#I like tormentors

[desolyx]

Having a lot of self-doubts with art right now, spending a lot of time just practicing and not really finishing anything, but this one got completed. A tormentor, for practice. It's really fun to study anatomy from creatures whose anatomy is absolutely fucked up.

Plus a little speedpaint, because why not.

[karta-vacante]

Torment(ed) Ahamkara

[saudrag]

sooo… nobody’s gonna talk about how every time hughie kills someone & gets their blood all over himself the next thing happening is butcher killing someone & getting coated in blood too? literally every. single. time.

murder husbands i guess?

also i was SO fucking cheering for hughie to kill that man. i need this boy morally RUINED

[comradekatara]

sokka, katara, and the paradox of “the gifted child”

something i’ve noticed is a tendency to (mis)characterize sokka as someone who is dismissed due to being a nonbender, when that’s only partially true. sokka is certainly dismissed by some for not being a bender (namely, by benders), but i think there’s a key difference between being dismissed and not being valued in one specific way. katara was valued by her tribe for being a waterbender for the very crucial reason that she was the last one left. had she been a dime a dozen in her tribe, which would have been the case were it not for the systemic extermination of her people, she would not be valued as highly for possessing this skill. that said, while sokka clearly does hold some resentment over his lack of bending ability, calling himself “the guy in the group who’s regular,” i think it’s folly to assume that this means that sokka was dismissed and discarded as “average” while katara was put on a pedestal for being special. because while katara obviously was considered special, sokka is also clearly considered special by his family, merely in different ways. and if anything, sokka embodies the archetypal struggle of the so-called "gifted child” far more than katara does.

while sokka clearly believes himself to be disposable and intrinsically worthless, i don’t think that he was actively neglected by his family. even if katara was clearly marked by her bending as embodying the last hope of their tribe, that doesn’t mean that she was seen as more gifted than he was or was designated as her family’s obvious favorite. for example, the way hakoda talks about sokka (saying he trusted him with leading and protecting the tribe when he was thirteen, calling him a genius, and other such insanely high praises to heap on a child) shows that he clearly views his son as particularly exceptional and has never been shy about showing that. sokka is distinctly insecure around his father for assumptions he makes regarding hakoda's faith in his abilities and his insecurities when it comes to his perceived failure in not measuring up as a man, but from the second we meet hakoda, it's evident that these insecurities are entirely internal and completely unfounded, at least in terms of his father's perception of him. hakoda is nothing but incredibly proud of sokka, constantly emphasizing just how capable and brilliant he believes him to be. whether or not sokka is capable of internalizing it is another story, but it's clear that hakoda is not stingy in his praise and affection, not even a little bit.

moreover, while katara is clearly kanna’s favorite on an emotional level, she nonetheless affords sokka far more respect. she admonishes katara and tells her to do her chores, and notably, she also impresses the importance of “listening to her brother,” and backs up sokka’s decision to banish aang from the village. you can claim that sexism plays a factor in how sokka views his own supposed position of authority, but kanna is a woman who traveled the entire globe as a teenager because she wanted to escape patriarchal impositions dictating her life. she’s simply far too smart to treat sokka as any sort of authority within their village if she did not fully entrust him with that responsibility. she treats sokka almost like a peer, as if she is legitimately co-running the village with a fifteen year old boy.

katara is only a couple years younger than sokka at most, but her dynamic with kanna is very different. on one hand, kanna clearly sees more of herself in katara, can identify with her sense of adventure and rebellious spirit, but on the other hand, it means that she views katara as a child to be taken care of, who needs to be reminded to do her chores and bailed out when she gets herself into trouble. sokka doesn't want to be viewed as a child, and so he does everything in his power to position himself as kanna's equal rather than her grandson. he takes his duties and responsibilities very seriously, and is obedient to a fault whenever he is submitting to any authority he actually respects, especially his father and grandmother. to be honest, a lot of what katara considers coddling is probably just sokka never being bossed around by their grandmother because she never actually has to tell him to do his chores. because despite katara's claim that he simply faffs about "playing soldier," sokka's problem is actually that he takes himself too seriously for her liking. and with the exception of kanna saying "be nice to your sister," which is the kind of teasing a parent says to their child, she clearly respects sokka's position in the village. when katara tries to run away with aang, kanna takes sokka's side and forbids her from acting impulsively, but when sokka is the one who packs supplies and plans to save aang, kanna gives them both her blessing.

katara is the only person who takes umbrage with the notion of sokka running the village and telling her what to do all day. and those frustrations have likely accumulated up from a lifetime of being told to “do as her brother says” and “why can’t she be smarter and more responsible and levelheaded blah blah blah.” she clearly thinks that she’s punching up when she yells at or mocks him, which may seem crazy to anyone who understands that sokka’s entire identity and existence revolves around being katara’s protector, but katara doesn’t actually know this. in her mind sokka is merely the perfect child who has always represented this impossible standard of “genius.” and what's more, he's absolutely insufferable about it.

and to be clear, this isn’t to say that katara herself isn’t highly intelligent, capable, competent, and skilled. she’s not only an incredibly talented waterbender, but also clever, quick, witty, creative, resourceful, practical, mature, and thoughtful in other ways. at one point, toph calls her a genius (“a stinky, sweaty genius”). and she is, indeed, an extremely powerful and innovative waterbender, both due to her hard work, but also because she is genuinely brilliant. that said, she’s smart in the realistic way that a kid is smart; she works hard to be good at what she cares about (and she has an existentially devastating reason to care about being a good waterbender, mind you), and she’s also good at thinking on the fly when she needs to. however, unlike sokka, or even toph, her intellect may be impressive, but it isn’t astonishing. sokka’s mind functions completely anomalously. i wouldn't say he's unrealistically intelligent, because i do know some people in real life who are similarly adept at processing all kinds of different information with the ability to deftly apply it near-immediately, but it is certainly abnormal, both for real world standards and within his universe.

i normally bristle at this term and its applications (for multiple reasons), but since it is explicitly stated multiple times across the show, it is important to acknowledge that sokka is referred to as a genius multiple times, including by his father. katara is referred to as being a genius by toph for using her own sweat to waterbend (which, as hama points out an episode later, isn't even that clever because you can literally bend water from the air around you); conversely, sokka is referred to as a genius for helping to invent hot air balloons and for figuring out multiple escape routes from the world's most secure prison in less than a day. we don't know the exact timeframe under which katara trained with pakku and earned the title of master, but she clearly worked incredibly hard to earn that title, not only as a master, but as the greatest waterbender in the entire world. i assume it was any time between a few weeks and a little over a month in which zhao would organize a fleet to arrive at the north pole, which is, of course, extremely impressive in itself and a testament to her passion and determination. however, on the other hand, piandao claims that sokka has basically mastered the sword and is ready to make his own within less than a day. it's important to remember that katara is also brilliant in her own way, and possesses great skills that sokka lacks: not only bending, but also midwifery, and an ability to locate her own emotions and allow herself to be vulnerable with others, two skills which should never be looked down upon for their association with womanhood and femininity, and are also particularly impressive considering just how young katara is. she is brilliant in her own right, and in any other family, katara would easily have been "the smart one." and yet, sokka is simply in a league of his own.

so, yeah, he can stand to get thrown around and yelled at; everyone her entire childhood just kept on impressing how special and perfect and brilliant he is, he can handle it. she has no idea that he is depressed, depersonalizes, loathes himself, and thinks he’ll never be good enough, because he never actually communicates any of that to her. the closest he ever comes is admitting that he’s jealous due to not having bending abilities, and even that shocks katara, even though it’s such a small and obvious admission in the scheme of things. she has no idea what’s going on with him psychologically, how he views himself in relation to others, and specifically in relation to her, so she kind of just assumes he’s entitled because surely he must know how special he is and thus feels owed accolades by the world at every turn. he deserves to be humbled, and she is in fact righteous for humbling him.

when she makes fun of him for being stupid or miserable or paranoid or cynical, she thinks she’s owning him the way a righteous underdog fights against an oppressor. it's similar to how zuko wants to "put azula in her place." in katara and zuko's minds, they are both the valiant underdog siblings who had to fight and struggle against the siblings for whom everything came so easily. and in katara’s mind especially, she is always punching up, and she always has a moral justification in lashing out at anyone she pleases. so she couldn’t fathom that the reason sokka puts up with her antagonism without complaint isn’t because he’s so above her that he can simply ignore her taunts and gibes without a care (if that were the case, he wouldn't bother to taunt and gibe in return), but rather that he feels so detached from his own personhood that he would never think to actually explain his feelings to the person whom he has defined himself through since childhood. and if he did ever, somehow, communicate that to her, she’d have to reevaluate their whole entire lives and dynamic. but he never will communicate that to her, so she’ll never actually have to do that.

moreover, even though katara often does tease sokka and cast doubt upon his competence and abilities in low-stakes situations constantly, whenever they are actually facing a real problem that requires an immediate solution, katara seems to forget that sokka is supposedly an unhelpful, lazy, immature idiot because she immediately turns to him to fix all their issues. and then once that issue is resolved, katara goes back to finding his existence bothersome. sokka, on the other hand, falls into this role of problem solver instinctually, with the one exception that when they actually name him as the idea guy, he jokingly complains that it’s a lot of pressure to be one who is always expected to come up with solutions. and while he is joking during that conversation in “the drill,” he’s being honest to an extent, because his perfectionism and fear of failure is truly dire.

when katara is faced with failure, whether as the consequences for her own actions or otherwise, she simply gets back up and tries again. she can’t be knocked down, she can’t be deterred from achieving her goals. she has a very healthy approach to making mistakes, and while she doesn’t always learn from them in the longterm, she does always try her best to fix them and amend the situation as immediately as possible. katara is someone who is incredibly resilient and is constantly demonstrating the sheer magnitude of her inner strength, especially in particularly difficult moments. she has the ability to fail as many times as it takes without letting that failure affect her own self-esteem or desire to keep striving for what she believes in.

sokka, on the other hand, is very physically resilient (he gets beat up a lot), but his emotional resilience is actually quite pathetic. he has no tools for coping with failure. from even the slightest mistake, like not actually being able to open the doors at the fire temple with his makeshift explosives, to a catastrophic one, like his failed invasion, sokka immediately retreats inward. in “the boiling rock,” sokka demonstrates how his first ever real failure that rests squarely on his own shoulders is so devastating to him that he becomes totally irrational and suicidal in an attempt to “rectify” the situation. he does not know how to cope with failure, because he expects himself to be perfect at all times. and it’s not because sokka is overly proud, but rather that his guilt complex is so profound that he blames himself for every single thing that goes awry at all times, even when it isn’t actually his fault whatsoever. so that guilt and shame is magnified a thousand fold when sokka is actually culpable for those losses.

one of many ways in which it is evident that sokka is the older sibling is that he clearly lives with the mentality that if katara messes up or gets herself in danger due to her own impulsive inclinations, it’s always actually sokka’s fault for not being a better, more attentive brother. when she sets off the booby trap in the banned ship, sokka banishes aang from the village so as to protect katara from herself. when katara experiences the consequences of heedlessly blowing up a factory, sokka gets mad at her for her recklessness, but also immediately finds a way to help her fix this situation, because that’s his job, and in fact, his primary purpose on this earth. this is a dynamic sokka has probably internalized even before he was assigned the role of her sworn protector, because that’s just how being the eldest is.

sokka’s tendency to take responsibility for everyone else’s mistakes and his desire to shoulder everyone else’s pain at all times, coupled with his implicit belief that he, uniquely, cannot afford to mess up ever (if other people make mistakes it’s fine and he can help them fix it, but if he makes mistakes he no longer has a purpose on this planet, goodbye cruel world), definitely indicates that he was held to an incredibly high standard all his life. he expects himself to be able to handle a lot of responsibility with perfect ease because he always has. he isn’t used to making mistakes of any kind. if he puts his mind into learning a new skill, he always masters it within a couple of days, whatever that skill happens to be. unlike katara, sokka is used to things coming easily to him, and what he isn’t used to is failure.

katara and sokka are both exceptional, of course, but in very different ways, and for very different reasons. katara grew up with a lot of external pressure to excel as a waterbender, because she needs to embody her cultural legacy and prove that her mother’s sacrifice was not in vain. it’s an unfathomable burden to place on a child, and the rate at which she improves her waterbending once she is actually given the resources to hone her skills is a testament to her perseverance and untiring dedication. katara becomes the greatest waterbender in the world not because she is a natural prodigy (which is something she bristles at when aang does display prodigious skill), but because she is incredibly determined and no one can outmatch the strength of her heart and unshakable commitment when she is pursuing a goal. as pakku even says, raw talent isn’t everything, and katara’s abilities prove that despite not being “naturally gifted,” hard work and determination is far more important when it comes to excelling in any given domain.

however, if katara’s motivation to be excellent is externally imposed by the tragic circumstances of her life, sokka’s motivations are, at the very least, internally maintained. as aforementioned, i have no doubt that he received a lot of external validation and praise from the adults in his life as a child with a dazzling, brilliant mind. as has been established, sokka is constantly displaying an ability to synthesize new information at a staggering rate, which likely means that before katara had even discovered her ability to waterbend, sokka was probably being fawned over for the impressive rate at which he was picking up new skills as a baby. since pretty much everything (cerebral, at least) comes easily to sokka, i can only imagine that hakoda, who never hesitates to express to his children how proud he is of them, would constantly affirm sokka’s intellect. and by boasting that sokka takes after himself (hakoda also refers to himself as a genius, completely sincerely), he unwittingly plants the first seeds in fostering sokka’s belief that he must be exactly like his father in every way, and that any deviation from hakoda’s image would prove him unworthy. but he will never be the spitting image of hakoda the way that katara is "the spitting image of kanna" because sokka is already the spitting image of kya, if not – perish the thought – his own person entirely.

unlike katara, who spent her whole childhood trying to waterbend by herself with little success (beyond, of course, isolated instances demonstrating her sheer raw power when her bending was being influenced by her incredibly strong and passionate emotions), sokka always felt like he could handle the amount of responsibility he was given, because everything came easily to him. until the day that his life changed forever, and suddenly the stakes were no longer abstract, but tangible and personally devastating. sokka had never learned that it was okay to fail as a child because he never had a reason to, and then suddenly, he could not afford to fail under any circumstances. failure of any kind went from being a (purely hypothetical) blow to the ego, to being something that could directly endanger the lives of his loved ones. and so sokka decides that the only way to not be culpable for his potential failures is to be a martyr.

of course, there are instances in which sokka is proven to be inept, such as on kyoshi island or with piandao, wherein his humility and open-mindedness are put on display and sokka puts aside his own standards of perfection to learn from a master, but i don't think these instances qualify as failures. for one thing, sokka happens to master the forms he is being taught in less than a day, at an unprecedented rate, and thus these initially humiliating blindspots in his knowledge become victories as sokka absorbs new knowledge. sokka is always eager to learn, and willing to acknowledge his lack of expertise in area, humbling himself to learn from others any chance he gets. no, what i mean by "failure" as it relates to sokka's self-perception and ego is not a lack of knowledge, but an inability to protect another. to sokka, his existence is defined by his ability to provide and protect, and thus, a failure is, specifically, when someone gets hurt under his watch. that is what it means to not be able to afford to fail. he is not overly proud (if anything he is overly insecure), but he also understands that the stakes of failure – real failure – are tangible.

so when it comes to failure that carries grave consequences, he would rather be dead than fallible (or, responsible for not adequately protecting his loved ones), one million times over. and so every time someone makes a sacrifice for him, he feels as if he has failed on a fundamental level, because simply being exceptional is not enough, he must also bear the entire world’s suffering alone – as (in his mind) hakoda instructed him to when he left him behind to protect and provide for the village. otherwise he has failed in his promise to be needed, which is his raison d’être. sokka’s complex is very obviously not informed solely by his upbringing as a “gifted kid,” and in fact largely informed by the dehumanizing logic of war as it necessitates sacrifice, but his inability to accept his own fallibility as a product of his self-dehumanization is, at the very least, compounded by his debilitating perfectionism.

thus, katara and sokka's dynamic within their family isn’t “gifted kid and neglected kid,” but rather “two gifted kids who are gifted in different ways, one of those ways being valued more on a cultural level due to its scarcity as a byproduct of genocide.” while katara was put on a pedestal her entire life due to her ability to waterbend, it doesn’t mean that sokka wasn’t put on a pedestal in other ways. if anything, the reason hakoda entrusted a child with the burdens he did was specifically because he put his son on a pedestal. sokka assumes that hakoda didn't think he was capable enough to join his army, but that couldn't be further from the truth. hakoda trusted his thirteen year old son so much that he genuinely thought it best to leave him alone with this duty to defend his village and protect katara at all costs. he didn't leave a single man behind, not even the other teenage boys, because that's how much faith he had in a child to take his responsibilities seriously and perform them competently. and if that decision gave sokka one million different complexes and fucked him up for life, it wasn’t because he wasn’t valued for his abilities, it’s because he was overvalued and given too much responsibility at too young an age.

both he and katara struggled to live up to the expectations placed on them, forced to fulfill the roles of their parents instead of being allowed to exist as children. but crucially, katara sees the injustice in that, and clings to her childhood even as she strives for greatness, and sokka simply doesn't. he's long accepted that injustice, and in fact feels guilty that he cannot better live up to the impossible portrait of an idolized father, an idealized masculinity, an illusory model of the infallible, unshakeable warrior. despite all his achievements and natural giftedness, he nonetheless feels totally inadequate, deeply flawed, and ontologically worthless. perhaps, in a world beyond the pressures of war and its dehumanizing logic, sokka would have internalized the praise he was constantly receiving his whole life for his gifts. but since he was only ever a prodigy in ways that didn’t matter (within that colonized paradigm), he doesn’t actually care about how clever and brilliant and creative and talented and unique and special he is, because that would first require him to see himself as fully human, and he can’t even do that.

[reigen985]

Had a huge long 3-hour chat with my friend about mp100 after rewatching it and man... Mob Psycho 100 really does have an incredibly hopeful view to humanity.

I love how so many of the enemies they face are never lost causes.... Even the unforgivable still have a chance in making themselves better. They're not always outright forgiven but they're never shut down from changing for the better

Idk it's just really encouraging... Everyone is capable of great pain, but to choose kindness and compassion... Despite it ... Man

[rocketrouquine]

So since I can’t seem think of anything else, here’s another idea for you :

I think that when Ed headbutts Stede, his eyes are suggesting that he’s waking up violently like when you have a nightmare in a movie and you’re sitting up from the trauma.

what if all the sequences with him and Hornigold (Hornigold’s ghost? Just this guy in white?) are a sort of fever dream/coma following an injury or him getting knocked out or drowning?

It’s got this blue haze and Hornigold is always behind him like a mentor figure or a guide.

Ed jumping with the rock and sinking is a metaphor of him choosing to live (« don’t let go ») and killing his past self(« life begins again »).

And maybe it’s Stede’s words « I love everything about you » etc that get him out of it. But that does not mean that he forgave him, just that he’s going to live.

[little-tangerines]

kids are generally weird and religious kids are just plain scary honestly

[next]

[prev]

[zealsoughtsequesterustanxiedemon]

Rewatching Durarara with a friend of mine and we hit the Shizuo episode and I remembered wow he's my favorite character in this.

A character who id defined by violence: the strongest man in town, super-human even, uncontrollable, and easily irritable. But I love the episode we get for him because it really re-frames how his life led up to this.

He's had issues with anger and control since he was a kid. He's been in a cycle of getting angry, harming himself through wanton destruction, getting hospitalized, and healing his broken bones on-and-on until his body just actually got strong enough to stop getting hurt. A cycle he doesn't much like, causing him pain, property destruction, and sometimes hurting those he cares about. He loses jobs because of it and its obviously not very good socially. P neurodivergent imo.

But you know what he's also known for. That damn bartender outfit. The ones his brother gave him to encourage him keeping one of his many jobs. Of course, world isn't nice, he loses that job same way as the others. Now he's working as a bodyguard for a debt collector, one where his strength and infamy can decently benefit him. But he still wears the bartender outfit because of how many of them his brother got for him. So it's really cute how although he's still known for his anger, he's identified by something that came out of love, and from one of his favorite people.

He REALLY loves his brother. One of the people who's not afraid of him AND can actually calm him down. The other core one is Celty. He definitely has other friends, but those two are, like, THE people he can just really relax around. Show that his true nature isn't violence or wrath. He'd prefer being able to just chill, his brain just won't let him.

So besides his struggles, what I really like about Shizuo is that he can just exist. Despite his problems, he has a support system, he has a stable job now, he has friends, he has people who can stop him, and he can just live even if a lot of that life has to be angry. Heck, the police don't even apprehend him because his fits happen so much. Such a destructive person is okay to just be there. Problems will arise, and that's okay.

[eroguron0nsense]

Little thing that occurred to me about Law and Haki

I've always attributed the "canon" reason for Law continually getting spanked or struggling in spite of his virtually unparalleled power to be that he's just comparatively worse at haki than a lot of his opponents. Generally speaking, you can work your way around a LOT of devil fruit powers or brute force through them if you've got enough spatial intelligence and haki to work your way around them (see Oden, Vergo, Shanks, presumably Roger). Law's haki is established in Punk Hazard/Dressrossa to be weaker than Vergo's and Doffy's, in spite of certain external factors that contributed to him losing fights he could have either won or done substantially better in, and that kind of leads a lot of people to thinking that Law's powers are too good and they just needed to nerf him so that the fights could actually be more difficult and give Luffy an actual chance to shine/make the stakes higher etc That much is absolutely true, and Law having more developed haki combined with the way he's learned to use the Ope Ope no Mi would probably make him damn near invincible. I do, however, think that there's a bit more to this–and a more plausible justification– than just Law being as vulnerable or outmatched as the series needs him to be at any point in time, which is that he's had little to no fucking opportunity to polish it.

So quick recap: Law probably had some understanding of how haki worked from his time training with the Donquixote family, who taught him everything he knows about martial arts/swordplay/combat that didn't involve devil fruits. After Minion Island and Cora's death, he makes his way to Swallow Island, finds Bepo being bullied by Penguin and Shachi, and eventually manages to recruit all three to start the Heart Pirates. The thing is, as Cora told Law before he died, eating the Ope Ope no Mi turns both Doffy and the Marines against Law and virtually leaves him all alone with three children who are weaker fighters than him, and unless Oda gives him a second backstory, we can presume Law had no other mentors the entire time. The entire foundation for Law learning Haki in a world where everyone who knew about him would have been hunting him down a la Nico Robin would just have been him working off of what he learned from the Donquixote family. We don't know how the rest of the worst generation picked it up except for Luffy, who despite having only really understood what it was recently, spent two years being mentored and trained intensively by one of the greatest haki users alive; Law presumably had to pick it up on his own in life or death circumstances and had to focus more on escape or evasion as a 13 year old with limited powers and going through the whole childhood Luffy process of actually learning how to utilize his devil fruit in combat, especially since the Ope Ope no Mi canonically involves a hell of a lot of skill, intricacy, and imagination to be able to use to its fullest potential. The difference in Law's ability and more experienced or better haki users is basically the difference between people who've been training in highly specific martial arts for a long time and someone who was good at karate until they had to stop taking classes in middle school, and basically had to try and build up any skills they had developed by that point entirely on their own with no external guidance. You can learn to hold your own in a fight but the actual skills involved in picking up haki either come under super specific circumstances or involve learning highly specialized skills under mentorship. The people who are really, really good at it either have years and years of experience honing it (every Yonko, Katakuri), had it knocked into them by someone who was better at it (see Luffy and Zoro's training arcs, Hyogoro helping Luffy build on what he'd learned from Rayleigh to finally pick up Ryuo), or levelled it up under very specific life or death circumstances after already having a background in it (see the Katakuri fight, or Luffy unlocking his Ryuo under duress). Law and his crew of babies were presumably running for their lives constantly or trying to live under the radar until they'd gotten a bit stronger so that Doffy didn't pick up on the fact that Law was out there and vulnerable; their circumstances just weren't quite the right ones to develop their haki as quickly or as strongly.

[vinnigami]

doodle your favorite demon :0

I have too many ‘favorite demons’ to choose (Amanozako, Norn, Fionn mac Cumhaill, Kushinada-Hime, Bai Suzhen, and way too many more..) but i’ve been on an smt angels kick as of late. So I just drew Virtue

[transmasccofee]

imagine being so absurdly cruel to your little brother that u even moving back to the country he lives in terrifies him enough to warrant a shaded closeup shot

[sincerely-sofie]

Re: your mental health comic - I hope, if any of those characters are based on real hallucinations youve had, that you don't have them anymore. You're a good person who doesn't deserve to be talked to like that.

(Referencing this or this post, I’m not sure which)

Thank you so much for your kind words! The characters in those works are representations of actual hallucinations I’ve experienced. They were real nasty pieces of work, but I haven’t actually hallucinated one in a severe enough manner to talk to them in about… Shoot. Hang on, I need to think… 5-ish years now? I think? And the last time I did, I heard a brief sentence before I took some heavy-duty meds that knocked me out and took care of the hallucination by the time I woke up. I’ve gone through a lot of growth between now and then, and I’m now in a place where the only lasting legacy those losers have had is making me very good at abstract descriptions + personifications and self-reflection. Their cruel words are fuzzy and vague things that I barely remember.

Heck, I went through some old notes to remember some nicknames I gave them, and it was a blast from the past that I actually laughed at! They actually called me “less than worthless” to the point I internalized and verbalized it many times? Wow. That’s pretty cringe, guys. You spent your entire lives bullying a teenager. Cool. Now I love myself and forgot that was ever a mantra I recited at all times in my head.

I once had a project I was working on where I made a fictionalized autobiography set in a fantasy world starring a self-insert and these jokers. It was going to be a kind of field guide to hallucinations I experienced. I stopped working on it after a while because it was too painful for me to develop, as it was meant to dig deep into the pain and struggles I went through on a daily basis… and now I’m looking back at it and considering making it a humorous story about how ridiculous my hallucinations were— at least the ones with consistent personalities. Comedy equals tragedy plus time, truly.

I might end up posting some of the more solemn journal comics I made about these chuckleheads... It'd be weird to dig up my significantly older work, but I think it would do me some good and maybe be enjoyable / educational for others!

[fischiee]

at the end of the day church and tex are pygmalion and galatea and we just have to accept that. like the story of the sculptor who fell in love with his own art

bc she really is just his own creation that he loves and wants to love him back and wants to be whole but she’s.. not. she’ll never be anything outside of him, she’d never exist if it weren’t for his imagination (since she isn’t truly allison she is his concocted version of her) and because of that she can’t be human

he loves her as some fucked of version of loving himself (he loves who he was when he was with her and loves that he created her and that she is wholly his)

the difference is that alpha is no god, no aphrodite, and he cannot create life, he can only fragment himself which is why they do not get the happy ending of pygmalion and galatea, they instead are doomed to repeat and echo the agonies of the people they mimic

[lightyaoigami]

people are literally not appreciating how brave i am being,,,,,,,, i have to go to my first day at my new office (same job) tomorrow in a place that i hate and i didn't even fling myself into traffic,,,,,

[swan2swan]

[sebaurouge]

Real talk, what are our Vellioth and Cazador headcanons.