#I need to name this story/series

[cecexwrites]

Maite's family

The Grandparents: Lito & Tati Contreras (Juan & Leticia Contreras)

The Blueprint Siblings: Tia Jimi, Mami (Tia Jaci), Tio Ru & Tia Pia (Jimina Contreras-Hayworth, Jacinta Contreras-Herrera, Raul Contreras & Paloma Contreras)

The Spouses (Or spouse adjacent): Tio Rocket, Dad (JJ) & Roommate (Orlando Hayworth, Jason Herrera & Jennifer Rhodes)

The Siblings 2 (Electric Boogaloo): Eddie, Rocco, Mimi, August & Max (Eduardo, Rocco, Maite, Augustin & Max Contreras-Herrera)

The Cousins: Bacon, Lala & Baby (Logan Hayworth, Mila & Arielle Contreras-Hayworth)

[jonsnowunemploymentera]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[drawingoddessy]

Here’s som concept art from my spin on @chaotickit au!

[edwards-exploit]

Not pictured: The Fireman, Micheal Moraghan.

Anyway, Rushton! I know the W&SR only had four 0-6-0 tank engines but I bent canon a little to make him work (who says that they didn't have OTHER engines who helped them out that didn't make it...?)

Thomas and Edward never met him, but they WERE told of him...

more about him under the cut, though some of it might be subject to change

Rushton was built in October 1871 along another of his class MR no. 67, and he was bought by the W&SR to keep up with increasing passenger demand in 1904. His train, the "The Coastal Express", was to be an express passenger train that ran from its terminus station of Crosby to Brendam, as the railway planned to extend their line there (before abandoning the project in 1909 and moving to Tidmouth in 1912).

The fact that he's a tender engine and an express passenger engine very much got to his smokebox, as he began treating everyone and everything beneath him and developed a cold attitude- goods trains, maintenence, the tank engines, the passengers (though, in all fairness, he didn't outwardly show this and was polite to them), his own crew...

Which, for Micheal. with his short temper, did not go well. Rushton and Micheal got into arguments and Alec, who tried to play mediator between the two, got into the crossfire often. Unfortunately, the two were the only ones willing to put up with Rushton's attitude and were the ones who were semi successful in reining him in when he bullied the tank engines or when he went too fast. so he was stuck with them and they with him.

In 1909, before the closing of the Brendam Port project, Rushton was his usual self- snobbish, cold, and hard to work with. As per usual, his crew was Alec and Micheal.

Perhaps it was the weather, perhaps it was the fact that it was night and things were less visible, perhaps it was Rushton going way too fast to finish this train already so he could go back and sleep, perhaps it was Micheal arguing with Rushton and telling him to suck it up, or perhaps it was Alec not paying attention to the water levels or the tracks as he tried to tell them both to knock it off...

In any case, there was a very, very nasty accident.

...

The other engines could swear up and down that they could still hear Rushton passing them by. Especially at night. And if you listen closely, maybe you can hear the men on the footplate, trying to tell him to slow down.

(not pictured: a young thomas immediately crying because he didn't know HUMANS CAN DIE FROM RAILWAY ACCIDENTS, wellsworth and suddery no. 3 laughing at thomas- what, he's been coddled enough, let him learn!- and young edward trying to soothe a crying thomas)

[greencarnation]

Printed some fliers and stickers to put up around town tomorrow. Remember that posting isn't the only way to spread awareness and build public consciousness in your area

[hebuiltfive]

Can I interest you in a quick Monday WIP Snippet?

Do you ever sit down and look at a WIP, regretting why you ever thought it was a good idea to keep adding more and more ideas to it? Because I do, with this one. I have to keep reminding myself to just focus on the current chapter I’m working on, else it’s easy to get overwhelmed by the size of what this thing could become. Ah, well. Hopefully it’ll be worth it!

————————————————————

“I had never categorised you as a wallflower, Scott Tracy.”

“I was in need of a respite.”

“From what, exactly? You hadn’t moved from that position since you arrived.”

He opened his mouth to try and argue his point, but Lady Casey met his eyes with a harsh glare.

“Do not try to deny it. I’ve been keeping my eye on you all evening.”

Scott, beginning to feel more like himself again, let his lips curve into a cheeky smile. “How thoughtful of you, Lady Casey.”

“Indeed, I heard the stories from your trip to the Wycliff Manor earlier this spring.”

The smile was instantly wiped from his face. Trust society gossip to spread like wildfire.

“I will not be having a repeat of that affair again tonight, do I make myself clear?”

[seaweedstarshine]

Thinking about the convolution of Eleventh Doctor's expressions of love for River Song in Season 7B. He does not trust Clara. He is utterly (wrongly) convinced that he and Clara are playing a grand manipulative game together. “What are you, eh?! A trick? A trap?!!”

So naturally, the last thing he should do in this game is to clue his opponent in on something that could be used to hurt him. Something like River, so painfully near the end of their time together, whose data ghost he can always see, who “it would hurt too much” to acknowledge. He can't let Clara know of the loss which constantly floods his senses; (“You are always here to me. And I always listen, and I can always see you,” he professes, once Clara has vanished into his timestream).

And yet. River fills his every moment (irregardless of any sneaking out for dates with increasingly-young Rivers while Clara is asleep like he did while the Ponds slept, which would explain his absence when the TARDIS is hiding Clara's bedroom). Even though it's not strategic, he can’t help but tell Clara about her. The best defense he can manage is to phrase it as if River isn’t as important to him as she is. Not only is avoiding her first name in his grief; he's also completely avoiding pronouns; which seems extreme given that he's still mentioning her as often as: “Oh yeah, of course he has! Professor Song! Sorry, it's just I never realized you were a woman.”

Leave out the emotion — leave out the details — don't show the cracks in the armor — play the part — win the game.

“Well, there's no point now. We're about to die. JUST TELL ME WHO YOU ARE.”

[hellsite-detective]

Hellsite Detective in...

The Bad Banana

it was another cool day in Tumblr City. the breeze was blowin' through the streets and the rain was poundin' down hard against my window. the ceilin' fan that hung above me spun slowly and hypnotically as if blown by a wind that wasn't present. as i sat there in my chair, smokin' my cigar and watchin' that fan spin eternally, i grew hungry. thankfully i keep a small fruit bowl in the corner. gettin' up to go grab a bite, i picked a banana out of the bowl. it was a bright yellow, but you might not have known it from the monochromatic filter over the scene. as i began to unpeel it, a voice spoke from the back of my head sayin'...

...hold on...

...go ahead...

...what...

naturally confused, i spun around to see if someone had snuck in while my back was turned. but no, no one was there. however, the words continued to resound in my head. almost like they were callin' me to somethin'. i walked over to the window and took a look outside and the traffic lights at the intersection caught my eye. i looked at them, and looked back at the banana in my hand. that's when it hit me...

see, there was a post i've been lookin' for for ages. in fact, it was the post that inspired me to open my office up in the first place. it was a post comparin' the colors on bananas to the colors on traffic lights. back then, i couldn't find it. but now? i had the experience i needed. i decided to re-open this personal case of mine.

i tucked the banana into my coat and strolled through the rainy streets. i came across that hoppin' joint with jazz music always pourin' out the doors onto the street. the neon sign above the door read "The Search Bar." i headed inside, ready to do some business with my associate, but they were nowhere to be seen. they weren't sittin' at their normal booth. curious, i decided to ask the new robot bartender for help...

say, doll, you know where i can find the Boss?

[Oh! I do apologize. Don Google is upstairs in their office, but they are not seeing any visitors today.]

heh, well we'll see about that, won't we? say, what's your name?

[I am H.A.V.E.N. It stands for Hostess Attending to Virtual and Informational Needs. Essentially, my purpose is to keep track of Don Google's database so they do not have to. I also serve the drinks.]

Haven, huh? nice to meetcha, Haven. i gotta go see the Don though, whether they like it or not. i'll be seein' you later.

i tipped my hat to Haven and walked to the door leadin' to the stairwell. my mind lingered on the robotic hostess, wonderin' what an advanced artificial intelligence construct like her was doin' in this world that had it's basis in 1940's noir, but i wasn't gonna think about it too much. i headed up the stairs and into the Don's office. their goons whipped out their guns and almost took my head clean off, but the big fella themself stopped it.

the office was a far cry from the bustlin' night club on the first floor. where as the club had neon lights and kept things rather dark, probably for the best, the office was more well lit and elegant. it held a more warm atmosphere than the club, but somehow it was more oppressive in here. the walls appeared to be made of wood, bookshelves lined the walls, and a chandelier hung from the ceilin'. there was a carpet in the center of the room that had a kaleidoscope of colors rangin' from blue, red, yellow, and green. and directly across from the door was the desk. mahogany, it seemed, and real fancy too. a giant round window overlookin' the city streets was placed behind it with a large letter "G" formed in the window frames. the Don spun around in their large leather chair and puffed on their cigar.

"'Ey there, Miss Detective. What can I do ya for?"

i'm lookin' for a post involvin' bananas. specifically in relation to traffic lights. you got anythin' like that for me?"

i set the banana i had brought down on the desk and they chuckled at the sight.

"Yea, I think I got what your lookin' for."

with a wave of their hand, one of their goons fetched a file from off one of the shelves and brought it over to them. they thumbed it open with one hand, the other hand draggin' on the cigar. they slid it across the desk.

"This what your lookin' for?"

and there it was. the post that started it all. it had finally come full circle. i grabbed the file eagerly and began to leave the room, but the Don wasn't finished with me yet.

"'Ey, Miss Detective! Don't think I've forgotten about that little favor you owe me..."

i stopped dead in my tracks. preparin' myself for the worst, i stood there frozen. i couldn't even turn around to look at them. but shockingly, the conversation took a different turn.

"I'm not lookin' to cash that in just yet. Just be on the look out for a call, got it? I'm lookin' forward to our partnership."

i couldn't see them, but i knew their snide smile was bearing down on me at that moment. fear filling my body, i left the lion's den and went back to my humble office to file my prize away. as i did so, my stomach rumbled...

damn it. i left the banana with the Don...

Post Case: Closed

[not-feeling-the-aster]

I wonder what came to be of Snow's granddaughter. We don't know much about Snow's children, but it's highly possible that they would go into hiding or at least keep a low profile, or maybe they would be charged for some crimes (again, there isn't enough information about them). But what about the girl?

I like the idea of Tigris somehow reaching out after the revolution, feeling protective of her. She would help her understand more about their family's past and ensure she was better than them. And after that, who knows? Maybe she moves to one of the Districts (if they still exist as we have known them) and lives far away from the Snow legacy.

.

.

.

And then I got carried away and started to imagine a story about Katniss' daughter and Snow's great-granddaughter meeting each other as teens/young adults. Because drama.

[necrotic-nephilim]

do you ship helena bertinelli with anyone? if yes, then which characters and why? what's your favorite helena ship? do you have any helena rarepairs? (i know you've talked about helena/steph and you're so right about it, it's a very interesting ship)

!!!! i have so many ships for my best girl ever yes oh my god thank you for asking.

my top pairing is probably Vic Sage/the Question. Vic is the basic answer, but man. i love them so much. no couple has matched each other's freak like that have. Justice League Unlimited is a great adaptation of Helena in general, but it also did a great adaptation of Helena and Vic's relationship. how he just dedicates himself to helping her with no expected return, but also wants to make sure she doesn't go too far in a hunt for vengeance that never ends for her. i think a lot of characters often want to change Helena or expect things out of her for their own needs, like the Batfam and the BoP. but Vic is one of the few people who just wants her to be better for her own good. when he tries to stop her from killing it's not because of his morals, it's because he doesn't want this crusade to consume her. and i just. man i think about them a lot. Helena rlly likes weird little men who give themselves wholly to her.

Zinda Blake/Lady Blackhawk is also a top ship for me. tbh i just like Zinda. but i do love how Helena and Zinda interact, being the more rough and tumble members of the BoP. they're both outsiders, in different ways. Helena is an outsider of the Batfam and Zinda is literally from a different time and an outsider to the current world. their friendship is so genuine and i think if Babs and Dinah can have. whatever homoerotic nonsense going on during BoP, then Zinda and Helena deserve some homoerotic nonsense too. as a treat.

if we're willing to count New-52 Helena, then i enjoy Helena/Dick/Tiger. i think Helena and Dick being a past relationship is really important in pre-Flashpoint for Helena's development, though i don't ship them as a serious couple beyond a fling. but in the New-52, i think this throuple be fun. Helena and Tiger respect each other as two very driven, no-nonsense agents and then well. they both clearly have some kind of thing for Dick. so it's fun finding the balance of how they could all work together romantically.

and ofc. it's a crime to mention Helena ships and not mention Renee Montoya/the Question. every time they interact it's really fucking gay. it's so gay that Kate Kane, Renee's own ex, assumed Helena and Renee were gay. i cannot be convinced against this ship. i genuinely think this ship should be canon. i mean. DC did tease us with this moment from an alternate universe and it's lived rent for me since. fucking criminal for us to only get one panel of what we could have if DC let Helena be a fruit in the main universe. being in love with Helena Bertinelli should be a right of passage for the Question mantle, i personally believe. if you asked me like. genuinely who i want to see Helena date in the current comics, Renee is my top pick. (i would say Vic but he's fucking dead and the New-52 butchered him so rip my mans-)

lois lane (2019) #10

besides those ships, just about every ship for Helena probably falls into the category of rarepair. like you said i've talked about my love for Helena/Steph before bc god. i think it should be a thing more people ship. once i finish the fic i'm writing about them i will convince others to like it.

i also think Helena/Cass could be fun. in a *lot* of ways Helena and Cass are narrative parallels to each other. Helena was a victim of her family being murdered at about the same age Cass was forced to be a murderer. Helena grows up to believe in lethal justice because of this, and Cass grows up to be staunchly against it. Cass' Batgirl suit was made *by* Helena. they both want to be protectors of the most vulnerable people. they balance each other out in a lot of ways and i think they should kiss about it.

also probably a rarepair, i think Helena/Lady Shiva is fun. their fight during Birds of Prey (2010) had... questionable moments for Helena's characterization, but i do love so much that Helena knocks Shiva off her feet and gains a deep respect from Shiva. like. Shiva gives her a nickname and shows her admiration. i would like to see fanfic where Shiva continues to be weirdly admirable of Helena and bothering her non-stop. they could be a fun fucked up toxic yuri moment. this is just. so gay to me.

birds of prey (2010) #6

my most rare Helena pair would probably be Helena Wayne, actually. but specifically Helena Wayne of JSA (2022). ever since, for some reason, it was made canon that the current Helena Wayne was named after Helena Bertinelli and took the name Huntress to honor her i *cannot* stop thinking about them meeting. because in-universe it makes *no* fucking sense for Bruce to name his kid after *Helena Bertinelli*, someone he's regularly at odds with and doesn't like. it's clearly an awkward explanation to try to make the whole two Huntress situation make sense. (it's almost as bad as Helena Wayne in the New-52 using Helena Bertinelli as an alias.) but because it's such an odd choice, i do think it could be fun for Helena Wayne, when she's back in time to see Bruce, to find Helena Bertinelli to get to know the woman she was named after and Helena Bertinelli just being. baffled by the idea of *Batman* naming his kid after her. it could be a fun fucked up moment.

my other super rarepair is Kara Zor-L/Power Girl. they had like. one meaningful interaction of JSA Classified and it's been PLAGUING me. something about when Power Girl doesn't remember her past and she's seeking a friend, she instinctively goes to find Huntress? but it's wrong bc this isn't *her* Huntress and neither of them understand why Power Girl would seek Helena out? god it's so good. i'm always a big fan of ships where one person in the ship is *so* obviously using the other person as a replacement for someone they lost and they both know it. it's such a doomed angsty thing where you could play with Helena actually really liking Kara, but knowing that she's just a replacement for Kara's Helena Wayne. good fucked up shit man.

and lastly: i really ship her with Dawn Granger/Dove. there's no canon basis for this, they didn't have a ton of interactions even when they were both on the BoP. but there's a very kind innocence to Dawn that contrasts Helena's violence really well. and i do love a ship with a corruption kink vibe to it. let Helena corrupt Dawn. i could write such fucked up porn about these two.

[sassymajesty]

Hi Nina, I was a Patreon subscriber of yours and just sadly found out that your Patreon is no longer active. Is there a way to re-read your EIB stuff that were exclusive to Patreon subscribers? (e.g. Clarke’s POVs) I can’t count how many times I’ve re-read the series and still love it through and through.

i had to step away from everything after leaving patreon, but the plan has always been to put it all on ao3. and that's where it's all going now!

and here's how it'll work. i'll create a new story in the boe series (and one for southern au as well) where i'll put all the extra one shots as chapters, with the same name (and pov indicator!) as they were on patreon. i'll also finish posting the life at home chapters, and i'll post the three chapters of illicit affairs au as well

the plan is to post one new chapter of something every couple days until i run out. it's quite a lot of things so i won't be posting much about it here, so [youtuber voice] if you want to get a notification for all the updates, make sure to follow and subscribe to my ao3 profile for the next couple months or so

[pharawee]

Fong Bovorn as Chan & JJ Rathasat as Juldis in SunsetxVibes the series.

Source: starhunter_entertainment @ ig

[artsandstoriesandstuff]

Ginger and Gingerbread or something, I don't know I didn't grow up with this show

[transvaltrans]

Looking back on the books I read this year, and was reminded of just how much Megan Whalen Turner's The Thief- absolutely frustrated and disappointed me. Spoilers ahead.

To some degree, this was going to happen; the whole series has been heavily hyped up to me, it's hard for any book to live up to such lavish yet vague praise. But, you know, I actually got through most of the book without being distracted by my own expectations. It was tense, and spare- it felt like every word mattered and hinted at an underlying truth. I love when books withhold from the reader, and nudge at you to consider what might be left unsaid. And I was so, so satisfied when my predictions paid off (totally called Gen palming the stone rather than losing it).

The worldbuilding was interesting and unique, I enjoyed that the author wasn't committed to a super specific and our-world-accurate timeframe for technology, and I found the characters compelling and variable. I always enjoy travel stories, nevermind stories about thieves.

Which is exactly why I was so annoyed by the ending.

Again: I love twists. I love being able to predict them, and I love being surprised. I did not feel like any of the twists in The Thief were unearned; it's a well-composed book, with plenty of foreshadowing.

However, one of the twists, despite being foreshadowed, absolutely blindsided me- because I would not have considered it as a possibility, due to undermining exactly what had me so excited to read The Thief in the first place. Fantasy literature sometimes shies away from politics, into pure escapism and fluff. Even some of my favorite fantasy books are pretty hollow when it comes to their fundamental beliefs, and shy away from challenging the status quo- unless it's to restore old glory (cough The Old Kingdom series).

But I can almost always count on stories about rogues, and thieves, and con artists, to at least bring up the issue of class. These characters so often come from disenfranchised backgrounds, from the poor and displaced. They're street rats and gutter scum, who have clawed their way up from the bottom, and never forget where they came from- can never forget, from the way others treat them. Theft is subversive; there's a reason we won't let go of Robin Hood, but even more self-motivated thieves often have something to say about the unfairness of wealth distribution. Stories about thieves almost always have something to say about the relationship between the wealthy and the poor.

So, yeah, I was really fucking annoyed at the reveal that Eugenides was actually the Queen's cousin. That pretending to be from a lower class background was so insufferable to him; that of course he's only so educated and knowledgeable because he's a noblemen, that it was so hard for him to pretend to be stupid and crass like a peasant. That the reason he was so pissed about being disrespected by his captors wasn't because they beat him and imprisoned him and insulted him constantly, that they treated him as less than human because he was poor and a criminal, a tool for their own use and disposal- but because he was one of them, and it injured his pride- his noble pride, not his human pride- to be treated like that. Like he wasn't one of them, and deserving of their respect.

Fuck, I hate it so much. It immediately took away my favorite parts of the book- the tension between Gen and the magus's companions, the weight of the magus having been a commoner once, the way Gen constantly stuck by himself and refused to just accept his shitty treatment- the way every monarch treated him as a means to an end. I thought there would be more tension in Gen having conflicted feelings of resentment and camraderie with the magus- I thought it would pay off with either some of them acting in his interest for once, and/or some of them rejecting their freindship and leaning back into that class difference between them.

I'm not opposed to Gen having been working for the mountain kingdom the whole time! But there are so many other ways to do that- I was suspecting that someone was holding his family hostage in some way. It's easy to imagine a story where Gen is a lower-class thief, who was also being used by his own country's royalty.

But, making Eugenides a nobleman is a subversion of the classic trope- which means it's clever and interesting. Uugh. It just exhausted me, and- disappointed me. I loved so much of this book, and it had been a while since I'd read a good low-fantasy story about thieves. It was suspenseful, with rich descriptions, and interesting character dynamics. I thought I was getting something like Fly By Night by Frances Hardinge, or The Goblin Wood by Hillary Bell- not necessarily stories about thieves, but stories about the underestimated and undervalued, peasant con artists and hedgewitches. But with more of the tension and bite of your average dnd rogue getting up to stupid shit (my go-to class since I was a kid).

I totally understand why people love this book. There is a lot I really admire within it. But man, I don't think I can get over how much that final twist- not just rejected my original interpretation of the story. That's fine, plenty of good science fiction or horror does that. But that it specifically rejects the character and story type of the lower class thief. The very name of the series, The Queen's Thief, had me expecting a story about that seeming contradiction; about the power imbalance, and a constant game of cunning, of maintaining autonomy despite being bound to a royal power. And I expect there will be some of that, in the later books; it just loses a lot of its appeal, when it turns out Gen himself is a nobleman, who was doing a favor for his cousin, the queen.

I liked that the book ended with more insight into the mountainous kingdom, and Gen's feeling of belonging and pride to a cultural group everyone else had been deriding- but that didn't have to be accomplished by him being related to the nobility of that country. None of this had to be accomplished through Gen being a nobleman; it just felt like a 'gotcha' subversion, taking away, rather than adding more.

[where-the-wind-travels]

catch me writing jocelia at 2am instead of going to sleep so i can wake up early like i need to tmrw

[kyouka-supremacy]

Hello there 👋

Can you talk about why you feel the way you do about the female bsd characters? (including the female characters you like) and while I don't think the author doesn't know how to write female characters I think the biggest problem with the female characters is that they're underutilized and barely have much screentime ( the most one we saw recently having screentime currently in the manga is teruko)

Hi!! I love you all SO much but seriously I don't have the mental stability to talk about why the bsd female characters are badly written ahah. Here's my best attempt at it:

I hope it's enough for me to say there's a female / male characters proportion of like 1:10, and no female character has any real repercussion on the plot– literally. Besides from Kyouka and Lucy and maybe Yosano? you could hypothetically erease every other female character and... Realistically, nothing would change. That's just how much irrelevant all but three female characters are, and there's already very few compared to the rest of the male cast. The four main / most popular characters are all males. Dazai is openly sexist and it's just kind of there never to be addressed. Akutagawa is repetedly violent with his female coworker and it's treated as a gag (like you DO realize how repulsive it is to write a character who is obsessed with her abuser and never be intentioned to elaborate on that because I guess that's what women are supposed to do according to author? Like. okay). But honestly the main issue for me is how each of them literally gravitates around another male character. God, it's SO annoying. And I mean every single of them!!! Every. single. Every single!!!! I struggle to come up with even one exception to the pattern. Kyouka has Atsushi as her savior, Lucy has Atsushi as her savior, Higuchi is obsessed with Akutagawa, Naomi is obsessed with Jun'ichirou, Gin literally exists because of Akutagawa, Alcott is just there to aid Fitzgerald, Margaret's only role in the story is to save Hawthorne, Elise is just expression of Mori. Teruko is a person in the body of a child who literally drools over her 50-something superior, like we hadn't as a society come to the common agreement that the “not as old as she looks” trope was disgusting pedophilia apologism like ten years ago (but it's okay though, because pedophilia was established to be okay in this manga at like, chapter 15 or something) (is this the good time to bring up that time Aya asked Kunikida out? No? Okay let's just collectively pretend that never happened). Do I need to go on? I haven't read Gaiden, but do I really need to read it to know Tsujimura gravitates around Ayatsuji? Oh wait, I was just remembered about Gaiden's full title: Bungou Stray Dogs Gaiden: Ayatsuji Yukito VS. Kyougoku Natsuhiko, and if that doesn't speak of the consideration author gives their female characters, I don't know what does. It's just– no female character is ever going to have their own novel. No female character is ever going to be protagonist. They'll just keep being treated as they've always been so far, like flat and personality-less disposable plot devices.

Now. I love Yosano's backstory, I really do- I think it was the best executed arc of the manga, reading those two chapter still gives me chills. But you do have to acknowledge, Yosano herself has no agency in the entire arc development. It's okay, she was eleven, it's natural; but she is just tossed one way to the other by other characters. That, and I can't stretch it enough, is not a bad thing on its own; not all stories have to scream #womanpower to be good stories. It's a good story. But you need to acknowledge it does nothing to empower female characters' role in this manga; it just speaks once again of it being a systematic problem, how author can't write female characters like they were masters of their fate if their life depended on it. And it's not that just because there's one (1) mini arc that happens to have a female character as its protagonist, author knows how to write female characters with depth, or agenda, or an objective, or personality, because... They clearly don't.

Like. I probably became annoying by now but like. When was the last time you found any bsd fan whose favorite character was a woman? When was the last time you found people describing themselves as a Lucy kinnie? If you ask me, it's not a matter of fans' fault for overlooking female characters; the female characters in this franchise are meant to be overlooked, because they're abysmally less stretched out and complex compared to their male counterparts– because male characters are distinctive and unique, while author can't go outside the range of one-dimensional femme fatale, letal woman (Yosano, Kouyou, Teruko, Christie, Gin / Lucy / Elise too to an extent) and woman who's just there to obsess over a male character (Alcott, Higuchi). But do not fret, because author will sometimes go outside that scheme by making a letal femme fatale who also obsesses over a male character! (Naomi). Also this

(Have you ever wondered why I never talk about Beast Gin? Yeah.)

Okay but you see the problem here? You see how it's impossible to make the same kind of argument for the male characters, because they're all diverse and various and multilayered as much as their little screentime allows? Higuchi doesn't exist outside Akutagawa, Lucy doesn't exist outside Atsushi; but it's not like you can say the same goes the other way round. That is, crossing out the various parallels drawn between male characters, but that only speaks more of how precisely curated male characters are, while all female characters... I'll be honest, aren't written as people. Author really sounds like your average Washington Post best selling psychological thriller author of the week that writes women like an alien species from another planet. It would have spared me having been writing this whole post for an hour (two hours? Which is definitely not the time I wanted to spend on this, man) if only author would have formed the thought, at the start of the serialization: “perhaps! Perhaps I should write women as people instead of writing them as female characters (whatever that means)”. Alas, we ended up with the infamous Naomi description from Untold Origins (what the fuck. who in their right mind would ever think of writing something like that. what the fuck.)

Now, I know if you're here reading this you most definitely like bsd. It's okay, really. Unpopular opinion, but people are perfectly allowed to like things that are flawed (and this is a big flaw). What's extremely important, seriously, I'm on my knees begging you, is to be critical of the media you consume. All kinds of media. Even if you end up disagreeing with me on this matter, really!! Just be able to tell apart the things that make appealing a series for you from whatever kind of agenda / worldview the author is pushing through, and peacefully acknowledge you can like something despite it having issues (because bsd has issues). I don't know who needs to hear this, but someone definitely does: “I love s/kk!!” “the bsd storytelling has many compelling aspects!!” and “I recognize the bsd writing has flaws some of which actively harm an already disadvantaged part of society” are statements that can and should coexist, and if anything - and I know you hate to hear this, I'm sorry, I'm sorry - it should be kept in mind when deciding to support the franchise by buying its products.

One final note is that like... I'm sorry if this comes off as pretentious but I seriously feel like people have NO idea what media with well written female characters look like, because for people to even question bsd being sexist is just insane to me (in the way: do we really need to to talk about it, isn't it obvious like ten seconds in the show??). And this is probably the least good place to advertise things, but please do yourself a favor and read The Promised Neverland and learn what well written female characters read like.