(‼️ AU/idea by @somerandomdudelmao )
Mikey is the one to help Casey carry Little Leo a second time :)) Bet neither of them thought that would be a possibility again lmao
Anyway, check out this AU. It’s half the reason I open Tumblr most days KSHFJSBJF
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Ratatouille would have been a better and potentially much more interesting story if Remy had partnered with Collette instead of Linguini. Two underdogs with talent and passion forced to maintain a dangerous ruse. Fiercely independent Collette giving up temporary control of her body to a creature who, despite the insanity of a rat wanting to cook professionally, she can relate to on a personal level and who she does want to teach. The inner conflict of wondering if Remy’s growing talents are eclipsing her own, if the praise their food is earning belongs more to him than to her. Her guilt over feeling resentment and jealousy towards this little guy who wouldn’t have a hope of realizing his talents if not for her trust and protection. Both of them unraveling the mystery of that sweet but bumbling kitchen boy with the obvious crush on Collette being Gusteau’s secret son, and working together to thwart the new evil owner’s plans to stop Linguini from claiming his birthright. The message of the movie not being this weird, almost smug “some people are born with talent, some people aren’t, and that’s how being a ~great artist~ works”, but something more like, “if you have a dream, you deserve to pursue it, and be supported and encouraged in your pursuit of it, even if other people tell you that, because of some intrinsic aspect of yourself or the circumstances you were born in (like being a human woman in the restaurant industry, or being a literal rat), you have no place pursuing this dream. Also, raw talent can only get you so far, and skill and passion existing in the right balance is key.” I’ve been thinking about this for seventeen years. I’m breaking my silence
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Polites died believing that the world is kind, and yet his death contributes to Odysseus deciding to become a monster. Absolutely devastating
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The idea that Duke is the super well-behaved and rule-following kid is really funny to me cause like, have you read Robin War? His bit in that book opens with him being arrested for wearing red shoes (long story, just know he was also wearing a red hoodie that apparently wasn't a problem) and he explains step by step to the cop exactly how he plans on escaping before executing that escape perfectly by jumping off a bridge. He fought an armored Jim Gordon, the Court of Owls, and Damian who had been manipulated into joining the Court. Duke managed to talk Damian down while getting his ass kicked and then kinda befriended the kid after. He also has defied Batman several times and was proven to be right. All with a healthy dose of sass.
But also I do like lil rule-following sweetheart Duke so I have a proposal. Duke Thomas who follows the rules he agrees with. Most of the time, he's the sweet little angel in the manor. He's polite, he's well-mannered, he's kind, and he does what he's told. However that's only because everything aligns with what he believes to be the right path. The moment Bruce makes a bad call or order, Duke takes it to 11 and becomes more impossible to order around than Jason. Chaotic Good Duke.
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This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.
The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.
And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.
I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.
We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.
So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.
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