#I like it more than I'm sure a lot of the fans??

[new-austin]

Lots of questions in the notes. Understandably. I didn't expect this to get notes haha.

Yes all of these are actual posts I have seen, and yes, many of them were very likely bait. And also, yes, I did dumb them down or use more shocking language to make a funnier post.

I have seen several posts by different people claiming Emmrich is a slaver, pointing out the "hypocrisy" in his line with the slave he helps free in his first quest . While I will give it to them, a lot of mortalatasi and mages in general do abuse spirits Emmrich is so very clearly not one of them haha. His story makes that unquestionably clear, he finds it vile that mages, like Johanna, do this.

Only one post I've seen about spite and I sensationalized it a bit, they didn't say pedo, they just proposed that they found it weird because he's "Obviously child coded". I see him being a bit of a contrary little bitch (affectionate) at times but I think that has more to do with him being a spirit of spite rather than indication of age. He is noted to be a young spirit by curio and keepsake but I don't think that necessarily means child because they are both very very old spirits.

I've seen quite a few Taash negative posts call them child coded or way too childish. One post claimed to simultaneously be a long time dragon age fan while claiming taash was clearly "supposed to be the mental equivalent of 14 for their species" which is not a dragon age thing. All races age the same with the same life spans. I think they're very on par with most 20-somethings, especially ones with overbearing parents.

The killing Harding one I'm pretty sure was just someone airing out frustration with the general fandoms elf love above all else. But it wasn't claiming it was real world racist, rather fantasy racist, because people preferred elves over dwarves in this fandom.

Dragon age is back, I love going in the tags it's awful. Emmrich is enslaving Manfred, wanting to fuck spite makes you a pedo, Taash is child coded, Killing Harding is racist and more to come I'm sure

[buddiebeginz]

Reminder that this is how bummys talk about Oliver and worse. Let's not forget some of them also made a 4hr podcast months ago saying awful stuff about him, all because he was posting about hanging out with Ryan and not Lou. They've also been repeatedly calling him biphobic/homophobic because he said Buck should get to explore his sexuality more and have sex.

Some of these people used to be Buddie shippers but the truth is they never really cared about Oliver or Buck. They have the nerve to call us fetishists when a lot of us have been shipping two best friends for years who we just want to see take their relationship to the next level. The main draw for them with b/t is wanting to see two guys they think are hot together because it certainly wasn't about Buck and his happiness. They weren't ever looking at his scenes with Tommy thinking is this really the best relationship for Buck? They've always been more concerned with Tommy and wanting him to be a permanent fixture on the show. Almost immediately after 704 some of them were calling him Buck's endgame. Even though we were shown time and time again how much Tommy was never the right person for Buck.

Now that their ship is over they've inevitably turned on Oliver and are blaming him for it even though at the end of the day the person who made that decision was Tim.

Also and this is something I really really wish bummy stans would get through their heads, actors are allowed to have personal opinions about the media they act in. Oliver has said he's a fan of 911 so I'm sure he watches the show. It's clear from many things he's said that he genuinely cares about Buck every bit as much as we do. So acting like he's not allowed to have preferences for the show and for Buck just makes no sense. He's connected to Buck in a way none of us are so if anyone should get to have thoughts on Buck's story it should be him. He's allowed to like or dislike a ship or a storyline. I know it sucks if an actor that's part of a ship you like doesn't support that ship but it does happen.

Oliver has supported Buddie for years and been very transparent that he wants to see it happen. He was never going to become the captain of the b/t ship. He's never really been super supportive of any of Buck's other ships nor does he have to be. Oliver has always been respectful towards his co-stars and fans and always given respectful answers about Buck's past ships in interviews and that's all he's really required to do.

It's honestly baffling how bummy stans continue to play the victim and continue to try and come up with all these reasons for why they think Oliver is a bad person for not supporting their ship and Lou. The reality is b/t was never meant to last. Oliver knew this and didn't want to lead anyone on. It's also very likely that Lou didn't get along with the cast especially given how they went out of their way to say goodbye to Callum and there was nothing for Lou. Not to mention Oliver very deliberately leaving Lou out of his photography spoke volumes.

I also think Oliver saw at least some of the drama online this year both from b/t stans and from Lou and it made him less likely to engage with that part of fandom. Bummy fans spent a not insignificant amount of time this year saying terrible sometimes racist things about Ryan and Eddie (like telling Ryan he should have finished the job when he talked about his s*icide attempt). Ryan is clearly someone that Oliver cares a lot about so if he saw any of this I'm sure it didn't endear him to those fans. On top of that they continually pushed for a guest character, who was never meant to be anything more than a plot device in Buck's story to be a main character and have his own Begins episode.

I'm just really sad and angry that this is the kind of stuff Oliver is having to deal with. Buck's bisexual journey should be this amazing positive thing and bummy stans have repeatedly tried to warp it to be their way or no way. I just really hope that Oliver knows there are so so many of us who love him and appreciate all the work he's done.

[sometipsygnostalgic]

Animated Series ending tier list

Okay this is based on a discussion with @j4gm, kim and mifil the other day

These are all cartoons with the exception of Homestuck. I'll admit I don't get invested in a lot of TV shows, even animated shows, so this is limited to stuff I like. Maybe i forgot something but if i did it's probably not worth talking about.

Here's the list if you're interested in building your own.

So I'll go through each item one by one and explain. Yes, I did arrange them based on better (left) and worse (right) for each tier. I'll start from top to bottom so I have the most energy for the better show endings.

I'm rating them both in how they respect the stories of their show, and how entertaining/cohesive they are as a piece of media. To be honest, the former matters to me more than the latter, but some of the shows at the top of this list aren't even ones I particularly like, because their endings were just that well written.

Astonishing

Owl House. This show got better and better with each episode. I don't know, I was blown away by how bad it was at the start and how great it was at the end. And of every item on this list, this one's ending episode had the best pacing. There was lots of room to breathe, lots of reminders of the connections between various characters, and the villain was taken care of in a satisfying way. And we got a beautiful epilogue. The only reason Owl House is in the same tier as She-ra and Gravity Falls, instead of being its own category, is because I felt it had some shortcomings, particularly s3e2 focused on a bunch of characters nobody has ever had any reason to care for, and a lot of the cast don't reach the potential they could do because they lack focus, so I don't have as much emotional attachment to it as a lot of other shows listed here. Anyway here's my favourite moment:

2. She-Ra and the Princess of Power. This is my favourite show on this list because I think it's the most cohesive of the lot. Even though it has a rough start, and often follows cartoon logic, from the very beginning of She-ra to the end it focuses strongly on the same themes. The cycle of abuse and pain and that feeling you will need to earn love, you need to earn the right to exist. It does so with a wide cast of characters, but it's also very good at trimming down to a smaller cast when it needs more focus. There are a lot of good decisions to make sure it worked in the small runtime it had. The ending of she-ra is basically its entire final season. It's one long arc. It doesn't have any major weak spots like The Owl House's final season did, and it has more room to breathe, with 13 incredible episode of about 20 minutes each, more than twice the length. And it delivers on every single character. Every member of the cast gets a moment to shine across the season, yet it isn't so distracted as to pull attention away from Catra and Adora. What makes She-ra's ending a bit weaker than Owl House's is the pacing of the final episode. Heart part 1 and 2, while great, is absolutely rammed, and one of the weaker episodes of that season because of it. You don't get enough room to breathe, you don't get to soak in the characters' emotions quite as much as in the episode prior, Failsafe. But I would count Failsafe as part of the ending. So while season 5's finale isn't even the best finale of She-ra (s3 and s4 were harder hitting), the final season as a whole is incredibly strong. And it's a very entertaining piece of media too! Ugh. I love it.

Here's this powerful scene of Catra whispering and yet screaming to Adora to stay with her, even in the end.

3. Gravity Falls.

To be honest I'm not much of a Gravity Falls fan, so I don't have as much to say as I do about the other two shows, but this ending is highly regarded across the cartoon community. It works perfectly within the smaller scope of the show, bringing a wide, crazy calamity for the characters to work with.

My problem with Gravity falls is Mabel. Not that she's a bad character, but that they don't spend enough time making her a good one. And the ending reflects that - it shows her doing something very major, overturning the world, and that's interesting, but it keeps presenting Mabel's problems as rather shallow instead of focusing on her psychology and why she's making these mistakes. Meanwhile it spends a lot of time on Dipper and explaining and justifying his teenage boy mentality and it drived me crazy how much more of a main character Dipper is than Mabel. Because it's Mabel I relate more to. She's more like I was when I was 12. It's a teen boy's show for teen boys, so I don't like it as much as Owl House or Amphibia. Other than that the ending is a good time and I love the themes of family, I love that Dipper has such low self worth and is grappling with the idea of what manliness even is, facing misguided pressure from other relatives like Stan and Ford. And I love the relationship between Stan and Ford, the mistakes they made, and how Stan ultimately takes responsibility for being an obstructive little shit by removing his memory, taking Bill with him!

Yeah, perhaps this show's ending could've been further strengthened by Stan having his memory lost forever, or having a harder time regaining it. But it makes sense in the stakes of Gravity Falls, where the world resets after every episode even if there was a zombie invasion. I don't see them having Stan forget his great nephew/niece as the ending of the show.

And it has a nice scene with the characters driving off in the bus... Heartbreaking. I love that Stan and Ford go adventuring together afterwards. And I love the theme song.

Remaining rankings below - I think these three should be celebrated most. It's gonna be a shorter summary from here.

Genuinely Good

These are endings that blow you away, but do have a couple nooks and crannies stopping them from reaching the top tier. Another person's list might put them at the top.

Adventure Time Distant Lands: See what's crazy about Distant Lands is that anyone one of these episodes might be the best in the series if it was a different show, but Adventure Time is such a good show that the way Distant Lands is different stands out to me. Like, Together Again, you might think I'm crazy for not putting it above Owl House, but while it's a fantastic episode, really emotional, it's not even my favourite Distand Lands episode. That would be Obsidian which I felt was a more honest resolution to the characters of the show itself, showing the limitless future ahead of the cast instead of what TA did which was demonstrate that Finn really didn't go much further after the end of the show. I felt TA was very limiting in that sense, it contradicted the ending to Adventure Time, which had the strength of "the adventure never ends". Which means that growth never ends. Finn is supposed to be an ever changing character, but in Together Again, he's stagnant.

Other than that, it's absolutely top tier. But not good enough for me to call it the best of the best. Even if I think Finn's character writing was a downgrade, or harmed the main show, I think where DL and TA did better than Come Along With Me is it was actually coherent and had strong themes rather than being a mishmash of random parts of Adventure Time that they wanted to shove in before it was over. It was a better tv finale, one of the best and most emotional ever made, but it's hard to call it a better Adventure Time finale, because AT's legacy hinders on so much more. 2. OK KO: Let's be Heroes: This is a show that went under the radar. It was coming out at the same time as Steven Universe, which was far more popular. So I'll explain it to you: OK KO has two endings. KO has grappled with his alternate persona, TKO, for the entire show. In the first ending, TKO takes over, and starts fighting everyone in a giant tournament. He literally kills all the cast, while KO is struggling to regain control. KO's epiphany is that TKO is a part of himself he buried long ago. KO has always tried to be the sweetest kid possible, so all his rage and fire, all his strength, was neglected and buried. That became TKO. It's similar to the ending of Celeste. They fuse together, but KO is crying because he killed all his friends. So he makes a wish to the God of the Universe to give everyone a happy ending. Then you get a really nice ending montage of all the characters from OK KO having the time of their life. One interesting touch was Venomous, KO's bastard father, had very little to do with KO in this timeline. KO clearly wanted nothing to do with him. But Venomous is shown raising his adoptive daughter Fink and doing a fantastic job. The final episode of OK KO has KO seemingly stuck in time acceleration. Time is flying by, his friends are achieving their goals, leaving the town, way before he can begin to process what he's even doing here. Everything is going faster and faster and it's like he's jumping forward! He doesn't know what's going on!!! But when he explains his plight, he's told... This is normal. This is a normal part of growing up. What seems like time acceleration is just time passing by. Then the rest of the episode show KO going through his life in the same manner. A big gag of the show is KO is age 6-11. That's his age. It's the same as the target audience for OKKO. But you see him grow up. His twelth to fifteenth birthday... 18th to 24th birthday... 25th to 35th birthday... At the end, he's in charge of the Bodega, a full adult looking after runts just like Mr Gar did. I dunno, I felt this was a very meaningful way to end the show. Even if it's not the most emotionally heavy hitting series, even if it's way too short, it did something that stays in my mind to this day. Time goes by in such a flash that you don't notice it was there to begin with, so appreciate the good things life throws at you.

3. The Legend of Korra: The show Korra wasn't particularly great, if I was rating the media as a whole it would probably be at the very bottom of this list. Yes below Star and Homestuck and Kipo. It's not remarkable in the slightest and constantly fumbles.

However I was at the edge of my seat during the series finale in Season 4. I was excited by the conflict between Korra and Kuvira. I loved the metalbending battles. I loved Korra's actualisation, how Kuvira is a very good rival, how their whole conflict plays out with Korra demonstrating such an INSURMOUNTABLE LEVEL OF STRENGTH both in power and character to save Kuvira from her own mistake.

I love how Korra decides to take a break and leave with Asami into the spirit world through the portal she just opened. It was a nice relationship in a show that has so heavily fumbled its prior character dynamics.

And you can't forget how it felt watching this the first time. Afterwards, Bryke made a post on tumblr saying "Korrasami is Canon". You have to remember, this was long before Bubbline was anything more than subtext in two episodes. This was before Steven Universe's "Stronger than You". This was the first time two girls were confirmed to be in a relationship in a kid's cartoon in America. I was so happy. You have to understand Korrasami did a lot of good things and made a lot of the queer representation in these other items possible.

Did the job

These are endings that were OK. They were satisfying but they weren't anything special. They weren't the best episodes or seasons of the series they're from.

Avatar: The last Airbender: I will be honest this show is in a similar realm to She-ra wherein its whole final season is one big buildup to a couple of fast-pased episodes. And honestly its final episode might be better than She-ra's in a pacing sense? But... The simple part is I don't like Avatar as much. I didn't feel particularly strongly about most of these characters. It's a very competent tv finale, with strong scenes - the Agni Kai, and Katara's capture of Azula, are particular strong points. But it's quite long and there are a lot of scenes I don't feel much about, like Aang vs Ozai. Back in the day lots of people were unhappy Aang spared Ozai, and I get that it's not in character for him to just kill him, but it was the original "deus ex machina" for Aang to find a way to get out of it and get what he wanted. It isn't particularly interesting. And then Aang x Katara... I don't care. So yeah ATLA does the job. It's a great final season but I don't care for the finale itself and the characters. while great for the time - by far the EARLIEST show to release on this list - are more childish and cartoony than most. They don't have depth required to compete with more modern cartoons. You've only got maybe two outstanding characters in a tight story vs She-ra's one dozen in a looser story, and honestly I value character more than cohesion because that's what you remember. That's what makes you feel things. Anyone can make a story where things happen but what makes you care? Being a bit harsh here because a lot of people call this the greatest show of all time blah de blah and throw away everything all the other shows do better. But the ATLA finale isn't even in the top ten most interesting episodes of the series. This part went hard though (couldn't find a video of it alone):

Azula starts the scene dominating Katara, and then Katara turns the tables and restrains her using the very ice which fire is supposed to melt, which is mentally destroying for Azula. All she can do is scream and breathe fire when she is restrained, unable to let out all her rage and pain. And Katara spares a moment to witness this, looking troubled, before she runs off to Zuko, attempting to save his life.

2. Adventure Time original ending: Why is my favourite show of all time listed so far down? Why? Well it's because while that AT finale is emotional, hits a lot of themes, it's... a fucking mess. The first part is a war which has only been relevant for two episodes, the second part is a dream sequence which destroy any tension you might've had, and the rest is an unrelated battle against GOLB because we needed a real final boss.

It's a really bad tv finale. And it even does harm to my favourite character in the show, Princess Bubblegum, by making her seem irrational. She's someone who has had the entire series for us to get to know her, to see her biggest flaws and see her struggle to overcome them. So for her to fall back on them yet again, nearly fuck everyone over, with such little buildup and justification and literally throw a child tantrum when Finn interrupts it, it's an injustice to her. She deserved better than everyone thinking she's a fascist forever. The AT crew should have respected their own work on that character better instead of leaving her off like that.

But... even despite these issues, despite being so incoherent? It's a great Adventure Time ending. It makes perfect sense. Of COURSE it's anticlimactic! Of COURSE there's a ten minute dream sequence of crazy shit happening! Of course it's so sudden, things happen so quickly without much time spent to reflect on them! It's Adventure Time! This is what we're HERE for! And the emotional heart of the episode, it isn't really in the Great Gum War or the battle against Golb. It's in Shermie and Beth, and Future Ooo. The fact that the world will end again, but even then.. it's fine. Everything changes. Everything grows. Nothing can stay as it is forever, but letting it go might allow something new and beautiful to take its place.

It's in Jake trying to protect his home, freaking out, and BMO coming in... instead of being looked after, BMO decides to reassure jake, even in certain doom.

It's in Time Adventure. We may not be able to go home, turn back time, relive the past and return to how things were, but... you and I will always be back then.

3. Scavenger's Reign: I felt this show started stronger than it ended. The ending wasn't offensive but it wasn't good either. Honestly I don't have shit to say about the ending, other than that Barry is an annoying stereotype of an autistic character with no agency of his own and it breaks my heart. I liked how relentlessly bad Kris was and I liked Azi struggling to save the day. I liked how her character evolved from being straightfoward and pushing down Levi's curious, kind traits, to embracing those very things in her memory.... while maintaining the strength in adversity needed to challenge someone like Kris. The baby alien thing sure was there. I dunno, the earlier eps with those two hit harder than the ending. The worst part is the sequel bait. We are not getting a sequel. Why is there sequel bait? Seems like the crew were a bit too optimistic for a team of cartoonists working for HBO Max.

But the show as a whole is incredible and has left a strong impression. So, an inoffensive ending is completely fine. I like how everyone is still stranded because of Kris, who meanwhile is dehydrating to death in space because of the organic Levi invasion, and all the people they left behind are chilling in the alien wonderland, learning how to live comfortably.

4. Fionna and Cake: We're now moving into the endings I dislike for one reason or another. I liked Fionna and Cake's themes with Simon and Betty, how it showed a bit more from Betty's side, how obsessive she was with him and he didn't even know.

This does have a weakness though. It removes agency from Betty. It was her choice, in the finale, to sacrifice herself to become GOLB. She was chasing Simon over and over and over again, SHE was the obsessive mad scientist, and she finally achieved her goal at great cost even though could've given up at any time. It was a tragedy. But here it kinda shifts the blame on Simon, even though he was a victim of Betty's obsession. I'm not accusing it of victim blaming, more that I really liked that it was Betty making her own terrible mistakes. It added a lot of character and conviction to her. I don't think Fionna and Cake undermines this much. Kim was a lot more bothered. Besides the Simon plot, the rest is.. ok. It was very predictable Fionna would want to protect the boring, happy world she came from. It fits and it has heart. But it's not remarkable. The ending montage is... weird. Why is Jay and Little Destiny here? Why is Baby Finn here? What about their worlds? Won't they be missed? Did Farmworld Finn fucking die? And the big problem with Fionna and Cake is.. it's such a meanspirited show, even compared with Adventure Time. It relies on you finding tragic shit really funny, like BMO having a horrible gory deeath in jerry. When Fionna and Cake has desensitized me this much, it's hard to feel emotionally invested in this world anymore. It made mistakes by showing too many alternate universes and undermining the world of Adventure Time itself, and I have issues with how Marceline was completely absent from the series - AGAIN - despite allegedly being so important to Simon. It's an outright BAD Adventure Time ending!!! I do love the presentation of Casper and Nova, how it was revealed it wasn't Simon Petrikov but the little Fionna and Cake fan who was able to write the story that finally got through to him and made him realise he needed to stop holding betty back.

"You were a good experience, Simon. Goodbye."

Mistakes were Made

These are the endings that fumbled, disappointed people. They still have value in them but theyre largely disliked by the fanbases involved. I'll explain a bit of why.

1, Arcane: This one just ended last night and is the reason I'm making this post.

I explained a bit here and here, but the issue is: Arcane's a much better show than it has any right to be. It's a league of legends cartoon. But season 1 is so heavy hitting, a tight ship from start to end focusing on the dramas of Vi, Jinx, and the people around them. The main weakness of season 1 was Jayce, Viktor, and Mel. It would distract from the main story in order to focus on them, but wouldn't spend enough time making them compelling characters. Season 2 has this issue tenfold where it seems the scope of the season was so big that it had very limited time to have those amazing scenes from season 1. And there certainly some heavy hitters, like Ekko save-scumming his conversation with Jinx to find a way to stop her killing herself, or Caitlyn and Mel's battle with Ambessa, or Jayce and Viktor yetting themselves into arcane oblivion, but... the finale itself seems very disconnected from the rest of the series, having a generic big bad in Possessed Chaos God Viktor. It lacks any of the intrigue of the Piltover vs Zaun conflict that was so important from s1e1 all the way to s2e4, after which it was promptly discarded in favour of other distractions. And as a result, Jinx and Vi are left as side characters in the ending of their own series, with a lot of their internal struggles left behind. Instead of the tragedy of season 1's ending, we are left thinking of the tragedy of how much better the ending could've been if they had just one more season to give these characters justice.

The strongest episode of the season is probably episode 6. If you know, you know.

2. Ducktales: So if you were a casual viewer of Ducktales you probably had no issues with this one. It's a competent TV finale where stuff happens and all the characters get involved and there are emotional themes.

What's weird about this one, and why it's so far down, is because of Webby's role. Webby is a misfit because she's not a member of the Scrooge family. She's a wannabe. She wants to be part of them, part of the siblings, and she has more in common with Scrooge and Della's brilliance than the other three, but she will never have that blood relationship. Her own parents are dead too, so she has feelings about watching the triplets reunite with their mother.

But in season 3... Ot's like the Ducktales writers were told they only had one episode left to work with and just made something up, and what they decided to do was take the "found family" trope and say "actually it was real family the whole time because Webby was Scrooge's secret clone daughter".

It leaves a bad taste in my mouth. The show did such a good job before this point showing Webby's development as she gets loved and accepted into the family. But for her to have always secretly had that blood relationship undercuts it fully.

It also undercuts her relationship to her grandmother, who tries to move out of the picture as soon as the truth comes out. The show does have Webby embracing her gran to show theyre still family. But we already had this story told in a better way with Webby and Scrooge and the triplets.

The fact the finale has nothing to do with the rest of the season is also why it's so far down. The season 2 finale was pretty spectacular by comparison and had compelling scenes like Della freaking out over protecting her kids and "running to the moon" with them, recycling her trauma (yes a ducktales character has trauma).

If you're not bothered by it, it's an inoffensive, fun finale. But more obsessive Ducktales fans and Webby fans were quite upset, myself included.

3. Kipo and the age of Wonderbeasts

I can't remember much about how this show ended. Honestly that's part of the problem. The first season was far more intrigueing than anything that followed and the whole thing came out across 2020 and it was a forgettable experience despite Karen Fukuhara voicing the energetic Kipo.

What I do remember is being pissed off about some things. Like how a lot of the talking animals were turned into non-talking animals and that was how things ended for them, and no vaccine or anything was made. It pissed me off somehow? Please kipo fans tell me your feelings on this.

I also disliked the final villain. She's a lot like Kris from Scavenger's Reign but even more generic and disappointing.

I dunno, to me the finale represents the wasted potential of this show. How it takes place in a world that rivals Adventure Time's, but Netflix did away with it so quickly, releasing three entire seasons in one year and leaving it with a generic end.

The peak into everyone's futures is nice, but it's not intrigueing like with The Owl House or Adventure Time.

4. Steven Universe: What a hot mess of an ending that threw out so much potential for the wider Steven Universe world. The motivations of the main villains were narrowed down to "we have emotional problems". Steven Universe has a consistent issue where it has emotional scenes at the expense of characters and story.

But I rate this more highly than the SU Future ending, despite that one having perhaps more cohesive writing, because I felt that the SU end had some incredible scenes that carried the spirit of the show while SU Future constantly undermined the original series without providing enough value of its own.

In particular, the scene James Baxter animated of Steven and Steven. This was mind-blowing, it was the climax to the most important part of the story, the truth of Steven's identity and whether he was his own person.

In retrospect that scene brings more value to me than all the bad parts of SU... but SU had so many amazing characters. It's a tragedy that Steven was the only one of them that the show still loved by the end.

Hardest line:

She's GOOOOOOOOOOOOOOOOOOOONE!!!!

5. Amphibia: Season 3 was plagued by being worse than season 2. The opening episodes on Earth were kinda bad, just "Amphibia season 1 episodes but in a far more boring setting". I hated anything involving the secret agents.

The fact Kipo, Scavenger's Reign, and Amphibia all have corpo villains at the end, and the fact I didn't like any of those endings, shows to me that it's not a particularly great thing to add to a fantasy story.

The first sad part is "the magic is destroyed". A popular theme in Disney shows. Well, what happens here is Sasha, Anne, and Marcy lose their magic abilities, and they decide to stay on Earth and lose the ability to travel to Amphibia. It's not massively offensive but it's kind of played out and generic and it does the sad thing of separating the trio from their found family. What's controversial is the epilogue shows that Anne, Sasha, and Marcy stopped hanging out after the end. They just broke off from each other's lives, it was easy as that. It wasn't a lifelong friendship. They do reunite in the end but it's been like ten years. It undermines the emotional turmoil that was present across the whole show. What Matt Braly wanted to show is sometimes things happen. Despite how much you want to be best friends forever... you stop being close to people, you lose touch with them. But this isn't a story that makes much sense when the characters have been through so much together in a fantasy world. It's like Marcy's worst fears have come true, and while that's a point of growth for her, it's frustrating for the viewers who believed the endgame bonds between the characters were better than that.

[Edit: Other than that, a lot of characters weren't delivered in justice s3 with how they had been built up in season 2. Sasha is hardly present in season 3 and Marcy is genuinely not present at all, and when we watched it we really thought they were gonna do more with Marcy when she came back. Swim in that emotional trauma a little bit! But no she's fine even with her evil father figure gone. It could've been better, should've been because season 2 was so stellar.] And I wasn't a fan of how Anne was portrayed at the end. I don't like how these stories make their characters "grow up" in such a way that they come across as love-all hippies instead of having anything resembling their original personality. Where's her sass? Why is she so melancholic and only melancholic? But that's a personal problem I haven't seen many others talk about.

Other than that, it's a competent episode. But it's the ending to a weaker season compared to what came prior.

The cat in this drawing has been my discord icon since we watched it though.

What the Hell?

These are the endings that shat the bed. I hate them! Everyone else probably does too.

Steven Universe Future: Unlike the other endings of this section, I did feel like Rebecca Sugar was going somewhere with SU future. They had a specific goal in mind for what they wanted to do, and every episode reaches towards that goal in some way. That's why a lot of people think Steven Universe Future is better than the more disjointed, huge tv series that came prior. It had a set start middle and end and carried through those themes. Unfortunately, those themes suck. Yeah, it's great deconstructing the impact Steven Universe had on Steven as a character, showing the damage that was done to him, the ways he's been let down. In isolation, it's a great way to show how a difficult childhood can affect you in adulthood, in ways that you would have never expected. This is the value SU Future has. It also has good sections showing how some other characters have recovered, how Pearl for example is healing and far more social than she ever has been but still has a ways to go, and finally talks to someone about her feelings over Pink Diamond, the previous Pearl that served her. Volleyball is a great episode. Unfortunately it takes the wrong lessons from the mistakes of the show. Steven Universe really wanted us to fall in love with its many characters, but it spent so much time showing Garnet, Amethyst and Pearl's flaws, spent so much time showing them failing Steven, that they ultimately came across as incompetent and sidelined. This is an issue with the original show. Steven Universe Future: "You know what? You're right! That was bad!" Me: "So are you going to do those characters justice and show them having growth and being competent and caring for Steven?" Steven Universe Future: "No. We are going to show them BEING EVEN WORSE and COMPLETELY FAILING to connect with Steven!" Me: "... For the entire thing????" Steven Universe Future: "Yes. this is never fixed and Steven leaves the county because of it." Me: "What the fuck?" Even people who were really into the whole thing were taken aback that Steven's kaiju transformation, the manifestation of his deepest fears about himself, was resolved with a hug. Just like the major conflict in the original show. And instead of a meaningful denouement, the show skipped all the resolution and went to Steven running the fuck away in an episode that would've had equal emotional value if it was in season 1 episode 1, or a competely different series. It was cheap and easy to make a bittersweet ending of Steven leaving the city. And it made it feel like the tragedy of Steven's mental breakdown was more important than his healing. Like they couldn't make an interesting story of him getting better because they're incompetent writers. I did like the scene of Steven crying his eyes out after he detransformed. And a lot of scenes in Future did go hard. But the Crystal Gems deserved better. Hell, Jasper deserved better.

Hardest scene:

2. Star vs the forces of Evil: Hooo boy. In the animation community this is HERALDED as The Worst Ending. It is the flagship of disappointment.

It disappointed people who loved the magical world the show took place in. It disappointed people who wanted to see Star reach her potential. It disappointed every shipper of every ship, not that I ever cared for the romance dramas but they took a lot of screentime on the show to its detriment. It disappointed people who like to apply basic logic to the things they watch. What a disaster!

Okay so why is it so hated?

Well, Star had been on the decline for a while. It had a fantastic start to season 3, with a great big war for Mewnie where everyone had great character moments, Star died and came back to life and utterly annihilated the villain. Toffee was a great villain, by the way.

There had been a bit of romantic tension between Star and Marco and they both had crushes on each other but refused to ever admit it and Marco thought he was into some other girl, and Star let him go at the start of season 3 and started dating... her ex... this shitty guy called Tom... he's a good character but a terrible boyfriend who kind of suicide baits Star back into his life. And Star would become a terrible girlfriend. I dunno, people really thought that pairing would be endgame but it was clear to me it was just an artificial obstacle in the way of the inevitable Starco ship. Like Kelly. Who Marco dates for a whopping half an episode before they break up offscreen. Great?

Anyway the romance in this series is on the same tier as Korra, though it does try to build up its endgame pairing from the start.

But from season 3 onwards Marco felt more like a joke character. I don't know, they didn't treat him with much respect.

The thing that EVERYONE TALKS ABOUT with Star, oh god it's going to be the longest thing on this list, is Moon and Eclipsa and Mina and the atrocious decisions the characters made.

I'm going to bullet point it so it's vaguely readable:

Star's mother, Queen Moon, goes missing following the events of the start of s3 special.

Star learns that the throne was stolen from monster-fucker Eclipsa and wrongly given to her own family line so she gives the crown to Eclipsa, to great controversy. Eclipsa is a dark magic user who is 300 years old and she's pretty cool but the show takes a sharp turn from this point to being about a racial conflict - Monsters being discriminated against by Mewmans and how a lot of people want to keep it that way.

The council which was previously on the side of good really HATES this decisionn and is now portrayed as bad.

Conflict breaks out and people are against Eclipsa and her giant person-eating husband leading the kingdom.

People have their homes given back to the monsters that they were stolen from hundreds of years ago. It's a silly cartoon form of reparations but it is shown giving them hardship because they are made homeless. By the way nobody in history has been made homeless because of reparations.

These homeless or disgruntled mewmans find Moon, who has re-emerged and decided to stay away from the kingdom. They want their old queen back and side with her, and she thinks they need someone to represent them. She also hates Eclipsa for various reasons.

Moon decides the best way to deal with Eclipsa is to arm the biggest fascist monster-killing character in the world with an invincible undefeatable army of magic soldiers, and retake the kingdom and go to war against the side her own daughter is on.

Moon gets a surprised pikachu face when she realises she can't undo the spell she used to make this fascist evil super army.

Star decides the best way to resolve this is to delete all magic. Kill it. They go to the source of all magic and use a spell to kill everything there. Lots of reindeer die.

Then every magical thing in the universe gets deleted. Every single magic-born creature. The entire council is murdered. All of the creatures in Star's magic wand die. Countless portals to other worlds are closed down, meaning many of the characters can no longer go and see their friends anymore. This is directly shown, by the way - not just inferred.

Somehow, Ponyhead survives.

Then this is capped off by Marco and Star wanting to reunite... and in a scene that is supposed to be emotional, they cleave their universes together. Mewnie lands on top of Earth. Normal humans are screaming as they are chased around by giant creatures.

The story ends.

Yeah do I have to explain any more why this one was unpopular? It's the biggest fumble you can speak of.

My biggest issue is how dumb they had to make Moon in order to achieve this outcome.

But Starco is kind of cute, even if Marco wasn't half the character he used to be by the end.

3. Homestuck: Which ending do you want me to discuss? Act 6? The epilogues? Or HS^2?

Let's start with the main work, as that's what makes Homestuck qualify as an animation.

Act 6 was a vast disappointment because it sort of ended. We had so much talking for so long that we were hoping something cool would happen and then we got a flash where the characters hit each other with sticks. There were no stakes in Collide, not really.

Then we got the Frog flash. We watched a frog for 8 minutes.

Then that was it!

There were so many unanswered questions. What the hell happened to the final boss and the MAIN CAST, for example. We had learnt earlier in the story that in some point of the future, the main cast all get stuck in a little homestuck house which Vriska fires at Lord English. But we never learn when, we never learn if they're ok, we never learn if English is killed or what happens to Vriska. So for a long time there was this disturbing implication that the cast would all die not long after the series ended.

We had the Credits which were much better but further solidified this implication, and it had Terezi fly out into the void looking for Vriska forever, which made me sad and depressed but that was because of my personal involvement in the story really.

Act 6 is more of a "mistakes were made" ending, but it's the Epilogues and HS^2, and the actions of creator Andrew Hussie, which are why it's rock bottom here.

I don't want to give my breath to those items. Let's just say they were the most meanspirited, intentionally offensive, hostile, character-destroying sets of stories every done, created by people who accused every homestuck fan who didn't like them of being "not really trans" or "pedophile harborors" or "deserving to be lined up and shot" (real quote).

And then the fact Hussie fired his entire crew twice and blacklisted them if he ever had any suspicion they complained about his leadership or financial decisions anywhere.

And the fact the entire whatpumpkin team were left uncredited in the original release of Hiveswap Act 2 because Hussie didn't want to give them any credit because he wants his friends to be a hivemind.

I have so much hatred for what Homestuck became. It's tragic because this series was such a big part of my life for so long.

It's also tragic because the main work is a masterpiece. Even Act 7, despite the criticism, is Guzusuru's masterwork with how much effort went into the animation. How much heart went into each illustration the old Paradox Space team made.

So that's it. Homestuck is the one that is not just a little bit worse than Star. Leaps and bounds worse.

But that's it. I have a lot of opinions on endings because they can colour how you view the entire previous work.

[d3lly1000]

About Sonic and the others forgetting the events of Sonic '06 + The Twitter Takeovers are semi-canons

Okay, here we go... I saw some people mention this answer about Sonic forgetting Elise and being upset about it, and thankful that the Takeovers are "not canon", so I'll share my point of view on that and talk about why the Takeovers are semi-canon! (oh boy a long post-) ~~~~

To start: "But Sonic forgetting Elise is absurd! He was the one who put out the flame with Elise, they both should have known about each other." No. They shouldn't have. From the moment the flame went out, everything was reset and started at the point where Sonic was going through the festival. There was no invasion by Eggman at that moment, Elise was not kidnapped, there were no Events of 2006 EVEN though the game is canon. THIS has ALWAYS been a fact since the game's release. And it keeps gaining strength with new media (Sonic x Shadow Generations and mentions that Sonic make in external media).

And I dare even more, not even Silver should know about the events. But if he knows, it's only him and Mephiles, who was ERASED from existence and ended up in WhiteSpace, the Limbo of Sonic's Universe. (As for Silver, he constantly travels through time, he could be the only one who remembers, but I doubt it a little) But the point here is: The representation of the flame going out at the end of 06 is that everything was rewritten in a new way. Things didn't happen that way and that's it.

"But it's absurd. Sonic would never forget Elise, they liked each other!"

I know that in some way there are fans of Sonelise, but I don't think it's right to support their romance so much when it was rushed and totally done in a hurry to make us get some kind of "emotional attachment" to Elise. Elise was the one who showed the most interest in Sonic, even kissing him (geez...), while Sonic, even choosing Elise in the "Trial Of Love", sometimes the game still throws you to Amy's option in a strange glitch. Which doesn't make much sense since theoretically he "would be in love with Elise."

Elise had the potential to be an excellent character and I still believe in that! She was introduced in an obscure game (just like Silver) and we can't deny that fact. She always couldn't cry because she had sealed the Iblis Trigger in herself, she lost her father and had no mother and yet she was the governess of the kingdom of Soleanna. Have you ever thought how much she could have stood out by working on this issue of pressure that she suffers in a deeper way? Instead of Sonic's entire campaign revolving around a somewhat embarrassing romance, have you ever thought how incredible it would be if it focused on how far the line of our responsibilities goes and the fear of failing everyone? Elise could potentially even be an incredible parallel for Blaze being what she is, even if indirectly! There's the other idea of ​​Sonic and Elise being a parallel of sisterhood like Shadow is with Maria, and that's much more captivating than a romance, and I'm sure we'd get much more attached to her knowing that!

Sonic 2006 and plot holes...

Sonic's campaign is the weakest;

Elise is a character who has potential for much more than what we were given;

the time travel issue has many holes like the Blue Chaos Emerald being with Elise the whole time;

Blaze is in the game and we don't even have an explanation for it;

We're very vague about Silver and his future; So, the fact that Sonic and the others "forget" the events is something canonical since the end of the game and has always remained that way.

Now, about the Twitter Takeovers:

The Takeovers are silly and focused on humor, but that doesn't mean there aren't writers behind them!

(Social Media Manager for Sonic's official Twitter account.) This same script is thought by the entire team, since the company's characters are acting! There is a lot of work behind it, which must be recognized! In other words, the information becomes "canonical", since it covers and gives us answers about things that we don't have in the games yet. It's an expansion of the characters, the universe and the story that hasn't been told or fully explored yet, and that's fantastic! The questions are selected based on what they can probably tell us. Whether it's just about Sonic's fur or Shadow's taste for coffee, or even about the Super Transformations and the relationships between the characters. They are Semi-Canons. They are information that adds to our knowledge as fans, but they are not necessarily real, like Sonic breaking the fourth wall. As a fandom, we have to know how to separate some things! That's what makes the Sonic universe unique. Everything can be considered more clues to add to the franchise, but we need to know how to understand the reasons and whys behind it!

Conclusion

I still hope that if Sonic '06 gets a remake, they'll do a good redemption of it, because it deserves it! And who knows, maybe we'll see more of it in the future?

If you want to comment, feel free, this is an open field for that discussion. Just keep it respectful and friendly! I'd love to read and participate too!

Thank you very much for reading! Sorry for the bad English... Stay determined! 🤍

[raven-at-the-writing-desk]

I've been trying to focus on thinking about things I enjoy about the idea of the TWST anime. And regarding overblots, I think an anime version would really help illustrate (even more) how terrifying the process is. I really like how the manga shows Riddle's OB, and I love anime as a medium, so I'm pretty hyped to see how it will be conveyed in it.

I really hope they accentuate the horror of it- I'm aware that they might not go all in w the horror like I would personally like, but the thought still excites me. What kind of music will they play? Will the animation change like it does in some animes when the characters are distressed (wobbly lines, glitchy effects)...? What sort of directions will the voice actors get? I mean, they already voiced the game, but anime gives them more room to do voice stuff. I'm really hyped for this aspect tbh...

And I'm also excited for the possibility of dubs, since I'm quite a fan of the whole dubbing world. (I know some ppl have their fears about this last possibility, but in my case even if it turns out to not be so good, I think we could still have a good time w something like that. Plus I've seen some popular eng dub actors hyped about the anime and wanting to be casted for certain characters)

I also wanted to apologize for my previous ask ᕙ⁠(⁠⇀⁠‸⁠↼⁠‶⁠)⁠ᕗ I already did so in the comments, but I felt bad about doomposting on your inbox. My mind's first reaction is usually to see the negative first and become anxious, and it's something I'm working on, but it sometimes goes out of hand. But now that a bit has passed, and specially thanks to your advice, I can sit down and try to focus on the things that excite me rather than the ones that scare me. Sure, building too much expectation could backfire at the end— but as you said, we have little to no information at this point. So I think focusing on the things I'd like to see is a better usage of my time. If they turn out to disappoint me... That's something I'll worry about next year, I'll suppose. I'm still a bit anxious and scared, but there's also lots of things I'm hyped for. I'll try to take your advice and focus on those. 🫂 Sorry if my previous negativity made you uncomfortable.

[Referencing this news! Asker’s prior post here.]

I’ve seen a lot of fans speculating that the OB transformation sequences will resemble magical girl ones! While that’s a fun idea, I do feel like it makes more sense for the anime to portray OB as something scary and all-consuming, similar to how it is depicted at the end of animated dorm commercials and in the manga. For the characters experiencing them, it’s not meant to be glamorous… All that agony, the dripping ink leaking out of their orifices and dripping like blood. Overblot looks incredibly horrific, and I think that should come through in the animation—whether they change the usual style for these segments or keep it the same.

I think the anime would reuse (or maybe do remastered versions of?) the Twst soundtrack for a lot of the show. The compositions are already there, so might as well. Maybe experiencing the anime will help to make the music more memorable, since it seems the game soundtrack alone isn’t doing it for some fans.

No clue about the JP voice cast; I did see some people worrying that they could replace the game’s voice cast for the anime, but as I’ve mentioned already, that’s an unfounded claim. If the usual VAs are there, surely they won’t just reuse the already recorded lines from the game?? 😂 I’d think they’d at least have to rerecord those based on how the script and its scenes are laid out, plus additional dialogue to fill in the gaps (such as new scenes).

No confirmation of an English (or other language) dubs yet either! (Again, this is another topic related to the anime that sparks worry, but I must stress that it’s pointless to get into a tizzy about something that isn’t concrete yet.) But yes, I’ve already seen English VAs expressing interest in certain characters; Daman Mills wants to be Malleus, Alejandro Saab has made it known he has Twst on his radar and wants to voice Leona, etc. (The latter has done Twst dorm leader impressions for fun before; I think Mr. Saab could make for a decent Leona or even Malleus!)

Don't worry about the previous ask ^^ I think it's better that we discuss these things with one another rather than post or tweet into the void and allow those negative feelings to fester. If you want to view it in a different way, think of it like the OB boys actually getting therapy/finding someone to confide in instead of being allowed to stew in their own emotions and risking OB a second time. Sometimes all it takes is that gentle nudge or a reminder to step back and take a deep breath. When we let our emotions get the best of us, we end up thinking and acting in irrational ways, and then that can lead to people--whether yourself or others--getting hurt.

[violetasteracademic]

Rambling thoughts post. Won't delete.

I learned a long time ago to stop commenting on the state of the ship war/ SJM fandom as a whole and asking people to be kinder, and anyone who has followed me for a while (which sounds silly to say since I've only been here since March) has likely witnessed my slow disillusionment of the SJM fandom space. As my therapist said, if you keep trying to clean up debris in someone's house who refuses to fix their roof, you'll drain yourself for nothing. (That was about my ex husband but hey I think it applies here.) I've also realized that in the long run, individual creators don't matter, really. There are too many creators in this space who burn out and disappear and even if it upsets or disappoints people in the moment, there is always someone to replace them. I'm very replaceable. My thoughts really don't matter. But here they are anyway.

The SJM tumblr space is extremely hostile and negative. But it isn't all hostile and negative, and the more I filter out the shipwar content and anti content (seriously, I have filters on anti elriel, anti gwynriel, anti elucien, and shipwar buzzwords like delusional, reading comprehension, touch grass, ECT and thank you to my dear friend @yourstarsmyscars for showing me how much more the filters can do than I realized!) the more free I am to see how many kind and wonderful creators there are on here making cute art and amazing fanfics and nourishing a positive fandom ecosystem.

Again, I don't matter in the long run. I'm not sure how many people even still follow me really since I've stopped engaging in the shipwars beyond art, fics, and kind posts. But I do want to let anyone out there who, like me, has had their tolerance for the ship wars plummet to the core of the earth, break through the crust in the middle of the Pacific ocean, and then drift into space, know that there IS kindness in this fandom beyond the noise. There are people doing great work on all sides, who are welcoming to all, and just trying to create something people will enjoy.

I can't say I'll be here forever, or even much longer. But I feel moved to signal boost the positivity. I also know that, although I do believe I tried very hard to be positive and not insulting the majority of the time, I had days that I let the negativity get to me and I was snarkier than I wish I would have been. I'm truly sorry if I ever made a post that even remotely hurt anyone's feelings or added to the negativity. I'd go back and delete them, but frankly they are my most popular posts and still get reblogged so it feels sort of pointless since reblogs don't get deleted.

Although I am an Elriel in my heart of hearts, I want to continue to be a welcoming space for all. If that means my followers get cut in half or only a few people interact with my posts, that's okay with me. I can't try to patch the roof of the fandom, but I can keep my own space toasty and warm for anyone looking for reprieve, regardless of who you ship. I've stated multiple times here that I'm the only Elriel in my IRL friendships, and I love my friends dearly. I tried to speak to Tumblr as a whole the way I'd speak to them, and I didn't always do that. But the world is too abysmal and scary and a lot of SJM fans come online and struggle to find a space that isn't extremely hostile and negative.

Here's to all the goofy little spooks making art, fics, texts, and transcending the shipwars and just trying to connect over the things we love.

In the words of our Lord and Savior Taylor Swift, I want to be defined by the things I love, not the things I hate.

Also still committed to writing a banger Elain Lucien and Azriel throuple once I get through my laundry list of current fics. Maybe a quadruple with Gwyn. Maybe I'll just write a giant orgy, actually.

[idontlikeem]

hi! i'd like to talk about losing. you don't have to read this if you don't want to, but i wanted to write it, and guess what, it's my blog. i just like this team a lot and i'm feeling a little maudlin about my guys and a little sick to fucking death of the shit i'm seeing all over kingdom come from 'fans'. so here we are.

So You Became A Fan Of A Living Legend But The Hockey Team Is Bad: a commentary.

look. this is not the most fun i've ever had watching hockey, and i'm quite sure a lot of people feel the same way. the penguins are bad this season! they were bad last season too, but there's something very special about the extent to which they are shit right now. and those are not fun games to watch.

but here's the thing: who cares.

like, idk. there's so much god damn negativity surrounding this team and its performance right now, and i'm guilty of contributing to it as well, because yeah of course i'd rather watch a team win in decisive fashion most nights. of course i'd rather dream about may and june and the stanley cup. of course i want to watch that happen again for my favorite players. like, duh.

but. it's probably not going to. not if these players get what they want, which is to play together on this team until they're ready to retire.

and you know what? that's fine. if they're fine with it, who on earth am i to not be?

i think we all have the same reaction when we see idiots online saying things like 'sid doesn't deserve this trade him to a contender'. and that's because we are smarter and more refined fans who understand that what sidney crosby DESERVES is to select how and where and when his career ends. is it on a team that sucks? then that means being here is more important to him than getting that fourth cup. staying with geno and kris and the penguins as a whole, never putting on another NHL logo, is more significant to him personally than another victory. and isn't that special? isn't that worth celebrating?

of course we know all of that because we're better at being fans than the uncles online who are writing weird fanfic in their heads. but. guess what that comes with:

losing.

and losing badly, in the case of this season.

i am here to tell you that sitting and bitching about it helps no one. right now, what we have to watch and celebrate is our favorite players still playing at a high level. they're still doing cool stuff on the ice. and they're doing it TOGETHER. this is what they wanted. so your options are either to hate it and sit in negativity about it each and every game, OR readjust your mindset and learn to enjoy what we have while we have it.

we are watching myth-making happen live. we are watching living legends play hockey. this is a privilege and an honor and it's not something most fanbases get EVER. and we have two! can you believe it?

there are things i would have rather seen done differently over the last couple of years. as far back as 2019 there were moves i disagreed with and changes that could have been made that perhaps could have extended their window. and of course the 2022 series against the rangers, that was a very good team that got hit by injuries at the absolute worst possible time, and probably that was their last chance as a core to compete. it's frustrating to watch that stuff happen when you have no control over it.

the pittsburgh penguins were high-end competitors and contenders for seventeen years straight. that's insane and unheard of in this league. they're not anymore. and the price you pay for almost two decades of dominance is...being bad. when you're competing you trade prospects and draft picks for win-now players. sometimes those work out, most of the time they don't. with the amount of winning this team has done, even the trades that didn't work were worth it, because it meant they were trying.

there are no fanbases who are going to feel bad for penguins fans right now. that's also why we're getting so much attention from the national media. people aren't used to this team being as bad as it is, and people like watching downfalls. that's fine. most of those fans have never watched their team win, and most of them never will. so if their joy is coming from sidney crosby's team being bad....well, love and light, you know?

and we shouldn't feel bad for ourselves either. this is what happens. this is how it goes. this is the price for the band staying together.

i dunno, guys. this is a disjointed rant. it's just so effing hard to be kicked in the nuts everywhere you go with unrelenting negativity. it's on twitter it's in the articles and yes, it's here too. but if you can't be a fan of a team when they're bad, then i'm sorry but you're not a fan of the team (or certain players), you're a fan of winning. and NO team wins all the time every year. that's not how sports work.

we are lucky. at least, i feel lucky! don't you? gosh, sidney crosby scored his 600th career goal tonight. evgeni malkin is over 500 goals on his career. can you believe that? it's amazing to watch.

and it's going to be over in less than two years. do we really want to waste it by wishcasting something that's not going to happen instead of enjoying what we DO have?

if the media bums you out, don't listen. don't read the articles. don't go on twitter. dry your tears on the stanley cup banners that sid and geno hung up—there are three to choose from!

[thatshadowcomic]

Sonadow fan child mega dump

Still working on the ideas, still not 100% sold on a name... Im trying to picture Sonic and Shadow's playful banter on kids names, making fun of each other's suggestions.

Naming:

I originally thought Sky or Star or even "Terra" which is Earths name. You guys gave a lot of really good ideas, too, thank you so much!!Sunny is cute, too and Rouge calls Shadow "sunshine" a lot. Maybe something to do with water or planetary stuff, given Shadow would have looked out of the ARK with Maria a lot.

I even thought about "beauty and the beast", naming her bell relating to how Bell was "like maria" or rather, the concept of clarity bells and chimes and the sound/mysticism of bells in history as spiritually healing.

Plus it's funny to think of her being like Sonic and pulling a "DING! times up!" and destroying Eggman's future projects.

"Beauty and the beast?? Isnt Maria your sister--" "I won't entertain your crude humor. Bell accepted the beast for who he was, not what he was called or what he looked to be. Despite what she was told about him, she wanted to offer him a chance to be happy. A chance we all deserve... Regardless how it ends, the beauty of that story, at least to me, is not the romance, it's about love. Love isn't strictly romantic. She saw his heart and showed it to him, and he learned that the world might label you, but it's you who decides to accept or deny that label." "Heh, you should start a podcast-- call it stuck in a PODcast :)" "I hope she get's my humor." "And what humor is that?" "I can be very funny, Sonic. You're just... too slow." ":0"

Story one, the failed son:

He's created in the lab, hidden from GUN, but using their resources. Shadow's basically desperate because a child, to him, represents Sonic's immortality. Sonic will die one day, and Shadow fears what that means--but he also is living through the child. He wants a better version of himself, a "pure" one.

Doom's blood is removed, but several embryos fail completely. He finds a new "stabilizer" in the way of a chaos emerald shard, which Sonic would have never allowed, had he known. I think at some point Shadow would become as obsessed as Gerald, which causes Sonic to back off a bit...

Basically this creates a chain reaction:

Shadow abandons the kid with Sonic, after Sonic learns about the shard and warns Shadow that this could be a disaster. Shadow hides on the ARK, fearful that one day he will be the only one strong enough to destroy/stop his child, should he lose control to the Chaos energy coursing through him. Using the power only harms him, but really, it's turning him into a uncontrollable vessel of chaos, like biolizard.

Somehow Shadow hopes that losing any attachment to the kid will allow his destruction to be easier, but to Sonic, he gave up, accepting the kid as doomed. Sonic resents this deeply, even if he doesnt outright say it...He wonders if Shadow could have helped him manage his powers.

Ultimate power:

In reality, the child's need for validation is the very reason he would lose control in the first place, desperate to control his powers. Sonic would try to convince him he can just be his normal self, not to use the powers, as they damage him each time. But the kid eventually loses it and tries to draw shadow out of the ARK by destroying everything he can, until Shadow can see him from space.

"You love this planet more than me... Then defend it, coward--"

Damn, the fight scene would be awful-- I picture him warping in and just decking the kid, how heart wrenching. I'm sure Sonic would be stuck between, unsure what to do. I'm not sure how it ends?

Myabe they remove the emerald and he dies? or he becomes goop like Chaos? maybe a chao egg is left behind, which might hint at something bigger within Shadow himself??

Idea two, Birth:

Basically, Shadow's body evolves to grow an egg, maybe a normal Blackarm's thing that happens from time to time, maybe something to do with some Blackarms leftover idk, but point is he ends up hiding and pretending to be at GUN or on missions until finally Sonic tries to track him down and finds him laying in some forest, in labor. Technically this is Mpreg, but visually they look the same.

He reassures him, but Shadow can't understand why sonic isn't horrified.

"What do you want me to do, call you a freak and leave? I'm sure all mobians are freakish to humans, just like humans are freakish to mobians-- Hey, my little brother has two tails with a messed up joint that lets him fly! And your dad turned into a giant demonic root ball, even that comet was made of living goop all glued together, Shadow--laying an egg is the least of your worries!"

He jokes that he can have a melt down about the pregnancy being hidden later on, instead he'd rather focus on helping him. He has 3 small eggs but one begins to grow roots like the Blackarms and it takes over the other two, only making Shadow more distressed.

He wonders about taking it to the ARK, working with the commnader until they can determine that it's safe, but Sonic jokes, "You can try, but you know I won't let you take 'em, hehehe" But Shadow can feel the serious threat underlying. He doesn't want it to be treated like a monster either and wonders what the best course of action is.

"Do you really think humanity will accept this child if it looks anything like the Blackarms? If I looked any more like them?"

Story elements:

A lot of this story would be focused on Shadow's gradually rising tension as the egg grows, while sonic seems to be in a weird state of normalcy, but also struggling to actually comfort Shadow.

"Yknow, knuckles was born in an egg." "Sonic... we have no idea what's inside of this... I wasn't suppose to be fertile, let alone this! This sint a joke, sonic! What twisted creature could come from this-- what if this is just another facet of Doom's plan?! I already lost control of my mind, now I don't even have control over my body?!" Maybe Shadow and the commander already talked. He'd want to know why Shadow's suddenly requesting so much time off, only for the professor and Shadow to reveal everything. To their shock, the commander would support shadow... "Maria was like a sister to both of us... I think in her eyes... this might be my niece or nephew." The words make shadow tense, he wasn't prepared for this conversation, let alone the commander's unusual response. "You know I hate failing, Shadow-- Ive already failed her enough. I won't fail anymore. *Ahem* I expect a full report, given you've already met my grandchild..."

Remember, the commander offered shadow to come see his grandchildren in shadow the hedgehog (2004), so I'd like to think he's trying really hard to be better.

Really feeling this scheme

Guys can you help me with sonadow baby names

I have no idea what to say, but I want it to feel meaningful to Shadow, but maybe they have a real name and a "cool" name, like Sonic, Tails, y'know?

Might go with a girl? I just wanna make one to know what that looks like.

Thinking Navy. Maybe Ashen color. I think there'll start Ashen purple, later becoming darker, indigo-navy color, possibly stripes but idk, they would still have Blackarms DNA

[wpmorse]

One of my side projects is a ASOIAF/Discworld crossover. The main premise is, due to the events of A Thief of Time and Night's Watch, Ankh-Morpork and the surrounding  is transported to Westeros roughly replacing Saltpans, approximately when Robert and the court are heading north to Winterfell. Due to their location, Ankh Morpork is forced to become part of the war of Five Kings out of self defense. Due to Ankh Morpork having a different flavor of narativium, a 300+ year technological edge and... wizards, I expected things to be interesting.

For the most part this hasn't gone anywhere beyond me throwing ideas at the wall when I'm inspired. One of the bits I enjoyed the most was a scene with Arya and Rincewind after Rincewind accidentally saves her from the Brotherhood Without Banners and the Hound. It appeals to me for two reasons. The first is because so many fans go on about all of Arya's cool teachers, it appealed to me that she get one with a notably different philosophy than the others. The second is, as any Discworld fan can tell you, sticking Rincewind with someone gung-ho and heroic is comedy gold.

I'm afraid I rushed this scene too much, but it could be worse. Recently I've started to base my vision of Rincewind on Neil from the Young Ones mainly because Nigel Planer uses the voice for him in the audiobooks.

Anyway, here's the scene.

* * *

They had been walking through the forest for the entire day. They’d kept away from trails and didn’t see anyone. Still, Arya wasn’t sure if they were getting anywhere at all. All of the moss on the trees faced north, but she was sure she had seen several of the trees they had passed before, and then before that.

“Are we there yet?“ She asked again.

Her companion stopped and gave a loud exasperated sigh. He turned slowly and stared down at her. Arya stared back until he looked away. "Calm as still water," she thought to herself, smugly.

He was a tall skinny man with a thin, scraggly, beard. When she first met him, two days ago, she thought she had run into another red priest, like Thoros, in his faded red robe. But Thoros didn’t wear a strange pointed, wide-brimmed hat which looked even more threadbare than his robes, with the word “ WIZZARD” sewn in large faded letters. It made him look more like a mummer. Or at least a mummer who had been lost in the woods for many years.

He frowned. "How the gods should I know?" He asked.

Arya could not believe what she heard. “We're lost, aren’t we?” she said.

“ We are not!” He shouted.

“Then where are we going?” Arya demanded.

The man shrugged and started walking. “I don’t know about this ‘we’ business, but I’m going away from here,” he said pointing at the ground.

“That’s stupid!“ she shouted.

“No, it’s not. It’s away from danger!” He shouted back.

“And what if we just end up in more danger?” Arya asked.

The man turned again looking down at her with an infuriatingly knowing smile.”When we find it, we can run away from it too" he explained.

Aria wanted to punch him but she stopped herself as an idea struck her. “If we’re not going anywhere, can we go to Riverrun?” She asked.

"What’s in Riverrun?“ He asked.

“My…“ Arya paused. She wasn’t sure if she should tell him about her mother and Robb. She hadn’t told him her name yet and had gone back to calling herself Weasel, for fear of giving herself away once again. She didn’t think he would try to hold her for ransom, as the Brotherhood had planned, but she didn’t want to take any chances.

“The Warden of the Riverlands and the king in the North,“ she said

The man gave her a crooked look. "So… There’s an army there?“ He asked

"Oh yes, lots,“ she said, excited.

The man shrugged. "Well then,“ he said, "Let's keep away from there. You don't want to mess with armies. Too much of a chance they'll try to kill you.“

Arya couldn’t believe what she was hearing. “You're craven!" She shouted.

"I am not! Craving only leads to more trouble! I don’t crave anything'.  He paused, remembering something. “Well, except for boredom, that is, and," he sighed wistfully, “ potatoes."

“What’s a potato?“ Arya asked.

The man gave her a pained look. He turned and looked up at the sky and said something under his breath. Arya couldn’t quite make it out, but it sounded like whimpering. “ Look, no one's asking you to follow me, “ he said, changing the subject. “ If you don’ t like where we’ re going, you can leave anytime you want."

Arya said nothing. She didn’t know why she was following the man, ever since she had run straight into him escaping from the Brotherhood, but he had got her past the Brotherhood's outer guard and, she shuddered, the Hound, and so far they avoided any other people out to get her. She was safe around him, even if she found his whining annoying.

She hadn’t asked him his name yet. She didn’t want to know. She didn’t want to get close to anyone, after losing Gendry, Hot Pie, Syro and... her father. Still, she should try to learn as much as she could about him. “Is a wizzard anything like a hedge wizard?” She asked.

He looked at her surprised. “You’re the first person who’s known how to read since I’ve arrived in this gods forsaken mud hole,” he said.

Arya gulped realizing she’d given away an advantage. "Well, is it?“ She asked. The wizard drew himself to his full lanky height. “Oh no, we wizards are something much better. We look into the higher magics.”

“Can you show me some?“ Arya asked.

The wizard coughed. “Not right now.“ He said. “My powers can’t be wasted on simple parlor tricks, especially when we might need them for something serious later. "

Arya said nothing. Let him keep his stupid secrets she didn’t need him.

[khaire-traveler]

Hello there! I'm very new to hellenic polytheism and came across a question that I am not sure how to approach. I would be really grateful if you could let me know your thoughts on this (please don't feel obligated or anything, tho. I know I am just a random person asking a random question 🫣). So, for a while now, I've been getting more into greek mythology and from there into fandoms that depict the deities (e.g. Epic the musical which I love a lot). Would you say it is inappropriate to seek out fanfiction or fanart (especially those including ships) in those fandoms, or should I refrain from doing that as it would be disrespectful? Or are there limits I should be aware of? Thank you so much should you choose to answer this 💜 (I apologise for missing paragraphs. I am not sure how to do those on mobile.) (Also, is there a right way to end these kinds of letters/messages/questions? Like a way to express my gratefulness?) (Sorry if none of this makes sense. I always get anxious messaging strangers, but I couldn't find answers anywhere, so I thought I'd just ask🫣)

Khaire, Melie!

Ah, yes. The age-old question. How sinful is fanfiction, exactly? /joke (wanted to start this off light-hearted)

In all seriousness, I'll start with this: If you want to know how the gods feel about it, ask them. There is no better answer than the one that comes directly from the source. I understand the nerves around asking this question; some Hellenic Polytheists feel VERY strongly about it, and honestly, seeing their strong opinions has made me doubt my own interests in such media. Remember that some rando's opinion online, however, isn't the law, regardless of how strongly they feel about it or how desperately they want you to do exactly what they're doing. Opinions are opinions; facts are facts - they are separate things. Personally - and this is MY opinion -I think never engaging with modern media depicting the gods is a little too strict of an approach, and by following that, I feel that a lot of people are banning themselves from engaging with fictional media that they might enjoy. Each piece of modern media about the gods is a creative interpretation of Greek mythology, and people have been doing this kind of thing with other religions - that they don't believe in - for AGES. It's entirely normal, even if it is kind of annoying sometimes. Now, some retellings, games, shows, etc. genuinely take things too far, in my opinion, and warp the mythology so completely that it might as well be a different story entirely. I'm bordering on a tangent, so I'll move on.

Modern media about the gods isn't an inherently abhorrent, evil thing that should always be avoided, however, but personally, I do draw the line of engagement at shipping.

First and foremost, live your life the way you want to. Engage with your practice however you wish. I'm not the law-maker of this religion - no one is - and while I might disagree with someone's approach, I'm not going to shit all over them for doing things differently from myself. Now, into my opinion. I don't think shipping gods - be it from a modern form of media or not - that you worship is appropriate, personally. In my experience, it will blur your actual perception of those gods. I've seen it happen over and over again that people confuse the fictional representation of their God in media with the actual god, then feel the need to distance themselves from the media in order to regain something they feel that they lost. Like I said, you do whatever you wish, but I find it's just better to avoid the awkwardness of shipping entirely.

If you want to read fanfiction about the gods in fictional media, go for it, but I'm not personally a big fan of that. I don't know how the gods feel about it; I can't speak for them (no one can). For all I know, they could be reading the fanfiction themselves and laughing their asses off, who knows? But as a worshipper, I'm not personally comfortable with the idea of reading it. Again, do what you want with your life. If you want to read some spicy fanfic of one god with another, I'm literally not going to stop you, but make sure you're able to separate the fictional characters from the gods you actually worship before you do so - that's my advice. Too often, people end up conflating the two. When a fandom or fanfiction begins affecting your worship, practice, or even just the way you view the gods, that's when it's a problem.

I think the community has been torn on the topic of modern media for a while. Some people love it, while others utterly despise it, and you'll notice that answers will vary from person to person. In my opinion, these pieces of media become problematic when they swarm the fuck out of a small religious community that already struggles to be taken seriously. An example of this is what happened with Lore Olympus a while back. When the comic got popular, a ton of people would swarm and attack worshippers of Apollo online, calling them all sorts of extremely vile things, all because of a comic that literally wasn't even mythologically accurate. In my opinion, fandoms can get out of control sometimes, and when you're engaging with one based around the gods, I advise you to just be careful and aware. For some people, fanart and fanfiction of the gods are extremely uncomfortable, similarly to if someone were to ship Buddha with Jesus in the regard that it just...feels weird for people who actually worship those figures. Other people could care less, being able to fully separate the fictional characters from the gods they worship. Base it on your comfort, and the comfort of your gods.

I hope this helped to give you my perspective. I'm not going to tell you what is or isn't the right choice because honestly, different people will give you a different answer, and I'm anything but a religious authority. You're allowed to do as you wish, but I will always advise you to tread with caution and check in with yourself about how it feels for you personally. Reach out to your gods and directly ask them (such as through tarot, or another form of divination), "Hey, how do you feel about me engaging with this?" Asking directly is ALWAYS a good idea, in my experience. Take care, Melie. 🧡

[dadrielle]

I am going to treat this as being in good faith even though I know you have copy pasted this same response on multiple posts.

It's fair enough to see this post and roll your eyes about it. I am being a sarcastic lil bitch about implications that really aren't meant to be there! Liam absolutely didn't mean to do this as an "Orym doesn't trust them" or "Orym doesn't respect their boundaries" thing, and I know that. And I know no one in game is gonna read it that way, either. I didn't tag this Orym specifically because I was picking at a small thing irritably and I fully acknowledge that.

But! There are 3 things I want to say to this on a more serious note.

First, I think we must acknowledge that the implications of listening in on one's friends over listening in on one's enemies are quite different. People have different reactions to different applications of Observant because the social stakes and boundaries are situational. It means something much different to punch an enemy combatant in the face than it does to do the same to your best friend, you know? And Orym is not omnipotent; he does not just automatically know everything that happens, despite how we all joke that he can see god with his high perception. When he chooses to listen in should matter, as should the implications. That's actually my main issue with this whole thing, but I'll get to that in a moment.

Second, I would just like to say while I'm sure you believe it's true I and others critical of Orym don't talk about any of Orym's actual flaws, the fact of the matter is there are many fans who do most of our character discussion privately with our friends instead of tumblr or god, even worse, twitter. And my Orym feelings aren't identical to every other person who is critical of him. As I said in the initial tags for this, I don't think this was the worst thing in the world, it just bugged me! That was just an emotional response, and those often pass. There are lots of moments in stories where my initial reaction is a strong negative emotion, because I am feeling the feelings of the moment, but then I love the full picture it creates. Imogen and Laudna's "did we break up" phase is a great example of that, especially Laudna's ongoing insistence that she was a dead end. It hurt to watch! It made me sad! But it really enriched the narrative! My actual, continuing issues with this Orym moment have nothing to do with Imodna, or the meanings of this moment in particular. It's just another expression of something I've been grousing about among friends for ages. I actually WISH it was Orym being fucked up, that it was something that would come up again later, something he might get push back on. I wish the implication that he feels the need to monitor Imogen and Laudna, that he isn't thinking about how they might feel about it, was a flaw that would be explored with the other characters. Instead it was just kinda there and I imagine no one else will ever have a reaction to it one way or another.

And that leads to the final thing: my biggest issue with Orym listening in is that it DOESN'T matter. It feels like at some point, Liam stopped having Orym engage with other characters and the narrative as actively. It's started to feel very repetitive, and I am deeply frustrated with it. I know he is a reserved, PTSD-laden soldier who uses his hard line morality and sense of duty to hold himself together, who refuses to tell his friends how he feels because he doesn't want to be a burden. I know this! And I think it makes for an interesting character and I want to love Orym as much as I used to. But this is an interactive game, an ongoing narrative, and after a certain point, choosing to have your scenes be solo and keeping your character from changing any of their stances starts to feel like refusing to give other people room to react and challenge your character, and refusing to engage with how others' narratives have changed. What Imogen expressed about not running in this episode isn't a revelation. She has, at this point, been saying some variation of it for about half the campaign. And he has told her he is proud, before. It was nice, then! But listening in to their conversation here and feeling proud in isolation didn't add anything new to the narrative. It could have, if it was a conversation, if he had talked to Imogen directly. But instead it feels so empty to me. Disconnected. It even sort of re-framed the moment as if it was about Imogen Finally Choosing To Not Run, instead of being about Laudna trying to reaffirm a future that keeps slipping from their grasp, one she only just started to believe in again on the precipice of Imogen possibly sacrificing herself for the world. It makes it seem like Orym has barely moved on from the solstice, like he hasn't registered how Imogen's narrative has developed since then.

There are so many things I would love to see from Orym that require acknowledging that things have changed. I wanted him to talk to Dorian instead of chasing after Dorian's dad to say he should be proud of Dorian, especially since Dorian had already had his big cathartic conversation. I wanted him to ask why Dorian has come to hate the gods so much, to ask him why it wasn't just the Spider Queen he was mad at. I wanted him to talk to Fearne about the fact that people outside the party have treated her with the same anti-Ruidusborn suspicion as Imogen, particularly in light of their conversation about taking Imogen out pre-solstice. I wanted him to actually internalize that he was wrong about there being nothing beautiful in Exandria before the gods, and to talk to Ashton about it in a way that starts with him actively listening to Ashton instead of just repeating the same arguments, even if he came out the other side still disagreeing. I wanted him to realize that there hasn't been any danger of Imogen running and that the core of her struggle now is with the fact that she's being asked to sacrifice herself. I wanted him to talk to someone about his guilt over killing Zathuda. I wanted him to acknowledge the hardness he put on when he tossed the locket on Bor'dor's corpse and declared this was war and what that hardness did to him. I wanted him to work on his flaws and talk to people! But instead, he listened and reacted in isolation. The fact that his reaction to Fearne asking him if he was ok as late as episode 95 was just "then why ask? You know the answer" instead of opening up is narratively a problem for me. The few times he has opened up a little have been wonderful but he's still holding most of it to the chest. So many emotional Orym scenes are people talking to him about his emotions and him not responding. We're in too deep, man! "If not now, when?" doesn't just apply to kissing Dorian, you know? He is running out of time to open up.

So. Do I still think listening in on that moment was sucky of him, even beyond the hyperbole? Sure. I think generally purposefully eavesdropping on something like that is sucky. It's a small kind of sucky, though. A blip. Because this is a story, the big sucky thing is that it didn't mean anything for any other character and felt just narratively disconnected. And I find that so frustrating because there are so many potentially meaty, interesting things possible in Orym's story, and I desperately want that richer narrative for him and for Dorian and for all of them.

You might not agree and that's fine. To paraphrase Orym's own words, every one of us forms our own interpretations with the lenses or prisms we see life through. Of course I'm gonna get more het up when this ongoing, general Orym frustration touches on something Imogen or Laudna related - they're my favorites! Of course that influences how I see things. I know they aren't everyone's favorites, so something like this moment won't be a domino-kick on tangentially related, piling frustrations for everyone. But it is for me. I'm not really trying to convince anyone I'm right, here, just to explain why I feel this way about it.

Sure would be fucked up if Imogen and Laudna, until only recently, had every single one of their private moments observed against their will, and then their friend decided to observe possibly their last private moment against their will, huh? :)

[distort-opia]

Thoughts on The War Within from the Joker 80th anniversary special?

Ah, Tomasi's little meta take on the neverending battle between Batman and Joker!

It's a lot like Bermejo's "Two Fell Into The Hornet's Nest"-- one big metaphor and tribute to the dynamic between Batman and Joker, with a focus on Joker's perspective. The short story is, after all, part of a Joker anthology. It's told in the rhythm and cadence of poetry, which is quite enjoyable, but it's nothing that hasn't been said before.

To be honest, I think the last two pages are what's interesting: the ending. The rest is a journey through all the forms Joker has taken in different media and stories, in his fight with Batman:

We get Leto's Joker, Arkham games Joker, New 52's Joker... and so on. The idea is that the faces change, but the war stays the same.

But the last two pages go like this:

And now is where you think "Oh, Batman is wearing a device that protects him from Joker gas all along". The text specifically and intentionally says "Where oh where does the green gas flow?" The bar we see in the device as red is not alerting anything before, it's only red in the last pages. And so, when The Killing Joke!Joker shoots Batman and then removes the air purifying device, the person who gets up is a Joker-infected Batman. Joker beats Batman by making Batman become him.

And um... somehow I got even longer than the post already is, so I'm putting more elaboration on the ending under the cut.

"The more I walk in your skin, the more I learn how to beat you." There's multiple layers to this... Batman, by virtue of who he is in the narrative, has to stay the same-- unmoving, moral, the hero of the story who kills no one. But Joker is an embodiment of chaos; he doesn't stay the same, he evolves. We see him take on different forms and committing various horrifying deeds which, at the end of the day, make him a stronger and versatile villain. This is a sentiment we've seen before, even recently with Zdarsky's take on them: Joker could kill Batman anytime he wanted. As a villain, he's got a freedom that Batman, being the rule-governed protagonist of the story, does not. What stops him from ending the battle is the love of his enemy.

But how does Joker beat Batman? It's by Batman becoming him, and this is framed as a sort of inevitability. It's what makes Joker smile more than anything, with the last panel being Batman-as-Joker cutting a smile into his own face with a batarang. They're the same person at different points in time, and the "war within" is pretty much saying "there's two wolves inside me". There's just one me in this equation, and the war is between Batman and Joker: two sides of the same entity. Heh... I included that first panel for a reason. If you go back, you'll see Bruce's eyes are clearly green. One could argue Batman was Joker from the start.

The Medusa reference is the last layer and something I'm not sure about, honestly. A fair maiden who becomes a monster and whose gaze turns anyone to stone... that might be what it tries to say. Since this is Joker's perspective, it might suggest the corruption of innocence. Medusa doesn't turn into a villain because she wants to, it's a betrayal that leads to it; she's a victim who becomes a villain. But to be fair, sometimes artists just like to give Joker snake motifs. All thorought the story, we see snakes entangled with depictions of Joker, on the wall, in the textures. I swear, the sheer number of times Joker has been associated with a snake, or has even had snake hair before:

Wonder Woman #164

Knight Terrors -- Catwoman #2

Association with the devil, with poison and evil, etc. etc. It could just be that-- artists going "oh I know what's Green and Evil!" Though as a fan of snakes, I gotta say, I actually like it. Snake Joker for the win!

I ended up going on a bit of a tangent, but I hope you enjoyed these meandering thoughts.

[gem-de-lune]

Can you read if seunghan still wants to go back to riize? I'm ot7 and I obviously want him back but I get it if he doesn't want to, he would work the majority of the time in korea where people hate him and say/do horrible things to him and as much as I want him back I don't want him to be in a situation where he is not happy and is struggling and I would get it if he also doesn't want to be there.

Please don't get me wrong, I want him back, but I would like to know if he also still wants to (I know he practiced to be back and everything but time goes by, things happen and people change their minds)

So I have already read this before, and yes he does. I also read this question literally every single time I read for him, including today, and it was yes. I just do not always share it to avoid redundance. Obviously i do not have the pulls anymore, but i do remember the general consensus, and I remember I pulled like the 10 of cups, 5 of pents? And then like something else that was positive but i do not remember (5 mins later note: it was Strength). I pull a similar read for him every time i ask.

Ofc he is afraid of things that may transpire, but he is thinking "what if?". He has a lot of regrets already. He is far more afraid of not trying and regretting that than he is of the backlash. Have said this before, but he is not that concerned over the backlash so long as he does have love from fans anywhere.

Those things do not bother him as much as one may think- or for reasons you may think. It's the company abandoning him and having to struggle alone that makes him the most depressed and sad. I'm sure anyone who has gone through depression can relate, but the thought that "no one cares" is what actually bothers him, not the hate he may receive. The lack of support and the thought that he could disappear and no one would care is what truly upsets him. Not OT6. In fact, I'd go as far as to say he is 80% confident in winning them back if given the chance lmfao.

[schumi-nadal]

Wow, I didn't think that post would get me even more hate to be honest 😅

First of all, I wasn't talking about ALL Carlos fans but about some "fans" (you can't call them like that, not after the really harsh words I received) who came into my asks when i asked nothing: I never was mean about Carlos, i didn't even defend Charles. I only posted 2-3 things related to this Charlos gate or whatever the fandom is calling it.

Here are some of the posts in questions:

After the first one, I received insults (anons and non anons, I don't know what is worst, that's what I was talking about them being younger and not knowing how the Schumi era and baby Shumi era were, (the non-anos were 17-18) because people misunderstood it (or understood what they wanted to understand).

After one or two more posts after the end of the race, it escalated very quickly, I received death threats! That's very serious! How can it come to this for a FUCKING sport? There are more serious things in life!

So, yeah, I was quite pissed after that.

Also, I didn't even defend Charles in my post, rereading now and I undertand I may have sound like I did but I'm French and I may have translated word by word what i wanted to say (it's a bit complicated but we sometimes use "you" to talk about people + ourserlves in some sketchy expressions). Anyway, what he said was definitely inappropriate and very "childish" in a way. Those words should had been spoken in private with his team and Carlos, not in front of million of people; and I think if FIA penalised swear words, they should start looking at those kind of statements.

Also, for those saying that I would be the kind of person to insult their favorite driver(s), you don't know me, you can even check my blog if you have nothing more interesting to do (lol), I never insulted anyone like some people do in f1blr. We can dislike or even hate a driver with our whole being, that's ok, for each their own I guess. We can't love everyone, you have the right to defend your favs, that's our choice too, but don't go and roast people when they didn't even say something wrong in the first place. (again, i hope those anons are reading it)

I never got haters before today (just one a few months ago with tennisblr but it was more a troll more than anything else) I usually don't interract a lot because I don't like conflicts but receiving multiple insults for something I can't control: I'm not Charles, I can't control what he says, I'm not a Carlos hater neither, i'm just here, blogging and reblogging stuff I love, mostly sports, sometimes with my particular sense of humor.

Nobody is perfect for sure, and I'm sorry if some of you thought I was just calling out Carlos or defending Charles. He may be one of my favourite drivers, just like other drivers can be yours: all of them are not flawless and we may continue to like them or not after different sorts of situations, that's up to us.

To finally finish my thesis (sorry if you're still reading), I didn't know that I would be so stressed on tumblr one day (call me a sensitive person) but this website is my sanctuary, I hope it will stay like that for a very long time but you can't be appreciated by the whole world, I lost some of my mutuals and i accept that. This morning's messages went too far and that's not normal to say thing like that, no matter how peacecul I am, I had to call them out. Also, on my other fandoms, you can share thought without (or almost) getting attacked verbally, that's sad that it's not the same anymore here, but yeah, football is the same.

You can choose to answer or not, I won't block anyone because I don't feel the need to, opinions can be shared but respectfully, I would be happy to talk more if some of you are up to.

So, I don't know what to add, have a great end of the season, everyone!

i don't know if everyone who reblogged or commented can see it when I reblog it so i'm tagging y'all: @midesastremanifiesto , @janesurlife , @gaypoetsblog , @katarf1a , @chaitalinath , @danieldrivesfast , @landhoe-norris , @eightsixtiism

One thing is funny about being insulted by all those Carlos "fans" (won't call them real fans tbh he deserves way better than toxic people): I was already watching F1 that they were not born, if you think that Charles was shitty today, just remember we had Michael Schumacher as the most dramatic queen ever and Sebastian Vettel was a little Gremlin at some points. REAL FANS WERE NOT FIGHTING FOR THAT!

[genericpuff]

1. Have you read Circe by Madeline Miller + Song of Achilles ~ if you have what are your thoughts

2. In the original what was your favorite male character drawn out (mine was Hermes only bc I found him hot😓)

3. How long do you think it’ll take you to ‘finish’ your story, like do you have a set date: 2026,2027, even 2030🙈🙈

4. What’s your backstory on tattooing and art, was this your initial plan

5. Fave girl character, (mine is Minthe only bc she reminds me of my younger self since I seemed to only choose realtionships where I get here)

thank youuu

ahaha so many questions! I'll answer them as concisely as I can :>

1.) Song of Achilles is on my shelf, I've been meaning to read it all but I haven't been able to make time for it, I might try and do so before the new year! I've definitely heard great things :>

2.) Hephaestus! He gives me such older brother vibes, he just seems like a really chill and snuggly guy LOL Only complaint about his character design is the fact that he's constantly using running blades (sure they look cool but they're not practical for casual wear, you're supposed to use them for, y'know... running lmao) but that's really it, I think his arc with Aphrodite in S3 was poorly written tbh especially with how rushed it was, but overall not the worst treatment out of the cast.

3.) Definitely don't want it to take until 2030 LMAO It's gonna depend on a few variables, including update schedule (I'd really like to get back to posting once a week again like I used to but I don't think it's gonna be possible for a little while u.u""") and how long the final scripts come out to be. Ideally though I'd like it to be wrapped up within another year or two. This definitely isn't one of those "work on it indefinitely" type projects, I have an end goal in mind and I don't want it to take over half a decade like my last comic project did LOL

4.) Never expected to wind up making Rekindled or in tattooing. I'm kind of a "fall into it" type person, I do what feels right in the moment even if it's not what I initially planned for (within reason, of course! I've learned to sit on new ideas and plans for a bit before pursuing them to ensure I'm actually into them before diving in lol it helps me avoid the impulsive ADHD-fueled decisions 😆). I sort of had a plan for myself back in primary and high school - I wanted to become a video game concept artist, but over time as I got into making comics and after I graduated college, it just never really happened. It's never too late, of course, but right now I'm having a lot of fun tattooing and making comics in my free time ! I think I'd still be making comics even if I ended up in game dev, it satisfies my storytelling side haha

5.) If you mean specifically LO, yeah, Minthe here too. Which is wild because I remember when I was still a huge fan of the comic and was on the "fuck Minthe!" train. Now that I've explored the comic with a more critical eye, I sympathize with her way more and I really hope she had gotten a more satisfying conclusion. Still, she got away from Hades and Persephone's nonsense so that's better than nothing LMAO but I definitely want to explore her side more in Rekindled as the story unfolds, I have some fun plans for her <3

[thunderlina]

Analyzing the Magia Exedra character portraits (so far)

The character art for Magia Exedra has been absolutely gorgeous so far and while staring at it longingly in anticipation for the game's release I've noticed some things I want to discuss.

The main thing is that they all depict the featured magical girl fighting a specific witch. Let's go through each of them:

Homura's is the most obvious since we can see the witch she's fighting in full, Walpurgisnacht. Considering how central the fight against Walpurgisnacht is to Homura's timeloops, and the fact we've seen Walpurgisnacht in other promo art for Exedra, this doesn't come as much of a surprise.

Mami is an interesting case because she has two pieces of art at the moment. Both appear to depict her fighting Gertrud in episode 2, as evidenced by the flowers in the first image and the background which resembles her barrier in the second. Seeing as Gertrud is the first witch we see her fight in the anime this makes sense.

Sayaka's art depicts her fight against H. N. Elly (aka Kirsten) in episode 4. More specifically it's a direct callback to her final attack in said episode.

Kyoko's art depicts her fight against Oktavia von Seckendorff in Episode 9, moments before shattering her own soul gem. Notice her soul gem is not in it's typical place on her chest and her hair bow is nowhere to be found. You can also faintly make out the theater seats of Oktavia's barrier in the background.

I saved Madoka herself for last because I'm slightly stumped on hers. It almost appears that she's the exception and isn't fighting a witch at all. The patterns around her resemble those seen in episode 12 when she's saving all the other magical girls from becoming witches, so it's possible that's what's being depicted here. HOWEVER the cloudy blue sky backgrounds also resemble those seen in Patricia's barrier in episode 10, so perhaps this depicts that fight instead?

Iroha's portrait may carry some unfortunate implications for Magia Record game fans since she's depicted fighting Box Wood, a witch who originally debuted in the not particularly well-liked Magia Record anime, which could indicate Exedra's version of the MagiReco story will pull from the anime more than the game.

Yachiyo's art depicts her fighting Stacey, who appears in Magia Record Arc 1 Chapter 8, as well as Episode 8 of the Magia Record anime. I'm admittedly not very familiar with Magia Record's story (I've seen the anime but barely remember a lot of it, and watching several hours of Live2D models talking to each other is uhhhh not the most exciting thing to do) so I'm unsure if this holds any particular significance to Yachiyo herself.

Stacey's barrier is noticeably different between the game and the anime, which could be another clue as to which version of events Magia Exedra will be pulling from, but it's a bit difficult for me to tell which one this resembles more since so little of it is visible.

That's all I have to say on the matter though. PLEASE reblog with any details I've missed because I'm sure there's more to be read into here.