#I love drawing but the more i think about the future i feel like it's something i can't continue for much longer

[oodlyenough]

continuing my arcane s2 ted talks i guess, i've been trying to decipher how i feel about the medardas' plotline in s2 and i never really land anywhere but a sort of disgruntled marge simpson groan.

i think anyone who paid any attention at the end of s1 or spent even ten seconds theorizing probably knew mel was a mage and her shield magic would protect some or all of the council. i was surprised this reveal didn't happen right away, and i liked that initially we see an overhead shot showing her totally-undamaged bubble around her seat. i could roll with jayce wondering why he survived and mel sort of shrugging it off. the black rose stuff in act 1 i also found intriuging and the action scene with amara was cool. i was excited that kino would be more relevant

but then act 2 ... it felt like we put mel in the torture labyrinth only to draw two conclusions, the first being that she's a mage (no duh; we could've revealed it in the first episode) and the second being that she's a bastard child from a secret love affair her mom had. and then we uh. didn't really explore that second part at all. we learn, sort of, that her mom has some beef with the black rose; if you don't play League you have no idea who or what they are; they claim Ambessa let Kino die and only wants Mel as a weapon; when confronted Ambessa only half-answers and seems to disdain mages; Ambessa ends up fighting Mel, gets killed by Mel's double bluff, and then Mel takes over the Medarda clan for... some reason (does she want to? does she HAVE to?)

mostly it ends up feeling like a backdoor pilot for a future noxus spinoff. and a future noxus spinoff starring mel isn't a bad idea; it's just that it feels like a lot of screentime in an already-frantic final season for arcane was then spent on a plotline that doesn't really resolve.

also in season one i thought mel and ambessa's relationship was very interesting and i looked forward to more of it. i thought the idea of ambessa sending mel away because mel's big puppy eyes made her feel guilty for doing what she felt she had to do, and mel feeling that as a rejection/banishment/lack of love fit nicely into the general themes of s1. i... just don't really know how the secret mel magic that ambessa hates and/or covets (unclear) adds to that rather than weakening it. their two conflicting worldviews alone set them up nicely to butt heads in season 2, especially with caitlyn potentially stuck in the middle, torn between both of their guidances and philosophies. instead it's like mel mostly inhabited a different show for most of her screentime.

i'm also not super convinced ambessa was written with the same level of sympathy characters like silco got in season 1. it certainly seems to me she gets less of that from fandom, anyway, who treat her like a uniquely evil character even for a major antagonist. it's hard for us to understand her motives when we don't really know what they ARE, the origin of her black rose feud, who tf the rose are to begin with, the true circumstances around kino's death and mel's banishment, etc... if this is all the unofficial pilot for a Noxus spinoff it might as well have just waited until then and let us use this screentime to expand on the other things in s2 that needed to be expanded/wrapped up in their final season.

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[myokk]

🥺

[seirei-bh]

Jason Mendal headcanons

I wrote these headcanons for fun, however, keep in mind that there is only a few episodes of MCL NG out by now, so I may be wrong about some ideas due to later revelations. (I've also added some NSFW headcanons under the cut!)

-He loves luxury restaurants, especially Italian food, and everything expensive and exotic that is the specialty of five-star chefs.

-He has a limousine and a driver, but he only uses them on special occasions, since he prefers to drive his own car.

-If he were an animal he'd identify with a panther, a wolf or a shark

-He likes to listen to jazz.

-He made an anonymous Twitter account that he uses to insult Devemenentiel members (later Thomas found it and hacked it to permanently ban it, lol)

-He usually wears cologne, his favorites are “Sauvage�� by Dior, and “Eros” by Versace (obviously very expensive and brand name)

-He doesn't feel close to his family. Most of them are unbearable to him, with a few exceptions.

-He tends to think that stable romantic relationships are a waste of time. Most of his romantic relationships in the past didn't last very long, almost all of his former lovers complained that "he was married with his job" or that "he was a self-centered asshole". He never had enough time for them and he got bored of them because they were not intelligent or interesting enough to him (something that changes with newsucrette/Ysaline)

-He likes women with self-confidence, who know what they want and are capable of challenging him.

-His poliosis was a consecuence of his Waardenburg syndrome. That syndrome also causes on him to suffers from partial deafness and has vision problems. However, he hides all this by using a very discreet hearing aid and contact lenses. Almost no one knows this except a few people very close to him, Jason hides these problems from the people at his company and any competitors to avoid look weak.

-He's afraid of one day becoming completely deaf, so he learned to read lips and sign language.

-He doesn't want to have children, partly because he doesn't have time to raise them, but mostly because he fears they could inherit the physical problems he has, like a partial or complete deafness.

-Since he was little he was always very good at maths.

-Jason pretends he was always popular, but he was quite nerdy at school, something that he decided to change later in high school and college, he went from being the nerd boy who other made fun of to being the popular boy who insulted and bullied the others.

-During his childhood and teenage years he used to dye his hair so that other children would not mess with him, but as an adult he learned to leave his natural white streaks with self-confidence and to see them as an attractive and unique feature.

-He likes the beach, the pool and going on a yacht. He hates mountains and nature.

-He likes to go to the theater and museums. He knows a lot about the life and work of artists, but he doesn't know as much about art itself, although he pretends he does.

-He has the philosophy of “the end justifies the means” and also that money does give happiness, or at least it can help buy it.

-As a child he learned to play the piano, but as an adult he has thrown away most of his former hobbies from his little free time, because he no longer has time for any of that.

-He got that tattoo on his arm because he lost a big bet once, but since Jason never talks about his defeats, when someone asks him, he says that he got that tattoo just because he wanted to and without any reason or meaning beyond the aesthetic.

-Devon was one of the few true pals Jason really respected and appreciated in the past, before “something” happened between them and they became enemies. Each of them has a different version about what really happened in mind, so that hostility due to differences in povs became increasingly stronger as the years went by. (Probably in this case it is Jason who is not right, but he is too proud to admit that he was wrong.)

-He felt attracted to newsucrette/Ysaline from the first moment he saw her. At first it was just desire and he wanted to manipulate her, but over time that feeling grew stronger and turned into love. Something that he also tried to ignore and deceive himself, denying it until he realized about the truth. He knew that maybe she would hate him, that maybe he would hurt her, that everything could end very badly, but still he couldn't resist to try it.

NSFW headcanons

-He loves bondage, specially tying your hands with his tie.

-He enjoys giving you orders in bed and see you obeying them, but also he enjoys secretly even more when you're a "bad girl" and refuse to do what he orders.

-Praise kink (both give and receive)

-He absolutely adores when you claw your nails on his back, so he has more excuses to call you “kitten.”

-Also when you grab him by his tie to drag him to the bedroom and passionately tear off his clothes.

-His favorite place is in his house, although it can be in bed, against the wall or on a table.

-Too excited by the idea of f*king you in Goldreamz's office, on his desk table sometime.

-He almost always prefers to be the dominant one, but also loves when you fight for dominance and you get to be the queen in his bed who is able to doms him.

-He loves to tempt you beforehand, whispering sexy and dirty things in your ear, kissing you on the neck and caressing you softly and subtly, until you can't take yourself anymore.

-Hard. Savage. Passionate. Sometimes very fast for all the sexual tension you two can't handle, sometimes unbearably slow on purpose because he wants to hear you beg for more and praise him how good he is and how much you want him.

-You two always end on a bed after an argument. He's turned on by how beautiful you look when you're angry and how you fight back fierly. Sometimes he makes you angry on purpose because how much he enjoys the moment and what comes later.

-He loves when you tell him that you hate him. That turns him on too even more.

-Skilled with his fingers and proud of it *wink*

-Proud of his own body. Yeah, his size too.

-He loves to kiss your neck, caress your legs and grab your thighs and butt.

-He loves looking at you. His gaze is especially intense and challenging when you're riding him, and he likes to hear you gasp as he watches your beautiful face and body.

-Sometimes is a competition between the two to see who shows better skills in bed and how much you both can last (how many hours and poses). He'll give you his best sexy smirk and won't stop f*king you until you beg him, but you would never beg your enemy... right?

Extra! A few nsfw sweet headcanons too:

-If he notices that you feel too uncomfortable and nervous, he makes humorous comments to break the ice and make you laugh.

-Although he likes BDSM, he will always ask you if you feel comfortable or not with it and will stop if you ask him to do so.

-He's not very used to aftercare, but he knows that you need them, so he tries to give it to you. Plus, he likes it when you rest your head on his torso, close to his heart, and he thinks you look gorgeous while you sleep.

[volivolition]

wiggles my fingers at you ouuuu… you want to tell me about solace so bad…

HKJGG wiggles my fingers back lovingly!!! i really do, i fuckin LOVE solace :3 hey did you know i really like making fake skill descriptions?

SOLACE

Follow the north star. Find light in even the darkest places. Cool for: Optimists, Recovering lost souls, Sweet summer children

Solace is the skill you tucked away long ago, at the bottom of Pandora's box. The little one that tells you: despite it all, there is still hope. It needs a lot of nurturing -- and it's far from being the most helpful for police work -- but taking care of it is basically self-care. It enables you to find the glow in yourself that you often ascribe to gold lungs or brilliant halos in others. It encourages you to wake up and watch the sunrise, to play board games with someone you love, to forgive yourself and let yourself be a gentler kind of animal. Constantly looking forward to a brighter future, it also helps shield your morale from damage.

At high levels, Solace gives you a heightened sense of childlike optimism - which isn't always the sense to lead with in this precariously harsh world. Always looking for the bright side will blindside you with naivety. At low levels, however, you may just extinguish whatever keeps your soul alight. You've already lost her once. You may not survive the desolation if you let her disappear again.

[sysig]

When you weren’t looking (Patreon)

[melverie]

Aaaaaaahhhhhhhh today I've been constantly experiencing the urge to un-private today-in-the-devildom & start writing for it again

[keeps-ache]

streetlamps.. orange streetlamps..... <33

[jammboe]

I'm at a weird stage where i feel like my time as an artist is coming close to an end, idk what to do with it or where to take it. It doesn't feel nice at all 😭 i will try to draw again, but i just don't know when that will be unfortunately

[fruitbat-art]

here is the zine i made yesterday hehe im gonna put the whole thing under the cut because with the translations this post got a bit long

"my art is mediocre and thats ok!"

I'm a mediocre artist and I don't say this as if it were a bad thing.

My art isn't bad... But it isn't that good either.

This [sentiment] has been bothering me for a while but especially from a few months back, when I started posting my art on Instagram.

Sometimes I catch myself comparing myself to other artists my age

NEVER DO THIS

And I think:

'Why am I not as good as them?'

'How did they get this good?'

'???'

Despite knowing that art (and life in general) isn't a race, sometimes it's difficult to not feel like I'm falling behind.

"WAIT!!"

Am I happy with the art I make currently?

Not really...

But, at the end of the day, art is about expression and having fun and (despite the stress) I love every second of it.

Happy ending ?

[mercurymacaroons]

woagh 2 posts in one day

[yelloworangesoda]

gotta get off the internet and only interact irl with people who were 30 before they got their shit together i cant keep doing it like this

[narutomaki]

I always get self conscious when people talk about the amount of thought the goes/went into their art because there is.

there is no upper processing happening when I'm designing a character or background. my hand starts moving and my brain shuts off. I recognize there was probably a point in my life where this WASN'T the case but. like. it's why my art is like. mostly flat and lifeless. my art is never intended to tell a story because when I intend to I get angry/frustrated to the point of wanting to break shit because it's not going right. and I've tried to tell stories with my art both comics and stand alone pieces and it all feels fake or flat or.

idk.

I've TRIED to start and finish a piece where I've made conscious choices beyond "does this look good/right" and "am I being offensive in ways I'm aware of with anything here" but it just. makes me want to scream.

I learned people told stories with their art and I tried to and I stopped drawing for 5 years despite having. before that point been doing art studies for 8 to 10 hours a day for. 2 years.

I mostly just think it's because I have nothing to. say.

I can't add anymore tags to this post??? homophobia.

any way this post is useless idk I'm just sad because people do this thing so easily and enjoy it when it makes me break down crying. I don't get it. every person I've known regardless of neurodivergency has been able to do this consciously to some degree and enjoy it and meanwhile my stupid ass is asked how/why i chose something and I just. shrug. idk

looked nice?

[mars-ipan]

genuinely i don’t know how someone could meet a kid and decide children are horrid monsters actually. kids are so good

[arcadian-vampire]

Nervous giggles

Even more nervous giggles

There are so many professional paintings here, so many technically advanced, highly impressive works, and I'm just like [slaps some crayons down] y- yeehaw,,

I'm keeping the Escape Motions site Exciting. keeping it Interesting and Ridiculously Colorful

[void-tiger]

I’m just going to work on accepting that what I do want romantically IS a Friendship and Life Partnership and Marriage in every way that matters.

I’m just asexual.

And I’ve always been transparent about it.