#I spend a lot of time down here

[two-reflections]

Chislehurst Caves, UK

[aleki-lives-here]

I'm still reading through Network Effect and Murderbot acts like such an angry (and very traumatized, actually) teenager. I love it.

But also it makes me wonder how the idea of age could be applied to it and other constructs? Like obviously there's no age in human sense (no making children, so no growing up stage, and I assume no old age... I wonder if a secunit could grow old if it didnt got killed), but age isn't just about physical changes in the body, it's also just lived experience that allows you to accumulate more data and skills and ways to solve problems and understanding of yourself and the world. Like, these are not synonymous with age as a number, but they are intrinsically linked to how people see different ages, and I say all of them definitely apply to constructs, namely Murderbot, and I think it's fascinating.

Because it doesn't have many general experiences, does it? I wonder how long it worked for before Ganaka Pit. I wonder what the very first moments of consciousness are like for a construct. I wonder what Murderbot was like before it hacked its governor module. And directly after? I wonder what revelations it had about its situation when watching its serials for the first time, and what it already was aware of beforehand. I wonder how much it understood itself and its emotions before it got the relative safety of media to explore the fact that it did feel things.

It, imo, can be incredible immature (see: angry traumatized teenager), but it also must have spent a while figuring itself out. It's more aware of its emotions and reactions than some people I know and can actually articulate (at least to itself) what it's feeling quite often (gods know it's more than I was capable of half a decade ago), but then other things seem to be virtually impossible for it to admit, and it's just so fascinating to watch.

I absolutely love the constant near breakdown it's experiencing this book. Just seeing it work through the emotions and act irrational, it's so fun.

[wellfine]

Hey I found ur art uncredited on tik Tok

https://vm.tiktok.com/ZMreQSnaw/

They said they "found it on Reddit" so they just decided to steal it and post it ig?? Ugh!!

Wow, that's a whole other repost to the one I thought it was going to be, lol. It's been reposted to TikTok once before, and I'm also not surprised this person got it from Reddit, where I doubt I was credited either.

At the end of the day I appreciate the heads up but there's nothing I can really do about it. The most helpful thing anyone can do is to leave comments on the reposts to provide credit,* because if artists ever try and comment then we pretty invariably get attacked. Don't be mean or aggressive, that just builds their animosity towards the artists, but I do think people respond positively to outside pressure to do the right thing 🤷

*Remember to make sure there's enough context - eg. something like "art by @ landegart on Twitter" is more searchable/useful than "artist is Landeg" to someone on TikTok who has no idea who I am haha

[uter-us]

radfem help !!

2 of my little cousins (14yrs and 15yrs) are both girls dating boys right now, and together we are coming up with a "dealbreaker list" of things they will never put up with from their bfs! and also we are including positives, like so they aren't just looking for the absence of bad things, but actual positive things

what do yall think are the most important things to add? (i put extra info in tags)

Thank you so much!!!

[megumi-fm]

.

[cupid-circus]

Your boy finished the drawing for the gary mousepad!!!!!

I will show it properly soon, and hopefully get the actual mousepads soon

[alagaisia]

Hey if you’re still enjoying and engaging with Harry Potter in any capacity you can unfollow me 😊 please and thank you

Like. I get it. I was super into it as a kid too. I did not have the social context to pick up on the antisemitism or transphobia or sexism or fatphobia or bioessentialism or racism or anything else. I also picked up on surface-level language of Fighting Back Against Evil and ascribed my own values onto what that meant and thought we were all on the same page. I remember when the original kids who grew up with the books started becoming adult fans and picking up on the (blatant!) antisemitism and everybody was still mostly willing to give JKR the benefit of the doubt on it. (“She was writing kids books!” They said. “She didn’t know she was penning a global phenomenon! She picked a common literary trend in European fairy tales (antisemitic caricature) and didn’t examine it closely. It’s a mistake anyone could make,” we said. “She would probably do things differently now. After all, she word-of-god confirmed the vaguest hints she dropped that Dumbledore might be gay,” we said.) There was actually a span of several years where biases inherent in the actual real content of the Harry Potter series were coming to light and even the people pointing them out still seemed mostly to think it was an unfortunate accident.

That time has passed. Years ago! We are long past the first months of “maybe she doesn’t realize this seemingly-feminist tweet she liked was made by a noted TERF” and then “how could she not realize that these many veiled TERF-y things she’s retweeted have implications for the many queer fans of her work” and finally “oh wow okay JKR just dropped an entire transphobic manifesto on twitter. I guess the transphobia was the point.”

Yeah, there were a few months after that where people were still processing and still working through how they felt about Harry Potter and all of its flaws with the context of the now open transphobia of the creator. I was there for that. Remember how I was one of the kids who built it up into something noble and worthwhile based on my own beliefs about what messages it was probably trying to convey? Turns out it wasn’t trying to say any of those things, and when you take the time to examine all of the terrible shit that made its way into the text whether JKR intended it to be there or not, the whole series falls apart. It’s weird to discover that there’s a room in your house that’s rotten to the core, but eventually you figure out you can’t live like that, still going in there and holding your nose and pretending it’s still the same room you thought it was when the termites were only inside of the walls and hadn’t yet started chewing their way through the furniture. Because what’s going to happen is that they are going to infest the rest of your house. If you decide you can ignore transphobia and antisemitism and everything else just because you liked the color of the wallpaper, the rest of your principles are going to crumble too. You get rid of that fucking room. You put those books on a high shelf in the back of your closet behind other outgrown clothes and interests and you move the fuck on.

JKR uses the money made from her transphobic antisemitic children’s books to actively funding hate groups and to lobby for legislation that will and has actually affected the actual lives of trans people in an entire country. We are past the point of grieving something you were wrong about in childhood. Kids are wrong about a lot of stuff. You grow up and you learn new information and you change your behaviors based on it. You have to choose. It is transphobic to pretend there is not transphobia where there is. It is transphobic to support the work of someone who is using those funds to take rights from trans people with every fucking dollar. It is hateful to continue to engage positively with a story that at its very core is rooted in hate and bigotry and prejudice. You can choose to do all of those things but you cannot claim ignorance of them and you cannot choose those things and still pretend that choosing them upholds the values we convinced ourselves that Harry Potter stood for over a decade ago as uninformed children. You cannot choose to do those things and pretend to still support your trans and queer and Jewish neighbors. I do not want you in my neighborhood. Leave.

[greppelheks]

I don't know how you've all experienced the year 2024, but I barely witnessed it, and I've been fighting for my life

[spotaus]

Coda and Ichor! (Catacombtale Style!)

These two don't have a *ton* of interaction in the Main story, but since Ichor and Balance are the only two characters I've fully designed, Coda gets stuck next to him, haha!

BONUS art jumpscare:

These two actually exist in another project I'm working on too called Codex, which is basically just removing the UT aspects of Catacombtale and doing a lot more worldbuilding and character design!

Coda is older in Codex and is marked by an old God (which should get him jailed or killed, as it means for everyone else) but he hides it for years and years before he finally flees the complex he's living in to go confront the gods and stop their destructive path. Meanwhile Ichor is much the same, only he's much more ready and willing to help Coda without much prompting. Here he's also sort of a Koi Fish! (His brother is a Betta Fish)

[july-19th-club]

love season 2. i'm concussions! and i'm psychic visions! the headache brothers

[lesbiansanemi]

I’ve been spending less and less time on this stupid ass website recently and honestly….. good

[moonchild-in-blue]

I spent the last, what, 1? 2 hours? Resetting my game over and over to convince Genji to move in to Pietro's place. Now that I've finally did it, I'm a little sad to see my sheep clown gone 🥲

[somecunttookmyurl]

Sorry to just drop into this, but another thing to consider with handmade good and the ‘overpriced’ idea is that you also have to factor in how much stock might sell at any given time.

For example, if you make 100 pairs of earrings in a month but might only sell 30 (because you need to give people options etc.) then the profit from those 30 should reasonably cover the time you spent making all 100.

Also, it should pay for the time you spend at craft fairs, replying to any commissions/ purchase requests, packaging time and going to the post office, any online marketing you might do (tumblr posts etc).

Peolle don’t often factor these in when thinking about the value of crafts they buy, which is a bit unfair.

yes there are other overheads but the thing is. basically all of those to some extent also apply to fibre arts

but sure. to be thorough. i spend 10h a week at my market stall and an hour... let's say 2 be generous with it... updating the shop

if i made 50 pairs of earrings and sold 15, the "materials" cost of 1 pair, to cover their unsold breathren, goes from 42p to £1.40

earrings are far from the only thing though, and account for less than half of the sales. so. we can say that about 5h of stall/shop time is covered by those

(plus the hour it took to make them)

sale price - materials cost but split over 6 hours of labour instead of 1.5 is still £12 an hour

[thewanderingzeppelin]

I'm alive!!!!

[gentlethorns]

you know what? i'm gonna say it. i miss being seventeen. not for the "glory days," bc they weren't, by a country mile lol. if i had glory days i'd say they were in 2020. but i miss the electricity, the constant undercurrent of euphoria and deep plunging black. i miss the fight i had. i was literally known for being scrappy. i was self-destructive and coping poorly, but goddamn if i didn't burn bright and long. it took me until my twenties to finally start to fizzle out. does the candle with its wax melted down to the base of its glass cage miss when the wick was lit?

[skrunksthatwunk]

household enemy to the yyh watchthrough number one is the olympics. it's taken us a week to get two episodes into the gamemaster fight