#I rewatched and it was just something I noticed

[koifishhies]

yes yes yes yes yes!! oh my god i completely forgot about eating food with his hands part. every day I’m less and less convinced chibnall autism coded this man on accident. another thing I’ve noticed is in his little office, he always has the lamps on and rarely the ceiling light. or after Sandbrooke is solved, when he goes to have a good cry in the empty interrogation room, he keeps the lights off. probably a sensory thing. ceiling lights can be a sensory nightmare.

ugh there’s just so much about him. the way he wears the same things every day, is an extremely picky eater, doesn’t really say “hello” or any kind of greetings and it rubs people the wrong way. i need to rewatch this show with my notepad out like a maniac.

also ABSOLUTELY agree with what you said about Ellie, when she chews him out about how he behaves and he begrudgingly takes the food. that’s definitely around the time he was starting to build respect for her and see her abilities. so he backtracks—where before he’d completely dropped the mask and decided to disregard and forgo even trying to make any social connection in Broadchurch, he decides, hey, this one is worth it. he compromises, he takes the food. and he starts working with her more, challenging her, bouncing ideas off her. and though he may be framed as the more experienced one, her contribution teaches him and makes him a better detective too.

but then, the whole ordeal with Joe happens, and Ellie is absolutely wrecked, obviously. but even though this whole time Alec has been the one telling her to close her heart, be objective, look at her town from the outside, etc etc, he doesn’t go in with an “i told you so” mentality. he is so, so sympathetic, and he is so horribly sorry for her. you can see how hard he’s trying to be gentle and comforting when breaking the news to her. because he’s been through this before. he’s been through an absolutely horrific case that tore his family apart. he’s watching all that happen again, to someone he might even dare call a friend, and he can’t do anything to stop it. he can only be there, and understand.

though they had the potential to be close before, I think this really cemented their bond/friendship. the whole situation leads to Ellie being socially ostracized, which, in a way, puts them on the same level. who can she spend time with, who won’t look at her with either judgment or pity, but Alec? the man who’s been socially ostracized his entire goddamn life?

when Alec brings her into the Sandbrooke case, you can argue he does so because he wants her fresh and different perspective, while also trusting her expertise. sure. but I doubt he would have done it if Ellie hadn’t gone through what she had. it’s such a vulnerable thing for him to do, isn’t it? he said it himself, this is the case he nearly died over, the one that completely ruined his life. he even tells her about his trauma with dragging Pippa’s body out of the water. it is such a blatant display of trust. and I absolutely adore your take of saying he did it for her sake, to occupy her, to give her something to do because he cares about her in that way. it’s like he’s trying to tell her, hey, look, I made it out of this. yeah I came out a little broken, but I made it out the other side, and you will too. broken hearts can mend, after all.

and Ellie’s not ready to accept it yet! even if it’s exactly what she needs! she works on the case, kind of pretending the whole time that she only did it because Alec asked her to, and that’s all. she doesn’t want the olive branch, she doesn’t want the hugs, she doesn’t want the comfort. and Alec doesn’t push any more. he does what he can, and he leaves. but the foundation has cemented itself, and by the time he returns to Broadchurch in s3, look who’s working together again!

it’s such a multi-faceted, complex bond you don’t see portrayed so well in media very often, ESPECIALLY between just friends, ESPECIALLY ESPECIALLY between male-female friends. i absolutely rambled for way longer than i intended to and this post is INSANELY long at this point, but i love them so much and finding different angles to look at them is making me foam at the mouth with joy. no wonder David says Broadchurch heavily changed and influenced the landscape when it came out, you can’t expect this level of care and depth from just any detective drama

I just love how broadchurch (unintentionally) made an autistic-coded detective, but instead of going the sherlock route they made him just. a guy. he’s not special in any way, he’s not a savant, he’s just kinda There and Traumatized About It the entire time.

like alec hardy wants one thing in life and it’s to do his job, but he’s also constantly faced with the unfortunate reality that his job Sucks. he’s also actively dying half the time. and that’s it that’s his character.

also he’s not a twink like most autistic coded savants in media, and I may not be a middle aged dad but that’s the kind of representation I can get behind

[sharpjay217]

I’m currently rewatching Stargate SG-1 and this just hit like a fucking truck and I desperately need to talk about it.

There’s this moment, barely a few seconds long, in S2ep7 of Stargate SG-1, “Message in a Bottle,” that I didn’t even notice on my first watch through. The team is talking to a frightened alien that has infected O’neill and poses a world-ending threat. They’re trying to bargain with it, come to an understanding, and the alien is using O’neill’s emotions and memories to try to reckon with trusting them.

Now, a consistent theme with O’neill, especially in the early seasons, that his emotions are only expressed when it isn’t him speaking. Daniel explains O’neill’s past to Carter, the clone seeks out his ex and paves the path for apologizes, this infection. Only when an outside force pushes him to express something, does he ever.

And this alien that has infected him, expressing it’s will to survive, says “O’neill desires this as well. He wishes to live.”

It then turns, pointedly, to look at Daniel. Daniel, the only other member of the cast from the original movie. The only character who was there to see O’neill at his worst, who went with him on what O’neill knew was a suicide mission.

Daniel, who knew the O’neill who wanted to die.

Dnaiel, who convinced him to try finding a purpose in protecting people again.

The camera lingers on Daniel’s face for a moment, before the alien looks away again. The conversation continues. It’s been said, and said to the person who probably needed to hear it most.

O’neill wants to live.

[waywardmillennial]

Puppet History Trailer Breakdown

The PH season seven trailer dropped on Watcher TV today and I'm going to try to break it down New Rockstars style - so settle in because this is a long one!

disclaimer: I am an oxymoron of a human who notices lots of details and misses other clues - so I might not have caught everything but I tried!

[s7 trailer easter eggs and spoiler-y thoughts under the cut]

The trailer opens with the Professor looking at the billboard for Phorgedytol, the tagline of which reads "(something) WITH YOUR BRAIN"

[note: this is different to the Phorgedytol billboard we see at the end of the trailer that reads "FRENCH THE VOID!"]

the first shot of Ryan in the trailer is from the episode with Aria Inthavong

behind them on the bookshelf you can see what I think is a brachiosaurus (from the late Jurassic era), a pair of alpacas, and the Genie lamp very prominently displayed!

then we cut to this interaction Ryan: How long has it been since we've been in class? to which the Professor gives a very non-committal "Uhhhh...."

[Interesting, no? Possible side-effect of the Professor taking Phorgedytol maybe?]

then we cut to guest Alex Song-Xia with a possibly foreboding comment

[this probably has no lore implications but I like that there's a framed copy of this photo that Ryan tweeted in 2021 on the set]

the trailer continues with the Professor talking to the guests

then the trailer cuts to what could be a major lore drop with Ryan saying, "You keep my wife's name out of your god damn mouth!" as he marches to the theater to slap the Professor

[notice how this is in black and white -that's the trailer edit not mine- so perhaps this is a flashback of some kind? Maybe to something that happened to make the Professor want to take Phorgedytol?]

Remember in s6 Ryan and the Professor were friends (see: the JC Penney photoshoot) so seeing a moment like this in the trailer is, for lack of a better phrase, a slap in the face

Based on what all the guests are wearing in the trailer it looks like The Slap will happen in Claudia's episode, based on the shot right before Ryan gets out of the chair (their reaction face is gorgeous btw)

we get a great out of context line from Sara Rubin

and the Professor talking about his anatomy with Brennan

Then the Lore Drop Hits

[yeah the rest of this was just a drop in the bucket in this trailer tbh]

The cuts happen fairly fast with overlapping VO - I posted most of the main shots earlier and there are some shots of the history skits that I skipped to focus on the Lore. These shots also have some alt descriptions in this post of things I noticed on the rewatch

VO Script Mysterious Puppet: No, you louse. You sops. You absolute men. Ryan: Well, this is collusion. They clearly- Professor: That's not collusion. Ryan: It's collusion! You guys fucking figured it out before this. Brennan: Just get on his wavelength, man. Professor: Get on my level! Ryan: You're just not ready for the truth!

[First reactions: The Professor is wearing a party hat for a lot of this trailer, and so is the new puppet. So they must have been at the same party. Also, the Professor is standing in front of a sign that reads "Six Nasty Seasons" even though this is the trailer for season seven. Is that from the season six wrap party? Could it also point to Phorgedytol symptoms that we're 'missing' a season?

The horse puppet looking through the door has a moustache, so is very likely not Dorothy Ruth or Stanley Melvin Murphy. Maybe DR's fiancé? This same moustachio'd horse is in the pasta scene

Hard to say which horse is walking towards The Brown Derby but fun to note that was a real chain of restaurants in LA starting in 1926]

Then the Professor meets with the new Shane character - shall we call them Patch for now?

and that's the trailer in a nutshell!

*Roll End Credits*

Other reactions:

Delighted that we get canon confirmation that the Professor goes by Connie McNasty, at least some of the time

Love that Joyce and Garrett are back this season!

The noir, old Hollywood vibes of this trailer are gorgeous and overall it looks really well-made!

I hope we get some explanation for the slap that's not Ryan and the Professor becoming enemies again

the Liza Minelli* of it all

Not too sure on many theories at this point, but I'm sure it's going to be a great (but maybe nail-biting) season!

[snorlaxlovesme]

my problem recommending Link Click to people

clearly, i love Link Click. i find the show emotionally compelling, the characters are well-written and interesting, the complex/convoluted plot is very crunchy for my adhd brain to chew on. LOVE that. however. i have yet to find a person irl who Sees My Vision when i recommend the show to them, and i think it's the fandom's fault.

not in bad way! but i think this show is a good example of media that exists for FANS and not casual viewers.

season 1 is by far the most accessible. a straightforward story about two guys solving crime by time travelling in photos. don't mess up the past, it could mess up the future, etc etc. everything is linear, the character motivations are pretty clear, the plot is seriously gripping. the only accessibility hurdles are the piss poor subs we had to deal with and the lack of on-screen text translation. and i suppose if you don't like shows that are episode-5-level heavy then this probably isn't the show for you.

season 2 already starts off on a very niche foot with the fact that there was a pretty big spoiler (or a hint at one) in the XETROVERTHINK music video that released before the season aired. fans who knew about that video were already speculating, and by the first 30 seconds of season 2, theories were running RAMPANT. NOW everyone was intentionally looking for hints of time travel mid-season. they were predicting how and when cheng xiaoshi might die. it made an extremely confusing season FUN because even when we didn't know what the hell was going on, we could always fall back on the lu guang timeloop theory to chew on.

but if you didn't see the XETROVERTHINK video? well, you probably weren't paying as close attention to what lu guang was saying in the first 30 seconds. the shot of cheng xiaoshi dying lasted for only a second or two. blink and you miss it. if you didn't rewatch the episode, you probably wouldn't notice. in a show where so many things don't make sense, that could have just been one more to add to the pile.

cut back to all the people that I've forced to watch the show, I can say that they did NOT have the same watching experience that i had as a fun following along on tumblr. which is fine, but they do look at me like i'm insane when i try to explain that this is the most fun show ever created.

after one of my friends finished season 2 i sent him a draft of the fic i was writing for some feedback and when he got to season 2-spoiler specific part, he didn't fully understand that lu guang had gone back in time to prevent cheng xiaoshi from dying, and therefore didn't understand what i had written. he didn't have the fandom, who had been speculating about that for 12 full weeks before the reveal, so as a casual fan, the first time he received that info was in that last 2 minutes of the season, and he didn't full understand it

my younger sister has made it to yingdu, and every time i try to talk to her about it when get to talk about shiguang a lot, but i don't have much time to sit her down and show her frame by frame analyses of why the lu guang vs vein interaction in episode one looks like it might be in two different timelines. she's not seeing that there's morse code in the books or interpreting sonnets or pausing to check the eye color of characters, so when i talk to her about it we're scratching maybe 3% of what the show is truly communicating with us.

and again, it makes me look like a total headcase when i try to explain to people that this is the best show ever and so much fun because if you're not INTERACTING with the show and with the fans, mulling over the minute details in a scene or asking for a more accurate translation of something, it's like you're missing out on most of the show

i once tried to recommend my sister one of my favorite pokemon fanfics of all time. she'd read some others and seemed interested, so i sent her the link and then told her that to fully understand it she'd need to have knowledge of basically every major character in the entire pokemon anime, from kid trainers to gym leaders to Champions to villains to rivals to professors. she'd also have to know how they all relate to each other, PLUS some game characters. i sent her a list of episodes she needed to watch for character and plot relevance and links to wikipedias for other main characters. after she absorbed all this information then she could truly understand why this was the greatest fic ever!!

that's what recommending Link Click is feeling like, currently. like i want you to like this show, i want you to understand this show like i do, but that means you HAVE to be insane about it. there's no other way to appreciate it if you're not in the fandom.

[pendinghope]

Okay so I don’t have anything nearly as in depth to say but I do have some thoughts. This is more in general fandomness not just queer related media. So some context: This isn’t my art account but I do make fanart and societal views of the media greatly affect what I may end up posting. I recently became a fan of a kpop band and drew one of the band members. I was scared to post it cause of so many what-ifs and the fact that it didn’t get it to look quite right. But that’s beside the point. Anyway, when I went to talk to friends about if I should post it one of them pointed out some things I had never thought about. So kpop, anime, and other media doesn’t have a good reputation where I’m from though anime has become more accepted. My friend said “So you know how a group of women isn’t evil. But then when a group of women like something it’s given a bad reputation?” Something along those lines but they said it better than I could put into words. And I feel like this has to do with the “only straight women like this media”. It’s mysogenistic. And also just incorrect in the grand scheme of things. So many people like a variety of things but when certain groups of people like something people will attack it just using the basis “well these people like it so it must not be good”. Which, is just so odd. Why would a group of people liking something somehow affect the quality of media? Like I’m sure it would have some influence but not in the way that is used in such an argument. I want to go on more but honestly can’t figure out how to go on so pls add to this. (Sorry if this doesn’t make much sense, I’m not quite sure how to properly express my thoughts)

Now onto a different topic. So I’m a fan of very niche things and highly enjoy my corny cheesey little shows. Some of which I would recommend to my friends until they called one of my shows cringe. Which, okay if it isn’t your thing I completely understand. But it’s a show I’ve expressed that I loved and even recommended. Now if you want to call my show anything call it corny, cheesey, goofy, cause it is. It’s overly dramatic yeah but that’s its vibe. Cringe is so overused and just saying stuff like this made me more wary about what shows I offer people and avoid shows that maybe they would actually like. If you’re going to criticize something, don’t just use negative words. Call it what it is. If it’s cheesey or over dramatic maybe it won’t have that gritty plot line you’re looking for but it’s not supposed to have that. It’s supposed to be a lil goofy, it’s supposed to be fun. Yeah it’s ‘unrealistic’ but the characters have super powers so it was never meant to be. Hell even if they didn’t have powers sitcoms exist for a reason. (Rak Diao, my love).

Another lil tidbit I wanted to add on was just basic understanding of media. I’ve talked about this before so I’m just gonna copy and paste it but edit it to make sense in this context:

So I find I don’t understand everything. By this I mean I can take one understanding of a piece, look at the piece again and just be like damn how on earth was I so wrong before? It’s why I like giving shows a second chance. Cause I might of completely misunderstood what’s happening or maybe I never knew in the first place. It’s just the meaning I took at that time and now I’ll learn something else from it. Like something I might misremember or have a bad impression of I’ll go back and recheck and be like, yeah no I was so wrong. This is great! And vice versa, I’ll be like man this is so good, rewatch and notice things that are a bit iffy. And just go hmmmmm. Just enjoy what you enjoy and don’t be afraid to try things again or let things go. Also, a lot of things fly over my head in shows cause I’m not aware or conscious of everything and I don’t know all the experiences or relevant ties things may have so it’s always good to double check or get a second pair of eyes. (See I read an entire book thinking the main character was a boy. It wasn’t until literal years later I found out the main character was a girl. Did this change much of anything? Not really. But it’s an example and I still thought the fairy and main character were going to end up dating. Alas they did not.)

I hope some of this made sense. T^T

Putting my thoughts out here is terrifying, cause of again all those what-ifs. Anyway, I don’t know how to uh end my lil spiel so yeah. (￣▽￣;)

a question for QL fandom at large: when did we start only wanting media that is perfectly suited to our standards?

there has never been a perfect show, and there never will be a perfect show, because everybody likes different things and QL is run on shoestring budgets. i thought this was something we made our peace with as viewers of the genre!

so i'm just wondering at what point fandom decided that a show is only worthy of praise/fandom if it has no problems?

at what point did we decide that talking about the problems of a show is more important than talking about what we did enjoy and what kept us watching? i don't know when it happened, but it definitely has. critique is treated more seriously and gets more interaction than people talking about what they like.

it seems like a really exhausting and slightly puritan way to do things, to be constantly finding imperfections and treating them as more important than the good parts. dunno about y'all but i don't want to be unintentionally enacting puritan shit.

i want joy, i want fun, i want the spirit of camaraderie in fandom.

so, why did fandom begin to snub any media that didn't fit very high standards? and how can we steer ourselves away from that impulse?

(i am genuinely curious about why this is happening and how those of us who don't enjoy it can change, so please feel free to jump in, even if you are 'late' or think you only have a very small contribution to make to the discussion.)

[made-ofmemories]

The contrast between Kathleen telling Perry to burn the bodies because it’s quicker and Joel and Ellie taking the time to bury Henry and Sam though...

[lil-miss-brainrot]

so do i kill myself or

[langernameohnebedeutung]

gonna say, something or someone being misogynistic is on its own a good enough reason not to like it or not to spend time with that person. It's not just that misogyny is so normalised that not watching a show or not spending with someone just because of misogyny is treated as not enough of a reason - it's also that as a woman, you are under constant scrutiny and constantly thrown tests to show that you are 'not one of the difficult ones', that you can 'take a joke'.

But 'your friend keeps saying degrading things about women' is a good enough reason not to hang out with that person or not to go to a gathering. 'i read the last book by his author and it was deeply misogynistic' is a good enough reason why you don't want to read things by that author anymore. 'This comedian specifically makes a lot of mean-spirited jokes about women' reason enogh not to watch that or see that show, even if your friends want to go. 'This content creator keeps going on weird tangents about women' reason enough not to watch their stuff or support them.

and it is especially a very good reason not to date someone.

[crazybutgood]

I was so caught up with the insanity of the others' responses that I never noticed Chris Ramsey included "tennis racket" in his list of "things that are nice to put in your mouth"

[misterfibbly]

the way will DEFINITELY knew since s2 that there was something (someone) else behind everything that was happening, someone who isn’t the mind flayer. we see over and over when will is referring to what everyone believes to be the mind flayer in s2 when he says things like “HE likes it cold” “HE’s here”. now, when they’re referring to the actual mind flayer they use “it” not “he”, and they’ve always done that. so will somehow knew in the back of his mind this whole time that vecna was the one behind this

[m00ngbin]

So I know we all know that Toichiro doesn't actually care about Serizawa or any of the Super Five, and he makes that clear several times throughout the World Domination arc, but I wanted to look at the specific wording I noticed here:

Oh ok.

For most people, (me included), the first time they watch this scene, they expect Toichiro to say something like, "I think very highly of You." That's the normal thing to say, that's what you would assume he's going to say.

But he doesn't. He specifically chooses to say "your Potential" instead. He's making it very clear that he doesn't actually view Serizawa as a person on the same level as him. He doesn't value his humanity or his presence, he values his Power. Toichiro is Only interested in what Serizawa's powers can do for him and how to make them stronger, and it's obvious to everyone.

Everyone except Serizawa. Serizawa, who was so deep in denial that he had convinced himself that he was working for a company instead of a terrorist cult organization. Serizawa, who devoted every minute of his time to Toichiro from the moment he left his room, until the very end of the organization. Serizawa who truly and wholeheartedly believed that Toichiro did give a damn about him as a person and not just his powers.

Serizawa who, even though he heard Toichiro say that he could lose all of the Super 5 and not feel a thing, still believed that Toichiro would.

Before the panel below happens, Serizawa begs Toichiro to stop what he's doing and tries to insist that he's not betraying him. Obviously that doesn't matter to Toichiro, because Serizawa has expended his usefulness and is actively going against him.

That's part of the reason I think that Studio Bones should have added this scene into the anime, I think it would have made Toichiro outright telling Serizawa that he didn't really care about him more impactful. Not just for Serizawa's character, but for his intentions for all of the Super 5. It helps show just how little he cares for other people and how he only sees them as tools, a means to an end. (Even if that was already clear before, it just drives the point home).

Also also also I think that would have made the one line from, (I think), Hatori stand out more. After Toichiro attempts to blow Serizawa, Shigeo and Reigen up, Hatori says something to the effect of, "so the president finally cast Serizawa aside, huh?" Everyone knew it was coming, everyone knew what Toichiro was after, except for Serizawa.

Tldr: Toichiro wanted Serizawa to become stronger not just because he would be more useful to him, but because there would be more power for him to take if need be, and the spare batteries panel should've been added to the anime because it would've made everything more impactful imo

[heartorbit]

start remembering ⭐️⭐️⭐️⭐️

[theloverislost]

i would love for season two to follow charles arc a little bit more. this is something i’ve been thinking about for a while because season one, while it does focus on charles as well, is mainly i feel about edwin’s arc. we have him realizing he’s gay, realizing his feelings for charles, being sent back to hell, standing up to the cat king, etc etc. and while we do have a lot of good charles moments (devlin house, lighthouse leapers), his moments felt more like they were setting up the arc/the first part of the arc rather than the whole thing. idk if i’m making any sense but i think it would be nice to see

[thegirlinthetardisat221b]

Ok but like

A big part of supernatural and being a hunter is having a diary right? Like obviously Johns diary is a massive part of the first couple of seasons and appears in later seasons too

But we also know other hunters have them. We see Dean finding Bobbys behind a loose tile on the fireplace in 'The End' and it comes back in season eight and eleven

As well as this the start of Johns diary (published by CW and written by Alex Irvine) opens with John saying that 'I met Fletcher Gable, who gave me this book and said: "wrote everything down"'

And according to s6ep18 'Frontierland' we know that this is a tradition going back to at least the 1800s with Samuel Colt

However, Sam and Dean never do right? We never see them writing in a journal about their cases or anything

[raddestrose]

was suddenly plagued by Banana Fish thoughts

[puns-and-musicals]

Feeling like all I want in life is a boxset of OFMD. I want S1 and S2 DVDs.

I want to own it, so that even if (when) Max decides to get rid of it, I know I can always watch it. I want to be able to watch it if my internet’s being weird, or lagging. I want to know that no matter what, I can revisit the characters who mean so much to me.

I want to be able to celebrate Calypso’s Birthday by throwing on the episode and hanging up some tacky decorations. I want to know that they can’t be taken away from me, not again. That the story that matters so much to me, a story of acceptance and compassion - a truly impactful story of self-acceptance above all else - I want to know that it will always be there for me. ugh.