#I need to name this story/series

[cecexwrites]

Maite's family

The Grandparents: Lito & Tati Contreras (Juan & Leticia Contreras)

The Blueprint Siblings: Tia Jimi, Mami (Tia Jaci), Tio Ru & Tia Pia (Jimina Contreras-Hayworth, Jacinta Contreras-Herrera, Raul Contreras & Paloma Contreras)

The Spouses (Or spouse adjacent): Tio Rocket, Dad (JJ) & Roommate (Orlando Hayworth, Jason Herrera & Jennifer Rhodes)

The Siblings 2 (Electric Boogaloo): Eddie, Rocco, Mimi, August & Max (Eduardo, Rocco, Maite, Augustin & Max Contreras-Herrera)

The Cousins: Bacon, Lala & Baby (Logan Hayworth, Mila & Arielle Contreras-Hayworth)

[shirozora-draws]

mustard on the beat, ho- MUSTAAAAAAAAAAAAARD Someone make it stop, make it fucking stop. I spent all week hyping myself up to gather up all my work sketches like a scrapbook and clean it all up to post here, and then Kendrick had to surprise drop on a Friday morning and ruin my work day and my headspace all weekend long.

Anyway, here's a dangerous dreams sketch dump.

It's been a long quiet, but RL had taken such a fucking toll that I had a real hard time finding the fucks to get creative. Who knows how much this past US presidential election will fuck up the entire rest of my life, but I'll take solace in finding community and in the little things and in Andor Season 2 and in the telling of The Stars.

Now that I got this out of the way, guess it's time to go fucking write some fucking words.

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[jonsnowunemploymentera]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[drawingoddessy]

Here’s som concept art from my spin on @chaotickit au!

[edwards-exploit]

Not pictured: The Fireman, Micheal Moraghan.

Anyway, Rushton! I know the W&SR only had four 0-6-0 tank engines but I bent canon a little to make him work (who says that they didn't have OTHER engines who helped them out that didn't make it...?)

Thomas and Edward never met him, but they WERE told of him...

more about him under the cut, though some of it might be subject to change

Rushton was built in October 1871 along another of his class MR no. 67, and he was bought by the W&SR to keep up with increasing passenger demand in 1904. His train, the "The Coastal Express", was to be an express passenger train that ran from its terminus station of Crosby to Brendam, as the railway planned to extend their line there (before abandoning the project in 1909 and moving to Tidmouth in 1912).

The fact that he's a tender engine and an express passenger engine very much got to his smokebox, as he began treating everyone and everything beneath him and developed a cold attitude- goods trains, maintenence, the tank engines, the passengers (though, in all fairness, he didn't outwardly show this and was polite to them), his own crew...

Which, for Micheal. with his short temper, did not go well. Rushton and Micheal got into arguments and Alec, who tried to play mediator between the two, got into the crossfire often. Unfortunately, the two were the only ones willing to put up with Rushton's attitude and were the ones who were semi successful in reining him in when he bullied the tank engines or when he went too fast. so he was stuck with them and they with him.

In 1909, before the closing of the Brendam Port project, Rushton was his usual self- snobbish, cold, and hard to work with. As per usual, his crew was Alec and Micheal.

Perhaps it was the weather, perhaps it was the fact that it was night and things were less visible, perhaps it was Rushton going way too fast to finish this train already so he could go back and sleep, perhaps it was Micheal arguing with Rushton and telling him to suck it up, or perhaps it was Alec not paying attention to the water levels or the tracks as he tried to tell them both to knock it off...

In any case, there was a very, very nasty accident.

...

The other engines could swear up and down that they could still hear Rushton passing them by. Especially at night. And if you listen closely, maybe you can hear the men on the footplate, trying to tell him to slow down.

(not pictured: a young thomas immediately crying because he didn't know HUMANS CAN DIE FROM RAILWAY ACCIDENTS, wellsworth and suddery no. 3 laughing at thomas- what, he's been coddled enough, let him learn!- and young edward trying to soothe a crying thomas)

[greencarnation]

Printed some fliers and stickers to put up around town tomorrow. Remember that posting isn't the only way to spread awareness and build public consciousness in your area

[hebuiltfive]

Can I interest you in a quick Monday WIP Snippet?

Do you ever sit down and look at a WIP, regretting why you ever thought it was a good idea to keep adding more and more ideas to it? Because I do, with this one. I have to keep reminding myself to just focus on the current chapter I’m working on, else it’s easy to get overwhelmed by the size of what this thing could become. Ah, well. Hopefully it’ll be worth it!

————————————————————

“I had never categorised you as a wallflower, Scott Tracy.”

“I was in need of a respite.”

“From what, exactly? You hadn’t moved from that position since you arrived.”

He opened his mouth to try and argue his point, but Lady Casey met his eyes with a harsh glare.

“Do not try to deny it. I’ve been keeping my eye on you all evening.”

Scott, beginning to feel more like himself again, let his lips curve into a cheeky smile. “How thoughtful of you, Lady Casey.”

“Indeed, I heard the stories from your trip to the Wycliff Manor earlier this spring.”

The smile was instantly wiped from his face. Trust society gossip to spread like wildfire.

“I will not be having a repeat of that affair again tonight, do I make myself clear?”

[seaweedstarshine]

Thinking about the convolution of Eleventh Doctor's expressions of love for River Song in Season 7B. He does not trust Clara. He is utterly (wrongly) convinced that he and Clara are playing a grand manipulative game together. “What are you, eh?! A trick? A trap?!!”

So naturally, the last thing he should do in this game is to clue his opponent in on something that could be used to hurt him. Something like River, so painfully near the end of their time together, whose data ghost he can always see, who “it would hurt too much” to acknowledge. He can't let Clara know of the loss which constantly floods his senses; (“You are always here to me. And I always listen, and I can always see you,” he professes, once Clara has vanished into his timestream).

And yet. River fills his every moment (irregardless of any sneaking out for dates with increasingly-young Rivers while Clara is asleep like he did while the Ponds slept, which would explain his absence when the TARDIS is hiding Clara's bedroom). Even though it's not strategic, he can’t help but tell Clara about her. The best defense he can manage is to phrase it as if River isn’t as important to him as she is. Not only is avoiding her first name in his grief; he's also completely avoiding pronouns; which seems extreme given that he's still mentioning her as often as: “Oh yeah, of course he has! Professor Song! Sorry, it's just I never realized you were a woman.”

Leave out the emotion — leave out the details — don't show the cracks in the armor — play the part — win the game.

“Well, there's no point now. We're about to die. JUST TELL ME WHO YOU ARE.”

[hellsite-detective]

Hellsite Detective in...

The Bad Banana

it was another cool day in Tumblr City. the breeze was blowin' through the streets and the rain was poundin' down hard against my window. the ceilin' fan that hung above me spun slowly and hypnotically as if blown by a wind that wasn't present. as i sat there in my chair, smokin' my cigar and watchin' that fan spin eternally, i grew hungry. thankfully i keep a small fruit bowl in the corner. gettin' up to go grab a bite, i picked a banana out of the bowl. it was a bright yellow, but you might not have known it from the monochromatic filter over the scene. as i began to unpeel it, a voice spoke from the back of my head sayin'...

...hold on...

...go ahead...

...what...

naturally confused, i spun around to see if someone had snuck in while my back was turned. but no, no one was there. however, the words continued to resound in my head. almost like they were callin' me to somethin'. i walked over to the window and took a look outside and the traffic lights at the intersection caught my eye. i looked at them, and looked back at the banana in my hand. that's when it hit me...

see, there was a post i've been lookin' for for ages. in fact, it was the post that inspired me to open my office up in the first place. it was a post comparin' the colors on bananas to the colors on traffic lights. back then, i couldn't find it. but now? i had the experience i needed. i decided to re-open this personal case of mine.

i tucked the banana into my coat and strolled through the rainy streets. i came across that hoppin' joint with jazz music always pourin' out the doors onto the street. the neon sign above the door read "The Search Bar." i headed inside, ready to do some business with my associate, but they were nowhere to be seen. they weren't sittin' at their normal booth. curious, i decided to ask the new robot bartender for help...

say, doll, you know where i can find the Boss?

[Oh! I do apologize. Don Google is upstairs in their office, but they are not seeing any visitors today.]

heh, well we'll see about that, won't we? say, what's your name?

[I am H.A.V.E.N. It stands for Hostess Attending to Virtual and Informational Needs. Essentially, my purpose is to keep track of Don Google's database so they do not have to. I also serve the drinks.]

Haven, huh? nice to meetcha, Haven. i gotta go see the Don though, whether they like it or not. i'll be seein' you later.

i tipped my hat to Haven and walked to the door leadin' to the stairwell. my mind lingered on the robotic hostess, wonderin' what an advanced artificial intelligence construct like her was doin' in this world that had it's basis in 1940's noir, but i wasn't gonna think about it too much. i headed up the stairs and into the Don's office. their goons whipped out their guns and almost took my head clean off, but the big fella themself stopped it.

the office was a far cry from the bustlin' night club on the first floor. where as the club had neon lights and kept things rather dark, probably for the best, the office was more well lit and elegant. it held a more warm atmosphere than the club, but somehow it was more oppressive in here. the walls appeared to be made of wood, bookshelves lined the walls, and a chandelier hung from the ceilin'. there was a carpet in the center of the room that had a kaleidoscope of colors rangin' from blue, red, yellow, and green. and directly across from the door was the desk. mahogany, it seemed, and real fancy too. a giant round window overlookin' the city streets was placed behind it with a large letter "G" formed in the window frames. the Don spun around in their large leather chair and puffed on their cigar.

"'Ey there, Miss Detective. What can I do ya for?"

i'm lookin' for a post involvin' bananas. specifically in relation to traffic lights. you got anythin' like that for me?"

i set the banana i had brought down on the desk and they chuckled at the sight.

"Yea, I think I got what your lookin' for."

with a wave of their hand, one of their goons fetched a file from off one of the shelves and brought it over to them. they thumbed it open with one hand, the other hand draggin' on the cigar. they slid it across the desk.

"This what your lookin' for?"

and there it was. the post that started it all. it had finally come full circle. i grabbed the file eagerly and began to leave the room, but the Don wasn't finished with me yet.

"'Ey, Miss Detective! Don't think I've forgotten about that little favor you owe me..."

i stopped dead in my tracks. preparin' myself for the worst, i stood there frozen. i couldn't even turn around to look at them. but shockingly, the conversation took a different turn.

"I'm not lookin' to cash that in just yet. Just be on the look out for a call, got it? I'm lookin' forward to our partnership."

i couldn't see them, but i knew their snide smile was bearing down on me at that moment. fear filling my body, i left the lion's den and went back to my humble office to file my prize away. as i did so, my stomach rumbled...

damn it. i left the banana with the Don...

Post Case: Closed

[doodlingwren]

Every now and then I always find myself wondering. What if I made a Saint Seiya fan character. And I always end up realizing I don't really want to bother. I'll keep drawing my usual bunch of idiots that already exist in the franchise and bye bye

[not-feeling-the-aster]

I wonder what came to be of Snow's granddaughter. We don't know much about Snow's children, but it's highly possible that they would go into hiding or at least keep a low profile, or maybe they would be charged for some crimes (again, there isn't enough information about them). But what about the girl?

I like the idea of Tigris somehow reaching out after the revolution, feeling protective of her. She would help her understand more about their family's past and ensure she was better than them. And after that, who knows? Maybe she moves to one of the Districts (if they still exist as we have known them) and lives far away from the Snow legacy.

.

.

.

And then I got carried away and started to imagine a story about Katniss' daughter and Snow's great-granddaughter meeting each other as teens/young adults. Because drama.

[necrotic-nephilim]

do you ship helena bertinelli with anyone? if yes, then which characters and why? what's your favorite helena ship? do you have any helena rarepairs? (i know you've talked about helena/steph and you're so right about it, it's a very interesting ship)

!!!! i have so many ships for my best girl ever yes oh my god thank you for asking.

my top pairing is probably Vic Sage/the Question. Vic is the basic answer, but man. i love them so much. no couple has matched each other's freak like that have. Justice League Unlimited is a great adaptation of Helena in general, but it also did a great adaptation of Helena and Vic's relationship. how he just dedicates himself to helping her with no expected return, but also wants to make sure she doesn't go too far in a hunt for vengeance that never ends for her. i think a lot of characters often want to change Helena or expect things out of her for their own needs, like the Batfam and the BoP. but Vic is one of the few people who just wants her to be better for her own good. when he tries to stop her from killing it's not because of his morals, it's because he doesn't want this crusade to consume her. and i just. man i think about them a lot. Helena rlly likes weird little men who give themselves wholly to her.

Zinda Blake/Lady Blackhawk is also a top ship for me. tbh i just like Zinda. but i do love how Helena and Zinda interact, being the more rough and tumble members of the BoP. they're both outsiders, in different ways. Helena is an outsider of the Batfam and Zinda is literally from a different time and an outsider to the current world. their friendship is so genuine and i think if Babs and Dinah can have. whatever homoerotic nonsense going on during BoP, then Zinda and Helena deserve some homoerotic nonsense too. as a treat.

if we're willing to count New-52 Helena, then i enjoy Helena/Dick/Tiger. i think Helena and Dick being a past relationship is really important in pre-Flashpoint for Helena's development, though i don't ship them as a serious couple beyond a fling. but in the New-52, i think this throuple be fun. Helena and Tiger respect each other as two very driven, no-nonsense agents and then well. they both clearly have some kind of thing for Dick. so it's fun finding the balance of how they could all work together romantically.

and ofc. it's a crime to mention Helena ships and not mention Renee Montoya/the Question. every time they interact it's really fucking gay. it's so gay that Kate Kane, Renee's own ex, assumed Helena and Renee were gay. i cannot be convinced against this ship. i genuinely think this ship should be canon. i mean. DC did tease us with this moment from an alternate universe and it's lived rent for me since. fucking criminal for us to only get one panel of what we could have if DC let Helena be a fruit in the main universe. being in love with Helena Bertinelli should be a right of passage for the Question mantle, i personally believe. if you asked me like. genuinely who i want to see Helena date in the current comics, Renee is my top pick. (i would say Vic but he's fucking dead and the New-52 butchered him so rip my mans-)

lois lane (2019) #10

besides those ships, just about every ship for Helena probably falls into the category of rarepair. like you said i've talked about my love for Helena/Steph before bc god. i think it should be a thing more people ship. once i finish the fic i'm writing about them i will convince others to like it.

i also think Helena/Cass could be fun. in a *lot* of ways Helena and Cass are narrative parallels to each other. Helena was a victim of her family being murdered at about the same age Cass was forced to be a murderer. Helena grows up to believe in lethal justice because of this, and Cass grows up to be staunchly against it. Cass' Batgirl suit was made *by* Helena. they both want to be protectors of the most vulnerable people. they balance each other out in a lot of ways and i think they should kiss about it.

also probably a rarepair, i think Helena/Lady Shiva is fun. their fight during Birds of Prey (2010) had... questionable moments for Helena's characterization, but i do love so much that Helena knocks Shiva off her feet and gains a deep respect from Shiva. like. Shiva gives her a nickname and shows her admiration. i would like to see fanfic where Shiva continues to be weirdly admirable of Helena and bothering her non-stop. they could be a fun fucked up toxic yuri moment. this is just. so gay to me.

birds of prey (2010) #6

my most rare Helena pair would probably be Helena Wayne, actually. but specifically Helena Wayne of JSA (2022). ever since, for some reason, it was made canon that the current Helena Wayne was named after Helena Bertinelli and took the name Huntress to honor her i *cannot* stop thinking about them meeting. because in-universe it makes *no* fucking sense for Bruce to name his kid after *Helena Bertinelli*, someone he's regularly at odds with and doesn't like. it's clearly an awkward explanation to try to make the whole two Huntress situation make sense. (it's almost as bad as Helena Wayne in the New-52 using Helena Bertinelli as an alias.) but because it's such an odd choice, i do think it could be fun for Helena Wayne, when she's back in time to see Bruce, to find Helena Bertinelli to get to know the woman she was named after and Helena Bertinelli just being. baffled by the idea of *Batman* naming his kid after her. it could be a fun fucked up moment.

my other super rarepair is Kara Zor-L/Power Girl. they had like. one meaningful interaction of JSA Classified and it's been PLAGUING me. something about when Power Girl doesn't remember her past and she's seeking a friend, she instinctively goes to find Huntress? but it's wrong bc this isn't *her* Huntress and neither of them understand why Power Girl would seek Helena out? god it's so good. i'm always a big fan of ships where one person in the ship is *so* obviously using the other person as a replacement for someone they lost and they both know it. it's such a doomed angsty thing where you could play with Helena actually really liking Kara, but knowing that she's just a replacement for Kara's Helena Wayne. good fucked up shit man.

and lastly: i really ship her with Dawn Granger/Dove. there's no canon basis for this, they didn't have a ton of interactions even when they were both on the BoP. but there's a very kind innocence to Dawn that contrasts Helena's violence really well. and i do love a ship with a corruption kink vibe to it. let Helena corrupt Dawn. i could write such fucked up porn about these two.

[sassymajesty]

Hi Nina, I was a Patreon subscriber of yours and just sadly found out that your Patreon is no longer active. Is there a way to re-read your EIB stuff that were exclusive to Patreon subscribers? (e.g. Clarke’s POVs) I can’t count how many times I’ve re-read the series and still love it through and through.

i had to step away from everything after leaving patreon, but the plan has always been to put it all on ao3. and that's where it's all going now!

and here's how it'll work. i'll create a new story in the boe series (and one for southern au as well) where i'll put all the extra one shots as chapters, with the same name (and pov indicator!) as they were on patreon. i'll also finish posting the life at home chapters, and i'll post the three chapters of illicit affairs au as well

the plan is to post one new chapter of something every couple days until i run out. it's quite a lot of things so i won't be posting much about it here, so [youtuber voice] if you want to get a notification for all the updates, make sure to follow and subscribe to my ao3 profile for the next couple months or so

[pharawee]

Fong Bovorn as Chan & JJ Rathasat as Juldis in SunsetxVibes the series.

Source: starhunter_entertainment @ ig

[gwyns]

NIMONA WESTON — BETWEEN INK AND SHADOWS

She didn’t believe in luck as a rule—Nim’s father had carried a coin in his boot for years, and it had done him no good at all—but whatever game the fates were playing, her fortune held.