#I should be allowed to write what i fucking want to write

[wellofdean]

So, I read the response above which is so interesting, and I want to keep thinking about it, and then after that had these interesting tags in my feed from @bloodyentrails...

#i think that sam being compassionate towards certain people is kinda normal we tend to relate on a personal level#and him being queer-coded etc doesn't mean you have to care about him#just that that is a thing?#idk what kind of discourse i'm wandering into a lot of the time but relating to characters#and understanding they have been written in a certain way isn't the same thing#which is to say that i would love it if the writing had tackled that inconsistency#but i find that the show on the whole is inconsistent#and i think it's hard to maintain consistency over so many years with so many people working on it#i do think both of them are *trying* to be good people and they sometimes fail and also what constitutes a good person is kinda open#anyway#bear in mind i'm still only halfway through so#maybe i'll change my mind on all this#spn

It's a point worth considering that in the world of the show, Sam's sympathy for monsters seems principled and some how defies gravity, but that in the real world it wouldn't translate to anything real; that's likely true, and an interesting point. Having said that, I think Sam is pretty clearly not particularly"real world" compassionate, and I don't need monsters to make the argument that Sam is not the compassionate one because he shows a general lack of empathy towards PEOPLE, including but by no means limited to Dean, throughout the show. And, ok, he sometimes argues for a compassionate response to monsters and Dean doesn't always respond favourably, but that's because Sam fears he is one, and he needs to believe monsters are not all bad, which is not borne out of compassion, it's a rationalization that serves his psychological needs.

Basically, I think Sam is all surface. Sam is the urbane one, the smart one, the compassionate one, the one who talks nice to people, the broadly queer-coded one, the feminist, etc., but with Sam, all that is skin deep. He APPEARS as such! He's good at pretending, but he's nearly as savage as John is, Dean is much more sensitive to other people's needs, Dean is every bit as clever as he is, and intuitive to boot, Sam can ACT compassionate, but in fact he isn't really very empathetic to anyone, and he is able to just move on from all the things Dean just can't, Sam's not in fact queer, but Dean is queered to his fucking bones, and Sam's the one whose unconsciously replicated misogyny allows him to think any woman that would be into Dean is obviously a whore, and to keep his girlfriend in the dark about the truth of his life, while Dean is just talking a big game of cartoon misogyny TO SAM while treating the women he interacts with pretty fucking respectfully, actually.

Honestly, it's the same as the way Sam is supposedly the 'main character'. He's introduced as the one we should care about and identify with, but within, like, two episodes, he's really just a foil for Dean. Sam has BIG PLOTS, but it's Dean's feelings, reactions and relationships we really care about.

And, the fact is, Sam was pretty well-realized in the earlier eps. JarPad was giving it some effort, and he was charming then with his boyishness -- the way he seemed like he hadn't fully lived into his physical real estate -- but the thing is, he never could really hold a candle to Dean who was just magnetic. All the interesting character development was given to Dean and Jensen killed it by always making it seem like Dean had so much going on under the surface, and like, to the extent I care about Sam, it's because Dean loves him.

I kind of wonder what happened. Was Dean always meant to be the dark horse hero? Or was Dean just...played by a better, more compelling actor, and they started writing for him instead? There are so many much more interesting things they could have done with Sam, and they just...DIDN'T.

I dunno, I suppose it could just be me, but I feel like the way Sam just SEEMS, Dean IS.

maybe this is me being a dumb overly literal autist stemlord who simply does not understand literary theory or some shit equivalent but why should i care about someone being coded as [X] when i can just. care about someone who is [X]. why should i care more about the conventionally attractive white woman with a job and mortgage because she's metaphorically othered due to being a supernatural creature when i could care about the actually othered addicts that she used as a source of food. help me out here.

[ghastlyfilters]

random lost boys headcanons that i constantly think about!!

pairing(s): none!

warning(s): mentions of weed, religion, paul being a dirty little shit when it comes down to magazines

(here’s some random headcanons no one asked for but i literally think about these all the time and can’t get them out of my head. and yes, i know some bands and music artists mentioned in this were in their prime after the lost boys was set. but fuck it there’s no need to put dates on things when it’s all just for the sake of fictional writing. ALSO BONUS POINTS TO ANYONE WHO GETS THE OG BRANDON ROGERS REFERENCE IN THIS)

gifs not mine!! (if you know the original owner please tag them!!)

DAVID

• This man smokes like ten packs of cigarettes per day.

Think of a mukbang video but instead it’s just David smoking a shit ton of cigarettes packs.

Max has came to the conclusion that if David were not a vampire, he would in fact be a cancer patient.

• Him bullying someone is just his poor attempts at flirting.

• Makes multiple attempts at destroying Christmas decorations in every store he goes to during winter. When an employee looks in his direction upon hearing the crashing sound of tree baubles, he stares at them with that icy glare, looking personally offended that the employee is giving him the “Did you just do that..” look.

He’s a dumb shit that couldn’t care less what anyone else sees him doing. The employee could literally catch him smacking a glittery bauble off their mini Christmas tree with the back of his hand and he’ll glance over at them, blinking repeatedly.

“It was an accident.”

He’ll even turn to his mind control, allowing the employee to believe it was either Paul or Marko. It usually ends up being Marko, and he’s standing there biting the cuff of his jacket whilst getting the shittiest lecture from the store manager. Turns out poor Marko actually loves the place’s Christmas decorations.. despite being a bloodsucker that should resent anything to do with Christ. He just likes sparkly things.. ☹️

• David is so blunt to anyone who calls him self centred. He ain’t phased in the slightest bit by it. Marko’s said it on multiple occasions after an argument broke out between them all in the cave, and everyone was throwing digs. But the boys know David’s the most brutally honest being they’ve ever encountered.

“Who else am I supposed to be centred on?”

• He’s always dreamed of owning a black cat named Salem, but he knows the cat either won’t take to him being a vampire or the boys might accidentally forget it’s around and do something stupid.

(He really just wants one to sit on his lap whilst he’s in his wheelchair acting like Don fucking Corleone)

• Went through an identity crisis and forced himself to try and look like Billy Idol for a week. (That week turned into years)

• Dwayne’s still trying to convince him that bleaching his hair was a bad decision after a clump of it FELL OUT.

• If there’s ever a child crying on the boardwalk, David’s usually the reason they’re crying.

PAUL

• Is always the “C’mon everybody!!” person at the function. Yet when he runs off excitedly, no one follows.

• Never knows what to do in a chaotic situation because he’s that used to BEING the chaos.

• Cannot sit still for shit. He has to be fiddling with something or bouncing around the place like the madman he is.

• Paul’s a ride or die Mötley Crüe fan. He’s even lured some chicks on the boardwalk by playing Mötley on his boombox for them, feeding afterwards of course. (He’s the sneakiest little shit you’ll ever meet)

If he ever met a girl whom he fell for and eventually turned, his ideal date idea would be going on his motorcycle in the moonlit night and blasting “Kickstart My Heart” with his new partner riding along with him. He’s dreamt of it for years.

(Marko’s bound to third wheel though duh)

• He’s also got a thing for Alice In Chains, and he’s spent many drunk nights screaming the lyrics to “Bleed The Freak” outside the cave whilst meanwhile inside the boys sit in silence and are forced to listen to him.

• Paul barely sees girls with lip piercings but when he does holy fuck.

Just any kind of person who can pull off facial piercings is magical to him. Whether it be a few or a lot, he’s mesmerised by whatever kind of metal is in your face.

• Says “Pspsps..” to every kitty he sees on the boardwalk then screams the biggest “FUCK YOU!” if he witnesses the cat either pad over to someone else or look at him and run away.

• He’s always got a fucking rootbeer in his hand when he’s in the cave with the boys. Aside from blood, him and Marko live off of rootbeer. Ice. Cold. Rootbeer.

• Cherry Pie by Warrant is this man’s national anthem.

• Continuously has to find new weed dealers because if he has a bad argument with one of the boys, they’ll purposely hunt down his current dealer and drain every drop of blood from their body. This causes Paul to go apeshit because when he’s not out looking for prey or pissing people off on the boardwalk, you can bet his ass is in the cave stoned.

• On the topic of his severe weed habit, he’s not much of an edibles guy. He’d rather be sat on his ass smoking the fattest joint of his immortal existence and enjoying every minute of it. He’s occasionally gotten edibles for Marko, but Marko and gummies do not mix after the Frog Brothers started creeping around again.

• Has the biggest Playboy magazine stash that he hides underneath a pile of old denim and leather jackets in the cave. No one apart from Marko knows about them. Plus they’ve always been for.. special.. occasions..

Marko can’t help himself though and starts singing “In The Heat Of The Night” by Sandra when anyone innocently mentions magazines around Paul. This causes Paul to send his boot into Marko’s stomach whenever the boys are all assing around on the bridge, and he’s the first to fall.

“….. I’m telling David about your WET DREAMSSSSS.” Marko usually screams before disappearing into the fog below.

• Him and Marko don’t celebrate holidays unless it’s Halloween or Easter. They don’t give a fuck about the religious part when it comes down to Easter though. And if they wanted to, they couldn’t. They’re just there for the chocolate. They miss the taste of it. Paul will literally start fighting children during an Easter egg hunt on the boardwalk so he can get more for himself and Laddie.

(God help the children who push Laddie out of the way)

MARKO

• Goes into Claire’s Accessories and proceeds to tell the child who’s about to get their ears pierced how bad it should hurt.

(Also steals drip for himself because hello yes he does indeed fw a Sanrio earring set)

• He’s always the one who’ll make the most guttural moaning sounds if you’re on the phone to someone.

• Him and Paul are always found in the naughty section of Max’s video store.

• Whenever a fight breaks out on the boardwalk (that isn’t started by David or Paul for once) he doesn’t know what the fuck to do so he just starts screaming.

• Whenever one of the boys is hurt or sick (yes vampires get sick), Marko’s always the one who tends to them. He’s a massive over-thinker. David came down with something one time, and it was bad. Real bad. It was extremely rare, but it hit David like a freight train. Marko thought he walked in and found him in a state where he’d never wake up, so Max and the boys were left to deal with him bawling for the rest of the evening. Even David was confused when he awoke from his slumber.

• He has a bat plushie named Boris that Paul stole for him years ago. He gets caught chewing on the wings a lot but all in all he loves his Boris.

• Paul once traveled to LA and took him to one of those haunted house events for Halloween. They got kicked out and almost left their motorcycles because Marko starting punching multiple actors. It ended up in this big ass arguement because Paul swore for a moment he saw a glimpse of Marko’s fangs in the light and his eyes momentarily changed.

• The pigeons that flap around in the cave are like his pets. He’s down for just chilling with them and petting them if they let him.

Marko lowkey loves animals.

• He likes embracing his golden, curly locks. Aside from his fashion sense, he thinks his curls are really what gives him his image. He isn’t vain, but he does truly adore his little curls.

• Marko has such a soft spot for trad goths and their way of dressing. Whenever he sees one on the boardwalk, (which he hopes he will), he’s always fascinated by whatever outfit they have on. If they walk past him and the boys, he offers a shy smile. He wishes he could go start a conversation with them, but he thinks it’d be pretty dumb considering what his.. needs are. He doesn’t wanna kill people he thinks are cool.

DWAYNE

• Has the og resting bitch face.

• He wishes he could just stay silent and wonders why it’s not enough to just show up somewhere and have giant eyes.

• Dwayne used to get so many random people come up to him on the boardwalk and tell him how good he’d suit a black or brown eyeliner.

Since that day Dwayne has never forgotten those people and he always wears eyeliner inside and outside the cave.

• Major black coffee addict despite not even needing it.

• Whenever the likes of Paul and Marko actually try to engage in activities whilst on the boardwalk, some female will waltz up to Dwayne. Their approach and characteristics through their energy will allow him to of course decide what his next move is, but if it’s some yappy person who clearly has a horrible energy, Dwayne can be just as blunt as David is.

“How can I get to know you?”

…

“I don’t want to be known.”

And then he’ll walk away.

• This man is dedicated to leopard print. DEDICATED. In his mind him and the boys are living in some lavish mansion in 70s LA with leopard print plush sofas, leopard print pillows, leopard print bed sheets, literally everything leopard print.

If he had free rein to design the places he wanted to, he’d be ecstatic. (Literally all he wants is to turn Max’s house into a leopard print and cherry red museum.)

• When Dwayne actually smiles around people, it’s the sort of smile that can heal a thousand wounds. Like him coming out of his shell is the sweetest thing to witness.

• If the boys are off irritating the fuck out of people on the boardwalk instead of trying to find a good feed, Dwayne will occasionally sneak away and visit any sort of music store he can find. He could sit and yap to the people in there for days, and that’s really where he feels the most comfy around strangers. He loves talking to others about bands and artists like Judas Priest, Type O Negative, Rob Zombie, Pantera, Sisters of Mercy, Monster Magnet and Rammstein.

• The film The Crow ended up having a really special place in Dwayne’s heart. He loves playing little bits and pieces on his guitar for Laddie from Graeme Revell’s music from the soundtrack.

HII! if you have any lost boys requests send them in!! as you can tell, i really enjoy writing for all of them!! (i’ll write for honestly any lost boys character atp) <33

[widebrimmedhatsblog]

you write "enemies to ____" SO WELL. and i've had an AU daydream stuck in my head for a month that is violet as a second year scribe pulled into the revolution bullshit first because jessinia and liam started banging, but mostly because of the suspicion of it all

Oh thank you!! That’s such a fun daydream. Unfortunately, I don’t actually ship Liam and Jesinia, so a full fic with them in it would kick my ass, but you should try your hand at it!!!

Have this drabble as inspo (620 ish words, canon compliant, set during IF part one except Xaden is there because I wanted him to be):

“It’s second year rider business, Jes. I’m sorry.”

Violet peeks her head around the archive’s shelving unit just long enough to watch Liam’s fingers move, then settle. She should retreat back to safety. She should prioritize not getting caught. But she needs to know what Jes says back.

“Last time you had ‘second year rider business,’” Jesinia retorts, hands moving so sharply, they recruit her arms and chest for emphasis, “you came back bloodied and bruised.”

Violet can just make out Liam’s sad smile over the top of Jesinia’s head. The sight of it—that private sweetness—is almost enough to make Violet want to hide back in the stacks. Instead, she settles for pulling her hood higher over her head. If Liam happens to look her way, he might not recognize her if her hair is tucked under the cream fabric.

“A different type of second year rider business,” Liam admits. Somehow, his body language conveys his guilt without any of the usual signifiers. His hands are heavier, his motions softer.

Violet needs to know what it means.

The worst part is, Violet actually likes Liam. He doesn’t have that typical aura of rider arrogance, and he’s so good to Jesinia. If only he wasn’t a liar. Then, he’d be perfect.

Violet fiddles with her hood once more, covering as much of her head as she can. She steps backward, meaning to hide herself behind the shelf once more. She’ll come face to face with her books, and she’ll find one to inconspicuously pull off the shelf. When Jesinia returns from her boyfriend, she’ll be none the wiser to Violet’s scheming, just as it should be.

But, as she spins to face the shelves, there are no books in her line of sight. Instead, her vision is filled with darkness, a black shirt on a broad black chest.

She tries to swallow down her gasp, but she’s too slow. He hears it, and he smirks, relishing her surprise.

“Eavesdropping, Violence?”

“Deserting your post, Riorson?”

His smirk stretches even further across his face at her accusation. Her hate for him flickers in her chest, a twin flame to her annoyance, her invigoration. “Wouldn’t dream of it. I’m here on dragon business.”

She crosses her arms. He is not in her archives on dragon business.

“Riders aren’t allowed this far back,” she counters, eyes narrowed on him.

He merely cocks his head. He enjoys her scrutiny, too. “Mairi’s back here.”

“Yes, well, we like Liam. He gets special privileges.”

He doesn’t, actually. Jesinia’s completely fucked if any of the other scribes catch on to her study-dates. Of course, Jesinia’s completely fucked in plenty of areas. If her boyfriend’s schemes involve Xaden Riorson, traitor’s son…

Violet can’t think about that when the man is right before her. It’s dangerous. She intuits that much from the sight of the swords on his back.

He plasters a hand on his chest. “You don’t like me, Violence? I’m hurt.”

She’s not sure why his teasing gets her, but it does. She rises onto her toes and slams a finger into his muscled chest.

“I know you’re up to something,” she hisses, “and I am going to find out what.”

His eyes take her in, appraising her in her scribe robes.

“I’m sure you will, Violence.” He steps back, out from under her finger, and nods at someone over her shoulder. Violet spins to find Liam and Jesinia, watching the show. Her cheeks flush pink. She’d rather look at Riorson, so she spins right back around. He’s still smirking at her, bastard that he is. She hears the smirk in his voice as he adds, “Be sure to let me know when you do.”

She watches him leave, Liam at his side. She is going to figure him out.

[cococowboah]

Patreon removed a story of mine as a character in it suffered from SA instigated by her father.

Now, Patreon can do whatever it wants, that's their platform. But they specifically asked me to remove that part of the story if I wanted it to stay up.

I'm pissed, not because "oh no, I can't make money on it," no. Nobody was reading SPURRED, it wasn't an active project, and I'm not currently making money on ANY of my projects anyway. I don't care about that.

What I'm pissed about is how this might affect my future works if I ever do begin making a living from my work through Patreon. I'm not going to just change my characters stories because they deal with uncomfortable topics like SA. I'm an SA survivor, I write characters who are SA survivors. I'm not going to censor myself or my projects because a corporation says I need to if I want to benefit from their platform.

So, I don't really know what to do now. Pieces of Him is also going to deal with SA. I can't even consider putting it on Patreon now knowing I'm going to get a notice that I need to change pivotal moments of a character's backstory for the sake of a corporation wanting to maintain a squeaky clean image.

And before anyone asks, no, the story did not explicitly detail the SA itself. Insinuation was as far as I went. I wanted the reader to feel uncomfortable without feeling offended. I wanted the reader to feel uncomfortable because it's an uncomfortable fucking topic and it shouldn't be skirted around. If someone didn't like it they didn't need to read it.

I'm so sick of how censored the internet is getting. It's NOT for the sake of protecting SA survivors who may be triggered by certain details of a story. This is about making the internet nice and clean and proper for advertisers and investors. It's not about you. It's not about me. It's about money and it always will be.

If it were about protecting survivors, then they would acknowledge that engaging with media that explicitly deals with those subjects and characters overcoming the trauma surrounding SA can be cathartic for survivors if they choose to do so.

Again if you are uncomfortable with something then do. not. read. it. There is a detailed warning at the beginning of the story. It is the responsibility of the reader to gauge what they're okay with and not okay with. Not mine.

I just wanna take a moment to thank platforms like AO3, our literal final bastion for freedom of speech and creativity. SPURRED isn't a fan project so it doesn't really belong on AO3 but I'm thankful that we have one place on the internet where I know my work is never going to be removed or requested to be changed for any reason whatsoever. It's the one place where I can write without the anxiety of a corporate overlord looking over my shoulder and saying "Nope! Don't like this! Change it!"

Rant over, to sum it up, fuck censorship and, does anyone know of any good Patreon alternatives? I definitely can't use them for future projects knowing what I know now. It's only a matter of time before a guidelines update gets Pieces of Him axed for "Promoting Homosexuality and Infidelity" as well as Paul's past as an SA survivor.

[damiel-of-real]

that fucking flower i hate

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[mars-ipan]

hey folks did you know i love super dangan ronpa 2

[ratatatastic]

"When you guys are playing and, like, we all got podcasts and there are big podcasts out there, you know, are going from series to series, and they're critiquing teams and what not—like, at the end, do you know who's chirping you? Do you pay attention to that shit? Do you know who's on your side? Do you know who's, you know, rooting against you? Do you guys pay attention to that kind-of stuff? I'm just curious." "Yeah, I think this might be the first podcast I've ever done—I'm not the biggest fan of podcasts to be honest. I think—I'm friends with that, you know, [Shane] O'Brien, and [Scottie] Upshall (2 out of the 3 cohosts of the Missin' Curfew podcast), I love those guys... so if they ask I would do it but... again they, I think—I think negativity flows through media so much that it just kind-of disgusts me and I want nothing to do with it to be honest. So I hate the negativity, I think it's crazy, I think negativity in media steers guys away from certain teams... it's like, 'Why do you want that?' right? So I don't know, I'm a huge fan of the positivity, finding the positives in players and not putting guys down especially in podcasts and stuff like that where it should be for the players, right? It should be a positive thing, something that we rally around. Especially as ex-players!" "Yeah! We're gonna pump your tires!" "That's it!" "Well, you still gotta be real though!" "No, I know!" "You know if you have a bad game—" "It's gotta be real! For sure!" "—You gotta be real! You can't fake out your audience either so it's still a business." "One hundred percent! One hundred percent, one hundred percent... and I get that but—Yeah, I mean, I saw all those Spittin' Chiclets guys all over Edmonton's bandwagon so..." "That really bothered you guys, eh? Like, I mean, you guys were paying attention to that. I mean, as evidence as well on what took place on the ice after the game... you guys weren't, like, fucking around, you were being serious, right? You guys—that really bothered you guys?" "Hundred percent." "What was it? Like, the most that bothered you about it? Just the fact that, 'Hey, you guys are rooting for them... why are you trying to celebrate with us?' I mean, was it—is it that simple?" "Exactly. Yeah, get the f—we won, get off... right? Get out of here. That's uh, yeah. I don't know, I don't want to be too controversial or anything like that. I'm a happy guy, I like everybody so... whatever." "They're all good dudes, man. Listen if they're into hockey and they're talking about hockey thats a positive one way or the other!" "Oh, they're growing the game! They're growing the game! Huge! And they're doing a great job and I've spoke with Biz [Paul Bissonnette] a few times and I know Whit [Ryan Whitney] (Cohosts of Spittin' Chiclets) and I've got no issues with any of 'em. Truly."

The Cam & Strick Podcast | 7.30.24 (x)

[feyd-meowtha]

Did someone say 90s Gay Club House music themed Clegan AU?

No? No one?

But I swear I heard something? 🤔

(it was me, I said it just then.... stay tuned)

[monstersinthecosmos]

i feel like slightly younger than marius mael is the best just for flavor reasons lol. reeaally curious to know what you think

I think I usually land on slightly younger but not like a baby. Like early 30s maybe. BUT I'LL TELL YOU SOME THOUGHTS OF WHY I LIKE EACH OR WHY EACH COULD WORK:

Under 30: First of all because of Jesse's chapter in QOTD--Maharet was turned around age 20 I think? And for Jesse, I'm sure there's that sort of uncanny thing where your mind fills in blanks and makes excuses, like, her "aunt" has been around her whole life so like gee golly I guess she just looks young for her age! Except that there's like the vampire uncanniness too, so whatever you judge as an age doesn't super matter. So like, Mael blending in as one of her guy friends in his early 20s would make sense. Jesse DOES also clock him as not being human, so again I think the uncanniness might not make her peg either of them as a certain age.

I do worry if this clashes with the idea that he could properly be a priest? Caesar said that it takes 20 years to train a priest, but A) A lot of what Caesar said is like anti-Keltoi propaganda and might not be accurate since the Druids famously never left anything in writing, so there's very little first hand information about them. B) MAYBE IT'S OKAY BECUASE IN VC-VERSE TESKHAMEN IS REAL AND MAEL WAS REALLY COMMUNING WITH HIM SO IF THERE WAS LIKE MAGIC AFOOT IN THE COMMUNITY MAYBE HE GOT FAST TRACKED OR RESPECTED AS BEING SPECIAL IDK. I can work with it and make excuses lol.

I LOVE the idea of him being like a young man because of how much madder that would make Marius, plus the way he likes to mentor young blonde men lol. But it might like hurt him even worse if the author of all his misfortunate is like SOME KID.

In his 30s: Personally I usually land here because I DO wonder how long it takes him to gain status in his community and become a priest (in his 30s is still fast tracking it but maybe feels more plausible LOL) and I enjoy the idea of he and Marius being sort of similar to each other. Like, Marius often gets used as the example of Turning an Older Guy and what it means for his temperament and the way it translates to his immortality. I like imagining Mael as around Marius's age for that reason, like I want to remove all his excuses why Mael is a young stupid kid or even an old salty jerk--it forces Marius to confront that Mael is ALSO someone who is chill and smart and has had enough life experience. BUT WHILE THERE'S A WINDOW WHERE THEY COULD BE SIMILAR IN AGE, OR MAEL COULD BE A TAD OLDER, I ALSO STILL ENJOY MARIUS BEING LIKE "HE'S YOUNGER THAN ME I HATE THIS!" BECAUSE HIS AGE AND SELF-PERCEIVED WISDOM & EXPERIENCE ARE IMPORTANT TO HIS IDENTITY AND HE FEELS BELITTED LOL.

In his 40s: Makes sense for the above reason! But I like to skew younger personally just for the Marius ageism dynamic lol. Also there's something about him being a foil to Marius where like, if they're very similar in other ways it can kind of emphasize how their atheism/religion contrasts each other and affects them as people.

Over 50: ALSO POSSIBLE and it's hilarious bc in the audiobook the narrator reads him like such a grouchy old man lmao. I could see this causing a lot of resentment because Marius likes to be the oldest and wisest in the room. I could see him also being younger because Marius insults him every chance he gets and I just think he would've told us that Mael is like an old hag if it were true lol. Anyway wondering how this effects Marius's barbarian kink and how he submits to men.

[artemx746]

Do people not realise that a person doesn't suddenly gain full maturity and knowledge of everything when they turn 18?

[thanatika]

low-coherency rambling in the tags

[tardis--dreams]

Me panicking because i have 9 missed calls and 5 emails talking about my absence and how "a colleague could take over for me" vs. Me knowing it's really not that important no matter how pushy a client is and that on top of it I'm underpaid and have way to much overtime so i shouldn't even care

[wp100]

this tweet is so weird like fanfiction isn't real. who cares if something isn't realistic. it might be "realistic" to some people. not everyone's experiences are universal.

Write whatever the fuck you want, regardless of experience, yknow, unless it's something actually really serious, like mental health. some things require research before writing or portraying

edit: and might i add that fic writers and artists are pouring their hearts into the fics and art you read/look at for FREE? We post our work for free and people say stuff like this. Saying stuff like this doesn't help, just feels unnecessary, and a tad mean

[whysamwhy123]

HALLEJUAH!! I REMEMBERED HOW TO ACTUALLY FINISH WRITING SOMETHING FOR A CHANGE!!

Of course, it's not any of the fics I wanted to finish. I went back to what is essentially my bread-and-butter now and wrote a short-ish, random OrangeHook fluff. But considering how much writing's been a struggle as of late, I'm just glad that I successfully finished something. I was back in one of those stretches where I couldn't seem to write much of anything. And this fic isn't about their age difference or Hook being a cuddlebug, so...progress?

Unless I decide I completely hate it (which is always a possibility) expect something to drop on Valentine's Day, tis the season, after all.

[lupins-hehim-pussy]

I think I accidentally made Wriothesley AuDHD. fuck