#I want to know where I am and be happy
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futilechildhooddream · 1 year ago
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0/10 dissociative experience where I desperately want to go home only to realize that’s exactly where I am
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deathricedrawn · 4 months ago
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i'm ready to try
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hinamie · 27 days ago
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can't believe im saying this but long time no megumi
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electronicmail · 2 months ago
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Firefox-official vs electronicmail
Hydrogen bomb vs coughing baby
okay come up with a better idea then. firefox-official is gone asshole it’s electronicmail or nothing
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dykedvonte · 10 days ago
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You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.
-Shrimp Anon
The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.
Get ready cause this is a yap session:
Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.
I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.
The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.
This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.
Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...
These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.
I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.
Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.
It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.
I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.
It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.
There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.
End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.
#i also think it is because mouthwashing is first and foremost a game about rape culture and the patriarchy especially in work spaces#regarding women and centering conversation around Curly a man rubs people wrong because it does overshadow that commentary#but it still mixes other topics into its initial theming and message on how abuse conditions you to accept certain things that are harmful#and how getting used to a culture/enviornment does not mean you are happy healthy or most importantly safe in it. I personally like to#explore those aspects where it mixes all the themes so we can discuss the ways you have to watch out for things because there is a differen#in the idea Curly enabled Jimmy just because they were bros and because he was an example of another man afraid to step out from what#is a still oppressive system that does try to punish those who act against it even if they fall in the category of those who would benefit#from it as Jimmy and PE 100% represent that sort of misogynistic system where men that would be “good” are altered until they follow line#in a way both on the personal and professional level as PE is the corporate lock out and Jimmy represents the social and its just the issue#that the discussion of it sounds like “in defense of men” when I am more so trying to discuss how it is much deeper than men being scared t#upset other men but complacency is rewarded by not becoming another person subjugated hence as all the moments Curly does try to do#something we can tie it back to how Jimmy reacts and a possible penality from PE where we now need to address the ways to combat those#two concepts so we dont get cases like Curly or Daisuke or Swansea where male avoidance of the issue is considered neutral or even good.#i think most of this boils down the perfect victim mentality to where if someone who underwent or is being abused is not a perfect example#or accpetible type than their abuse can not be considered a valid or substantial reason for effects on their behavior compounded with the#fact that Anya's abuse at the hands of Jimmy is a systematic issue that Curly is a part of even if unwillingly and was more physically#violating and topical cause sometimes i have to remind myself that all media is still critiqued through the lens of the culture it came out#in cause i do think about what if this game came out inlike 2014 like the conversations would be sooooooo different could you imagine it?#but back the before statement Curly isn't perfect but I feel like boiling it down if hes a good person or man is not the point of the game#but more so good people can still be part of the problem and the idea of condemning a person for one act creates a false sense of#rightouesness and justice that does not aid the victim and in fact aids the abusers in escaping blame for their mulitple behaviors as we se#how the men on the ship tend to blame Jimmy for just one act against them including himself while there is a plethora of things Anya is#concerned about with Jimmy#and its not that Curly just made one mistake with Jimmy but more so we consider his actions more damning because he didn't stop Jimmy#instead of focusing on the fact Jimmy did what he did regardless of Curly and the consequence because we already know he's bad n maladjuste#which is problem in the conversation where the individuals are blamed but the system and perputrator are overlooked in a sense of acceptiab#complacency as we know how they are and the lack of tangibility to personally affect them on a larger scale like I should just make a post#on like cutting out the face when it comes it confronting systems of oppression rather than tag talking but just ask me to clarify if#you want that like im jus trying to say we avoid talking about Jimmy and PE so much cause it is obvious what they do wrong that we make#the initial and inherent problem out to be one aspect someone in this case Curly does and the the constraints they use to force actions
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starry-bi-sky · 1 month ago
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finally giving fem danyal her own au and fulfilling my 'danny is an animal whisperer' agenda at the same time: mother of monsters danyal 2.0
i say "2.0" because TECHNICALLY 'mother of monsters danyal' is an au I made back in June for Dark fem!Danyal (who I promptly named Layal). However, I haven't posted much for her yet, and I like the "mother of monsters" premise too much to leave it only to Layal. Plus Danyal in that au was going to become the mother of monsters anyway, just with significantly less world domination and mass extinction.
'Animal whisperer' Danny has been something I've been thinking about since my latest DP 'wolfpack au' post and it's! So fun to think about, and who no better to assign the idea to than Danyal Al Ghul? Who comes from a family infamously known for their love of animals and nature?
Fem Danyal is just purely self-indulgent. *gestures wildly at her* i just lomvb,,, her,,,, I've only really mentioned her in context of the 'Things in Threes' au/my first Danyal al Ghul au with the facial scar, but she's!!! I love her. She deserves her own au <33
So kill three birds with one stone! Make a post about it.
Anyways, Danny has a large lair. Similar to cult leader danyal, her lair is a giant mountain region resembling nanda parbat with a big temple/palace-like area built into the mountain. It's large, it's overflowing with natural flora, with its own mini-floating islands hovering over some areas, and it's also completely empty.
Danny takes one look at her lair upon first meeting, -- noting that it looked relatively smaller from the outside -- and promptly, with the elegance of an Al Ghul, goes "What the hell??" Because yes, while she does enjoy her own solitude and privacy, this is a bit ridiculous.
For heaven's sake, there's even a massive lake in there! What's she going to do with all this space? Can she make it any smaller? Why is it so big in the first place? This looks borderline like one of the mega-islands!
She finds out later that apparently, the amount of ectoplasm a ghost has can have an effect on the size of their lair. And since she has such a large core, her lair reflects that. Wibbly-wobbly timey-wimey stuff, it's bigger on the inside so it doesn't take up "too much space" on the outside. Don't worry about it too much.
Danyal isn't totally opposed to having such a large lair, she's just... a bit baffled by it. It feels like so much wasted space is all. All this flora and no fauna to enjoy it with. It's practically eerie.
She decorates her temple-palace area, transforming rooms to match her needs as she sees fit. In the center of the inner gardens is a massive tree that she likes to climb, with twisting, winding branches. Sam and Tucker have honorary rooms, even if they can't safely leave the specter speeder for long periods of time, even with proper safety equipment. So does Jazz. Ali (Dani) has one too, but he can actually use that one, and Danny brought him to her lair so he could decorate it himself.
She has a personal garden, but for the most part she lets the flora exist as it is. Too much space to cultivate it en masse anyways.
Skip to a few weeks later, on her next visit to Clockwork. She developed a habit of going to see him semi-regularly just because. She enjoys his wisdom, and he has a lot of stories to tell, and when he's not being the cryptic and esoteric timekeeper, he's a bit goofy.
(pushing my dadwork agenda here,,, i think Danny deserves to go 'hey, Lord Clockwork, do you want me to buy you something' while she's at walmart, only to receive a singular glowing sticky note that says 'cucumber gatorade'.)
(She insists on referring to him with his proper titles even for the most mundane of things because it's proper, but Clockwork sees a future where she eventually calls him "Cee" and by all things in existence is he determined to get there. Anyways,,,)
On her next visit to Clockwork, just as she is about to leave, Clockwork stops her and goes; "Ah, I have something for you. Hold out your hands."
Danny does as such, and Clockwork doesn't give out things often, so her curiosity has spiked to the highest levels. He turns away from her for a moment, using his staff to summon whatever it is he needs, and when he turns around.
He drops a fish into her hands. Granted, a fish in a small glass tank. But a fish nonetheless. A small one, roughly about the size of her finger, with a blue-black, eel-shaped body and four sets of glowing eyes. She can see thin, almost translucent, but spiny fins down its back and the start of bioluminescent markings. It's swimming around in circles in its small container.
"Lord Clockwork." Danyal says all too calmly.
"Yes, Danyal?"
"What is this?"
"That is an adolescent leviathan, Danyal." She’s transfixed onto the tank, but she doesn’t need to see Clockwork’s face to hear the smile he’s stifling.
The myriad of emotions that runs through her all at once threatens to overwhelm her, and she can’t tell if the feelings are negative or positive. So she carefully closes her eyes to breathe in through her nose.
“Clockwork.”
“Ah, I see you’ve dropped formalities.”
She ignores that.
“Why have you given me an adolescent leviathan?”
She's expecting the trickster to look amused when she opens her eyes. Instead, he just looks endeared. "I know you're fond of animals," he says, "and you always look amazed when you come across an animal of the realms. So I thought you might enjoy taking care of the young beast, it's mother is dead so it has no one to care for it."
Oh.
"But, if you don't like it," Clockwork's hands reach out for the tank, "I can simply take it back--"
Danyal shifts the tank out from his reach and hugs it possessively. "I never said that. How do I care for it?"
And so clockwork gives her a list, and when Danyal returns to her lair, she sets up a large tank in her room for the leviathan to swim in -- it's much too small for the lake right now, she thinks. She'll feel better if it's somewhere she can find it. She names him Suhā.
Suhā grows quickly, and by the end of the mortal month she transforms one of the rooms into a large pond for him to swim around in. He's a very loyal beast, recognizing her as it's mother of some kind. Danyal takes great care ensuring that her beastie gets quality care, and Suhā swims to the surface to see her when he senses her in the room.
It spirals from there. Somehow, Pandora catches wind that Clockwork gave her a leviathan, and so the next time Danyal visits the Greater Athens, she gives her a baby chimera. It's eyes are still sealed shut, Danyal can't bring herself to say no. She names the little beastie Firas.
Frostbite hears about it too, and not to be outdone, gives her an animal she's never even heard of. Infinite-realms born, apparently. A fox-like creature with two small horns like an impala, four eyes, and tall legs. The name isn't something she's quite sure how to write down, and she's positive that her friends won't be able to comprehend it. She names her Eira.
Getting the three of them used to each other was... interesting. Suhā tried to eat Firas when Danyal first introduced the two, and they've hated each other ever since. Firas and Eira are seemingly getting along. Her island already feels full enough with the three of them on it.
Of course, that's not the end of it. With her luck, she begins stumbling across other monsters. Realms-borne or otherwise. An injured hydra in the Grecian islands that, through lots of trial and error, Danyal is able to rehabilitate and heal. It routinely comes to visit her afterwards.
A griffin with a broken wing that she moves permanently to the island that likes to keep to itself, but tends to come down when she's near. It gets along best with Firas.
A panther-like monster from the Shades Woods that had six legs and three tails, with ends that reminded her of a venus flytrap. It stuck around the heavy foliage and she can only make out where it was when she saw its golden eyes reflect.
She befriends a young indrik with its leg injured, and much like the hydra it follows her back to her island, and stays there in the mountains. It comes out when she's alone, much like her other beasts.
She receives two more leviathan -- one from clockwork, and one she finds herself while exploring the deeper and darker recesses of the Ghost Zone. It was huddled against the carcass of its mother, and she managed to befriend and get close enough to it to bring it back to her island. Suhā is fully grown by then, with a head bigger than Danyal herself and he still likes to stick her head out of the water for nuzzles when she's near.
He's not very happy with his new siblings, but he's not trying to eat them when she's not looking. So she calls it a win in her book.
And it's not just large beasts either; smaller animals begin popping up when she's not looking. Bird-like creatures and small mammals, and she swears she saw a doe (or something resembling a doe) grazing in the forest while she was walking by.
She takes back with her a lone snake egg once, and it grows so big it wraps around her island and sleeps with its massive head on the mountain beside the temple, like some smaller breed of Jörmungandr.
And on and on it goes. Some of the beasts she comes across never step foot onto her island, some of them follow her back, while others she has to carry back. Not all of the ones that follow her stay, and Danny rehabilitates the injured and releases them when they're fully healed.
It's hectic, and busy, and frankly she loves it. Some of her rehabilitated beasts return to visit her, or to have their children somewhere on the island, or whatever it is they need to do.
She becomes a bit infamous for it. She goes to visit Dorathea once, and as she's walking through the streets she can hear some of the denizens whispering while she walks past.
"Is that her?"
"Her highness' friend? Yes--"
"--that's the one--"
"--Mother of monsters--"
Danny's not sure how to feel about that.
Although, she can't say she's opposed.
Danyal Al Ghul, Mother of monsters, raiser of beasts. It has a nice ring to it.
#danny fenton is not the ghost king#dpxdc#dp x dc#dpxdc crossover#danyal al ghul au#dpxdc prompt#fem danny fenton#fem danyal al ghul#mother of monsters danny#if anyone wants to hear about Layal specifically I'd be HAPPY to tell you about her. she's inspired by the song 'scylla' from epic#you can't leave me with dark danny for too long i give him depth if i do. anyways i gave layal mommy issues. she has a complicated view on#danyal and both loves and hates her in equal measure. she killed her out of mercy. she's her mother her sister her other half.#she despises her. she misses her. she'll never see her again. she sees her every time she looks in the mirror. she's 24. she's 10 years old#can you tell that i made layal during a time where i was thinking about the 'dan is danny's kid' dpdc trope bc that's exactly what happened#*holds dad!clockwork up like potato.* 'i just think he's neat :)'#i am incapable of making things only cracky. i must make it meaningful in some way or another.#MMMM i have to cut it off here before it gets too looooNNGGG.#if this flops i'll be sad :((#i just think the idea that danyal has her own little world on her island is neat. she's got dragons and wyrms and serpents and giant wolves#and griffins and one time there's a sphinx although she doesn't stay permanently. Danyal has a blast answering her riddles though.#that panther is based off the dnd displacer beast. there's little salamanders and gazelles with three eyes. there's more sea monsters than#just suhā and the other two leviathans but i couldnt think of any. im obsessed with the sea serpents if you havent notice LMFAO.#there's pegasi and a manticore and a ton of infinite realms monsters that are just an assortment of animals slapped together#the shades woods are a mega-island idea that i had. they're where a bunch of the “shades ghosts” are from. Its this large forest area with#megaflora trees similar to the redwood forest with canopies so thick and wide that no light can reach the bottom. so all of the native faun#living there have adapted to live in the shadows. there are a few villages that live in tall tree houses like the ewok villages that outsid#ghosts can go visit. the panther that's from there is very fond of danyal honestly. anyways yEAH ANIMAL WHISPERER DANNY.#her beasties are all animals up until she's like. 19. where she promptly steals an infant minotaur from a Legends Islands near Pandora#he wasn't being treated well okay!!! she couldn't stand by and watch. his name is asterion. he's a year old. and she'll kill for him.#i dont have enough tags to talk about Damian or her family >:T. just know that i am leaning into her assassin bg as usual :)
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i-dreamed-i-had-a-son · 2 months ago
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jon val jon or something
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stromblessed · 1 year ago
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Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
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Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
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I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
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When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
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By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
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(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
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Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
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No wonder Mizu gets mad after this, lol
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So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
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But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
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I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
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Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
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Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
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After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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uncanny-tranny · 11 months ago
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I think such a big reason my trans manhood feels almost... bigendered is simply because in the eyes of most people (specifically cis people with whom I interact with most), I straddle this weird line wherein I am a man and often am seen as one, but I am also clearly undefinable insofar as cis theory goes, clearly queer, clearly outside of manhood if one only accepts cishet, patriarchal manhood. This definitely used to be a source of dysphoria for me, but I think now that I've transitioned, it's been interesting to explore this more. Am I wholly a man? Yes. Am I a man of multitudes? Yes. Do these multitudes contradict? Well, that depends on your definition of "contradiction"
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rpgchoices · 1 year ago
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tw for abuse
So I tried to break up with Wyll and refuse his romantic dance and ask him about the tadpole, but why is the game SO CRUEL WITH ASTARION?
Like, if you want him to use the astral tadpole he straight up says no, So you can have a wisdom or intimidation check (if you fail them he is going to break up with you and be so mad).
But basically the wisdom check is trying to use one of his old memories (the worst possible memory) against him to remind him he is too weak, and he needs power if he wants to stay safe.
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The intimidation is literally using his self hatred against him. If you play with the vampire lord ending you can break up with him and tell him you preferred him as he was, and he is shocked because he was "pathetic"
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The thing is, to soften him/get the good ending (chosen by him without persuation checks) I think you need him to accept that he is who he is, and he is okay as he is. Coincidentially, trying to talk him out of the Cazador ritual is so insightful, both here in the video (this is before you get attacked by the other spawns) and later (after you get attacked) you have some options/dialogues about how he is so different now, he is not like "them"/his old pathetic self anymore.
This is the other post-attack dialogue:
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When I played friendship Astarion, the most interesting part post ritual was the dev literally spells it out:
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In the crypt you also find a book about Cazador's master and the rules he made for Cazador, and the abuse Cazador suffered before killing his master in revenge.
And of course:
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upsidedog · 1 year ago
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i am so charmed by a lumax wedding because it’s not even something max thought would happen. like she assumed weddings were something the girl makes happen and the guy puts up with. and because she had no desire for one, so there’s no reason it would happen.
among other things weddings are an exorbitant and performative show of love, max loves lucas and she doesn’t care whether or not other people know or believe this. at it’s best marriage to her has been a representation of failed dreams and at it’s worst it’s been a tool to manipulate people who need to get away to stay. maybe they will get married for the tax benefits, she thinks.
this is until max and lucas are older and living together, they’re chilling on the couch and lucas mentions his family has been asking when he’s planning to propose and if that’s something max even wants? max doesn’t care, she doesn’t plan on going anywhere, a certificate won’t change anything and she's not crazy about parties. she doesn’t ask how he feels, he brings it up, that “actually i want a wedding.”
that is saying the least, lucas wants a wedding more than anything. he loves max and he doesn’t need to prove that to anyone, but he’s happy and he wants to share that with others! he wants to work with max to make marriage a positive thing to them, he wants to celebrate their love, everything they’ve been through. also, hell, he’s only human, he wants to show off! he wants to dress really cool and go to a really cool place and show the world know how awesome he and his girlfriend are. HIS WIFE!!!
most of all, lucas wants the moment near the end of the night, where the party’s getting loud and everybody wants his attention, but max asks if he wants to get out of there and he says yes. not out out, just outside the venue. it’s dark and the once booming music is now faint, they sit and catch up, complain about their families, laugh about their friends. max holds lucas’s hand and plays with his wedding ring, she whispers something sweet before asking him to dance. it’s the best part of the night and nobody will know about it but them.
suddenly max decides she wants a wedding.
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raddestrose · 6 days ago
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was suddenly plagued by Banana Fish thoughts
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sophiethewitch1 · 7 months ago
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gang i really just want to get to the part where the boys are hopelessly in love with reader to the point its genuinely pathetic
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tigirl-and-co · 2 years ago
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How Finite is Love?
This is a short little piece set in @shirecorn‘s super cool mlp AU! This is just a first pass at it, I’ll definitely refine it if I post it to a fic site. I just HAD to get this out though, the au hits all my sweet spots!
Shining Armor considers the ponies he loves, and how a mortal pony can love goddesses.
Shining Armor held no resentment towards his two favourite mares. It wasn't their fault. They had no choice. Shining wasn't certain he believed in destiny, but whatever happened to his wife and baby sister sure was close.
First it was his wife, and that he could handle. She was an adult. They had fallen in love in highschool, they had grown together, Shining knew how strong Cadance was. If anypony deserved ascension, it was her.
If anypony could weather this, it was them.
He loved his wife with every bone in his body, every fiber of his being, every ounce of magic he could channel. And he knew she felt the same. If she didn't... this never would have happened.
Can love be a curse? Can loving somepony too much damn your soul? Can it save it?
About a month after Cadance gained her horn, Shining Armor decided dwelling on these questions wasn't helpful, and the answers didn't matter. He loved Cadance, and Cadance loved him. He couldn't change the past, wasn't sure if he even would -- but he was dead set on building a happy future.
At least as happy as he could give her. He couldn't guarantee that the love his mortal body held would last into her infinity, but he was determined to try.
He hoped it wouldn't destroy her to leave him behind, when the time came.
He loved her too much for that.
===
He had celebrated when The Sun took notice of Twilight.
The young stallion was oblivious to the looks of quiet worry on his parents' faces, the body language that said they were resigned to a cautious optimism. How could the attention of the source of Equestrian life bring anything but fortune?
He wasn't yet old enough to have heard the whispers. The old fables weren't circulated in school for fear of divine retribution, and Shining Armor was not as studious as his sibling.
Now?
Had he the power, he would have torn The Sun from the sky.
His baby sister, the sweetest and most sensitive mare he had ever known, damned to an eternity of watching her friends die.
She was a child (she was older than Cadance had been) she needed protection (she had brought down false gods) she wasn't ready (The Sun had learned from its mistakes, this new goddess was more than prepared).
She needed him.
Didn't she?
(She did, once.)
He was proud of her, of course. And if he had been watching for the signs, he wouldn't have been surprised.
Twilight Sparkle had always had an innate love for those around her. Before she had locked herself away in that tower amongst the tomes, she had been a kind filly. And even then, she had never quite managed to harden her heart.
She was still openly affectionate with him, with Cadance, with Twilight Velvet and Night Light. She shared her knowledge with them because it was how she said 'I love you.'
Leave it to a goddess to exploit that trait.
When Shining managed to find time to talk with his Twily after she had earned her wings, she had said her job as goddess was 'to spread the knowledge of friendship' and to teach others what friendship truly meant. She sounded excited, happy. She had found a purpose for her research.
Shining Armor wasn't sure if his baby sister hadn't yet considered the consequences of eternal life, or if it simply didn't bother her. He didn't ask.
He realized that while she was still his Twily, and would be until the day he died, she was more. She was Ponyville's friend. She was Celestia's Twilight Sparkle.
She was Equestria's new goddess.
He renewed his vow to remain her BBBFF forever, to keep her safe from turmoil and danger.
He swallowed down his anger and despair that night, in favour of his inevitable role as protector. He had his cutie mark, and he knew what it meant.
===
Shining Armor loved the mares in his life, and he would go to the ends of Equestria to keep them safe and happy, whether they needed him or not.
He was glad, at least, that they would have each other.
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stuckinapril · 1 year ago
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I’m happy for the little life I built for myself
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arohuacheng · 1 year ago
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what people don't get about hualian is that they're literally like. jock and alternative art student. xie lian lives like a frat boy (mattress on the floor and nothing else in his room, no standards for his own well-being, can't cook and ends up eating what could be classified as biohazards) and is really enthusiastic about fighting as a hobby. meanwhile hua cheng rocks up to the function in his cunty little outfits every day of the week, bells on his boots and the red eyeliner slayed, obviously has taste but is soooo in love with his boyfriend who only ever wears cargo shorts and the most fucked up questionable hoodies you've ever seen. hua cheng wants xie lian to have nice things but it's always like. "babe i promise it's no trouble can we please get you a bedframe??" nd xie lian is obviously so enamored with his cool alt boyfriend who wears skirts sometimes and never misses a beat on a bitchy comment that's just the way it is. basically if your hualian concept doesn't have hua cheng as the hot goth gf you just don't get it
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