#I must love pain

[cinemamind]

Do you have any tips on making art more eerie? I'm new to horror illustration and I'm trying to improve the atmosphere around my creatures.

Certainly! I'll do my best.

There are many approaches to horror art, so I advise not taking my word as gospel or anything. I recommend experimentation and following your sensibilities.

So first, having one light source can often be unnerving (and it's easier to keep track of).

I will be using monotone drawings as examples

If the foreground is light, then the background should be dark and vice versa. Otherwise, your subject won't pop against the background, and it can end up looking flat without any contrast.

At the same time, keeping your horror creatures obscured or partly in the shadows is also perfectly fine. Horror is an embrace of imperfection and mystery, so things like distortions, blurs, and overexposed light can be a plus rather than a detriment.

Shadows are where your friends live.

I also recommend looking at films and shows for inspiration. If you can recall a scene that really scares you, try to find it and study the lighting and colors.

So far, this probably doesn't sound like advice when it comes to making a drawing eerie, but consider this;

spaces should feel lived in.

Or at the very least, have a sense of history. Who lives here and where are they now? Did they keep the place clean? Why are the stairway photos blank?

What's upstairs?

Have fun creating the world where your creatures nest >:3C

[And apologies for this incomplete timelapse. Doing timelapse drawings takes up a lot of memory >.<]

[vextech]

i love that i read SO many jayvik fics about the divorce beginning with jayce being horrified at what viktor had done with the hexcore, only for it to turn out that jayce actually did not give a SINGLE fuck, didn't even flinch at the sight of his hand and leg, and was ecstatic when it ended up saving his life. i am absolutely obsessed

[synodicsoma]

[hinamie]

i don't normally participate in these redraw challenges but it's megumi so i'll make an exception

[poorly-drawn-mdzs]

Alas, this beautiful dream could not last.

[honestlyitsjustsam]

my favourite middle aged sweaty man his alien goo husband couple

[kingofterrors]

Calling all Agatha All Along fans - please don't let yourself pause to realise, as I just did, that the reason the witches, Agatha included, experienced such newness and joy on that broomstick ride was because they had been physically unable to fly that way for a long long time.

"It's about selflessness," says Agatha. "We fly together or not at all."

No coven = no broomstick flying.

No wonder they were all enjoying it so much. :/

[starcurtain]

Sometimes I think about Aventurine in the moment he first discovered his Pathstrider abilities. The moment he first realized he could shield not only himself but also others. The very first moment he realized he could be a source of safety, rather than a burden--than a curse.

Sometimes I think about the hatred he must have felt for himself in that instant.

Where was this power when their camps were burned to the ground with every last one of their meager possessions? Where was this power when his mother died begging as he cowered, playing dead in a bath of the blood of everyone he knew?

Where was this power when his sister stood tall, a silhouette against the lightning, and used her body as the shield? Where was this power in the maze, when it could have spared the screaming child who was the first to die?

You could have saved them. You could have saved them. You could have saved them.

[sacredfixation]

Loki fixes his jacket, Mobius doesn't look, and I fall apart

I was in the midst of making a thirst edit for loki, I was just admiring loki being unfairly attractive when I ended with anything but a thirst edit and got emotionally devastated instead.

I refer to that little moment of Loki straightening himself out. First, when he's trying to find his footing at the TVA. When he first puts on his jacket, its this smooth, practiced motion, he sweeps that hair back, adjusts his lapels, chin up, like he's slipping into a role, trying to play along, trying to present himself as someone in control even though he is anything but.

And mobius, watching him, already amused, interested.. and Loki sees that, clocks it, gives that tiny little 'oh you like this?' smile.

Then cut to Dons timeline and tell me why Loki does the exact same motion, only this time, its hesitant. In the TVA it was almost performative, like he was trying to present himself well.

But Dons timeline? its more tentative, like he's nervous, like he wants to get it right.. Because now it isn't just some TVA game. This is Mobius, living a quiet human life that Loki isn't apart of. Its almost like Loki's bracing himself before stepping back into something he knows he can't stay in.

And Mobius-Don- god. Mobius doesn't clock it this time. Because this isn't that kind of story anymore. Theres no knowing little smirk, no teasing remark- just Don, squinting at Loki like a stranger.

Its the tragedy of the saddest little muscle memory. The way Loki's hands move before he could ever even realise why. Because once upon a time, in a place that doesn't exist anymore, he did this exact thing. He straightened his jacket, swept his hair back and looked up- and Mobius was there.

Watching him. noticing him. Seeing him.

Mobius doesn't see him this time. Not in the way he used to. And yet, Loki straightens his jacket. Because some part of Loki remembers what it was like to be looked at by him.

[multifandombullshitbabes]

have we ever thought abt the fact that zuko is literally azula's older brother. like she's his little sister. that's his little sister. throughout a big, big part of atla plot, he was actively running away, scared of his little sister killing him because he KNEW she would/could. can you imagine that? your little sibling, wanting more your father's approval than your companionship to the point of death? every time they fought, zuko was fighting his baby sister. azula was fighting her big brother. this is making me so sick. they were 16 and 14 years old.

[rabbits-of-negative-euphoria]

I would really love prayer for my anxiety surrounding this recovery period and the conditions which led to my surgery.

Even though I know it’s not dangerous anymore, the slightest muscle spasm near my ribs, the mere idea of getting acid reflux, make me spiral into feelings of doom and desperation.

The more foods I’m able to tolerate, the more paranoid my relationship to food becomes.

I need to trust God with my body’s needs and future, but my emotions, like my body, are all out of whack.

[s0fter-sin]

what up i’ve been obsessed with would you fall in love with me again like every other person on the planet and i can’t stop thinking about penelope’s final verse

she’s so angry; angry that odysseus would dare to suggest that her love for him has faltered or his actions were enough to destroy it. she’s been waiting, working her fingers raw unweaving her shroud every night, not sleeping as the suitors camp inside her home; every day a threat to her and her son, to her kingdom if an unworthy man - and they are all unworthy - should take the throne. she knew they wouldn’t wait forever, that at some point her deception would be realised; her dedication to her husband means she is at constant risk and the first thing odysseus does when he sees her - if this even is him - is question her love for him?

the very first thing he says (other than her name) is, “i am not the man you fell in love with.” penelope asks him if it’s really him standing there or if she’s “dreaming once more”. once more. she’s felt the cruelty of hope before; has looked at her doorway and seen odysseus the same as when he left (which is probably partly why she’s so shocked by how he actually looks) and felt unfathomable pain when her hopes were dashed over and over again. she asks if he is really her odysseus and he says no

yes, in his mind, odysseus can’t see how he can deserve her love after everything he’s done - the atrocities he’s committed, to himself he isn’t the same man, “i see a man who gets to make it home alive, but it’s no longer you” - but all penelope hears is her husband, the man she loves and waited for, doubts the strength of her love

penelope asks what kind of things he’s done and it must be shocking to hear; his actions so different from the man who left her behind even if he did them in name of returning to her. but when she asks him to move the bed, it’s as much a challenge as it is a test. she’s asking him to prove that he is the monster he claims to be; that if he’s changed so much and become so heartless, he should have no qualms about ripping the symbol of their love from its roots. and it’s also her only way of actually determining if this man who claims to be her husband yet doesn’t take her in his arms, is actually him

“just a moment of labour would bring me some peace” - if he does what she asks, then she will know either he’s changed so much that he’s no longer her odysseus or he’s another fake and was never hers to begin with; that her husband didn’t just stand in front of her and claim she can’t love him as he is. but she’s done. she was already willing to die when she stood behind the twelve axes she challenged the suitors to shoot through. she’s so tired. she just wants it all to be over

“only my husband knew that, so i guess that makes him you” - i guess. even after telling her something only odysseus and her knew, penelope’s still not convinced that it’s truly him. how many men came to her door claiming to be her long lost husband, banking on time and distance to dull memory of his face and voice, on her longing and desperation for odysseus to blind her into believing them?

but if this is her husband? if the man she’s loved through decades of absence has finally returned to her?

“i will fall in love with you over and over again” - an exhausted promise, the core of who penelope is and how she feels; assuaging his doubts and his own clear pain

but

“no matter how long it’s been, you’re mine. don’t tell me you’re not the same person, you’re always my husband” - penelope is screaming at him; how dare odysseus say this to her? dismiss her love and her suffering? he saw the men outside, he’s smart enough to know what they were here for and instead of apologising for being gone for so long, instead of begging for forgiveness for inadvertently putting her and their son at risk, instead of embracing her and putting an end to her torment, odysseus doubts her

“and i’ve been waiting, waiting” - the tone shift of penelope screaming at him to lamenting how long she’s been waiting is heartbreaking; it’s quieter as she gets lost in the pain of her grief, her anger failing as she recalls the memories of her long years of solitude. odysseus tries to call her back with his gentle “penelope” - such a contrast to his own exhausted anger at being asked to destroy their marital bed now that he understands why she asked that of him - but she can’t hear him; she’s too trapped in the memories. he tries again, still gentle but more insistent, and this time she does hear him and her anger comes rushing back along with her grief. her “waiting, waiting,” becomes almost accusatory; she’s been alone for so long and it’s bc of him, bc he wasn’t there, bc he left her waiting

that abrupt “oh” at the end of the verse isn’t just a vocalisation; in that moment, she’s realising that she has realised that he truly is odysseus. she knew it was him before she even processed it. she wouldn’t be this angry if he were anyone else; love and grief and anger coalescing in one single divine moment where penelope finally believes her odysseus has returned to her

“for you” - she’s been waiting and waiting, years turning to dust, her sleepless nights and days spent living in fear and preemptive grief- and it was all for him. odysseus is actually here. which means her waiting is over

“how long has it been?”

“20 years”

“i- i love you”

[azalawa-scroggs]

About Eddie Fender and why he was a dick to Miles

I first started this post in response to something, but it got so long I decided against inflicting it on OP. This is very long and very meandering and the form is kinda weird, as a warning. It's also kinda spoilery for Ace Attorney Investigations 2.

When we first start playing AAI2 and are introduced to "Ace Attorney Eddie Fender," it's true he doesn't come across as very likeable. The first thing he says to Miles is basically "Oh, look! Here comes Manfred von Karma," and the game happens three years after the truth about DL-6 came out. That's incredibly low, very petty, cruel even. He does start off as a dick to Miles, unfair on him until he gradually realises he isn't as bad as he thought, and as he starts warming up to Miles we start warming up to him.

But also... I kind of get it.

Like... Imagine you're 19 years old. Your boss just died in a sudden and shocking murder. You inherit the law firm even though you haven't even passed the bar yet. You're grieving as you keep working hard to become an attorney, now without the guidance you used to have. Maybe you even blame yourself a little - after all, you worked on that case too, you were likely there for the trial, you left both Edgeworths to take that elevator by themselves. Had things played out differently you would have been there, too.

Did you think of your boss's son, in the middle of this whirlwind? Probably a little, but you're a 19 year-old law student. You're nowhere near a suitable place in your life to even think about fostering a kid. Besides, Gregory Edgeworth was your boss. Someone you greatly admired and whose death you will never stop mourning, but still just your boss.

(It's unclear how well Eddie knew Miles. Enough for Miles to recognise him instantly, but certainly not as close as Miles and Phoenix were.)

You take it on yourself to continue the work he left behind, to help the clients Gregory can no longer help. For ten years you try your best to uphold the reputation and the values of his firm and name, and every day you witness a little more how corrupt the system really is.

Then, one day, you start hearing about this young new prosecuting upstart. Passed the bar at 20 and already has the legal world in his pocket. Rumours of forged evidence, backstreet deals, manipulated witnesses. Not only is that just like the whole lot of them, the tactics you became so familiar with over the years - no, it sounds painfully, specifically familiar to that one long, drawn-out case, the last one you worked with Gregory. It turns out the young prodigy is the student and protégé of Mr. Perfection himself, the man who never lost a case in thirty-five years, even though he should have lost against you ten years ago if the world was even a little fair. You would hate the boy for that alone, but on top of that he's also the son of the mentor you lost, the son of the man you both used to admire so very much.

And that hurts. That none of Gregory's legacy lived on in his son. That this sweet, kind boy, who Gregory always used to worry about not making any friends, became a parody of all they used to despise.

Perhaps you even get to see him. You catch a glance of him in the courthouse corridor as he passes you by without so much as a nod to acknowledge you, or you stumble upon a picture in the same paper that struck Phoenix Wright so deeply. You see that damn suit. That damn smirk. That damn waggly finger. His features may have something of Gregory but everything in him screams von Karma. He's spent a decade trying to shape himself into him, and it shows.

Prosecutors are a privileged bunch, and the Edgeworth kid grew up into a downright brat. Entitled. Rude. Arrogant. Obsessed with his fucking perfect record. You hear he goes around cutting the salaries of detectives that make a tenth of what he does and insulting the opposing counsel in court. He became the worst of them all, taught by the worst of them all, he is everything Gregory fought against and everything you hate.

Why would you want to associate with that? Why would you ever think he is not perfectly fine where he is, with his cushy office and his cushy sports car and his doubtlessly cushy pay?

A couple years later you hear he's been arrested for murder. Maybe you follow the trial, maybe you only see the headlines after everything, after DL-6 is finally solved. Honestly, that's when you start having a reason to reach out. When, had you been less embittered and jaded by the thanklessness of your job, you might have wondered what it was like for him to grow up in the shadow of his father's murderer. You might have been stricken with compassion and horror at the thought of fifteen years spent in crushing guilt, believing he killed the father he used to love so much. You might have empathised, despite your contempt for von Karma, with how his ward might feel to be so cruelly betrayed, thrice over, by the man who raised him since he was nine, who taught him everything before throwing him away like a piece of used junk.

But you still think of how he was like a son to von Karma, of how he got to spend fifteen years in wealth, following a shiny, easy, corrupt new path while you grieved and desperately tried to keep the pieces of your shared dream together. You think of how uneasy Gregory seemed with the idea of von Karma as a teacher, you think of how eager Miles seemed to follow in his footsteps and how much Gregory would have hated it. You think of the many defendants this boy callously condemned with barely a thought, just like his mentor. Of how he may not have his father's blood on his hands, but with the way he acts you'd think he had his murderer's in his veins. And you really, really don't want to deal with any of that.

You think, somewhat unfairly, that maybe Miles ought to have seen it coming. It's not like it's much of a secret that Manfred von Karma is a piece of shit, and good riddance to him.

Three years later, you actually have to interact with him again. It's been 18 years since you last saw him in his father's shadow, looking at him like he hung the stars in the sky, back when everything was so simple for the three of you. It's been 3 years since the truth about his oh-so-esteemed mentor was uncovered. He still wears the cravat. His brow is still furrowed, his eyes are still piercing.

But slowly, begrudgingly, you talk to him. You start realising he actually has some honour to him. That he's not really the Demon Prosecutor the papers made him out to be, that maybe you misjudged him a little bit, in you grief-stricken, angry bitterness. That maybe he can be trusted, after all, with his father's legacy.

Why would you think he ever needed saving?

[kavaleyre]

seems like all I’m worth is what I’m able to withstand

[storge]

She hasn't gone mad from pain. It's just that her inner feelings have been suppressed for too long.

The Double (2024) 1.11

[baristabomb]

dungeon meshi characters taking care of each other

:’)

bonus: