#I may make a fic about this-

[veryblushyswitch]

I FOUND THIS ART AND I’M SCREAMING-

Double D is so adorable oh my gosh I can’t 😭💖

[wandixx]

I've seen a lot of different takes on Fear Toxin/other fear causing stuff (Yellow Lanterns Ring or something)(later just called Fear Toxin cause I'm lazy) but here is another one.

Danny seems like he isn't affected by Fear Toxin because his biggest fear is that his accident changed him so much he is no longer human, he can no longer truly experience human things.

So when he gets lungful of fear Toxin, he feels normal. He was antsy before, because c'mon, it's a rogue attack but it's not worse. Or so he thought. Because the anxiety lingers. Not enough to register as abnormal just this slight hypervigilance that makes you see things about yourself and your surroundings that you'd never realize otherwise. He'd realize he doesn't blink as often. He'd realize that if he doesn't consciously focus, he sometimes seems to not touch the ground. Forgets to breathe. He can't feel his own pulse at time. He'd realize people will miss him when he's walking down the street as if he was invisible (people just don't care about everyone they pass by). When he'd look straight into his reflection, he'd look slightly to the left. Not enough to actually name anything that was wrong but just stretched enough to fall on the wrong side of the uncanny valley. If he just caught his reflection in the peripheral vision, it'd be vaguely shadowy creature with glowing green eyes and white smoke instead of hair. Overall he'd be just wrong enough to be distinctly not human.

For everyone else, he'd be just a dude. Literally couldn't find more normal dude than this dude. Will pass as absolutely normal human unless someone is specifically looking for ecto-ghost stuff. Even most magic users wouldn't clock him at the glance

Tldr: Fear Toxin makes Danny perceive himself as some sort of eldritch horror but not enough to make him believe he'd actually be affected, while from outside perspective he's Just A Dude™

[starbiology]

when the rulers all showed up in the plot figured itd be fun to sketch portraits!

and then had to add my thoughts on them

[ohhgingersnaps]

I'm seeing some frustration over fandom creatives expressing anger or distress over people feeding their work into ChatGPT. I'm not responding to OP directly because I don't want to derail their post (their intent was to provide perspective on how these models actually work, and reduce undue panic, which is all coming from a good place!), but reassurances that the addition of our work will have a negligible impact on the model (which is true at this point) does kind of miss the point? Speaking for myself, my distress is less about the practical ramifications of feeding my fic into ChatGPT, and more about the principle of someone taking my work and deliberately adding it to the dataset.

Like, I fully realize that my work is a drop in the bucket of ChatGPT's several-billion-token training set! It will not make a demonstrable practical difference in the output of the model! That doesn't change the fact that I do not want my work to be part of the set of data that the ChatGPT devs use for training.

According to their FAQ, ChatGPT can and will use user input to train itself. The terms and conditions explicitly state that they save your chats to help train and improve their models. (You can opt-out, but sharing is the default.) So if you're feeding a fic into ChatGPT, unless you've explicitly opted out, you are handing it to the ChatGPT team and giving them permission to use it for training, whether or not that was your intent.

Now, will one fic make a demonstrable difference in the output of the model? No! But as the person who spent a year and a handful of months laboring over my fic, it makes a difference to me whether my fic, specifically, is being used in the dataset. If authors are allowed to have a problem with the ChatGPT devs for scraping millions of fics without permission, they're also allowed to have a problem with folks handing their individual fics over via the chat interface.

I do want to add that if you've done this to a fic, please don't take this as me being upset with you personally! Folks are still learning new information and puzzling out what "good" vs. "bad" use is, from an ethical standpoint. (Heck, my own perspective on this is deeply based on my own subjective feelings!) And we certainly shouldn't act like one person feeding a fic into ChatGPT has the same practical negative impact, on a broad societal scale, as a team using a web crawler to scrape five billion pieces of artwork for Stable Diffusion.

The point is that fundamentally, an ethical dataset should be obtained with the consent of those providing the data. Just because it's normalized for our data to be scraped without consent doesn't make it ethical, and this is why ChatGPT gives users the option to not share data— there is actually a standardized way (robots.txt) for website servers to set policies for how bots/crawlers can interact with them, for exactly this reason— and I think fandom artists and authors are well within their rights to express a desire for opting out to be the socially-respected default within the fandom community.

[stardustdiiving]

Funny headcanon scenario in my head: Wanderer comes across Nahida after she falls asleep doing work somewhere and very begrudgingly decides to carry her to bed. He tries to hide the fact he did this but Nahida figures it out and is very appreciative of this, which is all well and good until a while later Wanderer is jostled awake at 3 in the morning after he fell asleep at his desk writing an academic paper to find he is being awkwardly floated across the hallway towards his room by Nahida because she really wanted to return the gesture and Wanderer is like ⁉️⁉️⁉️ Buer me carrying you only works because you’re like 3 apples tall. I am an adult man twice your size and weight. And Nahida is like hmmm well I think I’m at least 6 apples tall, not 3 :D don’t worry Wanderer this is definitely working! I have it under control. And then she accidentally floats him face first into a wall

[girlsdads]

#ok it’s giving girl dad wearing his daughter’s handmade necklace special for him into work 🥺🥺😩😩

couldn’t stop thinking about this tag of mine, wrote a little smth about it 🥰

The stomping footfalls racing down the hall behind him could only be those of a toddler. Daniel turns and squats just in time for his tiny blonde projectile of a child to come barreling into his chest. The force sends Daniel falling back onto his butt with a surprised oof, his daughter giggling delightedly in his lap.

“Hey, Ellie-bug,” Daniel smiles. “Daddy’s gotta go to work, remember how we talked about it and you promised to be a big girl?” He brushes a strand of hair away from her mouth where it’s gotten stuck in a little smear of jam leftover from her breakfast. Daniel had shown Max how to make it just the way she likes—the pancake batter shaped in the silicone star mold, the silly faces drawn in jelly and jam.

Ellie’s head bobs up and down dutifully, but she makes no move to get up.

Max appears from the kitchen then, looking like a man who’s been fighting a losing battle with the second pancake. There’s a splatter of thick batter on his white t-shirt. He’s holding the spatula like it’s offended him somehow. Daniel looks at him over their daughter’s head, and loves him fiercely.

“She is of course the biggest girl,” Max says. Ellie grins proudly. “Why don’t you give Daddy your present now, then we will finish your pancakes.”

Daniel watches her grey-blue eyes light up like she’s just now remembering why she came running at him in the first place. She reaches a chubby hand into the bib pocket on her overalls, embroidered Enchanté script stretching as she roots around and produces a string of brightly-colored plastic beads. She holds it out to him expectantly.

Daniel takes the strand delicately in hand, wraps it around the backs of his fingers and rotates his wrist to get a good look. It’s a necklace, probably more of a choker given its relatively small circumference, the fat pony beads the only real indication it was made by a child. The powder pink and fuchsia beads are separated by interspersed pearlescent white orbs and clear sparkly stars. Smack in the center is a single number bead, a glittery pink three.

“Jeepers, did you make this for me? It’s beautiful!” Daniel says, and means it. He’s already been wanting to talk to his team about adding a jewelry collection to a future drop, and what better inspiration?

Ellie nods excitedly. “Papa helped me do a…,” she pauses, squints and tilts her little head, searching for the word, “…a pattern!”

“We made it the other day, while you were out with Blake,” Max chimes in. “For good luck.” He sounds almost bashful, like maybe it wasn’t their daughter’s idea in the first place. Daniel’s heart is so swollen it’s threatening to leak out through the gaps in his ribcage.

“How’d I get so lucky, huh?” Daniel muses, softly, mostly to himself. He stretches the elastic over his head, feels the smooth plastic three settle in the hollow of his throat. His pulse thrums evenly against it, grounding.

He flashes his biggest smile at his family. “How do I look?”

“Pretty, Daddy!” Ellie throws herself forward again, wrapping her arms around Daniel’s neck. It leaves him locking eyes with Max, who’s gazing down at the two of them like nothing else in the universe exists. Daniel can never quite get used to that look—still feels butterflies dancing up the back of his throat, his stomach dropped into a glorious freefall.

“Beautiful, Daniel,” Max says, reverent. “Always.”

[insanesonofabitch]

AU where destiel gets confirmed like, 3 seasons before the finale because Cas unknowingly hooks up with a siren, revealing his love for Dean. But then the siren uses that to make him attack Sam and Dean.

Sam’s trying to pull him out of the situation, “Dean! DEAN!!! We need to get out of here!!!! DEAN!!!!!!” But Dean is just standing there, unmoving. Every moment spent, every word exchanged, everything. Everything came raining down, crushing him underneath. Cas is pointing his blade against him and he cannot move a single muscle.

[theminecraftbee]

the "how to write a rec post or masterpost" post

i promised this a few days ago, so here it is: my brief guide on how to pitch yourself or someone else on tumblr to other people in such a way that they might actually click on it! this is what i've found is the most effective way to format a set of fic recs or your own masterpost will typically be, at least to me. this is meant for when you're listing multiple fics in one post, typically intending to help a reader choose one they want to read!

the biggest thing to remember is a rec post or masterpost is a tool for a potential reader. therefore, you want to include the information they need in the easiest-to-read way possible.

first off: if you are trying to list or rec more than one fic, do not use the tumblr 'link' embed function. like, you CAN, but ao3 link embeds get ugly when you have more than about one of them. instead, do an in-line link, like this! this will make a longer post much easier to read.

next, with each link, include the following information: a brief summary (it doesn't have to be the same as the summary/pitch you used for ao3, and probably shouldn't be; instead, a one or two sentence description of what the fic is about is best), the fandom it's in, a sense of the fic's length, and rating. (note that you DON'T need to include all the tags and trigger warnings--if someone is intrigued enough to read it, they'll click on the link, and from there they will see the tags and trigger warnings. this should only be enough information to get someone interested.)

finally, ESPECIALLY if it's a rec post, include at least one sentence about why someone should read it. why are you recommending it? this is different from the summary; if a summary of the fic is "joe hills gets stuck in a time loop", the sentence about why someone should read it shouldn't be "haven't you ever wanted to see joe in a time loop?"

the point of rec posts--and indeed promoing on tumblr--is that people trust word of mouth more than they trust a random summary. so give them that word of mouth! if it's a rec post, say something like "it's a fic that made me cry", or "i never thought i'd laugh so much at a fic until i read this", or "the character-voices are on point", or "i stayed up all night reading this". if it's your own master post. include something like "this might be the fic i'm the most proud of", or "this one is great if you like joe hills and enjoy tragedy", or "this one was an experiment in style". something that is NOT just further summary of the fic, but instead describes a good reason to read it!

so, for example, an entry in my own hypothetical master post might look like this:

to convey a certain brilliance, hermitcraft, T, 21k. joe hills and zombiecleo slowly, and through many death loops, drag their way out of their collapsed base to try to survive after a lunar apocalypse. this is the second hermitcraft fic i ever wrote and i wrote it before we knew how moon's big would end, inspired by super hostile; people still tell me it has some of their favorite joe characterization.

and an entry in a hypothetical rec post i might write could look like this:

the sky weighs heavy tonight by mawofthemagnetar, hermitcraft, T, 79k. an ensemble fic in which a plane being flown by keralis and zedaph crashes, and in which the world is still recovering from the scars of a deadly war. i LOVE snake's writing, and this fic was basically designed to capture me specifically; it has cool worldbuilding, body horror, PLANES, a really cool aircraft investigation plot, one of the best-executed ensemble casts in the fandom, and a fun tone! it's a fairly easy read even given it's length, too; if you haven't read it, you absolutely should.

my only remaining recommendation is that if you're writing a LONG fic rec post or a LONG masterpost, you organize it by categories. these categories can be whatever is most useful for you--by relationship tag, by fandom, by ship or not ship, by genre, etc., it's mostly just to make scanning through the post a little easier.

and hopefully this is helpful for some folks out there! if people are interested i can also do one on "how to promo my individual fic", i also have observations and opinions on that.

[seaweed-s0up]

cover illustration for my friend's 尾立 fanfiction anthology, titled 昭和野犬 (showa strays). depicting scene from her fic 舞！舞！舞！, which i've also translated into english

did you know tachibana and oda died just a few weeks before the end of the showa era…

[crimeronan]

there's something well-meaning but also kind of insidious about the idea that you have to be Careful and Gentle with how you hurt female characters, lest you accidentally recreate misogynist violence in your work. particularly when this gets paired with "female characters shouldn't cry or break down too often because that's stereotypical feminine weakness" (this particular advice DOES seem to be going out of fashion these days, though. Thank God).

i'm thinking about how people have pointed out that women in popular fiction & fanwork are often comforting their tortured boyfriends about their sad abusive pasts, without receiving any of that same emotional support in turn -- effectively just becoming tools for said sad boyfriend's character growth. and how much rarer it is for that gender dynamic to be flipped, with the boy comforting the girl. and also how this trope is even More prevalent when it's a woman of color + her white boyfriend.

some of it is Men Ignoring Writing Women nonsense, some of it is fanwork of media that's built on Men Ignoring Writing Women nonsense, some of it is an unconscious recreation of a gender dynamic that often exists in real life relationships, etc.

but i Also think there's something to the fandom side with, like. people having hesitations around fictional women that they don't around men. like i HAVE to take some of these things in good faith, and the good faith reading is: writing about men recovering from abuse is a safe, easy exploration of hard topics. meanwhile writing about women the same way feels Strange and Wrong and Uncomfortable because of the Femaleness of it all.

i truly don't know what can be done to combat this beyond writing more suffering women myself.... because it's not all that helpful to yell "EVERYONE IS A MISOGYNIST" (especially because tbh more often i find it's, like. woman writers who just. Don't Want To Think About That Shit) & i also can't Force people to want to write about women suffering horribly.

so i suppose i will end this on a joke instead:

Pleaseeeee Start Beating The Everloving Shit Out Of Female Characters. For Meeee.... 🥺🤲👉👈🙏🙏🙏

[rain-after-thunder]

Disabled Aelwyn who uses crutches.

Aelwyn who can’t go back to school to finish her wizzard studies, who starts researching different ways to bend magic to her will.

Aelwyn, who has always had a knack for creating new spells, starting to tinker at her own crutches, weaving wards into the framework.

Aelwyn, for who good is not good enough, caves and asks Gorgug for help. Who finds a way to make her crutches extend, bend and move to support her arms, elbows, shoulders. Makes them connect to her back, her hips, down her legs .

They no longer look much like crutches anymore, it’s a thin, light framework that supports her entire body, that moves her exactly the way she wants, that allows her to stand with her back straight for more than 5 minutes for the first time in two years. The exoskeleton glows with abjurative runes and the outline of a powerfull ward is visible over her body, deflecting blows like steel armor.

New spells rest in her memory, mechanical and precise if nature in a way that the arcane inks in her spelbook can’t articulate. Spare the Dying, Resistance, Cure Wounds, Sanctuary.

Her joints still ache, she tires fast and even after all this time it is still hard to control the venom in her words, still hard to accept help and kindness without it feeling like a wool blanket on freshly flayed skin. But she has found something that is wholly hers, found something to be proud of that isn’t tinged with approval from her parents.

Aelwyn still can’t walk without support, but the frame folding her up is crafted by her own hands. Maybe everything will be allright.

[wildsaltair]

Tender Fires

Pairing: Maximus Decimus Meridius x reader

Rating: T (hurt/comfort, angst, fluff, with a few hints of spice)

Word Count: 6.4k

Tag List: @enjisbf, @nasatshirts, @empressenchanted, @streets-in-paradise, @xiscamoony, @aelondrias

Author’s Note: I'm back with another Maximus fic! This is actually part of a larger narrative in which Maximus escapes the execution attempt and ends up at reader's farm, where she tends his wounds and they fall in love but have to fight their feelings because he intends to leave to keep her safe. As always, this fic is written from the deepest longings of my lovestruck heart, and I hope that love is obvious :) Thank y'all so much for your kind words about the last fic, and I hope you enjoy this one!!

*~*~*~*~*~*~*~*~*~*~ 

“You’re up late.”

At your words, Maximus turns his head to look at you, and a soft smile crosses his lips. His features are etched in shadow, flickering with the dancing firelight.

He’s seated in front of your kitchen fire, leaning forward with his elbows on his knees, gazing deep into the flames as if searching for some hidden meaning within. You would never have known he was in here if you had not been awakened by the loud cracks of thunder outside and come in search of the warmth of the fire.

An autumn storm, a midnight fire, and the most captivating man you have ever known, dressed only in his plain white sleeping tunic. It seems like a combination intended to lure you into trouble.

As you move to sit in the chair beside him, he looks back into the hearth, a smile still tugging at the corner of his lips. “I have stayed awake staring at many fires in my life,” he tells you quietly, his voice deep and thoughtful.

Out of the corner of your eye, you risk a glance at him, looking for the scar on his ribs. He has been with you for a little more than two weeks now, helping you with odd jobs around the farm as his strength returns. His wounds, though still vulnerable, have healed quickly, and you are relieved to see no signs of further injury on the parts of his skin that you can see.

“As have I,” you reply, eyes still lingering on him. “Though for me, it has always been the same fire. This one.”

He hums in response, nodding slightly. You have never sat by this fire together at night, and you are bewitched by the way the light dances over him, makes his golden skin shimmer. The lines of his arms and shoulders are limned in shadow, the firelight flickering on his handsome features.

You are overcome with a desire to put your hands on him, to feel the heat of his skin and the strength of his body, but you cast your gaze on the fireplace instead.

“I envy you that,” he answers softly, after a short reflection. He glances up at you, studying you intently. “A home fire, always burning in the same place.”

The meaning of his words is not lost on you.

Every day, the thought of him leaving you is more painful. At the moment, as you sit close enough to listen to him breathing, the thought is unbearable. Your home is his home now, and you long — more than you have ever longed for anything — for him to realize that he belongs here.

His shadowed eyes search yours a moment more, then return to gazing at the flames.

You take a deep, steadying breath to calm yourself. Your hands are trembling, and you smooth them over your skirt, hoping he does not notice how nervous you are from this simple interaction.

“Tea?” you ask quickly, pushing yourself to stand and get a bit of space between the two of you.

He glances up again, and your heart clenches at the gentleness in his expression. He nods. “Thank you.”

Have his eyes ever seemed so wide, so earnest? Are you imagining the way his gaze lingers on you, drinking in every detail of the way you move?

You can feel the tension in the room thickening, your own heart beating faster as you fill the kettle with water and set the tea leaves to brewing. Somehow, sharing space with this man is so much more intimate at night, with a storm raging outside and a warm fire bringing extra heat to the atmosphere.

Even more astonishing to you is the fact that you are not afraid of this powerful soldier. He is strong enough to do anything he wishes to you, to take whatever he obviously wants. But even now, standing here in your night shift, with your hair and your defenses down, you have no fear of him.

If anything, you wish he would initiate a touch, a kiss, anything that would lead to the passion that has been haunting your dreams every night.

Such as your dream last night. You can still feel the sensation of your body thoroughly tangled with his, your limbs entwined, his hands pulling your skirt up to your waist. Your cheeks burn when you remember all the places he kissed in your dream, all the places he touched and explored and pleasured. Such thoughts make you ache all over again, especially now that you are standing so close to him.

A blinding crack of lightning, followed by the roar of thunder, pulls you from the dream-memory of his mouth hot on your throat.

To distract yourself from such dangerous thoughts, you ramble on the first topic you can think of. “My father used to tell me stories beside this fire,” you announce as you hang the kettle over the fire and settle back into the chair beside him. You don’t dare meet his eyes, even as a smile crosses your lips at the memory. “I always begged him to tell me ghost stories even though they frightened me.”

He tilts his head to the side to look at you curiously, a smile of his own playing at his lips. “What kind of ghosts do you have in these parts?” he asks, leaning on one arm of the chair to look at you more squarely.

Somehow, having his full attention focused on you is unnerving, undoing, arousing. You can hardly find the words to speak.

His eyes are still on your face as you feel a deep blush burning in your cheeks. You hope he will attribute it to the warmth of the fire, not your intense reaction to the way he gazes at you. If he only knew how much more heated you are by his presence.

“My favorite is the Howling Woman,” you blurt out, glad that your voice is not as unsteady as you feared. “She wears all gray, with her head covered. She’s been seen in these mountains for decades.”

He does not interrupt you, but your breath catches as his gaze wanders across your face. An absent smile is still on his lips, and he seems to be content to simply watch you, to let his eyes trace the lines of your face, your neck, your hair where it tumbles over your shoulders. His gaze is searching, admiring.

How will you find the strength to hide your desire when one look from him could bring you to your knees?

Clenching your jaw and willing the kettle to boil faster, you continue your story determinedly. “They say she was the wife of a farmer who was killed after being thrown from his horse. She found him with his neck broken.” You pause, still breathless from the effects of his undivided attention. “She went mad and drowned her own children. When she came to her senses and realized what she had done, she walked into the wilderness to die.”

You wait for him to interject, to ask some clarifying question or comment, but he does not. He is still leaning on the arm of his chair, his dark eyes captivated by the sight of you in the firelight. You can almost sense the way he is actively preventing himself from letting his gaze wander further down — where your shift does little to hide the shape of your figure.

But somehow, his watchfulness is not an act of seduction. He seems genuinely swept up in your story, spellbound by the sound of your voice. He listens to you intently, curiously, and waits for you to continue.

“But to punish her for her crime,” you continue, blushing even harder, “the gods cursed her to wander these mountains and valleys for eternity, never able to die and meet her family in the afterlife.”

It is the sound of your voice, you realize now. His gaze wanders over your features slowly, as if measuring them, but his silence persists the longer you speak. It is as if he cannot bring himself to interrupt you, so captivated as he is by your voice.

“She still walks at night,” you finish, finally allowing yourself to look deep into his eyes. There seems to be no end to them, no way to pull yourself out of the gaze that holds you captive. “She wanders, calling and wailing and howling.”

He swallows hard, licks his lips, though you guess he does so unconsciously. A shiver runs up your spine, and not from your ghost story.

You lean forward, just an inch or so, to finish the story. “They say you can hear her best on a night like this,” you whisper, and the silence between you is so concentrated that you feel you might choke on it.

His gaze flits down to your lips for a moment, and in this flickering firelight, surrounded by warmth and desire, you think he may kiss you.

The silence is broken by a loud crack of thunder outside, one that makes you jump at its suddenness. You both look away, realizing how intently you have been gazing at one another for an inexcusably long amount of time.

The tea in the kettle is boiling at last, and, glad for the distraction, you lean forward to take it off the fire. Your two cups are sitting on the table beside you, and you fill both before handing one to him. He nods his thanks, and the two of you sit quietly for a few moments, looking deep into the firelight.

He is the one who finally breaks the silence. “Do you believe in ghosts?” he asks softly, with that pleasant raspy quality you have come to recognize in him at night.

You smile and lean back in your chair to sip at your tea. “Of course,” you confirm lightly. “Don’t you?”

His expression grows quizzical, and he doesn’t lift his eyes away from the fire. He takes a sip of his tea, thinks for a long time before answering. You are more than content to sit in silence with him, but he finally comes to an answer.

“No,” he tells you quietly, still mesmerized by the dancing flames. Eerie shadows prance over his fine features. “Spirits do not wander the earth after death. They go to the afterlife.”

His voice is calm and even, but resolute, assured. You have talked so little with him about such things, and you cannot deny your curiosity at learning more about what he believes.

“How do you know?” you press, unconsciously leaning toward him.

He does not move for a moment, just grips his cup tighter and sharpens his gaze at the fire. “I have seen enough death to feel certain of it,” he declares, then turns his head to look into your eyes again. “If ghosts could exist,” he tells you softly, gently, “then I would be haunted by them every moment.”

Your heart aches for him now, for the pain and grief he carries with him always. His life has been difficult, laden with the weight of many lives and much responsibility. Even in a peaceful haven like your home, he is ever followed by the burdens of his past, no matter how much comfort and peace you have offered him.

“Perhaps they do not wish to speak to you,” you suggest, tilting your head to show that you are teasing him. “Perhaps you do not know all there is to know in the world.”

His haunted expression softens as he looks at you, taking in the meaning of your words. As before, his soft smile smoothes the lines in his face, lifts a bit of the weariness etched into his features. You can’t help wondering if he realizes your effect on him, if he craves these moments of tranquility and comfort as much as you do.

“I am sure of that,” he tells you in a low voice, and your heart turns over at the simple passion in his eyes.

You lapse into silence once again, each of you drinking your tea and losing yourself in thought. Your own ponderings are of him, wondering what he is thinking. He has seemed burdened ever since you found him sitting by the fire, and you long to know what worries him.

If he only knew how your heart leaps at the sight of him, how you long to cradle his face in your hands, to kiss him until all his burdens are lifted, until all he knows is this deep, all-consuming love that has swept over your heart like an autumn storm.

The thunder continues to roll outside, the rain pelting your roof relentlessly, but the warmth of the fire and the pleasant constancy of his presence is comforting.

You do not press him for several long minutes, letting him mull over his worries in silence until both of you have finished your tea. When you set your two empty cups on the table beside you, you finally decide to inquire, pushing your chair a few inches nearer to him and leaning on one arm of the chair so you can look into his eyes more closely.

“What troubles you?” you ask softly, and he finally lifts his head, dark eyes burning into yours with all the intensity of the hearth fire.

His voice is hardly more than a whisper when he replies, “Ghosts.”

“Memories?” you ask, entranced by the way he slowly leans forward, closing the distance between the two of you one inch at a time. Your skin suddenly burns, aching for a touch, one simple touch, that will answer your constant longing for his hands on you.

After a moment of hesitation, in which he seems to ponder the consequences of what he wants, he finally lifts one hand and trails his fingertips down the side of your face.

“Shadows of things I do not understand,” he murmurs absently, and he traces the line of your jaw with fingers so gentle you cannot imagine them ever wielding a sword.

He gazes at you more openly now, his eyes traveling down to your lips as his thumb brushes over them. You suppress a shudder at the contact, and he strokes your lips a few times, transfixed by the sight, before sliding the backs of his knuckles down the column of your throat.

Stars in the heavens, if he only knew how your body is aching for him, how you respond to the slightest touch he gives you.

You finally find your voice to speak. “Is it your men?” you ask softly, as if the room has suddenly been overtaken by a spell.

He sighs, brow furrowed deeply in thought. “They were not my men,” he replies at last, still stroking his fingers down your neck. “Not the ones who betrayed me. My men were loyal, courageous.” His voice is thick with sorrow, and you sense that recalling this memory is painful for him. “They were my brothers,” he half-whispers. “They would have risen up in rebellion if they had known.”

Your heart aches again at the sadness in his voice, the sadness he works so hard to disguise throughout the day. Somehow, in the darkness, in the stillness of nighttime, he seems more vulnerable.

“Why does the Emperor want you dead so badly?” you finally venture to ask.

His hand stills on your neck, eyes not quite focused on your face. He seems to be traveling back in time in his mind, and he draws a deep breath as he thinks. Almost as if he does not realize what he is doing, his hand wanders to the base of your neck, absently stroking the sensitive skin there.

It’s all you can do to hold still, to keep from betraying how perfectly wonderful his touch is to you.

His voice is low and measured when he answers your question. “I once received favor that he believed should have been his.” He pauses, then raises his eyes to meet yours meaningfully. “By his own father.”

His words take you aback, and you know he must notice your wide-eyed stare. “Marcus Aurelius?” you squawk in disbelief. “You knew the great Emperor?”

“Yes,” he replies, his face softening into a smile at the memory. You are shocked by the revelation, but his fond smile warms your heart after seeing his heavily burdened expression a moment ago. 

He presses on, though his hand is now running softly over your shoulder, skimming over the top of your thin shift. “I was young when he took me under his wing,” he explains, eyes tracing the path his hand is making on your shoulder. “I had won some small battles, and he saw in me potential for greater things. He made me what I am today.”

He strokes your shoulder once, gently, then removes his hand, as though he cannot trust himself to keep touching you there. Again lifting his deep blue eyes to meet your gaze, he looks at you so tenderly, so affectionately, as he raises the same hand to tuck your hair behind your ear.

You want to melt, to close your eyes and sigh in pleasure at his simple touch, but you fight for your composure. “He must have been a great man,” you manage instead, meaning every word.

“He was the greatest man I have ever known,” he murmurs, stroking his fingers through your hair at your temple now. “He is the closest thing to a father that I ever knew.”

You have noticed how the man is drawn to your hair whenever you leave it down. He seems fascinated with it, with the way it cascades through his fingers when he cards them through it. His attentions are so gentle, so unobtrusive, as if he is unable to keep himself from simply admiring your beauty in this soft firelight.

“And that is why the Emperor envies you,” you observe to keep from losing your breath.

“Yes,” he answers quietly, his voice hardly above a whisper. “He believed that his father wanted to pass on his power to me.”

You nearly startle in surprise at his words. Not only the commander of the northern armies, not only a confidante of Marcus Aurelius, but the rightful future emperor himself?

You almost feel dizzy, though you’re not sure if it is from the shocking news or the way his fingers keep brushing your temple as he plays with your hair. “Did he?” you prompt him breathlessly, genuinely curious.

He ponders for several long moments, letting your hair stream between his fingers. You are entranced simply by looking at his features — his dark eyelashes, his sharp nose, the gentle creases by his mouth. He is so exquisitely lovely to you, so unaware of how deeply he affects you.

“I do not know,” he finally admits, tracing the side of your face before letting his hand fall back into his lap again. “He never told me.”

His words silence some of the shock you were feeling at wondering if you were in the presence of a man who was supposed to have ruled Rome. The thought of this man, this humble, honest, unpretentious warrior, ruling such a corrupt and conniving empire is almost unthinkable.

You are struck by the absence of his touch, and he seems hesitant to initiate any more contact now that he realizes how close he has drawn to you. He’s still watching you carefully, as if gauging your reaction to his touches, but you cannot resist reaching out to him now.

Your fingers seek out the necklace that hangs down to his chest, a simple cord bearing two wolf’s teeth on the end. You have never asked him about its origin. You handle it carefully, and the man barely breathes as your hand hovers over his chest.

“What would you have done if all this had never happened?” you ask softly, caught in the intimacy of this quiet moment. “Would you have been a soldier all your life?”

Your question is a heavy one, full of unspoken desire and curiosity. You can tell he senses that desire by the way his dark eyes burn into yours, by the way his chest rises and falls more quickly, as if you are taking his breath away just by touching his necklace.

He thinks for a few moments, still gazing deep into your eyes. “I always imagined I would die in battle,” he tells you, a hint of sorrow in his voice. “There seemed no other fate in store for me.”

Your heart tightens, and you let go of your loose grip on his necklace. Suddenly, all you want to do is touch him, to make contact with his body somehow. His words have struck a chord in your heart, reminding you how grateful you are that this world-weary soldier has come to your home, to your hearth, instead of falling on a battlefield hundreds of miles away.

With your pulse racing, you press your hand flat against his chest, splaying your fingers over his heart. Even through the fabric of his nightshirt, you can feel his heart pounding like a war drum, perfectly in rhythm with your own.

Oh, how you long to press your heart against his, to be wrapped up in his arms, so thoroughly tangled with his body that you cannot tell where you begin and he ends.

His breath comes more quickly now, his lips parted and his eyes scorching yours with a hunger that stirs your blood.

“But,” he begins in a hoarse whisper, his gaze flickering down to your lips and then back up, “I did imagine, sometimes…” He pauses, licks his lips again, takes a slow breath, “that if I did have a chance to grow old… I might…”

He halts again, his voice dying in his throat. You press your palm more firmly against his chest, and his heart skips a beat beneath your hand. You can feel his skin burning hot under his shirt.

“Tell me,” you whisper, and a look of unadulterated desire flashes across his face.

He leans close to you, close enough that his breath skims over your lips. “That I might one day have a home,” he breathes. “A family.” He sighs softly, the longing in his voice especially evident. “A life of peace always seemed… unlikely.”

The hesitation in his words is palpable, and suddenly his own larger hand is covering yours, pressing it tight against his chest. You realize that he is relishing your touch the way you relished his a moment ago.

After holding your hand against his heart a moment longer, he grasps your hand in his, lifts it to his lips. Your own heart skips a beat now, when he presses a slow, languid kiss to the back of your hand.

“And now?” you whisper, breathless and tingling with need.

He breathes against your hand, slowly and calmly. “Now,” he echoes, his voice rumbling in your bones. “Now a life of peace seems impossible.”

No. No, he cannot mean that. He cannot still mean to leave you when his gentle eyes speak of the passion he holds for you.

“It does not have to be,” you insist, lifting your free hand to touch the side of his face. He actually sighs at your touch, his eyes fluttering closed. His lips are slightly parted, and it takes all your willpower not to lean forward and kiss him until he can breathe nothing but your name.

His eyes remain closed when he responds, your hand still cradled in his. “To believe otherwise would be foolish,” he tells you, though his voice is anything but resolute. “Dangerous.”

You stroke the side of his face tenderly, enraptured by the way he reacts to your touch. He seems so relaxed, so overwhelmed when you caress him gently. The thought suddenly strikes you that this man has probably never been touched this way — not as light as a feather, with such love and affection that he can feel it beating in rhythm with his heart.

When you brush your fingertips down his neck, over the sensitive skin of his throat, he makes a sound so soft, so unguarded, that you nearly come undone for him right there.

“Are you not well acquainted with danger?” you whisper, leaning in closer to him. He opens his eyes when he feels you drawing nearer, and his fathomless eyes lock onto yours with an intensity that sends a shiver down your spine.

You want him to stay. You want him to love you as you so desperately love him. You want him to never stop looking at you the way he is now.

And when you press your hand flat against the side of his neck, your gaze fluttering over every perfect feature of his face, his soul opens to you, and you see all the love you bear for him reflected deep in his own eyes.

“Yes,” he breathes, and he leans forward to close the few inches that separate your lips from his.

The first sensation that strikes you is his blood pulsing in his neck, hammering against your hand as you caress him. His own hand tangles in your hair, holding you in place while he presses his lips against yours.

There is no hesitation in this kiss, no second-guessing or reluctance. His lips move against yours in a rhythm so natural that you wonder if he has imagined this as many times as you have.

He tilts his head slightly to the side, drowning in your kiss like a dying man seeking air. You can feel the breath knocked out of your lungs, so unaccustomed to any attention as passionate as this. The man lifts his other hand to cradle your jaw, still kissing your lips, gently but insistently, over and over and over.

This is what heaven must be like, you realize distantly when his tongue slides against yours, every inch of your skin tingling in response. His undivided attention, his unashamed desire for you is so arousing, so delightful in every way.

You can feel your cheeks burning, your skin heating up, the longer his hands linger on your face and neck. His fingers stroke your jaw, and his other hand grips your hair just hard enough to hold you in place. He is still reveling in your kiss, still using his lips and tongue to draw out the softest moan you have ever made in your life.

As soon as he hears it, he moves his lips to press against the corner of your mouth, much as he did the first time he kissed you in the barn. He trails his lips down your jaw, peppering kisses on every inch of skin he passes.

Thoroughly excited by his kisses and touches, your mind is all too eager to provide any number of tempting images. When he dips his head to one side, lips touching the place where your jaw meets your neck, all you can imagine is the careful way he would undress you, lay you down, and make love to you, slowly and gently but passionately.

He drags his lips down your neck, his curious tongue coaxing another soft sound from you. Again, your mind flashes to all the ways he might use his tongue on you, all the places he could seek out and tease until you are so dizzy with pleasure that all you can say is his name, over and over.

Another press of his tongue, and it takes all your strength not to beg him to take you right here. You can imagine it so easily, the way he would grip your waist, your hips, the way you would wrap yourself around him and touch every inch of his bare skin if he would only give you the chance.

What would you not give to see him shudder in pleasure, to throw his head back and hold you tight as you cling to him and make him feel the same thing he ignites in you?

It’s at that moment that he whispers your name, tenderly, reverently, like a prayer, against the soft column of your throat. Your whole body shudders in response, your hands tightening where they have landed on his broad shoulders, and he finally fulfills what you have been aching for.

One strong arm wraps around your waist, the other around your upper back, and in the space of a breath the man has pulled you against him, leaning you to the side so that you are cradled in his arms across his lap.

You are suddenly very aware of how thin your shift is, of the way he must be able to feel every curve of your body pressed against him. His fingers are gentle where they wrap around your waist, and you feel with heightened awareness all the strength of his own body, all his powerful muscles and vigorous energy.

All you can do is sigh in pleasure as he keeps his head buried in your neck, still kissing your sensitive skin as though he cannot get enough of you.

You can barely take a breath, so overcome with the multitude of sensations he ignites in you. His hand flexes against your waist, and you respond in kind with your fingers digging into his back.

You have the distinct impression that the man is having to physically restrain himself from going further, that all he wants to do right now is yank open your shift and kiss his way down your bare body. As irresistible as that thought is, you let him take the lead, and he chooses to simply kiss you rather than ravish you.

He is a noble man, a man of honor, and though your body is aching for him to truly make you his, you take pleasure in his self-control, his respect for you.

His fervent kisses to your neck finally slow, and he breathes against your skin as though trying to memorize you. When he nuzzles his face against your neck, all you can do is close your eyes in absolute ecstasy. One of your hands finds its way into his hair, and it’s his turn to shiver with pleasure, pulling you even closer against his body and resting his lips against the curve of your neck.

He goes still in your arms when you stroke his hair, slowly and tenderly with your fingertips. Again, you are struck by his reactions to your gentle touches, by the way he melts into your arms as though overpowered.

Several long moments are spent in that position, with you cradled against his chest, his face against your neck. You would be content to stay like this all night, just listening to him breathe, feeling his heart beating against your side.

But the moment passes, as all moments do. Another crack of thunder shakes the house, and you can’t help but jump a little in his arms.

As if pulled out of his daze, the man smiles softly against your neck, strokes your back soothingly in a way that only serves to make you arch your body against his. A moment later, he lifts his head from the crook of your shoulder, letting his face brush against yours as you disentangle yourselves.

Though you have just spent the last few moments passionately embracing and kissing, and though both of you are still flushed and breathless with exhilaration, the following moment is not awkward. You do not look at each other as you part, but you can sense your own relief and contentment in him.

You do not know what will come of this. You do not know if he will stay much longer. But in a moment like this, with your lips still swollen from his kiss and your skin still burning from his touch, you feel as though no heartbreak can be as vast as this perfect fulfillment you feel with him.

You stand slowly, glad that you are not as unsteady as you feel, and you lift the kettle off the fire just to have something to do. You can feel the man’s eyes on you, though he does not speak.

“It is a fierce storm tonight,” you comment, almost without realizing that you are speaking. The silence between you was comfortable, but you long to say something, to know that he is still at ease with you.

He takes his time in responding, especially since you have your back to him. “Yes,” he says simply, his voice deep and husky.

Stars, how you want to hear that voice in your ear, in your bed, murmuring to you while you both reach the height of your shared pleasure.

You swallow hard to banish your intrusive thoughts. You move to set the kettle down in your cabinet and scramble to think of something else to say. Rain continues to pound against your roof, sending a slight chill through the air despite the warmth of the fire.

“Will you be warm enough tonight?” you ask over your shoulder, still conscious of his eyes burning into your back.

Again, he takes his time answering. “Yes,” he finally replies. “Will you?”

You let the question hang, still standing with your back to him. You hope he can understand your wordless answer, especially after sharing such an intimate moment.

The only warmth I crave now is the heat of your body against mine.

Still trying to avoid meeting his eyes, you half-turn to pick up your two empty cups from the table. Doing so makes you lean against the side of the little square table, and you notice with great surprise that it does not tilt dangerously to the side as it has for the last several months.

The table legs are perfectly even now, and you suddenly raise your eyes to look at the man squarely. He is gazing at you with the oddest combination of expressions — desire, contentment, admiration, sorrow, longing, affection, and several others you cannot name.

“You fixed my table,” you observe, genuinely struck by the kindness of his simple gesture. You don’t know when he did it, but sometime in the last few days he must have noticed the unsteadiness and taken the time to fix it somehow.

He holds your gaze for a long moment, and a small smile tugs at the corner of his lips. “It needed fixing,” he replies simply.

Your heart leaps into your throat, though you can’t say quite why. Despite the fact that just a moment ago you were wrapped up in his arms, sighing while he covered your neck with kisses, you are much more affected by his modest demonstration of kindness — fixing something of yours that was broken.

“Thank you,” you tell him softly, returning his small smile with all the warmth blossoming in your heart.

You finish your task, setting the two cups in the cabinet to be washed tomorrow. The storm outside has quieted somewhat, but you can still hear the constant pounding of raindrops on the roof and walls.

Quiet thunder rolls in the distance as you turn to look at the man again. He is still seated, leaning forward with his knees on his elbows, gazing at you curiously.

This is what you want: this man in your home, always, sharing your fire, sharing your space, looking at you as if you hold his heart in your hands.

The words spill from your lips before you can consider them. “My father always told me that a storm can make a person change their mind about anything.” You hear the significance in your own words, and you press on anyway. “He said it’s in their nature to bring about transformation.”

The man’s darkened eyes do not leave yours for a moment, and you hold his gaze steadily, wanting him to hear your unspoken plea.

Stay with me. Let me love you as I do in my dreams.

His face does not betray any decision, but his gaze is tender, filled with a weary longing. His eyes explore each feature of your face as gently as his fingers did a few moments ago.

“Perhaps I will listen to it for awhile, then,” he murmurs, and your heart sighs.

All is not lost. You must simply wait.

As you start towards the doorway that leads to your bedroom, you pause beside his chair. The man is looking up at you with eyes that melt you to your very soul. Overcome with your affection for him, you lift one hand and stroke the side of his face, smiling down at him fondly.

“Goodnight, general,” you whisper, and your heart whispers, Beloved.

Before you can drop your hand, the man wraps his fingers around it and brings it to his lips. An unhurried kiss to the back of your hand, one that sends another shiver down your spine, and he releases you. His eyes burn into yours, intense, ardent, yearning.

“Goodnight,” he whispers, and your heart hears his whisper, Beloved, long after you have slipped into the next room.

*~*~*~*~*~*~*~*~*~*~*~

More of my fanfiction if you're so inclined :)

[chiropteracupola]

granby + iskierka + keynes

[weirderscience]

when wide scale political protests happen again i want every white fanfic writer out there to shut the fuck up

[windsweptinred]

I have infinite awe and respect for people who just do their own thing in fandom. Who ship two random crossover characters (that makes sense to them and them alone) with all their heart. Or obsess over that one side character no one else cares about. It takes a will or iron and a volcanic passion to keep that creativity and love alive, without other people feeding it with equal enthusiasm, ideas and praise. And to not fall into a spiral of fandom negativity because often, they must play alone in their sandbox. They just love and craft and there walks a fandom hero my friends.

All the hats off to you, you amazing, wonderous types. 

[swordoffrivolousthings]

Thoughts about Heroes of Olympus and how it could have been better.

Sometimes I think about what would have made HOO a better series. And I'm not talking about the obvious 'too much focus on romantic relationships' and the lack of usage of certain characters or the dumb ending.

I mean the little things that would change so much (mainly character dynamics but also worldbuilding i.e. Camp Jupiter and Gaia's reasoning)

Some of the points are inspired by @crisisreading and their posts. They are the first I saw raise some of my own points so! part 2

Make the ages vary more in the main cast, trust me

Let Percy, Annabeth and Grover get older by 4-5 years. Let them become adults and find themselves outside the godly war. Let them even finish college, I wouldn't get mad. Let them do anything beside being teenagers.

I promise this would make the dynamics more interesting. Percy and Annabeth will be more mentor figures, than fellow comrades. This would create some distance between some of the them, but ultimately create something fun. Piper would come to see some aspiring female figure in Annabeth (I think this would ether be positive or negative, depending how Annabeth changed as a character over the years, but I tend towards negative). Leo would potentially have someone older to exchange ideas with. Jason would possibly feel intimidated by Percy's vastly superior age, prowess and experience, instead of being able to clash heads with him.

Hazel would have not one, but two that people that would play parent to the others' reckless behavior. (go snort your harmful stereotypes up your ass, Riordan.) Frank, when telling Percy and Hazel about his stick, would possibly find in Percy a kind hand (not that he wasn't kind already, let me explain) and Percy would probably share with him this feeling of vulnerability - not dump it on Frank - about having your life tied to a specific thing. I mean his Achilles heel, with which he would have lived for far longer.

And a whole lot more.

2. Add Grover into the series as a perspective character

You have a new trio dynamic introduced in the first book of the series. Let the original trio interact as main characters and let us see how their relationship has changed.

Grover's opinion on the conflict between the gods and Gaia would be important. He is the Lord of the Wild, and Gaia is the literal personification of the Earth. Let us see his struggle between the loyalty he has to the gods and his friends and his powerful feelings towards protecting nature.

Also, he would act as a protector for the demigods. Because while I enjoy Hedge, he is not enough to keep them safe.

3. Throw the bullshit about Gaia getting revenge for Kronos' defeat out of the way

Gaia, as mentioned before, if the personification of the Earth. One of the first gods to emerge from Chaos.

Gaia can, of course, keep her resentment for the gods defeating the son that freed her from her pain (caused by Ouranos initially). But she is a mother goddess. She should want obliterate humanity because humans are slowly killing her. Painfully. She wants to survive and the only way she sees how if by killing all the humans. She wants to save her children, aka animals, insects, nature, and the only way she sees is bloodshed. Gods are not rational in their anger, no one is. So let her be angry and vengeful and out for human blood.

DO NOT MAKE HER A FUCKING VILLAIN, MAN! Make her an antagonist, but someone's whose ideals are worth taking in and adapting. Kinda like Luke about the demigod and minor god recognition. Where have the themes of the original series gone? Remember, an important theme in BOTL was protecting the environment. It was one of the most important moments when Pan faded. Do not let that go to fucking waste. Especially not now, in the world we live in.

4. Show the effects the war had on Camp Half-Blood. Hint it at Camp Jupiter, when Percy does not have the memories to corelate it with

We've had years since the end of the Second Titan War. How did the gods change the course of events ? (the victors write the histories) How much of Luke's reasoning for starting the war was erased. (hint, all of it.) Show us how much the perspectives were shifted and how much the people that fought in it were made into martyrs and villain, basically becoming caricatures.

Let us feel how much this hurts Percy, Grover and Annabeth. How it had impacted and impacts their trauma, grief and utter horror. The younger, newer campers see them as wonderful, all-just and loyal heroes of the gods. The way they hate it.

Good moment to implement the new cabins for the gods and let the new ones forget that it wasn't always this way. Let Percy's demand to the gods be forgotten, shoved under the rug. The tragedy unfolds, use it.

Since in Camp Jupiter none of the main characters have fought, let us see the subtility. Let the older legionnaires be ragged, scarred. Older and weary, with eyes glassy and suspicious. Have younger recruits have this heavy air around them. They know what happened, what killed most of the older people in the legion.

Have Jason, Hazel and Frank see these things in Annabeth, Grover and Percy too. They realise that oh. oh. these three have fought in the war, of course they would. Show them gain respect for the trio. The same kind of respect they have for the veterans back home.

5. Cut one of the Seven from the prophecy.

I know this seems radical, but it is a symbolism thing, which I think would be more interesting in a world based on Greek mythology.

It is established in PJO that three (3) is an important number: 3 Olympian sisters (Hera, Demeter, Hestia), 3 Olympian brothers (Hades, Poseidon, Zeus), 3 Fates, 3 quest members, 3 Furies, 3 godly realms (the Underworld, Olympus + the sky, the seas). Use this.

Give us six (6) prophesized heroes. It is, after all, the second most used number in the series and a multiple of 3.

I suggest Annabeth. Why? because she has her quest from Athena. Let that be her top priority, while hanging out on the Argo II to get to Rome. Let her bond with the younger demigods and have her possible death be always on her mind. Bring her hubris into play and she would think herself the chosen one, the one demigod child of Athena to survive. This would make her falling into Tartarus with Percy not letting her go more taxing on her psyche.

Show us how she hates herself because she took one of the principal quest members to certain death. She feels like she'd jeopardized the whole saving the world thing.

Cut the Seven to Six and let Annabeth die in Tartarus. Show us why a single-man quest is a death sentence. Why three (3) is such a valuable number.

6. CONSEQUENCES!!!

Jumping straight off the last point.

Change why Annabeth would end up in Tartarus. Make her ignore the string around her ankle because she thing that nothing bad can happen to her now. After all, Arachne is gone, right.

Let this be her undoing. I do not care how she dies, but make her choices, her hubris, be her undoing. Do not let her death up to a chance, a mistake or miscalculation. Show how toxic Tartarus is, because we do not see it enough, but make it Annabeth's idea, the plan by which she dies.

Do not make it Percy's fault. Let him try to do everything to keep her alive, but still failing. Attack his sense of loyalty, his self-esteem. Show how the experiences and her death affect him.

Bring the trauma from the last war back in those chapters, in a place where demigods leave something behind.

To less drastic things - let the others get hurt. Permanently. Show how this life affects and damages people physically, too.

Have one lose an eye, another get horrific scars. Lose a limb, a part of themselves. Do not make it seem like any other could have gotten the same wound.

Tailor them to their character, their pride and their skill. Hit them where it hurts most and let us see how it changes them.

Also, about Leo. Kill him too. The fact that he ended up alive is a deux ex machina. He should have suffered the consequences.

Also also, bring back the fatal flaws. They are missing from the series. Play with them, show why they are important parts of their characters. Bring back ancient Greek fatal flaws, and new ones that make sense in a modern world.

Hurt them because what hurts them is part of who they are. Show us why the Greeks invented tragedy.

7. Age up the target age. Go more young/new adult

I understand that PJO was made for middle schoolers. But the target audience had grown up alongside the characters, and as such they have matured.

This is why I said to age Percy, Grover and Annabeth up further. Leave some distance for the old and new readers to get up and personal with the new main characters. Have them find common ground with the new demigods but have their anchor in the old ones.

Make the readers work to understand and refamiliarize themselves wit the older demigods. Because they've changed.

Targeting a more mature audience allows exploring n. 6. The realistic consequences of living with the fear that something will come and eat you. How just a little mishap could change you for life. (or what has been left of it)

Please do not go grim dark. Show that despite this all, their purpose has not stopped existing. A life exists outside of your appearance or disability still exist, and while it would be hard, do not lose hope.

8. Hope, or lack of its importance in the Heroes of Olympus series

Alongside other callbacks and reinforcements of PJO's lore, where is Elpis (hope)? Why doesn't she appear as a larger theme in the books? I don't know.

Elpis is still in the jar, having been used as a threat of defeat. But now Kronos is gone. Have Gaia use it as s symbol for her own cause.

Make hope Gaia's argument. The most important part of why her cause stands. Gaia is waking now because there is no hope for the betterment of the planet while in human - and therefore godly - grasp. She wants to save the planet, but they, the destroyers, are opposing her.

Hope is what she wants to bring back. The hope that death will not be the end of life, but further evolvement and betterment of all species.

This argument is what the counterargument should unravel. All species? Why are humans considered irredeemable, unworthy of becoming something greater?

Why can't they not coexist and why can't humans learn how to care about the world surrounding them.

Make hope for humanity and for the environment not a question of if they are capable to coexist, but how we can manage that. Humanity and nature are not mutually exclusive, but two halves of the same whole that need each other to sustain their longevity. Yes, nature can exist without humans, but humans can't.

This does not mean that the best way forward is to kill all humans.

There is no need for hope in HOO because there are no greater questions being asked about topics that require hope, because otherwise we would descend into nihilism and fatalism.

9. Give the gods reason to act the way they act, or a look at a greater narrative problem in the series

I may be generalizing, but the gods act erratically and make choices convenient for the plot, as it is, to happen.

Hera: how, specifically, does she know that Gaia is rising and what her plans are. Why is she against Gaia, when the older goddess has a track record of helping the Olympians on different occasions in the myths. Why does she decide to act when she does, how she knows that the king of the giants (whatever his name may be) is coming after her right then.

We don't know.

Athena: we understand why she wants the Athena Parthenos back. Why not force the Romans to give it back. After all, she is a goddess, even if the Romans don't respect her as the Greeks did, she has power and sway over them. Why send her children, a supposedly important part of what brings her glory, to a near-certain death. Is it misguided vengeance, an obsession to get the statue back at all cost, or simple cruelty. These reasons could apply very well to sending the Romans, yet she doesn't.

Zeus: why lock down Olympus? Paranoia, which fair, but you are a King, why wouldn't you look after your subjects? (bc Riordan chose to ignore part of his characterization in the myths and part of his godly domain) (I know kings aren't perfect, but after the last war, one would think he would do everything in his power to stop another one before it begins) Why not seek justice for Octavian's lies, that affect their ability to win the war, and kill/imprison him? Justice is part of his domain, as Zeus Nomius.

I know that we wouldn't necessarily need these answers, but without some of them, some choices left hanging seem to be there only to add to the drama and danger of it all.

All in all, I have many problems with the 'Heroes of Olympus' series. Some of them are nitpicks and personal preference as a high fantasy reader in my free time. Some of them would really add to the story and continue the themes of PJO.

Please ask me if something wasn't clear to you. I'll happily explain further.

If you find something you don't agree with, let's discuss. I'm open to changing my opinions.