#I never write what I consider to be fight scenes

[lets-try-some-writing]

Transformers One: My Thoughts and Critiques

Note: This is going to be a very long read, so be prepared.

Before I begin my thoughts on the film, allow me to state beforehand that I will be looking at this film as a standalone film first and foremost. I will not be considering the fact that it is meant to be part of a trilogy until the end of my assessment because a good piece of media should be capable of standing on its own. With that said, minor allowances will be made because of this fact.

Additionally, I will not be applying any other continuity lore to this film review in order to limit my continuity bias (although I will make frequent comparisons). Please note that these are my thoughts and opinions and the fact that I even bothered to write more than a two sentence 'it sucked' with a wail of anguish tacked on means that the film has value. I am merely picky. Obviously, this will have a heavy does of my personal takes thrown in along with genuine analysis, so don't take my assessment as gospel.

From this point onwards, spoilers will be present. Read at your own risk.

The Good

(Me trying really really hard to not accidentally be negative.)

The visuals for Transformers One are, of course, stunning, and the voice acting, as a general rule, is very on point. Chris Hemsworth as Orion Pax and later, Optimus Prime, was a decent decision. I like his voice as Orion, but regarding Optimus? I have opinions that will be discussed later. But for the time being, his voice as Orion gives the character life, emotion, and a great deal of ethos. He's likable and interesting, giving him depth that we have not seen in any other Orion Pax since G1.

Megatron's voice actor was also incredibly well picked. The emotion and tone in his voice was undeniable and gave D-16, and later Megatron, such enthusiasm and vibrancy that I (and likely much of the audience) couldn't help but feel for him in many of his interactions and speeches. I loved hearing how his voice evolved as he went, slowly becoming more aggressive and deep. Elita-One was a reasonable pick when it came to voice actor. She certainly had tone and opinions. Bumblebee's voice actor was very entertaining when it came to giving the character development. Having Bumblebee with such a enthusiastic voice actor made him into someone who had far more depth than he likely would have otherwise.

Sentinel's voice actor was golden. He comes off just the way the movie needs him to be, and it is done quite tastefully, although it certainly doesn't break any molds when it comes to the cliche evil character arc. I adored Airachnid's voice acting. It fit her well and was a polite, but well earned shift from the snootiness seen in other continuities. She automatically has more depth simply because of her voice.

The worldbuilding for Transformers One was well done considering the time limits of the film and the focus that had to be given to other subject matters. There are many issues of course, but overall I cannot fault a single film for not having the length and depth of something like Prime or the IDW comics. The flora and fauna showcased were bright, and at least in the case of the flora, quite diverse. The designs for the few creatures showcased were interesting but not overwhelming, especially for the Quintessons. The shift from inorganic to organic was clear as day with their presence, and highlighted the love and care put into every single frame of the film. It was clear that there was real love shown to each character, movement, and scene. For once, the creators seemed to genuinely care about what they were doing.

The fight scenes were stunning. They flowed incredibly well and made excellent use of the environment and the biological aspects of fighters. The use of partial transformation and transformation in general was something I have never seen given such emphasis in a Transformers film or cartoon, not since Prime at any rate. It was done perfectly in my opinion, and showed an actual understanding of how the characters should move and likely would move in various combat situations.

Onto the actual film. The movie hops right into the action and we, the audience, are given a fantastic view into who Orion Pax is as a character. We see his longing to be something greater right off the bat, giving new fans a solid start for his character. Old fans are also given a nod to various continuities with his character design and his overall knowledge and interest in the archives tied with his station as a miner.

The design of Iacon was a fascinating shift from other continuities, that with everything being underground. And D-16's introduction was well integrated into the scene. His and Orion's friendship is masterfully done, and their interaction on the train gives amazing hints into their past, potential history, and creates interesting lore for an audience to ponder. Their relationship is by far one of the most important and intricate parts of the film. It is a masterclass in setting up a relationship prior to a film or story actually shoving two characters into a setting where more of their traits are showcased. Honestly, we can see so much about both of them from that first scene.

D-16 bailing Orion out of trouble quietly like its normal. Orion going through all the effort to give his friend something of value that is both personal and has money attached. Banter that showcases their depth and rich relationship that also flows smoothly and naturally, like old friends should. We get to see how Megatron will come into being through his adoration of Sentinel Prime and Megatronus Prime. His youthfulness combined with Orion's desire to see and experience everything brings out the best in both characters, giving them reason to be together and to get along.

I will never stop giving my praise for that first scene with D-16 and Orion since it was so tastefully done.

Their work in the mines is well directed and the introduction of Elita is... a thing. (thoughts later)

The lore presented in the mining operations is ingenious as it showcases both Cybertron's situation, lays the groundwork for the knowledge characters possess later in the film, and overall shows D-16 and Orion's hesitant heroism (at least on D-16's part) when they save Jazz from certain death. In some cases, the introduction of new information is masterfully done through the use of referencing demotions and promotions in a manner that applied to the situation in question. The lore regarding energon and the overall loyalty of the miners also demonstrates much of the mindset Cybertron is operating under and is done quite well, as seen with the cogless bots being totally fine with their lack of transformation ability for the most part.

Brilliantly done pre-set mindsets. Especially showcased with Sentinel's message to the cogless leaving them all in sheer awe and cheer. I could sense the villain a hundred yards away, but I could tell that the characters believed what they were hearing, and that in my opinion is a show of how well presented the mindsets of the characters and overall view of the society are.

The race was fun to watch, with plenty of spectacle. Orion and D-16's conversation pre-race showed more of their character and D-16's adherence to the rules vs Orion's desire for something more. Orion leading them through back roads into the race also added more depth to Orion's character which I adored (and was unfortunately underutilized). I appreciated the tricks pulled by Orion and D-16 to win. I also adored the brotherhood shown between them, especially how Orion went through the effort of giving D-16 his chance to be a hero, even if D-16 was hesitant. Their brotherhood in the beginning of the film was honestly one of the best highlights, and distracted me from many other things that I will discuss later that were less than optimal.

I loved seeing how excited D-16 was toward the end of the race, and of course how Orion stopped to help him. Their banter in what I assume was the medical bay was also enjoyable and laid further groundwork for D-16's character.

The scene with Sentinel congratulating D-16 and Orion Pax was suitably filled with awe and stiltedness in equal measure. It played well and showed D-16's character as well as Orion Pax's passion and drive. One thing I will not fault the film for is Orion's devotion to his goals. They were clear and remained so from the get-go along with D-16 admiration (right up until the fifty minute mark).

The meeting with B-127 was unique, and an interesting show into the madness that forms in those who are condemned to the bottom rungs of society, even though it was played for laughs. The introduction of the main plot device was something I have critiques regarding. Although, with that said, D-16 and B-127's reasonings for going were both done pretty well. I like how D-16's reason played off his character and previous history with Orion. Again, the brotherhood between them is key in this film.

The logical leap to get onto the trains was well done and also set up essential plot devices for later. Elita's presence was odd, but whatever.

The fight scene on the train and the rush to stop Elita from telling on all of them was well played for the most part. Her anger made sense and her snark didn't exactly come from nowhere. Her taking of the map made reasonable sense (although I have opinions). B-127 is vaguely humorous at times during their journey, which I can appreciate in small doses. (His cave comment got a vague chuckle out of me.)

The introduction of the Quintessons was well placed in light of the future scene with Sentinel. I loved our main characters maneuvering to avoid detection as it showed their cooperation as a team for the most part. Orion's knowledge of the Quintessons made sense in light of the very first scene in the film (again, it was an excellent start to the movie and laid a lot of groundwork).

There were a few scenes in this film that really kicked me in the feels, and the moment the group enter the cave and find the bodies of the dead Primes is one of those moments. The scene is solemn, not a hint of snark or banter to be found. Everyone is lamenting, thinking. The atmosphere was perfect, and the sheer emotion from D-16 in particular was delightful in its own quiet way. The way he sat before Megatronus Prime was emotional. For once in the rapid fire mess that is TF One, time was taken to let everything sink in. You can see a quiet shift in him, and in Orion there is something that makes the audience note how lost he appears. Elita and B-127 only added to the scene as their usual lines died off, letting the scene simply breathe. It was, in my opinion, very well done. Especially with the music running softly in the background.

Their worldview was shattered in that cave, and I adored seeing it play out.

Alpha Trion's character was done well, very well considering how short of a chance he had to be on screen. He showed proper confusion, but then moved along once he noted the situation. There are things I would change obviously, but his character played its part, and I appreciated how he got to the point and limited his cryptic behavior to an extent. He seemed tired, as he should have. His death was also well timed and I appreciated how much the movie wasn't afraid to straight up off a titular character in other continuities. The scene with the T-cog distribution was also a delight to watch. The animation was very clean and it gave me a whole lot to ponder biology wise.

I must say Sentinel's interaction with the Quintessons was, quite frankly, not surprising. But it did convey its point well. I like watching this noble looking character finally drop his façade fully, bowing before invaders and shocking our main cast (even if the audience could see this coming from two seconds into the film).

D-16 and Orion's first argument hit me in the feels, mainly because I really did understand D-16 far more than I did Orion. He was angry, he wanted justice, and above all else, he looked lost. I was simply enthralled with the way his character started to shift and change, going from passive to aggressive in response to rapid fire hits to his worldview, ultimately leading to a perfectly reasonable bot shattering under the pressure.

Alpha Trion offering the group T-cogs from the Primes was interesting and left me with many worldbuilding related questions. The scene where the group first transform was fun. I liked how the characters were given a chance to show their inexperience and struggles. Disregarding the comedy, it made perfect sense for bots who'd never once transformed to have to learn to do it all from scratch, trial and error. It was fun, especially D-16's leg being stuck halfway into turning into treads.

From here my praise is a bit more limited, but I enjoyed seeing D-16 flex his authority and get his group in line. I appreciated the moment of tension between him and Orion, showing the conflict brewing and yet the lingering brotherhood that had not yet cracked. It was delightful to see the war going on inside D-16 in that moment, the hesitancy and the care for his best friend buried under newfound rage and betrayal. Orion later doing his best to try and check up on D-16 was a delightful touch that only further cemented their struggling companionship as the film progressed.

Seeing Starscream was fun. Shockwave's voice was a nice addition and the extra emotion I find was a bonus. Also Soundwave with unique abilities. Nice.

D-16 beating the ever living snot out of Starscream was fun on its own, at least without considering the context and pacing. I enjoyed Starscream's character and the change to his usual cowardly behavior was, in my opinion, well earned and much needed (at least so early on in this new continuity). Orion's growing confusion and uncertainty was a lovely touch. I also adored how he stepped in, bringing D-16 back to reality long enough for him to spare Starscream and make his declaration.

Just going to throw this in here. Sentinel Prime is peak evil and I loved how cruel he was throughout the entire film. He oozed snooty and evil billionaire. The entire scene with him slaughtering Alpha Trion like some sort of hound, his dialogue, and later his insults toward D-16 were just *chef's kiss*. Him carving Megatronus's symbol onto D-16's chest was downright evil and served to further prove just how terrible he was. It was a great scene with very solid dialogue. Honestly, despite how evil he was, Sentinel was one of my favorite characters simply because he was consistent and his dialogue was very well done without any severe stilted moments right up until the end.

Not much to say about the D-16 capture and the Orion & Elita-One pep talk scene. It happened. More thoughts in The Bad section.

Additionally, D-16 staring death in the face was brilliant. I loved seeing his sheer defiance, and the way he met his potential end with honor even when B-127 was willing to stay down. It spoke so much of his character and his development since the beginning of the film. He went from wanting to hide from fights to actively standing up for his rights.

Orion talking to all the miners was, in theory, and probably on paper, a fantastic scene. It wasn't as grand as it could have been, but I really appreciated the size difference between him and the others combined with his attempts to rally them. His speech was moving and I could see his comradery with his fellows the spark of Optimus Prime within him. I loved seeing him rally his troops, encouraging his people to stand and fight. The miners being all so small really did wonders for the scene though. I know I already referenced the size difference, but seeing all these cogless bots look up in awe did something wonderful, especially with the lighting.

The revelation of the truth was downright brutal. It wasn't done as well as it could have been, but I appreciated it all the same, even if it gave off "I'd kidnap a thousand children before I let this company die!" vibes. (Thank you, Monsters Inc).

D-16 fighting Sentinel and then the subsequent attempt on Orion's part to calm him down was... painful (in a good way). I knew it was coming, I could smell it a mile away, but I honestly hadn't expected the scene to play out as it had. Orion trying to stop D-16 once was expected. Him trying again and getting hit was very him, and very powerful with D-16's response thrown in. Seeing the anger that had been brewing in D-16 fade for a moment to instead be replaced by guilt and grief for a precious second brought me nothing but sheer joy. It was such a turning point for the character, especially when the disbelief in his tone hit. D-16 holding onto Orion while on the verge of breaking down, warring with himself, and then deciding to let Orion fall?

Beautiful.

In that moment, we got to see D-16 metaphorically die alongside Orion Pax, breaking their brotherhood so that Megatron could rise from the ashes and try to bring down everything that led to their paths crossing and ultimately diverging. Honestly, I would have paid good money for an alternate ending where Orion died and stayed dead for a while longer, specifically so that Megatron could have a chance to grieve and contemplate. There was just so much going on in that scene with the music, the loss, and the tension that made it a fantastic visual.

The whole comparison between Orion and D-16 as they changed and morphed was a wonderful thing to witness. I enjoyed Megatron's birth a bit more than I did Optimus's, but that was largely because as Orion approached Primus's core, I personally would have adjusted a few small things to keep the dramatics in place. Megatron's birth however was truly stunning, showcasing his strength, his rage, and his passion all in a few short scenes. The music was phenomenal and only made it all the grander. His speech was simply perfection and I have absolutely no complaints. The concept of Megatron was rightfully embodied there and I was all but squealing in excitement when he made his declaration.

Optimus and Megatron's battle was amazingly done. The fighting and the use of weapons and transformation was spectacular and I have exactly zero complaints regarding the fight scene on its own. Optimus then banishing Megatron from Iacon had its own set of feelings, although, there are things I would change.

Bumblebee's line at the end of the movie was actually funny. It got a very solid chuckle out of me.

The flashback was adorable. I loved seeing the contrast between the bot who D-16 was, versus what he became. A brilliant scene, albeit a tad out of place in my opinion.

I have exactly nothing good to say about the last few sequences of the film. But I will say that Megatron is forever awesome.

With all that said, the music for the movie was phenomenal and made scenes that otherwise would have been simply moving into heart wrenching moments of awe. The Fall is by far my favorite simply because of all the emotional tracks in it. Every time I listen, I see that pivotal scene play out in my mind. Megatron and Optimus's birth, so perfectly contrasted and the emotion played out spectacularly. It's been days since I watched the film, and the emotional value of the music hasn't worn off in the slightest.

The Bad

(Aka, my rant combined with actual critiques)

Oh boy here we go.

Orion is just off. As a character, there's something off about him. He's perfectly acceptable on his own, but there is a lack of substance to him that makes it difficult to find him compelling at times. We never really know why he even gives a crap about the things he does. He just cares about the Matrix and becoming greater because of... reasons. There's no basis for his interests, not like D-16 who expressed in dialogue and actions why he cared about the things he did. He loved Sentinel because Sentinel "saved" them. He loved Megatronus Prime because he was the "strongest Prime who ever lived". Orion's reasoning for caring about the Matrix and freedom in general amounted to wanting to help Sentinel. I mean, it made sense, but it wasn't particularly fulfilling for his character, especially when the rest of the population was perfectly fine with their situations for the most part.

There needs to be reasoning. What happened to him to have him break the mold and try to act out? Why did he break it at all? Orion is obviously an outlier in mentality, and therefore he should have at least been given a single line of dialogue with D-16 to explain his interest, (excluding his declaration of wanting to help Sentinel find the Matrix. That is a mere statement and it didn't give me much of anything to understand why he cared since he wasn't as devoted as D-16). This issue follows him throughout the whole film. He's a bit of a shell at times, although it could have been due to the way his dialogue hit. This lack of foundation for his character made it difficult for me to really feel for him like I did with D-16. When D-16 got angry, I was on his side because I understood where he was coming from. But with Orion? He was always just... there. He expressed emotion and I loved seeing how he shifted, but his growth didn't match the pace the movie set, leaving him in the dust a bit.

It weakened his character drastically.

His voice is also a tad... bland. No offence to Hemsworth, but I just don't think he managed to capture Orion like Brian Tyree Henry managed to get D-16 and Megatron. Orion had his moments, and those moments were spectacular, but his speeches never had any of the depth of Peter Cullen's Optimus or the youth of TFA's Optimus. He lacked something distinctive to set him apart. He tended to sound somewhat blank in certain scenes, almost like Hemsworth had only just been given the script (or was still attempting to be Thor). It was especially bad when Orion becomes Optimus Prime. Where Hemsworth did an arguably fantastic job as Orion, his voice simply didn't fit Optimus. Am I biased because I enjoy Peter Cullen more? Yes. But also, Optimus is a mech meant to show power.

He needed a deeper voice desperately, something that would rattle and have the tone of a true commander, demanding respect even when he's being gentle. Hemsworth was a fine Orion Pax, but Optimus needed to change and become something more in my opinion. They didn't even have to change voice actor if Hemsworth could pull off a bit of range like Brian Tyree Henry did with D-16 and Megatron.

No complaints about D-16's introduction.

Back to the film. The sheer amount of background Easter eggs was fun right up until I started seeing far too many familiar faces in the same place. The world of Transformers One, unfortunately, feels incredibly small. We see Iacon and we see the cogless and Sentinel's servants, but nothing else is really there. It's a strange emptiness. I can tell the film creators were trying to fill the void, but we never got the chance to see those who did more than just mine. Where's the middle ranks? Who is running everything else? Why is every single Autobot a miner? There should at least be a few middle rank bots wandering around. We did see scenes with random civilians at the end, but I would have liked to see a greater range of work involved in Iacon. Even just a medic would have been great. If those things don't exist, then how does the city operate? Where the heck are the other cities? Is there a council of some sort? How is Sentinel running literally everything without an inner circle? We only ever see Arachnid after all.

Honestly, a tad more variety is what we needed. Not to say the variety we got was terrible, but seeing a medic, a random vendor, or even a military drill sergeant in the background would have done wonders I think.

Additionally, there should not be so many familiar bots all in one place. I know this is a new continuity, but it feels weird because there is no way every single big Autobot just happens to come from Iacon because they were ALL cogless miners. If that is the case, that destroys so much depth it's not even funny. I mean, the continuity can do what it wants since its new and has its own lore, but I suppose its a bit of a let down if everyone shares the exact same origin. Additionally, the voice acting for most background characters was... fine. Some scenes were fantastic, like the race where everyone rushes to see the miners on screen. But the movie could have greatly benefited from a few more unique and passionate voices. I wanted to see true anger, REAL heartbreak at the lies that had been fed to the cogless. This is more petty than anything else, but a few more voices and a bit more depth would have been fantastic.

It's only made worse by the fact that the entire film just feels tiny compared to the scale its operating on. One city, one mining area, one train, one open field, one race track, one abandoned base, one rebellion base, and a cave. Sounds good on paper, right? Lots of room to move. But we never see anything about any other part of the world. Not even a mention or a poster on the wall for a different city. It made everything so much smaller and more controlled. That's not necessarily a bad thing film wise, but giving artificial depth through background characters and whatnot would have been great. Even just some chatter from background characters would have served this purpose. Think about Star Wars or Lord of the Rings. Both movies referenced planets and places that came into play later far before they actually showed up, and in only one or two lines. TF One needed such dialogue if it wanted to establish the scale of the world. Unfortunately, we didn't get that.

The first mining scene in the movie agitated me on a spiritual level. Not necessarily because it was bad. I found the actual operation of the scene very interesting, especially seeing how Cybertron reacts to the mining and how the bots go about getting energon. It was downright fascinating watching the trained and trialed methods the crew used to get in, do their mining, and get out. Jazz was hilarious. However, Elita-One murdered the mood for me.

Elita is... an interesting case. I will just say it outright. She serves no purpose within the film that actually means anything. And this fatal flaw reflects horribly on her character. On her own, a bit of snark and anger over her situation and even the arrogance would be good character flaws for her to work past, but combined with her place in the film, it made her nothing short of grating. Every scene she did anything more than fight or offer reasonable commentary was a slow torture for me. There was nothing to give me a reason to like her. She's an arrogant bot who thinks she knows and can do everything, and that bothers me. If there was something for her to have to go through to work past those flaws, then I could appreciate it. But she maintained her poor disposition throughout the entire film with little to no outward changes. It was a wasted character and an arc that was never even given a chance to exist.

With that said, every time Elita turned up and started getting talkative I died a little inside. I am prepared to be crucified for that take.

Elita's attitude after Orion and D-16 saved Jazz was just the worst. Even though I understood her take, she still bothered me with her rudeness. She's a very selfish character if you really look at her, and it shows. Her voice acting wasn't bad, although there were a few repeat lines that got stale fast.

The Iacon race was a fun concept, but Orion's character was again left to exist in a vacuum when he took D-16 to the race. Evidently, Orion knows a crap ton about the underground and travelling discreetly. This skill is never seen again. Nor is his knowledge of travelling quietly on his own ever mentioned after this scene, to my knowledge at any rate. Whatever the case, he was given a hint of lore and then left to go be rebellious for reasons we still do not have a solid foundation for. Honestly, I understood D-16 far more than I did Orion and I think that's a problem in a film meant to be their origin.

I have no real complaints about the actual race. The scene with Sentinel had nothing for me to comment on negatively.

Bumblebee is again, another character who holds little use in the film. I understand WHY he was put in (fanservice and all that), but the way he was implemented was very poor. There were far better ways to incorporate him into the story and actually make him important and telling. Instead, he's just a chatterbox there for jokes and one liners. He's far less agitating than Elita though because at least he has vague chemistry with our main protagonists. Also, B-127's whole nickname sequence should have been cut, or at least sidelined a bit. It really wasn't that funny, and if the crew were trying to show how isolation has gotten to him, the whole fake friends part got that across quite well.

The plot device was ridiculous. Not necessarily in its existence, but in its implementation. You want to have a SOS message from Trion to be the key? Cool. DON'T put it in the actual trash in the most obscure place on Cybertron. The fact that the bloody message survived is a miracle and quite frankly, it felt contrived. There were far better ways to implement the message. Think about Stars Wars and R2D2. Personally, I would have been privy to a bit of War for Cybertron coming into play, or possibly Smokescreen from Prime. That way Bee could actually be useful while still offering the crew their plot device. That said, it wasn't the worst thing and with a bit of grace, it is not a major sin.

The train scene with Elita was actually painful to watch. I despise her so much, and she just made the whole thing agony to get through. I skipped through her kicking the guys around like boyscouts because it was not appealing in the slightest. (I do understand some people like her, but I am not one of them and this is where my bias shows most.)

No complaints about their stint on the roof of the train.

Elita's entire scene on the ground where she gets in Orion's face made me want to strangle her. I can understand her reasoning, but she's so frickin annoying that I simply could not care about her in the slightest. Her lines might have even been funny if she hadn't been such a poorly done character.

Why does she get the map??? Why??? She isn't even meant to BE there??? Orion, why are you letting her walk all over you??? That's your evidence! You can't even trust her! Let D-16 read the bloody thing. He feels like he has the most braincells out of all of them. I get that they were aiming for girlboss and mom friend vibes combined with Elita, but she's simply agitating and I think it would have been far better for Orion or D-16 to lead the way and show more of their character. Actually, let Orion do it. He snuck into the archives all the time. He's a perfect fit for the role and would have given him the chance to show off that foundation that he lacked throughout the entire movie. If they REALLY needed Elita, they could have used the chance to build that oh so lovely ship bait for fans by having Elita and Orion have to work together to successfully read the map. After all, Orion knows all the weird underhanded stuff and Elita was a team leader for the miners. Their combined knowledge could have been a bonding moment AND been useful to the plot later to show why they fight together in a reasonable fashion.

Again, Transformers One feels tiny. There was one creature type shown on screen, and I understand animating is a pain, but even just some shifting shadows as the group walked would have been nice. Would have made things feel more alive and artificially expanded. (again, a petty complaint above all else. Maybe Cybertron just doesn't have a ton of animals.)

No complaints about the cave scene.

So... T-cogs can just be taken from the dead? Is that not a health issue? We see later that Megatron taking Megatronus's T-cog changes him further. Does that imply that all four of the crew are now biologically related to the Primes? If those T-cogs aren't rusted to hell and back after fifty cycles and don't give the crew infections later, this has some startling implications. Less of a complaint and more of my confusion. Seriously, are there no prerequisites to have a T-cog when a bot's original one has been removed?? Does this mean that biological offspring can be a thing via passing on a T-cog?

(I have some worrying thoughts about relationships on Cybertron now because of the shift in characteristics for the crew when they got their Prime inherited T-cogs)

Too much exposition from Alpha Trion. It fit the scene certainly, but the whole film had a running problem of mouthing off and throwing exposition around like candy. It was not done particularly tastefully 90% of the time. In fact, the only exposition that I liked was from D-16 and B-127 because it felt natural for them to explain things as they did. Trion's was cool certainly, and honestly if Orion's first exposition in the archive and then Trion's were the only dumps, I would have been quite happy.

I can't believe the Primes fell as easily as they did. I understand they were ambushed. But how on earth did Sentinel manage to personally cut down several of them when, up until that point, Alpha Trion said they were winning? One sneak attack is understandable, but the rest was a bit unbelievable. Especially Megatronus Prime.

Why is everyone suddenly so chill with killing? I mean D-16 just shot someone to DEATH despite having never raised a hand to pretty much anyone with intent to kill up until that point. Is this a society thing? Cultural? (I am not talking about Orion here. He's a sunflower compared to B-127 and everyone else going off and chopping enemies to bits)

Regarding D-16's arc, it was rapid fire from this point onward. I can see what they were aiming for, but there was a distinct lack of anything to really cause him to fall as far and as fast as he did. Actually, allow me to rephrase. Rather it was that he HAD reason, it was simply too fast paced of a film for me to feel his change and truly cement it in my soul. It stuck and it most certainly made sense, but it was a bit like whiplash when he chose to let Orion fall to his death despite them having gotten along up until that point for the most part.

Orion is an idiot as well. He spent all of D-16's rapid fall into warlording staring at his best friend like a confused goldfish. He did very little to step in aside from try to ask if D-16 was alright and stopping him from killing Starscream. Yes, D-16 was captured and there wasn't a lot of time to do therapy. Yes, the rapid character change occurred literally over the course of like, a day and change, so I can't fully blame Orion. And do I understand why he was so hesitant? Yes of course. The change was super fast. Do I also understand how and why D-16 fell? Absolutely yes. Were both of these characters rushed? Abso-frickin-lutely. The foundations were there and they were fantastic. They just had to be roller coastered to their completion without any regard for the emotional value of pacing their respective shifts away from their previously shared goal.

I do not truly blame the film creators for the rush, but it does kill a lot of the emotional impact that would have come if we'd been given more time to see D-16 and Orion have more and more arguments over increasingly difficult moral decisions.

Starscream and the High Guard are stupid. They are a fantastic concept on paper, but much like half the cast, their implementation was poor in the extreme. They came from nowhere, were exposition dumped into existence, and promptly followed the rando who beat the snot out of Starscream and could have, for all they knew, been an actual spy. For some of the best trained bots on the planet, there was not a single braincell amongst them.

Starscream had so much potential too. But that vanished into smoke twenty seconds into his face getting bashed in. Soundwave looks like a taco. And he acts like one with his lack of substance character wise. Shockwave was neat right up until he got wrapped up into the stupid gag with B-127. It's a dumb joke and it destroyed whatever seriousness was building. Like come on guys, we are at the one hour mark. It's time to get serious or go home. Again, aren't these the High Guard???? Very important very well trained bots??? Why are they acting like savages and petty children? We at least need explanation for that if we are rolling under that rule. They needed more depth desperately. As it stands, they were nothing more than free guns for D-16 to yoink for future movies.

Also, again, Orion the goldfish. Standing there all confused without doing a bloody thing about it. He's so passive in this movie and it infuriates me because it feels like his character arc never picked up the pace like D-16's did at the hour mark. I understand he's going through a lot and watching his bro fall is likely a bit shock to the system, but one would think with how close they are that Orion of all bots would be the one to try and humble his brother in arms. (I am aware he did his best with what time he had, but still). I know that if one of my siblings decided to go all murder hobo on me I would be the first to get up there and throw a shoe at their head. Once more, I do understand that Orion was likely in shock, but due to the pacing of the film, he feels a bit like stale bread right up until he's literally shot.

Neat, a fight scene. D-16 is captured, ooooh that could be interesting- aaaaaaaand there's Elita being the worst again. Great pep talk. Fantastic even. Now I hate her even more because all I am getting is sheer arrogance and not even in a humorous way like Knockout from TFP. Good heavens Elita sucks.

"We won't follow you." *Elita exists* "wE wiLl fOLLoW yOu" - Frag ALL the way off with this garbage. High Guard indeed. High on drugs and low on self-esteem. Elita has done NOTHING to prove herself worthy of being followed, or Orion for that matter. It would make far more sense for the High Guard to just be pissed off and opt to go fight Sentinel on their own since they've lost their new leader and a ton of their troops all in one raid. It would have been majestic for them to straight up decide now or never and lead a charge, and then have Elita and Orion join them with unexpected troops in the form of the cogless.

Again, aren't these guys meant to be the High Guard? Why can't they get into their own city? Surely they have contacts or old knowledge? Actually, why can't Orion bargain his way into their ranks using his knowledge of all things underhanded in Iacon? It would have been a great callback to his scene getting himself and D-16 into the race. I know they sort of went that route by having Elita get everyone in while Orion went to fetch the cogless, but it would have been way more interesting to see them working together in a logical manner and planning their attack. I know there were time constraints, but that doesn't mean they couldn't have worked together for a short period of time and shown either the brutality of the High Guard or their similarities in regards to goals and ideals.

The scene with Orion addressing the cogless was certainly stunning, but it needed more. Emphasis, tone, lighting, music. I think it needed something just a touch grander. Not too much mind you. Orion needed to have come back with a new aura around him, something to really make him stand out aside from his newfound height. This is his dawning moment after all, his first spark of Optimus Prime. If he'd spent some time scheming with the High Guard, maybe he could have had an air of a fledgling soldier, just bloodied and ready for battle. He did punch Darkwing, and that certainly helped, so I will give him a pass in this regard. His speech still would have meant more if he'd been a bit grittier and yet still kind, especially contrasting D-16 who took one life and then never stopped doing that. His compassion was a nice touch, as well as his relatability to his fellows, but there had to be that hint of something more commanding. He had the inklings and I appreciated his first real speech, but the rallying cry was, in my opinion, a tad off. It could have been due to the voice acting. (Seriously though I did love this scene, I just have itty bitty suggestions regarding how it could have been better. And Orion made a funny face halfway through his big pep talk so there's that).

The background character voice acting didn't show quite enough confusion or awe for me to really be sold on the scene. I would have preferred something more akin to the TFP scene where the kids are introduced to Optimus. Shock, awe, excitement, a hint of fear. Those things were present of course, and I understand the miners were tired from doing their million and a half shifts. But a bit more could have been done. More background chatter essentially.

No complaints about the Sentinel and D-16 interaction.

The battle scene was well done, all of them. The Arachnid thing worked, but the big reveal of the truth did absolutely feel torn right off of 'cliche villain downfall bingo'. I would have liked something a tad more original. Just a bit. But it did get the point across well enough so I can't really be upset.

Again with the background characters. It wasn't bad, but where's the RAGE?!? Where is the sheer chaos? It was emphasized later with the battle, but I think that scene with the big reveal needed a bit more violence so show just how unruly the population ended up. It could also make it clear why so many would eventually choose to join Megatron. Give me ONE guy with a Molotov cocktail throwing it at a statue of Sentinel or something. Why not have some of the cogless start attacking their superiors as well as Sentinel's servants, just to show the sheer destruction going on? Please, it would have been delightful and only have taken up like, five second of screen time MAX.

No real complaints about the scene with Orion, D-16, and Sentinel. It was still fast paced, and Orion still felt a bit like a goldfish, but overall the scene was perfect. The pacing is all that made it feel somewhat off.

The birth of Megatron was perfect. Zero complaints.

Once Orion reached Primus's core, the birth of Optimus gave off "Meeeeeeeegatrooooooooon~" vibes from the TFP Movie (Thank you Unicron. Love the voice acting man). Alpha Trion's voice was not doing it for me. It made a grand moment rather cheesy. Personally I think Orion needed whispers, echoes and flashbacks to go along with D-16's increasing violence and declaration. It would have been the perfect time to throw that flashback from the closing part of the film in. Let Orion see a ton of rapid images of him and D-16 along with increasingly loud whispers from all the Primes, cumulating in "Arise, Optimus Prime." Maybe even chuck in visions of the dead Primes, showing bits of their lives as a way to nod to the knowledge contained within the Matrix (if this continuity is going that route anyway. If nothing else, it would look cool and allow each Prime to meet Optimus in a natural manner during his creation). Additionally, that way Optimus can maintain a hint of mysteriousness but also grandeur.

Optimus flying up to the surface like superman.

I get what they were going for, but it was a tiny bit silly. I think it would have been grander for Optimus to have taken a bit longer returning, simply so that he could have the very earth part for him Moses style. I am not entirely sure. There isn't really a right way to fix this scene in light of the time constraints, and frankly the sonic shoot up to the surface did look cool and served its dramatic entrance purpose. I don't necessarily dislike it, but given the opportunity, I would have gone a slightly different route.

No commentary on the battle. It was perfect.

Again, Megatron's character arc was seriously rushed. He needed far more time. I adore him in TF One. He's quite literally the best character in there. But everything leading up to his final moment was rushed and it left me feeling unsatisfied at the end. There was plenty of foreshadowing in small ways, but those didn't start happening until the hour mark, give or take. Also, Optimus banishing Megatron from Iacon?? Why just Iacon??? Where the heck are the other cities?? Do they exist?? I'm spitballing but the whole scene felt ever so slightly off. Megatron limping into the distance didn't feel quite right. I honestly think that in exchange for wounding him, Optimus should have gotten a scar somewhere in return as a reminder of his cause. Megatron got Megatronus's face burned onto him. Let Optimus get a similarly noticeable marking, that way both players show a mark of their fallen friendship.

Sidenote: How does ANYONE know how to fight in this film?? Sentinel, the High Guard, and those with T-cogs makes sense. Orion? Sure. He did a lot of rough housing. Elita? Maybe. Hard to tell with her limited background. But D-16 and B-127? The rest of the cogless? Where did they pick it up? Its a recurring problem. And how does the crew improve so fast? I mean, they know how to fight with their big ol saws from mining, but we don't get to see in anyone except Orion so its hard to believe anything. We are never given a solid time period between the journey to the surface and then back down again, and really I think some of that travel time should have been spent with the group sparring or otherwise bantering about their backgrounds to lay the groundwork for their skillsets.

Regarding the final scene of the film, its really bad. Painfully bad.

(I would like to throw Elita off the nearest structure thank you.)

I get that they are laying the groundwork for more movies, but the flashback was quite forced. It was cute and absolutely had a place in the film somewhere, but not right there. It didn't feel quite right, or at least not with how it was edged into. The narration was just... weird, to me at any rate. The T-cogs being distributed was cool, certainly. But it raises many questions about the logic of it all. It feels dues ex machina. Not in a good way either. Not saying it wasn't cool, but it did feel forced. Like a participation trophy. I would have loved to see the cogless remaining that way and having to collect cogs from wherever Sentinel stored them, or otherwise take them from the fallen. That way they could have more diversity going forward.

That whole ending bit with Optimus and the Autobots running into the sunset was stupid. There is no other way to describe it. The scene gave nothing to the film and I think it would have been spent far better if we saw Optimus and Megatron both gathering their armies while the Quintessons loomed overhead. Megatron watching his warships be built and then him looking up at the sky. Optimus gathering up the cogless and helping them get their T-cogs via Matrix and then also looking upward. Only to then have it end with the Quintessons looming above.

The Quintessons were so underutilized in TF One it wasn't even funny. I don't even really know why they were there. I mean I understand they had to exist for war reasons and Sentinel and all that. But if they are such a threat, then they need to either be driven off so that the Cybertronian civil war can happen, or they need to make themselves everyone's problem so that Optimus and Megatron's spat looks all the worse for the planet.

There needed to be more for the Quintessons. They needed to have played a bigger role or to have been somehow removed from the playing field by the end of the film. Even one scene with them seeing Sentinel falling and then opting to get the heck out of dodge would have served well enough. But they didn't. And for that reason they are just... there. Letting their prized slaves rebel. They won once against all the Primes. Why not do so again?

Also why do they want the energon??? There are too many questions right now and not even the barest inkling of an answer.

The Characters

(A look into every character of note + my edits to their development in the film.)

Orion Pax/Optimus Prime:

Orion's character is quite well done. He has goals, morals, and a personality that shines in the right environment. His adventurous spirit gives him life, and his desperate desire for something more makes him compelling when he's given the opportunity to really flex his morality muscles. He has a bit of fight in him, an eagerness to improve and assist those around him that makes him lovable and fun. Every moment he was on screen was a delight, and there was never any point where I directly despised his presence. He had moments of greatness, and moments where I would have preferred someone consulted Peter Cullen for advice on scenes where more Optimus was meant to show. His arc was steady, but it didn't move quite fast enough to match the pace D-16 set with his rise (or fall). It was clear Orion was meant go from largely trying to become greater for his own personal reasons to instead fighting for something more than himself. The creators were attempting to broaden him, give him more to fight for and more to lose. They were well on their way to doing that, but Orion's arc simply did not move fast enough, leading him to end up feeling a bit static while D-16 steamrolled ahead.

To adjust him, all I would want to see is for Orion to be shown having a more solid reason for his goals. Instead of just wanting to help, perhaps have him witness a hint of the mess on the surface at some point in his youth. Maybe he could mention it to D-16, saying that when he was newly forged, he either witnessed a record or saw a peek of the surface or perhaps some other Quintesson related thing to get him to feel a degree of investment in trying to help. Maybe he found the surface lovely and wanted to travel there. Maybe he heard legends of the Primes and particularly wanted to see them and make sure that they really had fallen. He either needed to show a level of devotion to the cause to match D-16's love for Sentinel and Megatronus Prime, or he needed to be skeptical. I would have loved to see Orion doubt, simply because no bodies of the Primes were ever recovered and old records did not mention the Matrix passing on (or perhaps he is skeptical in general). Whatever the case, giving Orion this foundational skepticism or believe would have allowed him to be more compelling when the truth was revealed.

Then, to match D-16 character arc, Orion should have started to try and take a commanding position earlier. Perhaps he could feel just as betrayed and angry, but instead of being more passive like in the film, his anger could instead be directed as the Quintessons who allowed things to happen as they did. Maybe Orion could feel loyalty toward his people as a whole, making him want to do things correctly and rally his kind together for the sole purpose of ensuring no other could ever enslave them, directly contrasting D-16 who was off to kill Sentinel for arguably more personal reasons. Making Orion care more about the people as a whole, knowing that they have all suffered under the threat that is the Quintessons, all the while D-16 cared more for his specific group of fellows... yeah it would have been delightful. Just, having Orion focus more on the bigger picture as the movie progressed, leading him to maybe mistreat D-16 a bit in his haste to spread the truth rather than get rid of the source of the problem. This way both Orion and D-16 could be given depth, since arguably, both are right in their approaches.

These are, of course, vague edits. And much like D-16, there isn't a ton I would change for Orion. He just needed more time on screen, and more opportunities to be presented with moral challenge and/or chances to lead.

"The line between friend and enemy is not as clear as I once believed. Once it's crossed, there's no going back, because some transformations, are permanent."

D-16/Megatron:

D-16, and later Megatron, was by far the best developed character in the entire movie. A very good thing considering the film is his origin moreso than anyone else's. He had the most growth to go through, and my goodness he went through it fantastically. He started off somewhat meek, mild tempered, and cheerful. He was a normal bot, one just happy to go about his life and enjoy his few passions as an average civilian. But as the film progressed, his character shifted from one of fun and adventure to anger and betrayal. One lie after another stacked up, slowly breaking down his innocent belief in everything he held dear until he had nothing left to stand on. All he could do was direct his anger at something, lest he lose himself entirely. His reasons were all justified, and you could see the way his morality shifted between "I want him in chains" to "you need to get out of my way, before I move you myself." and it was brilliant. Everything about his arc was well formulated, at least regarding showing his shift in character.

All I would have changed is the rate at which he changed. It was very fast paced. And from what I gather, occurred over the course of maybe a day or two. Crimes of passion are a thing, and some change really does happen that quickly, but D-16 needed at least a few more scenes of moral debate. Perhaps a scene in the beginning where he makes a simple choice that Orion's agrees with and then a very similar scene later where he goes directly against his previous choice. He should have been shown arguing with Orion more as the film progressed, and over more and more serious matters. Perhaps it starts with the map, but as time goes on, it starts edging into who to kill, who to suppress, what path to take in laying siege to Iacon, etc. That way D-16 moral shift can come a bit more naturally when he finally beats the snot out of Starscream and later kills Sentinel with no remorse.

D-16, and later Megatron, is a delightful character. There is very little I would change for him. Above all else, he needed more time on screen to shine, and I think that's the best possible critique there could be for a character.

"The age of Primes has ended. No more false Prophets. Follow me, you will never again be deceived! Rise up!"

Elita-One:

Elita-One is the worst offender in the entire film when it comes to horrible character. Where others lacked personality, she got far too much and absolutely zero development for it. She came in arrogant and came out just as if not more so. Obviously, the creators were aiming for her to be a foil for the boys, trying to make her into a more stable and commanding counterpart to Orion's, and later D-16's, rebellious nature. But her extreme arrogance, snarky attitude, and little to no love for anyone else made her presence grating. There wasn't enough of a relationship between her and the boys for me to see her in a more familial light for them, nor was there enough of an indicator of rivalry for her viciousness to not be annoying in its presentation. She was mean, bitter, and overall a pain throughout the entire film. And while there were reasons for those traits to be presented initially, they were obtrusive and took away from the film since they were never again addressed or given proper conclusion. Elita-One had no character growth, and as such, she leaves a bad taste in my mouth. Her relationship with Orion in particular was agitating. She had a backstory at least, and it did contribute to her character, but it didn't help to differentiate her a ton or warrant her arrogance, unfortunately.

Elita-One needed a reason to be so confident in herself that was visible to the audience, not just her forcing her crew to repeat her greatness. Arrogance can be done well, as seen with Starscream and Knockout in TFP, but Elita's just came off as annoying at the best of times. To adjust her character, I would have pre-established her relationship a bit differently. Instead of aiming to be supervisor, she should have been one already. To make her arrogance less annoying, she should have been shown as being affiliated with Orion before her demotion, perhaps as the one letting him get away with all his shenanigans. That way her arrogance plays off as her bantering and simply noting her station, and maybe she flaunts it around a bit, having Orion do her random favors since she won't go breaking protocol, but she knows he will. Their relationship could be one of mutual benefit, perhaps even hinting at Elita having used Orion's help to achieve her station at some point. That way they can be vaguely affiliated and their power dynamic can be somewhat equal since Orion offers a service and in turn, Elita covers his back when he decides to go and wander off.

If the creators wanted to go the ship baity route, or even just make Orion and Elita closer, it could be a thing where Elita was an old friend of Orion's who simply drifted apart after her rise to supervisor. Instead of being harsh with him during the mining scene, she could offer to speak later. Their entire dynamic could be that of ancient friendship, older than even Orion's and D-16 connection. Maybe they were in training together. Perhaps they were on the same mining crew for a while. Whatever the case, making Elita a bit nicer would go a long way, especially if she attempted to cover for Orion yet again after he broke protocol to save Jazz. She could try to cover for her old friend and be punished for it, making her less willing to help later in the movie when her aid is needed once more. Her character could go through serious growth because of this.

Additionally, if this were to be how her character played out, when she's brought to the surface, her lingering arrogance can be crushed like a grape in the unfamiliar environment. Where she once looked at Orion as a bit of a nuisance due to his habit of going places where he really shouldn't have been, she can now appreciate his skill and support him with her own. Maybe as a former supervisor, she's the only one who can read the map accurately, but for that same reason, she has very little skill in traversing the land and translating old indicators on the coordinates. That's where the boys could step in, helping and offering their skills and in turn showing Elita that while she's not the best and never will be, her skills are valuable when applied correctly, just as her companion's skills are as well. They could play off each other in a more meaningful way, helping Elita develop a healthy relationship with her companions and her ego. By the end of the movie, she could end up a bit more like Skybound or Earthspark Elita-One, confident and competent, but mature enough to know when to let someone else take the lead and when her job should be to play support.

She could even serve as a bit of an echo of Megatron, starting off where he ended. Anger, passion, and of course, arrogance. Then slowly she can learn to mellow a bit and apply herself in a far more productive manner. This could let her relate to D-16 as he starts to crumble, giving her more of a reason to be invested in him since as she improves, he starts to fall to pieces. There are many ways she could be played, but more importantly, she needs to be showed having actual chemistry with her companions and changing as a character into someone more mature. She's not a bad pick for a character, but she needed to be tempered, a lot.

"My point is, that your instincts tell you to break protocol for a reason."

B-127:

B-127 is a character that, on his own, doesn't really have a purpose being in the film at all. He's comedic and does show the beginnings of maturity in more serious moments, like when he and D-16 are captured. However, he lacks substance. He's fun, he's peppy, but it feels like a lot of the basis for his presence hinges on old and new fans recognizing his paintjob and knowing who he will become later down the line. He's a rather shallow character, which is not a necessarily bad trait since Sentinel pulled it off brilliantly. But since he is meant to be a main character in this film, I would have preferred he be given a more solid foundation. His actions are fine, his personality is acceptable, but he needed more to work with, a reason for his behavior if you will (since he can't exactly have a reputation to run with, being on sub-level 50).

I think the best way to have introduced him and given him a foundation would be to foreshadow the sub-levels. Perhaps have it be noted that bots go down a few levels and never come back, unfortunate miners who mess up one too many times. (maybe D-16 reminds Orion of this potential fate). Instead at staring at smelters, B-127 could be introduced as a scavenger. Rather than be down so many levels doing essentially nothing, perhaps show him weaving through discarded rubbish in huge heaps before they can be incinerated, taking bits and pieces that he likes. This way his random assortment of knowledge can make sense. It can explain his madness in a slightly more believable manner. Seriously, if B-127 knew how to get out, why wouldn't he leave at some point to seek out companions? Better it be that he's trapped, and now that he's got new companions, he feels totally fine accepting them and showing off his collection of trinkets since they are all prisoners together. He could state he's been down there for a very very long time, maybe making him the oldest out of the eventual group of four. This would explain why he has the plot device later, and if he shows off more confidential reading/viewing material he's collected, his knowledge base and animalistic fighting style make more sense.

It would give him a foundation as someone more feral, easily surprised, and excitable. It would give him unique skillsets, such as scavenging and self repair. If needed, he could even be the team's makeshift medic. Maybe B-127 could even have a broken T-cog instead of missing it altogether, showing that the practice of removing a cog was imperfect for a time, and since his removal failed, they disposed of him. Yet another hint of what is to come. His introduction scene would be about the same length too, since all that would change is the setting. It would also give all three time to bond since B-127 doesn't know how to escape, but has resources, which would allow D-16 and Orion to put their heads together to get them all out. It would also create a sense of loyalty for B-127, encouraging him to stay with the group. No changes need to be made to B-127's personality, just a shift in scenery.

"Are you serious? This is the greatest day of my life! I get to work for the government!"

Starscream:

Starscream's appearance in this film, much like Elita's presence, served little to no purpose. He existed purely to provide D-16 a chance to exercise his brutality and growing passion for rebellion. However, with what little time he had on screen, he presented an incredibly unique version of the character. Gone was the cowardly behavior seen in almost every single Starscream to have ever been produced. This Starscream appeared to be a highly competent character, willing to fight and die for his cause. He showed determination, energy not seen in any other Starscream. I can't exactly say he was the most intelligent character, a shame considering his station. But the embers of something more that he presented were fascinating, and in my opinion, a delight to witness.

I would have liked to have had his foreshadowed earlier. Personally, I think a great way to have hinted at his presence would have been to make him a bit of a martyr. He could have been blamed for the betrayal of the Primes, with Sentinel pinning their fall on the High Guard and Starscream in particular. That way, he could have been foreshadowed via D-16 absolutely hating him for his "betrayal" and also served to hint at the High Guard's power later. Additionally, if Sentinel made it so the High Guard looked like they'd sold out to the Quintessons, him going to the surface would be even more "Dangerous" since he'd be fighting "traitors". All the more for him to have lied above, and more to keep everyone off the surface.

Bonus if Starscream actively has a warrant out for him, as evidenced perhaps by chatter from background characters or maybe even Darkwing calling D-16 and Orion Pax "High Guard/Starscream sympathizers" for their rambunctious activity. Through this slight shift, Starscream's later appearance could be far more meaningful and make him an ally of note, especially if its mentioned that he and his people have been attacking energon trains for sustenance and to mess with Sentinel. Starscream's intelligence can be shown, as can his former ties to the Primes, all by adding a line or two depicting his presence.

"Two options for you! One, we slowly dismantle each of you one bolt and screw at a time, and really make sure you feel it. Or two, in exchange for a quick death, you give us intel on the energon trails, access to the mines, or anything else that could hurt your Boss, Sentinel Prime."

Soundwave: Soundwave can hardly be called a character in this film. He exists. That's about all he has going for him. He looks like a taco and has all the personality of one, that being none at all. There was so much potential for him, but he got a grand total of perhaps three lines before he became background noise. Jazz had more lines than Soundwave. Jazz, the cogless background character. We know nothing about Soundwave except the fact that he's with the High Guard and apparently important enough to have been in the records. No explanations regarding his abilities, no backstory, no reason behind his connections. Nothing. He's a familiar name for old fans to gawk at and does little else.

If Soundwave is going to be in a film, I feel like it is law for him to play at least a semi-important part. Even if I didn't know Soundwave from other continuities, he would still be seen as highly underutilized. Personally, I think he would have done so much better serving as an agent of Sentinel Prime who turned when he learned the truth. He could have been right at Sentinel's side whenever he was in the city, offering reports on other cities and their struggles to obtain energon but ultimately being waved off. This could help with the small setting feeling and give Soundwave character through his hesitance and concern for the rest of the population. It could be fascinating to see Soundwave loyally follow this Prime, despite his concerns, and then be betrayed with the knowledge that his world and his people have been enslaved by the one he thought was their savior. This way, he would have a very valid reason to hate Optimus when he comes into being, and consequently have a reasonable desire to join Megatron.

"Scanning electrical impulses: He speaks the truth."

Shockwave: Thankfully he's less of a taco. Unfortunately, he only has a bit more personality than Soundwave. We also know exactly nothing about him and he suffers from the same problems as Soundwave personality wise. We've got next to nothing to work with, not even a title. He also comes off as a bit of a potato since the very first thing he did when threatened by Elita of all bots was to bend the knee. It does tell us about him, but its not done tastefully and as it stands, Shockwave has the personality of a small child who got his favorite toy stolen from him.

Much like Soundwave, if one is going to use Shockwave, he has to at least have had some sort of impact in the past, if not the present. I would have liked to have seen him possibly have been the one who assisted in removing cogs from the newly forged. It is an essential part of their structure, so I imagine there is a certain degree of delicacy involved. Or barring that, why couldn't he have been the High Guard's medic or scientist and studied the process and uses of the Transformation Cog? That way, he would have a plethora of knowledge and be very invested in Sentinel's downfall since he knows the truth of the matter. Perhaps he feels guilty for having assisted. Maybe he was banished for trying to do too much. There are a thousand things that could be done with even a hint of such a backstory. Heck, maybe he could be the one to have a small mountain of cogs to offer cogless bots during the battle against Sentinel. Or if we want to maintain the emotional value of the bots fighting without their cogs, have Shockwave offer up images of piles upon piles of destroyed T-cogs or something for evidence. There is a lot of potential for him that was never realized, and all it would have taken is a line or two to establish him and his usefulness to the Decepticons later.

"He wouldn't stop talking."

Sentinel Prime:

Sentinel's character was, quite frankly, delightful. There were no redemptive qualities about him, and I personally found that to be perfect for his character. He was cruel, prideful, vicious, arrogant, and everything else I expected from a cliche villain. And yet, despite being cliche, his voice acting combined with his stable character portrayal always had me adoring how terrible he was. Whenever Sentinel came on screen, I was excited to see him because I knew how he was going to act, and I was thrilled to see it play out every time. I knew his personality, and yet how he went about his activities always exceeded my expectations. Personally, I adored how smug his dialogue was, right up until the very end of his life. It sold him as being the worst, even if he wasn't breaking any new ground with his character. Sometimes you just need a character who sucks as an individual. I appreciate that the movie was willing to make him irredeemable, unlike other iterations of Sentinel Prime who at least had a slightly non-selfish hidden motive somewhere in their backstory. There's nothing I would change about him, not in the slightest, at least not without adjusting the entire movie and rewriting it from the ground up. He fits. Simple as that.

"What truth? That I plucked your cogs from your newborn chests, forced you to mine so that I could pay off the Quintessons, and live like a King?"

Alpha Trion:

Alpha Trion was a fascinating character with so much potential history and lore attached to him. I am quite sad he didn't get more of a chance to shine, considering his past and his status as the last living Prime. He did serve his part in the movie, quite well might I add. But he could have had more. He was so very tired sounding, lost even. He seemed to care for our main cast and offered so much wisdom, and yet had so little time to actually impress it upon the main characters. He died with honor and what times he did have the chance to speak were well put together. However, I would have liked to see a bit more of him, personally. A bit more character, spice if you will.

I would have given at least one digit on my right hand to see him train our group of four, or at least begin guiding them back to Iacon so give them more time to talk. His presence could have accentuated the fallout between Orion and D-16, showing their shifting ideals when compared to the pure goal of Alpha Trion. Perhaps he could be the one to try and guide the group into working as a cohesive unit. And perhaps his slaughter could be one of those things that drives D-16 and Orion apart now that they no longer have a stabilizing force to keep them from arguing over what to do with their evidence. Honestly, I'm thinking something Uncle Ben combined with Uncle Iroh for Alpha Trion would have been a perfect way to introduce him, make use of him, and ultimately offline him in a meaningful manner. But again, time constraints are a real issue and I understand the problems the movie had giving everyone time to breathe.

"I failed you, old friend. You deserved so much better than this end."

Arachnid: She's a fascinating character who I personally would have loved to see more of. The times she turned up on screen were always noteworthy, and the fact that her intentions were largely unknown gave me a feeling like she was this movie's Soundwave. She didn't need too much development because her role in the movie was perfectly structured. She was Sentinel's right hand, his eyes and his hands. She is a perfect example of a character who doesn't need much exposition or backstory simply because she fulfills her role perfectly. We can make assumptions and still have room to speculate, but her character doesn't feel like a vacuum or like its missing some grand piece. Would I have appreciated a hint more for her thought? Yes.

Personally, I think hearing rumors of Sentinel's frightening right hand might have given her the final touch she needed to be a solid character in my book. Just some bots being in awe as she walks by with Sentinel, or perhaps Orion recognizing her from some old text from the archives. That way she could come onto the scene with a reputation. Or barring that, a sense of dread. That said, I did enjoy her introduction and I have no real critiques of her. The character is built well for the time she's on screen. I enjoyed her far more than I did Elita-One which should tell you all something. A girlboss character can be done well. Look at Arachnid and her combat prowess and intelligence. Elita was just a poorly done, slapped together attempt at giving our main cast flavor.

"I see everything."

That One Random Quintesson: It looked neat. Very intimidating in its own weird way. Certainly uncanny considering the metallic scenery. Could have used at least a line or two to sell the evil. I personally would have paid money for the Quint to talk in gibberish and for Sentinel to somehow understand because that would show just how long he'd been working for the Quintessons.

Jazz: We saw him a grand total of perhaps five times and I love him. No complaints. He's very Jazz and maintains his Jazz attitude throughout every single scene he turns up in. I especially love him during the scene where Orion rallies the cogless. He looks so confused and yet so happy later one when he gets his Transformation Cog.

"Little? There's nothing little about you."

Darkwing: DARKWING DUCK- I'm kidding. Darkwing's character had little to no depth, but he served perfectly fine considering his role in the movie. An aggressive enforcer of some variety, evidently high ranking enough to be in the Iacon 5000. He's got enough flavor to him that I'm sure someone in the fandom will decide he is their blorbo and run with it. He's not breaking any new ground, nor are his lines anything noteworthy. He simply is, and considering his role, it suites him.

"You are no cog bots with limited options. Report to waste management immediately."

Background Characters in General: Nothing really of note. They existed and served their purposes. I appreciated the fact that no two bots were the same appearance wise. It made Iacon feel more lived in, a trait desperately needed considering how small the world felt. Seeing so many familiar faces was fun.

The Plot

(An assessment of the story overall & its holes.)

The plot was fantastic, at least with all the random unneeded scenes not considered.

There were quite a few themes present, most of which were at least touched upon. Honestly, the journey to discover the truth was a wonderful overall plot. I have very few complaints about the way the story set out. Two miners who, by accident, are cast away and gain an inkling of the truth. This in turn sending them on a quest to uncover said truth, only to have their worldview shattered. It's simple, and at the end of their road, their differing ideas regarding what to do with the truth are what drive them apart.

There are some things that don't add up, such as the time it takes the crew to actually get from Point A to Point B at any given part of the film. Time is a real issue in the movie. If we had only been given the illusion of more time passing, some of the pacing issues might have been less in our faces. Additionally, there are a few inconsistencies.

The boys being chucked down fifty sub levels because the plot needed it to happen. The plot device just happening to be there for reasons. How B-127 and the boys know how to get anywhere is beyond me. Elita being at the exact train they need to board at the exact right time is a bit off. The t-cog situation is interesting and I can't help but wonder how that whole mess really works. The High Guard popping out of the ground like cabbage patch kids. D-16 suddenly choosing to betray his best friend for reasons that were not given enough time to justify.

It's just a lot of smaller things that added up, when combined with the pacing, to create something a bit off. However, overall, the base story attempting to be told is very solid, only needing to be tweaked and refined to add further depth and give characters reasons to be there at all.

A very solid 7.5 - 8/10 movie when viewed overall.

The World Building

(Current questions & Information + musings)

Cybertronians don't bleed, unlike other continuities.

I find this fact downright fascinating. When characters are killed, they don't bleed. TFP bled, pretty sure other continuities did as well. Except for G1 at any rate. It's an interesting take since energon appears to be a liquid, not crystal, on this new version of Cybertron. That leads me to believe that it must be pure energy since the moment it is taken in, it appears to go straight into powering the bot in question, rather than flowing through their veins. They are far more machine like, and I have had that fact grow on me a lot. Less alien, more mechanical.

The cogless had their cogs removed before coming online. Where are said cogs now?

It really is fascinating to think about. Sentinel had all of these T-cogs removed, presumably thousands upon thousands of them. I have to wonder, were they destroyed? Stored away in case on of the bots allowed to have their cogs needed a new one? If they were thrown away, how did no one notice or snag a few? There are many questions regarding how this big biological aspect of the cogless was kept from them.

Where are these bots forged? No Well of Allsparks was mentioned, at least to my memory.

It was stated that the first Primes came from Primus's core, which adds up since they are the closest this new continuity has to demi-gods. I would say that it would be likely that bots just clamber on out like the Primes did, but considering how fricking long that fall was for Orion, I have my doubts. Personally, I'm thinking this continuity probably is going the hotspot route where bots just kinda pop out of the ground in certain places. They obviously aren't climbing since they weren't online for their T-cogs to be removed. That leads me to believe that they likely form in hotspots and are cultivated until they are ready to come online. This would give Sentinel plenty of time to do a little removal all easy peasy.

Cycles are years. Days are days.

Interesting take on time, but ultimately kind of useless on its own. Lots of human time terms are used, so it seems cycles is just in there for alien factor. A unique take all the same though. I like it.

Primus is mentioned and acknowledged, but there is no mention of Unicron whatsoever.

It's really quite fascinating, but not particularly surprising considering the setting TF One takes place in. Many bots are uneducated, and with the fall of the Primes, it could very well be that no one knows about Unicron anymore because the threat he posed paled in comparison to the Quintessons. It could also be that Sentinel might have had any records about him removed in order to keep the population afraid of one threat, rather than many. It's not as thought Sentinel can deny Primus exists. But Unicron? Can't see it? No need to believe it. Still, it will be fun to see if Unicron ever comes up.

The war with the Quintessons is stated to have gone on for thousands of cycles, and yet there are few ruins. Just how devastating was it? How powerful are the Primes?

I am of the belief that long ago, Cybertron was an empire. There were cities everywhere and the surface was most likely covered in defenses. Most likely, the Quintessons whittled away at Cybertron's surface population, hence the war going on for so long and the people retreating underground into their creator's shell. The Primes appear to be powerful, but they were most likely scattered across the surface to try and limit the damage done by the enemy. The war was likely very close to be lost after millennia of being continually under siege when the Primes finally fell. In a sense, Sentinel likely did buy Cybertron time, but he also doomed them by destroying what history they had that might have helped them.

Are there other cities on Cybertron? There has to be, considering how large the planet is, but the offered energon to the Quintessons tells a different story. What happened?

We don't have enough information to make a good guess, but I personally believe, as stated above, that most cities were likely wiped out. Those who survived fled underground, meaning that most cities are either few and far between, or they are so sprawling that 'Iacon' encompasses far more area that we are led to believe. The offering of energon could have possibly been so small because it has been so long. Maybe, once upon a time, the offerings were far larger since more cities could bring energon in. It's hard to tell.

Is Cybertron in a post apocalyptic state?

I think so. Considering the ruins on the surface, the suppression of the masses, and the struggle to get energon, I do think that Cybertron is sitting in such a state when the movie is happening. The setting scene in Transformers One, and Iacon in particular, appear to be the last gasp of a dying race after what could have been a siege lasting up to thousands upon thousands of years.

T-cogs evidently have a certain amount of biological alteration involved in their acquisition.

This can be seen in Megatron when he takes Megatronus Prime's T-cog. Personally, I think this says something about the use of a T-cog. Some appear to be more suited toward combat whilst others have other uses. It appears to be Cybertron's version of the genetic lottery, since up until one gets a T-cog, it seems as though it is quite impossible to determine alt-mode or abilities. Look at Jazz. He didn't get his little door wings until after he got his T-cog. This has a lot of implications for T-cog inheritance too. Is that a thing that can happen? Does it affect various bots differently? Many many questions.

Does the T-cog have an effect on the mentality of those who inherit it? Was Alpha Trion aware of this when he chose which T-cogs to give to the crew?

I honestly think it's impossible to know at the moment. We don't have enough lore to make a solid assessment. But I would like to think it at least has some effect on the bot in question when they get a T-cog that was not originally theirs. Again, look at Megatron. Maybe Alpha Trion selected the Primes with the most adaptability for a reason. Perhaps some of those latent traits present themselves in their new wielders. I don't know, but I would very much like to.

Cogless bots are essentially children.

They are smaller, slower, and from the looks of it, less liable to fight against those larger than them (although that could just be common sense.) They don't appear to be less intelligent or anything, but I do imagine the T-cog is a sort of wakeup protocol for bots. It diversifies them, allowing for specialization. So yeah, from the looks of things, they might as well be children frame wise.

No noticeable spark chambers. Instead, we have the slot for T-cogs.

I find it downright fascinating that instead of having a way to expose their sparks, the TF One bots instead expose their slot for their T-cog. There's not a ton I can gather from this lore except for the fact that this must mean sparks are likely farther into the frame and more protected, and like a human heart, probably not meant to be seen.

(Also the smut writers are going to have to get creative)

There are different Primes this time around. Still Thirteen of them, but a few old and new faces from various continuities.

I have no clue what it implies for the most part, but from the looks of it, we aren't going to have an IDW/TFP Arisen any time soon. All the Primes are named, have faces, and are confirmed to be dead. There's no mystery here about some secret resurrection Prime goofing around in the background. I like it personally, even if it does limit the more mythological aspects that could be present in this new continuity.

There don't appear to be any sort of familiar or mentor-mentee social structures on Cybertron. We also don't see anyone who acts young enough to possibly be newly forged. Does this mean everyone comes online with basic knowledge? Or are they put through bootcamp before even entering society?

Again, I'm thinking the bots are raised like cabbage patch kids, grown and watched over wherever they form until they come online. Then, most likely, the cogless just kinda figure it out, IDW style. Same goes for the rest of the population.

How are the cogless selected for their fate? Is it random since Sentinel removed their T-cogs before they even came online?

It's a good question that I would like the answer to. Most likely, it's a numbers game. Special traits don't appear to present until a bot gets their alt-mode, leading me to believe that the cogless are selected based purely off how many miners are needed at the time.

D-16 gained a weapon via being angry. Do all bots have that? Is it a stress response? Or is D-16 special like that?

Again, the T-cog question. It feels like it's related to biology somehow, but I don't have enough info to make a solid guess.

The Matrix is referred to as an entity. Why is that?

No bloody clue but I really hope the dang thing talks or has some sort of unique ability aside from being an extra battery that gives Optimus a really cool axe.

The bots have eyelids and tongues.

It makes sense that they have them. I just think it's neat.

Some bots have real names. Other do not.

I have no clue what this implies, but I am running under the assumption that there is either a criteria to meet to get a name, or bots just pick their names and roll with it.

The Ending + Implications

(How I think things will go from here in future films.)

The ending scene was ridiculous and felt chucked in there above all else (note: I am referring to everything after the t-cogs are distributed). However, it did offer a hint of insight into what is coming in the future.

Based on what Transformers One presented, and the fact that it has been stated that it will (if all goes well) be part of a trilogy, I have a few predictions for the coming films. Of course this is all speculation because the movie ended on a rather open ended note without much foreshadowing for what is to come, at least on the surface. So take this as my musings above all else.

Firstly, the Quintessons are going to be removed or otherwise sidelined as a threat. Optimus's line regarding the Quintessons at the end of the film leads me to believe that they were more of a plot device than anything else, and I expect them to become even less prominent going forward. I simply cannot see them being the BBEG of the trilogy considering the layout of the movie. Although it is very possible that they could serve as a minor antagonist to push the war along in later films.

If things continue as they are and the creators keep to the origin story vibe, then I see the second movie as likely focusing heavily on the war and its rapid fall into sheer chaos. I expect it to be fast paced, just like Transformers One. So quite likely, it will be a series of battles, schemes, and Megatron marching his armies while Optimus desperately tries to rally his people and fight back.

The second movie will probably be split between Autobot and Decepticon perspectives, Avengers Civil War style if I had to guess.

We will likely see Megatron gathering troops and capturing territory while Optimus fortifies what land Sentinel previously controlled in order to try and limit conflict (and promptly fail).

Optimus will go through some arc or another that gets him to fight seriously, but considering this is Optimus, he is probable to maintain his attitude of 'I can fix him' at least to an extent. Although, considering how he sent Megatron away, we may be surprised going forward.

We are going to be introduced to key Autobot and Decepticon characters throughout the second movie. Prowl, Jazz, Ironhide, Arcee, and others. Starscream, Soundwave, Shockwave, and the rest will likely get actual development.

There will probably be at least one peace talk that goes south the instant Optimus dares to breathe in Megatron's general direction.

Elita is bound to get more screen time than she deserves.

Bumblebee will earn his name and either have his voice taken from him, or he will end up forcefully silenced through some other means, perhaps a vow or trauma. Depends on how mature the creators want to make him in the future.

Megatron will probably end up seeing Orion as having died in some capacity, either that, or he will see everything Optimus stands for as a betrayal of their shared history and a insult to the suffering of the cogless.

The third movie will likely end with both factions abandoning Cybertron during a great exodus (if they are trying to follow G1/comic canon vaguely.) I simply don't see the films moving to Earth since that's been seriously overused over the past twenty or so years.

I anticipate the introduction and or the alteration of previously well known characters throughout all the films. Since the creators have been willing to adjust the origin as much as they have, nothing is off the table.

Those are all the predictions I can make at the moment considering there has been very little to work with foreshadowing wise.

My Suggested Adjustments

(My thoughts for an ideal TF One which stays within the time limit, keeps to the established plot & acknowledges the future existence of more films.)

Now, again, before I begin my edit rant, I will try my very best to keep to the plot of the film and not go off track. I will be offering edits, not a rewrite (yet). Also, most of this is just musing and things I would like to see, not professional writing. Take with a grain of salt. That said, here's what I would adjust.

I would add a few lines of dialogue during D-16 and Orion's chat on the train to hint at Orion having a fascination with the surface and/or skeptic attitude toward what they've been told backed with a desire to check things out for himself. This would be just to build a little extra character. Additionally, during their chat, D-16 can remind Orion that the surface is dangerous not only because of the Quints, but because the traitors are up there. The wild High Guard, now gone mad. Orion can wave him off, stating he's not going to become like Starscream before moving onto his discussion about how he has a feeling like he's meant for something greater. The conversation can then continue as normal.

Remove Elita from the mining scene in the beginning. Have someone like Ironhide be the team leader so that his gruff personality can really drive home just how dangerous their job is before they even get started. Instead of Elita's rant, Ironhide can again remind his group about the risks of their work and maybe even discuss how someone got his or her lower half crushed in the last tunnel collapse. The group can then rush to get to work, with D-16 and Orion being all buddy buddy about it. D-16 and Orion can greet a few of their fellows, maybe assisting a bit in order to bring in more familiar faces. A brief pause can occur for Elita to look down on the group from her position overseeing things. She and Orion can share a brief look/nod/salute/gesture that D-16 can then mock and Orion can use to remind his brother in arms that Elita is an old friend, nothing more thing less. Elita can then call down, ordering them to get a move on before they get in trouble. Ironhide can then get the group hustling into the tunnel. This would solidify Elita's place of power while also introducing other characters and the harshness of the work.

The mining scene can go on as usual, but when the rescue happens, Elita can jump down and order Orion and D-16 back, maybe yelling something like: "Pax, D-16, pull back! I won't ruin my record with three deaths in one day!" in order to cement her deep care for her position. And once they make it out safely, Elita can check Jazz over for a moment before getting in Orion's face, D-16 probably trying to not be involved. There they can share some dialogue that shows Elita's exasperation with him, but also her fondness. Perhaps something like this:

"How many times have we done this Orion? I can't keep letting you break protocol!"

"Even to save a few lives?"

"We are miners. Danger is part of the job. Your recklessness is a liability."

"Even though it saved you from that tunnel collapse last cycle?"

"That is beside the point Orion, and you know it. You really need to develop some self-preservation skills."

Then of course Darkwing can jump down and fire Elita, only this time instead of being as sudden as it was in the original TF One, Elita can instead be fired for letting Orion and D-16 off yet again AND sustaining an injury to her team (RIP Jazz's leg). She can fight back, saying that lives were saved despite the breech of protocol. Darkwing can then shoot her down again even when Orion steps up to try and take the blame. This way, Elita can have the final straw moment with Orion, her expression being bitter as she has her rank badge ripped off. Her dialogue with Darkwing can hint that this is not the first time she's let things slide, hence the demotion. She can look at Orion and D-16 in sheer anger, shaking with rage as she murmurs about how hard she worked for this position before shoving past both of them. This would make her less agitating as a character but still give her ample room for snark and anger while maintaining a connection to our main cast.

When Sentinel gives his message to the people, D-16 can get just as excited TF One canon, but Orion can be a bit skeptical. The scene with Elita can influence him, making whatever skeptical nature he'd developed all the more real. Perhaps, as a bonus, Sentinel mentions that the winner of this race will get to request something from him/get a new rank. Seeing this, Orion will then want to get in both to try and prove a point, and to hopefully make it so that he can get himself and those closest to him to a high enough rank to make a difference. His hope could be that if they won, he could request better oversight in the mines and a chance to show their grievances. D-16 can still, of course, not want to be involved when Orion implores him to try and be something greater.

The race scene can stay as is, only changing to show Soundwave AND Arachnid by Sentinel's side. But when the duo are in the med bay, Ratchet can come by to fix these two idiots up. Instead of being cogless, he can be one of the higher ranked bots and perhaps serve Sentinel personally. While Orion and D-16 have their little banter session, he can work on them and probably tell them to shut up before the Prime arrives. Perhaps he also comments on their poor repair, wondering if the mines have medics. D-16 and Orion can state that they do not, earning Ratchet's anger since he assumed they at least had basic health care. Maybe he even tells them to watch their mouths, or perhaps praising them for their stupidity and being mildly in awe of it. This could set him up as an ally later.

The discussion with Sentinel can go as it does in canon, but when he leaves with Arachnid, it can be Soundwave who is ordered to 'remove' them. Soundwave can hesitate, looking at the duo and then at Ratchet would could try to object since he would know what is coming. Soundwave, ever the loyal aid to his Prime, could then call Darkwing in to take D-16 and Orion to their fate. Soundwave can even look genuinely upset at the scene, his fists all clenched up as the duo cry out in confusion. Ratchet can curse, and the scene can end with our two heroes being thrown down to sub-level fifty where no one without an alt mode with wings can escape.

Down in sub-level fifty, it can be a horror show. A huge set of incinerators where huge conveyor belts are transporting waste to the fires without end. Maybe there are even a handful of bodies amongst the mix, miners and other cogless. D-16 can continue to believe it must have been some huge mixup, perhaps getting all angry about it before B-127 appears from the rubbish, looking terrifying and scuttling over to them. He can get all up in their faces, maybe touching them to ensure they are in fact alive before his mask lifts and he goes right into being himself. He can have his nickname moment, but it can be mixed in with him showing the duo around the fires, giving them some warnings like:

"Don't mess with the bodies, those tend to be infected."

"Watch where you step! Don't want to miss energon by accident. It's rare down here!"

"With you two here, I won't have to worry about accidentally ending up on the conveyors while recharging!"

B-127 can ramble for a bit, much to our duo's horror. Then he can show them his makeshift residence, made of trash and other things. Inside can be all sorts of wacky things, including STEVE. As he's showing off his collection and gleefully pointing out things from various cities he's found, D-16 can marvel at a few of the older wartime relics Bee has and Orion can sift through Bee's stack of random reading and viewing material. As D-16 tries to smile through B-127's eager explanations of how he found things, Orion can note the symbol of the Primes on one of the small disks B-127 has. Bee can notice and exclaim how he found it on the body of someone from the High Guard forever ago. At that, D-16 can recoil, but Orion can turn the disk on.

The message can be revealed as normal, and again, Orion can convince D-16 to go despite the threat. Being trapped underground, they decide to give it a shot. B-127 sadly points out that he's been down in the sublevels for actual cycles and he's never been able to get out, not without a T-cog. At this point, he can show off his damaged T-cog, taking it from one of his shelves for all to see. The duo can be quite confused as Bee states that he came online with it broken, mentioning how he felt someone trying to mess with it before he was thrown into the sublevels. Orion's suspicions can grow, D-16 can become more adamant that something OTHER than Sentinel is going on here, and from there, they can use B-127's things and tools to work their way out. Perhaps they construct a grappling gun, or otherwise use old material to tower their way up to a vent on the far wall. D-16 can undo all the screws with some difficulty as the conveyor belts below them threaten to drag them into the fires. But with time, they can quickly crawl their way out, perhaps with D-16 grabbing Bee before he can fall back into the rubble below.

From there, Orion can use his knowledge of all things underhanded to begin guiding them up toward the surface. D-16 can add his input by feeling for wind currents and whatnot. All the while, B-127 can tell them he's heard of a train depot nearby, considering maps and other things that fell into the rubble with him + shaking over head occasionally.

Once they get to the depot, they can try to join the masses of miners loading up the train carts. Attempting to blend in, they grab grates and try to move quietly and just, not emerge from the train once they get on it since they know its heading to the surface. But as they are waiting to load, they encounter Elita. She engages with them, attempting to stop them as a form of retribution and even arguing that she's saved their hides one too many times. Orion, despite his respect for her, pushing his group on. They push past Elita, discarding stealth in favor of leaping into the train before it can take off. Elita, still upset and desperate to stop them from causing more harm, throws herself in after them with the intent to stop them. The doors close before she can, and in anger, she pauses, and books it toward the front of the train to try and halt it. Being smaller and nimble, she dodges attempts to grab at her, even knocking a crate over which hits Orion. As they make it to the surface of the train, D-16 and Orion lag behind, but B-127 manages to slow Elita down by grabbing her leg long enough for Orion to also pull himself up and grab her arm before she can hit them.

Then the traintop scene can play out as normal.

Once they are thrown to the ground, Elita can still get up in Orion's face, but instead of losing her cool, she can instead grab him, take a few breathes, and say something along the lines of this:

"Orion, since they day we met, you've been a thorn in my side. Always getting me intro trouble whenever you decide to run off with your go-bot buddies and make a scene."

"I know. And I'm sorry. But this... this is beyond any of that. We could find the Matrix, Elita. We could do what Sentinel hasn't been able to. We can save our home."

"And that is the only reason I haven't tried to punch you yet, Pax. But if this mission of yours fails, if this is all some grand hoax, I'm taking you and your pals back to Iacon and getting my rank returned to me."

"That's fine, because I quite firmly believe that this is the real deal."

"It better be, or you can bet your bolts I'm never going to let you live this down."

"I wouldn't expect anything else."

Orion and Elita share a moment of reconciliation before they both look over the map together. Leaning on each other for support as they follow the coordinates. All the while, D-16 and B-127 comment on the scenery, and helping their group avoid various hazards. D-16 might even note how there aren't an High Guard rebels, a fact that leaves him suspicious, especially as the group passes through increasingly frequent ruins, all inhabited by the bodies of bots who bear the symbol of the High Guard, or the long dismantled old Cybertronian army. D-16 might even see how it seems as though a few of the High Guard were actively trying to defend civilians, as evidenced by the bodies. This leaves him thoughtful, less angry.

There should be a few flashes of the group taking cover as strange creatures move on the surface. B-127 can pause to gather up some abandoned weaponry from an old base, earning commentary from Elita-One about how she never knew they once had so many cities on the surface. It should be a somewhat solemn march, and as they go, they can practice with their haphazard firearms by shooting as various targets to acquire what energon they can and to scare off random creatures. Orion notes the cities they pass through, listing off names he's read in the archives and being saddened by the fact that they lost so much. D-16 becomes more and more upset as they go, seeing the bodies and wondering why Sentinel hasn't recollected abandoned resources or otherwise given the dead a bit of respect in light of the fact that they haven't seen a single enemy so far.

The scene running from the Quintesson scanner can continue as normal, and the group can rush to the cave as they watch the huge ship loom overhead. The cave scene can also continue as normal, only this time, the group can be even more distraught since they've seen the remnants of their old empire and already have doubts. Awakening Alpha Trion can go as normal, as can Sentinel's discussion with the Quintessons.

D-16 and Orion can get into a slightly more heated debate than normal when they return. Orion exclaims his desire to have the people get their justice, making sure everyone knows their loss. D-16 can agree, but their argument can occur when Orion makes it clear that the people come before getting revenge on Sentinel. This does not go over well with D-16, and although Elita and B-127 attempt to step in, Orion and D-16 begin to argue more furiously until at last, Alpha Trion steps up and pushes them apart gently. Probably saying something like:

"Primus has a plan for all his creations. Do not judge too quickly, instead, act with wisdom and foresight."

Trion can offer the values of his fallen brethren, encouraging D-16 to act as Megatronus Prime would, as a guardian of the people, their voice and their sword. In turn, he can urge Orion to follow after Prima or Zeta, telling him to use his noble spark to be a voice of reason. He might turn to the Elita and B-127, but then he notes that they are low on time. From here, Trion can give the group the T-cogs of the fallen Primes and hurriedly usher them out as Arachnid draws near. The escape progresses as normal, and Orion and D-16 again have their debate. Orion stands his ground a bit longer, showing a hint of anger. But remembering Alpha Trion's words, he consoles himself and D-16 by stating that he trusts D-16, which in turn diffuses the tension.

The group can move quietly, with Elita being solemn and B-127 a bit shaken up. Orion and D-16 discuss what they plan to do as Elita watches for enemy units and B-127 hurries ahead to scout. As they talk, it becomes clear that Orion wants to rally the people and spread the truth first and foremost. Meanwhile, D-16 wants to strike hard and fast, a tactful assault meant to end Sentinel. They can worry about the truth later in his mind. They argue for a while, and as they fight, Orion can get a bit aggressive, leading D-16 to push him. As they tussle, they end up tumbling, and despite both B-127 and Elita telling them to shush and trying to pry them apart, the group are unable to evade the High Guard soldiers that surround them. they aren't given a chance to fight back before Shockwave orders their capture.

The scene with Sentinel and Alpha Trion can go as normal.

The group can wake to Shockwave assessing them, noting that their T-cogs are not biologically theirs. He finds this interesting, and since they are of interest, he prepares to remove said T-cogs/perform other surgeries to see if they are a new flavor of spy. D-16's fears are confirmed for a moment, up until Skywarp and Thundercracker stop him, ordering Shockwave to bring the prisoners to Starscream. The name rattles the group, causing them all to bunch up in momentary fear. But when they are brought before him, Starscream looks at them all in intrigue. He questions them, asking why they were on the surface at all since its essentially a barren wasteland. Shockwave points out their T-cogs, and Starscream finds it suspicious. Skywarp and Thundercracker guard the group, one with a gun to B-127's helm to keep him quiet.

Starscream steps before the group, scarred and battered, maybe even a little sickly looking from lack of energon. The rest of his soldiers aren't much better. He assesses the group before concluding that they aren't spies, merely newbuilds who got too curious for their own good. Not wanting them to go back and spill the beans about the High Guard, Starscream offers them a place as soldiers in his ranks, confirming that they fought against Sentinel, not the Primes. He also makes it clear that he will require the group's information regarding energon, that being his major reason for keeping them at all.

At his point, D-16 can step up, angry and unwilling to serve another false prophet. He refuses to bow to a mech who fled, and then their battle goes on as normal. D-16 proceeds to hold Starscream captive, stopping Thundercracker and Skywarp, Starscream's lieutenants, from acting and ordering the rest to attack. He declares his desire to fight, to strike back against the enemy while they still can. He points out their weakness, their lack of energon, and describes his experiences in the mines. Knowing they served the Primes, D-16 repeats the tenants of Megatronus Prime taught to him by Alpha Trion, rallying the High Guard. The High Guard, seeing his passion, and after watching him beat down a few more bots eager to stop him, agree to follow his lead. Starscream is allowed to live, only because Orion steps up and grabs D-16's blaster. They have a moment of tension, but it fades as D-16 throws Orion off and declares that he knows the mines and can guide them in for an assault on Sentinel. The High Guard, having little to lose and finally having a chance to fight, are eager to serve.

Orion can then step up, upset that D-16 cares more about vengeance than the truth. D-16 states that they can share the truth later, once Sentinel is dead. Elita steps up to calm Orion, urging him to not be rash and compromise. B-127 attempts a similar method with D-16 and urging him to at least take time to plan. Orion and D-16 do not back down, and just as Orion asks for them to at least take time to discuss things, the attack from Arachnid occurs.

The battle goes as normal, but in its aftermath, Thundercracker, Skywarp, and Shockwave remain, along with about half their troops. Elita tries to get Orion up and going, reminding him of how his nature has saved bots time and time again in the mines, and how his instincts brought them there, to their newfound truth. She comforts him with a quick hug, urging him to get back up now that they have information to spread and friends to save. Orion agrees, and speaks with Thundercracker, Skywarp, and Shockwave. He bargains temporary leadership by offering the same information D-16 had, the way into Iacon. The High Guard are hesitant, but they follow if only to have one final hit at Sentinel before their end. They are all sickly anyway, and Thundercracker can note that without Starscream, they don't have much motivation anyway.

The group can board up on a train that passes by, throwing out the crates and loading soldiers instead. Elita takes control of the bridge with the help of Shockwave who guides her through security protocols. When asked how he can do that, he simply states that he once served Sentinel, keeping it vague and maybe stating he was his head scientist at one point and that his credentials are still valid since he was assumed dead. It could be something like that. And Shockwave can get them past security without issue. Thundercracker and or Skywarp rally the troops as Orion leaps from the train, making his way toward the mines.

There, he can speak to his fellows. Covered in soot, grime, and ash, he can hold a gun given to him by Skywarp before his leap, and he can make his grand speech. There, the miners are hesitant even after being told the truth. But Ironhide and Jazz can step up, offering their belief and support. Seeing that, other faces from the mining scene earlier in the film come forward, willing to fight. Orion tells them to gather up their tools, to fight for their freedom, and from there, the miners also raise concerns about their wounds. At that point, Ratchet can step forward, stating that he can help. Orion is in awe, but is even more shocked when he gets word that Soundwave of all bots is offering aid and supplies. More soldiers join the miners, eager to fight. Ratchet can smile, picking up a pistol and declaring that he, Soundwave, and a few others have had enough of turning a blind eye to the injustices committed by Sentinel and his kind.

D-16's interaction with Sentinel goes as normal, although Starscream does pipe up along with B-127, attempting to save D-16 neck as he refuses to bow. After Sentinel carves the symbol and Arachnid points out their incoming enemies, the scene can shift to show cogless, not cogless, and High Guard soldiers alike all pouring onto the premises. Sentinel can demand to know why their defenses are lowered, turning to Soundwave in anger. Soundwave for his part can then betray Sentinel openly, showing his distaste and getting a solid punch in before he's thrown across the room. On the ground, Ironhide can be seen directing soldiers alongside a future Decepticon of choice, perhaps the Stunticons or Constructicons help him tear down some walls or other defenses. Ratchet can also be seen working with a few of the cogless and offering covering fire as Jazz and Prowl rush forward to get in a few potshots with their far too large weapons.

The battle progresses as normal, and Orion manages to get the truth out as per usual. The scenes shift to show bots all across the city swarming in anger, breaking things and fighting anything or anyone that looks like they might follow Sentinel. Elita and B-127 celebrate and Orion orders them to go assist with controlling the assault in order to capture Sentinel's followers and limit the chaos. They agree and rush off, but Orion soon finds himself in the battle with D-16 and Sentinel.

The Fall goes as normal, only having a bit more aggression on Orion's part as he pleads with his best friend, begging him to at least wait until the people can judge Sentinel themselves. They are fighting for freedom of choice, and he tries to dissuade his friend for D-16's sake. Unfortunately, the Fall goes as planned, and D-16 lets Orion drop after he comes to the conclusion that it would be better for Orion to die here than to witness what he's going to do next. He may even tell Orion as such, calling it a mercy. Then, he lets him fall.

Megatron rises as normal, and Orion is brought to Primus's core. There he hears whispers, contrasting Megatron's speech. Orion hears the Primes speaking to him, each murmuring softly and quietly showing him visions of times gone by between him and D-16, a final goodbye of sorts. Then, it ends with the Matrix bestowed, and Optimus Prime is born as a chorus of voices calls his name. He rises to the surface as Megatron starts shooting at Elita and B-127, Soundwave joining him along with Starscream who covers his back. More future Decepticons rally around him, helping him in his rampage while the cogless and Ratchet try to limit the crossfire. It all ends as Optimus Prime comes forth.

Their battle can then progress as normal, with Megatron being banished. Optimus can still be sorrowful, but something hardens in his gaze as he turns away from where Megatron fled. He had his moment to let go when he took the Matrix, and now he's ready for war. He gathers his allies, looking over the devastation and up toward the surface. Elita comforts him quietly with a smile and a hand on his shoulder. B-127 notes Optimus's new height and points out the people below, the cogless all watching in awe. Elita encourages him to speak, and Optimus does just that, rallying his people one more time with encouragement and a declaration that they must move onward, to reclaim their freedom and their world.

He raises the Matrix high, and energon again flows. The people are thrilled, and soon they each begin to step closer to the streams of energon. The cogless lean close, and their T-cogs are returned to them. The movie closes with Optimus's narration about how their battle is not yet over, and how it has merely begun. All the while, Optimus is shown getting his people in line, Elita standing proudly by his side as he begins to organize his troops. Ratchet smiles and pats him on the shoulder, Ironhide flexes and picks up a blaster, Jazz gleefully flutters his door wings. The people salute and cheer as Optimus passes. The scene then changes to Megatron with the High Guard, rebuilding their destroyed ship. Megatron welcomes new recruits from Iacon into his ranks.

Everything ends with the two leaders looking up toward the surface, ending with Optimus overlooking their world and seeing a Quintesson ship flying away as he gives his closing narration.

This is roughly how I would adjust the movie, minus all the itty bittie things that would have to be brought up with the animators and voice actors. But plot wise, these are my adjustments. It would lay the groundwork for future films and also establish character lore early. So yeah, enjoy my take.

Arguments Against My Critiques

(Q&A against Strawmen. More of a joke than anything else don't take it too seriously.)

The movie is aimed toward a younger audience. You shouldn't be so serious with your review.

The movie had Megatron quite literally tear a mech in half. On screen. No cuts. It also dealt with the slaughter of actual Primes and touched dark themes like slavery and the beginnings of an Orwellian society on Cybertron. Sure, it had jokes and gags aimed at younger audiences, but this film was created with so many Easter eggs and callbacks that I cannot find it in myself to believe the creators were aiming for a children's film. They made it for Transformers, a franchise forty years old. When messing with such an old franchise that has always touched delicate and serious themes throughout all its media, you have to consider old and new fans alike.

Thus, I feel no inclination to be nice in my assessment. This is a film that's trying to reach all Transformers fans, so I will assess it as a full and proper movie.

The studio only had 75 million dollars and a tight time limit for the film. Can't a few allowances for pacing issues be made?

No, no allowances cannot be made. A good piece of media should be able to stand on its own, and a well constructed film should be capable of cutting excess fat in order to keep the movie on track. Transformers One was trying to do the seemingly impossible by shoving an entire origin story in one film. While I think it was possible to have been done tastefully, as seen by the glorious scenes spread throughout the film, they failed to make the pacing make sense.

They had roughly and hour and forty minutes to make their story happen, and far too much of that time was spent on meaningless characters and scenes. If that time was reallocated, the film could have dealt with much of its pacing problems. It probably wouldn't fix everything considering the tight timeframe for such rich characters, but it was doable.

Additionally, 75 million is MORE than enough to make a quality film. I doubt funds were an issue here. Although they might be going forward.

Orion was in a state of shock and couldn't be expected to act perfectly considering the situation. And D-16 anger made perfect sense so there is no need to criticize them both so harshly.

I partially agree. I can't judge them too much because on their own, these traits of theirs are expected and in fact, good for their development. Unfortunately, due to the pacing, D-16's combustive rage and Orion's passiveness came off as rushed and somewhat childish on both Orion and D-16's side. I judge them harshly because their arcs feel like whiplash, or in Orion's case, unfinished. I'm willing to give D-16 a little room because his arc actually arced, it did its thing and finished in a convincing manner (disregarding the pacing). But Orion? Nah. I judge him and D-16 because they could have been so much more given TIME.

The plot wasn't that bad. The progression made sense on paper and each shift in the narrative led into the next scene without much trouble.

I'm sure it did! I really am! If I were writing a novel with this plot, it would make sense when blocked out! But the presentation of an idea is what defines it. Transformers One had a perfectly acceptable outline, I'm sure. But the pacing threw the entire thing into a blender and topped it with mustard and kale. Because of the pacing, the plot itself started to fall apart, especially with excess bloating in the form of unneeded scenes and characters. It's a shame since I'm certain that given enough time and proper progression, the jerky scene shifts could have been made spectacular.

The High Guard could have worked. They really could have. But they needed foreshadowing and time. The same goes for a lot of things in Transformers One.

Why are you so harsh with Elita-One? She finally got some spotlight and had a chance to shine!

A shiny turd is still a turd. Next question.

You can't expect every background character to have depth or for there to be a thousand cities for the cast to traverse.

True enough! But to that, all I can say is: Environmental factors.

I don't need to see Kaon, Tarn, Helex, Uraya, Polyhex, Rodion, or any of the other cities seen in various Transformers lore to know they exist and feel the world is bigger (And if they don't exist in TF One then it would be a great hint at the horrors inflicted by the Quints to state that there are no other cities anymore). All it would have taken was a bit of background lore and attention to detail to make me and other viewers feel like there's more to Cybertron than a cave, a field, and a city. A few posters on the walls, some background chatter from side characters, maybe even Bumblebee mimicking various accents from around Cybertron since he's meant to be comic relief. Heck, just show various flashes of bots in other cities being shooketh during the big reveal with Sentinel and suddenly the world feels so much more lived in.

And for characters? I don't need Soundwave's entire biography to feel he's rich. Look at Arachnid. I know next to nothing about her but she feels alive. All the side characters needed were important side roles and a few actions worthy of note. Think of TFP Soundwave who hardly ever centered but was always there. Always doing something to assist the main story. It really shouldn't be that hard to make a world feel alive. Just attention to detail.

Why does the voice actor for Orion/Optimus matter so much? What's the point in focusing so much on it?

It matters because there is a distinct change between Orion Pax and Optimus Prime. Frankly, you could have anyone be Orion because Orion is the origin. But when it comes time for him to grow, to become more? That's when its time to put on a warface and give Optimus Prime a voice that matches the name. Optimus Prime isn't just a name, it's a title, it's a long string of powerful characters each showcasing empathy and strength in equal measure. If Optimus's voice is not distinctive or powerful, his resonance as a character is seriously damaged. Now why don't I share this opinion for Megatron? Because Megatron doesn't have a frickin relic in his chest. Megatron is a voice for the people. Megatron is the embodiment of strife and anguish. His rage and his passion is what gives him distinction, not necessarily the commanding tone of his voice.

It's a difference in character that makes me care so much about the voices for Orion Pax and Optimus Prime so much.

Why bother with such a long review at all?

Because Transformers One is the first not-garbage to come out in over a decade. (No, I do not like Earthspark. That's a whole other animal and I don't think I'd have the willpower to actually watch the thing again for a review of this length.)

I want to give this film the respect it deserves by showing my every thought for it. I want to show people that despite all its good and bad features, its still something to think about and acknowledge. I don't want something this groundbreaking for our beloved franchise to go down the drain because people were too apathetic to care or too blinded by new content to use their brains and help develop better things going forward.

Final Note

(Best film ever? No. Great addition to the Transformers Franchise? Yes.)

Transformers One was a masterclass in setting a scene and establishing relationships. Everything in the first ten to fifteen minutes of film was brilliant in regards to setting up the world and our main characters. Even if I weren't a Transformers fan, I would care about the brotherhood between Orion and D-16, or at least understand it. The visuals were stunning but not too intrusive and the film was clearly made with love. The characters that were given screen time were fleshed out as much as they could be considering the constraints. And while a great many things were very out of place and made no sense logically, at least within the rapid fire time frame that is the film, the overall movie was enjoyable right up until the meeting with the High Guard, at which point things became a bit contrived.

The plot was whack considering the film's short run time. Some things were very janky. The Quintessons weren't shown nearly enough or given sufficient presence. But again, lots of this was just a side effect of not having enough time to get things rolling slowly and properly as they should have been. It was a kick back, binge on popcorn, and scream at Easter eggs type movie.

If you want something colorful to look at and a half decent set of characters to enjoy, go right on ahead and watch TF One. You certainly won't rot braincells like you would watching some of the Bay films, but I can't in good concious say that TF One is better than older things like Prime. It is a brilliant concept that needed more time. It needed probably a two and a half to three hour runtime to set up, to get the ball rolling in a meaningful manner, and to establish the broken friendships and rivalries in a far more intimate manner. The concepts are lovely, the scenes are well done, but its a pity that it was cut so short and so many things were shoved together when they could have shone on their own in the proper setting.

There was so much there, and yet so much missing. So many pieces that fit well and yet so much more that was cast aside altogether. It is an imperfect thing, but this movie isn't a bad introduction or addition to the Transformers franchise, not in the slightest. Its a new start, a chance to make things better for this fandom and its abysmal run of bad movie after bad movie developed in Bay explosion style topped with far too much emphasis on humanity.

I believe that while TF One isn't going to be my personal favorite, or even the next big thing for the time being, it sets a new standard. No longer can we be fed garbage, because now we've been given a chance to look at something better. Hopefully, TF One will set the groundwork and foundation for far better films and shows going forward, giving this fandom new life and redeeming our sullied name as the big explosion robot fanatics.

TF One is flawed, but its a start. It's a fledgling attempt to make something new and interesting in a show business that is dead set on killing creativity and squashing anything of quality in an attempt to press an ideology. It is the baby steps shown by people who care. People who want to see the movies they never got. I will not fault it or the creators for existing. It may not be Lord of the Rings, War for Cybertron, Transformers Prime, the comics, or other big names, but it is a hope for the future.

It's not a bad movie. It was simply born in a bad time.

With that said, I'd recommend watching it at least once, if only to get a glimpse of what we have gotten and to have hope for what we might get going forward. I certainly intend to fill in holes with fanfiction, but that's just part of fandom, is it not? Enjoy this new piece of media, but don't take it too seriously. It's flawed just like everything else, but can be taken for what gifts it brings.

"We could have built the future together."

"I'll build it myself, after I tear down everyone in my way."

[gotskamstuff]

I just thought about this “theory”.

I mean we all kinda know/guessed that Jiara angst this season is gonna be most likely related to their parents but we always focused only on JJ helping Luke and now I'm thinking… what if Kie is also gonna start doubting herself when it comes to her position with her parents?

We can kind of see from the trailer how disappointed she looks when JJ makes that offer and when they lose the money after the race and someone (I believe on twitter or here on tumblr, I’m so sorry I don’t remember the account) made this really good observation of Kie's parents probably being once again breathing down her neck once they found out they are left with no money and losing their land, the Carrera are also in the court room when all that chaos happens and they see JJ destroy everything and getting arrested (at least Anna was there, from the spoilers we got).

Ever since reading that take on Kie's parents reaction on the whole situation l've been thinking of this possible scene of JJ and Kiara fighting with both of them taking their parents sides and breaking up (momentarily) out of their stubbornness.

Kie is gonna be disappointed about JJ's lack of responsibility with the money, probably also about him getting himself arrested/acting so feral and once she finds out about Luke it's gonna be the cherry on top ('cause JJ is definitely gonna end up helping Luke when he comes back and he's gonna naively believe that he's changed and he needs to support him) and with all these worries and insecurities she’s gonna start to believe that her parents have proved themselves right.

I've been thinking about them potentially fighting and saying things they don't really mean out of frustration with JJ standing his ground to defend his dad and Kie blurting something out like "maybe my parents were right" which is gonna be like a slap in JJ's face and because JJ reacts very impulsively and defensively in front of personal attacks he's gonna be like "fine then, I won’t give you any more problems. I knew this was never gonna work" and leave/break up.

I also think it's very realistic how if there's gonna be turmoil with Jiara and doubts regarding the relationship this time it could be coming from Kiara (since JJ's doubts were already so strongly portrayed and explored last season) and if last season she was the one who kept fighting for them to work and prove him her feelings, this time it's gonna be JJ who's gonna have to take the reins to prove her wrong and prove her he's all in for their relationship and they can make it work.

And may I add as a side note, considering how we lacked a lot of Pogue friendship last season and they want to bring it back this time, I’d love to see John B and Pope being the ones trying to smack some sense into JJ’s head like “bro, what the fuck are you doing? You’re losing Kie” “you’re really gonna let your dad ruin the best thing in your life” and stuff like that.

And if none of this happens, guess I'll just write a fic about it…maybe I’ll start now💀

[miraculouslbcnreactions]

I will forever hold the opinion that Chat Blanc should’ve been a nightmare, hallucination, or otherwise hypothetical/not real scenario rather than a real event.

I can get behind something happening that causes a rift between Ladybug and Chat Noir, these kind of character plots can be interesting if done right, but they never should’ve given a legitimate reason that Adrien shouldn’t wield the power of Destruction or that Ladybug can’t actually trust him with information (or at all). Because the potential of Chat Noir actually becoming Blanc because he knows her identity (while not the full reason, that’s the big one to Ladybug) makes him way too big of a risk to keep on the team, and therefore almost justifies her distancing him (narratively at least, I don’t actually think that was the right move, even in this context, kinda like how she didn’t tell Chloe she couldn’t be Queen Bee anymore right away).

I will never get why the writers are so intent on making one of their main heroes seem unfit for the job. If he’s not fit for it, then he never should’ve been a hero in the first place! And yet that’s somehow not the story they’re trying to tell here? Oh, he is a good fit for the Miraculous? Then stop trying to make him incompetent or dangerous!!!

I actually don't mind Chat Blanc being a thing. I even have an ideal version of it that I'd love to see play out with pretty visuals for all the big dramatic scenes.

The idea that Chat Noir can be akumatized doesn't make him a bad hero because the message should be that everyone is capable of being akumatized. Rena Rouge, Queen Bee, and Carapace were all akumatized during the season two final, but they kept their roles on the team. I have no problem with that. Marinette has almost been akumatized multiple times and she never considered giving up her miraculous, nor should she. Everyone is going to have dark moments. It's not some massive failing.

The problems with Chat Blanc are:

The way time travel is used, making Bunnyx god

Adrien being able to lose while Marinette is there, which should never happen in a power of love show

The fact that the writers are using Chat Blanc to argue that Adrien can't be trusted with the truth

The fact that the writers present Chat Blanc as Marinette's failing/an identity reveal problem

I think the first two issues are self explanatory, so let's focus on the final two as they're insane writing choices.

Adrien learning the truth during a fight with his father is a great setup for him being akumatized! I don't have any issues with it. Remove Marinette from the scene and Adrien going full Chat Blanc is fine by me! The problem is that this isn't being presented as a warning that Adrien needs to learn the truth outside of the final battle (reasonable and what I thought this episode was doing at first). It's being presented as an argument that Adrien can never be told the truth because he's just too weak and unstable to handle the truth (asinine). If that's really what they're going for, and it does seem to be, then Adrien is completely unqualified to be a hero.

Similarly, past Marinette being the one to stop Chat Blanc doesn't bother me. The problem is that adult Bunnyx does nothing to contradict Marinette's conclusion that this means that Chat Noir can never be told the truth. That's not the right takeaway here, but Bunnyx doesn't contradict it. She actually goes so far as to throw Alya under the bus. Rude, Alix! Rude. And really weird since Marinette will willingly tell Alya her secret identity within a few episodes, which Alix should know? Alix's knowledge of the future is really confusing.

Bunnyx: Do you know how Cat Noir found out about your secret identity? Ladybug: I think so. When I went into Adrien's house as Ladybug, he probably saw me. He figured out that Ladybug is Marinette because of the note written on the gift. But I'm not sure what happened next. Bunnyx: He probably told his friend Nino, who told Alya, who wrote about it on the Ladyblog. Ladybug: Mm.. They would never do that. But Adrien probably told someone, who told someone else, and so on, until it was all over the news! The best-kept secrets are the ones you never share.

That final line from Ladybug should have been met with Bunnyx saying something like,

"There are times when it's good to share a secret! This just happened to not be one of those times, but this outcome isn't guaranteed. It's just what happened in this specific scenario. Another time, not sharing could lead us here. Don't let fear of the future keep you from doing what logic says is right."

Something, anything, to imply that Marinette wasn't at fault and that secrets are complex things. Instead we get yet another wacky implication that an identity reveal will destroy Ladybug and Chat Noir, so they have to keep their secrets or give up their miraculous. Yay!

All that being said, my ideal Chat Blanc would not work in canon's padded-to-shit writing, so I do agree that it was a bad call. Chat Blanc only makes sense if the end goal is plot progression. Instead, it's used for plot stagnation and I hate it!

[hottakehoulihan]

.

[thedrotter]

I have a gift for y'all today !!! 😊 Ever wanted to find a line in Re:Kinder in a single place for the sake of reference?? How about multiple chunks of lines. how about all the little variations that arise in the text with it's many endings, item descriptions, text that comes from interacting with the enviroment, and character info from the menu without having to boot up the game and go through it at long minutes!!???

well i sure did😊 Since I do a lot of fanart and think up my own silly theories and thoughts that need me to reference the game lines a lot, i have made a transcript for it for convenience's sake. A weirdly thorough transcript handwritten and proofread by me including all character lines available in-game. And I'm sharing it with you all today for anyone that wants it !!! :3 To use as a reference for creative fanworks or a quick search for a line in-game, whatever you wish to use it for!!

It uses the english translation of the game by vgperson. So naturally all credit for the game lines available in here is to her and Parun who made the game.

I did my best to organize it in a way easy to digest. Do note that I'm still human, and there's still the chance for mistake in it no matter how much I've proofread it, since I'm not even an english native speaker ^^. But I hope it serves you well nonetheless if you wish to use it.

That's my gift for today!!! Not the usual art, but still a project I'm proud of. Enjoy!!! 😊

[demilypyro]

So I've seen a few too many people on twitter talking about The Kiss Scene from the new Scott Pilgrim anime. People saying it's fetishistic and indulgent, people calling it male gazey, etc. And while the kiss itself is certainly a bit exaggerated, I felt like writing a bit about why I disagree, and why context is important, like it always is. But it basically turned into an extended analysis on the metatextual treatment of Roxie Richter. So bear with me. It's a long post.

What really matters about this scene is not the kiss itself, but what precedes it. Not even just the fight scene just before it, but what precedes the whole anime series, really. And that's the Scott Pilgrim comic book, and the live action movie. Because in both, Roxie is a punchline.

She's a joke. Her character starts and ends with "one of the exes is actually a girl, I bet you didn't expect that." Jokes are made about Ramona's latent bisexuality, the movie especially treating it as funny and absurd, and her validity as a romantic interest is entirely written off by Ramona as being "just a phase." There's a fight scene, she's defeated by a man giving her an orgasm which implicitly calls her sexuality into question (come on), and the movie just moves on. It sucks. It really, really sucks.

The comic fares a little better. It never veers into outright homophobia like the movie does, and while the line about Ramona having gone through a phase remains, Roxie actually gets one over on Scott when Ramona briefly gets back with Roxie. But Roxie is still only barely a character. Like all the other evil exes, she's just a stepping stone towards the male protagonist's development. She barely even gets any screentime before she's defeated by Scott's "power of love." But Roxie stands out, since she's the only villain who is queer, or at least had been confirmed queer at that point (hi Todd). In a series that champions multiple gay men in the supporting cast, the single undeniable lesbian in the story is a villain. She's labeled as evil, made fun of, pushed aside in favor of the men, and then discarded. Her screentime was never about her, or her feelings for Ramona. It was about the straight, male protagonist needing to overcome her. And that was Roxie Richter. An unfortunate victim of the 2010s.

Fast forward to current year, and the new anime series is announced. Everybody sits down to watch the new series expecting another retelling of the same story, and.... hang on, that straight male protagonist I mentioned just died in the first episode. And now it's humanizing the villains from the original story. And there's Roxie, introduced alongside the other evil exes in the second episode, and she's being played entirely straight, without a punchline in sight. No jokes are made about her gender, no questions are made of her validity as one of Ramona's romantic interests. The narrative considers her important. In one episode, she already gets more respect than she did in either of the previous iterations of Scott Pilgrim. And this isn't even her focus episode yet... which happens to be the very next one.

The anime series goes to great lengths to flesh out the original story's villains and to have Ramona reconcile with them. And I don't think it's a coincidence that Roxie gets to go first. While Matthew Patel gets his development in episode 2, Roxie is the first to directly confront Ramona, now our main protagonist. This is notable too because it's the only time the exes are encountered out of order. Roxie is supposed to be number 4, but she's first in line, and later on you realize that she's the only one who's out of sequence. She's the one who sets the precedent for the villains being redeemed. She's the most important character for Ramona to reconcile with.

What follows is probably the most extensive, elaborate 1 on 1 fight scene in the whole show. Roxie fights like a wounded animal, her motions are desperate and pained. Ramona can only barely fight back against her onslaught. Different set-pieces fly by at breakneck speed as Roxie relentlessly lays her feelings at Ramona's feet through her attacks and her distraught shouts. And unlike the comic or the movie, Ramona acknowledges them, and sincerely apologizes. And the two end up just laying there, exhausted, reminiscing about when they were together.

Only after this, after all of this, does the kiss scene happen. Roxie has been vindicated, she has reconciled with the person who hurt her, the narrative has deemed that her anger is justified and has redeemed her character. And she gets her victory lap by making the nearest other hot girl question her heterosexuality, sharing a sloppy kiss with her as the music triumphantly crescendos.

It's... a little self-congratulatory, honestly. But it's good. It's redemption for a character who had been mistreated for over a decade. And she punctuates the moment by being very, very gay where everyone can see it, no men anywhere in sight. Because this is her moment. And then she leaves the plot, on her own accord this time, while humming the hampster dance. What a legend. How could anything be wrong with this.

[drchucktingle]

THE TEXAS LIBRARY ASSOCIATION TELLS CHUCK TINGLE TO STAY HOME BUT WE PROVE LOVE ANYWAY

just when you buckaroos thought 2024 would be a break from book drama, here comes chuck tingle in the mix. recently i was asked to be a featured speaker at the TEXAS LIBRARY ASSOCIATION annual conference. a few days ago they rescinded my invitation. here is what happened.

(EDITED TO ADD THIS LINK. if you have a hard time reading this on way of tumblr you can also read for free on chucks patreon)

i would like to start off by saying it is not my intent to start a fight, and all those reading this should know that the actions of a few misguided folks do not speak for the whole TEXAS LIBRARY ASSOCIATION. i am sure there are many involved who will be very upset to learn what others at TLA have done in their name. there are many individuals here, so please do not paint them all as villains in your mind. besides, chuck loves the dang library everyone knows that.

the point of writing this is not to vilify. i am writing this is because MOMENTS OF DARKNESS are the best places to SHINE A LIGHT AND PROVE LOVE IS REAL. this is a perfect time for learning and growing and for us talk on some very important things that queer buckaroos and neurodivergent buckaroos face every day. this is an unfortunate moment that WE can turn around and use to prove love is real.

i am also writing this to understand some of my own personal feelings on the matter. for something that seems very simple on the surface, the trot is complex, and i am still working out my emotions on the whole dang thing. i am learning in this way.

PART ONE: BAG OF LOVE

a few months ago chuck was asked to be a featured speaker at the 2024 TEXAS LIBRARY ASSOCIATION ANNUAL CONFERENCE. i have been asked to do things like the before and it is ALWAYS a fun time to meet bookseller and librarian buds. trotting around face to face and talking about my story of conquering chronic pain and overcoming my mental hurdles is VERY IMPORTANT to me. i say YES to these things whenever i can. (here i am with authors at CALIFORNIA INDEPENDENT BOOKSELLERS ALLIANCE conference. they are a WONDERFUL group and they proved love with their OWN invitation to chuck. this was such a moving event with so many amazing authors and stories. got very teared up during this photo)

ANYWAY BUCKAROOS i get the TEXAS LIBRARY ASSOCIATION invite and say 'YES BUD LETS TROT'. we are then confirmed.

months pass. a few weeks ago i get a call from my manager and agent and publisher saying ‘the TLA have rescinded their invitation.’

turns out some things had been going on behind the scenes

at some point the TLA asked chucks INCREDIBLE HEROIC BAD ASS PUBLISHER if chuck would be okay with not wearing the mask, to which tor/nightfire/macmillan said ‘what the heck are you talking about of course chuck is going to wear his mask. this is how chuck presents himself’ (NOT EXACT QUOTE)

as you all know, my pink bag way is a VERY IMPORTANT SPACE. as an autistic buckaroo it is a boundary that allows me to express myself freely and relieve my chronic pain from neurotypically masking all day. i have talked about this for years, and it is why i consider my private identity a SACRED THING. it is literally a health issue.

fortunately THE PINK BAG is never really a problem when making appearances. i have spent years going on television shows, doing interviews, speaking at other conferences and conventions, hosting book events on tour, and even MEETING WITH LAWYERS in my pink face covering. it is always respected and that is very validating to my way.

when arriving anywhere i always take precautions. i always warn buckaroos ahead of time that there is a masked man coming. i always have someone go in ahead of me JUST IN CASE. again, there has never been an issue. at a big conference where i am a special guest there is ESPECIALLY not an issue because my face and bio are printed IN THE DANG PROGRAM

SOME FUN TIMES AT BIG EVENTS BELOW:

CHUCK ON TV SHOW NAME OF 'AT MIDNIGHT' BACK BEFORE I WROTE LOVE IS REAL ON MY HEAD:

well, there has never been an issue.... UNTIL NOW.

PART TWO: RESCINDED

a few days ago TEXAS LIBRARY ASSOCIATION suddenly messaged my publishers and said that chuck tingle is no longer invited. my invitation was rescinded. the reason given was that people could possibly be uncomfortable with my mask

right out of the gate i would like to say this: it is absolutely the right of the texas library association to disinvite someone from their conference. it is their event, after all, and they can ban anyone they would like, for any reason.

of course, that doesnt mean other folks HEARING THIS NEWS wont have their own opinions the TLA choices. if the TLA disinvites someone, their reasoning for doing this can be discussed and analyzed. whether or not they follow their own guidelines can be questioned, and certainly their kindness and tact can be considered

there are a few BIG POINTS to make regarding this choice from the TLA

first and foremost, i just gotta say buckaroos, it is incredibly rude to invite someone to be a guest speaker at your event, have them confirm and mark off their calendar and turn down other offers, then rescind their invitation. this is maybe the simplest of the points, but it is an important one.

second, (DEEP BREATH HERE WE GO BUCKAROOS) i personally do not think of my autism as a disability very often, but i also KNOW that despite these feelings it ABSOLUTELY IS. autism is important to be listed as a recognized disability because of the help some autistic buckaroos need regarding government programs and things like that. ALSO just because my neurodivergence has helped me in some ways (hyperfocus and a unique artistic sensibility for example). i personally need to step back and remember my battle with stress and chronic pain from having to neurotypically mask all the time. for as much as i love being autistic it has made some things very difficult.

in other words, i am perfectly capable of speaking and interacting with folks without this pink bag on my head BUT WHEN I AM IN THE CHUCK TINGLE SPACE I REQUIRE IT. i can ONLY use this space while covering my face. is not a want. it is a need. holding this boundary is more important than i can ever say. i will not, and can not, let these spaces cross.

TLA not letting an autistic author wear the face cover theyve set up to express their neurodivergence in a safe, healthy way is--for lack of a better term--NOT A GOOD LOOK.

i cannot fathom them disinviting another author for using a disability aid. i cannot fathom them saying that a buckaroo who hears better with a hearing device cannot use it during their panel because it would make others 'uncomfortable'.

but here we are.

PART THREE: WHAT DOES A BUCKAROO GOTTA DO TO GET BANNED AROUND HERE?

this is the TLAs official stance on disability issues according to their website:

when poking around on the TLA website i noticed a few other things. i noticed a previous guest speaker wearing a niqab, and i was left wondering if the religious significance is what make that okay but chuck tingle banned. that made sense until i looked deeper and saw mascot buckaroos dressed up on the exhibition floor, and saw some kind of spiderbud in a costume contest. nobody around them seemed to be all that scared. their invitations REMAINED INTACT.

it should be mentioned here that AT ONE POINT during the discussions an email was sent from TLA saying chuck is allowed to come and wear his mask in the exhibition halls and smaller panels, just not at any of the big PAID PANELS i was once supposed to participate on. this was a confusing offer, but their explanation was that people who paid for something should have the option to not see chucks 'scary neurodivergence aid'. i tried to wrap my head around WHY they would make a distinction. maybe the exchange of money (rather than time) causes some kind of philosophical adjustment that i just cant grasp?

i wonder, would the author who wears a niqab ALSO be banned from the paid panels? i hope not

my answers trotted up short until i investigated deeper and found this quick moment from one of the TLA help videos. while some events DO require additional buckaroo cash, it actually appears that THE ENTIRE CONFERENCE IS TICKETED AND COSTS MONEY.

at this point i realized there is clearly no actual official policy about not covering your face (other than one from a few years ago saying that you HAVE to cover your face), and the addition of 'money' is a red herring. these excuses make no sense

PART FOUR: CLOSE THOSE GATES

it appears that my neurodivergence is 'scary' enough to get me uninvited, REGARDLESS what their disability and mask policies may say

BUT WHY? why is chucks preferred physical presentation valued SO little by the TLA that a THEORETICAL complaint is worth more? is my neurodivergent expression so awful? is my own safety as a queer activist such an afterthought?

is a pink bag with the words 'love is real' scrawled across the front REALLY going to frighten someone when the posters and pamphlets on the way into in panel would have a photo of my masked face saying THIS IS LITERALLY WHO IS ABOUT TO APPEAR BEFORE YOU.

if THAT accommodation is too much, would it really be so difficult to have someone trot out beforehand and make an announcement? to say 'there is someone on this upcoming panel who needs a mask to express this part of himself, if this makes you uncomfortable then this panel might not be for you'.

and really, i have to heckin ask, is this physical expression of my raw inner truth really so hideous and frightening that fear of making someone uncomfortable is a REAL problem?

(a terrifying display of autism. apparently)

i cannot imagine what kind of precautions they need to take before a stage play featuring costumes and masks.

you MIGHT think chucks queerness and left leaning politics could be the issue with this organization, but they have had drag queens as past speakers (also featuring some GLORIOUS makeup and hair that covers almost all of their faces. VERY CURIOUS). regardless, the TLA do not seem like a conservative bunch.

if you are bisexual or an autistic person who is good at 'passing' you probably already know where this is headed, your dang spiderbuckaroo senses are tingling at FULL ALERT. i will say i do not KNOW the real reason why i was uninvited, and i do not have enough information to make any concrete statement of the real answer. there is only evidence that masks have been fine at TEXAS LIBRARY ASSOCIATION events in the past, but not much else to go on.

so the FACTS part of our discussion ends there, but i think it opens us up to talk about some very important feelings that bisexual and autistic buckaroos know well.

THIS is where we take a unfortunate, hurtful moment and turn it into a discussion. this is where we prove love is real.

as someone who is constantly doubted and put through purity tests because of my unique way, we are pushing up against a subject i know well. thats right buckaroos: we are talking GATEKEEPING

AGAIN, i do not know if this is the answer, but someone in my position might be VERY STRONGLY INCLINED TO THINK that a few well-meaning left leaning buckaroos think i am a joke and that this is a character, and that there is something problematic about my work because i am not really a real person.

any upstanding left leaning organization would OF COURSE allow a mask for a neurodivergent buckaroo with an unusual visual presentation, an autistic buckaroo who conquered his chronic pain ONLY by creating this important space... but what about a FAKE autistic buckaroo?

any upstanding left leaning organization would OF COURSE allow a mask for a queer LGBTQ activist standing up for gay and trans rights against a torrent of scoundrels hunting for his legal identity. its a matter of safety... but what about a FAKE queer activist?

let me be very clear for the 100th time: i am a real person. this is not a joke. i am not playing a character. i am really autistic and bisexual. tinglers are sincere and they are not ‘so bad theyre good’. they are just good. camp damascus is not ‘my first serious book’ because my queer erotica is serious. my art is important and real.

when people tell me to unmask they often do not know WHY they want it, and of course one very good reason is innocent curiosity. but there are SOME cases where i start to get THAT feeling--that tingle all of us ‘passing’ buckaroos get when we can sense the real intent behind the poking and prodding. that is the feeling of stumbling into a gatekeepers crosshairs.

if i was to take off my pink bag, what about my face would you analyze to tell if i was REALLY queer. my eye color? my ear shape? if you learned my legal name, would you see if it sounded autistic? is my voice neurodivergent enough?

or is all of that utterly absurd? i am curious what the TEXAS LIBRARY ASSOCIATION thinks.

PART FIVE: GENDERED

this will be the shortest of parts, but it has to be said. i have a very complex relationship with gender, as written about at length here and here. i understand these things can be difficult to parse for some, but i ask that you trust me when i say that the ONLY reason i have been able to talk about my gender and sexuality and learn these things about myself is because of this pink bag. this outward appearance is a direct expression and reflection of my gender journey.

if the texas library association does not care about my appearance as an expression of my autism, then i cant imagine them giving a dang about it as an expression of my gender and queerness. that being said, it is personally very important to me and i think it should be mentioned

PART SIX: SO YOU WANT TO REMOVE AN AUTISTIC QUEER AUTHOR FROM YOUR EVENT BECAUSE PEOPLE MIGHT FIND THEIR DIFFERENCES SCARY

there is a question to be asked here: how could the TLA have done this correctly?

i have one very big piece of advice i would like to shout from the rooftops. please, for the love of sweet barbara, DO ENOUGH RESEARCH to know if this appearance will be a problem and, IF SO, dont extend an invitation in the first place. unique buckaroos with different presentations are constantly left in this place of limbo because we are bombarded with careless actions like those of the TLA. before you consider extending a branch to an artist who might need more accommodations than usual, think to yourself 'CAN WE MAKE THESE ACCOMMODATIONS?'

putting all of this on the shoulders of a single 'buckaroo with a difference' is exhausting. as the TLA has shown, we currently live on a timeline where a buckaroo like myself never really knows if an invite is SOLID without doing a deep dive history lesson on how often a group discriminates and against who.

i did not want to spend my whole family holiday worrying whether or not i should say something publicly or just lie down and shut my dang mouth. i had to consider HOW i should say it. i had to worry whether or not its worth standing up for myself in the face of the largest state library association in the country. i think buckaroos with differences are with me when i say: WE ARE SICK OF HAVING TO DO THIS WORK TO COVER FOR THE POOR BEHAVIOR OF LARGE ORGANIZATIONS WHO TREAT US BADLY

another option would just be to use kindness and common sense and happily accommodate artists with unique presentations to your conventions

PART SEVEN: LOVE IS STILL REAL

i would like to close by saying THANK YOU to my publisher nightfire and editor kelly for standing up for me. they immediately stood firm and had my back. they are the real dang deal. THANK YOU to my management and agent buds dongwon and gino for trotting along beside me. THANK YOU to the folks at the texas library association who initially invited chuck with goodness in their heart and then likely got bowled over by someone else, and maybe even got knocked to the side by a big closing gate.

i hope there are librarians in texas who are still interested in carrying BURY YOUR GAYS when it comes out (which is ironically about someone who creates a space through art to express their queerness where they cant otherwise). libraries prove love is real and what they do IS SO IMPORTANT. it was SO IMPORTANT TO ME as a young buckaroo and i cannot thank you enough. i am not sure if me writing all of this will hurt my sales in some way, but this opportunity to speak about the reality of disability awareness and queer gatekeeping is too important to stay silent. (if you have not already preordered BURY YOUR GAYS then give it a preorder to make up for some texas library losses i guess.)

which leads me to my final thank you. THANK YOU to the buckaroos reading this. yes YOU. i am in the position to stand up and speak my mind against scoundrel forces ONLY because i have the might of you buckaroos by my side. the buckaroo trot is ALL OF OUR TROT and we are ALL HERE TO PROVE LOVE. i cannot tell you how much i appreciate the way you have created a space for me to express these important parts of myself. you have seen this pink mask over my face and saying YES, I ACCEPT YOU, you have literally saved my life. for that i am so thankful.

if you are UPSET by what youve read here, then turn it into something positive. you can support autistic creators, or make a donation to the AUTISTIC SELF ADVOCACY NETWORK

and besides WHO IS REALLY MISSING OUT? this is what it looks like when you invite the worlds greatest author chuck tingle to your event and treat their identity as valid. WE HAVE A DANG GOOD TIME

KEEP TROTTING INTO THE FUTURE. KEEP KICKING DOWN GATES WHEREVER THEY MAY BE. KEEP PROVING LOVE IS REAL AND PROVING IT TOGETHER. lets go buckaroos - chuck

UPDATE AN HOUR AFTER POSTING:

true buckaroo TJ KLUNE was set to be another author on panel chuck was removed from and has informed me he has now chosen to decline his invitation in support and solidarity with chuck. i am so deeply moved by this. thank you from bottom of heart buckaroo

to be very clear TJ has a huge platform and DOES NOT NEED TO DO THIS. these conferences are great for book sales and he is taking a hit out of pure solidarity. this is queer buckaroos standing up for eachother. i am floored by this kindness and love

please consider checking out his books if they are not already covering your dang bookshelf. chuck blurbed IN THE LIVES OF PUPPETS and i was blown away i heckin loved it

MOST RECENT UPDATE:

here is more

[tender-rosiey]

Your husband, sukuna AU, is driving me crazy. That's like my 1st time ever experiencing what a comfort fic was. I have been re-reading them like crazy 😭

If it's okay with you, can you do a husband sukuna AU but with whatever scene you want? I really love the way you write him,,, it's just so perfect 🥹

dry your tears — ryomen sukuna x f!reader

a/n: i am so glad you like them omg srsly you're too kind <33 i really hope you like this too 🥹🫶🫶

“my lord, her highness requests your presence in the garden.”

said man’s eyes open slowly, and he narrows them at the servant who instantly kneels to the ground. he scoffs, “requests? she sure has become impudent.”

the servant trembles, “that’s how she worded it, my lord. I swear I have no role in it.”

“I didn’t speak to you,” sukuna replies as he gets up as places his foot on the servant’s head, pressing into the ground a bit more.

the servant whimpers but tries to be as quiet as possible.

sukuna warns, “and you’re to address her as ‘her highness’ or ‘the queen’ only. do you understand?”

“but—but I did?” he splutters.

“ ’that’s how ‘she’ worded it?’ ” sukuna sneers.

“I didn’t mean it that way! I am sorry! I am sorry! my apologies, my lord!” the servants chokes out, and sukuna takes it as the cue to kick him out of his way.

he starts walking towards the garden, while stretching and examining his surroundings.

the palace hasn’t changed in the time he was gone which was good. at least the human servants are capable of doing one thing right.

the gates to the garden open, and they reveal you.

deep down, the sight brings a bit content to sukuna’s heart, seeing you alive and well. however, that is a vulnerability that he would never admit, so he gets closer to you.

you’re giving him your back despite, definitely, feeling his presence.

he groans, “what do you want?”

“where have you been?” you reply with the same tone.

he rolls his eyes, arms folded on his chest, “fighting, obviously. I was passing time.”

he hears you take a deep breath before you speak up, “and you couldn’t tell me in advance?”

he can tell that you’re trying to sound calm and collected. yet, he still can’t pinpoint whether you’re angry or sad. either way, he believes that your attitude is unacceptable.

he chides, “don’t blow it out of proportion, and you have the nerve to ‘request my—"

“you have been gone for a month.”

the edges of sukuna’s lips quirk up just a little as he starts to understand why you’re acting like this.

“not the first time,” he hums.

he sees your shoulders raise slightly, and they seem to get tenser by the second. you speak lowly, “but you usually tell me before you depart.”

he closes his eyes in annoyance.

this looks like it will drag out longer than he prefers. what he expected when he returned was him spending time with you, his wife, not you giving him your back and seemingly lecturing him.

“stop beating around the bush,” he commands, “what’s wrong with you?”

you grip your kimono tightly in your fist and squeeze your eyes shut as you exclaim, “you had me worried sick!” your voice is watery and is shaky, but you couldn’t help it.

you had spent the past month alone, nobody knew of sukuna’s whereabouts not even uraume. were you supposed to just calmly wait for his return?

he may be strong, but is it always guaranteed? especially considering how the sorcerers are always planning a way to lead him to his demise.

you bite your lip as you hold back a sob. meanwhile, your husband quirks a brow, “you crying?”

you open your eyes and stand up abruptly, “no, I am not!”

throwing the hood over your head, you turn towards the other entrance and announce, “I am going inside!”

you start your march with determination, but as you get close to the gate, you hear your husband sigh and stop you by the arm. he pulls you towards him, tearing off the hood to take a good look at you.

your tears are not plentiful, but he can see their traces.

you frown and try to pull back, “let go, sukuna!”

he raises a hand to cup your cheek and squishes your cheeks like a pufferfish. your eyes widen, and you furrow your eyebrows in frustration.

“stop this,” you shoot.

he looks silently at you for a few moments, and it starts making you nervous. you finally decide to ask, but then he starts wiping your tears.

you blink in confusion as he lightly scolds you, “foolish girl.”

you register the insult after a few seconds, and it makes you frown and look away while grumbling, “shut up.”

you sniffle lightly and pull away from him. he looks down at you, silently watching you. you try ignoring his gaze, but then you just snap your head at him and huff, “what are you staring for?”

you study his face for bit then falter, “if it’s about yelling at you then I am sorry, okay? I was frustrated and—”

he pinches your nose, making you yelp.

“your worrying is unnecessary,” he says slowly, “I will always come back.”

sukuna, you realize, is comforting you. he lays a hand on top of your head and commands you, albeit gently, “so stop crying.”

taglist: @magenta-cat-drawingss@pompompurin1028@scul-pted@requiem626k@nameless-shrimp@sonder-paradise@jessbeinme15s-notebook @todorokichills @ginneko @missrown @shrynkk @simplyxsinned @beautiful-is-boring @starlostlaiba @izukus-gf @irethepotato @thekaylahub @dazaisbloodybandages @aeanya @sweetcloudsimp @moon-catto @the-midnightskies@pianopuppygirl @gojosblackqueen @kryscent @kunikida-simp @whoami-72 @mx-0-child @fiona782 @kisakitwister @imjustasimpxd @psychopotatomeme @dreamcastgirl99 @watyousayin @doobiebochana @laylasbunbunny @hojicha-expresso @4sat0ruu @nineooooo @chuuyasboots @alekssashka7 @rieejjyubi02 @satoryaa @nothisispatrick300 @fallencrescentmoon @etheviese @ho34gojo @the-mom-friend-dot-com @the-weeping-author @stray-npc @libbyistired @anon1412 @anakalana @maehemthemisfit @satorustar @b4nka1@sad-darksoul@ko-fi-heart@pumpkindudeishere@suyaaachin@babyqueen17@chaosguy352@murakami-kotone@sukun4ryomen@yumieis@hearts4itoshi@sleepyxxhead@dunixxd@sleepycrybbylaiah @imjustaduckwholikesbread @emilyyyy-08@spacebaby1@arabellatreaty@viscade @washeduphasbeen @janbannan @sugurubabe @enidths @mwtsxri @peppersapro

copyright © tender-rosiey

do not copy or plagiarize or I will send my cat after you

[gay-dorito-dust]

Hey I liked your writing on reader having to get in between Wolverine and Deadpool all the time 😆 it made me think what it would be like if they were crushing on you and there is a rivalry between them. If you could write what they’d do to win your favor or what shenanigans that would come with it 😂 subtle or not

These two weren’t fond of sharing.

So when the other finds that they have similar feelings towards you, the outcome is never good.

They’re childish in a way where if either Logan or Wade was coincidentally standing too close to you, the other was bound to notice and make a scene out of it, all the while you wished you were anywhere else in that moment.

The pair couldn’t get along even if they bothered to try as sooner or later they’d end up stabbing each other just because the other one was breathing too loudly or just merely existing.

And yet their feelings towards you ends up causing Logan and Wade to butt heads more often, especially if you were constantly teaming up together, with you often being their meditator in all their conflicts.

Wade was more vocal and borderline flirty when it came to interacting with you, he would crack jokes, boop you on the nose or even playfully smack you on the ass just to hear your yelp in surprise and become all flustered.

‘Plush ass you’ve got there, babe! wouldn’t mind laying my head on it sometime and use it as a beautiful fluffy pillow.’ - Wade, skipping away.

Wade could be quite clingy at times so there would be moments where you can barely escape the guy as he hanging on your side like a koala bear.

You: Wade can you let go.

Wade: and let go of my emotional support person? *gasp* Do you want me to die?

You: well considering how fast you regenerate, you technically can’t die-

Wade: do you hate me? Do you think I’m clingy?

You: no- well yes but-

Wade: you hate me!

Wade can be dramatic and the only way to shut him up is to just let him be in close proximity of you and allow him to talk your ear off about how good a dog parents you’d be to Dogpool.

Dogpool is your weakness, you could never say no to Dogpool and Wade knows this like the back of his hand and will use this as leverage over wolverine.

After all It’s not like he has a version of himself that was an actual wolverine or maybe even a honey badger in yellow spandex. So Wade counts this as a win on his end.

Logan on the other hand would be more subtle with his approach, even though to Wade, Logan’s subtly was as an dopey cow standing in a field of grass with how the scruffier man tended to keep by your side protectively; so much so that he might as well start growling at every person who ever laid eyes on you in general.

He’s a guard dog of a man in every sense of the word but how that came to be was from a whole lot of trauma and loosing people he’s ever cared about, so needless to say he won’t act like he’s interested in you at first, his heart had been wounded about as much as his body has and even had the mental scars to prove it.

He’s lived a long life of pain, fighting, suffering and heartache. He’s not going to falter so easily until you did something that made him feel safe enough to fall for you.

Once he has however it was impossible to go about the mission without him always wanting to stand guard by your side when he sees someone he doesn’t fully trust, always using his body as a shield for your own as Logan knew he could handle much more punishment then you could. So he’d rather avoid you being grievously hurt by any means possible.

He’d probably scold you if you ever were hurt as he was afraid that he might loose you, yet his hands were gentle but firm as they worked to patch your wound so it’d heal properly.

Wolverine: you’re an idiot you know.

You: wow I really feel the love over here.

Wolverine: *huffs* you expect me to kiss your ass when what you did was reckless and could’ve killed you? *his hands linger on your own even long after he’s done patching you up as though committing your warmth to memory*

Logan is a secret softy who wouldn’t push you away if you were to ever fall asleep on him, he’d grumble but that’s about it.

He’d even toss you his jacket if you were to ever complain about being too cold or leave it somewhere for you to take yourself, again he’d act like he didn’t want you to but he actually did with how he almost smiled upon seeing you looking comfortable in his jacket.

Logan is evidently more subtle about his crush on you then Wade is, or so he’d likes to think but Wade can messily tell he’s smitten when he sees how Logan’s eyes were quick to follow you in a crowded room with protectiveness and adoration.

Wade: aww has our dear friend taken the stick out of your ass and you fell in love?

Logan: *growls* fuck off Wade.

Wade: *holds his hands to his lips and gasps* oh my gosh! You have! Me too!

Logan: *looks at him* you what?!

Wade: yeah cats out of the bag, I like them too wolvie. you’re not the only one to find them cute, how close minded of you seriously.

They can’t share to save their lives, I’ve mentioned this before but they genuinely can’t even if they tried because one is them was bound to get jealous and try to take you away from the other.

Wade: do you really want to be near me grumpy all the time? Yawn fest much.

You: stop riling him up, you’re making Logan mad. Why are you like this?

Wade: maybe because you deserve to be in the company of someone who isn’t still unhealthily hung up on his previous red headed lover.

Logan: you shut your fucking mouth.

Wade: see! He’s not denying it!

You: I’m going to go now. *leaves*

Logan: you should make full time fuck head your job.

Wade: and you should make full time teenage brooder in a full grown man’s body who still isn’t over his first breakup yours.

The shenanigans that would occur between these two would be headache inducing to say the least.

The constant fights that would break out between them that you’d have to break up.

The bickering over who gets to act like a couple with you on missions. They might even play rock, paper, scissors multiple times behind your back.

Wade probably tried to trip Logan up in front of you once but it backfired when Logan made Wade trip up instead as he puts a hand on your lower back and guided you away from the poor Merc with a mouthful of dirt.

[medicinemane]

Side complaint that's slightly related, hate how my mom is basically... incapable of examining any choices she makes as maybe being less than ideal

Oh sure, she'll talk about what a horrible stupid person she is or whatever, but like... heaven forbid she consider that maybe trying to get away from amazon would be good, and that it's not about if it's possible or not, she just plain doesn't want to is the truth

[sharkikive]

match made in heaven (ken sato x fem!reader)

Summary: You were Professor Sato’s research assistant and your apartment just got destroyed by Ultraman.

Somehow, this led to a matchmaking project between you and the infamous baseball player, Ken Sato.

Word count: 6,887

A/N: I yap a lot when it comes to writing. Just writing this because the Ken Sato brainrot is too damn strong. Just a bunch of gibberish. Not my best but currently too hung up on Kenji. Includes mention of Professor Sato, Mina and Emi (definitely having baby fever because of her).

Ken Sato.

His name was a staple in your daily life, yet you had never met the man face to face.

The moment you thought you had escaped from hearing the broken recording of his name, it was brought up once again as the news of him returning to Japan plastered the news.

You rolled your eyes at the screen, but were careful enough not to let the old man hunched over the table, poring over some papers on Kaiju, see you.

Well, you could not exactly tell the father that you were tired of hearing his son’s name everywhere, could you?

“Professor Sato,” you started. “I shall take my leave for today.”

“Ah yes, sure. Please have a safe journey back home. I’m sorry this old man can’t send you back safely,” he replied, to which you quickly dismissed.

“Professor, I’ll be fine.” You chuckled lightly, “In case you have forgotten, I’m already 26. I’m already an adult. No longer the wide-eyed, 17-year-old you first took under your wing.”

He gave out a breathy laugh, sniffling as you knew what’s going to come out of his mouth next. You resisted the urge to stop him, purely out of respect.

“Kenji is the same age as you. I wish you could meet him, but that child is very stubborn. He wouldn’t even answer my calls, let alone meet me.” He paused, as if thinking of the next sentence, but went against it.

You only smiled weakly, the only response you’d always given when he mentioned his son’s name. You took this as a sign to leave before bowing and setting off to your apartment.

You didn’t have the heart to tell him that you were tired of listening to that man’s name every single time. Yes, you knew that it was Professor Sato’s guilt that kept him talking about his son, but the more you heard about him, the more you found him less likeable.

He came back to Japan, yet he did not even contact his father even once? Yet Professor Sato would talk about him every day.

You knew nothing about baseball, and did not care to find out, but the appearance of Ken Sato forced you to learn that he’s apparently about to be the saviour for the Giants.

You sighed, stopping under the night sky as you watched people milling about the streets.

You were an ambitious girl who had a deep interest in Kaiju and without shame, Ultraman. Ultraman was the first hero you knew and grew up with, so imagine the elation you felt when you found out that Professor Sato was affiliated with both. He agreed to take you under his wing with the condition that you finished your degree, so the moment you had gotten your scroll you showed up in front of him, eager to start.

He probably couldn’t turn you away considering how you seemed… pitiful. Yup, that’s probably the word.

You enjoyed working as his research assistant, but found out soon enough that he was a lonely man who missed his wife and son dearly. He was a father figure to you, considering that you were orphaned at a young age.

It was a peaceful night.

Well, if you consider the scene of Neronga choking Ultraman as a peaceful night.

Correction: It was supposed to be a peaceful night.

You stepped back as the gigantic hero got slammed into another building, destroying yet another public property. You winced as it was obvious that the hero was not upholding the principles and seemed more like he was trying to destroy as much as he could.

The thing that irritated you the most? You knew exactly who it was under that suit.

You shook your head, not even bothering to see how the fight would go. You were 100% sure the KDF would be gunning down the Kaiju in no time.

You set off again, mildly hoping that your apartment did not get obliterated in the chaos, or you would definitely hunt that baseball player down.

It was hard to ignore the fight when two giants were stomping around the city, and you dropped dramatically on your knees when you saw Ultraman being launched in the direction of your building.

“No-” you weakly said, knowing that your voice was merely a speck of hopelessness among the gasps of the crowd, Ultraman’s groan and Neronga’s roar. From behind your glasses, a tear rolled down your face as you saw your apartment building crumbling, all thanks to that stupid, cocky, asshole of a baseball player.

Now thanks to Professor Sato’s beloved son, you were homeless.

***

Maybe it was your lack of sleep from worrying about how the progress of rebuilding your house went, because you were dragged by Professor Sato at 2 in the morning to the secret base, facing a scene that you promptly found ridiculous.

Right, seeing the giant hero hunched over in front of you was no surprise because you knew exactly who it was. A little bit weird how he’s here considering his relationship with his father, but that wouldn’t be an issue.

But what was an issue was that the said giant was cradling an equally gigantic pink baby Kaiju and was- you took a step back.

Something must had happened because Ken Sato was crying in front of you. Not the scene you’d expect in the morning while being sleep-deprived.

Your mind was only registering the words ‘injured’, ‘need help’ and the rest was a blur as Professor Sato helped in correcting the fracture in the Kaiju’s arm. The Kaiju was calmed down, brought to sleep and you could not help but smile at the sleeping baby.

Part of the reason you were still there was because you found the baby Kaiju so adorable with her chubby cheeks and twitterings.

Another part was because you were curious to see (discreetly, of course, under the pretext of looking over the Kaiju) the dynamic between Ultradad and well, the son. You were facing the Kaiju but you were straining your ears to eavesdrop on the conversation.

“Doing this-“ you picked up a sentence, -“doesn’t suddenly make you Ultradad.”

You felt slightly perturbed. Kenji came in here pleading while crying, Professor Sato helped him without any questions yet the son was barely grateful for it.

But you knew you’re no one to be meddling in their family affairs.

So you kept quiet, straining your ears with Mina - the robot - hovering nearby.

Your mind wandered to whether it would be plausible for you to chip in a request for Ken Sato’s autograph and sell it high to make up for the costs of your destroyed apartment.

That’s the least he could do after reducing your safe space into rubble.

You snapped back to the present as you heard your name being called, and was greeted with the sight of a smiling father and a son looking like he’d love to be anywhere but here.

Ken Sato was not smiling, but he didn’t look like he hated you either.

The next thing you knew was that you were left alone with Ken, and you couldn’t help but think Professor Sato had a hidden agenda because he left with a chuckle. Even Mina was nowhere in sight.

What could I possibly say to this man I’ve never met before?

The young man in front of you looked starkly different from the confident, boastful man you had seen in interviews. Instead, he seemed more like a sad excuse who looked so distraught you swore you could see him shrinking.

“So uh-” he started, scratching his head with an awkward smile. “Y/N… right?”

Your eyebrows lifted at the mention of your name.

“Dad told me about your apartment.” He grimaced. “I’m sorry.”

You clicked your tongue. “Other than the fact that I became homeless, it’s no issue.”

You did not intend it to be a joke, but it seemed that the only immediate response he could give was to laugh awkwardly, before he buried his face in his hands. “God- I’m so- sorry.” He pried his fingers slightly to look at you, before continuing. “I came back to Japan because dad wanted me to continue this- I don’t know what you call this. Legacy?”

Your eyes trailed his movements; you got slightly startled as he suddenly sprang up and you pushed back your glasses.

“High hopes from everyone ever since I started playing for the Giants, dad wanting me to become Ultraman and-“ he sighed exasperatedly, “it was too much.”

You rubbed the tip of your nose before shrugging. “Well, you did seem confident while you were on TV. If you ask me, you gave them that confidence.”

He left his mouth slightly hanging open as he didn’t expect you to give it to him straight.

You continued, “Ultraman is a hero for some, if not all. Some of them may not care. But all,” your eyes collided with his as he plopped back down onto the sofa, “don’t know who is under that suit. All they know is Ultraman is supposed to be the hero protecting the city with-“ you pressed your lips into a thin line, “-minimal damage.”

He blinked. Did he look like he wanted to cry again?

The corner of your lips lifted up slightly, but you quickly switched it off as he looked at you imploringly.

You raised your hands shoulder-level, hiding a yawn before managing. “Don’t expect me to become your counsellor, but what I’m saying is, when you’re Ken Sato, the baseball player, of course they’d expect you to play well. When you’re Ultraman, people expect you to be the hero.” You interlinked your fingers. “They don’t see you becoming both at the same time. And now, you added another point to your resume. You became a single dad.”

He chuckled and ran a hand through his hair. He sucked in his lower lip and for the first time ever you thought that maybe Professor Sato’s son wasn’t that bad at all, both personality and lookwise.

“I can’t comment much about what you feel about your father. I won’t deny that my opinion on you was formed only based on what I saw, but I now know that you must have had a reason why you acted that way to your father.” You shrugged. “I saw a lonely father and a distant son. Because I spent almost all of my time with Professor Sato, please trust me, he talks about you every single day.” You spread your arms, “Your father talked about you, the TV was blaring news about you 24/7 and I was exhausted hearing your name all the time.”

He didn’t seem offended, but was merely focusing on the one sentence. “My father talks about me every day?”

”Every day,” you breathed. “You and your mother.” You smiled, “He never stopped thinking about both of you.”

”Huh.” It seemed like he didn’t know how to react.

This time, you couldn’t help but yawn so you got up quickly, intending to leave the base. If the conversation wasn’t finishing, you were sure you were about to finish it. Your eyelids couldn’t hold much longer.

It was nice having a talk with this infamous baseball player and it sure did change your perspective of him.

He looked on, confused, as you gave a slight nod before heading towards the exit.

”Hey-“ he started, doing a slight jog to catch up to you, who was almost asleep standing up. He gently grabbed the strap of your sling bag, and you snapped your eyes open. He retracted his hand, citing, “Sorry. But where do you think you’re going?”

It was your turn to look confused. “Home?” You said it as a question rather than a statement. “Wait,” you tracked back, “not home. My temporary home at the inn down the road because,” you giggled, clearly drunk from the lack of sleep, “Ultraman destroyed my home.”

”And because Ultraman destroyed your home, you’re staying with me,” he said smoothly, slightly nudging your back with his shoulder. Clearly he struggled as you were much shorter than him.

”With you?” You had no idea where the idea was going yet so you shook your head. “Why would I want to stay with you?”

He took a step back and tugged at the strap of your sling back, essentially dragging you with him. “Don’t misunderstand. Dad’s staying with me as well, we have Mina and you’re joining me because we need to train her.”

”Wait, wait, wait.” You slapped a hand on his shoulder, but he was still holding on strong to the strap. “We? Her? What are we even talking about?”

You were clearly guided by him as you found yourself standing underneath his gaze in front of the Kaiju’s enclosure.

”We as in you, me, dad and Mina.” He nodded, looking satisfied. “Her as in this baby.” He did a show of hands towards the sleeping Kaiju.

You grimaced. “Sir, I did say that my perspective on you has changed, but that doesn’t mean you’re dragging me with you.”

”You’re my dad’s research assistant, right?”

You narrowed your eyes at him. “Yes…” You didn’t like where this is going.

”You don’t have a house… yet.”

”Yes…”

You took a step back, and what you could describe him now was as a puppy as he imitated your actions. There was a twinkle in his eyes as he leaned down to level his eyes with yours before saying, “Your boss is here, and you currently have no home to go back to. So why not? Take it as me being sorry for destroying your house as well. Deal?” He put out his hand to give you a shake.

You laughed nervously. “And what is it in for me…?”

”You… get to live in the same house as Ken Sato?”

”Nice, yay,” you said flatly. You rolled your eyes. “No.”

“Oh come on,” he groaned. “I feel bad.”

”There’s no need for you to feel bad, okay. I put that behind me, whatever.” You threw your hands in the air. “I’m going, bye.” You turned around, ready to leave.

”I’ll give you my autograph, as many as you’d like,” he quickly chipped in. “Signed possession, whatever you want.” He grinned in satisfaction as he saw you stop in your tracks and you quickly turned around. “It sells. A lot.”

”Hmm…” You seemed to consider it before you shook your head. “Your reputation lately isn’t the best so to sell them might be a bit hard…” You trailed off, clearly more of an effort to swat him away since you did think about it.

You couldn’t deny, it was a nice offer. But you were more worried about how you would cope, considering that you may have found him slightly attractive…

“I’m sure dad would be happy for you to stay here as well?”

You gritted your teeth. First time meeting him in real life and he already knew your weakness. He knew that using his father’s name would cause you to waver.

Still, you held on to your decision.

“No-”

He blinked slowly, and you heard the baby Kaiju stir in her sleep.

You ran your eyes towards the Kaiju before sighing. There was one thing you were interested in.

No, not the man in front of you.

You walked over to the enclosure. “How is she with strangers?”

Kenji popped up beside you before winking. “If I say the stranger is a friend, you’ll be glad to have her around.”

You took a moment to think, weighing the pros and cons. “Full privacy? Separate bathrooms?”

He scratched the nape of his neck. “Well, there is one separate bathroom for the guests but the shower’s faulty.” Something dawned on his face as he just realised this. “The only working shower is in, uh, my room.”

You stared back at him. “So there is a chance I might run into you naked?”

“I’ll preserve my dignity.” He paused. “You know what, take my room. I can use the guest room.”

You chuckled, taking his hand in a forced handshake. “Fine, deal.”

He looked surprised, but trailed after you as both of you took the ride up. “Wait, what was the dealbreaker? Because of the Kaiju? The room? The-” he looked at you almost accusingly. “-chance of seeing the Ken Sato naked-”

“Shh-” you clamped a hand over his mouth in an attempt to silence him just as the entrance pried open, revealing a smiling Professor Sato.

“Dad,” Ken said in a muffled voice, and you pulled back from covering his mouth. “Dad,” he tried again. “She agreed to staying here.”

You looked at the professor from the corner of your eyes. So it was his doing. You wondered what the father had held over his son’s head to make him obey.

“Can I retire for the night?” You did an exaggerated show of stretching. “I’m becoming delirious from the lack of sleep.”

“Room’s to your right,” Ken offered.

“Make sure to lock the door,” Mina reminded you.

“Mina,” Ken groaned. “What are you implying?”

“Just general safety measures. Ken-” she hovered near the baseball player, “-are you okay? Your heartbeat is increasing-”

He groaned. “I’m fine, Mina. I’ll be using the guest room.”

Both of you went separate ways, leaving Professor Sato and Mina in the living room.

Professor Sato whispered, “Mina, status report on the project.”

Mina obediently replied, “Matchmaking project is showing positive progress. We can expect to see rapid progress in the next few weeks.”

***

Training and taking care of the baby Kaiju - which the professor had named Emi - was no easy feat. Contributed by your almost non-existent stamina, you were left cheering from the sides as mostly Ken and Emi did all kinds of simulation to train her. Dealing with a 20-feet monster was not on your bucket list, but you had proudly ticked it off mentally.

You heard whooping from the two and you held onto your bottle as the ground shook when Emi jumped up and down. Subconsciously, you smiled as you saw Ken cheering for the baby, and he almost got crushed when Emi gave his human form a high-five.

You quietly went up the lift as Ken was fussing over Emi to make her go to sleep. You plopped down on the sofa, switched on the TV and to no surprise, his name decorated the evening news.

Ken Sato showing good progress…

Ken Sato showing a more mature side…

Ken Sato helping the Giants to pick themselves back up…

“I definitely look better in person,” Ken’s voice came from behind and you could feel his presence near you. “May I?” He asked for permission to sit beside you but both of you knew the answer as he plopped down right next to you.

You see, these are the small things that could make you wonder whether he’s doing it on purpose or he really had no idea how they affected you.

You gulped when you could feel his knee bumping against yours, or when he casually put his arm on the back of the sofa across your shoulders. There was no contact but there might as well be something because you felt like your heart would jump right out.

Your romantic encounter with a guy was only as far as a guy who called you a creep because you were following him. That day, you were navigating the world half-blind because you broke your glasses and it seemed that he was going to your destination. Sure, you admitted that it was your fault and you apologised profusely, but that made you avoid taking the train for at least two weeks.

You got startled when Ken pressed a cold can on your cheek. The corner of your eyes caught the words ‘COCONUT WATER’. Remembering how Mina had essentially pestered Ken to drink coconut water as a ‘healthy option’, you smiled. Mina had also reminded Ken multiple times that because you didn’t drink, never, ever offer you a can of beer.

”Nah,” you refuted. “You look better on screen.” You imitated taking a camera shot of his face before chiding. “Up near you’re just…” You trailed off.

”Just what?” He asked, prying open his can of coconut water. Without asking, he took yours before helping to open it up for you.

This. These small gestures were what convinced you that you were turning crazy.

”Ugly,” you supplemented.

”Hey, play nice,” he tapped the opened can on your cheek before shoving it into your hand.

You chuckled, taking a gulp of the drink before both of you basked in silence. To him, it was a comfortable silence but to you, you were currently hoping that your heartbeat would just… stop.

You thought that maybe spending time and living together with Ken Sato would further confirm that you hated his guts, but so far, you were only getting the opposite effect. You were sure there was some character development somewhere… from that first moment he destroyed your house to that moment you met him again as he was cradling Emi.

You hated this growing feeling you had towards him and it’s so painfully obvious what Professor Sato (and Mina) were planning on doing to both of you.

The worst part was it seemed like it’s either: 1. Ken was too oblivious, or 2. He knew, but didn’t want to entertain the thought.

Was it a better idea to just leave? They did say your house would be finished being rebuilt in a few days.

”So…” you croaked. “My house will be done in a few days so I think it’s better for me to start packing.” You stole a glance at him. Now… Why am I hoping that he would stop me?

A flicker of disappointment behind his eyes but he was quick to switch it off. “Sure,” he rubbed his nose. “If… that’s what you want.”

You pursed your lips. This stupid erratic heartbeat wouldn’t stop and you hated that you didn’t know what to do with it. “I’ll… start packing then.” You took another peek at him. He wasn’t looking at you.

You stood up, but he stopped you. Your heart was making its way out of your ribcage for beating too loud, but it slowed down when he uttered, “Hey, don’t forget your coconut water."

You looked at him with an ‘Are you serious?’ look before taking it, not once unlocking your stare from his and standing up, finished the drink in one gulp. You crushed the can, and threw it in one shot towards the dustbin.

”Oh, okay.” He looked surprised by your reaction.

You stalked your way to the bedroom and closed the door. Sighing exasperatedly, you pressed your back against the door and slid down. You buried your face in your hands before lightly hitting your head with a fist. You felt bad for reacting that way but you found it harder to deny the feeling when you were so confident that you would manage to resist.

Outside in the living area, Ken looked troubled, his forehead wrinkling when he tried backtracking what he did. He turned to look over his shoulder as the spherical robot hovered near him, and he threw his head back.

”What is it, Mina? Are you here to chide me again?”

”In these kinds of situations, the woman is usually hoping the man would stop her from leaving,” Mina said.

”Mina,” he pleaded.

”I believe a misunderstanding had happened,” she offered again, to which he appeared confused. “Please, do look at the screen.”

Ken’s eyes travelled to the projection Mina made. He looked even more confused as one of his solo interviews was displayed. He looked inquiringly at Mina, before the latter sweeped her robotic hands to ask him to focus on the interview.

It was an interview he did some time last week. His face changed when he started catching on what Mina was trying to show.

“So your name has become the talk of the town again for a good reason now.” The interviewer paused for effect. “This is a question that I’m sure everyone has thought of at least once when we’re talking about Ken Sato.” The interviewer looked at him. “Do you have anyone you’re interested in or at least, someone you have set your eyes on?”

Ken’s response was immediate as he laughed and shook his head. “No, no. Not right now.” He leaned back, a relaxed stance as he waved his hand in front of his face. “Right now I’m only focusing on my baseball career. Still got a long way to go. I don’t want to waste my time on something so unimportant.”

The interviewer turned back to the screen. “You’ve heard it directly from the man, folks. He’s-“

Mina switched off the replay while Ken looked regretful.

Exasperated, he said, “Mina, you know I don’t mean it that way.”

“I believe you should be clarifying that with Y/N herself and not me. She is the subject of your affection.”

“Affection-” he mulled over the word. “Do you really think so, Mina? Is this what this…” He put a hand over his chest. “Foreign feeling is?”

“From my observation,” Mina replied as she stayed close to Ken’s shoulder. “Your expression becomes livelier, your smile becomes wider and your eyes twinkle more whenever she is around. Now,” she paused, “you do have that same reaction whenever you’re with Emi. However, I do sense your heartbeat increasing every time you’re with Y/N. I believe this is what they would call a romantic attraction.”

“So in short,” he sighed, “I like her but I’m saying the opposite thing? But-” he almost grabbed Mina to ask her more, “how would I know if she feels the same way? I- I don’t think I can handle rejection from her. Do you sense anything from her?”

There was a silence as Mina backed up, making way towards her room. “I believe that is not a question for me to answer, Ken. Why don’t you sort it out with her?”

Ken looked at the door of the room you’re in, gathering the courage to make his way. He stopped in front of the door, he shook his hands, breathing in and out as his mind reeled with all sorts of apologies and words to offer to you.

He raised his hand to knock on the door, and at the same time you swung open the door, causing him to knock a fist on your forehead.

So much for Ultraman reflexes.

“Oh my God, I’m so sorry!” Ken shouted, automatically cupping your face to see the damage he’d done. “Are you- are you okay?”

You blinked, everything happening at once too much for you. He knocked on your door, you happened to open it at the same time and now he’s-

“I’m… fine. Can you…” you tapped your palm on his hand. “...let go?”

“Oh, right. Sorry,” he let go as he laughed nervously. “Reflexes fail you at times like these, right?” His face fell as he saw you avoiding his gaze. “Hey. Can we talk?”

You looked up, finally looking at him. “Yeah?”

He exhaled. “Like, properly.”

“Have we not been communicating properly?”

Mina suddenly appeared beside both of you. “I apologise for having to interrupt but yes, I do observe some miscommunication going on. So if both of you may sort it out.”

Mina’s hands pushed both of you into the room and shut the door.

There were protests from both but they quickly died down before silence stretched. Both of you exchanged glances but not words, and neither had any idea what the other was thinking of.

All the apologies and words Ken was thinking of offering to you went up in a cloud of smoke. Instead, he asked the one thing he wished he could take back. “So when are you planning to leave?” Dang it, Ken.

Your face contorted, obviously offended. “As soon as I can. Don’t worry,” you walked over to the bed, shoved your clothes into your duffel bag and zipped it up. “I wanted to tell you that I finished packing.”

”You’re leaving tonight?” This time around, he didn’t hide his disappointment. Why, why is it so hard for him to ask you to stay? To tell you what he really feels?

Sure, he couldn’t deny that his attitude came from growing up mostly without his father around. He had grown up with this wall built around him as a defensive mechanism. He found it hard to communicate with others, to explain what he really was feeling.

He pressed his lips into a thin line. He figured it was best to let the feeling die down. You’d be better off with someone else anyway.

”Just tell me when you want to leave,” he finally uttered. “I’ll open the door for you.”

You gritted your teeth and only nodded.

He turned around and shut the door. Mina and his father were outside, the latter having a worried look on his face.

”Kenji,” Professor Sato uttered.

”I want to be alone, dad,” he mentioned. “Mina,” he turned to the supercomputer, “just make sure she gets to where she wants to go safely.”

As Ken shut the door, Professor Sato turned to Mina, to which he uttered, “I trust this is not the time to ask about the progress.”

Mina answered. “Yes, Professor. I believe we may have hit a wall.”

***

You decided to leave early in the morning and with only a note, saying that you’d like to have some time off. Mina was kind enough to open the door for you, but when she asked whether you’d like to have Ken and Professor Sato see you off, you shook your head vigorously.

”Mina, tell them I’m going somewhere nice for a vacation.” You winked, but it was obvious that you were trying to hide something from breaking. “They better not look for me.”

Mina paused, as if she’s using her electronic brain to figure a way to stop you. “Kenji has a reason for acting that way.” A pause. “Though I am merely a robot with little to no experience in romantic relationships.”

You chuckled. “Thank you, Mina. Really, all of you were so kind to me. It’s just that,” you sighed, “I understand why he’d act that way. He has a whole career to look forward to. Adoring fans. He can’t be wasting-“ you gulped, the words bitter on your mouth, “-time on something so insignificant. I shall take my leave.”

”Y/N,” she uttered. “If I may ask one last question before you leave?”

You tilted your head. “Sure, Mina. What is it?”

“Were my calculations wrong about what you’re feeling?”

”And that is?”

”You hated him at first, but that hate has turned into something more… lovely."

You couldn’t help but smile. “It’s so obvious isn’t it?” You crinkled your nose. “I better take my leave before the three of them wake up.”

That was the last you saw all four of them - Professor Sato, Ken, Mina and Emi. That was what… a week ago?

Now you’re sitting, slumped in your bean bag as you groaned, bored out of your mind. Nice vacation, my ass. If that means reading the same books over and over again, surfing the web and watching the same TV shows while being cooped up in your house, you’re definitely having a nice vacation.

Even then, you found it hard to avoid that person. He was literally everywhere.

You switched off the TV, stretched, before something gigantic shook the whole city. Your eyes went wide as you realised that there was a possibility of another attack. Without much thought, you pushed up your glasses and took a glance through your apartment window.

There they are.

You saw both Ultraman and Emi traversing the landscape. You turned around to leave your apartment, but stopped as you heard sharp chirpings.

Emi was hovering near your window and you laughed, amazed at the sight in front of you. “Emi, you grew wings! You can fly now!”

The baby Kaiju smiled at you, seemingly proud that she could finally set off from the ground.

”Emi, come on.” You heard the one voice that could shatter your resolve then and there.

You tried to close the window, had enough, but the hero stopped you from shutting the window.

“Ow,” he complained, flapping his hand. Ken quickly stopped you from leaving as he said, “Look, I’ve been a jerk and-“ a loud boom resonated through the whole city, “-I want to start over.”

You sucked in your lower lip, mulling over his sentence. You lifted up your eyebrows as if to say, ‘Really, right now?’

He nodded. “I’m sorry. I like you, okay? But I didn’t know how to say it. Or maybe I was just afraid of rejection.”

You tried to keep a straight face but failed; you didn’t expect to hear a confession from Ultraman. You cleared your throat as you looked away. “Become a hero, save the day and then say all of that again,” your voice dropped to a whisper, as if anyone could hear you, “as Ken Sato.”

You’re not sure whether it was possible, but his eyes lit up brighter as he nodded. He started a light jog to launch himself before shouting, “Wait for me!” He disappeared in a twinkle in the night sky.

With your best guess, you assumed the fight must be going on between them and the KDF. Knowing that you’d be anxious waiting to see the results of the fight, you grabbed your jacket, set off into the night and tried searching a vantage point where you’d be able to at least get a view of what’s happening.

You found a spot and narrowed your eyes as you tried to get an idea of where the two of them stood. Emi… Ultraman… Is that Gigantron?

You became confused as you remembered clearly Professor Sato claiming that the most magnificent creature on Earth had died. What the hell is going on?

You gripped the railing of the bridge you were on, the fight getting further and further away from you. You watched the fight unfold… breath battered as you were silently cheering them on. You gasped as another figure launched himself into the fight.

”Professor,” you muttered to yourself. “Please, please be safe.”

The fight was a distant chaos, you could barely see what was going on. You gritted your teeth as you waited for the final call, but dropped to your knees as you realised what was going on.

”No, no, no. Ken…"

You saw the shield. Ken underneath the shield, the explosion that should have been loud, but was muffled inside the enclosure Ken had made before blinding light filled the atmosphere.

Tears filled up your vision as you saw the giant hero collapse into the sea.

***

You stared blankly at the unmoving body in front of you, while another person was strategically standing near the exit. You looked over your shoulder as you felt a light, reassuring tap.

Professor Sato wanted to offer some words of reassurance, but you merely shook your head. He let out a heavy breath, saying, “I’ll leave the two of you alone. I'll continue working on restoring Mina.”

”Thanks,” you sniffled. “Professor.”

Apparently on the day the fight happened, Mina was caught in the frenzy and was almost shut down, while the secret base was partially destroyed. Now the Professor was working on recovering Mina, while Ken…

You sighed, looking at the patient in front of you.

Nothing to worry about, actually. Despite the quick thinking of Ultraman in front of you throwing himself over the bomb, he actually managed to escape with just a broken arm. He’s not dead, Ken Sato was still here, recovering.

But what annoyed you was that it seemed every time you came to visit, he would pretend to be asleep. Not even stirring, obviously faking sleep to avoid talking to you.

So what, all that confession was for naught? Just an adrenaline rush from becoming the hero?

This time around though, it did seem like he was fast asleep. His chest was rising and falling steadily. His hair was messy, and you resisted the urge to tidy it up.

”You jerk,” you grumbled. “I was so worried for you, but… you’re really planning on leaving me hanging like this?”

”Y/N…”

You stopped grumbling to yourself as you heard the man in front of you mumbling your name. You leaned forward, curious to hear what he got to say.

”You look so…” he continued, eyes still shut.

You strained your ears to catch more.

”I like you…”

You pressed your lips together before punching his unhurt shoulder, almost too hard.

He gasped, sat up straighter, taking in big gulps of air as his irises move frantically to search for the source of the punch.

”Who-“ he blinked. “Y/N?”

”In the flesh,” you deadpanned.

”What are you-“

”I told you,” you interjected. “Tell it to my face as Ken Sato.”

He looked guilty for a moment, and you leaned back in your chair.

”You’re going to say it was a mistake, aren’t you?” You asked, clearly exasperated.

”No, it wasn’t a mistake!” He quickly said, searching for your eyes. “After the fight that day I felt like being a hero means that there was a possibility I would just-” he imitated an explosion, “disappear.”

You grabbed his collar. “If you know that even any single day you have a possibility of disappearing, that your life is short, then-” the grip around his collar became tighter, “-it means that you have to grab every opportunity as soon as you can. That includes confessing to someone you like.” You threw your hands up in frustration and stood up, pacing back and forth. “God! Why are relationships so complicated? And why am I so, so, so stupid?”

You buried your face in your hands.

“I don’t know,” you said, tears pooling in your eyes. “When you said you didn’t have any interest in anyone, and that you didn’t want to waste your time on something so insignificant. Hearing that, I just-” you sighed. “-thought that the answer was so obvious. You have your priorities straight.”

“Y/N-” he stopped you by touching your arm lightly, pulling you over to sit beside him. “That was-” He winced as he felt pain shooting up his arm. He tried again, “That was what I’d usually say in interviews before this, because baseball was the only thing that put a smile on my face. But now…” He took your hand, caressing it. “You came and it was just one, big confusion for me. You are the only person who has managed to,” he chuckled, “cause the Ken Sato to waver. It was a foreign feeling for me."

“Idiot…” you mumbled.

He pulled you closer with his good arm, and obviously inexperienced, you shut your eyes tight as you felt him softly breathing against your cheek. Of course, you thought he’d go for a kiss on your lips, but you heard him chuckle before he pressed a light one on your cheek. You opened your eyes and he was grinning.

He thought you looked adorable.

“What was that?” you asked flatly.

“A kiss?” he said, unsure of what exactly you were implying.

“Uh-uh.”

You grabbed his face, and he looked surprised as you leaned in to kiss him on the lips. Your glasses were in the way so you took them off, and you felt his arm snaking around your waist to hold you firmly in place.

In the heat of the moment and flurry of emotions, you found yourself pinned under him, his good arm caging you. He kissed you again, but this time around you felt your heart beating so loud you had to place your palms against his chest to slightly push him away.

“Ken,” you warned him. “We’re in the hospital.”

He blinked, feigning innocence. “Really? I had no idea.” He traced a finger on your cheek, wiping away the traces of your tears. He pinched your cheek as he said, “The doctor told me that I’m good to be discharged tomorrow.”

Suddenly conscious of how you’re pinned under him, you looked away. “That’s good. You can go back home in no time.”

He tapped a finger on your chin, causing you to look back at him. “My house is still under repair, remember? I’m essentially homeless.”

“You can live with your dad-“

“Take the hint, sweetheart.” He kissed your forehead before collapsing beside you, both of you cramped on the small hospital bed.

You thought about how you had never, ever brought a guy home. And now Ken wanted to…?

“I’ll think about it,” you said.

He smiled, squeezing your shoulders as you buried your face in his chest. “Can I ask just one… question?”

“Sure, shoot.”

“What was the dealbreaker, really? The one that made you agree to stay at the secret base?”

“You really want to know?”

“Of course.”

This time, you didn’t even hesitate. “The chance to see the Ken Sato naked of course.”

“Damn it. I knew that was the reason.”

[autisticshadowthehedgehog]

OK Guys. I get the skepticism esp after the Knuckles disaster, but we also need to keep in mind "this is a trailer that won't spoil literally everything about the movie." ESPECIALLY in regards to GUN. They're not gonna put in the trailer "the military shot a little girl and that's why Shadow is mad so Sonic is going to never work with them ever." That's a great way to get parents to bring their kids to the theater, especially in America. (/s)

It's WAY more effective as a plot twist halfway through, where Sonic thinks that he's finally being accepted onto Earth via working with the government only to find out that they're exploiting him and Shadow the same. I can't guarantee this is gonna happen obviously but it's like a 90% chance just knowing how, like. writing works.

Esp considering the government has not had a good track record in the last two movies, I dunno if they'd do a heel-face turn into "actually they were always right" in the movie where a little girl needs to get shot by the government.

And I'm not gonna say "trust and form a parasocial relationship with a film director" but we should keep in mind that Jeff Fowler got his start working on Shadow's title game and has stated in interviews that he understands how important Shadow's backstory is to his character. Not to mention how the internet has been exploding the last two years with enthusiasm over this story actually getting shown onscreen, enough that a studio would fucking notice at the very least that this is what the people want. I can't guarantee they'll actually listen, but saying that they're absolutely not because "Sonic was in a GUN helicopter in the trailer" is insane. Especially with the fact that GUN is not with Sonic when he goes to Eggman. We just see Team Sonic alone meeting with Stone, and I will bet you it's because there's no way in hell GUN would let them near him, what with the Robotnik connections to the ARK.

Also the Gerald thing is rather worrying, esp with the lack of shit they gave Pachacamac in the miniseries, but honestly I think that was just a marketing push of "Jim Carrey will be playing TWO characters!!!" Considering he's only seen in one trailer scene AT the ARK (where all of Gerald's technology was and, more importantly, where the Eclipse cannon he needs someone to set off is) AND we know from movie 2's credits scene that there was a fifty-year timeskip, I severely doubt that's the real Gerald who's just completely unaffected by his granddaughter being murdered.

And ofc there's things to be concerned about in the trailer. The lack of Rouge for instance– I obviously keep posting my theory that Krysten Ritter's character will be her undercover but the fact we don't know how much time she'd actually have with Shadow, if at ALL, is worrying. The fact that Rouge might not be here period. The weird pacing of the Knuckles show and the fear that could bleed over into the movie. But there's also stuff to get excited about– the epic fight scene choreography, the brief glimpse we got of Maria and Shadow's bond. Reeves's voice actually fits Shadow and at least from what the trailer showed us it looks like the Green Hills storyline is taking a backseat to the action and mystery of Project Shadow.

tl;dr guys calm down for like five minutes. if the movie sucks in december we can riot then. right now let's just band together against mufasa

[tteokdoroki]

✩ — ANGELS SHOULD NEVER FALL THIS FAR FROM HEAVEN ⁀➷ everyone believes satoru gojo to be an angel. your mother considers her new son to be a blessing, even if he’s bratty and spoiled. but never once did think teasing him would make your step-brother to act on such ungodly desires. (3.2K)

warnings. minors, blank and ageless blogs do not interact ! nsfw, smut, pwp, college!au, religious imagery, step-cest, groping, fingering, ‘just the tip’, exhibitionism, clothed sex, male masturbation, slight degradation, bratty behaviour, use of oneesan, unprotected sex, ruined orgasms, cumplay, fem!reader, step-bro!gojo.

things to note. lol sorry it’s been a while !! trying a new layout also posting this into the void while i work on kinktober eee !! idk i’ve had a rough time trying to write a one shot so im glad i could make this !! special thanks to @kishibye for beta reading. i hope you enjoy this bestie boos ily <3

“what are you doing?” there’s a sharp edge to the tone of satoru’s voice, splayed across his tongue that holds back a stream of curses. his eyes speak fury in their piping hot flames of wild cerulean as he watches you enter the kitchen and shoot straight for the snack cupboard.

you can feel the weight of his gaze as it crosses the slopes of your body, from the back of your head, twirling around your curves before ultimately falling to your behind.

playing innocent, you stand on your tip toes and grasp at the bag of chips you’re after. the ones on the top shelf. “whaddya mean ‘what am i doing’?”

“what do you mean what do i mean?” your step brother retorts childishly, as if you’re two kids fighting on a playground at recess.

you click your tongue and pay him no mind. “don’t be such a baby, satoru,” you wave a hand in his face in a haughty manner. “use your big boy words.”

gojo suppresses a whine when your shirt rides up and reveals your skin to gorgeous eyes. he lets it gargle around in his throat like the sting of cool mouthwash, before striding over to you — grabbing the chips and slamming the cupboard shut so hard it makes you jump.

“you can’t just walk around dressed like that.”

he gestures to your get up — the clothes you wear when nobody’s home. your sapphire silly and scallop-edged panties, your old and ratty band t-shirt haphazardly thrown on.

“why?” you turn around to come face to face with your younger (step)brother, noting the way his stare hones in on the plush meat of your thighs as you squish them together — leaning back against the kitchen counter.

“my friends are coming over.”

“so, what’s the big deal?” there’s something about pissing gojo off that entertains you. he’s a brat by all means, raised with a silver spoon in his mouth and daddy’s dollars tucked into his pockets. whenever there’s a problem, all it takes is a classic ‘toru temper tantrum and your parents are on the scene to fix things for him. he’ll never know the hardships of being raised by a single mother, always having a little less than most. he walks around in his own little bubble of riches - and you can’t help but want to pop it. “shoko thinks i’m cool and geto will probably jack off to me later. it’s whatever.”

“but it’s not whatever,” you can practically see satoru fight the urge to stomp his foot like a petulant child — even going as far to have the audacity to pout down at you. “you’ll just embarrass me. so do us both a favour and put some clothes on, nobody wants to see all that ‘round the house.”

“do you own this house?”

“no but i-“

“but your daddy does. and daddy isn’t here! so shut up, satoru!” jabbing a finger into his chest, you smile up at your not-so-little little step-brother, evilly. “i make the rules.”

“oh fuck you. all you do is mooch off of my dad, princess. you wouldn’t be here if it weren’t for your mom whoring it out for him.” he sneers in response, upper lip curling into a distasteful snarl like a dog with a stranger on its territory. his words, though cruel and foul, are far from the truth and you know that he doesn’t mean it. satoru is a brat that throws acid laced words at anyone who gets in his way — yourself included.

even though you agree that your parents tied the knot all too fast — barely giving the two of you a chance to get to know each other as siblings. they were in love and far too happy for the rivalry between their children to get in the way. you know that the fact pissed gojo off to no end, he hated how your mother doted on him and how he’d always needed to fight for his father’s attention. now it certainly wasn’t ever going to be on him. but the two women in his house instead.

your poor, spoiled, baby brother.

however, you won’t let his words and how he projects onto you, hurt you. “whoops! looks like i dropped my will to give a fuck!” whilst pretending to drop your snack, you bend over in front of him to reveal inches of beauty marked and blemished flesh, drawing hungry seafoam eyes to the bounce of showing your ass — testing your little step brother. “i don’t care satoru, i’m older.”

satoru’s mouth snaps shut after moments of wordlessly opening and closing. he stands frozen on the spot, as if he can’t seem to process the very idea that his older step-sister had just flashed him to prove a point.

but just when you think you’ve won, the silver-haired brat is pressed right up behind you, forcing your body to bend over the cold marble counter that instantly has your nipples hardening against the icy surface. heat rushes to your face, blossoming just under the barrier of your skin as his hard on nestles it’s way between your ass cheeks — a symphony of your surprised squeaks echoing through the modern kitchen.

“hey! what the hell do you think you’re doing?”

instead of responding, he pushes your head down against the counter — circling his increasingly wet erection against your behind, manhandling the globes of flesh back onto his dick. “not so fun, is it.” he coos down at you, voice chilly and full of condescending highs and lows. “yanno…you’re awfully mean to me.”

saliva pools on your tongue, weighing it down in your mouth like a paperweight as satoru’s girth slips downwards, seedy tip brushing over panty clad and your swollen clit. “aren’t oneesan’s s’pposed to take care of their baby brothers?” his breath is hot and ragged against your ear as gojo haunches over you, caging you in like a wild animal as you thrash and writhe under his touch.

you can’t even bring yourself to feel an ounce of shame when gojo’s left hand dances between your tangled limbs and slips past the frilly band of your underwear — ghosting over the throbbing pearl laying between your sticky pussy lips. “step…step brother!” you whinge at the tingle of pleasure that blooms in your lower tummy and spreads like angel wings throughout the rest of your body. 

satoru takes turns playing with you, alternating between his nimble, skilled fingers and his seedy girth that smears precum all over your inner thighs and panties. “like that even fuckin’ matters.” he laughs, twisted and proud. “could you get off like this? yeah i think you could…. you’re already so wet. just from grinding on your little brother’s cock.”

your legs grow shaky at his ministrations, beads of your juices oozing from your empty entrance to stain the man’s sweats, slicking him up as if it’s a signature of your claim. “‘toru!” you gasp, eyes rolling back into the depth of your skull. “m-more.”

“look at how fast you fold for me…” he pushes up your shirt so that the fabric pools around your waist — pawing at the fat there, massaging your hips softly as if he isn’t violently, cruelly rubbing one out on your achey pussy. “i don’t think you’re in a position to ask me for more, big sis.” satoru taunts, a heavy hand coming down on the bare skin of your ass, leaving a raw handprint in its place. “such a nasty slut, i bet you’d let me fuck you like this too. out in the open, where anyone could catch us.”

you yelp in surprise at the feeling of gojo’s messy, cream coated cockhead nudge at your entrance from over your panties — a slender finger pulling the soaked material to the side so he can fuck you with his tip. “oh, i bet you’d like that, huh baby?” he continues to purr, jutting his hips forward ever so slightly — feeding your greedy cunt a few more inches of him. satoru’s barely sheathed inside of you, but you’re already stretching deliciously around what he’s given you. he’s fat, girthy just as he is long and his mushroom tip drags along sensitive spots in your walls you didn’t even know you had.

 he hasn’t even fucked you properly yet.

you sob, wail and writhe on your little step brother’s cock, nails clawing at the marble counter while your breath escapes you. “satoru, please fuck me. ‘m sorry… sorry—!”

“shh big sis, you’re being too loud,” he cups a hand over your mouth. gojo eases two digits past your plump lips to pacify your cries as he shallowly pumps his wet cock into the heat of your sex — gritting his teeth to hide his own moans. “we…fuck, you’re tight as shit… we wouldn’t want my friends to know that you dress like a slut for my cock, would we?”

you shake your head with a muffled moan, suckling the taste of yourself from gojo’s fingers and breathing heavily through your nose. “no, we wouldn’t. that’s right. good girl, oh shit.”

satoru laughs, a little cocky and a little drawn out in a long, whiny whimper over the wet slap of the backs of your thighs in the front of his own. but he trembles from behind you, like his legs are about to give out every time your creamy cunt sucks a little more of him in. it’s a miracle he’s managed to hold you both up.

guilt wracks your body intertwining with the red blood cells coursing through your veins and carrying limited oxygen to your brain — your head practically empty at how your little brother ruins you on half of his fat cock. this isn’t right, this is completely wrong and yet you feel yourself coming undone — weak in the knees and shaky in your lips, the dam in your lower tummy threatening to burst at any second and flood the room in an erotic river of your arousal. 

pushing your head off of the counter, you lean into satoru, throwing your ass back onto him in rhythm with the harshness of his thrusts. everything is hotter, heavier and you can’t even think about how much of a bad step-sister you are when he’s dominating your body like this. the silky locks of satoru’s silvering hair press against your shoulder and he wraps a fist in the fabric of your shirt to pull you further back onto his cock. 

“‘m gonna c-cum, oh god!” you squeal, flinching as your juices crudely slap against the kitchen floor. “i’m so close!”

he pants into your ear like a desperate dog, fully wrapping himself around you and trapping you against the counter so that you have nowhere to go except towards your high. “yeah?” gojo breathes heatedly, temperate breath cascading over the back of your neck and only adding fuel to your fire of desire. “i can tell, you get like this. all needy ‘n cute when you’re about to cum.” 

his words have you clenching around his bulbous tip every time it pushes up against the pleasure spots you didn’t even know you had — your arousal catching in the pretty blue veins that spiral around the length of gojo’s shaft. “you don’t think i can’t hear you, big sis? late at night when you think everyone’s sleepin’….” his whistle tone moans are quickly replaced by deep growls and grunts that only just manage to escape from between the gritted rows of your step brother’s pearly whites. “when you stuff those tiny fingers into that tight little hole and—“

he reaches down between your mess of slick soaked limbs to land a harsh smack against your quivering pussy, sending the foamy ring of white where your bodies join flying about the place. “—and make yourself cum to the thought of me?” he continues, breathing ragged and laughing at you again when you cry out in a mix of pain and pleasure. 

“s-satoru!”

he soothes you with quick circles over your swollen clit and kisses to your shoulder — being careful not to leave marks. “oh did that hurt, baby? am i  the mean one now?” licking a stripe up the side of your face and tasting the sweat on your glistening skin, satoru rambles on — filling you up with praises and copious amounts of precum. “you know i—fuck— you know i love you. my precious big sister, so fucking good to me. let’s make you cum, yeah?” 

you’re allowed to rut back on him for a little longer, since he loves the sound of his name whirling around messily on your tongue, all high-pitched and sugar coated for him. if only you knew how badly he’d wanted you, how pissed he was when his father went on to marry your mother. gojo has wanted you since the very first night you met — his every waking thought has been carefully carved to lust after you, think of your eyes, your smile, your lips. fuck, everything about you has satoru under some kind of spell. 

“r-right there. right there, t-there!” you chant the words like they’re the a prayer, as if they’re the only ones you know, allowing satoru to throw you through the loop of pleasure until you’re too far gone to stay on the ride. 

angling his slender hips upwards, his cockhead bares down on the gummy centre of your g-spot just has he buries himself inside of you — right up to the hilt. “h-here? this where you want me, big sis?” gojo’s amused gasp turns into a coo when you let out a meek hum of agreement, babling wild nonsense and drooling into the counter you’re pressed against. “mmhm, got you creamin’ around me already. so cute, so good when you listen. when you’re a good t’me, oneesan.” 

the honorific alone has your mouth running dry as if it’s been stuffed with cotton. though the syrupy pap, pap, pap of your sex says otherwise. it tells the truth of your sin.

and the thing that you don’t know about satoru is that he loves to give, feeding pieces of himself to you as he fucks you wild in the middle of your family kitchen. he wants you to have all of him, every corner and inch of his body just like he dreamed about. he knows it’s forbidden and that it’s wrong, but he can’t help but relish in the feeling of your pretty pussy sucking him in so selfishly, greedily clamping down on his thick base. 

he would give you anything. anything you wanted and asked for if you’d let him. his hands slip from your waist to intertwine with yours splayed out on the cool marble surface, using his last spurts of energy to drag you towards your orgasm and the deep depths of sinner’s paradise. 

“fuck me, fuck me, baby.” he growls possessively against the shell of your ear. “let go for me. lemme see how much you love your little brother—“

the crescendo of your pleasure is at an all time high, about to come crashing down on you like a tonne of heavy bricks. 

that is until the door bell rings, accompanied by the sound of geto’s voice from the outside of the house. “yoo, satoru! open up!” 

you’d think that you’d have been good enough for your little step-brother to keep going — to push onwards and let you cream all over him before he went to attend to his silly little friends. but he flips the script, pulling out of you just as you teeter over the edge to ruin your orgasm.

“no, no, please!” you sniffle, teary eyed with dissatisfaction sitting in your lower belly — the need to cum still there but the feeling of emptiness within your dripping walls taking over. “satoru…” you whine.

when you look behind you, he’s too busy finishing himself off — his black shirt between his teeth, sweats hanging low on his waist while gojo palms  his hard and heavy cock as he pleases. 

it’s coated in your arousal, shining under the artificial lighting in the kitchen and you watch with a pout as gojo jacks himself off to the view of your ruined cunt. he thumbs the seedy slit at the centre of his bright red tip, hissing through the sensitivity. he’s a picture perfect vision, appearing as an angel before your very eyes. a mop of halo white hair flop backwards with satoru’s head, rich sapphire eyes locked behind fluttering lashes that glisten with pearls of pleasure filled tears. 

you know not to be mistaken, you know that satoru is more like an incubus than the heavenly being he presents as. the parts of your brain with better judgement see him as the sinner who made you fall from grace, committing such a heinous act. the desperate side of you with a brain full of lust and smoke screens sees your step-brother as a god who controls all of your desires. 

you think you prefer that side of you more. 

meanwhile, a drop of sweat runs a track down the length of satoru’s neck, catching on the curve of his Adam’s apple as he swallows down his euphoric laments. you find yourself jealous that his own fingers are wrapped around his sloppy dick instead of drawing shapes against your aching clit. you envy how good it must feel for satoru when he finally cums. ropes of thick white sling around his knuckles, much paler in contrast to his pearlescent skin tone.

a deep, gravelly moan erupts from his hot mouth like lava, accompanied by curses and the stuttered syllables you recognise to be your name while he finishes himself off. gojo jerks his sensitive cock over your ass to paint you with the last spurts of his release. it’s a claim on you as your step-brother, a way in which he can show you that he always gets his way no matter what.

whilst still recovering, your step-brother drags a slender finger through the puddle of cum he’s left on you, and drags it down to your stretched little hole before pushing it against your overstimulated clit. “hmm, so pretty.” gojo grins, slow and sly, when you twitch and attempt to jolt away from him. then unexpectedly, he lands a hard smack against your bum — revelling in your sweet cry of pleasure, impatience and pain. “go put somethin’ on, will ya, sis? my friends are still waiting outside.” 

“i…i hate you.” you whimper shakily, brain frazzled from the situation. 

satoru might be a spoiled brat, but he’s not mean enough to leave you here a shaky, dripping mess so he helps you to your feet — tenderly fixing the hem of your shirt and panties back into place (failing to wipe his cum off of you beforehand). you’re still pouting from your ruined orgasm once he’s done, and he nudges the underside of your chin with a singular knuckle. 

“don’t worry big sis, i’ll come take care of you later. maybe i’ll even let geto watch since you love prancing around half naked for him too.” he teases, squishing your cheeks as you try to swat at him. “and you don’t hate me, you love me and this cock. clearly.” gojo sings and sends a cheeky wink in your before prancing away to open the door for his friends. 

he pulls his pants up as he goes, not minding the wet patch you’ve left on him. 

whereas, you scurry up to your room before they can greet you and gojo tells them that you’re feeling unwell. 

that day, you learn two valuable lessons: 

one —  never mess with a spoiled brat, it’ll never end well for you and gojo will always get what he wants no matter who pays the bills. 

two — geto really does like to jerk off to you, even more so when he watches his best friend punishes his older step-sister with enough orgasms to make her forget why she was in trouble with satoru in the first place.

꒰ end. — all rights reserved © tteokdoroki 2023. do not copy, repost, translate & recommend elsewhere.

[violentdelightsandviolentends]

Walk The Line.

Carmen gets a little jealous. You don’t mind in the slightest.

roommate!carmen berzatto x female reader

warnings - smut. cursing. semi public antics.

word count - 2.5k

authors note - ask and you shall receive 😌. i’ll never get enough of roommate!carmy. i’ll be writing him forever. <3

as always, if you enjoyed this, please consider reblogging!! reblogs are the only way to circulate my writing, which generates more of it. feel free to send me a comment or an inbox, too!! thanks, my loves!! <3

series masterlist. masterlist. inbox.

He’s a little out of his depth, admittedly.

The invitation had been slid under your front door, pretty handwriting on creamy paper.

“A… party?”

“Does it say party, Carmen?”

“No, it says ‘mixer.’ What the fuck is a mixer?”

You laugh, scrubbing a mark off the final dish in the sink before placing it down in the drying rack. Carmy is sat on the counter across the kitchen, reading the invite over and over.

“Seriously, babe. The fuck does mixer mean? So it isn’t a party?”

You dry your hands and make your way over to take the paper from him, eyes scanning over it carefully.

“A mixer is like… a get to know each other thing. It’s sort of like a party, I guess, but not really. Just a casual gathering type situation.”

“Sounds fucking stupid,” he grumbles.

You smack his shoulder, rolling your eyes.

“Lighten up, asshole. It could be fun.”

“Fun? You think having a mixer with all the neighbours from our building on a Friday night is gonna be fun?”

“I think it sounds like an incredible time. My ideal evening. I can’t wait.”

You can’t even pretend not to laugh, grabbing onto his thigh to keep yourself balanced. He puts his hands on your shoulders, trying to look serious, but the grin fighting its way up his cheeks gives him away.

“You really wanna go?”

“Carm, if it’s terrible, we’ll just lie and say we’ve got plans elsewhere. We’ll run away screaming if we need to. It might be good for us though, to meet our neighbours properly. It’s good to get to know them, just in case we ever need anything.”

“What, like a cup of sugar? What is this, the thirties?”

“When you’re testing recipes and fucking them all up, you might be grateful to be able to nip next door and borrow a cup of sugar.”

“I don’t fuck recipes up.”

“No? Then why were you yelling at a lavender and oat crème brûlée last week?”

“It was mocking me,” he grumbles under his breath, hanging his head.

You can’t help but laugh, moving closer to stand between his manspread legs where he still sits on the counter. You brush a piece of hair back from his forehead, tracing your index finger in a featherlight touch down the bridge of his nose. He looks down at you, eyes glued to yours.

“I know for a fact you don’t have anything else planned on Friday,” you whisper.

He rolls his eyes but leans into your touch anyway, where you’re still tracing along the features of his face.

“You promise we can leave if it’s terrible?”

“We literally live in this building. We can just walk up the stairs and be home.”

He huffs, but relents.

“Fine. But please don’t leave me alone with all of the middle aged moms. They love me.”

“Oh, I’m sure they do,” you giggle, leaning in to rest your head on his chest. His arms encircle you, pulling you as close as he can.

Is this scene too intimate for roommates? Without a doubt.

Do either of you care? Not in the slightest.

✵  ✵    ·　 ✵ 　　 *  · ✵

It’s not as bad as he thought it’d be.

The middle aged moms have pulled through, actually. The lobby is decorated with fairy lights, tables covered in alcohol set up against the walls. Everyone has a drink in their hand, chatting and mingling amongst themselves.

You and Carmen walk downstairs a little late. He’d finished his shift and run home to shower and make himself look semi presentable before facing the neighbours.

“We need a signal,” he says suddenly, right as you reach the staircase. “In case of emergencies.”

“Pat your head.”

“Real subtle.”

“It doesn’t need to be subtle, it needs to be noticeable for me.”

“Fine,” he mutters, bumping his shoulder into yours. “Don’t leave me alone with that Erica lady. She scares me.”

“Yes sir,” you mock salute, slipping your hand into his momentarily. “You’ll be fine, Carmen. Like I said, we’ll just leave if it’s awful.”

It’s not awful, actually. It’s quite fun.

It’s nice to get to know the people in your building, seeing as you have lived there for a couple of years now. Carmen has been there even longer.

“Excuse me, sweetheart?”

You turn around to be met with an old lady, leaning carefully on her cane.

“Yes, ma’am?”

“I’m Dorothy. I live in 2B, and I just had to tell you that you look beautiful in your dress.”

You smile, pulling out a chair for her, which she takes gladly. You sit down next to her, spotting Carmy chatting with a couple of guys across the room.

“Thank you so much!”

You introduce yourself, telling her your name and apartment number.

“Ah yes,” she hums in recognition. “You live with your boyfriend who has all the tattoos.”

You almost choke on your drink.

“We’re just roommates,” you say eventually. “But yes, that’s him.”

“Oh, my apologies. I just assumed.”

You’re curious, suddenly. You know you shouldn’t be, but you can’t help yourself.

“Can I ask? Why you… thought we were dating?”

She chuckles knowingly before placing a hand on your knee.

“Honey, he’s got a hand on you at all times. He looks at you like you are the sun. Every time you walk past my window, you’re both laughing. Sounds like love to me.”

Her bluntness is refreshing, if not a little intimidating. No one will say it how it is more than a little old lady who can’t mind her business.

“We, uh… we’re close. He’s a good roommate. A good friend.”

She doesn’t look convinced in the slightest, chuckling as she pats your leg.

“Uh huh. That’s what I said about my husband - real good friend. We’ve been married 58 years.”

You smile, shaking your head.

“Is he here with you?”

“He’s upstairs. He can’t really leave the apartment, these days.”

“You know, if you ever need anything, me and Carmen would be happy to help.”

“No, sweetheart, I couldn’t ask you to-”

“-you’re not asking me, I’m offering. Carmen is an award winning chef at one of the best restaurants in this city. He’d be more than happy to make a meal or two when needed. And I can pick you guys up stuff from the grocery store when I go, too.”

“Thank you,” she whispers, grabbing your hand in her frail one. “You’re good kids, you two.”

You grin at her, squeezing her hand gently.

“You know where I am, if you need me.”

She nods, standing up carefully.

“I’m going to go see if that handsome Jeremy will come and fix my shower for me. He did promise.”

You laugh, watching as she makes a beeline for one of the dads stood in a huddle. You catch eyes with Carmy, who’s still chatting away with a few of the younger guys. He winks at you, all cheeky and carefree, and you can’t help but flush, heat prickling across your skin. You shake your head, smiling, winking back.

Suddenly, there’s a hand on your bicep. You spin sideways, to be met with the sight of a very handsome man. Dark hair, big brown eyes, tall - he looks slightly like a movie star you can’t quite remember the name of. You crane your neck to meet his gaze, smiling softly.

He holds out his hand to introduce himself.

“Hi, I’m Daniel.”

You tell him your name, trying to ignore how his hand engulfs yours.

“Pretty name for a pretty girl.”

You laugh, shaking your head.

“Have you lived here long? Think I’d remember a face like yours.”

Now he shakes his head.

“A month, maybe. I live in 6C. I’ve been working a lot, so haven’t had any time for introductions.”

“Ah. What do you do?”

“I’m a model.”

Of course he is.

“What do you do?”

As you start to tell him, his eyes fix on yours, not leaving for a moment. He listens carefully, both of you blocking out the noise and focusing on each other.

Turns out, Daniel is good company. The two of you find a spot in the corner, away from the noise and the wine drunk moms. The two of you laugh, joke, and talk about Chicago as if you’re old friends. Time slips away from you easily, conversation flowing with minimal effort.

“I don’t want to leave, trust me… but I have a super early call time tomorrow. If you wanted, we could grab a drink sometime, somewhere that’s not our buildings lobby?”

You laugh, nodding.

“Yeah, I’d like that. It was nice to meet you, Daniel.”

“You too. Here,” he says, handing you a small business card with his number on, “text me.”

“I might do just that,” you tease as he walks away grinning.

You’re on your way to grab another drink when a hand slinks around your wrist.

“Hi, Carmen.”

You don’t even have to turn to know who it is, recognising the feeling of his calloused hand against your soft skin.

“Where’s your friend gone?” he all but grumbles.

“He’s gone home, got to be up early for work.”

“Haven’t we all.”

“Ooo, okay Mr Attitude. You’re not having a good night? You didn’t give me the signal.”

“Would you have noticed if I did?”

You spin around to face him properly now.

“Yes, I would have. Because we’re in a tiny fucking lobby and not a football stadium, Carmen.”

He huffs.

“Didn’t think you’d notice if the building fell down, the way you were lost in his eyes.”

“I know it’s a foreign concept to you, Carmen, but eye contact is actually a very important part of conversation. Try it some time.”

Carmy rolls his eyes, grip on your wrist tightening.

“Come on,” he mumbles. “Wanna show you something.”

He practically drags you up the stairs, and up some more, and up some more. Eventually, you reach the roof.

The sun is just setting, casting the city in a warm orange glow. Everything is so calm, so peaceful, so serene. It’s beautiful.

You’re admiring the view when suddenly your feet are no longer on the ground. Carmy has you over his shoulder, carrying you across the rooftop to the brick wall.

“The fuck are you doing?” you cry as he finally puts you down.

He smashes his lips to yours, choosing to shut you up rather than answer you. You kiss back eagerly, confused but not disappointed at the turn in events. Slipping your hands into his hair, you tug him into you, groaning as he grabs at your ass.

“Carmen,” you breathe, “why don’t we just go home?”

“Where’s the fun in that?” he mumbles against your neck, pressing kisses wherever he can reach. When he bites down, you smack his shoulder.

“No marks, asshole. The fuck is up with you?”

Again, he says nothing, just slips his hand under your dress to run his fingers over your underwear. You part your legs instantly, leaning back into the wall to steady yourself.

“Carmen, someone’s gonna see if they come up here.”

“Well then you better come quickly.”

He slips your panties to the side, running his fingers through your wet heat. You keen, knees buckling already.

“Oh baby,” he chuckles. “This all for Daniel?”

It all clicks for you suddenly.

“That’s what-” you choke as he slides a finger into you. “That’s what - fuck - has you so riled up? Daniel?”

“Don’t say his name when I’m knuckle deep, baby. It’s rude.”

You attempt to scoff, but it comes out as more of a moan when he presses his thumb to your clit, circling carefully.

“Am I not giving you what you need, honey? Is that it? Greedy girl just wants more, so she looks elsewhere to get it?”

“No,” you justify quickly. “You know that’s not true.”

“If you can still form sentences, I’m clearly doing something wrong.”

He slips a second finger in, curling them exactly the way he knows you like.

“Carm.”

“He couldn’t make you feel like this, babe. You and I both know it.”

You’re nodding, fingers gripping his shirt tightly as if you’re scared he’s going to walk away. His lips press into your neck again, nipping along the expanse of skin.

“Say it.”

“Hmm?”

You’re dazed, mind hazy with Carmen Carmen Carmen Carmen Carmen.

“Say. It.”

He punctuates his words by curling his fingers harshly. You’re seeing stars, legs giving out.

“He - he… fuck, Carmen, please.”

“So close, honey. Try again.”

You know he won’t relent. He never does, when he’s in a mood. You have to just give him what he wants.

“He couldn’t make me feel this good, Carm. It’s all for you, only you.”

“Good girl. Knew you could do it.”

With that, he speeds up his fingers, his other arm snaking around your back to keep you standing upright.

“Give it to me, baby. Know you want to. That’s it, atta girl.”

“Come for me, there we go. Can feel you.”

“Good girl, good fuckin’ girl. So pretty like this.”

You fall over the edge, clenching like a vice around his fingers as you throw your head back. There’s a sheen of sweat coating your skin, chest heaving with every breath you take. Your vision goes white for a second, gripping onto Carmy’s biceps for dear life.

You rest your forehead against his chest, panting as you try to recover.

“Jealous Carmen is kinda mean,” you mumble into his shirt.

He laughs, wrapping his arms around you.

“You know I didn’t mean it, right? You’re free to date whoever you want. You could do a lot worse than Daniel the hot supermodel.”

You pull back, looking at him carefully.

“I know. I just… I don’t know if I’ll go. Seems a bit unfair to date him when my mind is on someone else.”

You both know exactly who you mean. You both also know that tipsy on a rooftop is not the place to have that conversation.

“Did you ever master the lavender crème brûlée?”

He chuckles, not expecting the sudden change in subject.

“Yes, I did.”

“Do we have any left?”

“We don’t. But I did make chocolate soufflé this afternoon, if that’ll satisfy your sweet tooth.”

“Fuck, yes,” you grin, leaning in to kiss him tenderly.

“I’ll make you a crème brûlée in work tomorrow. Promise.”

“Will you make two extras?”

He quirks a brow in confusion, so you continue.

“We’ve got two elderly neighbours. They’re not very mobile, so I said we’d drop stuff off every now and again.”

He smiles at you, all soft and melted.

“Of course. That heart of yours is too big for your chest, you know.”

You take hold of his hand, placing it there.

“Only sometimes.”

He kisses you again before throwing an arm over your shoulders.

“Let’s go eat chocolate soufflés and drink the rest of that wine you bought.”

“You’re a mind reader,” you laugh, making your way downstairs.

Maybe he is, you think later. You don’t mind in the slightest.

[leaawrites]

Dreams of forbidden territory

Lando Norris x fem!reader

Summary: one dream and feelings will be spilled from both sides.

Warnings: Sexual content (really minimum but still, 18+, mdni), sexual reference, Best Friend's sister, reader is insecure of her legs, this is probably the smuttiest I'll ever write.

Wordcount: 3.3k

Masterlist

His teeth scraped down her hips. His hands were placed on her waist, holding her down. Low humming sounds vibrating on her skin making her moan in the quiet. He looked up at her, squeezing her flesh under his hands in disapproval.

“Gotta keep quiet, princess,” he told her, tatting her at her behavior. “Can’t have him find out.”

The scene replayed on her mind ever since she woke up from it. Trying to wrap her mind around who he meant - who wasn’t supposed to find out? - but then it hit her. Max, her brother. He couldn’t find out she had a sex dream about his best friend. The best friend who was now sat opposite her, eating his breakfast in peace. He noticed her staring but he ignored it, thinking she was annoyed at him again.

Truth been told, she was. If there was anything that made her annoyed at him was that nothing after that sequence she saw happened. When she tried falling asleep again, it didn’t work. She couldn’t escape into the dream again. Not even her own creativity was capable to figure out how it would’ve ended. She didn’t know what he was like, she also couldn’t make up her mind as to what he might be like.

“You’ve got a staring problem or something?” Lando asked, making her snap out of her trance.

Blinking at him before muttering a soft ‘sorry’ and going back to her own food. He looked at her confused, normally she would roll her eyes and say something in a sarcastic manner to him. But not today, and not until the end of the week.

It was always just him catching her staring at him or somewhere in the room for a long time, then she would say sorry and act like he caught her in an embarrassing situation. Like she smashed a plate that he considered his favourite or like she accidentally was the reason for one of his races failing.

Even Max noticed, asking Lando about it but he couldn’t give him more of an answer than, “I don’t know, mate. Maybe she just needs some time. Let her be.” They agreed ro wait until Sunday to ask her, both convinced that she would act normal by then. But the time they gave her was up and she still avoided him.most of the time.

The image was printed in her mind, never leaving her alone. He was always there, whether it be physically or in her daydreams. She saw them together everywhere. Not just fucking but also cuddling, sharing kisses, joking around together. She watched him from her seat around the pool. Watched his arms move smoothly through the water, but all she could think about them in the water together. Laughing and play fighting.

Max sat down next to her, without her noticing, observing her staring at Lando. A few other friends sat around the pool as well and more than enough times, Lando’s swimming session was stopped by one of the talking to him. He answered while swimming until even his stamina was used up and he leaned against the edge of the pool to talk to them.

“You’re not being very subtle,” Max commented, making her jump in surprise at his sudden appearance. She really didn’t notice him sitting down next to her.

“What are you talking about?” She asked, her face looking back towards the book in her lap, though her eyes still slipped up towards the man in the water now and then. Her lips pulling themselves up as he laughed. The sound ringing through the air, finding it’s way to her heart once again.

“You like him, clearly.” Max looked away from her towards Lando, seeing the boys own eyes falling onto his sister as he climbed out of the pool and sat down next to a friend. “Tell him.”

The girl’s mouth flew open in shock at the suggestion. “Definitely not.”

“Why not?” Max continued asking, nudging her arm with his elbow.

The girl was silent for a moment. Why not? It was a simple question, which required a simple answer. “He most likely doesn’t like me back.”

“You don’t know that.” He knew, trying to get your sister and your best friend dating wasn’t the ideal plan for him, but he knew Lando and even though the boy was reckless most times and a playboy to say the least, he also saw the side of him that was caring and kind and loving. He knew him longer than anyone and he knew that Lando cared for his sister. Even without asking he would know, simply from the way he spoke to her and the way he looked at her. But none of the two would say anything. They were playing it safe and Max finally had enough.

“Alright,” he finally answered, shrugging and standing up. Walking over towards Lando and his other friend, joining their conversation.

Why not?

The day was nearing an end, the sun setting over the Portuguese landscape. A orange pink sky forming above her. Y/n watched the sky as it changed colors, she watched them appear and fade. She watched them reemerge and wished she could be as pretty as the sky. Whether it was day or night - rainy or sunny - it always looked pretty.

A knock was heard outside the door and she though about sending whoever was stood there away, but she knew she couldn’t. May made plans for a restaurant and they were probably already waiting for her.

Stepping back inside the room, Y/n saw Lando leaning against the door frame, watching her. She moved her head to the side, asking him what he was doing here in silence. It had always been like this. They would communicate without talking, always knowing what the other was saying.

“Max told me to call you down,” he explained. They were in fact running a bit behind schedule, but Lando didn’t seemed faced by it.

“OK, tell him I’ll be right there,” she said, walking over to the mirror, expecting him to go, and flattening out the long flowy skirt she chose.

He was still watching her.

“Why are you always wearing long skirts?” Lando asked all of a sudden.

She locked eyes with him through the mirror, furrowing her eyebrows in need of an explanation to his question. Which he gladly gave, truly interested.

“I mean, even at the beach you wear a long cover up. And when we go out you always wear long pants or skirts or dresses. Why don’t you wear a pair of shorts or a short skirt when it’s half burning outside?” He asked, taking a step closer to her.

Y/n frowned. She owned shorts and short dresses and skirts but she never thought they looked good. Was he implying the long looked good neither? Did nothing look good on her? Is that what he was saying?

Lando could see the thoughts entering her brain. The bad ones. The ones that made him want to love her even more.

Walking behind her, Lando put his hands on the fabric of her skirt, taking as much of it in his hands as he could and making it shorter with every second, until he reached her upper thighs. Holding it there, he looked at her now exposed legs. If he pulled it even higher he was sure he could get a glimpse of her underwear, but he wouldn’t do that. Not without knowing how she would feel about it first.

“It’s looking good,” he whispered, before letting the fabric fall again and stepping back from her. What he wouldn’t do to show her just how beautiful she truly was. What he wouldn’t do to make her see herself the way he sees her. If it wasn’t for Max she would already be his. But Lando knew, that if he made a move Max would surely make sure they would never see each other again. He didn’t want that. So, he sat quietly, watching from the sidelines when he met her in a club or they were out in the same friend group, flirting with other guys that couldn’t even treat her half as good as he could.

For a moment she couldn’t believe she was alive, breathing. Her mind stopped functioning the moment he stood behind her, his hands on her legs for a second before exposing her legs. Looking at the closet in her room and remembering the one short piece she brought to the trip. She would wear that sometime probably now, making sure he was there to see. But now they had to go.

Both appearing together at the bottom of the steps, Max rolled his eyes at the pair. “What have you been doing there so long?” He asked, receiving a smirk from Lando in return, but he knew nothing happened. At least nothing too sexual. Y/n hid her face from Max, still blushing at the simple touch from Lando.

“Ready to eat?” Pietra asked from the door, Max’s car keys dangling in between her fingers. The others already drove to the restaurant, making sure their reservation wouldn’t blow off. Leaving the four to arrive later. With Max driving, Pietra normally sat in the front though now, she climbed in the backseat, pulling Y/n with her, much to Lando’s demise.

On the way to the place, Pietra opened the notes app on her phone titling the new file: Wtf happened in your room?

Handing it over to the girl, Y/n looked at her with a smile at first, deciding whether she should tell her or not, but eventually she gave in, writing every detail down. From the leaning against the door frame and the staring to the words he spoke. She told her everything. And she watched while Pietra read it, slower than she hoped, her mouth wide open in shock by the end of it.

Quickly she tipped something back. Handing the phone over again, Y/n read: Holy shitttttttt. That boy’s in love with you, I swear. Make sure to remind me to buy you more short pieces.

Y/n rolled her eyes, giving the phone back and turning away from the blonde, looking out the window.

The place was nice. Filled completely. No table was empty and when Max said his name to the girl at the entrance, she made a move for them to follow her. It was also minimal spacious, making them all walk in a line behind each other. Lando’s hand almost immediately made it’s way towards her back whenever they walked past a group of guys or a tight space. It was almost a regular touch for them, but ever since that night she couldn’t think straight. And a once innocent touch now made her mind wander to different things. Like how he would push her body down at the same place on her back while he fucked her from behind.

Quickly blinking the thoughts away, she didn’t even notice that they arrived at the table, or how Lando caught her snapping out of something, looking uncomfortable all of a sudden.

“You okay?” He asked, leaning closer to her ear in order for the others not to hear. Although they were focused on their own conversation, you never knew when someone was eavesdropping.

The girl jumped slightly at his voice so near to her ear, his breath grazing her skin softly. It was warm against her cold flesh.

She nodded, avoiding his eyes. She didn’t want to know which thoughts would enter her mind while looking into his eyes.

Lando furrowed his eyebrows, she was still avoiding him the way she did most of the week now. It made him almost furious. Why wouldn’t she look at him? Did he do something wrong? Was it something he said? Placing his hand on her thigh he tried to get her attention back, but she wouldn’t give it to him. Shuffling a bit away from him to let him know he better take his hand away from her. Which he did. But not without even more questions on his mind. What the fuck was that about now?

For the whole evening, Y/n avoided Lando, conversing with people longer than him that she didn’t even know half as good as him.

Pietra watched them, as did Max, and both looked at each other, knowing something was definitely wrong. But what was it?

“Hey Y/n?” Pietra called over the table, catching the girls attention, as well as Lando’s. “What do you say, I give you 10 pounds of you take one of the guys over there on the table home.” She pointed towards one of the tables to their right.

A group of young, fairly attractive men sat there. One was turning towards their table almost every second, looking at her. Everyone at their table looked at her expectantly, waiting for an answer. But not Lando. He had his gaze fixed on the table, especially the dude staring at her. His girl. But not really. It was his fault she wasn’t his, so who was he to say something against a bet? It was just a bet, he tried to calm himself down, nothing else. Just a bet.

She wanted to say yes, to take one of them home and make her forget for even just one night. But then she felt his hand against her leg again. Not because he placed it there on purpose, but because it simply slipped there. Before he noticed himself, she felt his hand almost trembling against her leg. Apologizing as he noticed, pulling it back immediately. Would it be a normal night he would’ve let it sit there. Though nothing seemed normal anymore. At least not until they got back from this vacation. Lando would go back to traveling the world, barely thinking of her other than when Max mentioned her once or maybe even twice. Y/n would go back to her own job, her own place. Her own life. Should she really accept P’s offer?

“Not for 10 pounds, babe,” Y/n answered, making Pietra scoff at her behavior. Looking over at Lando’s hand, laying in his lap, she saw it stopped shaking. And she saw him inhale deeply like he held his breath for the last seconds. This wasn’t all because of the possibility of her going home with someone else, was it?

As they finished up and payed all their part, Lando made his way towards Max’s car, with Max hanging from his shoulder, drunk. Y/n couldn’t believe he got drunk that quick. Laughing whenever he tripped over his own feet, almost taking Lando down with him.

“Stop laughing,” Lando told her, but she didn’t. She simply couldn’t. “Open the door,” he ordered to her, standing in front of the back seat door.

“Yes, sir,” she said in a jokingly manner.

Unlocking the car and opening the door, she heard him mutter: “Fuck, don’t say that when your brother’s here.”

She stopped moving for a second, before continuing opening the door and quickly climbing in the passenger seat, praying Pietra was the one driving. But when the blonde opened the other back seat door, Y/n knew she was fucked. Lando climbed into the driver seat and started the car, not acknowledging what he said, praying she didn’t hear him.

But she did. And God, how clear it was in her ears.

They drove back home, embracing the evening air. Low music was coming from the stereo, Y/n’s Spotify playlist she made for Lando and herself years ago. Mostly Taylor Swift, but also some other pieces. Humming the melody to every song and singing a few lines every now and then until they arrived.

Lando stared at her in awe whenever he heard her voice, and though she didn’t notice, Pietra clearly did. Sending him a smirk when he looked in the rear view. He sighed quietly, he was down bad. For someone he shouldn’t like more than his best friend’s little sister.

Getting Max into bed was a horror. Pietra was already somewhat of a pro in it, though she still appreciated the help she received from the other two. Telling them goodnight before shoeing the pair out in the quiet, dark hallway.

“I’m gonna go to bed now,” Y/n said, pointing towards her room and start walking. Ignoring his gaze once again. Closing the door behind her.

Before Lando could stop himself, or even think about what he was doing, he followed her steps. Opening the door and stepping into the room. He didn’t think of the possibility of her already undressing herself, getting ready for bed, until he saw her, standing with her back towards him in only her shirt and panties. A black lace garment.

“Fuck,” he breathed out at the sight of her.

Y/n turned around, her eyes wide, backing away from him, but he already saw what she tried to hide. He was staring at her legs.

Shit. Shit. Shit.

“Lando,” the girl said, turning around again. Her face hot. She couldn’t face him now, not like this. “What are you doing here? You know there’s something called knocking,” she lectured him, making him chuckle.

“I’m not mad about it.” Fuck it, he thought, if this was it now, at least he saw her how he always desired to see her.

“What?” She asked, turning her head around to look at him, trying to catch his eyes, but she wasn’t able to. His eyes were definitely not fixed on the back of her head.

“Why have you been avoiding me?” He blurted out, only now remembering what he came for.

“I’m not avoiding you,” she defended herself, knowing that wasn’t the truth. She didn’t want to, but she had to.

“Darling, don’t act like I’m stupid,” he told her. Her bottom lip slipping between her teeth at the nickname, her eyes closing for a second.

What did she have to lose now? He stood in her bedroom with her half naked, staring at her ass without much shyness. There had to be something in his feelings towards her, right?

“I had a dream,” she confessed, looking at the wall.

“What did you dream?” He asked absentmindedly.

“Your teeth were moving down my hips,” she said, making him close his eyes to see the image she painted in front of his eyes. “And you told me to keep quiet.”

“Why did I tell you that? Would wanna hear your pretty sounds every day.” There was no room for any form of uncomfortably now between them. They were simply honest and needy.

“Because of Max.” At his mention Lando’s eyes opened again. Right, that’s why he usually overthought everything with her.

The silence was deafening and she knew that that was the wrong thing to say in that moment. She was sure she was back to being little Y/n, the sister of his best friend. Nothing more.

His hands found her waist, pulling her closer. Y/n gasped at the contact, holding her breath. His lips were traveling down her neck. She moved her head to give him more skin to cherish.

“If you don’t say anything, I won’t too,” he told her, turning her to press their fronts together. His pinky sticking in front of her face for her to take. She did. Taking his hand in hers after that and putting two of his fingers into her mouth, sucking on them slowly, making him groan in pleasure.

“I’ll treat you so nice, I promise,” Lando whispered, before taking his fingers from her mouth and capturing her lips with his. Walking backwards and letting them sink on the mattress slowly.

[mrs-weasley-reid]

AUGUST REC FICS

Hello, my sweets!! Here I am, once again, for yet another month of reading and living vicariously through our one and only Reader. I haven't read much this past month, and most of these sweet authors are people I follow (and shockingly, some are my mutuals, too !!! I'm too much of a fangirl to believe it's true). Give these gorgeous, spectacular writers a ton of love. They all deserve it so much, considering they're blessing us with such amazing work for free. Like. Comment. Reblog. The equivalent of a five-star review

Like always, I will be going based on what I've read recently and not by the date the fic was posted. Reminder to please respect these writers. Some contents are 18+. MINORS should not be interacting in any way.

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Spencer Reid

✿ a muted shade of green by @dalamjisung ↳ the flow of this fic was so smooth my jaw dropped down on the floor as i read through (writer's first reid fic, and it was chef's kiss)

✿ hearts aligned by @raekensluver ↳ OMG this one had me melting. roommate spencer is such a dream

✿ sick love by @misserabella ↳ guilty pleasure unlocked. a wonderful reading session filled with interesting discoveries

✿ behind closed doors by @incognit0slut ↳ i loved binging this so much !!! was a giggling, kicking mess while reading this one; and it has four parts ! we're so spoiled

✿ kiss it better by @nereidprinc3ss ↳ tmi but was having an episode of mild anxiety attack, and this saved me in the middle of the night, giggling myself to sleep, so thank you for such amazing work x

✿ dead of night & nightvisions by @cxrrodedcoffin ↳ lol i read this at work and had to fight battles not to make any facial signs that i was consuming kinky content. the second part was another level, i was cackling like a witch

✿ much ado about nothing: act iii, scene v & act iv, scene i by @incognit0slut ↳ act iii, scene v left me speechless, reader didn't fold and i took that as a win. act iv, scene i played with my emotions lol

✿ just a number by @reidsdaisies ↳ i became a stand-up actress while reading this because it's overwhelmingly spicy and filled with tension i had to provide comedic relief for myself

✿ untittled req response by @mandarinmoons ↳ no because i saw my reblog post of this and i immediately snorted and then laughed some more after rereading it. pipe cleaner will never not be funny to me

✿ poison me, i'm fine by @gghostwriter ↳ no because this one needs more attention ?????????????? i loved reading this so much i was so tempted to pull my heart out and ship it to pau, show how crumpled it was after reading

✿ my best colors for your portrait & my face in every place by @none-of-your-bullshit ↳ i wasn't lying when i said august is for angst and i immediately gobbled this up after seeing it. the way my chest was so tight but also smiling because the writing style is amazing got me looking like a lunatic

✿ cute, outraged genius by @lavenderspence ↳ tina got me laughing like a gremlin. it's so adorable she made me fall in love with spencer all over again

✿ another untitled req response by @mandarinmoons ↳ sorry, sweethearts, ket just couldn't be bothered with titles lmao. secret lover reader is my favorite lover, sooooo you all will enjoy this cutie patootie creation

✿ one single thread of gold by @gghostwriter ↳ you'll overdose of sweetness. it's so adorable and a great way to feel giggly about spencer reid.

✿ for the fear of falling apart | part one by @pathologicalreid ↳ i haven't read the rest of the parts but mhmmm this was DELISH. well-written creation that made me show emotions while reading at work. my coworkers asked me my my eyes were so wide and i think that says a lot at how great this is

✿ second to none by @raekensluver ↳ ooooo this one got my blood boiling in a good way

✿ untitled work by @sincerelybubbles ↳ adorable stuff make me melt especially when it's a spencer one

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Aaron Hotchner

✦ darling, in any life series by @hotchfiles ↳ at this point are we even surprise im including yet another series form lari here ? anywayyy, i love me some old flame trope

✦ picket fence dream by @hotchfiles ↳ this is a new part from the choiceless hope series and i gobbled it up. i was screaming when i read this

✦ tells by @ssahotchnerr ↳ first thing i read in the morning, and i sobbed from the overwhelming sweetness

✦ silver by @solardrop ↳ okay but this was so adorable ??? plus im def one of those gals who tried to throw herself on him, maybe even catapult myself

✦ sympathy for the devil by @hotchfiles ↳ nosebleed. spice level is not as high as i make it seem but the writing really got me sweating. just read it, you'll understand what i mean

✦ spending time with you by @lavenderspence ↳ no because TINA CALLED ME OUT WITHOUT CALLING ME OUT. i was slightly offended. the gasp i gasped was so loud asdkfnkg. but it is adorable, go read it pls pls

✦ doctor, love by @none-of-your-bullshit ↳ i love when reader slaps the character with some reality like a seasoned raw steak.

sorry, not sorry if this post is filled with lari. I reread her works religiously, so here are my favorites from hers truly:

✦ help me hold onto you ↳ oh, this is like crack for me, and i always come crawling back no matter how hard i try to stay sober

✦ half asleep takin' chances ↳ still waiting for future aaron somewhere out there

✦ choices ↳ gonna be honest with everyone this one makes me wanna deck aaron hotchner and then deck reader for folding so easily and also deck myself because im no better than reader

✦ quis ut deus? & daniel 12:1 ↳ my fave series from lari and i will never not reread them over and over and over and over again because i love it so much idk what's the appeal on me but i love it and i want this framed and buried with me even if it's unfinished

I haven't had a lot of time to visit the good ole "for you" feed in a while, so I apologize for missing all the amazing work every writer has put out this month. I will make it up to you, I promise! And if you'd like, you can send me works or mention me so I can read certain creations that you deem noteworthy for the next rec fic month!

love lots, ker x