#I recognized so much stuff from the art book

[aconstantstateofbladerunner]

You guys should go see Furiosa while it’s still in theaters. No, it does not top Greatest Action Film Ever: Fury Road, but it is doing it’s own different thing exceptionally well. That being said, it’s still better than most movies that have come out this year.

[redbean-nom]

redesign of the Vespa Kids from book of boba fett

thoughts & closeups under cut

so i tried to keep their general appearances/colors intact while adding some actual personality (because i think the main problem with the original designs is that they feel like extras, not side characters).

Red: Zabrak orphan who grew up on Tatooine. 18 years old, was a member of the local insurgent group around the end of the empire era. Has a combo blaster/interrogation droid arm. Speeder is a repurposed version of Maul's speeder from phantom menace.

Blue: Human raised in the non-Tatooine parts of the Outer Rim. 23 years old, known assassin who worked for Jabba. Uses a scavenged magnaguard-type electrostaff. Has basically a version of the mandalorian helmet visors built into his face. Speeder is an abandoned scout trooper speeder.

Yellow: Tusken orphan from the clans around the podrace area. 19 years old, became a bounty hunter after his tribe (and bantha) were killed by the Pikes to expand spice routes. Has a Vader-style chest panel and rocket feet. Speeder is a custom pod attached to one of Sebulba's engines, with attached rancor teeth and horns from his late bantha.

Green: Human who grew up on Coruscant, but family fled the Empire to Tatooine around A New Hope. 21 years old, originally worked as a local enforcer for various Hutts. Has super battle droid arm & leg attachments. Speeder is stolen from local nikto gang.

original designs for reference:

[drchucktingle]

a moment to check the gears and cogs

feel like i want to talk a little on the message of a recent post because i think it is an important point. when i say that you do not need to QUALIFY OR DEFEND your love of tinglers or my work in general, i am pointing out an interesting social anomaly that happens with my art and with queer art.

as an autistic buckaroo i notice patterns, and on social media i see them a lot. little phrases that come up again and again with my art. ‘yes THAT chuck tingle’ ‘its ACTUALLY good’ ’my favorite author i have never read’ ‘so bad its good’. these are always added after a POSITIVE comment about me

they also all have something in common. they are trying to distance the posters SINCERE JOY and give them an out socially. it is very very very subtle, but they are all saying ‘yes i like this but here is a sliver of acknowledgment that it is also weird or bad or ironic. in not REALLY fully in'

essentially these are added because it means the poster can escape their very real joy if needed. try applying these phrases to any other popular author. its much more subtle with the first two: ‘i liked all fours by miranda july, yes THAT miranda july. its ACTUALLY good’. what does this imply?

the other examples are a little more blatant but lets try them with other authors anyway. imagine saying ‘youre my favorite author i have never read’ to stephen king. would you EVER say that to someone? what does that imply? how about 'i love your books theyre so bad theyre good'. horrifyingly rude

lets dive into saying 'CHUCK TINGLE is my favorite author i have never read’ sounds unusual when substituting other authors because theyre usually not queer or autistic or making outsider art. to be blunt, why CHUCK gets it all the time is because it really means 'i like chuck tingle but im not gay’

while we have mostly culturally evolved past the idea that saying ‘no homo’ is some kind of joke, that FEELING is still around. it has just burrowed a little deeper. honestly it might never go away, or at least take centuries. remember these people GENUINELY LIKE MY BOOKS but feel they MUST qualify

should also be pointed out that LEFT and LIBERAL people are the ones who say this stuff to chuck. they do not MEAN to harm, and if you ask them directly how they feel about queer or neurodivergent people they would not express the same opinion as their subliminal comments might imply

the final elephant trotting by is while some of this is homophobia and fear of a neurodivergent other, it is also just plain old IRONY POISONING. its conditioning from being raised on an internet where sincerity was ‘cringe' and loving something was a weakness or joke. these problems work in tandem

so whats the point? what can we do? first of all, just recognizing these patterns is a start. i didnt HAVE to write all of this today but i think its important to be aware and to look inward and think about the gears and cogs that churn behind the things we say. NEXT step is trying to push past it

if you have done these things in the past, i want you to know i am NOT AT ALL UPSET. i am not mad or hurt and i do not think any less of you. you can trot by my side any day and you are trying your best to prove love. we are ALL just tryin our best, just consider this a friendly chat between buds

proving love can happen in BIG WAYS and it can happen in SMALL WAYS that we barely see. just take a moment and think ‘WHY am i saying this? WHY am i in this pattern to distance myself from outsider or queer art?’ a little moment of consideration goes a LONG way buckaroos. LOVE IS REAL

[foone]

Look if there's one thing, just one thing, that I wish everyone understood about archiving, it's this:

We can always decide later that we don't need something we archived.

Like, if we archive a website that's full of THE WORST STUFF, like it turns out it's borderline illegal bot-made spam art, we can delete it. Gone.

We can also chose not to curate. You can make a list of the 100 Best Fanfic and just quietly not link to or mention the 20,000 RPFs of bigoted youtubers eating each other. No problem!

We can also make things not publicly available. This happens surprisingly often: like, sometimes there'll be a YouTube channel of alt-right bigotry that gets taken down by YouTube, but someone gives a copy to the internet archive, and they don't make it publicly available. Because it might be useful for researchers, and eventually historians, it's kept. But putting it online for everyone to see? That's just be propaganda for their bigotry. So it's hidden, for now. You can ask to see it, but you need a reason.

And we can say all these things, we can chose to delete it later, we can not curate it, we can hide it from public view... But we only have these options BECAUSE we archived it.

If we didn't archive it, we have no options. It is gone. I'm focusing on the negative here, but think about the positive side:

What if it turns out something we thought was junk turns out to be amazing new art?

What if something we thought of as pointless and not worth curating turns out to be influential?

What if something turns out to be of vital historical importance, the key that is used to solve a great mystery, the Rosetta stone for an era?

All of those things are great... If we archived it when we could.

Because this is an asymmetric problem:

If we archived it and it turns out it's not useful, we can delete.

If we didn't archive it and it turns out it is useful, OOPS!

You can't unlose something that's been lost. It's gone. This is a one way trip, it's already fallen off the cliff. Your only hope is that you're wrong about it being lost, and there is actually still a copy somewhere. If it's truly lost, your only option is to build a time machine.

And this has happened! There are things lost, so many of them that we know of, and many more we don't know of. There are BOOKS OF THE BIBLE referenced in the canon that simply do not exist anymore. Like, Paul says to go read his letter to the Laodiceans, and what did that letter say? We don't know. It's gone.

The most celebrated playwright in the English tradition has plays that are just gone. You want to perform or watch Love's Labours Won? TOO FUCKING BAD.

Want to watch Lon Cheyney's London After Midnight, a mystery-horror silent film from 1927? TOO BAD. The MGM vault burnt down in 1965 and the last known copy went up in smoke.

If something still exists, if it still is kept somewhere, there is always an opportunity to decide if it's worthy of being remembered. It can still be recognized for its merits, for its impact, for its importance, or just what it says about the time and culture and people who made it, and what they believed and thought and did. It can still be a useful part of history, even if we decide it's a horrible thing, a bigoted mess, a terrible piece of art. We have the opportunity to do all that.

If it's lost... We are out of options. All we can do is research it from how it affected other things. There's a lot of great books and plays and films and shows that we only know of because other contemporary sources talked about them so much. We're trying to figure out what it was and what it did, from tracing the shadow it cast on the rest of culture.

This is why archivists get anxious whenever people say "this thing is bad and should not be preserved". Because, yeah, maybe they're right. Maybe we'll look back and decide "yeah, that is worthless and we shouldn't waste the hard drive or warehouse space on it".

But if they're wrong, and we listen to them, and don't archive... We don't get a second chance at this. And archivists have been bitten too many times by talk of "we don't need copies, the original studio has the masters!" (it burnt down), or "this isn't worth preserving, it's just some damn silly fad" (the fad turned out to be the first steps of a cultural revolution), or "this media is degenerate/illegal/immoral" (it turns out those saying that were bigots and history doesn't agree with their assessment).

So we archive what we can. We can always decide later if it doesn't need preserving. And being a responsible archivist often means preserving things but not making them publicly available, or being selective in what you archive (I back up a lot of old computer hard drives. Often they have personal photos and emails and banking information! That doesn't get saved).

But it's not really a good idea to be making quality or moral judgements of what you archive. Because maybe you're right, maybe a decade or two later you'll decide this didn't need to be saved. And you'll have the freedom to make that choice. But if you didn't archive it, and decide a decade later you were wrong... It's just gone now. You failed.

Because at the end of the day I'd rather look at an archive and see it includes 10,000 things I think are worthless trash, than look at an archive of on the "best things" and know that there are some things that simply cannot be included. Maybe they were better, but can't be considered as one of the best... Because they're just gone. No one has read them, no one has been able to read them.

We have a long history of losing things. The least we can do going forward is to try and avoid losing more. And leave it up to history to decide if what we saved was worth it.

My dream is for a future where critics can look at stuff made in the present and go "all of this was shit. Useless, badly made, bigoted, horrible. Don't waste your time on it!"

Because that's infinitely better than the future where all they can do is go "we don't know of this was any good... It was probably important? We just don't know. It's gone. And it's never coming back"

[xamag-draws]

BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

[luvfy0dor]

Heyy, I was thinking about a concept with Fyodor (or whoever from BSD) having a streamer bf, but like, one of -those- streamers where every word they say can be quite questionable (in a “good” way/ironically). For some reason it amuses me to imagine it with Fyodor and Reader occasionally teasing him, calling him their ‘discord kitten’ or streaming for 5 hours (or more lol) saying nonsenses or playing video games instead of paying attention to Fyodor. What do you think?

“Get Off The Game ♡⁠˖” BSD x GN!Reader ੈ✩‧₊˚

╰┈➤ Fyodor Dostoevsky, Dazai Osamu

Warnings;

Description; BSD men with a streamer!reader

A/n; these are in headcannon form, I hope that's alright!!! I think Dazai or Nikolai would be a better person to have this occupation w so I also did headcannons for one of them

Fyodor Dostoevsky ★

• Fyodor thinks it's stupid at first, but when he realized you made money from it he learned to tolerate it. He wasn't too fond of the noise, though.

• I don't think he was too fond of the nickname 'discord kitten', always raising an eyebrow when he's called that, he also strongly dislikes brainrot cause what do you mean you're so sigma? No you're not, you're y/n. That's unrelated, but I thought I'd add that in there.

• "A discord what? Kitten? What even is that? I am nothing of the such."

• Catch him dead before he makes an appearance on camera, he much prefers to keep his business private. He doesn't mind you talking about him though, he loves that. He loves that people know you're already taken by him and that all those losers in your chat don't have a chance with you.

• Sometimes he'll watch your streams from a different room in attempt to understand your work and the art of gaming. He enjoys when you play horror games, especially the ones that get you thinking. He sometimes finds your facial expressions when you get jumpscared funnier than anything else in the stream.

• When it comes to the duration of your streams, Fyodor can entertain himself for as long as you need him to, but he can't help but feel like he'd rather be spending that time with you every now and again.

• He usually just takes the time to work on his DOA stuff, and occasionally he'll get so lost in it that he doesn't even realized you've finished with your stream and whenever that happens, you make some tea and go to fetch him to spend some quality time together, whether it's you laying in his lap while you both read a book or having a conversation about whatever comes to mind

Dazai Osamu ★

• Dazai is your #1 supporter since day one. There's a conversation going on about content creators? He's immediately bringing you up. You need new items for your set up? He's manifesting that said items go on sale ASAP!

• Oh my god, and he LOVES it when you get recognized in public. He's very prideful of you and likes that it's only him and a select group of people that get to see the real you outside of the camera frame.

• He, unlike Fyodor, does have an issue with the long hours, so he busies himself with the ADA and otherwise to keep himself from walking in and talking your ear off while you play your games for umpteen thousand people.

• He doesn't despise being called a discord kitten, but it does confuse him a little bit. But whatever, as long as you have 'my' in front of any name he doesn't care.

• Dazai watches your old streams when he's bored and can't help but giggle at the out of pocket or questionable things you say. He likes to watch the compilations of you on YouTube, too.

• Sometimes he'll quote you out of the blue.

• He doesn't like people trying to flirt with you or talk to you on the Internet as any partner wouldn't, so he is in the comment section of every post reading through individual comments. Type guy to see '❤️‍🔥❤️‍🔥❤️‍🔥' comments on your posts and reply '🧯🧯🧯'

• All in all, Dazai is well received by your fanbase, especially the ones who don't try to romance you and are normal. They think he's funny and a good match for you.

A/n; I hope it wasn't to short!!! I thought it was a cutsey idea, I think Nikolai would be pretty similar to Dazai in this scemario.

[simonsoys]

A couple of years ago, just before the start of the pandemic, I started having panic attacks when I'd sit down to draw anything. I don't know why, but it came on suddenly and got worse the more I tried to fight it.

Eventually, I stopped forcing myself to try, but I still felt guilty for not being able to produce anything. It's weird when you spend most of your life as "the artsy person" and then it stops.

I felt like most of my value as a person came from what I was outputting. If I couldn't draw then what was I good for? If I were just better, worked harder, even enjoyed drawing more, then I could've made a career out of art and then I could like myself.

Honestly, the best thing I've done for myself after that started happening was letting it go and moving on to something else. I started gardening. I've been reading books a lot. I picked up bass guitar and joined a band.

Getting into music in particular made me realize how awful my attitude towards drawing had gotten. It feels like how drawing used to feel like to me, when I was a kid.

I've made so much progress in the last year since I started learning bass, and it's because I have a willingness to try difficult things and fail-- the act of doing it is fun.

I've met fun people, I've played gigs (which would've been unthinkable even a year ago), and I'm feeling a lot better about myself.

I have a well of curiosity driving me that's been missing for awhile. I'm seeking out social interactions with musicians who are better than me, whereas I had closed myself off from working with other artists because I never felt good enough.

And most importantly, I don't feel like if I fail, it's a reflection of myself as a human-- it's just part of the process. If I suck at it, who gives a shit? Participating has more value than perfection. If my feelings get ugly, I can move onto the next thing. There's more stuff in the world to experience than any of us can ever get to. It's fine if this is just one of them.

Since I've had that realization, I've been slowly able to draw again. I can recognize the destructive thoughts when they're happening, even if I can't fully stop them yet. It's been A LOT easier if I'm drawing something for someone else instead of myself.

I'm hoping in the next year I can get even more of the enjoyment back, but if not, I'll still be ok.

[evanpeterswhoresblog]

Behind the Crime

Warren Lipka x f!reader

warnings: smut, unprotected p in v, oral male receiving, dominate warren, underage drinking, underage smoking, use of marijuana, rough sex, hint of choking, talk of robbery, um yeah i think that’s it

summary: from the moment you were brought into the heist, you knew working with warren was going to be hard…

word count: 3.4k

a/n: sorry for not posting guys i have not been on the grind lately. i watched this movie and omfg evan was so attractive i just needed to write. if you’re the real warren lipka just scroll this is about evan…

~~~

You sit back in your chair, the crew members adjusting your mic. You’re starting to regret doing this interview, but it’s too late to back out now. Everything’s already set up, the camera is about to be rolling. The interviewer is sitting a few feet away from you, notes in his hand. He waits for you to give him the signal that you’re ready. You nod, he begins.

“So, y/n, how did you become involved with the group?” He asks.

“I was first approached by Spencer when I was eating lunch outside one day...”

~~~

You were sitting alone, the cool fall breeze almost too cold to be comforting. You didn’t pay much mind to it though, you were more focussed on your studying. You were flipping through the pages of another history article when suddenly there was a presence beside you. Looking up at them as soon as you noticed, you recognized the boy as someone from your class.

“Can I help you?” You asked, your tone polite.

He looked nervous as if he were about to ask you out. “Hi, uh, I don’t know if you remember my name, I’m Spencer we have Art History together.”

“Oh, yeah, I’ve seen you,” you replied. “Do you need help with the homework or something?”

“No, I actually wanted to talk to you about something else, if you’re not busy or anything,” he said, his voice quiet.

You look away for a second before replying. “Sure, sit down if you want I’m not busy.”

He smiled at you before quickly sitting at the spot across from you. He put his bag on the table, you could see him take a deep breath. Was he really going to ask you out? You thought he was cute, but definitely not your type. You started to pray he wouldn’t say anything along those lines.

“I started to ask around a week or two ago about people who are good with computers and stuff, a lot of people told me you were the best person to go to,” he started. He lacked confidence in his voice, you felt bad for the poor guy but paid close attention to his words. “I need some... help with cameras.”

“What kind of cameras?” You asked, intrigued.

What he was saying was true, you were decently good with computers. You mostly would hack into places and disable things you didn’t like, like the cameras on the public library computers. It wasn’t anything illegal, at least you didn’t think it was illegal. It probably was, but you didn’t care.

“Just you know cameras in... semipublic places...”

You raised an eyebrow. “Like what kind though? Phone, laptop, desktop, security?”

“Security,” he answered quietly. “But before you say no listen, how does a couple hundred thousand dollars' worth of payment sound?

“What?”

“I won’t tell you the details till I know you’re on board but let's just say something is going down and we need help with the cameras. The pay would be huge and all you’d have to do is just mess with some cameras for like twenty minutes.”

You only stared at him; your mouth slightly hung open. Was he being serious? Was he really asking you to join him in a potential robbery that would pay hundreds of thousands of dollars? You never would’ve expected to be asked such a question on a cloudy Thursday at lunch. You shut your book completely and look around to make sure nobody is close.

“This money, it’s guaranteed?”

He nods. “As long as we get the job done, you’ll have it.”

You knew it was crazy, you knew whatever was going to happen would either result in you going to prison or having to run off into hiding. But the thought of being able to pay all your student loans off and have extra money to live off of was more appealing. Hacking into cameras wasn’t that hard, and it wasn’t going to hurt anyone. Unless it was.

“If you’re trying to get me to make sure a murder or rape isn’t on camera I’ll snitch,” you warned him.

“Oh no, nothing like that is happening at all. It’s just you know a robbery,” he replied, his expression genuine.

You nodded your head, convinced whatever he was asking couldn’t be that bad. “Okay, yeah, I’ll do it.”

~~~

“What was your first impression of the guys?

You smile. “They were really cool, funny, just overall really fun people to hang out with.”

“Do you remember the first time you met all of them?”

“Of course, like it was yesterday...”

~~~

The house you sat in front of didn’t look like a typical criminal's house. It looked like an average American’s family house actually. You were parked out on the road outside the house Spencer told you to go to, you were meeting the rest of the people involved with the robbery. It had been about ten minutes of you sitting out there debating whether or not to go in before you got a text from Spencer asking where you were. You sighed, praying to God this decision was the right one before getting out of your car.

You knocked on the front door with a shaky fist. You started to regret your decision, you thought about turning around and leaving, but the door was opened before you could act on it. An older woman stood in front of you, she looked to be in her 50s.

“Oh, you’re very pretty,” she said, making your cheeks turn red. “You’re here to see Warren, right?”

You had no idea who Warren was, but you nodded. The lady's smile grew, and she opened the door for you and ushered you inside. She directed you to the basement entrance, asking you a million questions you had no answers to. After those few but excruciating painful minutes though, you walked down the basement stairs and finally caught sight of Spencer.

There were three other guys in the room and all of their eyes were on you. Two, along with Spencer, were sitting on a couch. One of them was skinny with glasses, the other muscular with no glasses. They didn’t grasp your attention though. The last guy who was standing did. He had long dark curly hair, and eyes to match. His eyes met yours before you watched them slowly move up and down your body. You didn’t know how to react.

“Guys, this is y/n,” Spencer said, breaking you out of your thoughts.

“Hello, I’m Eric,” the guy with glasses introduced himself.

“Chas,” the muscular guy spoke, not paying much attention to you. “Are you sure this was a good idea, Spence? How much do we really know about this chick? No offense.”

“Shut up, we agreed,” Spencer hissed. He waved you over and you complied, walking to the couch and sitting on the end beside him.

The standing guy took a step forward and held out his hand to you. You looked up at him before accepting his handshake. His hand was rough, you liked the feeling of it in yours. “I’m Warren and you are our cameraman or woman I guess.”

You laughed. “I guess.”

“How much has Spencer told you?” Warren asked after letting go of your hand and stepping back. It was then you noticed the maps on the wall with drawings all over them, the layout looked familiar.

“Just that I need to hack some cameras and that it’ll pay me a lot,” you answered. “I don’t even know what you guys are stealing.”

“Well y/n, I’m sure you’ve been to your own school's library right?”

You nodded.

“Have you ever taken a tour of the library’s rare book collection?”

You nodded again.

Warren smirked. “Then you know exactly what we’re stealing.”

Your face fell and you immediately looked at Spencer and the rest of the guys. “Are you serious? You guys want to steal historic books?”

“I told you this was a bad idea,” Chas mumbled from his chair.

“Shut up Chas,” Warren quickly snapped. He looked back at you, his dark eyes engulfing yours completely. “We’ve been planning this out for months, and you are the last piece to our puzzle y/n. Think about how much you’ll be earning.”

You didn’t say anything. Maybe it was a bad idea.

~~~

“Chas eventually stopped being cold to me, I actually think in the end he became my closest friend in the group,” you say, finishing your story.

The interviewer gives you a look. “Well, besides Warren right?”

“I don’t know what you mean,” you reply, a confused look on your face.

“I have to ask if the stories are true, you know about you and him. The other guys say something changed between the two of you after a party you all attended. I mean, didn’t the police even question if your involvement had a deeper meaning than simply the money?”

You shake your head, giving your best performance. “Me and Warren were only ever best friends, there was never a deeper meaning behind anything.”

~~~

Music was pumping through your body, from the tips of your toes to the top of your head you could feel it. It had been a few weeks since you met the guys, and they all wanted to do something fun before the heist. So, a frat party was naturally the easiest option. That’s where you were now, already two shots and half a joint in. You didn’t know where Spencer, Nick, and Warren were, but Chas was dancing with you.

Though the two of you got off on the wrong foot, you and Chas quickly learned how well you get along. He was a good friend, all of the guys were. You liked how easily they could make you laugh and brighten your mood. They were all good people who you enjoyed being around.

Warren was the only one that you felt different for. You didn’t know why, but from the first day you met you knew your feelings for him would be different than the other three. The way he looked at you alone was completely different than the others. There was always something darker in his eyes, something you knew wasn’t supposed to be there for simply a friend. Every time the two of you looked at each other, your stomach filled with butterflies. You wanted it too. But in those first few weeks, nothing had happened. No matter how much either of you wanted it.

After some minutes of you and Chas dancing, Warren and Spencer appeared. They asked if the two of you wanted to go out and smoke, you both agreed and followed them outside the back. Not too many people were in the backyard, but there were enough for there to be a bonfire going. The four of you found an empty spot near the fire and sat down. Warren took out a joint and lit it before passing it around.

“Where’s Nick?” You asked after taking a hit.

Spencer shrugged. “Probably with the weird kids doing weird stuff.”

“He’s not that weird,” Chas replied. “He’s just awkward.”

You watched as Warren took another long hit of the joint. Because of the weed and alcohol, you found yourself even more attracted to him than when you were sober. You wanted so desperately to run your fingers through his hair, you wanted to hear his voice as you touched him. He suddenly met your gaze, his lips curled up into a mesmerizing smile. You wanted to kiss him. It was too much for you to handle.

You swallowed and stood up, brushing the dirt off your shorts. “I need to um use the bathroom.”

You didn’t wait for any of their replies. Instead, you rushed back into the house straight to the kitchen. You poured yourself a shot, downing it before giving it a second thought. You needed these feelings to go away. How were you supposed to work with Warren if you couldn’t even look at him without thinking about having sex with him? It made you feel awful. A hookup couldn’t be the reason the robbery went bad, you refused to let that happen.

After another shot, you started to forget about your feelings. In fact, you started to forget about Warren completely. All you felt was the burning sensation of the alcohol in your stomach and chest, it felt good. You stumbled out of the kitchen and into the hallway, grabbing the railings of the staircase for support. Suddenly, you felt a presence next to you, their hand on your back.

“Y/N, are you good?” It was Warren.

You turned your head and looked at him, God how could he look even better? “No- I’m not okay.”

“You’re wasted, you need some water,” he said. He moved his hand around your waist and pulled you up straight. You felt like you were on fire. “Come on, back to the kitchen.”

“Why are you here? I just- I just wanna forget about you,” you mumbled.

He started helping you walk back to the kitchen. “What? Why would you want to forget about me?”

“Because... I want you but I can’t have you. I thought you- felt the same that’s why it’s been so hard to resist,” you spoke, stumbling over your words. “I can’t look at you without thinking about you fucking me.”

Even in your drunken state, you could still see the cockiness on Warren’s face. He lifted you up onto the kitchen counter effortlessly before turning and getting you a cup of water. You leaned your head back against one of the cabinets, your head was spinning. You couldn’t think straight.

“Drink,” Warren’s voice filled your ears.

You lifted your head and grabbed the solo cup from his hand, downing the water faster than ever. When you finished, you threw the cup to the floor, your eyes meeting Warren’s once again. He was standing close enough that if you reached, you could touch him.

Perhaps it was because of the alcohol, or perhaps it was because of how long you’d felt the tension between you two, that gave you the courage to gently place your hand on the top of his head. His hair was soft, just like you’d expected it to be. You smiled and played with his curls. He didn’t object, you were glad. You needed this.

“Do you want me?” You asked, your voice barely audible against the loud music.

“What do you think?”

You shrugged. “I thought so, but I could always be wrong.”

“Maybe I should make it clearer,” he said. He grabbed your wrist and pulled your hand off his head before stepping closer to you. “If this house wasn’t crowded, I’d fuck you right here, right now.”

Your heart was racing, your cheeks bright red. You couldn’t believe this was happening. Warren was still holding your wrist, it sent electric shocks throughout your body. His eyes began to shift from your eyes to your lips and so on. You swallowed; a lump had formed in your throat.

“There’s probably an empty room somewhere,” you mentioned. “You could take me to one of them and show me you mean what you say.”

Warren raised an eyebrow. “I don’t know, you’re pretty drunk.”

“I’m not- I swear. I consent, I’ll remember all of this in the morning,” you replied quickly.

“All right.”

Before you could say anything else, Warren scooped you into his arms and began to carry you through the house. You didn’t know whether to pretend you were drunk so it wouldn’t look suspicious or stay awake to also not make it look suspicious. You chose to stay awake and within minutes you and Warren were alone in a bedroom, your lips connected.

The kiss was fast and rough, everything you expected from him. His arms were wrapped around your waist, he towered over you. You wasted no time, immediately kicking off your shoes and pushing Warren back until he fell onto the bed. He pulled you on top of him, guiding your hips in slow motions over his clothed erection. You felt like you were on fire, you needed more.

You broke this kiss and leaned back so you were straddling him. You pulled off your shirt and bra, Warren followed your actions. Once your eyes fell upon his toned abdomen, you audibly moaned. You quickly leaned down again and kissed his chest, beginning a trail down his body. Each breath that left his mouth made your pussy drip even more. And when you reached his navel, his breaths turned into soft whispers.

“Keep going.”

“Please.”

“I’ll do anything.”

When you no longer had any skin left to kiss you looked back up at him, his eyes were already on you. He got your signal and instantly pulled his shorts and boxers off, leaving him completely naked. You weren’t surprised at his size; you had a feeling he’d be big. You started off by slowly stroking him with your hand, the expressions on his face already enough to make you cum.

After a minute or so of that, you bent down and pressed a small kiss to his tip. You loved the way his leg twitched. It made you proud. So, you took him into your mouth. He gasped, one of his hands finding its way to the back of your head. He didn’t push you; he only twirled your hair back into a ponytail-like style and gripped it tight. You moved your head up and down, taking as much of him in your mouth as you could. You were never a fan of giving head to guys, but with Warren, it was a different story.

Not much time passed before Warren pushed you gently, telling you he wasn’t going to last much longer. You didn’t care, you wanted him to finish in your mouth. But he told you he wanted to have sex, so you stopped. You peeled off your shorts and underwear before you climbed back onto him. His naked body against yours felt unreal, you were almost convinced this was all part of your drunken imagination.

However, when Warren pulled your head down and began to kiss your lips again, you knew it had to be real. His hands gripped your ass, kneading and playing with your skin. You positioned his tip at your entrance, you were so wet you didn’t need any lube. You broke the kiss and looked into his eyes, you wanted to know it was okay. He gave you a nod and so you began to push yourself down on him.

He filled you well, just the perfect amount. You had thrown your head back, a moan escaping your lips. You hadn’t had sex in months, and this was the perfect way to break that streak. You started to move your body forward and backward while simultaneously going up and down. Warren’s grip on your ass tightened with each movement you made.

“Fuck baby,” he moaned. “You do it so well.”

Your confidence was boosted; you began to move faster. This only lasted a few minutes though, much to your dismay. You weren’t too athletic; you didn’t have good stamina. Warren noticed this, and without saying anything he flipped your bodies. Once on top of you, he began violent thrusts. You almost screamed from the pleasure; you’d never felt anything remotely close to it in your life. He hit your cervix each time, it made your back arch off the mattress and your nails dig into his back.

“Warren,” you whimpered. “Oh, fuck Warren.”

One of his hands wrapped around your neck. He didn’t squeeze, he just rested it there. You felt the knot in your stomach form at this. It felt so good to be dominated by him. It had been your dream for weeks, and it had finally come true. You closed your eyes and let the feeling of Warren fucking you fill your senses.

When you came, you practically screamed his name. You swore you could see stars. You’d never experienced an orgasm so hard in your life. Warren came a few seconds after you, you felt his dick pulsing inside you. He collapsed on you. You didn’t care about how his weight crushed you, you still held him as the two of you began to come down from your highs.

~~~

As the crew packs up, you remain in your chair, staring blankly out one of your windows. The interviewer is still across from you, but you don’t notice until he speaks.

“Just tell me one thing, off the record,” he says, grabbing your attention. “Did you love him?”

A small smile grows on your lips. “With all my heart.”

[mrs-stans]

Golden Globe Reactions

Jeremy Strong

It felt like much of Hollywood wouldn’t touch this film with a 10-foot pole. Were you surprised to see your name and Sebastian’s included today?

A 100-foot pole! I was incredibly surprised and gratified. I found it thrilling, especially Sebastian. You know, his work in this film is as good as any performance I’ve ever seen in a film – and I worked on “Lincoln.” I think it’s that good. For whatever reason, this moment that we’re in, of a reticence in our culture to go to places that are difficult or uncomfortable, or to touch the third rail — people just didn’t want to support this movie. It’s been a battle. Studios didn’t want to touch it. The streamers wouldn’t touch it. Even in the lead up to the election, I reached out to someone who runs one of the studios and said, “What do you think? Can we do this now that Trump has come out against the film and called us human scum?”

I think this film has a lot to say about this historical moment. I think it is capable of moving the needle, in an even infinitesimally small way. It can at least offer insight beyond a Wikipedia page or the way we get our information now. I was told, “It’s too hot.” It’s been dismaying. I was prepared for the movie to be left out of this part of the conversation, so today’s news was just really amazing. For the Globes to recognize this work, just on the grounds of its artistry, that’s been the real hard thing. Ali Abbasi is a visionary filmmaker, and he made a really fearless piece of art. I think this movie has as much in common with “Barry Lyndon” and “Boogie Nights” and “Midnight Cowboy” and “Mean Streets” and a Shakespeare play than it does with any kind of political diatribe. I think a lot of people still haven’t seen the film, because they have a preconception of what kind of film it is. It’s really not what you expect. I think it’s a very bold, an exciting film that also puts its finger on the pulse of where we are right now.

It’s certainly been talked about far more in a political light than in an artistic one. Of course, a Trump story is inherently political in this climate, but the film is really a character study.

We’ve been trying to get people to see the film. We don’t have a studio behind us. We don’t have a budget for any of these things. We can’t participate in some of these bellwether events that you have to pay to participate in. We’ve been excluded from awards things because the publications have not wanted to “support anything to do with Trump.” I feel a bit stupefied by it, because the truth is, if we’re talking about the art form of acting, this kind of stuff is the highest level of difficulty. What Sebastian did in this movie, the challenge that we both had, the size of the limb to go out on … this film exists in this moment that is difficult for people. Anthony Hopkins played Hannibal Lecter and Hitler, as well as Picasso and C.S. Lewis. For some reason, this film has been declared a no-fly zone.

It’s clear how much admiration you have for Sebastian and his work on this film. Have you spoken with him today?

We texted a bit. I’m just so happy for him. I mean, he was nominated twice today! He’s a heavyweight actor. My greatest hope is that today we’ll invite more people to see the film. If both of the lead performances are nominated for Globes, then surely it’s worth watching or just paying attention to. Maybe that will help reframe the conversation around the film, which has been slightly overlooked. If the role of storytelling is to hold a mirror up to nature, as he says in Hamlet, “to show the very age and body of the time its form and pressures,” I can’t think of something that does that more than this film. This is what we’re living through right now, and it is the past as prologue. Kai Bird wrote the “Oppenheimer” biography, and his next book is about Cohn. That alone speaks to how influential he is on this moment that we’re in. Sean Penn hosted a screening for Sebastian and I two weeks ago. Sean said, “Just wait, you’ll see, this film will have a second life.” I hope that’s the case.

[junabuggy]

Greetings fellow human, I recently found you and I must say, I love your writing and especially the layout of the posts.

I might also suggest an Idea for you with Alastor.

How 'bout a very passionate painter reader getting their nightly inspiration and staying up all night, also listening to loud music. And maybe being a little messy with the paint, like it somehow ending up on the face or different unusual spots.

Would love to see you write it in whatever form you prefer. Hope to read something from you soon.

And keep in mind, you're doing a great job and keep being amazing <3

Alastor x Painter! Reader

A/n: Omg I used to paint a lot and the places said paint would get?? How it ended up like literally all over me I’m not sure 😭😭 Also thank you so much !!

Warnings: None :3

Fluff✔️ Comfort❌ Angst❌ Smut❌

📻𖤐 Alastor finds you very talented and enjoys getting to see all of your little creations and masterpieces !!

📻𖤐 Bonus points if they’re a bit disturbing or dark, he’d love stuff like that (“Art should comfort the disturbed and disturb the comfortable” — Cesar A. Cruz)

📻𖤐 The only thing he isn’t particularly fond of in regards to your passion, however, is how little sleep you’re getting because of it.

📻𖤐 Your sleep schedule is completely fucked because of how often you get inspiration while trying to go to bed at night, because of course you just have to get up and go paint it every time.

📻𖤐 Oh and how messy you can get whilst you paint… which Alastor doesn’t actually mind as much as he wants you to think he does.

📻𖤐 He can shake his head and tut about it all he wants but he can’t deny the fact that getting to clean you up is something he enjoys doing for you.

📻𖤐 Plus, it’s always entertaining to see all the peculiar places the paint ends up on you each time he does. From your cheeks to your arms to more unusual places like your ears… it genuinely never does get old in his eyes ♡

It was another one of those nights. You were lying in your bed, trying to get some sleep and all of a sudden you got an amazing idea for a painting !! You couldn’t help but get up to go bring your ideas to life on a fresh canvas :-)

You went on with your usual routine, playing some music as you got your stuff all set up. Once everything was ready, off you were into your own little world as you painted away at 2:30 at night

Fortunately and unfortunately for Alastor, your room was right beside his. The walls were quite thin in the hotel.. even so, the loud music blaring wasn’t exactly hard to miss but it was even harder to fully relax with it playing.

You usually stopped your painting at around 7 or 8 in the morning so he figured this was going to be a long night….. he sighed to himself and went back to reading for a while (or at least attempting to for around 10 minutes or so.)

Eventually he did recognize a song you had playing, you’d played it for him before. It was after his time but he did quite like the melody

That’s when he got an idea of his own. his undying grin growing slightly as he bookmarked his book, set it to the side and made his way next door to your room.

He knocked on your door three times, waiting outside of it patiently as he heard you set your painting materials down. His ears twitched slightly.

Once you answered the door he waltzed inside cheerfully, not giving you a chance to speak or ask why he was here.

“Salutations my dear!! Up to the usual, I assume?” Alastor would ask, taking a curious look at the canvas you had been working on before glancing back over at you.

You gave him a smile and nodded “Yeah.. got a little inspiration and wanted to paint it before I forgot it.”

“Hm. Well, would it be too much to ask to pull you away from your work for a while?” He raised a brow as he tilted his head ever so slightly to the side, offering you his hand; offering a dance. And honestly you weren’t too surprised.

With a giggle and the grow of your smile, you happily took his hand and let him pull you closer to him as you two began to dance to the song playing in the background, your little masterpiece-in-progress long forgotten as you swayed with your favourite Radio Demon.

𝐏𝐥𝐞𝐚𝐬𝐞 𝐝𝐨 𝐧𝐨𝐭 𝐩𝐥𝐚𝐠𝐚𝐫���𝐳𝐞, 𝐫𝐞𝐩𝐨𝐬𝐭 𝐨𝐫 𝐭𝐫𝐚𝐧𝐬𝐥𝐚𝐭𝐞 𝐚𝐧𝐲 𝐨𝐟 𝐦𝐲 𝐰𝐫𝐢𝐭𝐢𝐧𝐠 𝐰𝐢𝐭𝐡𝐨𝐮𝐭 𝐩𝐞𝐫𝐦𝐢𝐬𝐬𝐢𝐨𝐧 ◟( ˃̶͈◡ ˂̶͈ )◞

ᯓ★ 𝐣𝐮𝐧𝐚𝐛𝐮𝐠𝐠𝐲

[littledead-ridinghood]

sorry if this is a weird question to drop on you you were just the first person I thought of who might know but do you know if it's canon/canonically-based evidence that jason is physically stronger than other bats because I always see people say jason is the one with "brute strength" and I can't remember if that's based on anything besides people saying that as a nicer way to call him a brute(maybe it was on lobdells stuff? but I wiped most of those out of my memory)

You thought of me first? <333333 I'm blushing. And it's not weird at all! Even if it was, I love answering weird shit.

Anyway:

So part of Jason being considered "the muscle" of the bats comes from the fact that Jason's currently the biggest of the robins. (Adult!Damian is usually drawn as the tallest of the kids when all is said n' done (that's vague for "age")).

Well, how big then?

I always go with this chart which was released while UtRH was being released:

(I Love this! I wish DC still did little info things like this within their comics. Or maybe they do and I'm just blind. But Look! Canonical Information!)

So canonically speaking, at least when running around pre-crisis, Jason is 6 feet tall and 180 pounds. (Also note criminal mastermind and put a pin in it)

But you've probably heard 200 & 220 thrown around a lot. Those numbers are specifically pulled from two different DC character encyclopedia books which I don't trust at all because there notoriously filled with false information and are dubbed as not canon all the time.

Personally, I use the 6', 180-195 pound range which estimates for fluctuating weight, the passage of time, muscle mass, and minimum bulk & cutting (which I assume is part of most superheroes' training to stay in fighting form, but please recognize that vigilantes are more athlete than bodybuilder) because it's from a canon source (Canon is "king" and all that). No shame to people who use the other numbers or even headcanon something completely different, but again, vigilantes are predominantly running all over cities day after day, not stagnant weight lifters. Cardio vs weights body compositions are quite different even if both are healthy. (And it's not all "swimmer's body illusion" either (they have that body because they swim? No, they swim because they have that body.)

How much muscle mass a person can maximally obtain is up to your genetics. But that max only comes with constant maintainment. It's not feasible for Jason to be doing all that cardio and also have that much muscle mass and fat. Cardio burns "fat" (calories), weights build muscle. We constantly see the former and former-adjacent workouts more than the latter with him. Jason is running across rooftops, flipping off them before falling into a shoulder roll onto the next roof over chasing after bad guys every night. The number of calories he'd have to eat and time put into lifting weights (too many reps a week lead to damage, not growth) to maintain his max (max being what a lot of weights category athletes try to achieve which Jason just hasn't been shown to be (except in his jailbird phase where he could literally only lift weights, read, and avoid being killed to pass the time)) isn't possible.

Using comic art to "prove" how much he weighs doesn't work either. Firstly, because everyone wears weight differently. Two people can be the same height, weight, and sex and look completely different. This is due to different body types, composition, genetics, diet, (what kind of) exercise, and many other factors. Assuming someone thinner is automatically "super light" doesn't factor in different body compositions (fat, muscle, bone percentages). (yes, I know it's stupid to apply science to comics. There's my digression. let me live). Secondly, Jason (just like everything else about him) isn't drawn consistently at all. Sometimes he's pretty damn massive, but we also have Twink and Twunk Jason (DC can't even decide on hair color? Do you think they're gonna decide on his body?).

So, comic book art isn't super reliable as evidence unless we want to theorize if, how, and why he seems to fluctuate between weights all the time (<- Which I have a whole headcanon about if anyone's curious), especially in comparison to the others because, seriously, it's totally a Jason thing. Most characters are pretty consistent in body type. Anyway, someone could argue "See! he is 210!" but it's also not for a long enough period to stick around :/ Again, hard to consistently maintain that much weight as a 6-foot-tall, cardio-based athlete.

Also note: DC is horrible when it comes to weight-to-height lineups. A woman hero can be ~5'7'' and then we're told she's 110 lbs which Fact 1. is considered underweight for this kind of height-to-sex ratio, Fact 2. probably isn't factoring in the fact that muscle is heavier than fat, she just "looks thin", and 3. Usually, totally, absolutely is just blatant sexism.

Really, the numbers don't seriously mean anything of actual substance because their comics, are unreliable, and also usually just...scientifically wrong. But Jason's perception on page, as well as the information we've been told, is one reason he's considered "brute strength first and foremost."

Furthermore, Jason has been shown repeatedly to be on par with Bruce (even when Jason, most of the time, plays defense in their physical fights) but many people chalk this up to him and Bruce having similar physiques making it "easier". Again, counter-productive argument because Bruce and Jason have been drawn very similarly before in stories as well as completely different from each other in others. Also, this purposefully, blatantly ignores Jason's actual skills. No one chalks Dick Grayson or Cassandra Cain beating Bruce up to their body types. Moreover, when Bruce and Jason are drawn similarly in body, no one refers to Bruce as "Brute Strength" either. Bruce gets to be tactical, strategic, clever. (Also Also: In Pre-Crisis, Bruce, Dick, and Jason are deliberately drawn to look similar (height, mass, looks, etc.) to get that Brothers in Blood effect. Still, No one chalks the formers up to all strength. Just Jason)

And that brings us to your question, Anon: Is there canonical evidence for Jason being stronger than the other Bats?

Remember how I told you to put a pin in that "Occupation: Criminal Mastermind" note? Well, first off, Jason creating jobs for his community. Go off, king. Second off, and more importantly so, "Mastermind": a person who supplies the directing or creative intelligence for a project (Merriam-Webster).

When Jason was first re-introduced, what made Jason dangerous was that he was highly skilled and smart. He was playing with both Black Mask and Batman like a cat batting a toy mouse. He orchestrated an entire "slow-growing" takeover of Gotham's underworld (he was actually very quick about it). Jason controlled the situation and planned so well that he had the villains and heroes who were both after him fighting each other so he could slip away and do what he actually needed to do.

Throughout Jason's history, he's always had tools with him when he fights. To the point that Bruce says to Jaybin "You won't always have this" cutting his utility belt, insinuating he relies too much on it, which Jason returns the favor to on his return and fights B hand to hand <3 Love a cocky callback. Furthering this, he knows many, many different fighting styles and techniques both from life experience and from extensive training. Jason's a quick learner by nature and is incredibly adaptive. Guns; knives; swords; pens; sets bombs to specifically implode, not explode; makeshift gadgets; a baseball bat just laying around; a tire jack that one time; brains. I could go on. Jason doesn't just hit things. He uses what he has as a means to an end. He's canonically known as one of the best strategists in-universe and is incredibly creative with his surroundings. Jason isn't just great at extensive, long-term planning either. Bruce himself has remarked on the fact that Jason thinks incredibly quickly on his feet, he's really good at improvisation. Concisely, he has plans A-G and if all those fail, he can pull something out of nothing. Contrast this with Bruce who needs to have a plan for everything. Even if it doesn't look like he's following a plan, Bruce is. Opposed to Jason who can go with the flow and figure it out along the way.

Jason even said this in present-era in TFZ:

And that's the whole point, isn't it? Jason is strong. Incredibly so. He's big and tall and has gorgeous thighs. Not to mention, has a mean right hook. But just because Jason's strong doesn't mean he isn't a bat first and foremost who relies on his brain before anything else. He died 4'6 (on his death certificate, his height varies depending on what source you pull) and famously had to defend himself his entire life ever before being Robin. Being young and small and forced to survive shaped Jason into a quick thinker who could either get away or take enemies 10x his size down. Nowadays, he just has a longer reach.

In Event Levithan when Damian says: "Jason Todd is one of the Great Master fighters of all time" He doesn't say strongest because Damian doesn't mean strongest. Damian means adaptable, smart, capable, and well-rounded in skill.

While I don't doubt that Jason is most definitely one of the strongest Bats due to his size, what makes Jason dangerous is not his body, but the fact that he knows how to use it. It's not "Brute Strength" as many people like to say, it's Strategic Strength. He knows just because he's stronger than someone doesn't mean he'll always win. A la see panels above. Jason knows throwing his body around won't do anything of real, long-term substance. That it's just blindsided and stupid.

I'm sure if I looked I could pull panels where other bats and/or vigilantes refer to Jason as the muscle, brute (strength), all brawn (no brain), other such implications, etc, but whenever people do, it's always to undermine Jason's skill. Because it's not actually about his strength. Jason, with his taller, more built form, makes walking quiet seem easy. And it looks easy because he's good. Jason himself knows his skill set, it's everyone else that undermines him time and time and time again. (Again, Event Levithan, Bruce doesn't agree with Damian's statement even though Jason just outsmarted the six or so people who all just tried to take him down (for something Jason didn't even do, mind you))

But, again from Damian, Jason's not known as "the muscle," he's "the emotional one" also usually used to...degrade Ja--We can't have anything nice apparently is what I'm saying. But yes, when people refer to Jason as "Brute Strength" it's usually them trying to find a nicer way of saying Brute or "thinks with his fists" or "Jason hits first, asks questions later." It's in the same vein as when people say "Jason likes books" as short-hand for "see, he's smart at something" rather than acknowledging that Jason achieved a degree's worth of knowledge in comp-sci by age 13.

Anyway Smart and Strong Jason, my beloved. I wish DC & others loved you as much as Rosenburg and the teams of artists he's been working with do.

[weebsinstash]

So like, in the finale there's that shot where the Vees are in Val's section in the Vee Tower, and there's VERY OBVIOUSLY AN OLD PHOTO OF VOX AND ALASTOR

and obviously i have some thoughts and ideas about that BUT I was listening to the song again and I couldn't help but have my eyes drawn to the top left corner... zooom... enhance.... rotate...

VALENTINO SELF PORTRAIT SPOTTED? Because even though I think that's Vox's handwriting, I definitely don't think it's his art, because we've already seen his art and uh, yeah it's definitely not on this level of detail

kinda just sitting here now thinking about... you go up to Val's office at the studio to drop off something someone else asked you to deliver, but he's not there, so you set it down on his desk and can't help but find your eyes drawn to a notebook sitting on a side table with a bunch of pencils next to it and... you can't help but take a peek... and it's surprising how many different drawings are in there and you find it actually pretty impressive, but as you keep flipping the pages, it's like "OH, a drawing of me! That's... kinda weird but it looks so nice! And another of me! And... another... and another... and another... and why do these all have so much detail..."

You basically catch him with the equivalent of Miles Morales' sketchbook full of Gwen and OF COURSE when you close it to turn around and leave, OF COURSE he's behind you and he's SO EMBARRASSED because oh my GOD, you can't just look in an artist's sketchbook without asking?! That's private! He's just, red in the face, flustered, frazzled, squeaking, shouting at you asking what you think you're doing. I just picture you try to calm him down, "I didn't mean to look but your sketches are really good! I'm sorry, I got curious 🥺 I promise it won't happen again" and he's crossing his arms and his antenna are twitching and he's just pouting and grumbling, "just don't fucking do it again" and you avoid being maimed because, aw you complimented him he loves that ❤️

that awkward moment when you open a random sketchbook full of drawings and it turns out to be full of like straight up fucking FILTH, of YOU. Like maybe you're doing PA stuff in Vee Tower and Vox lost a journal full of contact info for something and you're poking around in Val's tower helping look for it because, well, Vox asked you for help! It's kind of an honor! This guy's an Overlord and you got the go ahead to poke around his house to help him look for something! So you're glancing at papers and finally picking up The Sketchbook, and... it's everything from just doodles of you chilling just sitting doing normal shit like being on your phone or asleep in the limo, to potential outfit ideas like DETAILED CUSTOM outfit ideas with TWO different sets of handwriting in the margins, to just straight up PORN. Sketches of you in bondage, tied up, gagged, in spreader bars, on your knees with your mouth gaping open with painfully familiar pink cursive handwriting in a speech bubble where 'you' are begging to taste the viewer, mouth open, tongue hanging out with a trail of spit connecting both of your lips--

AND THE BOOK IS SNATCHED OUT OF YOUR HANDS AS YOU SPIN AROUND TO SEE VALENTINO and he's all but like INFLATED with embarrassment, fur bunching up, antenna flailing, at a loss for words as he looks between you and his sketchbook like he is CAUGHT IN 4K. He would probably completelt deflect and try to act like you snooping is the bigger deal meanwhile you're like "hey dude was that like a full color fully shaded drawing of me in a custom coat that matches your wings and we're making out--" and you wind up having to just scurry away as he becomes incoherently angry and flustered and maybe even threatening you if you don't get out of his room RIGHT FUCKING NOW--

The next time you go to work your shift serving him drinks, he's shoving an outfit at you that you recognize from the sketchbook, a new uniform, and you can't help but notice Velvette looking you over as you serve the Vees drinks, almost as if she's admiring her handiwork...

[majorbaby]

it takes a conscious effort to break your patterns of consumption and unlearn the notion beauty, interiority, diverse ways of existence aren't exclusive to whiteness or maleness. part of that isn't your fault. certain music is played on the radio, certain shows survive cancellation no matter what, certain people seem to be able to commit the worst possible acts against other human beings and are excused on account of their creative genius. others are selectively punished, with good reason sure, but still, selectively.

now more than ever it's easier to immerse yourself in art made by people outside of the mainstream. reading lists, free resources, playlists... all this stuff is more accessible than ever, but you've got to make an effort to give it a try. it's black history month, the recs are pouring in, go have a look. or take a chance on something absolutely no one has recommended anywhere and if you find something you like, rec it to someone else because the likelihood is they haven't heard of it.

tracy chapman's "fast car" is one of eleven songs that appears on her self-titled debut album. can you name the second hit single from it? if you're american and you fell anywhere left of center as of the 2016 election, it should be on the tip of your tongue if you were engaged in your country's politics at the time, regardless of your level of actual investment in the system. if not, the next time you're doing a task you need both hands with, washing the dishes, having dinner, doing your makeup, put that album on.

there's a post with over 100K notes on here that i see all the time of bruce springsteen and clarence clemons kissing. there's a part of that that is immediately meaningful to many if you're lgbtq, and a part that is harder for non-black lgbtq people to feel the weight of. but it is worth trying to do and was part of the reason why they kissed so often in the first place. clarence clemons was from norfolk, virginia. he released multiple albums outside of his work with the e street band. they may not be for you, but give them a try.

give enough music, or movies, or books that aren't a part of the approved canon a try, and there's no way you won't find something you don't feel as passionate about as you do about springsteen, siken, the beatles, what have you.

james baldwin was a prolific artist. see if you can't find something of his you like more than giovanni's room.

immerse yourself in ringo sheena, who mitski cites as one of her influences.

if you have difficulty paying attention to music you don't recognize, (i get it) make a playlist that alternates tracks you know and love with brand new tracks. start small. 5 faves of all time, 5 you're going to try out. you won't like everything, but you might find yourself looking forward to 6 songs instead of 5 eventually.

for movies, pick an actor whose performance you loved in something and explore their work. last year i picked whoopi goldberg, also a prolific artist, with a vast body of work that's pretty accessible as a result of her constant, intentional effort.

if you're an artist yourself, you can only stand to improve by getting to know your fellow artists better. so expand your notion of what art is. you can do it for free in lots of cases, and you're spending that time listening to music or reading or watching movies or series anyway, what have you got to lose?

anti-racism sometimes means engaging in real-world narratives of pain endured by brown and black people. that pain permeates much of our art, but we're just as three-dimensional as everybody else, and every aspect of our experiences come through in our work. you know that already, because what else is happening when you indulge in various genres. for everything you love or enjoy, there's a brown or black person who's doing something along those lines, in many cases, those genres wouldn't exist in their current form without the influence of our communities, some more than others, depending on where you're from. you can actually keep one foot inside your comfort zone and dip your toe into something else. that choice is both a joy and a luxury.

[meirimerens]

MEIRI!!!! i am taking a class in art history and i wanted to ask about your favorite paleolithic cave paintings, cause i know you're very passionate about that!

OOOHHAHHGRGHH MY GODDDD

YOU'VE AWAKEN MY EVIL POWER......

okay so this is gonna be real hard for me to choose. like reallll hard. but i think i can narrow it down. i don't know how much #info you need or how much Lore you care for me to add, but you've activated my trap card, so now you're stuck in the cave with me, i have the torch, and if you try to leave you won't find your way back. okay. let us start.

GENERAL LORE:

at least in the Franco-Cantabrian geographical and paleo-cultural area [this thing], which contains some of the most famous painted caves such as Lascaux, Chauvet, Pech-Merle, Altamira, etc, one main currently reigning hypothesis, because it allows to explain the most amount of [gesture] Stuff Going On, is that cave art exist within a magico-spiritual system of belief of the animist persuasion likely with shamanic elements. The places where walls were painted in the caves, were very, very rarely Living quarters. paleolithic tribes prefered to make camps outside, or just at the very entrance of caves: the depths were Hard to navigate, dangerous, possibly inhabited by predator animals. you didn't got to these places to fuck around; you went because you had a drive, you believed in something about them.

Jean Clottes (one of our main prehistorians in France, who wrote Pourquoi l'Art Préhistorique ?, or "Why Prehistoric Art", translated into english as "What is Paleolithic Art" which is fucking stupid, the "why" is the whole question he's trying to answer in the book, is this guy fucking stupid) identifies 4 main concepts that exist within indigenous, nomadic or semi-nomadic, hunter-gatherer, animist & shamanist societies and peoples, that are widely distributed (as such having "universal" elements) and could, likely, have been found within paleolithic societies, and possibly give us clues to their belief system, which are:

the INTERCONNECTEDNESS: of animal species between one another (explaining the numerous accounts of paloelithic art depiction species together, or separated), and of human and animal: including through mythologies in which humans were created from animal(s), or animal(s) later changed into human(s).

the FLUIDITY of the living world: animal species are recognized as kin, for they can become it; animal species are given, or projected-onto attributes that make a tribe, a clan, recognize themselves in it

the acceptation of the COMPLEXITY of the world: paleolithic people likely had deep, complex mythologies and cosmogonies, which we might Never, Ever, know anything about (this drives me insane.) their language, and their rites, might (have) reflect(ed) an understanding of the complixity of nature, or animals, that sedentary, then later capitalist societies might have lost the nuances of.

the PERMEABILITY of the living world(s). this again is seen in beliefs in the permeablity between human & animal, human a animal, animal as human: this is also where Shamanism might come into play. shamanism(s) rest(s) upon the conceptualization of the world as divided-but-permeable between a physical, living world, and an unseen, spirit world: the Shaman is the mediator, the person who can freely go between these two worlds, to communiate, to heal, to direct, to plead, etc. AND, and this is where it gets real interesting for The Caves: potentially, the belief in the permeablity of the cave rock itself: multiple painted sites might contain hints of a belief in the cave being the place where spirits dwell; and painting them is less "calling" or "invoking", even if there might be some of it, but rather "revealing". the cave itself, maybe, could (have) be(en) considered the place where spirits dwell, and come forth/from. more about that later.

WITH ALL OF THAT IN MIND. at least in the franco-cantabrian area, the placement of cave art is, very Very likely, extremely deliberate. it is not just the art that counts, but where it was made. we can ask ourselves, why it was made here, and not elsewhere. i am picking my answer on this axis. some caves might be so beautifully painted, but are The Vibes here? if the expression of this potential magico-spiritual complex and tens-of-thousands-of-years-spanning(!!!!!!!!!! this is nother thing that's fucking insane btw. did you know we are as close to Lascaux as Lascaux is to Chauvet, another very ornate painted cave. MULTIPLE TENS OF THOUSANDS OF YEARS) is visible, or #feelable, let's mention it. now onto the good part

CAVE ART THAT DRIVES ME CUCKOO CRAZY:

THE NIAUX (pronounced "Nyo") CAVE

reason: i've been there. twice. sobbed both times. came out changed like genuinely. made me go back to uni. the Niaux Cave is located in the Ariège (a-ryeh-juh) département [think smaller than a state bigger than a county] of southern france, in the Pyrénées (pee-reh-neh) mountains making the border with spain.

the almost entirety of the art is concentrated in the "Salon Noir" of the cave.

now. come close and listen to me. the Salon Noir is some 700 meters from both the modern entrance and the prehistoric one. today, like back then, you have to navigate rough, slippery terrain, crouchspaces, and generally accident-inducing (source: my dad slipped & fell just like our guide warned us about) walking space. for most of the way, the ceiling is 5 to 10 meters above, and the walls relatively close together (but not claustrophobic). the Salon Noir seems to be "indicated" by, on both of its sides, red symbol markings. now listen to me. the Salon Noir's ceiling is twice as high. even with modern lamps, you struggle to see it. now imagine. having walked all the way there, in the Wet, the fire of your torch or your grease hand-lamp to guide you, and suddenly not only can you not see the ceiling anymore, but the rock seems to speak back to you. the echo is intense, in the Salon Noir, way more than anywhere in the lower-ceiling'ed cave. your voice carries on for 5 full seconds, if you sing the rock continues singing after you. did you know? in france and spain, studies have shown that most parietal (=cave wall) art corresponds to particular acoustic features. did they sing? did they play the flute, the drums? did they use lithophones: the stalagtites & stalagmites, hit of small sticks, to make them ring? in the Salon Noir, most of the animals are bisons, as is very common in the franco-cantabrian area. now this is just something fun that our guide told us, possibly nothing more than an interesting coincidence, for its truth would rest on an unproven-hypothesis-within-an-unproven-hypothesis, but did you now that the female bison has the same gestational period as the human? 9 months.

the bison to the right, with the red markings and the "eyebrows", is my dad's favorite: he says its profile looks like him, with his beard and his big nose, which to be fair, truly it does. in a previous-previous-previous-previous life my dad as an upper paleolithic era bison. this is my dad's paleolithic fursona.

my favorite is this horsie. see? she smiles.

so does this one on the left, a protome (= name for the depiction of only the front of an animal, of a human)

PERGOUSET (pronounced per-goo*-zeh) CAVE

(* but the "oo" sound is short)

i'm cheating a little. because this is not painting, it's carving. but i consider sculpture an art, and parietal carving to be as important and interesting as parietal paintings, so. take it or don't!

yeah the whole cave. you'll see why. basically if i think about Pergouset for too long my skin starts melting i foam at the mouth etc. anyways. since the cave is closed to the public, and basically only available to researchers' viewings, it is quite hard to find images of it, so we'll just ball on this one.

Pergouset is located in the département of the Lot, in southwest-central france. this region is Plentiful with caves, including Pech-Merle that is basically next door, and Lascaux 1.5h away. why this one & not any of those two? well. come closer.

okay. the pussies & this guy with his penis out cave. what's her deal. Well, first piece of lore is to know that, in the grand scheme of franco-cantabrian paleolithic cave art, human representations are minimal. animals make up the majority of depictions, however, "archetyped" or "stereotyped" human figures that insist on sex characteristics are Plentiful. and within representations of that, "female" archetypes outnumber "male" ones by a lot. basically you cannot cough on a paleolithic "human" depiction without landing on a vulva frankly. many such cases in life as well. one of the hypotheses, which Michel Lorblanchet brings forth in his book La Naissance de la Vie: Une Lecture de l'Art Parietal (from which the picture above is from) is that it could be part of a belief system in which the cave, the whole cave, itself could be a "female" principle or archetype: the whole of the cave a matrix, a uterus. basically its giving, it's giving birth. one of the biggest data point he has for that hypothesis is the Pergouset cave. in the Pergouset cave, carvings of vulvae rhythm a long narrow passage following an underground river. the 3 vulvae could represent that of pre-birth, that of currently-pregnant (with the line in the middle, like the pigmentation line on pregnant belly + carved over a convex part of the stone), and that of currently-actively-giving birth: "vulva 3" is just two streaks in the rock, surrounding a naturally-occuring hole in the rock: as if that feature of the cave itself had been recognized as It's Giving Birth / hereditary voice I Am Your Mother. as you can see on the picture, vulva 1 is all the way back in the #depths, in the #dark, and vulva 3 the closest to the exit, indeed to the light ( -> it's giving birth). now. and this is the insane thing. foaming at the mouth like unwell arms shaking rn. i've had to go pace 4 times since i started typing. in the depths of the cave, the animals that are carved are less (see the numbers on the picture). but also, they're... more fantastic. stranger, more unusual. lacking the realism that is typically associated with parietal art. they're... as if from a dream, an undetermined land of weirdness, of amorphousness. as they get closer to the light, they get more numerous, they proliferate, life crawls the walls: they become also more and more realistic. as we reach the last carved vulva, as it is giving, what is it: giving BIRTH, animals are numerous, abundant, fully formed, their visible selves in the world outside: it is as if the cave itself, the depths of cave itself, gave birth to these animals, formed them inside of itself, let them out from this unknown, amorphous, strange land beyond the stone, where human cannot reach. humans went in, and meticulously, sometimes using a natural relief in the stone for an eye, a feature, "released" the animals from the stone, "revealed" them from their state of hidden-inside-of-the-depths-ness. the whole cave this Mother from which all the animals drawn on the walls emerged.

tldr

[nonbinarykai]

You know what fuck you *headcanons your ninja finances*

Kai

- usually deal with all the finances because he’s the most knowledgeable (and willing) to do it.

- he usually calculates how much the ninjas allowance is every two weeks and checks it off with wu to make sure everything looks good

- he also deals with money used for things like grocery’s, new supplies, etc in what they call the team fund

- typically if the ninja need something that benefits everyone (or don’t want to pay with their own money) they ask Kai and wu if they can use the team fund money instead.

- the ninja mostly get their finances through donations, merchandising, and awards from the city. Although it’s not much most shops in ninjago also give them custom discounts in order to thank them for protecting the city.

- Kai himself just usually saves up his allowance money. He never really developed out of his habit for saving.

- occasionally he would use his money to get the other gifts or to buy something he’s particularly interested. Like books or swords

Jay

- either always gambles away his money or spends it all right away getting new games, comics, or snacks.

- will pay ridiculous amount of money for merchandise if his current favorite show or media

- always begs Kai for more money or try to convince him to use the team fund to buy stupid shit

- never works lol

Nya

- uses most of her money to get supplies for her own side projects

- on the rare occasion jay will convince her to buy a new shirt

- frequent customer of Home Depot and Micheal’s

- she hates shopping in large mall complexes or stores because they would kick up her perfume allergies

Zane

- typically spends his money going to museums or zoos so he can look at birds

- he also donates most of his money to these places

- he also buys a lot of supplies and books about birds

- if you can’t tell he likes birds

- he doesn’t need to spend his own money on food or cooking supplies because the team fund usually covers that for him

- but he still likes to go to fancy restaurants in order to judge the food there lol

Cole

- one of the few ninja that has his own money stream because he does art commissions online

- Kai doesn’t question it as long as it means cole has his own money he doesn’t need to worry about

- spends his money on art supplies

- firm believer he’s a furry you cannot take this from me

- as a result also spends his money on fur suits, commissions, and going to cons

- also spends money trying to tend to his own plants he has

Lloyd

- lots, and lots of candy

- mostly spends his money on fast/junk food

- will occasionally buy himself a toy he wanted as a kid and now that he’s an adult with his own money he can get it himself

- likes to go to target a lot but not to buy anything just walk around and look at stuff before leaving

- if you tried to explain the concept of a credit card to him he would look at you like a kicked puppy

- also buys comics, although he’s not that interested in merch

- will sometimes buy plushies of himself

- anything else he has he usually donates

Wu

- if you took him to a grocery store I firmly believe he would take one look of those giant statues made by soda boxes and leave

- usually donates to museums

- very grateful that Kai is helping him with everything

- wu usually took care of the finances for a bit but after his tea shop and seeing how excited Kai was to run a shop with him (and recognizing Kai probably knows more then him) he let Kai take control

- of course everything still has to be approved by him so Kai isn’t abusing his power

[gluion]

first to know you, first to love you ➵ eric sohn

all you should care about is graduating with flying colors, so why are you starting to care about your seatmate?

requested by @mosviqu @sohnric for the song "valentine" by laufey

general genre/warnings ➵ strangers to friends to lovers, fluff, slice of life, afab reader (they/them pronouns), reader is a psychology student who has so much aspirations (and also believes love and studies cannot be balanced), eric is your seatmate-turned-friend-turned-lover, library dates reading dates study dates you name it!, eric is the most supportive guy out here, he annotates a book for you..., references to books and poetry, he buys you stuff, and he reads a book for you!!, slight hurt/comfort, kissing, also unedited IM SORRY!!!

word count ➵ 10k words

taglist ➵ @deoboyznet @kflixnet @blankjournal @winterchimez @miusgirl @jenoscafe @sweet-unicorn-world @mosviqu @vernyangel

a/n ➵ okay i am WITHIN the word limit!! but i know i went over the limit of scenarios (this may be the last time this happens... i don't know yet... help?) but i hope you enjoy this bar!! i am not too happy about my writing style for this one :') and i know reader may not be very "black cat" as i know you but i hope you'll still enjoy it to the fullest </3 also i made sure to not mention anything related to height LMFAO for the other readers: if you enjoyed this, always make sure to reblog (even if it’s on your tbr)!

want to be part of my taglist? send me an ask! want to request? check out my guidelines! masterlist

The years spent in university may be defined differently by everyone. Some may live out these years to enjoy the supposed independence they craved in high school. Others may spend those years exploring their interests and hobbies as they figure out what their future may have in store for them.

You, however, were a different case—head in scientific journals and coursework with a plan to graduate summa cum laude. As you study in a quota course, you’re determined to come out of university with flying colors. In a sea of students who are of similar (or even better) skill sets as you, the desire to be recognized as one of the top students is what you long for.

And for you, that means you were set on not entertaining ideas that may divide your attention from your studies—you were not going to allow yourself to fall in love in your years of university.

That is until a certain boy who goes by Eric Sohn came into your life.

CHAPTER ONE: LOVE LABORS LOST

The season of summer still lingers in the air; birds chipper as they sit on the tree branches; the sun glows yellow in the sea of blue; people point their fans at themselves as they are forced to bask in the heat.

But the new academic year has commenced, and you are determined to ace your classes once more. You’ve read the syllabi of all the classes you were going to take, even ones for your general subjects. Many people believe that general subjects are a waste of their time. You, however, thought differently, especially since one of the subjects you’re taking this semester is English Literature.

Coming from a STEM-oriented course, you may not seem like the type to enjoy literature. But the reality is that you love to learn about poets and writers—ones who seemed to craft worlds and dynamics that you could never translate into words. This misconception of those who enjoy science being unable to appreciate written bodies of art is one you face. But at least this course is a general subject, leaving you on equal footing with individuals from different courses.

You sit by the window as you wait for your professor to finish setting up his laptop. It’s syllabus week, so there wasn’t much to be worried about. Once he clears his throat, he shows the class a smile.

“Good morning, class. I’m Mr. Hwang Taejoon, and I am your professor for Introduction to English Literature.” He takes a moment to look down at his clipboard which you can only assume holds a list of his students’ names. “If this isn’t your class, you may take this opportunity to leave.” Some students get off their seats and make their way outside the classroom.

As soon as they left, your professor smiled before clapping his hands. “I’m excited to go through this semester with you. I know this is only an introductory course for you, so I will make sure to guide you all throughout. Now, will–”

The door of the classroom slams open. Your eyes snap to where the sound comes from, showing a boy whose black hair is all tousled up as he pants. He’s all dressed up in a varsity jacket over his hoodie and a pair of sweatpants. You notice how his hand quickly reaches out to his head, fixing his hair. 

The boy then immediately bows down to the class (mostly to your professor) as he says, “Sorry about being late!” Your eyes drift back to Mr. Hwang whose face now holds a frown in contrast to the smile he once showed to you. “I promise, I won’t be late for any other session!”

Mr. Hwang grumbles before he takes another look back down to his clipboard. “Go take a seat.”

The boy stands up straight before flashing your professor an apologetic smile. He quickly makes his way to find a seat. Despite the vacant seats that are located throughout the class, his eyes quickly skimmed through them. That is until his eyes land on you. You notice how his eyes flicker to the empty seat beside you. And the next thing you know, you find him situated to your right.

You try to keep your eyes on your laptop, looking at the text on the syllabus. You didn’t want to stare at him—the boy who took the vacant seat beside you out of all the ones situated around the classroom.

The noise he creates as he brings out his laptop is not loud enough to interrupt the discussion but can drown out your professor’s words. But as soon as he settles down, you notice that he sets his hand down on the space between the two laptops. You cannot help but let your eyes flicker to it, and you notice his wrist is littered with beaded bracelets.

“Now, I’ll be discussing the outputs you are expected to deliver within the semester.” Your eyes snap up to where your professor is, standing right behind the table as he looks through his laptop.

You were ready to focus for today’s session until you felt someone tap your shoulder. As you look to your side, you are met with a boy who shows you a smile—one that is enough to almost have you smiling back, just almost.

“Hi, can I ask if there was anything I missed?” It’s a simple question, but you find yourself unable to formulate an answer. His voice is enough to send you into a lullaby; he could have his own podcast and you’d listen only to hear him speak nonstop, whether it would be of logical discussions or nonsensical chatter.

Without any idea of how to voice your thoughts, you only shake your head. He nods and shoots you a wink before looking back to the professor.

You should’ve been thrown off by his sudden action. If anything, you have every right to roll your eyes at him. But you do nothing of the sort, only looking back at your professor who demands your attention while your mind remains preoccupied with the boy beside you.

This could be due to all the years focused on your studies. You could care less about all the people who tried to earn your affection, from your classmates in your majors to even those part of the same club as you. But the boy emits an aura that has you only thinking of him. How can you ace this class if you’re turning putty at the first meeting? You need to get a better grip on yourself.

“Now, I want you to answer these,” Mr. Hwang says as he flashes a question on the screen: What role does literature play in your life? “And talk about it with your seatmates. Now would be a good time to get to know your classmates with the upcoming paired assessment around the corner.”

As you read out the words on the screen, you are not given enough time to think as the boy beside you clears his throat. You look back at him, met with the same smile he flashed at you then. Does he do this with every person he first meets?

“I think I should introduce myself. I’m Eric Sohn, majoring in Hotel Culinary Arts,” he says with his hand out toward you. You take a glance at his hand before letting yourself hold it, shaking it firmly.

“I’m Y/N, majoring in Psychology.”

You notice the way his eyes widen as you mention your course. “Do you perhaps know someone named Kevin Moon?”

The mention of your friend’s name has you smiling. “Yeah, I do. We’ve worked together since we’re part of our home org. How do you know him?” Your hand drifts away from his, crossing your arms as you listen intently to what he has to say.

“Mutual friends,” he reveals as he lets one of his arms rest on the back of your chair. With one hand tucked under his chin, he rests his arm on the table. He takes a glance at the screen shown in the front to refresh his memory on the question. “Would you like to go first? Or do you want me to start?”

You nod your head, signaling for him to start. He takes a deep breath as he looks up to the ceiling, gathering his thoughts. “Well, I’ve read a few books then and there, but I think it was only when I entered uni that I started really reading more books if that makes sense.”

As his eyes meet yours, you nod as a way to show you understand him. “Yeah, I hate to admit this at first meeting but I’m a very romantic person.” You cannot help but raise your eyebrows at his words, earning a chuckle from him.

“I swear, I am! That’s why I started reading because my sister got me hooked on some romance books, so I’d like to think that literature helps me imagine scenarios I would love to see play out.” You notice the way he starts to scratch the back of his neck. “It doesn’t have to be me as the protagonist, but I’d like it,” he shyly admits, making you smile unconsciously.

God, you were not the type to just smile at some random boy. So why did Eric seem to have this effect on you?

Your thoughts snap you back into reality; the smile is now replaced by your calm demeanor. “I guess I can start.” As you see him signal for you to continue, you bite the inside of your cheek as you let your eyes drift to the screen.

“Well, I’ve been reading my whole life, actually,” you look back at Eric who seems to show genuine interest in what you have to say. Oddly enough, you feel as if you can tell him more than just the typical story you tell people.

“I know people don’t expect me to be this type because I major in Psychology, and I have this tendency to read a lot of scientific journals and textbooks for my classes but that’s because I enjoy learning about the human condition.” You let your eyes drift off to nowhere as you reveal a part of you to a stranger. Maybe it’s because he’s a stranger that makes it easier for you to admit details you wouldn’t normally admit to someone whom you’ve met under a different circumstance.

“But I’ve always had an affinity for reading. Books can be a form of escapism through fictional stories, but they can also be a way to encapsulate memories of someone,” you continue with a small sigh. “I have been quite behind with my reading schedule though, so I’m hoping this class may propel me back to getting back to reading.”

He hums as he nods before saying, “No, I get it. I like that answer.” You look back at the boy who only smiles at you. “It’s nice to know that you still want to go back to reading despite how much your other classes demand it. I know many people who’ve lost that love and don’t see themselves going back to it, you know?” You nod at his words.

You were no stranger to the love-hate relationship when it comes to reading. If anything, that is how you’d describe your relationship when it comes to the hobby. But you were hoping that the upcoming years would treat you right and that your love for said hobby may not dissipate. 

“Yeah, I would hate to lose that form of escapism from my studies.”

He nods with a small chuckle following. “I get it, I would hate to lose it, too.”

With no idea how to respond, you expect silence to follow. But Eric quickly fills it as he asks you a question. “Do you know anyone in this class?” As you shake your head, he lets out a sigh of relief. “Okay, same.”

You cannot help but giggle. “I mean, if I knew someone, then I would be sitting with them,” you point out.

You want to ask him why he chose to take a seat beside you, but he beats you to it by asking you another question. “Do you have a class before this?”

“Uh, no,” you say as you quickly take a glance at your laptop, moving the windows away to show your schedule. Since the semester just started, you didn’t memorize your schedule. “It’s my first class of the day, but my next class is around 3.” You look back at the boy who cannot hide the way he reels at your schedule.

“You have such a long break. But me too,” he says as he pulls out his phone. As he shows you his schedule, you notice how big of a gap he has for today, where his next class is happening around 6 p.m. “But at least the other days are back-to-back. I just didn’t get lucky with my Mondays and Thursdays. I tried to change it but all the professors denied my request.”

You cannot help but sigh at the sight of his schedule as you remember yours. “Same. Well, I guess we’re stuck with our shitty schedules.”

Then, he asks, “Do you want to exchange schedules and numbers, perhaps?” Your eyebrows shoot up at his question. “I mean, I just don’t know anyone here, so I’d love to at least have a familiar face I can go to, especially for this class.”

You know you’re about to enter dangerous territories. With the numerous books you’ve read, you were sure this is what books typically started their stories with—a meeting between the two protagonists whose relationship will only have room to blossom.

And you should have kept him at arm's length. You didn’t want to risk getting friendly with someone like Eric because even at the first meeting, you couldn’t help but feel yourself drawn to him. But he’s nothing but kind and there should be no problem with allotting him space to take up in your life. All you need to do is stick to your plan—no idea of pursuing romance shall be entertained until you graduate. You can only hope that your interest in him is just a happy crush, one that will never flourish further. 

So you find yourself nodding to his request to which he grins. But before he can say anything, the light comes through the window. He squints as it hits his face, raising his hand to shield his eyes.

“Here, you can put your number and social media then I’ll send you my schedule.” The boyish grin on his face alongside the sunlight that makes him glow is a sight the universe has gifted to you.

You’ve read all about protagonists being bewitched by the presence of another, but works of literature have not prepared you to experience the same. For once, you wish you could find the right words to describe the sight but all you can think of is what a pleasure it is to be seeing this at the start of your day—you can only hope that your happy crush remains that way.

CHAPTER TWO: LITTLE WOMEN

The later hours of the day dawned upon you. The fluorescent overhead lights are dim as only the lamps situated at every table shine bright; you enjoy them for they never make the library bleak. The wooden interior found in every corner of this library reminds you of your own back in your childhood home. But the main act of the show is the books; the wide selection they offer has you always here at every possible hour, whether it may be to study or to possibly read for leisure.

You usually find yourself alone on most occasions spent here. If you found yourself working on a group project, you would usually opt to have such meetings at the study hall situated a few buildings away. It made sense to have those in a place where you could freely talk versus a library where it would be limited to occasional chatter or whispers. Today, however, is an exception, for you now sit across from your partner for your first paired work for Mr. Hwang’s class.

“I don’t usually spend my time here, but it’s nice,” Eric voices out as he looks around, taking in the sight of his surroundings. There were barely any students in the library around these hours. Usually, it would be you and some familiar faces you recognized because of the numerous instances you stayed here.

You’re not sure why you didn’t push for the study hall, but Eric’s explanation for choosing this place made sense. If you were going to study literature, why not do it in a place that is filled to the brim with it? It’s convenient if you need to quickly pull out a book because you’re already there. But the reality is that you liked this space as your own—somewhat like a part of the university that you believe to reflect the intimate parts of you.

You hum while you look down at your iPad where your notes are all scribbled down. “I’m always here. I spend most of my time studying or reading here.” You look up to Eric whose gaze is trained on you. Oddly enough, it feels like his eyes sparkle despite how dim the environment may be.

With that, you break eye contact with him as you look over a few tables away where you notice students who you knew only by their faces. “Yeah, like I know some of the people there just because we always seem to stay in the library until the closing hours.”

He hums before asking, “Do you know their names?” You shake your head before looking back at him.

“I only know the names of the librarians and staff. I’ve never been bothered to know the names of the other students, but we still say hi whenever we pass by each other.”

He can only nod at your words. “Sorry about interrupting the discussion, we can go back to it.”

“It’s fine.” You cannot help but smile as you shake your head. “It was a break we needed to take.”

He shoots you that boyish grin—one you’ve grown fond of after seeing him every week for class—before he continues, “So, we were talking about the confession scene of Laurie.”

“Ah, that one,” you cut him off as you lean back in your chair.

He chuckles for a moment. “So, what are your thoughts on the scene?”

You let out a sigh before saying, “Well, I am 100% on Jo’s side. I mean, she has every right to decline a man’s confession, especially if she has all these aspirations she wants to achieve.” You bite on the inside of your cheek as you recall the passages in your head. “And the audacity for Laurie to be, I guess, “jealous” of Professor Bhaer is unreasonable. I mean, it’s clear she doesn’t have room for anything romantic in her life, and I think that should be respected.”

“But,” Eric quickly scrolls through his notes found on his laptop. “Don’t we learn later on that Jo ends up longing for love in the end? Doesn’t she end up wanting both—a chance to pursue her dreams while also longing to be in love?”

You cannot help but chuckle at his counterargument. “Yes, but I think that this book was written poorly. I mean, we learned in the earlier chapters that Jo did not want to marry, and didn’t we also learn that Alcott only wrote Jo and Bhaer marrying each other because her publishers forced her?”

Eric hums for a moment. “I mean, we do learn that. But I think another way to look at it is that Jo was not ready to let someone take up such an important space at that period of her life. And I think it’s perfectly fine for her to realize later on that what she thought then is not what she wants after all.” With pursed lips, he lets his gaze flicker away from the laptop and back to you. “I know we put relevance to the context of the author, but I think it’s fine to derive our own interpretations of the text despite what the author intended, you know? That’s at least what I learned in my Art Appreciation class.”

Your partner for this assignment brought up valid points. It’s not like he was telling you to agree entirely with his interpretation of the later sequence of Little Women. Instead, he was engaging in discourse with you, sharing what he thought of the scene to provide a different perspective.

“I just,” you bite the inside of your cheek. “I just think Jo’s character was so revolutionary in the field of classics. I’ve read so much about women being viewed as individuals who are only meant to marry, but authors never put importance into their aspirations. I think that’s why I loved Jo’s character.” When you notice that Eric keeps his gaze on you without any sign that he’ll interrupt, you decide to continue. “She clearly had her priorities and wasn’t willing to let the idea of romance get in the way.”

Eric’s expression slowly starts to shift into confusion. Despite your words speaking on Jo’s character, it was starting to make sense to both of you that these sentiments came from a personal standpoint.

“Is this you speaking from experience?”

For a moment, you think of lying to the boy who sits across from you. You didn’t want to hear whatever comments he would make of your own choice to keep your love life as lackluster as possible. Yet, his eyes speak thousands of words—all revolving around curiosity. And you realize that maybe Eric won’t judge you. After all, when has he ever shown you that he would criticize you?

You sigh as you let your eyes look down at your notes. “I’m not looking for a relationship, or love, in general. I don’t think I have the time to even sustain one, and I care too much about my studies to even consider it.” You look back at Eric whose doe eyes still seem to shine.

He nods, letting silence take over. Your answer hangs in the air, almost as if you two needed it to marinate further. That is until Eric decides to break the silence.

“Do you ever get jealous of what you read?” You cannot help but tilt your head at his question. He shakes his head, trying to gather the right words to say. “I mean, you’ve read so many books, and I’m sure many of them have revolved around the theme of love and romance, especially the classics. Do you not want to experience that for yourself?”

Eric’s question seemed to be rooted in genuine curiosity. And you cannot help but ponder over his words.

It’s true that you would find yourself longing to experience the wonders of love that writers seem to talk about. It would be untrue if you said you didn’t give the idea a second thought—what would it be like to allow yourself to enjoy romance all while you study for your degree? But then you remember that there wasn’t anyone, really, to have you consider such. It was only an idea you would think about but never proceed with—there was no one to take up that space in your life to begin with.

So you sigh, shaking your head as you look back down at your notes, and say, “It’s not like anyone has given me a reason to reconsider.” You leave it at that, deciding not to indulge in the topic any further. And Eric only hums, looking back at his notes.

You take this opportunity to review your notes, recollecting every detail that is worth discussing with Eric for the upcoming presentation. Unbeknownst to you, however, your partner has his mind preoccupied with another matter—what can he do to become the reason you consider?

CHAPTER THREE: PRIDE AND PREJUDICE

The moon may be shining brightly tonight, but you’ll never know. All huddled up in the library, the lamp on your table shines over your laptop and sprawled-out notes. You weren’t sure how long you’d been in this library. All you know is that you still have papers to accomplish and exams to study for.

But at least you were going through this in the comfort of your favorite spot in the university for they seemed to keep the library open all day during midterm season. And at least you had someone there to keep you company during this mess.

“This paper is impossible,” Eric complains as he rubs his eyes from exhaustion. You’re sure it’s past midnight. “What did you write your paper on?”

You cannot help but yawn. “Uh, I wrote it on Still I Rise just because it answers the prompt pretty well.” With droopy eyes, you look at your friend who now leans his head on his arm that is propped up on the table.

“Man, that’s good.” You cannot help but chuckle at his reaction. “I’m hesitant about using a poem just because I’m scared I won’t be able to share my thoughts well. Like, I know I talked about how we interpret the text as something that matters, but sometimes I cannot make sense of what these poets are saying.” His tired expression shows how long he’s been pondering on what to write.

With the paper due a few days from now, you were sure Eric was pressured to think of anything to write about. So you decide to lean back in your chair, brainstorming for anything to help him. Yet, you only draw a blank, clearly exhausted from all the studying and writing you’ve been doing.

His cackle comes out of the blue. Your eyes snap to his face, seeing that his crinkled eyes are set on you. You don’t miss how the students around your area shush him. Eric is suddenly aware of how loud he is as he cannot help but sink into his chair out of embarrassment.

“Sorry, the expression you had on your face made me laugh,” he shyly admits.

You frown at him before saying, “Fine, you’re on your own now.” Your eyes dart back to your laptop.

“Okay, wait!” He quietly exclaims as he grabs onto your forearm. Your eyes drift to his hand that rests on your arm, slowly drifting away from exhaustion. Before you can comment, he retracts his hand. “I would love your help.”

As your eyes settle on him, you notice the pout that rests on his lips. His doe eyes still manage to sparkle in the dimly lit room. The sight warms your heart—you almost let your calm demeanor falter.

“I wish I could help but for once, I can’t think of anything.” As you say those words, the cold air hits your skin. You cross your arms as a shiver runs down your spine.

Somehow, Eric is quick to catch on to your behavior. You watch how he pulls off his hoodie, hair ruffled from the action. And before you know it, he hands it to you.

“Here,” he says as he drops it right beside your laptop, covering your notes. Although you shake your head, he can only roll his eyes. “You clearly need it more than I do.”

With no sign that he’ll back down, you cannot help but sigh. You grab onto the piece of clothing and slip it on you, getting a whiff of a fruity and spicy scent that clings onto it. With how big the hoodie is, it almost acts like a blanket. And when you look back at Eric, you notice the soft expression that takes over his face—a smile that is enough to warm your heart.

“I think you should take a nap.” His suggestion has you shaking your head. “You’re clearly tired.”

You roll your eyes before going back to your laptop. “I can’t or else I’ll be behind on my tasks.”

“Okay, but if you only take an hour to nap, I’m sure you’ll feel well-rested enough to work better.”

Your friend made a valid point. At the rate you were going, you were barely absorbing anything. But you didn’t want to slack off nor did you want to fall behind on your studies.

And as if he notices your worries, he says, “I’ll make sure to wake you up an hour from now.”

You cannot hold back the smile that appears on your face. Somehow, Eric knew all the right words to say in the short span of time he has gotten to know you. And before you know it, your arms settle on the table as you find your chin settling on them. Whether it would be from pure exhaustion or Eric’s persuasion, you found yourself settling in a position good enough to allow yourself to nap.

The victory smile that takes over Eric’s features is one you wish you could smack off his face for you know it’s because you ended up listening to him, but it’s also one you want to store in your memories. His grin is enough to have you smiling back, though you bury the bottom half of your face into the sleeves of his hoodie, getting another whiff of his perfume.

He then goes back to his laptop, scrolling away at what you can assume to be the instructions for the essay required by Mr. Hwang. As you watch him ponder, you cannot help but take in his features; from his strong jaw all the way to his eyes that manage to easily shift between a strong glare to a soft gaze. He is someone sculpted by the deities—you weren’t sure why the universe chose you to be graced by his presence.

In your time knowing him, you knew that he presented himself as a goofball to many. He became the life of the party, per se, for he managed to create a comfortable atmosphere for everyone.

And yet, you knew that it’s only a mask he chooses to wear for the sake of others. In these moments, you learn that he is more than just a childish guy. Past all the layers, he is profound—you first learned that when he shared his interpretation of Jo’s character. You hope that he can find more moments where he’ll expose that side to you.

You move your chin to rest on your arms. “Can I ask what’s your favorite book?” Your sudden question has his eyes snapping at you. “I just realized that we’ve known each other for half a semester because of an English Literature class, but I never bothered to ask about your favorite book.”

He cannot help but chuckle before saying, “It’s The Notebook.” His answer has your face contorting into disappointment. “Hey, what’s wrong with that?” The way he gets defensive has you erupting into a giggle.

“It’s just okay for me. I didn’t enjoy it that much when I read it.”

He furrows his eyebrows not due to disapproval but genuine curiosity. “Okay, so what’s your favorite book then?”

“Pride and Prejudice.” The answer leaves your mouth quickly, almost like it’s second nature to answer the question with that title.

He hums before admitting, “I’ve never read it.”

“Yeah, it shows.” The remark leaves your mouth without letting a second thought come. You notice the way Eric’s expression shifts into a scornful one, and you cannot help but giggle. “I just think that you might reconsider what your favorite book is after reading Pride and Prejudice, you know?” He only nods at your words.

You let out a sigh. “I actually want to reread that book after midterms are done.” Your blinks are slow, exhaustion taking over your body.

Eric is quick to notice how sleepy you’re getting. “Go to sleep. I’ll wake you up an hour from now.” All you do is hum before snuggling the lower half of your face into the sleeves of his hoodie, eyes now closed.

A few minutes pass, and you hear a chair screech softly. You can only assume that Eric had to use the washroom. But when you heard the chair move once more only a few minutes later, you were sure that he only had to get something.

As you hear him clear his throat for a moment, you keep your eyes closed. You try your best to not show you’re awake. And once more minutes have passed, you decide that the coast is clear.

Once you open one eye, you notice that Eric is leaning back in his chair with a book in his hand. He reads it intently, unaware of your gaze on him. You let your gaze drift to the cover of the book, and it takes everything in you to hold back a gasp. In his hands is a copy of Pride and Prejudice, the same one you found yourself revisiting just to read your favorite passages.

As you let your eyes close, a smile shows on your lips. Thankfully, it is hidden by the sleeves your face is snuggled into. With the sight replaying in your head accompanied by his perfume, your heart warms at the thought of him. You can only hope that he’ll love that book as much as you do—you can only hope that this infatuation will pass.

CHAPTER FOUR: EMMA

The season of fall has come; the sky is a patchwork of hues of orange; the leaves have turned to shades of brown; the wind has gotten cooler. Long gone was the heat that summer brought—you were dying to experience the joys of autumn.

Thankfully, you finished your last class for the day. As students piled out of the classroom, you were taking your time tidying your things. For once, you didn’t have any tasks to accomplish within the day which meant tonight would be time for you to enjoy, all snuggled up in bed as you finally reread Pride and Prejudice.

You were satisfied with the grades you received from your midterm assessments. Somehow, your efforts spent studying reflected well in the feedback your professors provided. Now, you can reward yourself with reading your favorite book.

When you exit the classroom, you expect yourself to go straight back to your dorm. However, the sight of Eric Sohn standing outside with his back leaning on the wall is what disrupts your plans.

“Eric? How did you know I was here?” Your shocked expression has him chuckling.

“We exchanged schedules, remember?” He says as he stands up straight, walking closer to you. You two stood in the middle of the hallway with little to no students in sight. “I kind of got lost, if I’m going to be honest.”

As he admits that information, you cannot help but giggle. “I mean, this is where most of my major classes are. That’s why I’m surprised to see a Hotel Culinary Arts student like you here.” He shoots you that boyish grin which has you smiling back. “So, to what do I owe this pleasure? Do you perhaps need help with the upcoming assessment for Mr. Hwang’s class?” You attempt to joke as you remain unaware of the reason behind Eric’s visit.

But when he pulls out a book from behind his back, your smile shifts into a shocked expression. In his hands is a new copy of Pride and Prejudice, one different from the one that he was reading in the library that one night. As your eyes zero on the book he holds, you do not pay attention to whatever expression Eric may have.

“I finally got around to reading your favorite book, and I have to admit that you’re right. I think this might be my new favorite book,” he hands the book to you. Your hands trail over the cover, still shocked that he ended up finishing it. “And I wanted to finish it before you reread it.”

You were expecting him to only read a few chapters, but for him to find enough time to finish it before you could pick it up? You realized you were screwed.

Your hands find themselves flipping through the pages—and holy shit, there are notes and scribbles all over the pages. “I wanted to annotate it just so you can also read my reactions and interpretations as you reread it.” Your mouth parts open at his words, clearly in awe of the action.

The pages are littered with underlines and circles, highlighting passages and quotes that seem to resonate with Eric. On the margins, you notice notes that are simple one-liners and others that are long enough to fill up the pages’ spaces.

“I–I don’t,” you look up to the boy in front of you. With his smile still plastered on his face, you do everything in you to find the right words to say. Yet, it’s impossible—this is the first time someone has done this for you.

He chuckles at your lack of words and says, “I would love to stay and hear how much you enjoy this, but I unfortunately have a class to get to all the way in the Culinary Arts building.” He lets his hand rest on your shoulder, squeezing it as if it’s his way to snap you out of your trance.

But the thing is you are not in any way out of touch with reality. Not only did he give you an annotated copy of your favorite book but he waited until your last class in a building that is all the way on the opposite side of where he needs to be. And at this moment you knew you were doomed—that this budding infatuation is turning into something more.

“I’ll see you next week in class, okay?” He says with a smile. You can only nod, still unable to speak. “Or tomorrow, if you’d like.” And before you can question him, he quickly makes his way out of the building. You let your eyes watch his figure that continues to sprint away.

As soon as he’s gone, you look back down at the book in your hands. You flip through the pages as you still remain in shock at what he gifted you. That is until you notice a post-it note stuck on the last page. When you open it to the page, you expect it to be an index of what his annotations mean. Instead, it is a message directed towards you, and you cannot help but feel your heartstrings tug at his words.

would you be interested in going on a reading date with me?

❑ yes ❑ no </3

p.s. you can just text me your answer :) maybe we can plan something tomorrow (that is if you see it by the time i give this to you)

And you tell yourself that this is wrong—that you should not be considering his offer no matter how friendly it may be. But with how he’s been treating you, you almost hope that this isn’t just him being friendly. You want to be on the receiving end of his affection—of his love.

It seems stupid to go back on your word of refusing to entertain love. Your plans are focused on graduating summa cum laude without ever allocating space for someone to take up your time. But is it wrong that someone has you reconsidering what you originally thought? Is it a sin for you to want to experience the joys of love despite your past reluctance?

So for once, you fully understand Jo’s character—you want to achieve in your endeavors all while experiencing the joys of love. And there’s nothing wrong with having that mindset after all.

The season of autumn is your favorite; the sight of leaves falling is a sight you cannot help but enjoy watching. In the same way leaves fall from the tree to the ground, you have fallen for Eric Sohn.

CHAPTER FIVE: SONNET 18

“So, what’s your favorite scene from Pride and Prejudice?” You decide to ask Eric as you two pass through shelves filled to the brim with antique books.

He hums as he follows closely behind you. “I think it was the first time Lizzie and Mr. Darcy danced together.”

You glance at the boy behind you, humming along with his answer. “Yeah, I really like Austen’s use of the motif of dance.” You come to a halt as you stand in front of a shelf full of classics. “I mean, she uses dance to show attraction between Mr. Darcy and Lizzie without them even realizing it.” Once you turn your head to face Eric, you notice a smile on his lips.

“Yeah, they’re remarkable,” he mutters as his eyes remain on you.

Under his gaze, your knees start to get weak. You cannot help but gulp as you look back to the shelves with cheeks dusted red.

Today, you and Eric were in the middle of a date—not a reading one, but an actual date. At first, you were nervous about having lunch with him mainly because you weren’t sure what to talk about. But he found a way to lead the conversation, making sure to build an environment where you two could talk about anything and everything.

Eric decided to bring you to an antique bookstore near campus considering that you two share an affinity for reading—though you were more interested compared to him. The selection they have covers fictional classics all the way to nonfiction recipe books. It’s definitely smaller than what the library offers but bigger than another bookstore you tend to frequent.

As your eyes scan through the collection, your eyes catch onto a copy of Sense and Sensibility, another book by Jane Austen that you’ve been meaning to pick up. “Ah! I’ve been meaning to read this,” you exclaim as you pull it out. With your eyes still looking through the selection, you spot another book you’ve wanted to read for a while. “Oh, they also have Wuthering Heights!” As you grab onto the other book, you look down to admire the covers. 

While you’re entranced by all the antique books standing in front of you, Eric cannot help but chuckle at your reaction. You whip your head only to see that god-forbidden boyish grin on his face—the same one that got you hooked onto him at the first meeting. He leans his side on the bookshelf all while he stares at you.

With that, you frown as you tilt your head. “Why are you laughing?” The question that leaves your mouth is out of genuine curiosity.

“No reason,” he starts off. “You’re pretty, especially when you talk about books.”

Your eyebrows raise in shock, thrown off by the sudden compliment. Eric has never been the type to tell you such during your time knowing him but hearing him say it now has your knees weak. Suddenly, all resolve was gone and you had no idea how to respond. 

And before you know it, you say, “You’re pretty, too.”

The words come out quickly without a second thought, and only when they leave your mouth do you realize how weird you are for saying such. But you notice the way his smile gets bigger, and you cannot help but feel your cheeks warm up once more out of flusters and embarrassment.

“Are you done picking out the books you want?”

“Uh, yeah,” you start off as you glance at your books. “What are you going to get?”

He hums as he stands up straight, looking at the shelf in front of you two. “Do you have another book recommendation for me?” He looks back at you.

You bite the inside of your cheek as you hum, thinking of a book. “Maybe Jane Eyre? By Charlotte Brontë?” You’re ready to tell him the synopsis of the book, but he doesn’t spare you another second for he grabs the book.

“Okay,” he smiles as he raises the book up. “I’ll pay for your books while I’m at it.”

You immediately shake your head at his words. “Huh? No, you don’t need to.” You hold the books close to your chest. “You paid for lunch already.”

He rolls his eyes before extending his free hand out to you. “It’s fine. I want to buy these books for you.” Your eyes are wide as you slowly feel yourself moving the stack of books away from your chest. “So long as we get to have that reading date, I’m happy to buy them for you.”

You would deny his offer, but you hate to admit that the idea of having someone you like buy the books you’ve been wanting to read has your heart warming. Buying you books, reading your recommendations, and annotating a book just for you—they’re the easiest ways to your heart, and he figured them out.

With that, you find yourself handing the two books to him. He smiles as he glances at the three books in his hands. And before you know it, he quickly links his arm with you as he drags you to the cashier. You don’t know how you got lucky to know a guy like him. 

CHAPTER SIX: SO TIRED BLUES

Usually, the hours of the night are the ones you find most comfort in. It’s the illusion of being away from the hours that demanded you to interact with others. You love spending your time alone doing whatever, whether it may be your own hobbies or the coursework you need to accomplish. This time of day had you in a state of tranquility, at most, for you were comforted with the idea that nothing can disturb you.

But for once, you weren’t calm during these hours. As you stare at your shared document that barely had any input from your groupmates, you feel your sanity slipping away. This assessment is due two days from now—what can your groupmates offer during this time crunch?

You lean your head in your hands as your eyes rest on your keyboard. As you let out a groan, you cannot help but grip your hair out of frustration. 

“What’s wrong?”

As you look at your friend who sits beside you, you cannot help but pout. “Eric, I can’t do this.”

Despite these hours being reserved for your alone time, you chose to spend these with him. The date was a success—you two were practically inseparable at this point. But you two were still going on dates without any expectation, still exploring whatever you two truly felt towards each other.

To be fair, you were still hesitant about jumping into a relationship with him. You still weren’t sure how possible it was for you to handle your studies along with being in a relationship. And you hate to admit it but you’re terrified—what if the love you read about is nothing like what you’ll experience with Eric?

So for now, you’ll only allow yourself to enjoy what you have now. It is only when the universe forces you to confront these sentiments that you’ll figure out the answer.

He crosses his arm as he leans back in the booth you two sat on. “You want to tell me about it?” And for a moment, you consider not doing such. You didn’t want to waste both yours and Eric’s time complaining about shitty and unresponsive groupmates.

But he doesn’t give you a moment to indulge any further in those worries, for he says, “We have enough time for you to talk about it.” He shows you a smile, one that is enough to bring you comfort. “Let me become someone you can lean on.”

And with that, you find yourself spilling out your frustrations. “I’ve just been so stressed, you know? My group mates are so shit, I’m not sure how good of an output we’ll be able to submit on time,” you start off. “I’ve been reminding them nonstop to do their work, and they just keep ignoring me. And it doesn’t help that my professor doesn’t give a fuck.”

Eric cannot help but let out a hiss of annoyance at your situation. “That’s terrible.”

“I know, right? And this assessment is at least 30% of my grade. How am I going to get an A in this class if my groupmates refuse to help?” You cannot help but groan as you lean back.

As you stare up at the ceiling, you tongue the inside of your cheek as you ponder over the situation you’re in. And you’re not sure what takes over you when you share your next set of thoughts. “I just–I want to achieve so many things, but it’s so hard when you’re not supported.”

Despite your eyes staring up at the ceiling, you can feel Eric’s gaze on you as you reveal a part you’ve never shared with him. So you let out a sigh before saying, “I know I talk so much about wanting to ace all my subjects and graduate with flying colors, but some days it’s hard to keep up with that type of mentality.” You let your eyes close for a moment. “It’s hard to aspire for so many things when you don’t have someone to fall back on.”

Although you have the passion to achieve the different goals you set for yourself, it becomes impossible to keep that fire going on most days. Sure, you had friends from your course and extracurriculars, but they were never ones you could find yourself going to easily. In most instances, you would be by yourself as you were scared to insert yourself into people’s circles.

With that lack of a support system, it became difficult to attain your goal. Although you try your hardest to keep your mind set on the prize, you cannot deny that you find yourself slipping into burnout in most instances.

“I feel like I’m teetering on the edge of burnout, you know? And I know most people would say to take a break or to indulge in a hobby, but,” you look at the boy beside you whose face is full of concern. “I’m exhausted from reading.”

It’s something you didn’t like to admit out loud. Eric knew you as the person who would read at any hour if they could—the one who wishes they could consume books even while asleep. So it hurts to say that you were growing tired of the hobby—the one thing that provided you escapism.

You let out a bitter chuckle as your tired eyes drifted away from him, staring off into the distance. “It gets hard to read when all you do in a course is read. It requires so much energy, and most days I just don’t have that.” As you say those words, you let out a sigh. “And even when I forced myself to read, whether it would be for my own pleasure or a requirement for school, I could never digest the passages.”

Eric hums at your reveal. And when he reaches out for your hand, it feels as if all your worries are lifted off your shoulders. “Is there any way that I can help?”

You cannot help but chuckle as your eyes rest back on him. With his worried expression, you only show him a small smile. “No,” you shake your head. “But it’s fine. I’m glad that someone listened to me.”

It’s not like you were aiming to have your problems solved by him. If anything, you realize how much weight was lifted off of you after admitting these to a friend.

“Yeah,” he sighs. “I’m sorry I can’t do much to help you, especially with your group work.”

You can only hum as you take a deep breath. “Yeah. I just need to take over their parts and remove their names, I guess.” As you say that, Eric cannot help but nod along with a chuckle leaving his mouth.

You’re about to get back to the work you were dreading until he asks you something. “Hey, I don’t know how much this would help, but maybe I can read you some passages of where I am in The Awakening if you’d like.” Your eyes widen at his suggestion. “I’m sure you’re way ahead of me but this could be a refresher, you know? While you take a break, I can be your audiobook.”

And you cannot hold back the smile that shows on your lips. Somehow, Eric is always looking out for you, whether it be through keeping your love for literature going or making sure you are well-rested on most occasions.

With that, you find yourself leaning your head on his shoulder. As you let your eyes close, you mutter, “Yes, please.”

He chuckles at the way you seem to melt on his shoulder. And just like that, he starts to recite the words of Chopin.

As his voice fills your ears, you’re reminded of the first time you first met Eric. Something about his voice is enough to ease your worries—to bring you into a state of tranquility. And somehow, he became the late hours of the day for you—you’ve managed to find peace through his presence for all he did is support you. 

CHAPTER SEVEN: HOW DO I LOVE THEE? LET ME COUNT THE WAYS

It seems like the season of fall is about to end. It’s getting colder than usual and you cannot help but wear more layers than you typically would during autumn. Although winter is about to come, however, you were seated on a picnic blanket with your back leaning against a tree trunk. And on your lap is where Eric’s head lays as he continues to read Jane Eyre.

While you were trying to read your copy of Wuthering Heights, you couldn’t help but glance at Eric every once in a while. After going on multiple dates with him throughout the semester, you weren’t sure exactly where you two were in your relationship. And you know you should take the initiative to ask, but you didn’t want to say the wrong words.

“Eric,” you call out his name as your voice quivers. He looks away from his book to stare right back at you. As he hums in curiosity, you cannot help but bite the inside of your cheek. “I have a question.”

“Shoot.”

“Why did you sit beside me?” You notice his eyebrows furrowed in confusion. “During the first meeting, I mean. Why did you choose to sit beside me when there were other vacant spots?” As you say those words, you spot how his mouth parts open in realization. However, it shifts into a smug grin.

“Cause I thought you were cute.” His reply has your eyes widening in shock. You knew Eric tends to be straightforward, but you weren’t expecting that to be his answer. You were sure that your cheeks were warm at his reasoning.

He then sits up, now face-to-face with you. “Well, that’s what I thought at first. But I got to know you more through the times we studied together, you know?” With his eyes staring intently back at yours, you can hear your heartbeat in your ears.

“I mean, the first time I got to know you, you were talking about how you wouldn’t entertain the idea of romance, so I couldn’t help but become interested in you.” His hand reaches out for yours that rests on your lap. “And throughout our time together, I learned about all your hopes and dreams and your love for literature.”

You notice the way he takes a deep breath in as his eyes close momentarily. “I couldn’t help but like you,” he admits. As soon as he opens his eyes, he is met by yours that are wide as they stare back at him.

“I’m sure it wasn’t a secret with how we were going on dates, but I thought I should vocalize it now,” he starts off as he looks down at your interlocked hands. “I was starting to wish that these dates would give you enough of a reason to reconsider what you first thought—that maybe I could become a reason for you to reconsider after all.”

But as soon as he looks back at you, you feel your heartstrings tug as he draws circles on the back of your hand with his thumb. And the next thing he says is enough to warm your heart. “But I would never push you into a relationship with me. I know you care about your studies, and you worry too much about your grades. Sometimes, I wish I could tell you to take it easy.” He cannot help but giggle as he says those words, causing you to laugh along with him.

“But I hope you know that I’ll be here to support you, whether as a friend or as your boyfriend if you’ll have me.”

And you realize that you’ve been wrong all this time. You’ve fallen under this idea that the road to success means to get rid of all distractions—that love is nothing but a hindrance to the path you want to take. But it’s not that you can only have one or the other—you could choose to have both if you made the effort to do so.

In your time knowing Eric Sohn, you learned the joys of love even if you weren’t signing up for such joys came in the form of him. To you, he is what the poets describe as love embodied. From the first time you two worked together all the way to midterm season until your breakdown, you realize that he is the support you were seeking out all this time. And so you wonder to yourself how lucky you can be to receive something you weren’t seeking but still desperately craved.

So you let yourself lean forward, your face inching closer to his. His breath hitches at your action. As your eyes flicker down to his lips for a second, you cannot help but hear your heartbeat in your ears. Your eyes meet his, and you notice the way he holds his breath. So you cannot help but let yourself smile for a moment.

And before he knows it, your lips crash into his. Your hand reaches out to the side of his face while your arm wraps around the back of his neck, holding him close. His hand holds onto your waist, drawing shapes on it with his thumb.

As your noses bump against each other, Eric cannot help but giggle in the middle of the kiss. You two part away as you continue to look at each other. “So, will you let me be yours?” And his question is enough to pull on your heartstrings.

It’s the phrasing that gets to you—his choice of words to let him be yours versus you being his is what has you realizing just how much he likes you. It’s this whole idea that you didn’t have to surrender anything to him for he is willing to build around you.

But the reality is you would do the same for him—you’re willing to make space for him to take up in your life the same way he already has done for you.

And so you say, “You can be mine if you let me be yours.”

The boyish grin you first found yourself falling in love with appears on his face. “I wouldn’t have it any other way.”

You wish you could tell your past self that nothing goes according to plan. What you may have first thought is not what may push through in the end. While you were never signing up to find love in your years in university, the universe decided to give you a reason to reconsider. And now you know that you can have both—that you can achieve your aspirations while still being in love. All it took was time, effort, support, and a boy named Eric Sohn to have you believe that.

if you enjoyed reading this, consider reblogging and leaving some feedback!