remaining clean parks, where a another young man sat with a orange hair little girl in a light greenish blue dress, a sleeping baby girl in a bassinet on a picnic blanket with a purple clock theme pattern, as he watches 4 toddlers playing and squealing around a oddly colored puppy.

Two toddlers look like a bait-adoptable bait even if both has stripes of white in their hair and one had red eyes, one toddler had blonde hair with the tips being black with purple eyes and a lightest greenish skin tone, and the remaining toddler was Egyptian African American looking with how he playing with a odd toy phone that look Egyptian theme before being dragged along to play by the green dog snatching his toy phone.

Alfred brought the presents along sitting down with the now seemingly much older man..

Jason seemed to noticed that nobody else is noticing that that guy holding the clock like staff is literally shifting from young, to adolescent, to young adult, and elderly man beside himself when he voiced his concerns.

They weren't close enough to hear what the two were saying, but the little girl with the orange hair was speaking mostly before looking up with tearful green teal eyes at alfred who went to comfort the girl.

[bet-on-me-13]

Bruce Wayne was never Batman.

So! The night that Bruce Wayne's parents got shot, he developed an Unbreakable Resolve. He needed to get rid of the Crime that had taken his Parents away from him, no matter what.

But that night, he also developed a deep-seated fear of Death. He was face to face with his own Demise and instead of dying himself he saw his Parents die instead. He was Terrified of ending up like them.

But he still needed to stop Crime. He couldn't just let criminals go unpunished, and while he was still using his wealth to try and prevent it before it began, he knew there needed to be something to stop crime After it had been committed. And the Cops were useless on that Front.

He eventually found a solution while looking through his Parents Family Heirlooms.

Ancient Books dating back to the founding of Gotham and even before then, telling of a Creature from another world who his Ancestors had helped in the Past. A Being of Fear and Shadow, who owed a debt to the Wayne Family. He needed that Being. A Monster of Shadows and Fear was exactly the answer to scaring criminals away from committing crimes and punishing those who did.

But he needed to find the Being from another world first.

So he left home, traveling across the Globe training with the best Magicians and Demonologists in the world in search of the Monster who owed his Family a Debt. His travels took him far, from the streets of LA where he met a man named Zatara, to the Snowy Mountains of Nanda Parbat where he learned of the Lazarus Pits and the Demon's that came out of them.

While studying the Lazarus Pits, he was trained by the organization who guarded them. They despised Weakness, and while their leader was in awe of his Intelect he was less impressed by his body's conditioning. If he was to study the Lazarus Pits, he would first have to earn the Right in Combat.

He eventually managed to pass their Tests and eventually left them, having handed over a Copy of his research as the price for being allowed to Study the Pits.

Years later, he finally returned to Gotham, fully equipped to Summon the Being that owed him a Debt.

Bruce drew up the Summoning Circle as perfectly as he possibly could, he had one shot at it.

A drop of his blood and a splash of Lazarus Water later, and the Circle began to glow an ominous Green. Slowing, a shifting shadow began to emerge from the Circle, at first only a mass of writhing darkness before their form Solidified.

The Books he had found on the Spirit said that it would take the form of the Summoners Greatest Fear, which just so happened to be Bats for Bruce. The Form that the Spirit chose reflected that, with large Dark Wings falling over their form as if they were a Cape, and horns looking like the Ears of a Bat. From the Darkness, two glowing eyes appeared.

"Spirit, hear me. My name if Bruce Wayne, and I am calling in the Debt owed to my Family centuries ago. My City is plagued with crime and malice, rotting from its Core. My efforts to prevent Crime from the side of the Light have been in vain, Crime persists despite my efforts. In order for my vision to be fulfilled, the Criminals of this City must have their hearts pierced by Fear. Fear of Retribution. Fear of Consequences. Fear of Vengeance."

Thoughout bis Speech, the Shadowed Figure stayed silent.

"That is why I have called you here. I want you to stalk these streets, punish the criminals of this City and strike fear into their hearts from the shadows, so that they know to stay in the light. I don't want you to Kill them, never kill them. Let them live with that fear in their Hearts until their final days."

After he finished his speech, the Figure finally spoke.

"Your Quest is an Honorable one. You seek the betterment of your people's, and are unafraid to resort to drastic measures to achieve that goal. It reminds me of my Liege's resolve." It Spoke, it's voice low and rumbling. "Very Well. From this day forth, I shall protect your City from the Darkness in its own Heart. I shall be your Dark Knight."

...

Had this idea out of nowhere and needed to write it down. In this AU, Bruce still wants to protect his City from crime, but is understandably traumatized from seeing the Deaths of his Parents. He has a deep-seated fear of Dying, so he chooses to forgo fighting crime himself.

Instead, he finds out about a Spirit that his Ancestors helped long ago, and decides that the most logical next step out be to Summon a Demon to protect his City. Instead of training his Body for a decade to become Batman, he trains his Mind and Studies as much about Magic and Demon's as Possible.

He still knows how to fight because he trained with the League. He approached them with an offer to study the Lazarus Pits and give them his findings, and they accepted. But Ra's didn't want a weakling on his Base so he also required Bruce to train his body. He saw his potential for combat, and was so disappointed that Bruce had chosen a different path. He could have been Great!

Bruce still has a thing with Talia that produces Damian, he is still a point of interest from Ra's since he is insanely smart and has huge potential, and he knows how to fight pretty well. Albeit not as well as in Canon.

Bruce becomes the Benefactor/Guy in the Chair for Fright Knight (who is the one he summoned if you couldn't tell), who looks like a "Bat Man" because of Bruce's fear of Bats. Fright Knight agreed to this because 1.) He had a debt to pay, 2.) Bruce reminded him of Danny, and 3.) He respected Bruce's ballsyness to Summon a demon and command it to protect people.

Bruce still adopts his Kids, but there are some changes.

Dick is adamant about fighting Crime, and eventually Bruce is forced to let him go on patrol with Fright Knight, who has started going by Batman. Thankfully Frighty managed to give him some blessings so he had minor powers and would be safer.

Jason is mostly the same, and he is so excited that Robin actually IS Magical. When he dies, Fright Knight, who had gotten attached to their Family, goes into the Zone to search for him. He is unsuccessful unfortunately.

Tim is kind of funny. He figured out that Dick was Robin, and Jason was the 2nd Robi , but assumed that Bruce was Batman. When he approached Bruce about becoming Robin so he would stop going down his violent Cycle, Bruce Redirected him to talk to Fright Knight, who was not taking his failure to find Jason well.

Damien grew up knowing that his Father was a Genius, and the Master of the Batman, which gave him a bit of an Ego. At first he thought of Fright Knight as a Servant, and tried to command him like he did with Alfred. Frighty corrected him quickly enough.

Any more ideas for this AU? I have so many, but I think I need to stop for now.

[nordidia]

having a very rough night so raph doodles needed to be made

when in need, mash two interests together

[mahi-does-some-art]

What if, instead of the Sorcerers' Society being just a small organization with a headquarters, it was instead a hidden city or capital where not only could sorcerers go to for assistance and to get their licenses, but could safely live and learn without having to put so much effort into hiding their magic from general human public? (Something similar to Witch Hat Atelier perhaps)

A hidden away capital with houses and apartments and magical shops selling everything a sorcerer would ever need. Where they can safely converse on the street and network and apprentices can talk to each other and swap tales of their lessons and masters.

Out in the expanse of the human world, it's hard to come by each other so having a place to live like that would be great.

But also it would make Solomon getting chased out by a dragon so much funnier (or sadder) since he and the mystery apprentice would have been the ones to found the Sorcerers' Society in the first place.

He would probably own his own house there and come back there whenever there was a meeting he had to attend or some urgent matter to discuss. Solomon wouldn't stay there longer than he usually had to and his property is usually empty.

But when sorcerers usually take in an apprentice, that apprentice lives with their master in order to make the most of learning opportunities and a lot of them tend to move back to the Sorcerers' Society for convenience.

If Solomon was able to convince MC to live with him for "educational purposes" completely separate from the brothers and Devildom, who's to say he wouldn't give living amongst his peers an honest try once more?

[wynandcore]

Give this grey-blue kid some sunshine

[neonhellscape]

okay its no secret i dont buy into marazhai being the persona he puts on. so as i've officially met him in game now, im making a list of all the in-game reasons i think he's a bit of an idiot [which i love btw. i find him far more compelling if he's a bit stupid/weird and he's trying so hard not to be but you just know nobody in commorragh is inviting him to parties]

the very first time you get a glance of him on a rooftop and. 'deal with this' "of course" proceeds to just walk off like 3 seconds after the other two

ambushes you. has you cornered. is in optimal position to kick your ass frankly, high ground and better weapons and utilising shock against you. ...he bitches at you for a while, gets insulted, then runs off into the forest with a maniacal cackle

heinrix fired a mild insult [considering what he's like to everyone else its barely an insult] and he took big enough issue with it to start saying how he'll break him and turn him into a pet. oh sure dude you're responding super well to this mild comment from the guy who accidentally insults everyone and their entire ancestral line at some point

i think it says something that he's learned to speak your language fluently too. that Has to be some kind of Yikes moment to admit publicly in drukhari culture. buried family secret great great grandfather drukhari-georg learned to speak mon keigh and now we claim he just spoke oddly because was shot in the head as a child to prevent the shame

he also knows the mon keigh lore that says youre a super special little guy as rogue trader and actually LISTENS to the fact you're the special little guy as rogue trader. and he does treat you as more equal/with more respect than the other characters. thats not just a drukhari culture yikes thats what gets you checked for a concussion or brain damage

literally socially atrocious enough its believed he's working with you [read: with you. not using you, not manipulating, cooperating. this is a big difference i feel] and only he himself doesnt believe it

ignore the fact he eventually DOES work with you which. is its own follow up statement

challenges you to fight him, to give chase then and there. i made him wait while i went through english government simulator where i queued for multiple days, did multiple day/week voidship trips back and forth, got distracted by accidentally starting jae's romance, pasqal telling me to servitorise her, getting blackout drunk with her, shipwide broadcast tm, giving her a voidship, her getting me a space cat, attacked by pirates, dealt with a plague, explored a few extra systems.......................

he destroys your palace. ...its rebuilt effectively within a week. most of the damage is in bodies which are just sent to the poor district to rot [almost feels worse than the damage done good job imperium]

the throne has claw marks. he could've blown it up or shot it or piled corpses on it but no he wanted to sit on the fancy chair and so turned into a common housecat mauling the sofa arm

how long was he just sitting there lounging on that chair? again see how long i kept him waiting. he was just sitting there trying to find a comfy position on this [for him] kinda small chair JUST so he could briefly taunt, break your window with his space motorbike, jump off the chair in a dramatic [but not gunna lie not that impressive] feat of gymnastics, then fly out. he doesnt even shoot at you as he leaves

i will continue my list as i see more that entertain me

[justarandomlambblog]

Most of this is messy and rushed but I had fun with that single panel with a detailed pumpkin

(Part One Here)

Anyway what a sheltered world where some person starts following you around town so you just lead them home and invite them to dinner (and make them carry the heavy item your sister added to the list when your back was turned) I'm sure this kindness and trust Narinder has in the world around him won't come back to bite his entire family in the ass

Lamb: I think the Bishops might be back The Bishops: Lamb: shocked pikachu face Crown: Why are we gasping? We already knew this.

Leshy without his bandages is cursed yet also adorable. Look at that bush worm. He has eyes! He's still blind but he has eyeballs!

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[raticalshoez]

Assissins and spies and their stupid found families

[nashvillethotchicken]

Thinking about Lestat seeing Louis’s eating patterns as a waste of his gift/himself while Armand gives Louis food that he literally can not enjoy or digest just so he has something on his stomach

[duviten]

playing dark souls

[theology101]

Thrawn and Ar’alani are married not because they’re romantically in love but because it gives them both another excuse to break the law and rescue each other

[emmavakarian-theirin]

what can i say except

AAAAAAAAAAHHH

i got to meet jen back in april, and today i got to meet mark! the absolute EUPHORIA of those meetings, 2 life goals coming true that i never thought i'd achieve, within the same year, all without leaving my australian city.

when i met jen, i made her cry (unintentionally!) but it spoke volumes to me that our meeting had that impact. today when i met mark, he asked if he could take his own photo of the art i had him sign, which spoke to me just as much, and both of them seemed truly happy to meet me.

i know i said it when i met jen but wow my life has really come full circle now. it's fulfilling, but i can't help but feel kind of sad too because, now what? what can mean more than this?

tempted to finally finish a mass effect playthrough i started years ago and just have ALL the emotions today

[foxcort]

need more depictions of grumpy, sarcastic, cynical, almost no mouth-filter, king of clapbacks, post-spring’s fall tamlin

[pass3ra]

cressida's storyline was genuinely shameful tbhhh it's like they started rewriting it in the first half of the season then completely forgot about the changes they'd made to make it fit the book plot and it just ends up making everyone else look bad😐 every character in the second half got a "penelope did nothing wrong" lobotomy so we ended up with eloise completely ignoring cressida being sold off to an horrible man (when she made every effort to support her in the first half of the season) and for some reason resenting her for pretending to be lady whistledown? Then they somehow frame her ignoring colin's offensively bad pleas as it being her turning away from redemption when all she's trying to do is escape being trapped in the country with her likely abusive aunt... and it ends with her meeting her horrible fate and it still being framed as tragic only to immediately juxtapose it with the bridgerton family winning the idgaf war while gleefully seeing off francesca and her future dead husband. The bridgertons were the villains of the season frfr