#I tried so many new things when making this comic and I think I learned a lot!

[februaryart]

Part 1 here 🍀 🌻

This fic is based on: Lovebirds by kiwithief

Thank you for reading! If you liked this please reblog, and read the original fic!

I had so much fun working on this comic, and so much love and thought went into making it! It ended up being so much longer than I ever thought it would be. This is 39 full pages, and I've been working on this since Nov 2022! Drawing them is a delight, though :)

[end-orfino]

people should show their first drawings/animatics/writings more often. I won't do it but you guys definitely should

[madamspellmans-met-tet]

what are your lilia calderu headcanons?

this is what I could think of right now! :)

SFW

Backstory

The Maestra was a mother figure to her but she didn’t get everything she needed from her. She wasn’t warm enough since Lilia has always been a gentle soul. The hardened, sarcastic exterior she now puts on with new people she adopted because of her Maestra.

Heavy on the survivor’s guilt. For one, because of her coven in Sicily and also because of her witch sister who were killed during the trials, where she managed to get away after being tortured.

She had a wife who fell victim to the witch trials and who she’s been looking for ever since hoping that their paths will cross again in the form of a reincarnation.

In the comics she has a son apparently whereas in AAA we don’t know. Either she didn’t have children bc a) lesbian and b) she was scared to miss out on too much because of the “gaps” or she lost her son too in a similar fashion where she saw it coming but was powerless against it. In this case, if the son existed in this universe, I believe the vampire Lilia fought and got the scar from turned him and he went on to live with the other vampires since he was afraid he’d hurt his mother if he stayed with her.

She met Stevie Nicks in LA when she and Lindsey were doing small gigs. Lilia had a little crush on her. More on that here

General

Loves stuff like needlework, knitting, crocheting. Her maestra taught her and it’s her way of remembering and feeling less alone.

She’s also made all the beaded curtains herself in meticulous detail. It kept her company on many nights.

Amazing cook, grows weed, incredible singing (other ppl have mentioned this before so putting it in one point bc I so agree)

She’s worked as a singer in small jazz bars but eventually stopped because the tips dwindled as the centuries went by and the signs of age began to show. The pay wasn’t enough on its own.

Severely touch-starved. When someone touches her she freezes at first and then gets really emotional (without showing it) and will not leave the side of the person who touched her because she hopes they’ll do it again.

At the same time, she’s a recluse by choice. With her psychic business, she can dose human contact so that she doesn’t get overwhelmed with other people’s feelings and the visions she gets about them and the helplessness she feels.

Because she’s been on her own for so long, she’s very much stuck in her ways and particular about how she does things. So when you start dating her, you have to learn and adapt. And she appreciates this greatly.

She buys jewellery every time she visits a new place.

Big on little kisses.

She knows she’s hot.

NSFW

this woman has a thing for being called “mama” I don’t make the rules. Her mommy kink is bigger than reader’s. She started it and she gets off on it. (maybe because she missed out on being a mother bc of her “gaps” cf SFW section)

after having lived for more than 4 centuries, she’s tried just about anything and ended up being almost bored by sex. this is why she focuses more on connection and closeness during sex rather than the act itself. She can be really filthy when the mood strikes her though.

She likes to soft dom but also bottom. And she’s really big on rewarding you, whether that be with praise, kisses, cuddles, or orgasms.

She prefers soft yet intense over rough unless you specifically ask for it.

She likes having her tits played with. It makes her emotional.

Knows how to use her unique nose for your pleasure. Especially loves having you ride her face.

[mrschwartz]

Alex Turner for Rumore Magazine (September 2013)

Seventies Heads and Modern Loves or I Don't Know What I Want But I Surely Want You

by Elia Alovisi

Until he opens his mouth, Alex Turner looks like he stepped out of the Nevada desert. Leather loafers, a belt, slicked-back hair, sunglasses. But as soon as he starts talking, between “summat” instead of “something” and “me” instead of “my,” he transforms back into a boy from Sheffield who grew up on cocktails and DJ sets. The discrepancy between the way he looks and the way he speaks is strange: you would expect a cocky and arrogant rock star, but instead you have before you a relaxed and thoughtful boy who carefully measures his words, but does so with a smile and not a frown. The lyrics of AM, the fifth album of his band, mainly revolve around difficult and elusive women. There are many questions. “Do I want to know?” “Are you mine?” he says; “Why do you always call me when you’re high?” she says. There is no shortage of desires: “I want it all,” “I want to be yours.” Absent, however, are the answers. We tried to get a few out of him.

How was it to be back at Glastonbury as a headliner five years after the first time?

Fantastic. Absolutely wonderful, this time it was very natural. Everything was harder in 2007, we had done a lot less shows and had a lot less songs. Now we have learned to move better.

After the experience of Humbug, you collaborated again with Josh Homme.

Yes, Josh is on Knee Socks, towards the end of the piece. We gave him carte blanche and he decided to sing a sort of counter-melody that reminds me a lot of Bowie.

Are knee socks your favorite piece of underwear on a woman?

[Laughs] What do you think?

If she has the right legs.

Exactly, yes. The best is the garter. But then they would not be Parisian anymore, right? And then they are thicker than women's stockings. However they are not my favorite underwear, I go with the push-up.

In the lyrics of Arabella you talk a lot about the universe.

I wanted to use that linguistic palette to try to describe a woman. There are many songs that use those sorts of words… galaxy, interstellar, constellation, things like that, but usually they are used just for the sake of being used. Instead I wanted to make them an active part of a description, they are images that I find very interesting. In England, on the BBC, there is this program called Wonders of the Universe, with Professor Brian Cox. And it is one of my favorite programs [smiles, pleased].

Barbarella also pops up in the text.

Yes, although I haven't read practically any of her comics and I've only seen a small piece of the movie. I don't really like B movies. To know her, you just need to have seen a poster, that's all you need. I just used her to make a comparison with the costume she wears.

How does the suite you sing about in Fireside relate to room 505 in Favourite Worst Nightmare?

Yes, I’m talking about a suite in my heart… or in her heart? Well, in someone’s heart. Room 505, in my mind, is something very concrete. I wrote that song on a train between Philadelphia and New York, my girlfriend was in a hotel waiting for me and I just wrote about that [Turner’s voice becomes increasingly whispered as the sentence progresses]. In Fireside, however, it’s all figurative.

So how much of your real self is in your lyrics and how much is just imagination?

There's no rule, sometimes there's a lot of me in the lyrics when you least expect it. I put little secrets in them. What I try to avoid is that people who listen to one of my songs say, 'oh, he's talking about that girl'. You know when you read a novel and, somehow, in your mind you see its characters with the faces of some of your friends, or your favorite actors? That's where I want to get to with my music, I want it to be like being in front of a story, not the evidence of two people with a name and a surname who are kissing. It's up to the listener to give them both a face. When I write I pretty much always have someone or something in mind, but it doesn't really matter.

How did you come up with the idea of ​​using John Cooper Clarke's words for I Wanna Be Yours?

We wrote most of the songs on this record on a four-track that I got for my birthday. I spent a while recording ideas on it, sometimes we'd loop a bass and drum melody for five minutes and the fact that it was on tape gave it an incredible color. Then I'd sit there with headphones and a microphone humming melodies, or making up silly lyrics to start coming up with ideas. One day, while I was jamming, the words I wanna be yours came out and I remembered that they were the title of one of his poems. I thought it would be cool to use someone else's words – and especially his, I'm a big fan of his. It's one of my favorite songs on the record, the lyrics alone make it different from anything we've done before. And then I love the juxtaposition of the slow, sexy, flirtatious music and his words.

The party you talk about in No. 1 Party Anthem seems a lot more laid back than the ones you’ve talked about in the past, like the house in This House Is A Circus.

That’s true, but the parties we go to are still pretty messy. They’re just twice as long.

Am I supposed to be imagining some sort of indie celebrity party?

Indie celebrity party? [Laughs.] No, no, no. The slow tempo of that song gives it a bit of a Los Angeles feel. It’s a city that I’m told is very similar to what we’re portraying on the new record, and I’m starting to think that might be true. Not that it sounds like the Eagles, you know.

It's like your sound is becoming more and more American.

Yeah, maybe. There's something special about that part of the world. Everything that came out of California owes something to '70s rock, the spontaneity of those rhythms also comes back in West Coast hip-hop. But then came the fucking '80s and… a lot of fucking bands that don't fit into that theory. I think there will always be something English in our sound, it's something we can never detach ourselves from.

How much does Sheffield still mean to what you do?

Well, you know… [he taps two fingers on a tattoo on the inside of his arm: the Yorkshire rose and underneath it the word “SHEFFIELD”].

There are three songs on AM whose titles are questions.

You don't notice things like that until you sit there and write the titles of the songs one after the other. I hadn't noticed until then, there are also a lot of wanna.

The protagonist of R U Mine? is wrapped up in a certain western imagery, you portray her as “a lone cowboy riding in an open space.” And in All My Own Stunts you talked about “watching cowboy movies on gloomy afternoons.”

I love the western style. The leather ties, the belts… Hey, look at this one I’m wearing! [He stands up and shows me his leather belt, turning his back: it has “TURNER” engraved on it, on either side of the horseshoes.] A friend gave it to me for my birthday, this year was really nice, between this and the four-track. I also love western movies, especially the ones about Butch Cassidy. I also love Ennio Morricone’s soundtracks, obviously.

How do you usually celebrate your birthdays?

They’re nothing too devastating. I have a birthday in early January, everyone is still recovering from Christmas and New Year’s, so the average response I get is usually “forget it.”

Why'd You Only Call Me When You're High? brings back the drunken text messages you mentioned in The View From the Afternoon.

We've all done that at least once, come on. Those lyrics might have come off the first record, but the music is fully invested in what we're doing now. I just wanted to write something simple.

While we're on the subject: when was the last time you got bounced at the entrance of a nightclub? It's not like From The Ritz To The Rubble anymore, is it?

Shit, that was like four weeks ago! [Laughs.] We were in Stockholm, we were trying to get into an area of ​​the nightclub and there was no way we could get in.

What are those Mad Sounds you're talking about?

That song is about those moments when you put on a song and it's like it's talking about exactly how you feel. It's a song about those songs, and I hope it can become one of them. I get that feeling from some songs by Lou Reed, John Cale, or Harry Nilsson. It's like sometimes they really understand how I feel, and you're like, "What the fuck..." and you almost tell them to go fuck themselves.

The point where the song explodes is when you start singing a series of ooh-la-la-la. What is the la-la-la moment that sticks with you the most from the music you listen to?

Definitely the do-dodo-dodo-do-do-do-do from Walk on the Wild Side by Lou Reed.

By the way, who came up with the idea of ​​calling a song The Hellcat Spangled Shalalala? What does that mean?

It came up one day when we were making up names for guitar pedals – sometimes they have crazy names. The Blond-o-Sonic Shimmer Trap  would be perfect for a fuzz, for example. The Hellcat Spangled Shalalala, however, comes from a bar we hung out in a lot while we were writing the previous record. The room was full of glitter and there were a lot of weird chicks all winking, like cougars.

The lyrics to Snap Out of It revolve around hypnosis. Do you think there's any real power behind it or is it just persuasion?

I've never been hypnotised, but it all seems pretty real when you watch hypnotists on telly. There's this show in the UK where this guy, Derren Brown, gets people to do all sorts of things. Crazy stuff like, "rob someone!" Nothing I'd want to be involved with.

In I Want It All you say, “Leave me listening to the Stones 2000 light years from home.”

I’m actually a Beatles guy, no doubt. But I like them both, I saw the Stones at Glastonbury and it was great.

Don't you think it's better for a band to go at the top of their game than to keep going and going and risk having nothing left to say?

What the Stones have managed to do is really extraordinary. I mean, they're seventy years old and they're still on stage. It's very difficult to have an opinion on something like this because I don't think I've reached that level yet. I'm very excited about the new album, we've reached the point of being a good live band and, speaking as an artist, I think I've reached a certain excellence this time. I want to build on that, explore new things. We still have a lot of places to go.

I think the main difference between AM and your previous albums is the small amount of guitars.

This time we didn't want to sound like four guys playing in the same room, while that's exactly what we wanted to sound like in Suck It And See. We immersed ourselves in a more minimalist idea. The guitars are perfect, sometimes they don't even sound like guitars from the way they're played, or from the effects we put on them. They sound a bit "spacey," they would be good for the stereo of a flying saucer. Then we came out with some bass and drum parts perfect to be played at full volume through the speakers of a car. We also worked much more with the vocal lines, especially with the choirs.

There are actually a lot of songs where you put backing vocals and backing vocals, especially One For The Road.

Matt, Nick and I do them. Jamie is the only one who doesn't want to have anything to do with them. It all started with R U Mine? , the part where we all start going: [hums the backing vocals]. As soon as we tried that part we realized how good it sounded, we especially liked the fact that it was something we hadn't done before. So we just went for it.

[sirfrogsworth]

2 new things I learned about Mormonism.

Thing the first…

Joseph Smith once held a sorta Mormon Comic-Con where he invited all of his followers and claimed he was going to perform miracles and talk to God and other nonsense. He set up a faith healing demonstration with an audience plant and they pretended to be suddenly stricken deaf and dumb.

Joseph was all, "By the power of Jesus, alakazam, you can now hear and speak again!"

Everyone clapped.

Joseph did not seem to have the foresight to realize other people might want to have their chronic maladies cured. So he was ready to wrap up his little magic show and move on.

But an old dude in the audience was all, "I've got this fucked up hand. Would you mind unfucking it for me?"

In his head, I'm sure Joseph thought, "Well, shit."

But he decided to give it a go. I mean, when I was young I would try to use force powers "just in case." Like, how do you know you don't have force powers if you never try to use them?

So he did his routine again on the fucked up hand and the old man stretched out his fingers for a second and Joseph probably thought "Oh shit, did that really work?" and then they curled back into their fucked up state. He tried his best to make an excuse and hoped that was the end of the faith healing portion of the show.

But then…

A man walks in carrying his little boy.

Who is super dead.

He's like, "Yeah, I was going to take him to a doctor, but everyone said you were coming and I should just wait. Would you mind un-deading my little boy real quick?"

In his head… "Fuck fuck fuckity fuck fuck..."

Out loud… "Jesus Christ and the almighty Father, restore life to this very dead child!"

And the boy opened his eyes and smiled and everyone clapped…

Would have been a great ending to this story.

But he was still quite dead.

Thing the second…

I knew that when Mormons turned 18 they went on a little mission. I always thought they picked a poverty stricken country somewhere and went to help the poor and build houses and give people food and medicine using the church's immense wealth and resources. That seems like it would humble a young person and give them a valuable life experience.

I suppose I just assumed that considering that's typically how Catholics do missionary work. They do a bunch of good deeds and when people are happy and grateful for their help, they pull out a Bible and start their sales pitch. I always had mixed feelings about this but I thought "at least they were helping people." (Not always the case. Sometimes missionaries do more harm than good. But that is the idea, at least.)

Mormons skip the helping people and just do the sales pitch.

They honestly believe converting them to Mormonism is more valuable than food, shelter, clothing, money.

Being a member should solve all of those things, right?

Well, that is essentially what these young mission kids are told.

And they don't just go to poor countries, they often go to rich areas in the US. One might go to the Congo and the other... Beverly Hills.

These 18 year olds are thrust into an unfamiliar place with a few weeks of language training and are tasked with getting people baptized. They have to pay for this "honor" and are judged by how many people they convert. They are often housed in sketchy places and in order to keep them from going rogue, they are attached to another 18 year old who must stay within sight and sound at all times.

Mormonism relies heavily on tattling to keep people following the rules. Seriously, I think the glue that holds all of it together is "snitches get riches." BYU even has an official snitching office where you can narc on someone for getting coffee.

The point is, no one is helped and these kids are essentially slaves for 2 years. They work 80 hour weeks with no pay just trying to get baptisms.

[justcallme-ange]

Happy 1 Year Little Comforts!! <3

Give or take a couple days - oops ^^;

One of the longest projects I've done to date!! <3 <3 <3 Thank you all so much for the support, as well as all the comments and tags! I love going through them and reading all the lovely messages. They're a great pick-me-up whenever I'm feeling demotivated. So thank you again <3

So for the anniversary I wanted to do a little thing where I point out some details in the comic I'm very proud of XD (Yes I'm tooting my own horn - shhh)

Three Wishes Dream asks Techno to promise him something 3 times. And only on the third one does Techno agree. I tried to frame it as both Techno being cautious about agreeing to things Dream proposes (a la favor) but also as Techno finally agreeing when everything was laid out and there was nothing Dream had left to hide. (It's like a fairytale trial - 3 challenges with the last having a great reward.) Forget-me-(k)not I don't know how prevalent they are now a days, but growing up I was a really forgetful child, and learned somewhere that by tying a knot on your finger when you need to remember something supposedly helps in you actually remembering. Which idk if true, it didn't really work on me, but the knot itself actually stuck, so in this case I used it for 3 things: A reminder that Dream was stuck in prison and needed help, a reminder that Phil needed to get Techno out of prison (eventually), and a reminder that Techno promised Dream he would free him. Scars So all the scars that I drew Dream with all actually have canonical reasons. So in order - the one across his nose was from Techno during their duel, the ones on his neck and chest were from Tommy taking two canon lives, the one on his lips were from Sam after first being detained, and the last on his chin (and arms) are from Quackity. Continuity The armor that Phil is wearing at the end is a reference to another illustration I did of the Doomsday Trio. It's post prison break so maybe it's a sequel? (This is less a detail and more just a personal thing - but my favorite page has to be page 7 - where Dream's image crumbles. It usually takes me at least 2 tries to get the look I want - this was one and done ^^) More behind the scenes - this comic (final version) started with the hug. I said initially the comic was supposed to be 6 pages at most, but I wanted to make the hug work so bad that I literally rewrote the comic. Only the first two pages are part of the original draft. Everything else was new. My brother literally sat with me for days going over each scene and making edits. OTL There were so many iterations - in the end I think there are at least 7 drafts of this comic. Cut Content Bonus: Unlike my other comic where the vision was there from the beginning, Little Comforts had some growing pains, and a few scenes had to be cut for it to work. So here ya go!

This was cut in favor of the shaking scene, some levity was needed to let the scene breathe, plus quoting my brother "It's more Techno".

Also wanted another hug, but editor and I felt that it took away from the pay off in the end.

Alternate version of 'he's a child' - originally it was supposed to go at the end of the comic, as an epilogue. Timing wise it ended up not working, which ended up with an even better gut punch so I'm not too upset. I may still render this....

[alcorianight]

I did not realize this got so long, so rambly word vomit under the cut

I do think more attention should be paid to the absolute horror Jason must have felt after coming out of the Lazarus pit like a foot taller and built like a damn fridge.

Like he died at 15, tiny, still small due to malnutrition and then the leading theory is that the Lazarus pit cures that and beefed him up. For one, that's gotta mess with his motor control a ton, especially when you consider that normal growth spurts cause a period of clumsiness (think jarring steps, toe stubbing, knocking your elbow on doorknobs or whatever), so a total body overhaul -Lazarus Edition™ - might be enough to keep him from even walking properly, let alone fight skillfully and gracefully.

Even if you say he got his coordination back from training or comic book science meant the pits didn't fuck that up, being small was probably a major part of his identity. Consider Jason before Bruce. He was tiny, but still resourceful and strong enough to jack tires. But being tiny was useful. Being tiny meant more hiding spaces were available. It meant he was unassuming. It meant people's eyes skipped over him. It meant avoiding attention. It meant safety.

And sure, Jason probably complained about being small when he was Robin. Probably even dreamed of being big as a street kid because being big meant having power, but being big on the streets meant being noticed and he knew that. It was something to dream about when he was older but not what he needed then.

I've also seen people headcanon that Jason is claustrophobic from the coffin, and I kinda vibe with that, and being bigger also screws with that because things feel so much bigger when you're small. If you think about it, elevators and the like probably felt a lot more spacious when you were a kid. So not only has his body been drastically changed without his consent (and I haven't really touched on that here, but also consider how it has to affect Jason Todd (who champions consent and autonomy and personal safety of the little guy) to have experienced nonconsensual body modification first hand like that) but it can actively cause him more mental distress.

And I think, coming out of the pit, the memory of his death still fresh in his mind, and stuck in the League of Assassins, maybe being small would have been comforting. He could still access all the same hiding places he would immediately clock. And while the image of a big man hiding somewhere clearly too small for him might be funny, it's also heart wrenching because he's lost so many safe places in a single moment.

Of course when Jason does go back to Gotham he's learned to use his new body and the fact that it makes him intimidating as hell, but I think there's another negative there as well. Because as Robin he comforted people. No Robin is ever soft but they are all almost definitely better at comforting victims than Batman (maybe not Damian, but he's a baby which is simultaneously more and less comforting) and a big part of that is because they're kids. Kids just aren't as intimidating as giant ass adults and I can imagine that this probably messed with Jason when he first got back to Gotham and tried to talk to the street kids or the working girls because those are groups of people who are going to be suspicious of men built like a goddamn fridge. He can't come up to them like he did as Robin, and I'm sure over time he's won their trust and they find him a symbol of safety, but the first few interactions have to hit hard because it feels like he doesn't belong in a place that's been his first home. That somehow he no longer fits right where he always did before.

I also can't imagine how disconcerting it must be to not recognize your reflection for like every part of yourself. Like, this one time I had makeup done for an event (not my idea) and it was so heavy that I didn't recognize myself and I felt so uncomfortable with that and that was just my face. My hair, my height, my build - all of that was still familiar, comfortable, but can you imagine being unable to recognize even that? And if he avoids mirrors to avoid seeing his reflection, he might not even be able to recognize himself in pictures and videos. (There's a fanfic with this idea and it definitely inspires this post because I honestly never considered this before and I thought it was so well written and such a good point that we don't pay enough attention to. You should totally check it out if you got this far.)

The last point I have for this post has to do with his relationship with Bruce. So typical timeline (I think) for Jason is he dies at 15, crawls out of his grave about 6 months later, is catatonic for 3 years, and then spends a year mentally present training with the League of Assassins on his world tour or whatever. I am fuzzy on the details here but basically from his birthday, Jason can't be older than 19-20 when he comes back to Gotham (I think 19 is the accepted age) but mentally he's 16 and for some fucking reason DC artists like to draw him like he's over 30. THIS IS A PROBLEM! Like this is an extremely fucked up 16 year old kid that should be trapped in a 19 year old's body but instead it's so much worse because (and I've seen someone describe him like this before) he's actually trapped inside the body of a 35 year old divorcee AND THAT IS NOT OKAY! Like even if we're gonna say that the Lazarus pit alters the body to peak physical health that would be like 22 or some shit. Past 30 is not a physical prime. You can be fit for sure at 30 but that doesn't change the fact that your ability to build muscle and heal and whatever else are probably better in your early to mid 20s and hey guess what that's still younger than Dick's accepted age (or maybe about the same (I have stayed up too late writing this to keep proper track of numbers)). But Jason looks older than Dick more often than not (the Gotham Knights game will never be forgiven for whatever the fuck happened to Jay's character design).

Okay sorry for the sidetrack, but Jason looking older is gonna fuck with Bruce because Bruce is gonna have a real hard time seeing his tiny, malnourished, never gonna top 5'4 Jaylad in this giant hulk of a figure, especially when the age is so off. Like imagine you have a kid who goes to college and does a ton of internships or research so you don't really see them for 4 years, you're still gonna expect your kid to look like they're 22-23. If they look like they're 35 you sure as hell are not gonna pinpoint that as your kid. So Bruce sees Jason and it makes sense that he doesn't think that's his kid BECAUSE THAT DOESN'T LOOK LIKE HIS KID! (I'm ignoring the moral differences in this post) So Bruce doesn't see a kid when he looks at Jason but Jason is mentally 16 and, despite everything he says to the contrary, he sees his dad when he looks at Bruce. Jason doesn't see an equal, someone who is just another adult. This is his dad, an authority figure in his life, someone whos opinions and words hold power over him whether he wants them to or not. But Bruce can't see that. Because Bruce doesn't see a kid. He doesn't see his son. He sees an equal and that's tragic because you're always supposed to be your parents' baby. Even when you're 50 with your own family and nearly adult kids, you're still gonna be your parents little baby. Because parents see their kids at all the ages they've ever been and it's the fact that Jason doesn't have someone who looks at him and sees him how he was when he was 2 and 7 and 10 and 13 and 15 when he still feels 16 that makes this so sad. Because no one's been his parent for long enough to really build that and Bruce can't see Robin!Jason in the Jason that came back.

Wow, uh, I'm really sorry to anyone who reads this. This really got away from me and it's super unorganized and I just kinda word vomitted all over this. This was just supposed to be about how his body was different. How did Bruce end up in this?

[umbrella-show]

Platonic Yan Rottmnt

「 ✦ 𝐏𝐥𝐚𝐭𝐨𝐧𝐢𝐜 𝐘𝐚𝐧 𝐑𝐎𝐓𝐓𝐌𝐍𝐓 𝐱 𝐌𝐮𝐭𝐚𝐧𝐭 𝐓𝐮𝐫𝐭𝐥𝐞 𝐑𝐞𝐚𝐝𝐞𝐫 𝐏𝐭.𝟐 ✦ 」

Part 2 is finally here and there will be a part 3 to finish off this mini series! \(^▽^)/ I'm sorry this took so long to post. A family member recently passed away and I was processing that while having to go to school and being swamped with schoolwork. Finals are also coming like next week but after that I get a two week break so I'll definitely be writing some more when that comes. Anyways I hope yall enjoy! Words : 2,411

THIS IS IN NO WAY APPROVING OF A ABUSIVE OR TOXIC RELATIONSHIP Warnings : Delusion, Kidnaping.

‧˚₊꒷꒦︶︶︶︶︶꒷꒦︶︶︶︶︶꒦꒷‧₊˚⊹

Being stuck for many months in what you learned was the Hamato brother’s lair was tiring. No, scratch that, it was exhausting. All of them were clingy, needy and especially overprotective. They also began addressing you like you were family, and started trying to spend time with you like you had lived with them your whole life.

Mikey was always trying to cling to you, whether it be holding your hand, carrying you throughout the lair, or just unexpectedly jumping on you and piggyback riding off of your back, clinging to you for dear life like a koala. He basically begged for your affection, trying so hard to take up all of your time with art, cooking, baking and anything else he could think of that would keep you occupied with him. He also called you his twin. Which, sure you were basically the same age as him, and you both were mutant turtles, but you had no connection to any of them whatsoever. You had learned how the Hamato’s had become mutants in the first place, but you all had never met before you or they were mutated, and you two didn’t even share the same birthday. Yet he seemed persistent to call you two twins.

Leo was obviously the jokester out of the four. He makes multiple one-liners around you, trying to make you laugh. He also made many jokes about New Jersey of all places, which you didn’t get. He wasn’t as touchy as Mikey, but he liked to occasionally put an arm around your shoulder or rest his elbow on your head. He seemed more possessive of you, making plans with you to read Jupiter Jim comics and get defensive when his brothers tried to take you away to do something else with them. He also liked to mix in some Spanish into his speech at times. He mostly calls you hermana/hermano.

Donnie was very protective of you. He made sure you balanced out your nutrients and ate food that would make sure your blood sugar levels were at normal rates. He knew what foods you could and couldn’t eat. He made sure you were hydrated and healthy. He knew most about your species. He had spent time studying your behaviors for the first few days you were brought to the lair. He also forbade you to do things that he thought you could harm yourself doing. Even simple things, like reaching items from up high, because, according to Donnie, the item you were reaching for could fall on your head so hard it could knock you out or cause you a concussion. Yeah, you didn’t get that rule. You had to ask either Donnie or his other brothers to help you. He also placed multiple cameras and alarms throughout your new room at your arrival, making sure he can monitor you at all times.

Raph was somewhat of a more tolerable one. While he was a bit more overprotective of you than Donnie, he was the one that gave you the most space and privacy. He was already worried he could possibly hurt you because of his strength, which made him back off a bit. He also was the only one who insisted on your personal space when Leo or Mikey were being too overbearing with their affection and touchiness. He made sure you at least ate breakfast, lunch and dinner, and sometimes would walk up to you, give you a small snack, gently pat your head like one would do to a cat, and anxiously leave without a word. You knew he could be a little shy around you, most likely due to an insecurity that you might not like him or think he’s not doing enough for you. He also occasionally likes to carry you in his arms.

Hell, even their dad, Splinter, grew attached to you. He calls you Yellow due to the spots on your body and shell, and practically treats you like one of his own. Except he makes more of an effort to talk and spend quality time with you. You found out he used to be a movie star named Lou Jitstu before he was mutated by some sheep guy named Baron Draxum. 

Overall, you despised it here. You just want freedom. To see the sky again. To try and adjust to the circumstances of becoming a mutant by yourself and live a peaceful life where you're not constantly babied by everyone around you. That’s why you tried your first, and hopefully last, escape attempt.

—

You mentally went over the plan again and again in your mind, looking for possible flaws. A sense of doubt gnawed at the back of your mind. What if the plan didn’t work? What would happen to you then? You huffed at your own anxious thoughts, turning to face the curtain that was the door to your room. It led into the main room of the maze that was the Hamato’s lair. Thankfully, there was an extra room in the lair that the brothers had converted into a bedroom for you, despite Mikey’s protests and insisting you slept in his room in a separate hammock. 

You took shaky deep breaths in and out a couple times to calm down. You could do this. The timing had to be just right. Speaking of time, you glanced at the digital alarm clock that rested on your bedside table. 5:21 AM. Okay, just a few more minutes and your plan would be set in motion.

You decided a time closer to the morning would work better, considering the brothers seemed to be active most in the night. A time closer to morning was usually when they slept. It would be the perfect time to sneakily leave your room. You decided trying to sneak straight to the manhole wasn’t an option. You knew Donnie would have some kind of security near there. Not only to keep you in, but to also keep unwanted strangers out. Luckily the lair had multiple entry and exit points that mostly led into the tunnels of the sewers. From there, you would have to try and find your way out from there. It wasn’t the most thought out plan since you had only gotten to explore the tunnels when Raph went Savage. If everything goes wrong and you end up with the brothers on your tail, your next bet is to swim your way away. Or at least try to. You assumed you could at least swim pretty well since you were a turtle now. You hoped that you wouldn’t have to resort to that though. Those waters looked disgusting and dirty and gross. Glancing at the alarm clock again you realized it was about time for you to activate your plan. A few minutes had passed since the last time you had looked at the time. Propping yourself on your elbows in the bed you took another deep breath. The time was now. You could do this. You slowly lifted your body into a sitting position, letting your legs dangle off of the edge of the bed for a few moments before pushing yourself to stand. Your crept towards the curtain, holding it open slightly so you could peek through the other side. Nothing. Everything was dead silent. Good. Slowly and soundlessly pushing the curtain further aside, you made sure to take slow steps to make as little noise as possible. You soon were standing in the middle of the main room, in the center of the natural light that came from the ceiling, the moonlight shining almost a spotlight on your figure as you continued to creep closer and closer towards the tunnel entry. A loud heavy bang of metal made you harshly flinch and hitch your breath. You froze up, staying as still as a statue. After a couple agonizingly long seconds, you turned your head towards the source of the noise. Light came from inside Donnie’s lab that spilled out of the door. You could barely hear sounds of metal objects being moved around in there and mentally cursed. Of course Donnie was awake. Why did you not think of that!? He basically ran on coffee 24/7 and was known for pulling multiple all-nighters on tech and inventions. He didn’t seem to notice you were out of your room though, considering he hasn’t come out of his yet. From the sound that came from his lab you assumed he was building something and was most likely putting his full attention on it. You hoped at least.

Whatever. You had no time to ponder. You took another slow step forward, keeping a slow and silent place towards the large metal entry to the labyrinth of sewers. Even after you made it beyond the tunnel entry, you still continued to slowly tiptoe your way until you were sure you were completely out of sight. After turning a quick corner in the tunnel, you laid your back against the stone wall and slowly panted with wide eyes. You took a moment before snapping out of your shock trance. No time to stop and rest now. Forcefully pushing yourself off of the wall you bolted down the tunnels, desperately looking for any traces of a possible exit. Your feet slapped against the cold stone floor, turning multiple corners. You could only briefly remember the paths that you had taken when exploring the sewers looking for Raph. Adrenaline pumped through your veins as you skidded around another corner. Luckily, there were graffiti drawings on most of the walls, most likely done by Mikey, that you used as a map. And based on the graffiti, you were almost there. You were almost free!

Your blood suddenly went cold when you heard it. Another set of feet slapping against the floor at a rapid pace somewhere behind you. No. No way you were stopping now that you had gotten this far. You urged your legs to run faster, using all of your strength to keep going. You glanced at a graffiti drawing of a smiley face melting and a small light of hope shone in you. This was it. Bolting around the last corner, you took only a few swift steps before leaping into the canal of green murky water that splashed violently along the rounded walls of the sewer tunnel. You ungracefully crashed into the water with a loud splash, the strong current taking you away. 

You poked your head out of the water, coughing a bit, Another splash came from somewhere behind you, and snapping your head in that direction, you saw a Donnie hot on your trail, swimming without a problem towards you. How did he know you had left so quick!? He must have placed some kind of alert in the sewer tunnels too. You panicked, taking in a gulp of air and submerging yourself back under the water. You swam as fast as you could, violently kicking your legs as the current continued to sweep you to what you hoped to be the exit. You held your breath for as long as you could, occasionally throwing your head above the water to take in a large heave of air before continuing to swim with the overpowering tide.

You didn't know how long you had been swimming. What was probably seconds felt like forever. You could swim pretty fast. Almost faster than Donnie, but he was catching up. 

A dead end with a tunnel. You could see a tunnel ahead, blocked by a rusted circular vault door with a wheel handle. Looking over your shoulder you could see Donnie's faint silhouette swimming towards you at a scarily quick pace. You needed to get the vault open and quick. You could feel your lungs desperately begging for air. Your hands gripped the wheel as you placed your feet against the stone wall, using all your strength to turn it. The wheel had obviously not been used in a while, from how hard it was to turn and how slow it did. You panicked slightly, using more of your strength. Bubbles left your mouth as your hands gripped the wheel tighter. Slowly but surely the wheel began to turn and after a few more seconds you were able to pry the metal vault open. You swung it open and hastily swam through the tunnel. You turned around, catching a quick glance at Donnie who was dangerously close, and slammed the vault shut, turning the handle as far as it could go. You then felt the wheel break off from the vault in your hands. You flinched when you heard a loud bang from the other side, and quickly fled. 

Your lungs burned. If you didn’t get oxygen soon you would drown here. Swimming as fast as you could, you saw not far ahead was the end of the tunnel that led to more water, except the water was cleaner. Kicking your legs fiercely, you swam out of the tunnel and immediately swam up. Your head burst out of the water, taking in a loud gasp of air. The harsh inhale of air prompted you to cough harshly. You looked around for land, still coughing violently and wheezing. A wooden dock was the first thing you saw and you promptly began to weakly doggy paddle towards it. Your hands gripped the edge of the dock, slowly pulling yourself on it. You flopped on your stomach, panting heavily as water dripped off of your body. You rolled on to your back instead, spreading your limbs in a starfish position. 

You looked up at the sun, squinting your eyes at the bright light. Using your arm to shield your eyes, the realization hit you with a burst of joy. The blue sky. The bright sun. You were free. You were finally free! You sat up, the adrenaline wearing off slowly. You knew you couldn't stay for long. Who knows when the brothers would be after after Donnie alerts them you had run away. You got up, having a bit of trouble from your shaking and sore legs from all of the tiring running and swimming. You stumbled as you walked at a quick pace across the dock and towards the tall city buildings that could be seen from your location. You need to get as far as possible from the escape exit you just took. You hoped you never saw those turtles ever again.

[blog-moved-lol]

Jason Todd Canon Lore Stuff:

@jashjdh Ask and you shall receive! :D this is sort of part 2 to this post of mine, where I did the same thing for Dick Grayson. Here, since there are so many comics and so much conflicting lore, I read the fandom . com entry for the character and then type out the most important bits of what I learned, both to help myself remember it, and to teach others ^w^

!TW for Batman-like things, such as spoilers, mentions of injury and death, a brief mentions of drug use, a brief mention of sewerslide and r(😬)e, etc)!

•To begin with, a lot of people argue "Jason is the angry Robin!" Or, "Jason ISN'T the angry Robin!" I think for the most part, this misunderstanding happens because originally, Jason was a very calm kid. In his original appearances he had a similar backstory to Dick Grayson(Being an acrobat in the circus) and was much more chill, however in the post-crisis revamp, he became more violent and troubled. In the words of the wiki, "the post-Crisis Jason is impulsive, reckless, and full of rage."

•Jason lived a troubled childhood, with his father being a petty crook. His dad at one point served a jail sentence for his crimes, but even once he got out of jail, he never came back to the family. This left Jason alone, taking care of his drug-addicted mother. He would rip and remove the parts from cars around the city, selling them for cash to make sure they were fed and clothed. His mother eventually died from an overdose so he took to the streets, continuing to take apart cars for cash.

•One night he came upon the Batmobile parked in an alleyway. Batman had just replaced the tires, but had not yet put on his new custom hubcaps. Jason took this opportunity to snag the tires, and managed to get one and out of there before he came back for a second tire. This is when Batman caught him, hence the iconic interaction of him throwing his tire iron at Bruce and calling him a 'big boob' as he ran away.

•Batman tried putting Jason in a boarding school for troubled kids, however this didn't work out either because the owner of the school was actually running a program to train young criminals. When Batman busted the criminal operation, he decided that perhaps Jason's anger could be used for crime fighting, so he took him in because he was worried that if he didn't, Jason would become a criminal. While Jason wasn't an acrobat like Dick, he was strong, and had lots of skills from his time on the streets.

•On their first official mission together, though, it was revealed that Two-Face had killed Jason's father. Despite the fact that Jason's father had abandoned him, he was still enraged by this and he went on a rampage. However, he showed restraint when he allowed Two-Face to be arrested instead of killing him, which made Bruce very proud.

•As much as Jason was a good, enthusiastic student, he was also a very troubled one. His time on the streets had raised him with a tilted sense of morals, and with the tendency to lash out and get violent when threatened because of his street survival instincts. Because of this, Jason often had the opposite ideals and morals to his mentor. He tended to use excessive force when trying to stop criminals, such as how in one adventure he was asked to 'hold off' some villains, and he immediately shot at them despite Bruce's dislike of using guns.

•The most notable of these times was on the case of Felipe Garzonasa, a man who had r(😬)ed a woman, an event that led to her sewerslide. Jason tracked this guy down, and moments after Jason arrived, Felipe fell to his death off of his apartment balcony. While it was never confirmed nor denied, it's fairly possible that Jason pushed Garzonasa off, breaking Batman's no kill rule. (We love a man who respects women ✊)

•Bruce was so afraid that Jason was going to possibly kill someone, either intentionally or with his reckless actions, that he called Barbara Gordon and asked her to work a case with Jason, in an attempt to figure him out. They did work together, however Barbara could come up with no real way to help him, and simply warned Bruce that there was 'a darkness in Jason'.

•Jason eventually discovers that his mother was not actually his biological mother, so he runs away from home on a mission to find his real mom. He follows lots of leads, but eventually ends up in Ethiopia, finding his bio mother Sheila, working as an aid worker. He's incredibly happy to be reunited with his real mom, but he soon discovers that Sheila is being blackmailed by the Joker, being forced to supply him with medical treatment. Sheila herself has been embezzling funds from the agency, and to keep from getting caught, she directly hands Jason over to the Joker who brutally beats him with a crowbar and leaves him and Sheila in a warehouse with a bomb. Batman is unable to save them on time, and both of them perish in the explosion. Bruce is obviously devastated (and starts going crazy because of this a bit later on), and the bodies are both buried in Gotham City with the cause of death on Jason's death certificate being labeled 'smoke inhalation'.

•Jason is dead for at least a decade, his memory constantly haunting Bruce as his 'greatest failure', keeping Jason's Robin suit on display in the Batcave. Bruce begins to spiral over the thoughts that he himself had failed to train Jason properly, and that he had also failed to save Jason from the Joker. (Personal opinion, I don't know if I actually blame Bruce for 'Not saving Jason in time'? Because the way the wiki framed it, it made it seem like Jason ran away and didn't tell anyone that he was going to do this, plus I don't know how Bruce would've known that the Joker was blackmailing Sheila to begin with? Idk, maybe I'm missing some context here)

•Many years later, while Bruce is fighting with Hush, Tim gets kidnapped. When he confront the kidnapped it ends up being 'Jason', but it turns out that this version of Jason isn't Jason at all, and is just Clayface pretending to be Jason.

•Superboy-Prime, trapped in the Paradise Dimension, alters reality. This shift results in Jason's revival, as he's once again given life. He breaks his way out of his own coffin with his bare hands, and drags himself 12 miles before eventually collapsing (since he still has many lasting injuries from the Joker's beating). He's found at some point and hospitalized, where he stays in a coma for a full year, and even when he awakens he has amnesia. At some point he's recognized by a petty criminal, who informs Talia. Talia brings him to the Lazarus Pit, where she immerses him in the water where her father Ra's is also bathing. This restores Jason's memories and his physical health, however it's implied that the Pit's energy + Ah-Gul's energy messed with his mind and personality (Though it's always possible that these changes really just came from his trauma)

•Jason Todd takes up the mantle of Red Hood, and returns to Gotham City.

•Jason goes to find the Joker (who had been run out of town by Hush), and gives him a beating with a crowbar just as the Joker did to him, though he keeps the Joker alive to use him against Batman later on. He also assumes the control of several gangs, and starts a mini war against the Black Mask criminal empire. His general plan is to clean up the cities violence and drug dealings(probably because he doesn't want anyone to end up like his non-bio mother), as well as kill the Joker for revenge. Because of his intense and violent methods, he has many brushes with Batman. It's around this time that Bruce finds a Robin mask in the Batmobile, one that never belonged to Dick or Tim, but looked like a mask in the style of Jason's old Robin costume. He also realized at this time that Jason's coffin is empty, and that's when he starts to believe that Jason may have genuinely come back from the dead.

•Jason, hearing that Tim had replaced him and was supposedly a 'better Robin' then him, he got angry and broke into the Titan tower to confront him. Wearing a newer version of his own Robin costume, Jason makes quick work of immobilizing the other Titans. He was absolutely furious that there was no memorial for him in the Hall of Fallen Titans (Despite the fact that he was only a Titan for a very short time), Jason demands Tim tell him if he was really as good of a Robin as Jason himself was, and Tim stubbornly says 'Yes' before he passes out. As Jason is leaving the tower, he rips the 'R' logo from Tim's costume. However, it's revealed in the epilogue of that comic that Jason actually holds some respect for Tim now, begrudgingly saying an "I'll admit. He's good." As he ponders how he could've been a better Robin had he acted more like Tim.

•At some point Jason kidnaps the Joker and uses him to lure Bruce to Crime Alley, where they had first met all those years ago. Jason is of course angry that Bruce never 'properly avenged' him by killing the Joker, since Jason believed that Bruce would because the Joker had "Taken me away from you". Bruce explains that it would've been easy for him to kill the Joker, that he continuously fantasized about taking the Joker away, torturing him and eventually killing him, but that he wasn't willing to cross that line (Partially because he wasn't willing to stain the memories he had of Jason [that he clung so tightly to while losing his sanity] with blood). Jason decides on a deal. Either Bruce kills him, or he will kill the Joker. So he holds one gun to the Joker's head and gives the other to Bruce, counting to three. However Bruce, obviously not wanting to kill Jason but also not wanting Jason to commit this crime, uses a Batarang to cut down an object that ends up slicing Jason's throat. The Joker uses this time to detonate some explosives and plunge both of them into the waters. (I don't even know what to say about this part, I have a lot of opinions here. I will say though, I think that if Tim hadn't become Robin, Bruce might've legitimately killed the Joker.)

•Jason shows up again after about a year, now as an evil version of Nightwing. Jason uses this costume to taunt Dick, suggesting the two become a crime fighting team, but Dick refuses because he doesn't want to be associated with Jason's violent methods. Not long after, Jason is kidnapped by unknown mobsters. Dick, albeit hesitantly, saves him, and they team up to defeat the Pierce brothers. After the fight Jason leaves New York and drops the Nightwing mantle, leaving Dick a telegraph that says he has returned to normal, and that he still considers Dick family.

•Jason's kidnaps a girl named Mia, wanting to convert her to his side since they both had somewhat similar pasts and he feels they're kindred spirits. She refuses, so he blows up her high school. (WTF JASON???? 😭)

•I dunno how to explain this one too much, but basically he went on a mission with a Monitor that he called Bob? And he met an alternate reality version of Batman, who had started killing after Jason's death.. And then the Darkseid thing happens and Batman 'dies', which makes Jason absolutely furious (Because he cares about Bruce despite not agreeing with the way that he handled things back when he died).

•Jason, back as Red Hood, tries to take control of some gang wars to calm things down, but it actually makes things worse. Since Batman is supposed to be dead, and Nightwing is unavailable, Tim is the one who has to help clean up the mess. Jason asks to team up, but Tim refuses because of Jason's questionable methods. Due to a combination of some things, Jason gets shot in the leg and arrested. When the gang war is resolved, Tim stops by the prison Jason was in, using a disguise and a fake name to deliver Jason the code that will let him out of his cell because he believes Jason deserves a chance at redemption.

•After his escape Jason is summoned to the Batcave, where he is brought in to hear his part of Bruce's Last Will and Testament for him(Y'know, since Bruce is supposedly dead lmao). He listens to Bruce's final piece as he talks about out of all his failures, Jason was his biggest, and how he regretted not getting Jason actual help or showing much empathy over him hardships, instead dressing him up and having him fight. Unfortunately this heartfelt message is what makes Jason fully snap.

•Jason began dressing up in a Batman-like outfit, leaving slips of paper saying 'I AM BATMAN' where he worked, however he used much more aggressive and lethal forms of punishment on the criminals he fought. Due to the violent nature of his vigilantism, Nightwing and Damian are after the fake Batman. Dick figures put pretty quickly that the imposter Batman is Jason, and after an argument, Jason shoots Damian. Tim is also searching for the fake Batman at this time, dressing up as Batman as well to demonstrate how Bruce would've really acted. Tim finds Jason's fake Batcave, but has to be saved from a boobytrap by Catwoman. Jason returns to his 'cave' and finds them there, impaling Tim with a Batarang. Dick and Jason fight, with Jason thinking and claiming that Tim is dead, while Damian and the Squire are actually busy saving Tim. Dick kicks Jason off a moving train, but when he tries to pull Jason back up to safety(Because he still considers him family, just as Jason does him), Jason refuses his help and falls to his 'death', while claiming they'll meet again soon. This is when Dick becomes Batman.

•When Jason returned, having survived the fall, he decided to become direct competition to Batman and Robin, making it his mission to get to all of the criminals before them and become the new Gotham Hero. He even got his own sidekick, a girl named Scarlet. Jason was very public about this, posting things on social media, talking about how killing the villains was the best way to do it, and a lot of people actually agreed. At one point Jason kidnapped Dick and Damian, locked them up and stripped them both naked(😰), claiming online that if the post got enough attention, he'd reveal Batman and Robin's secret identities. However his plan was interrupted by an assassin names Flamingo, that he and Scarlet weren't strong enough to beat. Dick and Damian escaped and saved them from death, though Damian got pretty seriously injured.. Jason just ran Flamingo over with a truck- Jason was taken into police custody and as they took him away, he claimed that if the Lazarus Pit could revive him, why couldn't it revive Bruce too?

•After Bruce's revival, Jason files an appeal to Arkham Asylum, wanting to be released because the tests show that he's perfectly sane, just willing to kill. He ends up being transferred to a Gotham prison, where as soon as he arrives, the sewerslide rates spike and there are several homicides(Though these mainly occurred in self defense from Red Hood killing people in the prison who attempt to kill him first). On top of this, Jason poisons the food and kills 82 inmates, making 100 more sick. He's immediately taken back to Arkham Asylum, but is quickly broken out by some mercenaries. Jason breaks free from the mercenaries and fights them off as Batman and Robin arrive. At the end of this mission, Red Hood and Scarlet escape in a helicopter, warning Bruce and Damian not to chase them because he planted bombs all over the city months ago, and he's willing to detonate them. Dick doesn't do anything about, deciding that Jason was lying about the bombs, and that even if Jason decides to do better he'll only rejoin the family when he's ready to.

•Jason, trying to reform, forms his own hero team called the Outlaws. He changes the red symbol on his chest to a bat, a sign of his somewhat awkward but slowly-beginning-to get-back-on even-ground relationship with the Batfamily. The costume he now wears also used to belong to Dick. His relationship with Tim is now at least neutral, if not a little friendly, as the two can be seen eating together and making some jokes. However his relationship with Bruce is still strained, and a bit hostile. While he keeps his aggressive and lethal style of fighting, he now only uses it when he believes necessary, and doesn't always shoot the second he sees a problem.

•At some point his team disappears, and he goes back to being a solo hero.

Extra Fun Fact! Because of the Lazarus Pit, Jason no longer ages and he heals much much faster then a normal human!

TAADAA! I might do more if I get the motivation ^w^

[sualne]

Sorry if you're already working on this but with Luffy in Croc dad what's his hobby?? Like he's the biggest ball of energy and I think if wasn't fighting wild animals as a kid he would vibrate into another dimension from lack of stimulation. Does he draw and develop his art skills, has he taken up music or is he invested with the void century with Robin? Croc wants to keep him inside and safe so what did he think would be best to entertain him or does he buy a new thing every week that Luffy says he suddenly wants to do. Yes he looks at books but is that it. Also sorry if you answered this before and I've missed waht you said, I am pretty sure I've seen all your comics on this but I haven't seen all your ask answering questions.

i hadn't gotten these questions and im so glad you ask!! :D

so! luffy doesn't have one specific hobby and croc does end up giving him whatever he wants when he suddenly gets a new obsession, one of the reason he's so excited with finding the jewelry box and getting a dagger is because it's finally something new! after that he gets really into rings and knives until it gets bored of it and switch to something else again.

about him and learning about the void century with robin i actually got a comic later for that so i won't say anything here!

im going to make this a list and explain how it goes, under read more:

Fighting: this luffy doesn't know how to fight, but he still love the concept! he gets really excited hearing stories of fights, duels, martial arts and all the rest! In practice though, since he's been so sheltered and only ever saw one real fight that ended up with people being killed in front of him as a kid, if (haha) he were to witness another real fight he wouldn't be as giddy about it as when he hears stories. he does also learn the tiniest bit of kenpo from bonclay!

Dancing: luffy in canon loves dancing (and partying), here too! he doesn't know/master any specific styles but likes to drag people into dancing with him, if no one is around he'll grab some of the smaller bananawani instead.

Singing: he's still very bad at it.

Music: croc noticed how he'd taps on thing and tried to get him to learn some percussion, unfortunately for him, luffy doesn't care about music theory and just does whatever makes him happy. he also love loud noises and croc has to find a way to stop him from making a racket at any hours of the day, it gets worse when luffy loses some of his hearing and needs to make everything even louder. eventually he gets bored of it too.

Cooking: him and croc cooks together pretty often, if no one is there to supervise him luffy will ignore recipes and common sense, making all kind of abominations. it's a miracle he never set the kitchen on fire.

Bugs: he loves them! he collect them! alive. croc is horrified one day when he finds out baby luffy has been letting some food to rot so he could observes flies and larvae going through their little bug lives cycle. later croc gives him those pinned dead bugs collection boxes thinking luffy will like it, he doesnt.

Board&Cards Games: he mostly has to play them by himself, he doesn't like being alone so he'll often ends up playing it "with" the banawanis. after he loses a few too many times against the banawanis and can't get croc to join in for the millionth time he gives up on them. even when robin joins baroques works he still expect her to be too busy to play with him and doesn't ask (she would have accepted if he had asked).

Art&Craft: he tries a bit of everything, doing it his own way meaning most of it is kind of hideous or about to fall apart, canon luffy is completely fine with that, au luffy though, he's having ton of fun at first but when he gets old enough to see that his dad cant quite fake his enthusiasm or interest towards his disastrous creations he gets frustrated and stops for a while. later, robin finds an old drawing of his and thinks its cute so he start doodling a little again for her.

basically, he struggles keeping a hobby, some like fighting, dancing, bugs and staring at pictures in geography books he keeps through his life but mostly, he's very lonely and bored out of his mind, he's depressed, that's not something that can be helped for as long as he's isolated.

when robin becomes a part of his life everything gets better for him! she spends time with him, read stories for him, helps him get out more often, they even meet bonclay and for a few years he's genuinely happy.

[sailing-ever-west]

had a nonverbal episode yesterday and naturally am coping with autistic blorbos so it got me thinking about nonverbal Luffy and how that would affect the plot, especially with a character who is typically, well, yelling all the time.

like canon Luffy can't really keep his mouth shut and this causes many problems but I fully believe that he would be able to wreak just as much havoc if not more without ever talking.

him using sign language is super cool for a starting place, but

1. I'm honestly not sure who would've taught it to him because he didn't have a consistent education or guardian so what he knows is probably somewhat incomplete/rudimentary. Garp would've made a solid attempt I think but he probably would've tried to do it in like a strict lesson format and Luffy's brain would just ADHD straight outta there, but I think he still learned the basics.

2. Signing wouldn't always work to communicate because not everyone knows it so he would still often have to find other ways to get across what he's saying. The crew would learn sign and just get used to his various other ways of communicating but people all over the world when they're traveling can't be counted on to know stuff.

Random ideas I have

keeping a little flag with a jolly roger on it in his pocket and just pointing to it to tell people he's a pirate

just not bothering to try to communicate with people who have oficially pissed him off. sorry loser your privileges have been revoked I'm just gonna punch you now

marines getting really annoyed at first because they think he's staying silent to snub them and then realizing he just can't talk but by the time they figure that out he's already down to fight them anyway

stretching his arms into shapes of things to get an idea across

quickly drawing illustrations (not terribly helpful because he's awful at it, but he continues to do it anyway)

Zoro/someone else on the crew explaining things to a new person and Luffy just nodding proudly like yep that's my crewmate they get it :))

still makes Noises. nonverbal =/= quiet and boy does Luffy prove that

He used to sign "food" at Sanji but eventually he just Shows Up in the kitchen or approaches him with big eyes and Sanji knows what he wants

there's a rumor going around that he communicates with his crew telepathically because people cannot figure out HOW the ideas are getting across

asks people to join his crew by just showing them the little flag and motioning to follow him. once you come with him there's no going back he's like ok you're my best friend forever and within like 24 hours you're like well I guess I'm on a pirate crew

doesn't say gum gum when he does a move he just starts screaming. it's like far more terrifying and villains have no idea what's happening until they're being punched in the face by a nonverbal teenager in flip flops

basically take how abrupt and confusing Luffy already is to everyone else in the world and then imagine he doesn't announce anything before doing it

Thinking of doing some little fics or mini comics of major scenes in this AU idk

[emeraldspiral]

Headcanon:

Since Zib can't be the true "Number 1 Zim" because he isn't a Zim at all but a Dib, that makes Number 2 the actual Number 1 Zim. Following this idea, I theorize that where Zib is the only Dib to have defeated his Zim, Number 2 is the only Zim to have defeated his Dib and conquered earth.

This gives them a unique connection because they're the only versions of each other who can relate to one another's complicated feelings of regret and longing for the past. Zib couldn't handle destroying the only person who understood him and gave him a purpose, only for no one to care, so he merged with Zim's PAK as the only way to be with him again. Number 2 went through the same thing, destroying his Dib for the Empire only to learn the Tallest never cared about his mission. But since there was no way for him to get his Dib back, he coped by joined Zib willingly to get revenge on the Irken Empire, and was the only one to know the truth about "Number 1".

If you're wondering how Number 2 can be unique as the only successful Zim when there's another Zim who won in an earlier comic, well...

At the end of that comic, Zim claimed that defeating himself in the future somehow undid the past, although Dib pointed out that made no sense. But in the Zimvoid, following another train of non-logic, Zim erased every alternate version of himself by feeding them packing peanuts to merge their timelines, which both Dib and Zib point out makes no sense. But since the latter ended up working out due to Rule of Funny, I'm inclined to think the former did as well. Except it actually does hold up to logical scrutiny when you think about it, just not for the reasons Zim thinks.

Earlier in the Future Zim comic, Zim tried to find out from his future self which of his evil plans was successful, but the only thing he finds out is that it wasn't the one where he covered the earth's atmosphere in cheeto dust. Later, at the start of the Virooz arc, we see Zim attempting this very plan despite being told it wouldn't work. So either Zim was so enamored with the idea he blocked out all memory of being told it would fail, as he usually does whenever someone tells him something he doesn't want to hear, or he deliberately attempted a plan he was told wouldn't work just to spite his future self. Either way, meeting his future self altered the course of Zim's destiny because meeting him caused him to make different choices, thereby rewriting the future and erasing Future Zim's timeline. So Future Zim no longer exists by the time of the Zimvoid adventure. Then the timeline branched at some point, creating a new Zim variant who instead of conquering the earth and then putting on a fake beard and high heels somehow grew taller naturally and could throw Vibrating Irken Death Blades with 99.4% accuracy.

I've theorized before that because timelines are always splitting Zib can never truly be erased. After the Zimvoid adventure, ETF came out and created a new timeline that split off from the first comic, creating a universe where the events of the Zimvoid haven't happened yet and therefore Zim hasn't gone back in time to feed everyone packing peanuts to erase them, thereby restoring Zib's existence. I think the nature of the multiverse pretty much guarantees that there will always be a version of Dib who wins and a version of Zim who wins. Zib always comes into existence and creates the Zimvoid while Victorious Zims take many different forms, Future Zim and Number 2 just being two of the infinitely possible examples.

[prying-pandora666]

“The Search” Rewrites, Book 4: Air, Leaks, and A Call for Help from the Fandom

I’ve talked a little about the Book 4: Air restoration project @book4air. If you haven’t seen it yet, check it out! Three full episodes are already out and episode 4 is going to cover Zuko’s early days right after his banishment, exploring his relationship with Iroh and the world as Zuko understands it as a lost boy rapidly coming into manhood.

Wait until you hear the VA’s performance with music and everything! It’ll break your heart.

But I want to talk a little bit about what comes after these next few episodes: our adaptation of “The Search”.

If you’ve seen our adaptation of “The Promise”, you’ll know it was quite faithful. This won’t be the case for “The Search”. For the purposes of the overarching story we are telling, this story is getting overhauled. (Please still support the original release if you’d like to see the canon version).

The biggest change that’s been announced is the addition of Toph. The team felt that a story about family, identity, and faces could benefit from including Toph’s perspective as she comes from a unique but toxic family situation, has a strong conflict between the performance expected of her versus who she really is, and is completely blind and so faces don’t even register for her.

Here is the sample scene we released:

But I want to talk a little bit about what we are changing about Zuko and Azula’s roles in the story. While the set up is virtually unchanged, there is one small alteration that makes a big difference.

(Sorry for the poor quality, this is technically unreleased content and I’m being kinda risky leaking it.)

Ursa’s letters are now a diary. This means that rather than get random flashbacks, the narrative framing now becomes Zuko and Azula reading these entries together. As a result, they get to discuss their discoveries about their family, and even share each other’s perspectives.

What that means is that when things like Zuko dangling Azula over the cliff happen, now we actually are forced to address it. The characters have to talk about how they treat each other and the reasons why. They have to confront the toxic family dynamic they’ve been forced and groomed into since childhood. Zuko has to realize his mentally ill little sister isn’t the monster here and in fact he’s the one with all the power now, and Azula has to realize that Zuko can be trusted if she can let go of her fear long enough to talk to him about her vulnerabilities.

We also address issues like this:

Many people criticize this for being OOC, but I think there’s a way this could easily not be. Sokka has been known to be juvenile and reactionary as a first response, the difference is that he always eventually apologizes and learns from his mistakes. Without even needing to be asked.

Threatening a mentally ill person who has just been removed from an asylum—even as a joke—is not okay. It would be questionable even if they’d been friends before this, but considering their prior relationship it really does seem like an boneheaded lack of awareness or compassion for how triggering this could be.

So rather than remove this interaction, we addressed it. And I am really taking a risk posting this here, but here is a brand new script page:

Sokka isn’t just comic relief. Sokka is smart, Sokka is compassionate, Sokka is brave, and Sokka knows when it’s time to apologize and reach out versus when it’s time to fight.

Safe to say, there are several things that stay the same and we tried to keep faithful to the spirit of the story, but there’s a lot we wanted to do for the Gaang and for the Fire Sibs, and I hope you’ll join us on this adventure, whether you’re a diehard fan of the comics and just looking for a fun AU, or you hate the comics and would like a rewrite, or even if you’ve never read them and would just love to return to the world of ATLA.

The only trouble is, we can’t do it alone. The project is very expensive and time consuming to produce. Our team pays for everything out of pocket and some of us don’t even have reliable housing, so it’s been a hard time.

If you can help in any way, even only by spreading the word so YouTube will stop burying us in the algorithm, that would be huge!

If you can afford to help, we have a Patreon where you can get all sorts of early goodies.

Reblogs and comments greatly appreciated! As the head writer and voice of Azula, this project is very near and dear to me. Avatar was my first pro-writing gig when I was just a homeless 19 year old, and it’s here for me again as I struggle to rebuild my life and health that COVID destroyed.

I love this series and the community that has helped me through the hardest times in my life. I can’t wait to make something beautiful with you all!

[solis-solaire]

I am OBSESSED with that AU where Miles is a sibling of Mia and Maya,, and all of them are children of Misty and Gregory. So here’s an essay I wrote about it!

Ideas are inspired by by many other comics on here tagged with #mystic miles au and #miles is a fey au. I also grabbed inspiration from this fic, so please check it out! https://archiveofourown.org/works/8724838

SPOILERS for the Ace Attorney Trilogy ahead, particularly case 3-5!

SO,, Since Iris and Dahlia moved away from Kurain at a young age and are close in age to Phoenix and Miles,, maybe they went to the same channeling school in the city as Miles.

Iris is purple and Dahlia is pink by the way lol

Gregory is a GOOD father so he would send Miles to channeling school since he’s interested in it (and also has powers,, as it turns out. The Fey blood be powerful like that)

And even though Iris and Dahlia’s dad sucks, maybe part of the divorce arrangement for him and Morgan would be that he’d also send them both to channeling school under the guise of them not losing their culture (but Morgan only cares about having a legacy at this point since she wants to put one of her own as the Master of Kurain, ONE of them needs to be able to be a spirit medium).

So they all meet when they’re like 8-10yo,, and Dahlia sucks and would probably bully Miles frequently for being the only boy in the class (since spirit channeling is meant to be passed down through the women in the family. Just for the sake of this au though,, it’s possible for men to inherit the ability, but the amount of times it’s happened in Kurain can be counted on one hand,, so it’s really rare). Dahlia’s projecting hard since at this point she’s def grappling with feeling like a massive failure because of her lack of powers and is taking it out on Miles,, easy target

Iris is feeling it too, but wow she has a friend now to support her! and Miles is like “no you’re so good at other things! You don’t need to be able to channel spirits to have worth, that’s dumb!”

Dahlia totally makes some mess up about Miles having “stolen” her and Iris’ abilities when it turns out Miles can actually channel spirits since “HE’S NOT MEANT TO BE ABLE TO DO THAT” and Iris doesn’t believe it at first,, but when Miles disappears a few weeks later (adopted by Manfred 🤢) she gets hella gaslighted.

Miles also knows like nothing about spirit channeling since he’s a silly city boy who doesn’t live with the Feys in his family,,, so Iris teaches him many of the technical basics when he first starts there 😌 in return they’re often partners for exercises and Miles tries to help her understand the more internal part of them.

Not pictured: Miles consistently ties his kimono the wrong way (right over left is only used when the wearer is dead) because Morgan taught him that “all men in Kurain should tie it that way” - aka she believes Miles should be dead bc her own personal vendetta against Misty + he’s a boy with more powers than her and her children (pre-Pearly) and she took that personally. She didn’t think he’d learn any different since he was moving to the city anyway so who would teach him about that kind of thing? Miles doesn’t learn why she taught him that way until 3-5 and he kinda privately has a moment like “that was on purpose. She wanted me dead. Oh MAN”

I also like to think that Miles’ strong sense of justice rubbed off a little on Iris and stuck with her through adulthood. Maybe she told Phoenix the truth in university and tried to warm him about Dahlia’s plan, but Feenie’s a little too dumb to fully put all the pieces together like that pre-murder. He’s just like “Dollie wdym???? Twin sister? Trying to plot my murder?? You’re so funny ily” and Iris is SOBBING like “Feenie PLEASE it’s been 8 months and I still haven’t gotten her necklace back yet she’s going to kill you TOMORROW” And that makes Phoenix a little less INSANE for Dahlia during the trial making Mia’s life so much easier. He doesn’t eat the necklace bc he kinda knows it’s REALLY important here and he’s gotten other signs that Dahlia’s an awful person. He’s still a bit difficult since he’s still in denial,,, but he’s less of a simp because he WAS warned. Case 3-5 probably also comes to close a little sooner since Iris is less willing to cover for Dahlia like that. She still helps her sister,, but when testifying while facing Phoenix AND Miles she may tell the truth a LOT sooner.

Also when Miles gets adopted by Manfred he can no longer attend channeling school. Misty tried to fight for custody of him when Gregory got clapped but failed since she was under fire because of the DL-6 Spirit Channeling Incident of 2001™️ and she wasn’t seen as a good fit to parent an additional child. Because of this,, Manfred isn’t under obligation to do anything to keep Miles in touch with the Fey side of the family. Miles no longer visits his siblings and Manfred pulls him out of channeling school because “it’s a waste of time,, why do that when you could speedrun becoming a prosecuting attorney?” And although Miles DOES enjoy law,, he also enjoyed spirit channeling. I hc that Manfred lives on one of those big fancy acreages, there’s 100% a waterfall somewhere on his property so Miles would sneak out through his teen years and practice his chants sitting under the flow of water like 4 times a week since that’s the only exercise he remembers from school that he can actually do by himself without a bunch of materials. It’s not proper training since he doesn’t know how to push himself aside from doing it longer each time,, and other exercises are necessary for learning how to control the powers (i say that waterfall exercise is for becoming in tune with the powers and connecting with the spirit world as a whole instead of channeling one person in particular. It’s good for expanding the reach and flexibility of the powers,, but not so much for controlling and restricting them)

This leads to Miles having INSANE spiritual energy and Pearly and Maya can FEEL it when he’s around,, but he sucks at controlling it. He’ll look down the hall in the courthouse to the elevator where his dad got killed and hear screams and see blood. In 3-5 when Dahlia un-possesses Maya in a fit of rage,, she DIVES for Miles and possesses him in a last-ditch attempt to kill Phoenix in pure fury. Miles can’t stop it or control anything that’s happening as Dahlia uses his body to jump over the desk and lunge at Phoenix in an attempt to strangle him,, and it’s only stopped by Phoenix pulling the demon-warding hood from the court record and tying it around Miles’ head. Thankfully it was painfully obvious that Miles wasn’t himself because his appearance and voice changed (Kurain Technique style) - his hair got longer and braided itself to match Dahlia’s,, and his suit jacket suddenly didn’t fit correctly since Dahlia’s much smaller in stature than him. Phoenix attests to this and Miles thankfully gets off scot-free,, but it could’ve easily been another Reunion and Turnabout-type situation with a spirit medium murdering someone while they were channeling someone who was already dead.

Afterwards Maya drags Miles to Hazakura Temple to do the special training courses with her. Miles enjoys it although he hates being imperfect at something (we hate Manfred in this house),, but Maya is very kind and supportive to her older brother 😌

[sciderman]

Reading the first few issues by Lee and Ditko and it's so interesting seeing that Peters main reason for being Spider-Man isn't wanting to be a hero and help people/stop badguys but earning money to support May, so when he gets into a supervillian fight it's either a coincidence that happened while he tried making money from them (taking pictures of them mainly) or getting caught up in their shit and either being nosey (Thinkerer) or being tricked by them (Chameleon) and it suddenly becomes a "vendetta" thing because either he was duped or spited by them. Whitch along with him being a self-isolating and kinda egoistical prick is such an interesting look at this "selfless symbol of heroism and responsibility" and i wish we got more of that in modern version of teen Peter.

honestly!!! really - it was kind of such a realisation when i went back into the spider-man comics to find out that "great power great responsibility" really honestly wasn't actually peter parker's driving motivation when starting, but actually something that he learns over years upon years – and even then, it really still isn't why he does it. he does it because that's how he gets his kicks.

and so now when i see peter kind of reduced to the "great power great responsibility" mindset, i feel like it's kind of a gross simplification of him - which is crazy, because i was kind of guilty of it, too.

i don't think peter even really fully understands "great power great responsibility" to this day. it's something he's still faced with, and something he still questions, every day.

i don't think any writer who reiterates those words even knows what it means. i've seen it written in so many contexts in the comics and other adaptations and audibly whispered under my breath "thhaat's not what it fucking meeeeeans....."

turns out! responsibility means a whole plethora of things, actually - and spider-man is often a way for peter to dodge his responsibilities as peter parker.

not only that, but uncle ben never actually says the words "great power great responsibility" to peter parker. it's just a narrative thing. he never says the words!!!!!! ! !! ! !

peter parker doesn't learn that lesson from uncle ben. and really, peter's entire reckoning with responsibility isn't that he owes the world his gifts as spider-man, but actually he has to take on new responsibilities after uncle ben's death - he has to support aunt may.

he has to support gwen, after captain stacy's death.

peter's whole "great responsibility" thing is about him struggling to keep up with all these very masculine roles and responsibilities being imposed upon him as he grows into a man. it's not actually a question of him owing the world his powers as spider-man - that's just a misunderstanding of the lesson that he's kind of buried himself into. he thinks it means he owes the world everything - and that's kind of what leads him to fail the people that he really should hold responsibility to.

it's so fun. it's so complicated. he throws all his responsibilities into his identity as spider-man, and acts in avoidance of his responsibilities as peter parker. sorry. i think about this a lot. i think about this a lot.

great power and great responsibility is such an interesting set of words that absolutely everyone has a different interpretation of. and some people reiterate it like it's meant to mean something, but it doesn't when they say it. like it's a set of words meant to be paired with spider-man but they kind of fall hollow when the person writing them actually doesn't think about the meaning of it. it's kind of almost lost all of it's meaning at this point.

[brucewaynehater101]

In the scenario of Bruce arriving after some years, could you expand more about the good and bad scenario? Also, in the bad scenario what would Tim and Jason do. Would they pick a side?

I've linked the post to this ask for anyone new to it! For those who don't want to click on it, the concept is what would happen if, because Tim never found the portrait or something, Bruce safely spent a bit more time away in the timestream?

Regardless, I'd be happy to expand on it a bit more! There's a multitude of ways that Bruce could react to all of this, and it really depends on how someone hcs Bruce (canon has various versions of him). Feel free to choose whatever route you think is best.

So, when Bruce comes back after a few years, the family would have learned how to operate without him. He's simply not needed. He's wanted, he's loved, but he's used to being the center of the family. He's used to being the patriarch and deciding factor. He's used to calling the final shots.

When he comes back, Tim and Damian don't need him. By that point, Tim would be a legal adult almost in his twenties. Damian is used to deferring to Dick and Alfred for parenting and rules. Tim and Bruce would get into many arguments if Bruce tried to parent and restrict Tim. It would be similar to the 17 year-old Dick and Bruce, but Bruce hasn't been there the past few years (intentionally or not).

Damian and Bruce wouldn't know how to interact. Regardless of how close they were before Bruce "died," Damian has changed a lot. He's grown to accept that he doesn't need to prove himself, he doesn't need to uphold legacies, his place in the family is permanent (not based on good behavior, work, or blood), and he's loved. Despite that, Bruce coming back might dreg up those insecurities (especially depending on how Bruce treats the adoption).

In a good light, Bruce works with everyone. He spends time relearning his children, finding where they might have new boundaries, having many discussions on his role in their life, and assisting them with what they need. He doesn't enforce his expectations on them and maybe even seeks out family counseling. He would understand that time changes things and that the relationships the others have built were to support each other. As long as no unhealthy or negative relationships had developed (like codependency), then he should respect these changes and work with them to accommodate his sudden reappearance in their life. A good situation would be Bruce's appearance shaking the boat but overall making the family stronger with his connection to it.

Now... a bad scenario depends on a lot of factors and is, in my opinion, a more likely outcome. With this, we're gonna be using the more abusive comics!Bruce version.

Bruce, in this turn of events, would try to separate and damage the bond between Damian and Dick. He could do that in a multitude of ways, including emotional manipulation, emotional abuse, legal actions (anulling the adoption, restraining orders, etc.), physically separating their living situations, and assigning Dick long and distant missions. If Bruce was feeling particularly vindictive, he could punish Dick in various ways. There's subtle alienation, physical retaliation, grueling work loads, verbal abuse, etc.

This would probably be Bruce's main focus. He would also probably have issues with how the other Bats are running Gotham and how they now don't rely on him.

The way the rest of the bad scenario pans out depends on how Tim and Jason interacted up until Bruce arrived. In the other post, I mentioned that the two would either ignore/avoid each other or become close/teammates.

If they ignored each other, it would be easier for Bruce to exert control over them both. They are more independent, less supported, and less likely to reach out for help. He would have an easier time manipulating them while they are in Gotham. They would fight back, obviously, but they wouldn't have someone helping them. This could either be their downfall as they get sucked into a cycle of abuse with Bruce, or this could push them to rely on their siblings/the other Bats.

If Jason and Tim were closer or even became a team together, Bruce would be hard pressed to get them to fold. It's extremely dreadful and tiresome fighting against verbal/emotional abuse. You start to doubt yourself, your feelings, the events that occurred, your recollection, and whether you were justified. By the two of them working together, they can combat this approach by Bruce. Tim could collect evidence for whatever occurred and keep records. Jason could ensure that they met their emotional needs and enforced their boundaries. Manipulating someone alone, especially the two of them who are on the outskirts, would be easier than a team who supports each other.

Anyways, whether Tim and Jason take Bruce's side of Dick's really depends on their relationship with each other. They would support Dick, no matter their current grievances towards the man, if Tim and Jason were a vigilante team and like brothers to each other.

Also, an important note about the bad scenario is that it wouldn't play out immediately. There would be this relief and happiness that Bruce is home as he slowly tests out the boundaries until he manipulates the situation to his benefit.

Now, we could get into the other Bats too. Alfred might be on Team Bruce regardless. That would suck but it does fall in line with some of his bystander and enabler ways. Bruce has no control over Barbara, and they both know it. I like to imagine she would protect Steph and Cass to the best of her ability. She would give aid to the batboys, but she wouldn't be able to protect them as much. Cass is a toss-up on whether she would be able to protect herself against emotional manipulation by Bruce.

I'm hoping Duke is happy with his parents if this is the bad scenario. If he isn't, there could be tension because Duke didn't become a vigilante under Bruce's approval. Therefore, there would be a meta vigilante in Gotham that Bruce didn't approve of.

If this is the good scenario, dealer's choice on whether Duke's parents are fine while Duke becomes Signal prior to Bruce's return. He could be an independent vigilante the Bats provide support for without sucking him into the family.

Let me know if you want any more info, want more explanation, or you think it could go a different way!