#I really don't expect to write any/much more

[sparrowlucero]

i enjoy ur bird abode thoughts! I was a genuine enjoyer of the show when it was airing, I’m no die hard fan though and love to see ppls personal takes on the overall story/plot. Im curious if you also would agree or have any thoughts on the impacts The Mouse’s cancellation had on the shows ability to be more than it was? srry im not super eloquent with my words, but basically ur response to that ask got me wondering if part of the reason the show like genuinely wasnt all that ground breaking or unique in the end plot wise (other than the villain faces consequences in the end ig) as far as YA/Teen animation goes, was because of The Mouse’s inability to let the writers flesh out the show before gutting it? i have a negative bias toward The Mouse franchise and obviously dont know anything about how writing a show under the eyes of a franchise that big would work, its just smth that rattles around in my head and wanna know what u think!

Well to an extent, but I think it's much more the effect the studio had on how the owl house started out as rather than it not getting a full season at the end - It didn't escape my noticed that the show was initially announced as being a "horror comedy" when it doesn't really seem like either, especially by the second season, and yeah, the original pitch bible is obviously aiming for that much more than the show proper is as it goes along (and is honestly seems quite a bit more funny, weird, and dark, with an overarching plotline about a giant bug being used to religiously suppress people, eda able to cure her curse by killing luz, and one of the major characters being a teen boy awoken from a sleeping curse who ends up being a weird little bigot because he's from the 13th century, among other things)

(side note, i just noticed they actually specifically describe the thing i assumed the show was gonna be about here. huh.) but ultimately the bulk of the show that was actually made seems very influenced by a writing team that was genuinely interested in making a tropey YA fantasy story rather than just being mandated to. I mean even in what aired you can see the show sort of settle in ways that feel less like studio interference and more like, you know, art students creating their ideal fantasy show, like how King is clearly Eda's roommate who's funny because he looks like and sounds like a little dog despite being an adult man at the beginning but by the end they've made him her adopted sad backstory son who's explicitly a child. While I think a third season would have made the show as it existed better, because they clearly didn't get to finish the plot they wanted to (frankly to the point where some major aspects of the show are a bit confusing, I'm still not sure what a grimwalker is), I don't really fault the show for that but also don't think that hypothetical season (which pretty clearly would have been mostly about the magic school teens going to normal school) would suddenly flip around into something that I personally found interesting and subversive. Nor should it, really; again, it being Queernorm Harry Potter thing is clearly the intended appeal of the show, it's not really a flaw but just not a genre I'm personally interested in when compared to what I initially expected the show to be.

HOWEVER I will say they robbed little weird girls of their representation and that can't be forgiven

[lily-onher-grave]

okay okay okay thoughts/excited ramblings about the wicked movie under the cut bc i've seen it and now i'm insane about it again

let's be real it's kinda hard to fumble the opening number of a musical especially when that opening number is no one mourns the wicked and yet i was still absolutely blown away it was SO GOOD

the lil munchkins running, the singing in the streets, the posters of the witch (side note all the artwork was insanely good and just added so much to the style of oz i feel like) it was all so awesome

NOMTW becomes so sinister and they nailed it

obligatory emotional babbling about glinda standing alone in the crowd as everyone sings 'the wicked's lives are lonely'

before i left for the theater i was like 'take your bets on if i'll cry' and my roommate and i agreed that yeah obviously i would. but what i didn't expect is for ariana's sad face to knock me out in five minutes flat. i was done for

the effigy. holy shit. and handing the torch to glinda. i want to go see the whole thing again just so i can rewatch that scene. my heart still hurts

(also nanny! sort of not really. but i liked the childhood scenes i liked that elphaba had one (1) good thing in her life before shiz)

SHIZ okay shiz honestly shiz was the thing i was most excited for bc c'mon, we don't write about our gothic magic school all the time in fic for nothing. and honestly it was so good. the shots of the whole castle! the library design! the balcony moments and the stairways and just like the layers of architecture and the way morrible could kind of be anywhere at any time. the way it felt so grand and yet so small at the same time. idk man the vibes were good and the set was beautiful

glinda arriving by boat was magical that's all

the way everything dillamond had was tailored to him was fantastic it was so good

actually i want to shout out the library set design again and how it tied into the clockwork theme that never gets fully called out even in the musical but it's still so good

where's my time dragon clock tho

also back up the scene where elphaba loses her temper in the courtyard--when she breaks the relief of the wizard, there's old artwork of Animals behind it and i gasped out loud when i saw it

and that was the first moment i thought 'this is brilliant but i still want an hbo dark fantasy political drama tv show based on the book'

speaking of the dark fantasy political drama tv shows, the Animal meeting!! i'm so glad they put more stuff like that in there

actually as a whole the movie felt more grounded and less comedic than the musical. i think they did a fantastic job of keeping the magic and silliness and charm and wonder of the show while still adding those extra bits of drama and dire circumstances

anyway gelphie fic prank wars trope is officially canon great work everybody handshakes all around. i was cackling (silently. i promise i'm a respectful moviegoer)

the ozdust ballroom being illegal makes so much sense. it being underwater was fucking cool. boq and nessa were actually really great and i usually don't care about them at all during this scene

also i love love love nessa and i cannot wait to see more of her. but showing her multiple times on the sidelines when elphie was being humiliated was such a good choice. the tension between nessa obviously caring for her sister yet always caring for herself more is so delicious and i always want to see it fleshed out more, and i think they did such a good job with her? her and elphaba have sweet moments which i love, and her wanting to be independent and only elphaba really understanding that is so so good. and having her just watching elphaba for so long before finally saying she can't watch. god i can't wait to see her be desperate and selfish and cold in act 2, it's gonna be so good

side note boq also looking upset by elphie being bullied. i miss my brotp man

but let's talk about what's most important: the gelphie dance. because oh my god i started crying all over again. so did elphaba. and glinda wiping her tears i'm dying i've died oh my god

i always get a little bit surprised when glinda seems more head over heels than elphaba. idk why. but ariana's glinda is absolutely more head over heels than cynthia's elphaba and i loved it

(they just. freaking LEFT the party. just zipped out of there as soon as they hugged. glinda was like hmmm i just realized some things and grabbed elphaba's hand and ran off while the night was young. and fiyero stared after them knowing that he stood no chance whatsoever)

also i'm like 72% sure the guys sitting next to me were a couple? and they both cried during the gelphie dance too and it was a very unexpected but very funny moment of solidarity

i say ariana's glinda is more head over heels and i stand by it but elphaba's fond little smile when glinda was pouting about sharing secrets almost made me start sobbing again they're so GOOD they're so CUTE and she is SO heart eyes for glinda immediately!!!

i need to be sedated i swear

popular was adorable 10/10 no notes absolutely nailed it i loved every second

also glinda sitting next to elphaba in class now. my heart <3

after dillamond gets hauled away (again with this being more violent and dark and those moments of drama coming through more in the movie i loveeee) glinda doesn't sit down until elphaba does

also they had several little moments of elphaba looking to glinda and glinda either shaking her head or nodding. they've been friends for 2 days and they're already having silent conversations i love them <3

the poppy spell? was sick as hell????

another seeing of wicked, another complete sense of bafflement as to why fiyero is there

i say this jokingly but the fiyero and elphaba romance really does feel like a product of the early 2000s especially now that it's on screen rather than on stage. idk maybe that's just the lesbian in me talking though

the train design is also sick but we knew that from the trailers

okay look logically yes i knew idina and kristin would have cameos. but i'd been crying on and off and one short day's magic had already taken hold so they caught me completely off guard. it was great

the wizard stuff was really sweet. and while i was hoping for more time put toward shiz and stuff, i do think those moments did a great job of 1) showing how much elphaba just wants to be loved 2) foreshadowing the wizard being her father and 3) laying the groundwork for her briefly considering working with the wizard in act 2, which is a decision that never quiteee feels right in the show

i love that they put more lore into the grimmerie btw. very cool

the hot air balloon was random but fun. i wonder if it'll come up again in act 2

every time. every damn time glinda starts singing in defying gravity i just want someone to end it right there. glinda grabs the broom, it fades to black, and they both lived happily ever after

fuck

defying gravity taking place at sunset because it's at the end of their one short day of happiness

also UM morrible coming up and hugging glinda when she's crying. exquisite emotional manipulation i'm screaming

elphie! seeing! her! inner! child! i loved the baby elphie scenes even though i prefer creepy 'horrors' elphaba always. but seeing her come back was sooooo fucking good

elphaba only ever relying on herself, in the end

glinda's final 'i hope you're happy' took me out, as it always does, as it always should. and reaching out from the balcony? i'm sobbing again

morrible dragging glinda into the darkness while elphaba flies into the sun! someone fucking help me i'm already wrecked by these two

honestly my biggest complaint is that now i have to wait for part two, i want to see the rest nowwwww

[ghoulangerlee]

HERE WE GO. dewther phone sex that probably could have gone on for another six thousand words if I'd continued writing instead of forcing myself to end it :)

there is some lore-y stuff in here because I am not me if I don't include my own personal lore, and at the end there's mentions of heats and knotting but neither of those actually happen :)

Dew is a lil mean in this but as it turns out, Aether really likes em mean.

-

The phone rings, pulling him from the inventory reports in front of him—it's the desk phone of all things, not his cell that sits face down a little further away and for a moment, he thinks to ignore it, to continue his work so he can finish quicker and get to bed sooner, but at the late hour it could be some kind of emergency— 

He picks it up, balancing his pen in his other hand as he cradles the desk phone between his ear and shoulder, “Infirmary, this is Aether speaking, how can I help you?”  

There’s silence on the line for a moment and Aether tilts his head, “Hello? Is someone there?”  

A sigh, familiar in its tone echoes across the line, “Hey Aeth,” Dew mumbles, sounding tired, “Didn’t know if you’d still be awake.”  

Aether glances up at the clock across the room, the hands ticking by slowly, it’s late, much later than he’d expected, “Ah,” he says, “I was finishing up some inventory reports in the infirmary, some new guy decided to double the amount of gauze we need so now we’re swimming in it but don’t have any more antibiotics,” he glances down at the papers in front of him, red lines crossed through black numbers, “Been down here most of the day counting things to get everything right again.”  

Dew hums, a pleased little sound, “I like hearing you talk about the work you do,” he says, tone bordering on that sappy-tired one he gets whenever he’s worked to the bone and sleepy, “I miss you.”  

“I miss you too,” Aether murmurs with a small smile, leaning back in his chair and focusing all of his attention on Dew, “How is guard duty with Frater Imperator?” he asks, a brief flash of worry catching him.  

“He’s safe,” Dew says, yawns widely over the line, “A little annoyed by the travel, a lot annoyed that there may still be something or someone after him despite everything,” he’s candid about it, and if Aether closes his eyes, he can almost see Dew sitting in front of him, waving a lazy hand in emphasis as he speaks. “Of course, we’re doing fine, this other church is okay, a little drafty and the ghouls here don’t really speak, but I guess it’s fine for a little while. The elders keep giving me dirty looks when they think Copia isn’t watching though.”  

A pang of regret goes through him, he’d almost went with Dew and Copia, but something had come up in the infirmary, someone had fallen ill and he’d been the best person to fill in, he wishes he were there with Dew right now. “Sounds exciting,” he says, “A little draft isn’t too much for a fire ghoul, right?” he asks teasingly, feeling the tension of the day fade the longer he speaks to Dew.  

“Cold day in Hell that a puny little church with an annoying clergy bothers me enough to make me leave early,” Dew says with a snort, “I wanted to talk to you though, time differences suck. We’re on different continents and everything so I can’t even really feel you right now either.”  

Aether gets it, he can feel the way his bond with Dew is weakened, barely there, dormant in the distance between them—in the back of his mind he can still feel him, but it’s a far cry from the usual. “I know, wisp,” he murmurs, “I wish we were closer too,” he admits, “Church is quiet without you here.”  

“Copia was giving me shit earlier,” Dew admits after a few moments of silence, “Said I looked sad, like someone stole something from me,” he pauses, clears his throat, “Told me to come call you, that you’d probably be up working still even at the late hour.”  

“He was right,” Aether says with a little laugh, “Not that he has any room to talk about what is and isn’t late,” he continues, and then glances up at the ceiling, “Are you still sad?” he asks cheekily, lazily spinning his chair to the side, “Do you need me to talk to you so you can fall asleep?”  

He means it as a joke, but there’s a serious undercurrent there, something they’d discovered before Copia’s lateral move, when Dew had toured but Aether stayed behind—sometimes, sometimes his brain wouldn’t let him sleep, not alone, and he’d call Aether, listen to the quintessence ghoul talk until his eyes grew heavy and he fell into a comfortable sleep—imagining his mate right there beside him.  

Dew hums lazily, “Maybe,” he starts, but this time, there’s something of a breathless quality to his voice, “Or maybe I want to talk to you about other things.”  

It takes Aether a moment, if he focuses hard enough, he can hear something on the other line, a slick sound, a hitch in Dew’s breathing, “Is this a booty call?” he can’t help but ask, the words spilling out before he can stop it, “Dew are you—” he cuts himself off, presses his palm against the bottom of the phone and glances around the office.  

It’s late, of course, and the door isn’t locked, but he’s the only one down here right now, having sent the rest of the staff off, only keeping a bare bones support staff in case of emergencies, but he can’t sense anyone else.  

“I am working,” Aether finally says, lowering his hand, feeling a flush come up the sides of his neck, “If someone were to walk into my office, they’d—”  

“They’d what?” Dew asks sharply, the hitch in his voice making it obvious what he’s doing, “They’d think you were on the phone, right, baby? That you’re working late, working so hard for everyone, making sure the inventory reports are all correct. You’re not doing something silly like touch yourself, are you? You’re on the phone and you’re working diligently.”  

Aether grits his teeth, pressing a fist hard into his thigh, “I’m not touching myself,” he says, and looks down at his desk again, numbers taunting him on the page, “I’ve stopped working for the moment to talk to you,” he inhales deeply, bites his lip when he hears Dew moan quietly over the line.  

“You’re being such a good boy,” Dew murmurs the praise, praise that shoots right down to Aether’s core, “I’m going to touch myself and you’re going to listen to me and keep working, aren’t you?”  

Aether bites harder at his lower lip, tilting his head back against the chair, “I am,” he finally agrees, after a long moment of listening to Dew breathe heavily, the slick sounds of his hand.  

Dew waits for a moment, almost as if he’s aware that Aether’s not working, waits for minutes until Aether sits up, scoots his chair forward and picks his pen back up, “If I were there with you, I’d situate myself under your desk,” he purrs, words going a bit high on the end. “You’d be a busy body about it, complain about me distracting you but we both know you want me to.”  

Aether digs the pen into the paper in front of him, keeping his gaze trained on the numbers on the page and he hums a little, “You are good at being a little shit sometimes,” he says, trying to keep his tone casual.  

A laugh, breathless and the slick sounds seem to get louder, “Uh huh,” he agrees, “I am, but you love me like that, you love when I push your buttons. Take you down a peg, big guy.” Dew grunts a little and Aether can only imagine that he’s fucking up into his fist, “You turn to putty in my hands the second I get my mouth on you,” he breathes.  

“Lies,” Aether says, trying to keep his voice firm as he presses his legs together, “You’re just running your mouth.”  

Dew swears softly, “Aether,” he moans out, “Strong words for the guy who begged me to fuck him right before I left,” he teases, and Aether feels hot under the collar when he thinks about it, how desperate he had been for Dew’s dick. “It’s okay big guy, I love when you fall apart for me, when you can barely speak because you’re so dick drunk,” he coos, “Thinking about how your skin’s so cold, but every time I get inside you, you heat up like a fire ghoul,” he teases, “Like I’m branding you from the inside out, isn’t that right baby, you’re all mine and no one can fuck you as good as I can.”  

Aether squeezes the pen in his hand tight enough that he can hear the plastic creaking, “Dew,” he says sharply, but doesn’t speak beyond that, knows if he says anything else he’s going to make a fool of himself, he’s going to start babbling about how much he wishes Dew were here now, down under his desk, mouth on him, making him come.  

As the silence stretches between them, Dew moans again, this time higher, another swear, the steady creak of bedsprings, little ah, ah, ahs falling from his lips as he does, “Say something sweet for me baby,” he finally says, breathless and oh so close. “Let me hear your gorgeous voice, tell me what you want me to do for you, baby.”  

And oh Dew’s begging now, desperate in the same way he gets when they’re together, even when he’s being mean and teasing Aether—when he’s close, when he just needs a bit more to come.  

The pen clatters to the desk and Aether’s quick to shove his hand down the front of his scrubs, so glad he’d opted for them instead of the stuffy slacks he normally wore when on administration duties, “I want your mouth on me,” he finally admits, “Wanna fuck your face while you wait under the desk for me to finish working,” he manages to get out, moans when his fingers meet his dick, stroking over it quickly. “Want you to put a couple of fingers inside me, something for me to squeeze around,” he swallows heavily, tilts his head back against the chair as he arches his hips up into his own touch, imagining the heat of Dew’s mouth around him, “I feel so empty, firelight,” he admits, voice breaking a little as he does, pants out in the open, “Feels so empty when you’re away, want you to carve a place inside me and never leave.”  

Dew swears again, louder, a litany of fucks falling from his lips and Aether thinks he comes, thinks if he focuses hard enough he can feel it, the heat of it inside him, that maybe their distance is driving him a bit mad with how much he misses him.  

“Come for me baby,” Dew’s voice, rough with his orgasm, fills Aether’s ears, draws a sharp gasp out of him as he clenches around nothing and comes, goes completely breathless with it as he continues to touch himself until he’s too sensitive and he has to pull his hand away though it doesn’t go far, arm falling limp between his thighs once his hand is free from his scrub pants.  

It takes a while for his heart to settle down, for his breathing to fall under control again and he allows it, floats there as he wishes that Dew were here with him right now, a warm weight between his legs, fire all down his chest and stomach as he cradles him close, chasing away the chill that always falls over Aether after coming.  

“—ay we’re going to be back tomorrow, we’ve done all the ground work here, anyway, the rest is just boring admin work that can be done over Doom meetings.” Dew’s murmuring when he comes back into focus, “As soon as I see you baby, I’m going to get my hands all over you just like you deserve,” he promises, filthy and low in his ear, “Gonna have you coming so much you’ll be satisfied for days.”  

Aether hums, interested when his brain catches on the first part, still mostly focused on the second half of Dew’s words, “Tomorrow?” he asks, hating the way his voice sounds so hopeful.  

Fuck, it’d been weeks though, since he’d last seen Dew. Since they’d been together. He misses him.  

“Yeah, baby,” Dew murmurs, “Our plane landed a bit ago, we’re at a hotel for the night, but Copia’s got a car coming to get us in the morning. We’ll be home before you know it.”  

Aether makes another noise, something choked, “Oh,” he says, looks down at the paper on the desk in front of him, half-finished inventory reports, “I’ve got to—”  

“Whatever it is, it can wait,” Dew says firmly, “You’ve got tomorrow off and maybe the day after, Copia’s feeling a bit benevolent,” he says that with a bit of a grin in his voice, “Inventory will be fine for a couple of days, besides, Copia said he’d work on whatever you didn’t finish, just leave it where you’ve got it and he’ll take over. No arguing with me, alright?”  

And well, Aether can’t argue, because he’s feeling a bit selfish, a bit like he wants to shirk his duties for a few days so he can spend time with Dew instead, something warm settling in the pit of his stomach. “Okay,” he settles on, feels the weight lifted off of his shoulders at the word as he leans back in the chair, making it squeak a bit under his weight.  

“Good boy,” Dew says sweetly, “Now, listen, I want you to hang up the phone and go get cleaned up, settle in our bed and before you know it, I’ll be there, waking you up with a kiss.”  

Aether thinks about his nest, the one he’d been working on since Dew had left, how it still smells like the two of them and how much he wants to be there now, “Okay, yeah,” he says, “I can do that.” He swallows, bites his lip, “I love you, Dew.”  

Dew hums softly, “I love you too, big guy, I’ll see you tomorrow, bright and early.”  

When he hangs up the phone, it’s with warm feelings, and as he levers himself up out of the chair, he feels like he’s floating.  

He grabs his phone, scrolling through the few notifications that he has, there’s a couple of text messages that he’s not too concerned with answering tonight, another text from Dew that’s just a heart emoji and then a singular calendar notification.  

Aether raises an eyebrow but thinks nothing of it at first, locks up the office and deposits the key in the safe box for another staff member to find before he heads up from the infirmary and to his and Dew’s bedroom.  

Once he’s showered and settled into bed, wearing only his underwear and a thin t-shirt that used to be Dew’s at one point and is entirely too short on Aether and stretched out the from the number of times he’s squeezed into it, he picks his phone up again.  

Taps the calendar notification and blinks at the entry that had been added recently.  

Mandatory Leave 10.26 - 11.3 – Accepted by F. Imperator  

There’s a text, one that had come in while he was in the shower, from Copia this time.  

Dew may be a little grumpy in the morning, our car arrives in three hours to pick us up, we’ll be back before your heat starts. The others have stocked your room while you were working and I’ve taken the opportunity to clear your schedule for the next week just in case. Let me know if there’s anything you need <3  

He feels a surge of affection, sends back a heart in response and takes a moment to take stock of himself, feels the low simmer of something that had been bothering him for a while, something gnawing at him the entire time he’d been without Dew—and he didn’t think that it was heat, thought it was just something happening because Dew had been away for so long. His mind races a bit, wonders why his heat had decided to show now of all times—  

His phone buzzes again, a text from Dew.  

Go to sleep, Aeth. I can feel you thinking from all the way out here. We’ll talk about it tomorrow.  

He huffs quietly, sends back a fuck you and a heart a moment later, almost immediately, another text comes through.  

Of course, big boy, anything you need. I’ll even let you knot me if you want <3  

[wings-of-ink]

Update Progress and Things to Look Forward to

Hello everyone! I hope you are safe and well.

Chapter 5 is coming right along. My goal is to still have it out by the end of November, but the way the last couple of weeks have been for me, we might hit a little delay into the first week of December.

And do not worry, because I know some of you will, I'm good. It's just been busy this month. I've had a friend going through a hard time who's needed a hand up, and I've also needed to work overtime at my daytime gig. My friend is doing better now and I won't need to do more overtime again until sometime in mid-December.

I will not say that the chapter will for sure be delayed, though. This coming week I have extra time off from work (and there was much rejoicing), and I am hoping to dedicate more of it to finishing the final segments of the chapter. And then, I just have to fuse all the individual segments together and do as much proofreading as I can before I deem it "good enough for now" and publish it.

This chapter is a big one, lol. But, I didn't want to cut it short since it is an important section where you learn a lot, grow a bit, and connect with your crew (and maaaaaybe get into some big trouble).

I still have a couple short scenes to flesh out, and then a bigger finale, which I am so excited to finally write!

I'll go ahead and note that saves will almost definitely be broken - again. I had a few things that I did not anticipate before and had to make some coding changes for the earlier chapters. On the plus side, I also figured out where I went wrong with the fonts, so that should be fixed at least.

I will be opening up the Patreon with the release of Chapter 5 if anyone is interested! We'll start out with a couple tiers and grow from there. Both main tiers will focus on extras and early chapter releases - so expect POVs, drabbles, and spicy things.

In December, I'd like to release a couple extras both publically and in the Patreon, but I won't spoil any of that now so I can tease you with it later.

In the more distant future, I plan to create a way to skip chapters so you don't need to speedrun to get to new content. I will take more time to get Chapter 6 out so I can fine-tune a few things for all the previous chapters as well. I'm hoping to get them more smoothed out with a good deal of copyediting.

Reaction-style asks are still paused, but if you have general questions/recommendations/comments, send them my way!

There are many adventures ahead, my friends!

Take care, everyone! Stay safe! ^_^

As a treat, there's a semi-spoilery (kinda not really???) sneak peek below!

Hmmm...who are you with and why is your friend watching you so close???

[rin-solo]

I love. LOVE. Get In the Water

It's one of the objectively best songs in the musical; I will die on this hill.

Poseidon was always, despite being pretty much the main antagonist of EPIC, a really underdeveloped character in my opinion. He just needed a little more nuance and the fact that one (+ kind of one more) song managed to add so much to his characterization pretty much exclusively through subtext and implications is incredibly impressive writing. Because it did!

At the start he's yet again playing games with Odysseus, the way he did in Ruthlessness. In both songs he could kill him easily at any point, yet he chooses not to for the sake of playing games. In Ruthlessness, this becomes his own hubris as it leads to Odysseus escaping.

If you listen closely, at the start of GITW he already sounds slightly different. He's still trying to keep up this "God of Ruthlessness" front that he's so proud of, but he's no longer more or less carefree the way he was in Ruthlessness. He's been obsessing over this feud for ten years, and even if he would never admit it, it's actually clear just from his voice that he really is tired of it too. Not in the sense of it emotionally draining him the way it probably does Odysseus, but in the sense that it's a bother, a loose end in his life, a book that he finally wants to slam shut.

But he still has a reputation to uphold, and he still cannot close this book until Odysseus is dead, so he keeps up the game. Instead of just killing him, he's taunting him to kill himself. He might associate the idea of just striking him down with a sort of loss, like then he'd have to his hands dirty. Then he's rambling about killing his people, his family. He's provoking Odysseus on purpose, likely trying to get him to snap back, to hate him and fear him the way that Poseidon would think any mortal who has consumed this much of his time should. In his eyes, Odysseus deserves nothing less than to curse him with his last breath as his "darkest moment", the god who became the bane of his life.

And Odysseus replies, of all things, with ... sympathy.

Honestly, I don't blame Poseidon for being speechless for three full seconds. He literally just threatened to gauge Telemachus' eyes out the way Odysseus did with Polyphemus, and this absolute madlad of a man replies with an acknowledgement that he (might have) caused Poseidon pain too.

Now, I don't really think Poseidon was particularly hurt over Polyphemus' loss or hurting in any way in that moment. But just the fact that Odysseus acknowledges that he might be hurting too is probably something Poseidon hasn't heard in ... who knows how long? His family is the Olympians. I don't think I have to say more.

It's actually more of a genuine apology than Odysseus' explanation in Ruthlessness ... Now he doesn't say "sorry" because he's still not sorry for hurting Polyphemus, since he still needed to do that in order to escape. But he expresses regret over the pain he caused in a more genuine way than ever.

I am convinced that Poseidon is utterly unfamiliar with sympathy or mercy. He's lived by his "Ruthlessness is mercy" motto for centuries, and he doesn't know anything else. No one would try to teach him something different. The other gods all live by this logic, even if he's the most vocal about it considering he seems to have made it his whole personality. Mortals wouldn't dare to question Poseidon in the first place. And barely anyone would be willing to treat someone with kindness who is in turn treating everyone around them with ruthlessness.

It's very likely that Poseidon hasn't encountered anyone like this until Odysseus. Ruthlessness is simply how he treats people, and also how he expects to be treated back. The fact that Odysseus doesn't, the fact that instead of hating or fearing or cursing him he acknowledges that they have both hurt each other and that it doesn't lead anywhere to still pursue vengeance must have triggered Poseidon in an unprecedented way.

To him, this was probably the most outrageous thing Odysseus could have said in that moment. And it throws him off so much that he is genuinely speechless, and then simply replies, "I can't." ... his most genuine-sounding line in the whole musical.

I cannot stress enough how much it threw me off to hear this line; in the best way imaginable, it doesn't sound like Poseidon. It sounds almost vulnerable. Almost human. Because he is genuinely at a loss so much that he forgets to put up his "wrathful god" facade for just one second. Standing ovation to Steven Rodriguez for his whole performance, but especially this part.

And then Odysseus goes all out, to say something even more outrageous: "Maybe you could learn to forgive?"

... Which is when Poseidon snaps.

Kind of understandable, honestly. There's this mortal whom he has likely fantasized about seeing pleading, hate-filled, and terrified, cowering before him, for ten years now ... telling him that he ought to learn something. Even hijacking his own motif and his instrument in order to turn it on its head, "defile" it if you will.

This f*cking mortal pr*ck took his own "Ruthlessness is mercy upon ourselves" catchphrase and turned it into forgiveness ... Of course, Poseidon is no longer hesitating, of course he is no longer concerned with getting his hands dirty or not. He yells "DIE!" and unleashes his ultimate move (which is really overkill for simply killing a mortal if you think about it) ... But he does it anyway because this time he genuinely means it.

This simple exchange (my favorite moment in the whole musical, actually) tells us so much about both of these characters that it makes me want to skitter and squeal in excitement.

Here is Odysseus—the very same one whom Poseidon specifically tried to teach ruthlessness—becoming the first person in a long time to offer him sympathy despite how Poseidon himself showed him nothing but ruthlessness. And then one song later, here is Odysseus showing him the consequences of not accepting said sympathy.

Six Hundred Strike and what Odysseus does to Poseidon would've not hit the same, in my opinion, if he hadn't made this offer, if he hadn't given Poseidon this way out, even if no one watching genuinely expected it to work (probably not even Odysseus himself.)

Six Hundred Strike is not Odysseus exacting vengeance. If GITW proved anything about Odysseus it's that he does not want vengeance. He wants all of the hatred and pain to be over, to the point where he is willing to let go of, and I am inclined to say forgive, Poseidon for what he's done to him. Six Hundred Strike is simply Odysseus teaching him this lesson that Poseidon couldn't have learned in any other way, because he has proven in GITW that he genuinely does not speak any language besides that of ruthlessness.

It's just the perfect representation of how Odysseus has now finally learned the balance between mercy and ruthlessness, which seems to be the core theme of the musical: Both have their time and place, one simply has to be willing to act in both ways and know when to use either. No one extreme is the solution. I am genuinely exhilarated that Odysseus finally seemed to have figured out that it's been both all along.

[drakorn]

Rewriting Veilguard Part 1 - The World State

Disclaimer: I don't hate the game, I actually think it's quite great given the development hell Bioware went through in those 10 years. This is more of a hypothetical universe where there was less of that behind the scenes drama. Just a fun writing exercise.

Expanding Veilguard's World State Editor

Like many of us, I was disappointed with the total amount of choices carrying over from past games being only three, one of which dealt with romance, two with decisions made in the Trespasser DLC, and all of them being from Inquisition. This already set the precedent that we shouldn’t really be expecting the game to be as connected to our unique Thedas as we have come to be used to from previous titles—no more uniquely flavoured codex entries, no more small but sweet cameos here and there that make the world itself feel like a larger place that we had helped shape.

Given The Veilguard’s very troubled production history of multiple delays, staff layoffs, and all-around restarts of the entire project, it is honestly a surprise that we even got three choices, so credit where credit is due. They made with what they had. But what if The Veilguard had this vision from the start? What if there wasn’t any of this meddling? What if Bioware simply had more time and control? What if they could truly let us import the World State this game deserved?

Now, for this hypothetical rewritten playthrough, I’m going off from the fact that the Dragon Age Keep will not be used; I actually found it a neat idea to tick my three choices in the character creator, and it would have probably been better had Inquisition done something similar. Why do I think that? Because it means we are not running into any dangers of servers potentially shutting down, leaving us trapped in the canon we happened to have imported last. Converting the Keep into an offline editor was a good idea, but unfortunately not executed nearly enough as, let’s face it, we all expected. So we’re gonna have some fun for Veilguard.

Disclaimer: I’m going to refer to the game’s title as Veilguard from now on, not “the” Veilguard. I really don’t like the change of having a “the” in a series of otherwise one-word, or one-number, titles.

Of course, we have to be realistic about this. It is virtually impossible to implement every single decision from across all three games, and those that can be implanted can’t alter the main plot too much. Certainly, we like to imagine and picture things, but let’s approach this from an actually doable point of view.

Right, so imagine you just finalised your Rook, and then get a screen titled “Past Adventures”. Not just “The Inquisition”. And it would take up the entire screen instead of being shoved somewhere in the corner of the final CC page, which many people missed. I could have missed it too, had I not known beforehand that it was going to be there!

It would say something akin to “You can customise the protagonists and several events from the games Dragon Age: Origins, Dragon Age II, and Dragon Age: Inquisition. These choices will have both major and minor effects on the plot of Veilguard. If this is your first Dragon Age title, you would be advised to skip this section for now, as you may otherwise risk getting overwhelmed. A default World State has been pre-generated for the game.”

Why did I add this disclaimer? Because it would show us, right from the get-go, that we respect both new and old players. If you’re a new player, feel free to skip this part as it won’t matter to you anyway and, quite frankly, you wouldn’t want to spend an eternity in the character creator doing things you might not even be familiar with. But if you’re a returning player or someone who has read up on recaps and watched countless lore videos, come on right in, we’ve got you covered, don’t worry! We know how much time you spent meticulously crafting your World State for Inquisition, so join us and customise to your heart’s content.

If you choose to not skip ahead (honestly the only time I would click “skip” on that shit is if I was a new player), you will be presented with three tarot cards, one shows the griffon, the Grey Warden symbol, one shows Kirkwall’s heraldry, and one shows the Inquisition’s banner. Here’s your previous three games. And now we get to customise them a little. The little gremlin in me would be quite gleefully rubbing his hands at this prospect.

Past Adventures: The Blight

We open the first slide and are immediately hit with a crimson screen and an ambient reprise of several of Inon Zur’s themes from DAO. I loved this part in the game, when you click to customise your Inquisitor and are immediately hit with “Calling the Inquisition”. Really great stuff for early emotions. Now let’s actually customise things.

The Hero of Ferelden

I do not expect us to actually be able to recreate the Warden in the flesh, but I believe they should be at least brought up in conversation or mentioned in codex entries and letters. Here are the things we get to customise about them specifically:

The Hero: Here, we get to tick the race, gender, class, and background for our Warden. Again, no character creator, just fancy tarot cards. But guess what? That would already be more than enough for what we can do. At least we know the game acknowledges their continued existence.

The Warden’s fate: Did the Hero of Ferelden perform the ultimate sacrifice?

Romance: Who did your Warden romance, if at all?

The Companions

Now that our Warden is set, we jump over to DAO’s companions. Each companion has their own little mini-section. The first few questions will always be “Did you even recruit them? And if so, did they survive? If so, were you on good terms or not?” These questions, depending on the answers, will immediately lock or open the more specific ones. Which are, as follows:

Did the Warden have Morrigan perform the Dark Ritual?

What is Alistair’s ultimate fate?

Was Sten reunited with his sword?

What happened to Loghain?

What happened to Marjorlaine?

The Battle of Ostagar

What happened to the prisoner at Ostagar?

The Arl of Redcliffe

What is Connor’s fate?

Is Isolde alive?

Did you help Bevin and return his sword?

The Urn of Sacred Ashes

What happened to the Urn?

The Nature of the Beast

How was the situation between the Dalish and the werewolves resolved?

A Paragon of Her Kind

What happened to the Anvil of the Void?

Who rules Orzammar?

Did the Warden help Brother Burkel create a Chantry in Orzammar?

Did the Warden prove the Legion of the Dead was connected to a noble house?

Did Orta join the Assembly?

Warden’s Keep

What happened to Sophia and Avernus?

Denerim

Did the Warden complete Slim Couldry’s crime wave?

Who rules Ferelden?

Who killed Urthemiel?

Awakening

What happened to Nathaniel?

What happened to the Architect?

What happened to Vigil’s Keep and Amaranthine?

As you can see, I have not included all the choices, just the ones I think can be carried over in both realistic and interesting manners. Not all of them will heavily feature in the game; in fact, many of them are for flavour and codex entries only, but there is still merit in those. We know there is a whole lot of stuff happening in the South thanks to the letters the Inquisitor regales us with. So let’s put some world-state uniqueness to those letters. But in this rewrite, some of these choices will, in fact, feature in a more substantial manner.

And that’s Dragon Age: Origins done! Moving on to the next one!

Past Adventures: The Tale of the Champion

When we enter this screen, the CC assumes Kirkwall’s orangey-yellow tone and we get a reprisal of the key DA2 themes by Inon Zur, the most prominent one being, of course, Hawke’s family theme. This one is not going to be as big as DAO, but there are a few important factors nevertheless, especially concerning possible deaths and survivals.

The Champion of Kirkwall

Unlike the Hero of Ferelden, Hawke will actually be customisable in this one. Because no matter whether or not they were sent to the Fade or Weisshaupt, there is always the potential for them to still be alive. So, here are the choices regarding Hawke:

The Champion: Here you can customise Hawke’s gender, class, and personality.

Who did Hawke romance, if at all?

The Party

Pretty much every companion’s card, aside from a few, will have the questions “Did you recruit them?”, “Are they still alive?”, and “Were they friend or rival to Hawke?” at the forefront. Most of it is gonna be flavour, but it’s still my flavour, dammit!

What happened to Bethany or Carver?

What happened to Isabela and the Tome of Koslun?

What happened to Fenris and Danarius?

What happened to Merrill, her eluvian, and Clan Sabrae?

What happened to Bartrand?

What happened to Anders when the Chantry exploded?

Did Hawke approve of Ander’s actions?

Did Aveline marry Donnic?

The Tale of the Champion

Did Hawke protect the Bone Pit from all its dangers?

What happened to Feynriel?

Did Hawke let Zevran go?

Did Nathaniel survive?

Did Hawke side with the mages or the templars?

Fewer choices are carrying over here compared to DAO, but many of the events that occurred in DA2 are only relevant to Kirkwall’s immediate fate, which is already resolved by the time of DAI. Many of these will be flavour again, but some of them, I’m not going to say which, will definitely have a bigger impact.

Right, we’re done with DA2, let’s move on to the last one!

Past Adventures: The Inquisition

And here we get to the big one, the game that most directly impacts much of DAV’s story. We click on the last page and get the green shades and DAI’s ambience themes, a beautiful reprisal of Trevor Morris’ great hits. I would like to once again reiterate how emotional the CC music made me feel here when I was playing the game. Let us now customise our choices.

The Inquisitor

While the Hero of Ferelden will be a background figure in letters and codex entries, and Hawke more of a minor character with a significant role, the Inquisitor will have a much larger presence. Just how large, you’ll find out soon. But for now, let’s customise them:

The Inquisitor: Here you can customise your Inquisitor’s race, gender, class, and specialisation. Their personality as well, for while it wasn’t as apparent as with Hawke, the Inquisitor does still have a distinct range of dialogue choices. You can still be diplomatic, lighthearted, or even rough.

Who did the Inquisitor romance, if at all?

The Inner Circle

As with the other companion sections, pretty much all slides here will feature the “Did you actually recruit them?”, “Are they still around?”, and “Are you friends or not?” questions. Alongside a few specific ones that will definitely have more of an impact here.

Did Dorian resolve the issue with his father?

What happened to Blackwall?

Did the Iron Bull remain loyal to the Qun?

Did Cassandra rebuild the Seekers of Truth?

Did Cassandra discover the book of secrets and what did she do with it?

What happened to Harmond?

Which path did Cole choose?

What happened to Solas’ friend?

Did Varric track down the red lyrium source?

Did the Inquisitor give Vivienne the heart of a snow wyvern?

How was Cullen’s lyrium dilemma resolved?

How did the Inquisitor help Josephine resolve her family’s fortunes?

Was Leliana hardened or softened?

The Path of the Inquisitor

Did the Inquisitor embrace or denounce their title of Herald of Andraste?

Did the Inquisition side with the mages or the templars?

What was the general principle upon which the Inquisition was founded?

Who rules Orlais?

Who stayed behind in the Fade?

What happened to the Grey Wardens after Adamant Fortress?

What happened to Samson or Calpernia?

Who drank from the Well of Sorrows?

Did the Inquisitor respect the rituals at the Temple of Mythal?

Who became Divine Victoria?

The Inquisition’s Influence

Did the Inquisitor ally with the Hinterland cultists?

Was the rift in Crestwood closed?

Was Caer Bronach captured?

Did the Inquisitor make a deal with Imshael?

Was Suledin Keep captured?

Was Griffon Wing Keep captured?

Was Sutherland’s company formed?

What tone did the Inquisitor’s judgments take?

Jaws of Hakkon

Did the Inquisitor learn Ameridan’s fate?

Was Hakkon slain?

Did the Inquisitor share the truth about Ameridan?

The Descent

Did the Inquisitor stop the earthquakes from destroying the Deep Roads?

Trespasser

What is the ultimate fate of the Inquisition?

What is the Inquisitor’s final goal regarding Solas?

Again, this looks like a lot, and it is, but bear in mind that a lot of these will only have minor impacts on the story in the form of cameos and codex entries. However, there are several major DAI choices that will have significant impact.

For our hypothetical rewrite, I shall not list every single choice I made for my imaginary playthrough. Instead, I shall reveal them as we go along so as not to clutter the space too much. And it’s a bit more fun this way.

And that’s the World State editor finally done! I believe all of these choices are able to feature in some capacity, be it big or small. But no matter if it’s a big world-changing consequence or simple flavour texts and cameos, it will still be our Thedas, our own unique version of it that we helped shape.

Now that the past is dealt with, let’s look at the present. Next time we’ll talk about Rook, the six factions, and why a DAO-style origin story selection would have not only been beneficial but very doable.

[joyfulzombieeagle]

I have to write my thoughts on Wednesday's game since I have woken up from the high of Azzi's return :

The game was ugly, especially the first quarter mind you they are playing an unranked pretty cupcake team. Rotations are messy; the team needs to practice more for the post and paint. Must figure things out, or it will be ugly in December. They will be ready by March, but I'm not sure by December.

I am not worried about Paige because there will be off-shooting nights. Fans are just expecting her to be perfect every game. She wasn't doing anything wrong, but sometimes, your shots won't fall. It happens to the best, but she contributed to everything else. This is why it is nice we have different offensive options. We don't want the ND game to happen again.

SARH STRONG IS SPECIAL. You know how good you have to be to stand out in a team that has Paige Buckers tbh she could be equal to Paige as FRESHMAN!!!!!! This, with her restricting herself and still being unselfish, as Geno said, is an all-around player, impacting every stat in the game!!! I know she got the 3PT shot, but I would love it if they did more plays for her in the paint. The UConn team will be ok with her, that is for sure.

Ice continues to improve and become more confident, which is why she is in the starting lineup. Also, her FG% is really good. She needs to take more shots and rebound more.

Ash is ash; she is streaky but doing well defensively.

I love KK energy, but I don't see her in the starting lineup over Chen all season.

Chen is great, and she and Paige have great chemistry. She didn't have any turnovers, which is good.

JANA !!!! I wish you all give Ice the grace you give Jana. She is really good at rebounding especially offensive rebounds, but from the first game I saw, she is bad at layups. She just chucks them and hopes they go in, there is no need to rush her shot, but she does. I get why Geno was pissed as fuck. The layup she made was crazy. Who the fuck makes a layup like that? And she doesn't look athletic to me. I hope she proves me wrong.

Morgan is the best of the other freshmen. She makes many rookie mistakes, but you can see her hustle defensively, Allie still doesn't move me, I don't see her getting many minutes this season.

Q is not getting much time either.

For AZZI FUDD, I was so happy even if she didn't score anything. I am happy that the first game jitters were gone I am sure she was nervous as fuck and to me, she looked really really good for the limited time she got. I was most impressed with her defense; she was so aggressive, and she looked strong like the girl who fouled her was decked to the ground lol. Also, I think the team was not used to her playing with them, yet maybe they didn't practice together enough because when she subbed in the 3rd quarter, they passed her the ball once for a shot, and she missed lol. Her shots would fall eventually, and I see her getting in the starting lineup. The team needs her to be 100% the Azzi Fudd in March to win the ring. Let her accumulate, like Geno said, for now.

[fangssss2006]

Crack ships ramble time because fuck canon idc if it makes sense or not it's a crack ship for shits and giggles ask for more If you'd like. There are NSFW mentions but I don't go into details (btw if you ask about any ships and you want NSFW or not clarify)

I might be a writer but I don't feel like actually writing good pieces i just want to ramble so please don't expect master pieces 😭

In a world where regulus is with bary and Evan but also James and Lily but separately and the adjustment of going from the Gryffindors that baby him when things get tough to the crazy ass Slytherins that would kill for him if things get tough and probably have but he hasn't decided if he wants to find out or not

They live in a house that has two apartments so it's literally him just going upstairs and then downstairs every other night

They all eventually get together and kiss

They all have different kinds of relationships with each other btw like Evan and James they make out and grab some ass but they aren't in love they care of each other and like to kiss

Barty and James have tension all the time it's giving enemies to lovers energy even though they have been way past not liking each other for years. They'll glare at each other even though they do care for each other. It's a I hate that you're hot and I care about you so let's go in this closet and aggressively make out and have a quicky

Evan and Lily love to cuddle and watch movies they aren't sure what they are but whatever it is it's nice

Barty, regulus, and Evan love each other kiss and sometimes do a bit more

Evan and Barty themselves are crazy in love and can't keep their hands to themselves and if they go crazy they go crazy together

Evan and regulus kiss and regulus lays on Evan while Evan rubs his back and tells regulus the most fucked up facts while regulus is like aw so sweet imma nap now

Barty and Lily love each other and Lily babies him and he lovingly picks on her and then immediately kisses her on the forehead

James, regulus, and Lily are in love and pamper each other all the time and have cuddle piles

James and regulus are in love and love to kiss and lay in the grass it's jegulus

James and Lily are so in love kiss and go on dates all the time comes on it's jily we know they're so in love. They do everything together and they honestly keep everyone together well. Reg might have brought them all together but if it weren't for them they would probably go insane

Lily and regulus love each other so much it's not that they love each other more than the others but they just go very well together. They like the same things but just in a different font and they like that about each other because they can talk about the same things and get the same things but it's still their own individual things. They go on bookshop dates and lay in bed facing each other and Lily can't stop kissing him all over the face. They just really understand each other

[kassandras-one-braincell]

Ranting into the void about Act 3 because I loved it, but episode 9 needed to be two episodes.

Ekko's arc and involvement in the finale was flawless. Phenomenal. Episode 7 was some of the best cinema I've ever had the pleasure of watching, and definitely the best execution of time travel I've ever seen. The 4 seconds limit was a lovely nod to the game.

I was not expecting Heimerdinger to die. Didn't think that was an option. Rip Donger :(

Jayce and Viktor's entire journey was fucking incredible. The whole Glorious Evolution trajectory was so good, but the war against the Evolved needed to span over two episodes. Going from plotting to conclusion in a single episode wasn't the right call. But beginning to end, Jayce has remained one of my favourites, and his conclusion felt right.

I'm overjoyed that Mel got a full arc, and there's no doubt that Riot's next show (if there will be one) will heavily involve Noxus. She's so beautiful. I'm gay. My only complaint is that the Black Rose's involvement felt a bit hasty, and I personally might have struggled to follow the end and Ambessa's death if I didn't have good knowledge of LoL lore and the Vision's intentions. Nonetheless, I'd be ecstatic if Mel made an appearance in any future developments.

Loved the Orianna cameo in the end, especially since she's the only living remnant of the Glorious Evolution. And honestly, I'm fine with Singed's war crimes having a lack of consequence. He played both sides with selfish intent, loyal to his daughter and nobody else.

Sevika being used quite heavily in the marketing of the final act, only to have about 20 seconds of screentime, was unfortunate. Especially since her character is a metaphor for Zaun. If the last act was a bit more fleshed-out, and if she rallied a few more people to beat up the Evolved (maybe with some of the chem barons' henchmen), her arc would have been more opaque. But hey, 4th arm's the charm. Her getting a seat on the council was necessary for a future of a joint city-state.

Maddie betraying Caitlyn wasn't much of a surprise, but it was satisfying to watch unfurl. I thought her proximity to Caitlyn beyond being sexual partners was a bit off. Mel deflecting her bullet was amazing.

Caitlyn was a consistently interesting character. Her leadership skills and flaws made her a joy to watch. The ending with her at the Kiramman computer-like thingy was lovely, because it hinted that Jinx never really died along with the outro shot of the blimp. I just wish the evolution of her relationship with Vi went a bit smoother. Them fucking in the middle of a prison cell after a suicidal Jinx disappeared in front of Vi felt like lazy writing/fan-service, honestly, and I say this as a lesbian. I would have loved a bit more humanity.

Don't have much to say about Vi. Really glad she finally, after how many years, got a short moment to grieve Vander and Powder. But another episode was needed. She got lost in the sauce, which is my only major grievance about the show, because everything began with her and Powder.

Jinx, comparatively, got a satisfying ending. Powder got something of a rebirth, and the hints that she slipped away into the ventilation system and escaped Piltover/Zaun on a blimp gave her justice. Ekko doing all he could to stop her from killing herself wouldn't have achieved much if her arc concluded with her death. Her cutting her hair to resemble Vi's weird mullet nearly made me throw up from joy and sadness. She was the perfect tragedy.

Overall, I'm happy with the conclusion, except for how Vi's character was handled. The show as a whole maintains its status as the best fucking thing I've ever watched. I really hope that if Riot does decide to expand their cinematic universe into another show, they learn from their pacing errors with the Arcane finale. Because Piltover and Zaun are tiny regions in a massive universe, and they got this masterpiece in their honour. Noxus has so much potential. I think the crow at the end and the Black Rose's intertwinement is hinting at this quite heavily. Fingers crossed.

[celestemagnoliathewriter]

Euphemia and James - Writer's Notes

Earlier this year I wrote a fic titled "Euphemia and James," a story exploring Euphemia Potter and infertility. This is the most deeply personal story I've ever written, and it took a few weeks to write it because of the emotions it stirred up for me, but honestly, being able to write this took years of processing emotions. I decided to share some of my notes on this fic in this post, and it includes this lovely cover image from @livelaughlovetoread. This story is also unique in that it's written in second person POV. It wasn't intended to come out that way, but that's how it came out. See below the image for my notes:

Euphemia and James came from these lines from the extra-canonical writings on Pottermore/whatever they call it these days:

"[Fleamont] sold the company at a vast profit when he retired, but no amount of riches could compensate him or his wife Euphemia for their childlessness. They had quite given up hope of a son or daughter when, to their shock and surprise, Euphemia found that she was pregnant and their beloved boy, James, was born."

If you don't know anything about infertility, I envy you somewhat. Studies have shown that a diagnosis or experience of infertility is similar to receiving a cancer diagnosis or losing a close loved one. It took me a while to realize that a lot of the feelings I had surrounding infertility was actually grief and mourning.

So, I put it all into this fic. There are a few points I want to highlight, if you decide to read the fic or want to see some lines, and my feelings around it all:

"When you meet Fleamont Potter a year into your job at the apothecary, you have no intention of marrying him."

I more or less shamelessly wrote Euphemia and Fleamont's relationship to be similar to mine with Mr C. In fact, Mr C aka @rawr-gorg-smash read this work and we were both sobbing messes by the end of it.

"It will happen when it happens, they say. It will come when you least expect it, they say. That’s what everyone says, and you’re ready to punch the next person in the face who tells you to just “relax.”"

Infertile people will get advice like this frequently. It's meant to be helpful or sometimes soothing, I think, but all too often it's an empty hope. Sometimes, bodies just don't work right, no matter how much relaxing you do.

"It’s not polite to ask. Everyone knows where magical, adopted children come from. They are Muggleborn children who are delicately extracted from their birth homes and replaced with Squibs, or sometimes not replaced at all."

This part is world building by me - the idea of adoption in a magical world seemed odd to me. How would infertile magical couples adopt if they can't use potions or charms? I wouldn't put it past them to just take a Muggleborn child, modify memories, and go. I won't touch on real world adoption-there's a lot to unpack there-but this idea gave me some thoughts on magical adoption.

"It seems selfish to want more, when you already have so much. You question, for the first time in your life, if you really want a child."

I have heard people say things to this effect: it's so selfish to want your 'own' children or to want children and bring them into this world, or some variation of that. If this is what you believe, you and I are going to disagree and I'm not going to try to convince you otherwise. But it's something I and many other infertile people have considered. The thing is, people have had children and will continue to have children throughout terrible periods of time. Does it make sense? Not necessarily. Human actions don't always make sense. To me, though, it speaks of hope. Hope for a better tomorrow, for a world that we will build that will be better for the next generation.

"Now you wish for a living child. There are no longer any expectations on your baby or the kind of person they’ll be. You want a living, breathing baby in your arms you can dote on, educate, feed, and guide through life."

I'll say that one of the few silver linings of infertility for me has been re-grounding my expectations of what kind of child I might have. It once was wishing for a boy or girl, or a kid who likes to read, or a kid who won't be into extreme sports, but now it's just a kid I want. I want to love them because they exist. That's all.

"It’s a shame that you only got nineteen years with your son, the one you wished had been born twenty years prior, so you could treasure twice as long with him."

One of my fears for having children later in life is not having enough time with them. Then again, young parents die. Even children die. If nothing else, whatever time I do have, I hope I use it to love whatever family I have to the fullest.

That's all I have for now. If you made it this far, read the fic, commented on it, left kudos, or a bookmark, thank you very kindly for your time. Of all the things I've written, this felt most like putting a piece of my heart into the world.

[goddessofroyalty]

Summary: Aemond and Lucerys drink too much one night and reveal some hidden truths in both their branches of the family tree.

Notes:

Still don’t go here but gods this fandom has such potential to talk about blood lines and inherency and duty.

Pairings: Aemond/Lucerys, Aemond/Helena (only for child conception purposes)

Warnings: incest (uncle/nephew; sibling/sibling), secret-children-having

---------------

“What I don’t get,” Lucerys new husband says, with probably more alcohol on his breathe than is necessarily smart for them to be alone together considering their families are still at odds, “is why your father, not your true father, the one that we all pretend is your father, even claimed you in the first place. He of all people must have known you were not his.”

“He was our father,” Lucerys corrects because no matter what the matter of blood says Laenor was still his father. “And we were his children.”

“And if we were not,” Lucerys adds quietly, revealing a secret that even the night cannot hear, “it is not my mother’s fault.”

Aemond gives a hum at it, swigging down another mouthful of the wine they had taken back to their room with them after the feast. “Was he unable or unwilling?”

“I-“ Lucerys had been aware of the talk about his father as much as he was the talk about his mother but never had put as bluntly around him. He steals the cup from Aemond’s hands to take a drink of his own only to have it snatched back as soon as it leaves his lips.

“I asked my mother about why he claimed us back when this was all set,” Lucerys says with a gesture around the room. It was back when he was confirmed as Lord of Driftmark he had snuck into her bed that night and confessed all his fears of not being deserving of it and questioned whether his father would have even wanted him to take it. “She said that they had tried together and nothing had come from it.”

His mother had confessed that they possibly had not tried as hard as they could before turning to the alternative solution. Aemond doesn’t need to know those details though.

“An heir was still needed for them both and the arrangement worked for all involved. So we are his and he wanted us to inherit as such,” Lucerys finishes, looking over at his husband only to see that Aemond hardly seems to be listening anymore. Instead staring off over the wine cup into the distance. “Is that a problem for you?”

Aemond glances at him out of the side of his good eye before looking back away.

“My brother suffers from a similar shortcoming,” he says, after a moment. Just as quietly as Lucerys had started. “Which I suppose we should be grateful for or else we would be dealing with silver-haired bustards all through King’s Landing.”

It is clear he is not finished so Lucerys lets him have his time to find the words.

“There was also the requirement of an heir for him as well.”

“Did he not perform?” Lucerys has a feeling he knows where this is going.

“He tried. Many times. And the more it failed the more he drank, and Helena, she hated the whole thing.”

“So the children-“ Are Aemonds. Not that Lucerys dares finishing that question from the glare Aemond gives him for even starting it.

Aemond drinks what remains in the cup before getting up and taking it over to the window, staring out. “Perhaps if my uncle had been around the situation would have been neater for you as well.”

“Perhaps.” Lucerys can’t help but be glad his step-father wasn’t around. It is not that he dislikes him, he is as fond of Daemon. But he still misses Harwin, as foolish as that is.

[aroaessidhe]

2024 reads / storygraph

A Dark and Drowning Tide

gothic fantasy romance

a folklorist is chosen as the co-leader of an expedition to find a fabled magical spring for the king, along with 6 nobles

when her mentor, the other leader, is found dead on their boat in the middle of the night, she has to figure out who did it; while continuing the mission through the wilderness and navigating the potential political fallout

and the only one she can probably trust is her academic rival, a naturalist, who she hates

dark folktales & creatures

Jewish lesbian MC

arc from netgalley! out sep 17

putting both covers here because they’re both so beautiful!! (artists: Audrey Benjaminsen, & Erica Williams)

[mashmouths]

so i started this show and it just gets worse and worseeeee not only did it lift the romance subplot directly from twilight (and not well) but they also are trying to play the forbidden love angle hard in the fantasy racism vein except it's a "cross-species" relationship between the two whitest people i've ever seen in my life and there are three people of color in the whole (first season of the) show who aren't villains and it seems that every other episode (and sometimes ebery episode and sometimes twice an episode!) there is a man physically or magically subjugating a woman and i keep waiting for the big reveal at the end to be stolen from fucking rainbow rowell

[technicallyblakebelladonna]

i've read both heatwaves (and steph's story, but that's a rant for another time) and i just wanted to chime in because "stuff happened and then unhappened" is the BEST description i can possibly think of for heatwaves.

the plot absolutely doesnt have any stakes until the last... i dunno, 4 or 5 chapters? and also the pivot it makes from "inciting incident = the car breaking down and now they don't have a means of getting to their show on time" to "we're really not going to think about that and instead try to solve this deeply entrenched small town political drama for no reason at all" is just fucking wild! it's wild! it makes no sense at all.

writing wise, it was much more "enjoyable" to read when you compare it to steph's story, the prose itself flowed better -- but does that mean that the CONTENT of the prose was good? nah nah nah. not at all.

i also agree with you on the whole "how alex was treated" in terms of her character. steph as well, to some degree-- but at least she was written that alex "i'm actually secretly prepubescent boy" chen. i will never get over that bit where alex was like... struggling to keep her eyes away from this one girl's chest??? like literally having trouble??? focusing on the conversation bc she was distracted by a pair of boobs???? like girl. GIRL. we been KNOW that steph is unfortunately flat as a board, completely unblessed in the boob department, but what the fuck???? jesus. so completely out of character for her, it felt WEIRD.

and yeah as for chenrich in general, there was little to none. and even worse? it felt like their relationship REGRESSED since canon. like this is supposed to POST-TRUE COLOURS, why the hell did it feel like they both went backwards in terms of their development. i expected so SO much more, but nah. super fucking disappointed overall.

that being said, it had better prose writing than steph's story. as much as steph's story INFURIATED me and completely ruined one of my favourite characters, at least the plot made more sense and was semi-better paced. but... i guess that's more or less to do with the fact that rosiee thor actually had an end point already put in place for them to write towards. and from experience, knowing an ending makes writing a plot much easier in general. brittney morris had nothing to work with, and so Nothing became the plot.

Absolutely controversial review on 'Heatwaves' freshly out of the oven

okay, so this book is FUCKING INSANE.

and I don't mean it necessarily good.

I told someone in my comment section that I'm more or less positive about this book, but at the time I only reached the middle of the book and, well...

Let me lay out the facts first.

This book features:

• Pathological Altruism and God's Complex of Alex Chen

• Steph carrying the only brain cell

• Sapphic Drama™

• Many many flashbacks of Chen Family trauma

• Shit load of political drama

• And the equal amount of Daddy Issues

• A couple references both to Steph's Story and True Colors

• Immaculate voice acting from Erika Mori (this woman has range)

• Me, feeling sorry for Steph every chapter

Ahem. Now more in-depth and, as I hope, more coherent thoughts about Heatwaves. As was agreed between me and @areyouintogirlsorwhat, who listened to me yelling about it, I would describe this book as:

Shit happened. And also unhappened.

Let me just tell that, coming from me, as Alex and Steph are my dearest, I had a REALLY hard time with Alex in this book. A huge chunk of book is just Alex trying to understand that she doesn't need to overuse her powers to help people and- Well. It took her many pages to understand that even though all the events happen within only 2 days. It was really intense.

As for the setting, we enter Barbazal, a small town in Colorado, where we are just mashed into a big ass election drama. Yeah, election. Big Sigh. Actually super boring exposition and I didn't care much about most of the characters there, except some and pretty much in the end.

God knows, I was busy internally screaming at Alex.

Alex is. A lot in this book. And the worst thing, I can believe that canonically she would became a person from this book. I try to avoid spoilers as much as I can. But let's just say. SHE NEEDED TO STOP AND THINK FOR LITERALLY A SECOND AND THEN THIS BOOK WOULDN'T HAVE HALF OF ITS DRAMA.

Steph though? Is absolutely great. When I said she carries the only braincell out of the two of them I meant it. I was really feeling for her the whole book with how patient she was with Alez and how much she allowed her to do, still being at her side the whole time. And I mean it when I say that sometimes Alex could use Steph's angrier side.

Okay, I'm feeling like I'm too bitter about this book.

Actually it has so much potential. It makes a great job exploring Alex's character, her flaws, her thoughts, her powers, her overall feelings towards things. And I love how many flashbacks of her we have in book. Erika's voice breaking each time she says 'Dad', Alex always wondering how things could've been for her... She actually has character growth going on in this book. And it fills in some empty spaces the game has left. So even if I have a strong opinion about her certain choices, I really like how controversial she was there, because in the end it still makes her a really deep imperfect protagonist.

I didn't really care for the plot until it became super intense and insane. I thought I was going to explode reading the 16-18 chapters, because it had so much going on.

But, well, it still was an enjoyable experience nonetheless, BIG THANKS to Erika Mori who voiced it, I don't think I would've enjoyed it as much if it wasn't for her mad acting skills. Her acting as Steph is actually the cutest thing.

So yeah. My honest opinion? A solid 7/10 for me, but again, Erika makes me biased.

The plot is not really interesting, I suggest buying the audiobook specifically to hear Alex expressing all her emotions in character, really compensates for all the dubious shit she does.

I still would've bought it, even if I knew how much I would scream.

However, if you're not a big fan of Alex, I don't think you would like this book. If you want to read this book purely for Chenrich, I also think you will disappointed because even though they are still there, being cuties, their relationship is only a 25% of the book. And yes, again, there're many controversial things going on, so if you have hard time reading your fav making shitty decisions, maybe you should spare yourself.

Thank you for reading this review, will be happy to hear your thoughts if you read the book or if you have any questions and don't mind spoilers.

[houkagokappa]

Bless Mokumokuren for outright stating that the genre tags for Hikaru ga Shinda Natsu have never changed, i.e. the official site never dropped the "BL" tag from the series as it got more popular to reach a wider audience. It's been a persistent rumor in the fandom, and one I'm afraid will start circulating again once the anime starts airing.

If you mainly follow English language sources, please remember that whatever tags different anime and manga sites, databases, aggregators etc., either add or leave out don't always reflect the author's intent and the official sources, and should NOT be used to argue for what genre or demographic a certain work belongs to. It can just be random people claiming whatever they want based on their own interpretations and I've seen plenty of errors and real time changes to them based on new chapter developments, that might help catch the attention of some people, but don't suddenly change the genre of the work itself.

Not having BL as a genre tag also doesn't mean that a work can't include any boys loving. The queer themes have always been present in HGSN, and if you're up to date with the manga, they've been outright stated. Having queer characters or a queer story line doesn't automatically mean that a work is BL or yuri, and not including those tags doesn't mean that it's just "baiting". This gets brought up so much I think Mokumokuren's gotten tired of it, because the other day they clearly spelled it out for everyone, assuring that the story is queer, although it's not tagged as BL or focused on romance.

Here's what they shared on their Bluesky account:

The genre tag and advertising direction on the official website have never changed since the beginning of serialization. From the beginning, it has been consistently promoted as a "coming-of-age horror" within the official reach. (It's also true that the official reach is very limited…) Whatever the genre tag is, and even if this story isn't a romance, as the author, I guarantee that it is a queer story. There seems to be a persistent false rumor going around that "the author suddenly removed the BL tag from the official website by the 3rd volume," but the truth is that there was never an official BL tag from the beginning. (This is not to deny any queerness.)

And further back:

My opinion that the genre of The Summer Hikaru Died is something that the readers are free to think about on their own remains unchanged, but I view it as a story that sympathizes with those who have been left out of stories about love and sex, so I describe it as "coming-of-age horror." I think the key is the fear of not being “normal” and not having a place to belong, which is common for all kinds of people regardless of their attributes. I think it's fine for queer stories that aren't romances to exist. That's why I've been careful not to position it as a love story from the start.

Let's stop obsessing over tags and allow queer stories to exist and thrive, even when they lack a clear romantic plot or subplot and are more subdued.

[shannonsketches]

something something foils moving in opposite directions Goku's always happy to seek and fight stronger opponents because he spent most of his life being the strongest guy in the room and Vegeta wants to be the strongest/is always exhausted to find stronger opponents because he spent most of his life having to navigate his survival around the whims of the strongest guy in the universe room and so Goku has a foundation of safety and stability and so spends his time craving challenge and adventure and Vegeta has a foundation of challenge and adventure and spends his time craving safety and stability and the overlaid section of their venn diagram is that the only way they know how acquire and maintain those things is through battle