#I like her when they aren't focused

[metalhoops]

Nancy Wheeler always wanted something. That was her secret. It was the one thing that no one knew about her because she hardly knew how to explain it to herself. It was like being hungry for something other than food. It was illogical, incomprehensible and all the things Nancy had never let herself be. 

She prided herself in being capable and competent. This manifested in different ways across the years. In the days before her best friend’s death, she had prided herself in her grades, her appearance, and her capability to somehow charm the once acclaimed ‘ladies' man’ Steve Harrington. 

After that, things got messy, and her world changed. Her friend died, and she hadn’t been able to stop it. She’d learnt how to use a gun to keep herself and those she loved safe. She redefined capability, using it to encompass roles like ‘fighter’ and ‘protector’.  

She realised she’d never loved Steve, not really, not in the way she should. Steve was funny. He knew how to make her laugh, sweep her off her feet, and make her feel special. No one had done that for her before. She’d lived in a crowded house that always felt empty. Steve understood that. Her mother and father had been dancing around each other since she was born. Even as the eldest child, she’d never felt special, not until Steve. 

Then there was something about Jonathan. He’d been kind and compassionate. He’d been something Steve wasn’t. She didn’t want to be with Jonathan because of any external forces. Dating Jonathan wouldn’t turn heads or make the other girls in school look her way with something akin to envy. But it might fill that gaping hole of want.  Jonathan understood her. He saw her for who she was and he’d loved her for it. No one had ever done that before. Steve had come close, but he hadn’t seen her. He’d seen the possibility of a white picket fence and a family. 

Nancy knew if she went for that life, she’d be just like her mother. A woman filled with ambitions and dead dreams. A woman who got glassy-eyed when gazing out of her bedroom window, as though envisioning herself opening the glass and soaring free or falling to her death, impaled on the same white picket fence that’d sprung up like a field of daisies the day Nancy Wheeler was born. 

For a while, Jonathan had been enough. Until he wasn’t. She didn’t know who owned the blame for the demise of their relationship. It happened slowly, maybe when he moved to California, possibly before that. They were two continents drifting apart. He left in his wake the same old familiar aching hole of want. 

She applied for colleges, worked on her journalism, and freelanced for a couple of local papers outside of Hawkins, ones where women were allowed a seat at the table. It helped. She was done trying to impress others. She wanted to impress herself. 

She felt more at home in her body while she was moving, but when she came home, either to her estranged family house in Hawkins or to her silent student dorm room, she felt the hole once again. That was when Steve asked her to move in with him. 

She wanted to say no. She wasn’t going to do it to herself or Steve again. She didn’t want to give him hope. He was always in love with her. It waxed, waned and morphed like the moon, but the love was always there. Yet, to her surprise, he shook his head, showing her he’d also changed in their time apart. 

“Not just with me, Nance. Robin and Eddie are coming too. There’s enough room. It’s gotta be lonely sometimes hauling up all by yourself.” 

Nancy couldn’t think of a good enough reason to say no. So she didn’t.  

What she hadn’t expected was how much she would enjoy having someone to come home to. The house was never quiet. Eddie would play his guitar at all hours of the night and morning. Ever since the group had made the mistake of getting Steve a record player for his birthday, he’d blast his music while cooking or cleaning. She couldn’t go a week without waking up to Toto’s Africa. A prospect that’d once petrified her, had somehow managed to bring her such comfort. Then there was Robin. Robin was never quiet. She was always talking to Nancy. 

Nancy had gotten used to her childhood home, where they ate together at mealtimes but remained silent. The place where, when she asked about someone’s day, she’d get a one-word response and a thousand-yard stare. When she asked Robin about her day, the girl told a novel-length, detailed account, filled with wild hand gestures and, more than once, illustrations. 

Nancy had come home late after spending the day at the library trying to complete a paper for her Intro to Communication and Journalism course. She was surprised to find Robin home alone, sprawled out in front of the T.V. watching what appeared to be a French Film. 

“Where’s everyone?” Nancy asked, letting her bag thud to the floor as she positioned herself on the armrest of the couch. 

“Watching a movie at the drive-in. I said I couldn’t go since I’m sick, real bummer.”  Robin faked a cough, then winked at her, sitting up and making room for Nancy. When she didn’t move quickly enough, Robin pulled her closer.  

The girl was clearly faking it. For what end, Nancy could guess. She knew Steve and how he acted when he was in love. He and Eddie had been mooning over one another for months. At first, it’d surprised her. She’d tried to deny her intuition, unsure why the concept of Steve liking Eddie made her feel naked. Nancy had always been progressive. It didn’t bother her that Steve or Eddie liked men, but it made the old, odd ache within her burn. 

“Do you think they’ll finally work it out?” Nancy questioned, watching as a flicker of surprise, followed by an air of mischief fell over Robin.

“Oh, Steve knows he’s got it bad for Eddie,” Robin confided, a cheeky grin spreading over her lips. Their faces were very close. Her eyes were blue, flecked with greys and greens, perfect in their imperfection. 

“He’s been waxing poetic to me for the past month. You thought listening to him talk about girls was bad? At least I can relate to that. Listening to him gush about Eddie kinda makes me want to puke. I mean Steve’s all ‘his hair looks so soft and curly, Robby.’ what am I meant to do with that? To me, Eddie’s just... I don’t know, our gremlin roommate that lives in our walls. I like the guy, but I don’t know what Steve sees in him,” Robin admitted with a laugh. 

She slung a hand around the back of the couch and absentmindedly tangled one of Nancy’s curls around her finger. Oh. Nancy liked that more than she should. Robin smelled like green apple shampoo, pen ink and poor decisions. 

Nancy was good at noticing things. She wanted to be an investigative journalist, and it came with the territory. She’d heard Steve mention how Robin had the habit of talking too much when she liked a girl. 

Nancy also noticed how Robin looked at her, the way her eyes lingered when she came out of her bedroom in her nightdress. Her eyes had scraped over Nancy’s shins, calves and the hollow space beneath her clavicle. All the new exposed flesh she usually kept hidden. It shouldn’t feel intimate, but it did. She’d seen drawings of her likeness amongst the clutter on the kitchen table and knew who they’d belonged to. Robin was good at drawing. She wondered if the girl would ever consider doing comics for the papers. It’d be nice to work with her around.

Nancy knew Robin was talking, but she didn’t hear a word of it, distracted by the stray strand of sandy hair, caught in Robin’s lip gloss. Nancy was smart, smart enough to know nothing good could come of acting on what she was feeling. She leaned forward anyway, brushing the hair back behind Robin’s ear, watching her go still. 

“How’d you get that?” Robin asked, capturing Nancy’s hand, trailing her finger over the scar cut across her palm. It was too close to another night, another possibility of love, another stupid decision by Nancy Wheeler.

“It doesn’t matter,” Nancy breathed, pulling back from Robin’s hand. 

“Robin, can you do me a favour?” Nancy asked, but before she had time to reply, Nancy pushed forward.

“Don’t fall in love with me,” she warned, her voice small but deathly serious. 

Robin pulled back as though slapped, looking at the woman before her with wide eyes, seeming like a creature ensnared in a trap. It’d come out all wrong. Nancy was never good with this kind of thing. 

“I hurt everyone that loves me,” she amended. 

“So please don’t fall in love with me, because I don’t want to hurt you.” 

Robin blinked owlishly at the girl before leaping to her feet and pacing before Nancy and the TV. 

“Holy shit,” she breathed as she paced. Robin’s body never felt at home staying still either. Nancy opened her mouth to say something, but it was drowned out by another bout of ‘holy shit’. 

“You like me, Nance,” Robin exclaimed, gesturing an upturned palm between the two of them. 

“You have to like me. Otherwise, you wouldn’t say that. And I mean, why the hell would you say that?” Robin ran a hand through her hair before huffing and sitting back down across from Nancy, taking her hands into her lap. They were both shaking. To her credit, Robin didn’t touch the scar again. 

“It’s not your fault. What happened between you and Steve. You know that right?” Nancy hadn’t expected that. Robin was always on Steve’s side for everything, they were best friends. 

“I broke his heart, too. He’s told you that, right?” He had. 

“That’s different,” Nancy reasoned. 

“Just because a relationship doesn’t work out doesn’t mean it was pointless. It’s like... I don’t know, having a crush on Tom Cruise,” Robin reasoned, instantly losing Nancy.  

“Alright, bad example. What I mean is back in high school, I had a major crush on Tammy Thompson. Don’t give me that face. Steve has said everything you could say. The point is, looking back at it now we never would’ve worked. She was a total flake. She was pretty but I’d drive her up the damn wall, like, could you imagine Tammy Thompson letting me talk about Italian Neorealism for two hours? No. But you did.” Robin nudged Nancy’s shoulder as though to prove a point.

“Anyway, I’m getting sidetracked. The point is, I realised I liked girls because of Tammy Thompson, so liking her wasn’t a waste of time. You changed Steve and Steve changed you, same with Jonathan. It’s made you who you are, Nance and who you are is a total badass, that I really, really like. So please don’t tell me not to fall in love with you. It’s not fair. You won’t hurt me, but even if you do, I think it’d be worth it for us to try.” 

Nancy never had learned to shut Robin up, but she suddenly had an idea. 

She leaned forward, placing a shaking hand on Robin’s cheek and crashing their lips together, sleek, sticky, glossed lips smacking together, tasting of strawberry, feeling like home. 

Maybe the third time was the charm. 

[bumblingbabooshka]

I hate when Chakotay is watered down to be Janeway's yes man because their disagreements are actually very interesting. [A lot of rambling analysis of this debate in particular below]

Chakotay in Parallax is very interesting in that he has to navigate a lot of different dynamics. Balance a lot of plates while being watched keenly by everyone around him. Immediately preceding this scene we see him ask B'Elanna for her opinion on the bridge - both as a chance to show her knowledge in his bid to make her chief engineer (because she wouldn't get a chance to otherwise as Janeway has clearly indicated that at this point she views B'Elanna as a troublemaker who won't be considered for the position) and because he just thinks she's a better engineer than Carey and wants the best possible chance of them succeeding. Janeway sees this as unacceptable. Carey is the chief engineer and so he should be called and Chakotay NOT asking for his opinion is an insult to Carey, Janeway, and might make the crew doubt Chakotay (and by extension the Maquis') loyalty to the Starfleet crew.

At this point it seems that to Janeway integration ["They're not your people"] means the path of least resistance, specifically tailored towards the Starfleet crew. She wants Chakotay by her side to keep the Maquis crew calm but also seems unwilling to consider them for important positions aboard the ship. Though she says that the Maquis are not Chakotay's people, not his crew, she certainly doesn't seem to consider them hers [Compare this to later instances where she stresses 'our' crew, here she simply says they aren't Chakotay's: Whose crew are they? Are they crew at all?]. This less leaves the impression of "We need to be a cohesive team" and more "You're not in charge here." She essentially accuses Chakotay of playing favorites. In her mind Chakotay's actions are not conducive to integrating the crews which would (again, in her mind) mean the Maquis being docile and accepting, obedient and content - not making trouble for the Starfleet crew. Chakotay counters Janeway's accusation with one of his own: That he IS trying to integrate them into the crew but her not allowing the Maquis any opportunity to prove themselves or succeed, not showing any trust in any of them (except, implicitly at this point, him) is making things difficult. At this point the Maquis crew are ready to mutiny on his word at any time. He knows this for a fact. Aside from that looming threat (the threat being that tensions are high and if nothing changes and they remain high there might be a mutiny even without his word) - Chakotay knows these people and trusts them. Though Starfleet and Janeway think of the Maquis as a violent bunch of criminal terrorists, Chakotay and a good number of the Maquis joined because they believed in the cause they were fighting for. These are people Chakotay knows WILL fight fiercely for what they believe in and conversely, AGAINST what they perceive as injustice. Even if they're not in the majority - they're used to picking fights which seem impossible to win. At this point Janeway admits that she ISN'T making it easy for Chakotay to integrate the Maquis - specifically talking about practical concerns; how she doesn't feel she can let Maquis crew have roles of importance on the ship because they lack the ability to hold them. "They don't have the discipline, they don't have the training," - asserting that they just aren't prepared for any such roles and it doesn't have to do with them being Maquis specifically. Ostensibly, she's treating them as she might treat anyone unqualified for the job.

Chakotay maintains that some of them, like B'Elanna, have the ability to be trained - challenging her point by saying that IF they're trained there's no reason for any Maquis member NOT to be given a more prominent role on the ship. He isn't suggesting they just unqualified people important jobs. If the problem is that they aren't trained, let's train them. These people have the ability to succeed if you give them the tools they need and a fair chance, he insists. Janeway then switches gears and her argument becomes not "The Maquis are untrained so they can't be given those jobs" but "The Maquis crew are unworthy of those jobs when compared to Starfleet personnel" saying that it'll cause insult and upset among the Starfleet crew if any member of the Maquis were to be promoted above them. Again, her idea of integration is based more on Maquis subservience to the Starfleet crew than it is the two crews working together. (Not that I believe she looks at it that way, it's just where her 'path of least resistance' leads) - though she accuses Chakotay of being too focused on "his" crew, she is admitting here that she believes her real crew are the Starfleet officers aboard, not the Maquis. She also admits here that the system she wishes to maintain (and is asking Chakotay to enforce) is one where there will ostensibly never be any chance of a Maquis crew member being promoted because no Maquis crew member will ever be more qualified, more worthy, than a member of Starfleet. We can see how it'd be difficult for Chakotay to convince his crew to remain calm under these circumstances. There's also Tuvok's behavior toward him at the beginning of the episode where the Vulcan nearly goes over Chakotay's head and when he doesn't do so (as Chakotay reminds him that HE'S the superior officer, the First Officer in fact,) Tuvok acts as if him backing down (partially) and conceding (partially) to Chakotay's authority is a favor to Chakotay.

Tuvok in this conversation is downright insubordinate to Chakotay. Despite Chakotay being the first officer, he doesn't take what he says seriously, argues that his own opinion on what should be done should be followed rather than Chakotay's, lectures the first officer about his conduct, and then almost seems to threaten him with a report. In Starfleet's rigidly hierarchical rules, acting like this to a superior officer (ESPECIALLY the first officer) wouldn't be tolerated and Tuvok knows this perfectly well. He isn't a rebellious character and clearly in other episodes adheres to these Starfleet hierarchies and codes of conduct very strictly. He values them highly. But Chakotay, a Maquis, shouldn't be First Officer. Why should he be given respect for a title he didn't earn? [Affirming Janeway's argument about how Starfleet officers won't be eager to follow a Maquis senior officer] Even though Chakotay tells Tuvok off for it ["I don't have to explain myself to you"] he doesn't threaten to put Tuvok on report or explicitly mention his insubordination. It's unclear if this is Chakotay's personality or if he just doesn't feel he CAN do that. Tuvok is one of the three most senior officers aboard and very close to Janeway. Chakotay has to think of the optics of any situation at all times - we see seconds after this conversation that rumors have already started swirling around B'Elanna being relegated to quarters that've fanned the flames of mutiny. Though we know Tuvok has personal reasons for behaving the way he does toward Chakotay (which he later admits), I really don't think it'd be out of the ordinary for this to be how most Starfleet personnel would treat the Maquis if they weren't outright hostile: Like they're only pretend crewmen. To a lesser extent we even see this with Janeway: In the following staff meeting, she clearly doesn't consider B'Elanna a viable option when Chakotay brings her up and almost ignores the suggestion entirely.

It also, again, leaves Chakotay in an impossible position. If he doesn't protect and fight for the Maquis crew, they won't ever be considered a true part of the crew and dissatisfaction will likely spread among them. Dissatisfaction which the Starfleet crew will then use to further label the Maquis as insubordinate, uncontrollable, unfit. Not to mention that if he doesn't advocate for them, he might lose their trust. However, if he DOES try to help the Maquis crew advance the Starfleet crew will view this as 'favoritism' and will further distrust him, won't respect the people he puts forth as worthy. Janeway seems to be intent on not advocating for any of the Maquis crew and also seems unwilling to ask that the Starfleet crew grant leniency. She implies that the Maquis crew need to learn to get in line and keep quiet and it seems almost like [we must remember the optics] she has Chakotay as the only Maquis in a position of power to facilitate that. Chakotay recognizes and pushes against that, saying that he won't just be her token Maquis - there only so she can point to him and say "See? We don't discriminate against the Maquis here." effectively a tool used to shut down any arguments of unfair treatment and a tool to quell the Maquis if any talk of mutiny DOES arise. In this model, Janeway can just tell Chakotay to calm them down and they'll listen because they trust him. She also doesn't have to really listen to anything he says: A token First Officer has no authority; his words don't hold weight. [Chakotay isn't Maquis anymore, they aren't his crew anymore - ok. What is he then? What are they? Nothing, without respect.] This plan seems untenable, as much as Janeway frames it as sensible: "I can't make it easy, Commander. Surely you can understand that," and alternatives as impossible "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" - in the long run, how would this be sustainable? In any power structure, you cannot expect a group of people you're unwilling to grant trust or agency to obediently follow you forever. This proposed form of 'integration' in which the Maquis are kept on the bottom rung and told intermittently to stay there quietly by the only one of them granted permission to stand at the top would never be sustainable - especially with a group like the Maquis who again, were founded on the belief that its members should fight against inequity and are already on the verge of mutiny.

I specifically find the statement "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" to be interesting because personally I'd say that being forced together for the rest of almost everyone's natural life is a pretty good reason to ask people to adapt and Janeway does understand this but only applies it to the Maquis - the Maquis are the ones who have to adapt, not Starfleet. The only thing the Starfleet crew have to do is tolerate their presence on board.

At this point Janeway again claims that if Chakotay can show her a 'qualified' Maquis candidate she'll consider them. I believe this is true but we already know that Janeway's standards for qualification will likely not fit the vast majority of the Maquis and Chakotay ignores the claim in favor of putting forth B'Elanna again, firmly. Janeway predictably dismisses her as unqualified and Chakotay disagrees, arguing that he knows her. He's worked with her. He KNOWS that B'Elanna can excel at the job even if she doesn't meet Starfleet/Janeway's qualifications. He doesn't value those qualifications over what he's observed about her - just as he didn't value Carey's title over what he knew about the gap between his and B'Elanna's abilities. Then, Chakotay switches gears. He admits that Janeway's right - he does view the Maquis as his crew but that's because Janeway (almost self admittingly) doesn't and if he doesn't, who will they have? [What kind of captain, kind of man, would he be?] "You're going to have to give them more authority if you want their loyalty." "Theirs or yours, Commander?" Janeway frames Chakotay's words pointing out the flaws in this plan which I outlined earlier, as almost a threat (if she doesn't have Chakotay's loyalty it'll most definitely mean mutiny). Chakotay asserts that it wasn't a threat, he's only trying to help by telling her how the Maquis crew will react to what she's telling him. "I'm sorry you can't see that" - not an apology for what he said but that she isn't willing to budge, not willing to listen to him and acknowledge that she might be as biased towards her crew as he is towards his. Chakotay is trying his best to acclimate his crew but if Janeway isn't willing to do the same, to talk to her people as he's talking to his, then this will not end well and that isn't a threat. It's just the reality of the situation. He then asks permission to leave, showing he is willing to observe Starfleet protocol (just as when he asked permission to speak freely), and Janeway lets him go, exhaling at the intensity of their debate when alone in her ready room.

[milowing]

"in the original myth medusa was a rape victim!" i'm literally banging my head against the wall

[uncanny-tranny]

I often see this impulse from other trans men* that involves hypervigilance of being one of the "good men" who set ourselves apart from the men who hurt others, and I wonder if this ultra-policing actually prevents us from being "bad"

I wonder if agonizing about doing everything "right" is only contributing to poor mental health of trans men* because you are seeing a distorted, monstrous version of yourself, somebody with whom you have to kill off. It forces you into this space of having to be perfect, to beat yourself up over any perceived infraction.

And I just don't think it's an effective measure to ensure we are "one of the good ones." Constantly treating yourself as the beast, treating yourself like a leper who has no place in the civilized world? How does that ensure that you both treat others well but also ensure that you aren't fucking miserable every single moment you're not alone?

[keeps-ache]

The OCs you posted recently look really cool- could you talk a bit about them? Maybe the antagonists as well?

!! oh thank you :D

suuure yea :>> it's a smaller, newer thing of mine so not a lot n some of it may change!! but here's some profiles lol,

✧ Tide (the square head; they/them) is some sort of creature thing who lives in a remnant of an old world that decayed a long time ago after finding themself trapped there (that changes after they meet the goddess). they're head over heels for the goddess that still remains in the corridors there and they're not very normal about it hbfhvs - they can't be killed by any regular shmegular means and i have fun with that loll

✧ Vernor (ponytail gal; she/her) i don't have a lot for her, but she ended up in the same place Tide did and is very upset about it, understandably. she's good a martial arts and cries easily, and is pretty suspicious of most strangers :) she has a small knife-thing that works like a witch's broom (you have to hold the little handle for dear life though lmao) but i haven't gotten around to drawing it so !

✧ Dire (red circle; he/him) was created by the aforementioned goddess to dump emotions/thoughts she didn't want into, and then just sent him on his way lmfvhsh - because of that he is confused most of the time and still pretends to know everything but is figuring things out for real lol :3👍he hates to change his clothing and is snappy, and the snappiness may get worse on personal proximity hbfshv

^ these three have a Thing goin on. mostly qpp cuz i think it's fun :33

✧ Sleepy (the antagonist, he/him) the elusive guy. elusive bc i haven't drawn him lmfsh - another budy trapped in this old chunk of a dead world, he is also upset about it but to a much more desperate extent lol - his name isn't actually Sleepy but Tide nicknamed him that when they first met and now he can't seem to shake it hfsh, he Does hate it :) he is violent but he can play nicies so he does that most time loll

✧ the goddess (only thing holding this world together, She/her/it (capitalization is optional :3)) has been here for ages, ages, ages. her world's been long dead but she just keeps living for the monotony of it hfsh; plus, it's like her job never ended if she just keeps doing the same regular things she always did. bc of that it's actually preserved her chunk of annihilation, and sucks other creatures in w/o her knowing. the chunk is like a maze that keeps changing shape, so unless you can see it from a god's eyes the place is iiiiiinfinite! and terrible; the place changes to her moods and wishes, which can be interpreted p strangely lol :3 she's talked to and kept Tide around bc she needed somebody to deal with all these weird people coming into her dang house, and it's worked out fairly well (dubious)! :D

the world-chunk is inspired by vaporwave, abandoned malls, and the distinct smell of chlorine my mother has sometimes loll :)

[merakiui]

mera i am so excited for TMDG, you’ve been dropping hints about it every now and then like girl you’re teasing us at this point (affectionate)

i can feel that it’s going to be a masterpiece, you are cookin so much for us like what did we do to deserve you ｡°(°.◜ᯅ◝°)°｡

and the recent one with azul…it made me so!!!! (;´༎ຶД༎ຶ`) will you write something happy or lighthearted for our poor tako now that he’s home? i can imagine him kneeling on the floor gripping your ankles right now, asking for orgiveness and a happy ending lmao

also take care and keep safe always!!

Forgive the occasional teases!! I can't help it!!!! 80 pages in and I am vibrating with excitement AAAAAAAA!!!!!!!!!! o(≧∇≦o) it reads like Azul thought 4 with a romantic tone, so if you've ever wanted scary, yet also fluffy yandere eel you will hopefully enjoy it (I think and hope. ^^;;;;)!!! :D TMDG may just be my Jade magnum opus. I have had too much fun writing it and I think that will be obvious when you read it hehehe. Thank you for looking forward to it and saying it will be a masterpiece!!!! ♡( ◡‿◡ ) everyone who likes Jade (and Floyd) will be feasting because there are plenty of yummy scenes!!!!

^^;;; perhaps "sad" was too much of an understatement. It is a tragic fic for both Azul and the reader... If tako is at my feet begging for forgiveness, who I am to ignore him? ❀⸜(˶´ ˘ `˶)⸝❀ although I will probably write something fluffy for him! It looks like most are in favor of giving Azul his discord mod fic, so he may just get his happy ending after all!

Thank you for your kind words!!! <3 please also be sure to take care of yourself and stay safe!!!!!

[kneworder]

angry at the oscars barbie nominations but in an annoyinger way (i think nominating ryan reynolds makes sense but the best picture and best supporting actress noms are ridiculous)

[iniziare]

Sometimes, fanmade animations really blow me away. Like, hello, Yelan? The accuracy of what I also have imagined her 'close-combat' to look like? I do recommend the full video by the way, which predominantly showcases Yelan and Childe respectively, with Ganyu and Xiao playing much smaller roles, but it's well-done. It's a Chinese fanmade 3D animation done for Genshin's 2nd anniversary, called 'Phantom of the Spy'. It's quite neat.

P.S.: God, I can't wait for her rerun in phase two. I need Aqua Simulacra.

[stairset]

Maybe it's just because of where I live, but the whole "Satine didn't like that her people were a bunch of warmongering imperialist assholes and told them to knock it off and implemented gun control and made the Jedi Torture Boxes illegal so that her people could rebuild and move on from their violent history of civil wars that reduced their planet into a nearly uninhabitable wasteland in favor of focusing on more productive things like art and education and this is literally cultural genocide and she's erasing history and she should've been a villain blah blah blah" take has always been so weird to me. Like I have absolutely seen people say things like that in real life all the time and about 90% of them have confederate flags on the back of their pickup trucks so. Yeah.

[amplexadversary]

Man. I watched the critmas special today and I *am* worried that I'm just not going to like watching actual play Daggerheart.

Might be the autism talking but I feel like they went in a direction that's even more "rules-light" than 5e, and I feel like that's pretty close to my lower limit for how much structure makes sense for an actual game.

I was hoping DH would wind up closer to a Pathfinder type of deal, or, since they did want a more modular system, Rogue Trader-ish level of complexity, since they DID come from Pathfinder into CR1.

I feel like I'm definitely going to miss seeing a lot of the strategizing over specific ranges and how long things last and the like. Not to mention I'm pretty sure I'm not going to be able to read the rulebook to keep up with what's going on unless they release a free PDF version (or someone reliable pirates it; I don't buy games my own group has a <0% chance of playing and my friends are very much d100 system lovers)

[izvmimi]

"You follow her around like a dog, man," Sero says finally, and even if the surrounding ballroom chatter doesn't cease for a moment as the table set for ten starts to receive their first course salads, the parallel conversations among the group of old friends halt abruptly to a stop. Eijiro gives Sero a raise of the eyebrow, then turns to Katsuki, expecting to have to mitigate his hot temper.

The latter clearly has heard the jeer, but he's not the same as perhaps a decade ago, where any one of Sero's teasing comments could have set him off. Glancing back for a second in the direction where you left just moments ago to go to the bathroom, followed by most of the other women at the table, he then turns to look directly at Sero.

"Yeah, that's love, right?" he says, calmly.

Kirishima blinks for a moment, incredulous, then exchanges a look with Kaminari beside him.

Katsuki, as if he hasn't said something highly uncharacteristic of himself, reaches for a bread roll in the middle of the table and then a butter knife.

"You didn't see me follow her into the bathroom, did you?" he adds. Sero snorts, but leans back into his chair.

"I mean no, but-"

Katsuki smears butter on the roll, and sets it on your empty plate, then takes another piece of bread to and butters it the same before taking a bite.

"But what?" he asks. The edge to his voice is back, something that paradoxically puts Sero back at ease.

"It looks strange on you," Denki finally points out.

Katsuki chews for a moment, then swallows, his eyes making a quick scan across the room. At another table, Midoriya's partner is focused on adjusting the lapel of his suit, and at yet another table, Iida is trying to convince Mei to keep her gadgets off the table before the MC starts another toast.

The bride and groom continue to cruise around the venue, and Katsuki cannot stop thinking about how beautiful you would look in that exact dress.

Or something of your own.

"I just can't imagine what the fuck she did-" Sero starts again before Eijiro cuts him off.

"Just knock it off for a second," he says, gently but assertively. Katsuki doesn't pay any mind to him as he observes the table favors.

These flowers are beautiful, but they aren't your favorite. They're gorgeous, but made of plastic while you'd prefer hundreds of real ones.

You've told him small weddings feel more intimate. This wedding isn't in the right season for you, but it's your second choice. You don't yet know how many people will be in the bridal party but you've floated some ideas.

You don't yet have a ring on your finger.

The many thoughts dissipate when your hand rests gently on his shoulder as you slip back into the seat next to him.

"Oh, they didn't bring out the food yet," you say, and Katsuki points to the bread on your plate, reminding you to eat.

His friends are captive audiences as you smile and take a bite, and perhaps horrified as he smiles back warmly, genuinely.

Love does look strange on him, perhaps.

But they'll have to get used to it because it will not go away.

[lxnarphase]

g. satoru who is a massive pervert and constantly whines for you to let him touch you all the time, even when you're both around others. you've lost count of how many times he grabs you and pulls you into his lap, his warm hands slipping under your shirt while sitting next to g. suguru, who's attention is no longer on the tv.

'he doesn't mind,' satoru always comforts you, grinning into the skin of your neck. 'sugu's my best friend, he knows i can't help but touch you, baby.'

best friend or not, that doesn't explain how you always ended up with your legs spread open wide in satoru's lap, your jeans and panties discarded somewhere on the floor as suguru kisses all over your thighs. the two of them talk like you aren't even there, as if you aren't growing wetter as each second passes.

"satoru," suguru purrs, his fingers running up and down your soft lips, parting them open to watch slick slowly drip out of you. "you must be doing something else to her. i've never seen it get wet so quickly." the way he speaks so calmly makes you dizzy. it's unfair, so fucking unfair how calm and collected suguru is when he's inches away from your pussy, those pretty purple eyes focused on it.

"yeah? 's wet?" it's also unfair how riled up it gets satoru, seeing his pretty baby getting shy because his best friend is rubbing his fingers up and down her slick folds. "she's so messy, isn't she? she's the prettiest little pussy," he coos into your ear. that gets a chuckle from suguru, his eyes finally looking at you. "always the one to talk to the pussy and not about it, aren't you, satoru?"

his fingers finally focus on your clit, rubbing little circles into it. both you and satoru look pretty from this angle, suguru notices. the pure need and shyness on your face paired with that manic desperation on satoru's...it's a perfect picture, one he wants saved forever. maybe next time you'll let him take some pictures...after all, he needs a new background for his phone.

"c'mooon, sugu...give her a kiss? c'mon, c'mon, give that cunt a kiss, tell me how sticky 'n' wet she is," satoru fucking begs, acting as if he's the one spread open and dripping. but you second the thought, giving suguru the prettiest little puppy eyes.

"anything for you, princess," he coos softly, leaning down and pressing a little kiss on your clit. it's so light you barely feel it but then he's peppering kisses on it, your wetness starting to get on his lips and making each press of his lips sticker and wetter. "s-sugu-!" before you can even beg for more, his mouth is on you. his tongue is so wet and hot on your cunt, it feels like he was drooling for you.

"does she taste good? how wet is she, suguru, c'mon, tell me, tell me how that pussy tastes, pretty please?"

"mm, satoru, it's almost as if you wanted to be between her legs."

"who wouldn't? she's so pretty, she's squirmin' so cutely, my pretty baby, my needy little mochi, her pussy's always so creamy and warm and messy, god, i miss it right now."

"shit...stop talking like that, you're gettin' me flustered, should i-"

"s-sugu, please, keep going," you so politely ask. it's unbearable how cute you are, it's taking everything in him to keep being nice, to keep treating your cunt nicely. he knows satoru is mean and practically bullies your pretty slit almost every day, but he wants to be the nice one, the one who you go to when your 'toru' is being too mean. yet, you're making it so fucking hard when you look at him with lidded eyes that beg him to be rougher with you...

but he knows he's done for when satoru whispers something in your ear that has your eyes fluttering a bit and gets a pretty little gasp from you. those gorgeous eyes—oh, do you have little tears in them too?—connect with his and he's fucked.

"s-suguuu, please," you coo to him, moving your legs to hook over his shoulders and pull him closer to the apex of your thighs. "i need your mouth on my pussy r-really bad, please don't tease me." you take a pause and squeeze your eyes shut, whining a little as satoru coos for you to keep going. "g-give my...my messy cunt attention, suguru..."

suguru shakily sighs and the next thing you know, his mouth is smushed against your pussy, his tongue hungrily swirling against your clit as his hands grab onto the fat of your thighs. he doesn't know what gojo told you in order to hear you say that, but he's silently thanking him as he messily sucks and slurps at your juicy cunt.

it's so hot, all it takes is a few swipes of his tongue and you're gushing everywhere. suguru lowers his head to dip into your hole and he moans. he missed this, missed the sweet taste of your juices on his tongue as you squirmed and moaned for him, your boyfriend's best friend.

"fuck, i-i can hear how wet she is," comes satoru's pitiful whine, his hand dipping down to swipe at your clit as suguru focused on lapping up everything that dripped out of you. "lemme help, lemme help, wanna help you get her creamy, sugu." the feeling of suguru groaning into your puffy folds has you keening, arching your back against satoru's chest. oh, he's in heaven watching you both. "yeah, you didn't know she could cream, didya? put your fingers in her, sugu, put 'em in that sticky little pussy 'n' angle up."

reluctantly pulling his mouth off you with a wet sound, suguru slips two of his fingers in you. he doesn't miss the cry of his name, but he really doesn't miss the delirious giggle and moan when he angles his fingers up, rubbing against that spongy spot.

"f-fuck, she's dripping..."

"go on, fuck her with your fingers, you know you wanna see her make a mess. make her fucking cream, suguru, get her prepped. maybe t'day she'll let you put it in...oh, based on your face, she just clenched on your fingers, yeah?"

his fingers are still swirling around your clit, his other coming down to press on your abdomen. he can hear you getting wetter, your little whimpers turning to moans as you slur their names desperately. he wants you to lose all thoughts, only able to think about him and suguru...yeah, he wants you all soft and sweet so he and his best friend can try and slip into those warm, slick walls.

"mmn...she's really creaming...god, pretty girl, can you cum for me? i wanna see you cum on my fingers. satoru, move your fingers, the poor thing needs my mouth on her."

"hmmm, suddenly you know what she needs? ehehehe, you're learninggg, suguruuuu!" if you had turned to look at satoru, you'd see the charged look in his eye, blue eyes practically glowing with insanity. his hand grabs a fistful of suguru's hair and pulls his face directly into your cunt, unable to handle any more of this. he wanted to see you cum on suguru's face.

"c'mon, c'mon, kiss it, suguru, make it messy for the both of us. mmh, fuck, listen to you making out with her pussy, s' wet and sticky, isn't it? oohmygod, both of you sound so good, she's gonna cum, sugu, she's gonna cum in your mouth...fuck, i love you both so much, can't wait to see you both fucking each other."

[cluescorner]

There's no feeling stranger than knowing that something is bad but liking it anyways. Not in a 'it's so bad it's good' way. Because that implies that it has become good. I'm talking like this thing is just kinda bad in the normal ways things are bad, but i like it anyways.

[whirlybirbs]

— CAN'T WE BE SEVENTEEN? ; shoto todoroki ; 焦凍

summary: he's loved you since he was seventeen. pairing: f!reader x pro hero!shoto ; reader was a 1-A student tags: mutual pining, heavy make-out, thinly veiled sugar daddy shoto, reader does not go pro, touya might be a dick but he's a hero now, shoto is bad at feelings wordcount: 5.6k a/n: i do not fucking know what came over me, enjoy your food my little todorokinas. yes the title is what you think it is. no i will not elaborate.

You never did go pro.

Truthfully, you thought there would be more pushback when, in your senior year, you announced your plan to pursue a degree in early childhood education with a focus on non-conforming quirk development. 

The War changed a lot. It changed you, your classmates, and the world. But, through it all one thing stuck with you:

What if someone helped Tenko Shimura?

How different would his life have been? How different would history have spun? 

You graduated at the top of your class and joined the faculty at Chiba Prefectural Preparatory School for Quirk Specialties two years ago. 

Chiba Prep was opened eight years ago in response to a societal cry for more infrastructure around what was dubbed "non-conforming quirks": a nice way to say quirks that can injure, maim, or kill. Maybe even all three on a bad day. Some parents still see their child being labeled as a non-conforming quirk user in the national database as akin to social suicide. 

You see it differently.

Your quirk allows you to manipulate emotions — anger, sadness, betrayal, love, hatred. If you can feel it, you can sink it into another's psyche deep enough to drive them to act. You can even imbue things with feelings. For example, a cup of warm milk can transform into more than just a simple comfort, now it can hold the feeling of home and safety, or even exhaustion strong enough to put even the biggest foe to rest. 

You could easily use your quirk with nefarious intent. 

You could steep hatred in someone's bone so deep it drives them to harm themselves. You could sew fury so solid into someone's mind it drives them to violence. 

Just a touch and you can control others with something so intrinsically personal it only exists within themselves: their feelings.

What makes you any different from little Asuke, a shy little girl with a quirk that allows her to see people's greatest fears, and then manifest and control them? You're convinced she can use this for good, if only with practice. In your mind, her future is bright and glimmering. Perhaps she will become a therapist, focusing on exposure therapy? Or, maybe the most prolific horror novelist in their time? 

Or, bright and sunny Tao — a transplant whose parents sought out Chiba Prep's specialized education — whose heteromorphic quirk makes his bodily fluids, namely saliva, eat through nearly anything but his own biologics. A sneeze is quickly the most dangerous thing in the world for the cheery, lizard-bodied class clown. 

He's just a boy given a quirk that needs more care. 

He isn't a villain-in-training. 

None of them are.

It's important to teach them that young — and as their teacher for Year 3 of their elementary schooling, you aim to hammer that in as much as possible. They deserve to feel normal. To feel loved and supported. They aren't scary, they're children. 

So, you take it upon yourself to insist on pushing for privileges like field trips. There aren't many public spaces that welcome the classes of Chiba Prep with open arms. Over the years, there have been plenty of incidents. But, a day trip into the city to visit Tokyo's Hall of Heroes is green-lit with bubbling excitement from both faculty, the children, and their parents. 

You usually keep your history as a graduated member of Class 1-A quiet. 

After all, you never did go pro.

And even still, Shoto Todoroki never stopped thinking about you.

He remembers that weekend everyone moved back in for their last year before graduation. He remembers you smiling at him, and helping him drag up a duffel of luggage from the common room to his dorm. You made a joke about how you're sure he got taller over the summer, and how his hair is longer now. You said you liked it. 

It was the beginning of the end, then.

His crush was a silent, smothering thing. It made it hard to think. Shoto had enough on his plate thanks to Touya's acceptance into the Villain Rehabilitation Program and his father's insistence on staving off retirement. Not to mention his parent's divorce — no matter how amicable, it was still a separation. Add on training, tests, studying, finals, and j-term classes... And a desperate, writhing, burning crush on the nicest girl in class? 

Touya's elbow digs into Shoto's side.

It drags him back to reality — to the stifled quiet of the historical Hall of Heroes. 

Suddenly, the doors to the wing squeak open, and a tour guide ushers in the elementary school class. The buzzing excitement and wonder are visible on each of their faces as the attendant — one of the HoH's lead tour guides — excitedly explains the newest, in-progress addition to the Hall:

Endeavor's wing. 

There's a whisper of awe that ripples through the children as their teacher and co-teacher follow, and as the class moves through the large, open space. They're staring up eagerly at the gilded statue in the center of the room. It's larger than life and intimidating. Years ago, Shoto might have had to fight the odd tremble in his knees at the reminder it brings: to be small in his father's shadow again. But, things are different now. 

Very different.

Touya scoffs. "I thought this wing wasn't open to the public yet."

"They're just children," Shoto hums, turning his back on the gaggle across the way to inspect the large mural winding along the back end of the installation, "I'm sure it's—"

"Oh, ho, no way!"

Shoto quirks his brow at his brother's outburst. His elbow digs into Shoto's ribs again. 

"Ain't that the pretty girl you never got the balls to ask out your senior year?" comes the rasped drawl of his older brother's voice. Touya is clearly amused, his white hair hanging in his eyes as he leans forward to squint, "She is cute, Sho'—"

"Shut up," Shoto grits, turning his head over his shoulder; he tries to bite back the flurry of nerves that ignite in his gut, "Stop talking."

It is you.

You look... good. 

Happy. 

You're crouched by a small, timid girl in the back of the crowd. Your hand is in hers, and you're pointing upwards at the large paneled screens replaying Endeavor's most historic fights. You're explaining something to her, your knees bent as you squat. You look... the same. As if in the six years since they graduated, you sat still in time. 

For a second, it's like he's seventeen again.

It's his senior year, and he's stuck at the corner of the gym's edge with a half-empty glass of punch in his hand. The lights are low, and there's slow music playing. His tie feels too tight. Bakugo keeps telling him to 'ask her to dance already', and Kirishima is considering bashing his head through the wall. Even Midorya is trying to persuade Shoto. 

"It's prom, man! C'mon, this could be your last chance—"

Touya is about to be a real pain in the ass — his favorite pastime — and make some comment about your ass, but when he turns to lob the one-liner at his baby brother, Shoto's gone.

Shoto is on the move.

The crescendo of gasps draws your attention first.

Then, the cry of "WOAH, IT'S SHOTO!" leaves you dumbfounded. The rippling murmur of excitement bleeds into the children as their eyes — and the eyes of the tour guide — widen at the sight of the approaching Pro Hero. 

Shoto Todoroki.

He looks... good. 

Really good.

He's a bit older, and a bit more filled out than when you were both teenagers. You can see the strength in his arms and shoulders — it's a distant echo of his father's physique, though Shoto is so much more elegant and much... prettier. He's always been.

For a second, you're seventeen again.

It's your senior year, and you're sprawled across Momo Yaoyorozu's bed.

They had finally wrangled out of you who your crush was: something they hadn't been able to do in all their years as classmates.

There's a sticky, Miss Midnight-themed face mask clinging to your expression as you try to flip through the large magazine in your hands as nonchalantly as possible. Mina's voice, as she paints Ochaco's nails a bright pink on the floor, is sweet and saccharine as she looks up at you.

"I think you and Shoto would be, like, the cutest couple ever." 

You're still crouched when the tour guide nervously — like she was caught doing something naughty — introduces The Pro Hero Shoto to the already-aware crowd of elementary school students and their teachers. It's like igniting a match; the uproar of excitement leaves you laughing as three of your boys push forward to bombard him with questions about his quirk. 

Asuke is smiling shyly, now. That's a small win. She's intrigued by the appearance of a real hero, not the "scary statues" — and her big, fat tears stopped rolling the moment you laid a gentle hand on her to quell her anxiety over the new environment with a push of comfort through your quirk. She unhooks her pinkie finger from yours as you guide her towards your co-teacher. 

"Boys," you call with a crisp air of authority as you stand and lead Asuke toward the bulk of the field trip group, "What have we learned about personal space?"

"It's fine, really, Insight," comes Shoto's voice; as warm and placid as you remember. 

"Insight?" mutters your co-teacher at the presumed hero-name; a look of confusion plasters itself on her face, and her big, feline ears perk up. She leans in to whisper in a way that borders on conspiratory, "Do you two know one another?"

"Old classmates," you confirm, not daring to get into the finer details.

Shoto's attention is entirely rooted in the way you manage the kids. There's something beautiful about the ease with which you handle the bouquet of students; you quell the excitement into a manageable decibel like it's as easy as breathing. 

"Shoto," you start as you gesture to him, "Has a very special quirk — Toyamai, he has ice like you. And, fire like Tojiro. He can regulate his temperature. Can anyone tell me what that means?"

There's a wave of hands shooting up, a few me, me, me's rise from the gaggle. 

You're using him as a teaching moment.

Shoto's smile is soft.

You nod at Ogomi, excitedly nodding as the reserved child speaks up. Normally, he hates public speaking. But, recently, he's started working with the speech pathologist during lunch. The boy bounces a little as he answers. "He doesn't g-get too hot, or too c-cold."

"Exactly! Isn't that cool?" you grin at the lazy attempt at a pun, "This is why it's important to learn about our quirks as much as we can!"

Touya thinks this whole thing is just too cute. 

You're different than he remembers — but, granted, things were sorta different last time he saw you. He was a little too busy tryna kill his old man and lil' Shoto. He's different now, too. A changed man! A real licensed hero. Support items and all. 

He hangs back. 

He... I mean, he is a jack-ass but he isn't gonna ruin this for Shoto. 

...It's kinda cute.

Just about as cute as Fuyumi said it was. 

Apparently, Shoto had opened up to her and Natsuo about his feelings after graduation — about how he regretted not doing anything about it. Fuyumi then told their mum, who then off-handedly mentioned it to Touya... and well Touya dug in because, duh, he is a whore for good gossip. He might be the family's black sheep, but Shoto is the glue that binds. 

And he deserves to be happy.

Your co-teacher is ushering the kids to the next installation — a viewing of All Might's Legacy, a new documentary following the retired pro's teaching career. It will be a good wind down for them, in comfy seats and the dark. It's hardly the sort of content an elementary school student would find riveting, but it is All Might. And they love him.

You hang back. 

Shoto's heart is hammering in his chest.

"Hey."

"Hi," you greet back, closing the door to the theater and stepping forward as you weave your arms around you, "Long time no see."

"Yea," Shoto breathes, his hands in his pockets as he meets you halfway across the museum's marble floors, "I... I see you're teaching."

His eyes are as pretty as they were back then. Slate grey and piercing turquoise. "I'm in my second year," you confirm softly, fiddling with the material of your sweater, "Congrats to your old man."

You gesture up at the statue, then wave around to the rest of the installation.

Shoto inhales, then nods; he's staring at your face, blissfully realizing you're just the way you were all those years ago. Kind. "I'll pass it along."

"How's he handling it?" you ask, your eyes raking across his expression and trying not to stick to the sharp slope of his jaw, or the bob of his Adam's apple, "Retirement, I mean."

"He's happy, I think. Touya and I are working together and... things are...  good."

Last month, Endeavor finally retired. He cited his age, and his dedication to passing his legacy to his two sons: Shoto and Touya. Shoto has planted himself firmly within the Top Ten in the last year or so, and shockingly, Touya isn't far behind. People love an underdog's redemption story, you suppose. 

And the underdog in question can read a room. 

This is getting a little too sexually tense for even him.

"Heeeeey, girl," he rasps out, staggering backward with a thumb over his shoulder, "Nice t' see ya. I'll let you two catch up, yea? I'm gonna go pop my head into the theater, see how the kids are handling the snooze fest on screen—"

You jump.

How long has he even been there?

"Hi, D— Touya," you strain, wincing a little; the rehab'd villain doesn't seem to mind.

"Hi, teach'. That cool with you?" he asks, wobbling his thumb and quirking a pierced eyebrow; it's comical, like he's trying to disarm you with humor, "Don't want you thinkin' I'm corrupting your youths—"

"It's fine," you breathe, ignoring the sting of age-old mistrust. You know better. Shoto wouldn't be here, with him, if Touya Todoroki hadn't changed. Endeavor wouldn't be entrusting his legacy to the ex-League of Villain member if he didn't believe in his capacity for good, "Just don't be disruptive."

Casting judgment on someone whose life was nearly destroyed by his own non-conforming quirk would go against everything you taught the kids anyway.

"Touya's whole thing is being disruptive," Shoto grits as his oldest brother slips silently through the doors, "I apologize for him—"

"No," you wave him off, laughing a little, "Don't. It's... nice to see you two together."

Shoto's expression is soft as he wanders a little closer. "It took time — and a lot of therapy — but we've all managed to come out the other side."

"That's great to hear, Shoto," you breathe, your eyes flitting across his face, "I'm really happy for you."

There's a long silence, then — and you can't help but ignore the roil of butterflies in your stomach. The eye contact is heavy with some unspoken thing, and both of your tongues are weighted by secrets-never-turned-confessions. 

It's like finally this dance you've been doing around one another for years breaks — and the two of you throw caution to the wind at the exact same moment. 

"Would you like to—"

"Are you free—"

Hesitant, slow grins bloom on both your faces.

"Dinner?" is all he manages after a sweet moment of soaking up your soft smile, "If you're available...?"

You make yourself available.

Yaoyorozu almost dies when you call her that night — winded from tearing through your entire wardrobe. You explained you had nothing to wear a-and you needed something nice, and you only have an hour to get ready, because Todoroki — yes, stop screaming, Todoroki — is picking you up at 8pm.

Little bro is nervous. Touya can tell. 

From his spot on the sofa, the white-haired ex-degenerate scoffs. Natsuo is digging around for some cufflinks in Shoto's dresser.

"Seriously, Sho'? A suit?" 

"It's a nice restaurant," his brother says tightly, adjusting the collar of the black button-down, "I booked the upstairs dining room for privacy." 

"Who the hell told you t' do that?" Touya quirks a skeptical brow.

"Father was the one who suggested it."

"...That old dog." 

Natsuo rolls his eyes at the exchange before throwing his hands as he emerges from the closet. "Do you have any links that aren't emblazoned with U.A. High School's crest?"

The ones in Natsuo's hands have his graduation year on them.

Shoto winces.

"Want me to ask dear ol' dog of a dad?" Touya snarks from the corner, his posture becoming less and less upright as he scrolls on his phone.

"Already did," comes the soft voice of Fuyumi; she's smiling, padding into Shoto's room with a velvet box, "He offered up his nicest pair. He also says not to screw it up with Insight. He likes her."

Of course, he likes her. You worked under Endeavor for a brief work-study period during your third year. Shoto remembers hearing grumbled praise over dinner one night about your talent for de-escalation.

"You told him who I was seeing?" Shoto asks incredulously, taking the box and working the cufflinks on. He's starting to feel exasperated.

Fuyumi nods, popping down beside Touya. 

"He asked. I'm not gonna lie to him."

"Did y' tell ma?" Touya rasps, peeking up over his phone to inspect Shoto's outfit. Not half bad, honestly. He looks good in all black. A man after his own heart, "M'sure she's gonna be real excited—"

"Yes," Shoto grumbles, "I called her earlier—"

"Chiba Prep is a really good school, y'know," Natsuo buts in as he tries to find a tie that matches Shoto's outfit. Ultimately, though, the middle brother decides against it and tosses the options over his shoulder, "They're, like, on the leading edge for quirk therapies."

"Hey, nerd? Quiet down. The big kids are gossiping," Touya shirks, turning back to Shoto, "What did mum say?" 

"She wants me to call her after—"

"One, you're gonna call mum the morning after," Touya raises a finger, "Because if you don't get laid, I'll be so fuckin' disap—"

Fuyumi slaps Touya's chest. He lets out a pained yelp at the solid smack.

"Uh, ow," he rubs his sternum. "An' two, take a deep breath. You look like you're gonna shit yourself. Those are my pants and they're expensive."

Shoto lets out a long breath. 

Fuyumi's smile is sweet like honey. "Aw, Sho'! It's gonna go great. You two have known each other for such a long time, and catching up is going to be amazing. Just be yourself! Confident and kind—"

"—Hold the door open for her, and pull her chair out," Natsuo adds as he adjusts Shoto's collar for him, "Car door, too—"

It's Touya's turn. He's dead serious. "—And do not chicken out on kissing her at the end of the night. I swear to god."

Easier said than done.

You never did go pro.

Those years of hardened battle instincts have lost their edge. You try to remind yourself this is just Shoto, not The Shoto — but you're a little lost in the whole celebrity of it all when he picks you up in a very nice, sporty little car with ENDVRplates. 

You answer the door and he forgets how to breathe.

He has flowers for you. They're blue and blooming and beautiful. 

Fuyumi's contribution. 

You settled then you were going to kiss him at the end of the night.

The restaurant is... nice. Really nice. The sort of nice you could never aspire to experience on your teacher's salary. Even the valet is a concept that has your head spinning. But, Shoto handles it all with cool ease. The entire time, his hand is settled on your lower back. 

It feels like you've been lit on fire.

You're glad Momo was able to create a dress fitting for the occasion. It's sleek and black. Comfortable, too. Not much can be said for your heels on that front, but it's fine. 

Somehow, Shoto managed to book the entire upper floor of this place in all its glimmering glory — it's just the two of you alone in a sea of tables. 

The waiter is pouring you a glass of the chef's suggested pairing of sake.

You thank him, smile, and take a sip as Shoto unbuttons his suit jacket and watches you. 

For a second, you're seventeen again.

Sero and Kirishima were always in cahoots when it came to parties back then — somehow, between the two of them, they always managed to smuggle enough booze onto campus to obliterate any semblance of promised sobriety from even the most stoic members of 1-A. 

You remember one night, after a lot of hounding, you finally gave in and joined a few of your classmates on the back lawn for a few drinks. 

A few beers turned into a cup or two of wine, and then another big gulp of whatever deranged jungle juice concoction Kaminiari managed to cook up. It tasted terrible, but you were too drunk to really care. Shoto was no better. He was nursing his fourth drink of the night — a rarity he was even drinking at all — and seemed completely fine with the way your arms brushed as the two of you sat close in the grass. 

He was always so nervous around you. Now, he just seemed... happy. 

"I can't believe there is only one week left until graduation."

Graduation day was the last time you saw him. 

Until this morning, that is. 

You smile into your drink. 

"What?" you ask when his eyes never leave your face.

His fingers twitch towards his own glass. Shoto blinks, then rolls his jaw. He was caught staring. He clears his throat, looking a bit shy. "Nothing."

"Nothing?" you press playfully, cocking your head to the side.

"You..." he starts, then bawks. You're stunning, and it's making it hard to even think straight. He thought these feelings might have mellowed out over the years but seeing you again has just reignited everything. He feels like a hormonal teenager again, "You look beautiful."

Your expression falters into something lovesick. You chew your lip. "You're not so bad yourself, Todoroki."

He manages a half-smile. "Touya had me worried the suit was a bit much."

The idea of Touya offering him advice on his outfit strikes a chord in your heart. It makes you smile even bigger than before. "Well, you can tell Touya that I like it. A lot."

You rake your eyes up and down him. On purpose.

He notices.

Shoto's face feels hot. 

He tries to shake the bone-deep want that has swept his entire body up in its grip, but it's difficult when every single word out of your mouth reminds him just how in love he was with you back in school. You explain, excitedly, why you chose to teach at Chiba Prefectural Prep and catch him up on where you've been living since graduating. He's pleased to learn you're still in the area, living in the city, and decidedly in love with the commute to the school. 

Shoto's always been a good listener — but you can see how much he's changed when he begins to speak about his career. He seems so much more sure of himself than he was all those years ago. It wasn't that he was... unsure... but, no. He was shy. Quiet.

Now, less so. 

It's adorable. 

Dinner comes and goes with conversation over sushi that is far too good for you to even process. It's easy talking to him. It was easy talking to Shoto back, then, too but... Things are different. You're both different. Not in a bad way, but in a way that feels like coming home. 

While you both wait outside for the valet, Shoto shrugs his jacket off and puts it over your shoulders without a single word. Suddenly, you're cradled in a warmth that's very Shoto — his cologne clings to the collar and you bury yourself a little deeper into it. 

Shyly, you step closer and steal his hand. It's calloused and warm. He laced his fingers with yours as if practiced. You bite back a grin. You give his hand a little squeeze when you spot the car coming around the corner.

His silence is calming — and he squeezes your hand back. When you look up at him, you realize he's already looking at you. 

His face is close. It's so... intimate. Very. Nearly better than a kiss. 

But, you've wanted to kiss Shoto Todoroki since you were seventeen. 

The valet driver interrupts the moment with a respectful call of Shoto's name and offers the keys with a shake of the hand. With a little bit of hesitancy, Shoto remembers the thing Natsuo said — the car door, too — and moves around the passenger side to open the door for you. 

It's sweet.

Really sweet. 

The car ride back to your apartment is punctuated with easy conversation — you ask him about Bakugo and Midorya, and you're pleased to hear they're both doing well. He asks about Momo, and if you still keep in touch with Mina and Ochaco. He smiles to himself when you admit you did call Momo for help with an outfit. 

"She did a beautiful job," Shoto breathes, a palm moving from the gear shift to brush over the dress' fabric on your thigh.

His hand settles there. 

Your stomach does a flip. 

You chew your lip, swallow down a sudden burst of nerves, and let your hand rest over his. You squeeze it. Shoto tries to focus on the road. His gaze drifts for a moment at a red light, his heterochromatic eyes dancing across your figure. 

Keep it together. 

He isn't seventeen.

He's twenty-five. He's a Professional Hero. One of the Top Ten in all of Japan. He's more than capable of keeping it together in the face of physical touch from the woman he's dreamed about for years. 

...Right?

Green light.

His hand is still on your thigh when he pulls up to your apartment. 

The touch is relinquished in favor of putting the sports car in park. 

It makes your chest ache.

Shoto swallows thickly.

Do not chicken out on kissing her at the end of the night.

He'll never forgive himself. But, admittedly, he's bad at this. He's not good at reading body language, or even knowing himself enough to realize he looks mildly terrified as you blink up at him in the passenger's seat. His heart is hammering a mile a minute.

What if you don't want to kiss him?

When would he even kiss you? Now? Or at the door?

Why does he feel like he's going to die?

"This was really... Shoto, are you okay?" you ask as you unbuckle your seatbelt; you pause, your brows knitting tightly. 

"What?" he asks, blinking back to the present moment. The look of fear disappears, "Sorry. Yes. I'm fine."

You're working his jacket off your shoulders, gently leaning to fold it neatly in your lap. Your voice dips low, into something playful. "You didn't look fine..."

"I—" Shoto clamps his mouth shut as he leans an elbow on the center console, "Sorry. I suppose I'm just nervous."

"Nervous?" you grin, a little giggle punctuating your words as you wriggle in the red, leather seat, "Why?"

Your expression makes his expression crack. He ducks his head as he huffs out a laugh. You continue to egg him on via expression alone. "I... Stop it."

"Stop what?" you push some more, your back pressed to the door as you face him in the car, "You're the one being weird—"

"I'm not being weird—"

"Then what's wrong, Shoto?" you tease in a sing-song voice.

"I'm nervous because I want to kiss you."

His words are punctuated by a slow look that takes in every inch of your face. Butterfly wings kiss your stomach walls. And your knees. You feel a little tremble in your chest. 

It feels like someone has sucker punched you square in the sternum. Shoto's no better. He isn't entirely sure what the expression on your face means. Is that... good? Are you happy?

Your voice is a little quieter now. You duck your head and fiddle with his suit jacket as you lean back against the seat, a little closer now. 

"You don't need to be."

Shoto's breath catches at that.

So, he makes his move.

His hand comes first — his calloused palm settles nicely against your face, his thumb brushing your cheekbone as his pointer finger brushes the underside of your jaw. Shoto is slow. Methodical. It's like he's trying to ground himself in the moment. 

Truth be told, he thinks he might be blacking out.

Your eyes flit up his wrist — a dark leather band around his wrist with an expensive watch face, a dark dress shirt with glimmering cufflinks, strong arms and a broad chest, and you can see the dip of his collarbone where the top two buttons of his shirt remain undone. 

He looks so damn handsome with his sharp jaw, pretty eyes, and his trademark white and crimson hair. Even his scar is beautiful. 

The touch pulls you in like he's got his own personal orbit.  

Your elbows are braced along the center console, your eyes flicking across his face as his fingers continue to brush along the soft expanse of your cheek. You wring your fingers together. 

Then, his eyes stick to your lips.

"Can I kiss you?" he whispers, his breath fanning across your face. 

You never did go pro.

But, Shoto did. 

It shows. 

Because, at this moment, all you can do is nod feebly before you're swept into the sort of kiss people go to war for. It's the sort of kiss that sticks to your ribs, that feels like warm, fresh food. It's the sort of kiss that would drive you to the brink, that would make you nod and agree sure, let's get married and have three kids, let's name one after your father, and paint the house blue like your mother's favorite flower—

His mouth is eager, but not in an overbearing way. It's gentle. Slow. As if he needs to remind himself this is real and not some midnight fiction that leaves him aching and alone. Shoto reminds himself to be tepid, pliable, and easy, which is easier said than done when somewhere deep inside of him there's a seventeen-year-old screaming in victory. 

It's better than anything he could have ever imagined. 

And then you whimper. 

It's a sound tied between bliss and relief and it's muttered against his mouth as you lean in and let your fingers brush the fabric of his dress shirt. The tips of your fingers brush his abdomen and he flexes, the feeling foreign and warm. It warrants his other hand to drift to your face and you break for a breath; he doesn't care that there's lipstick smeared across his mouth. He's kissing you again — this time a little bit more feverish, a little bit more aching. 

You melt against him, this time your hands trembling to grip his wrists.

He needs to slow down.

He is not having sex with you in his father's car.

That's shameless.

He needs to slow down.

He has to, or he'll lose himself in this and he refuses to fuck this up. 

Shoto's breath is ragged when he finally peels himself away, his lip parted and eyes half-lidded. His grip on your face is still so soft, so gentle. It's very him. 

You're glad you didn't do this when you were seventeen.

It would have permanently altered your brain chemistry, you're sure of it. How could you ever kiss someone else again after that? 

He's rubbing your cheek with his thumb. You swallow, and try to level out your breathing. It's hard when he's still so close, when he's so... perfect. 

"I've wanted to do that," he murmurs against your cheek, "Since our last year at Yuei."

A well-kissed smile breaks across your face. You reel back, your nose wrinkling as you shake your head in disbelief. Shoto is smiling. A real smile. The sort that's so rare you can count on one hand the amount of times you've ever seen it in person. 

"Are you serious?"

"Very," he says, chastely pressing another to your other cheek as he leans back.

"Me too," you admit shyly, "Can we... do it again sometime?"

Shoto's eyes widen incrementally. Then, his smile eases back onto his face. 

"Are you free this weekend?"

"I can be," you reply easily with a honeyed look, "And I will be. For you."

"I get off patrol on Saturday around seven," he explains before asking timidly, "We could... do dinner again?"

"Works for me," you breathe as you move for the handle of the car door, "After all, I never went Pro. Weekends are free."

Shoto scoffs. 

Then, as you open the door and swing a leg out:

"Oh, and tell Touya I thought the suit sexy."

Shoto's laugh is dry. You leave his jacket on the seat and scurry into your apartment with a lovesick wave. He swears he sees the silhouette of a familiar ponytail greet you at the door, but he doesn't dwell on it. He waits until you're inside and the lights to the front door are shut off.

Then it hits him. He has another date with you this weekend. 

Not so seventeen anymore, Shoto Todoroki. 

[bonefanatic]

"Careful", you snag the boy's shirt before he can step into the road. The boy's head snaps away from his phone and towards you.

He looks pissed but you watch his face shift into a blank sort of stare.

"Sorry-", you release the grip on his shirt, shifting the carrier on your hip, "you should pay more attention when you're this close to the road."

You offer him a weak smile and he blinks up at you, then turns and scurries across the road, focused back onto his phone. Sighing, you adjust baby carrier and begin walking again.

The walk isn't a horrible one, ten minutes is nothing on the half hour walk it takes you to get to work. It's just a little more difficult with a awkward sized baby carrier.

Typically you'd take the train, but you need to get to the grocery store before it gets dark. The air is already chilly but the forecast calls for snow and the baby doesn't need that.

-

The store is a little warmer when you step inside and you even manage to snag a buggy.

The store is relatively quiet and you find what you need to...except for the box of baby rice towards the back on a shelf you can't reach.

You groan softly, glancing at the snoozing babe. She loves those...

You stand on your very tiptoes, grabbing at air. Then, a hand reaches up and grabs them. You turn, about to ask them for the box, when the man passes the box to you.

"Here, you looked like you needed help." He holds the box out with one hand, running his fingers through his black hair with the other.

You blink curiously at him, then take the box.

"Thank you so much, hon." You grin, placing the item in your cart and hurrying to check out.

-

The walk is still cold, despite the sun barely starting to set. You shiver, somehow managing to carry the groceries and the baby carrier at the same time.

About half a mile from your apartment, you bump into a chest. Dropping a few bags and praying the eggs aren't in them.

"Sorry about that", a masculine voice mumbles above you. You tilt your head up to meet the eyes of a boy a little younger than the one who helped you before. He tilts his head, a tuft of white hair hanging in his eyes.

"Would you like some help?" He starts grabbing the dropped bags before you can answer. He makes a gesture for you to lead the way.

"I'm Jason, by the way. We live in the same complex."

You swear you've never seen him before, but maybe that's just you.

-

That night, groceries put away and a baby snuggled happily against your chest, you lay in bed.

Oblivious to several pairs of eyes watching you and the bickering from the rooftops above.

"Ummi spoke to me today, with the baby!" Damian speaks.

"Yeah, well I helped ma with her groceries!" Jason gives him a playful shove.

"Well, the baby smiled at me!" Dick jabs a thumb at his chest triumphantly.

"All of you hush!" Tim speaks up, crouched next to Duke, eyes focused on a familiar window.

Bruce looms nearby, caught up his daydream where he's the sweater wrapped so tightly around you. Someday.

Someday sooner than you think.

[harrysfolklore]

oscar piastri being obsessed with his girlfriend: a compilation

MASTERLIST | MY PATREON | oscar smau

Oscar Piastri was known as the introvert and reserved driver on the grid.

While other drivers basked in the spotlight and didn't shy away from sharing details about their personal life, Oscar often preferred to keep his privacy.

However, when it came to his girlfriend, it was a different story altogether.

Oscar was what people called "a total simp" when it came to his girlfriend, always bringing her up in interviews, promo videos and casual conversations, and fans couldn't miss the opportunity to make several compilation videos and tiktoks about it.

The most popular one was called "Oscar Piastri being obsessed with his girlfriend: a compilation" and the 15-minute long video was filled with moments that made fans both awe and laugh.

It started with the clip of the first time he publicly talked about her during a podcast interview, rumors about him not being single were spreading around but nothing was confirmed.

"I do have a girlfriend, yeah," Oscar said, a small smile playing on his face.

"You're not very public, aren't you?" the interviewer asked.

“We keep it to ourselves and try to be out of the spotlight and just live normal lives,” he replied, “We have been dating for over four years now, she has been there for me since the start of my career and I couldn't imagine my life without her. She's my biggest supporter and keeps me grounded.”

The next video showed Oscar and Lando sitting next to each other wearing their McLaren shirts, filming a game called "Green flag or Red flag."

"Picky eaters," the interviewer asked and Lando immediately waved the green flag.

"He's a very picky eater that's why," Oscar said, making Lando laugh, "But, what if they eat fish, cause you hate fish."

Lando dramatically raised the red flag, making everybody laugh again.

"You wouldn't date a pescatarian then," the interviewer said.

"No," Lando shook his head, "They shouldn't be here."

"My girlfriend's a pescatarian, actually," Oscar said, looking at his teammate with a raised eyebrow, "I'll pass that on to her.”

"Noooo mate!" Lando immediately shook his head, waving his hands in mock horror, "Don't tell her I said that, I don't want to be in trouble with your missus! She's a lovely girl."

"She is indeed, but I don't think she'll like you very much after this."

The next segment was from his "Day in the Life" video with Quad Lock, where Oscar gave fans a glimpse into his daily routine. In one particular clip, he was in the kitchen making breakfast.

"So, this is where the magic happens," Oscar said with a cheeky grin as he poured pancake batter onto a hot griddle, "My girlfriend loves pancakes, so I make them every Sunday. It's become sort of a tradition for us."

The camera then panned to a candid shot of his girlfriend, who was sitting at the kitchen island, sipping coffee and smiling fondly at Oscar. She blew him a kiss, which Oscar caught with a playful wink.

"There she is, sitting pretty while I play housewife."

The next clip in the compilation was from a press conference, where a journalist asked him how he manages to stay focused with such a demanding schedule.

"Having a supportive partner really helps," Oscar said earnestly, "She understands the pressures and the demands of the job. She’s my rock and makes everything a lot easier."

"Does it get hard for her when your schedule is too busy for your relationship?"

"My schedule is never too busy for my girlfriend, I always make sure to make time for her. That's why we've been going strong for four years now."

Another McLaren game with Lando was included, this time they were playing Finish the Lyric with Taylor Swift songs.

"Do you feel confident about this game, Oscar?" Lando asked his teammate.

"I do, actually," Oscar nodded confidently, "My girlfriend is a huge Taylor Swift fan so I know a lot of her songs."

"We should get your girl to come and play then," Lando teased.

"She'd probably beat us both, hands down. But I'm not giving up just yet." Oscar chuckled, shaking his head.

The compilation video then transitioned to a moment in the McLaren garage before the first quali of the Hungary Grand Prix. Oscar was off to the side, chatting with his girlfriend, who had joined him for the event.

They seemed to be in their own little bubble, Oscar's attention completely focused on her and his smile wide as he listened to her talk. The camera captured a sweet moment where he gently tucked a strand of hair behind her ear and kissed her forehead. It was a simple gesture, but it spoke volumes about their relationship and fans absolutely melted at the interaction.

The next clip showed Oscar at a fan event in Australia, hundreds of fans gathered to meet the drivers and see them up close, Oscar was answering questions from the interviewers when he suddenly addressed one of the fans in the front row.

"I've got a girlfriend, thank you," he said into the microphone, making everyone laugh but look confused at the same time, "For everyone wondering, she just asked what my number was," the crowd laughed again even louder, "But I'm a happily taken man. You're nice but I'm not interested."

In that same event, he got asked what did he miss the most from the UK when he was back in Australia.

"My girlfriend," he immediately said, "Other than that the food is better here, the weather is better here. So my girlfriend, that's it."

The following video was also a fan interaction, this time it was a fan recorded video while he was signing stuff for those waiting for him as he arrived to the paddock for the Austin Grand Prix.

Oscar was signing autographs and taking pictures, when a fan handed him a photo of him and his girlfriend from a race weekend.

"Oh, this is a great picture," Oscar said, grinning as he looked at the photo. "This was taken at Silverstone, right? It was her first time at a race with me. She loved it."

"What's her favorite part about the races?" The fan smiled and asked.

"Probably the adrenaline and seeing me in action," Oscar chuckled, "But she also loves hanging out in the paddock. She gets along really well with everyone here."

The next clip showcased Oscar during a Twitch stream, where he was playing a racing simulator. His girlfriend walked into the room, and the chat exploded with excitement.

"Hey, love," Oscar greeted her, pausing the game.

"Am I interrupting you?" she softly asked.

"Nope, come here," he encouraged to come closer, "Everyone, this is my girlfriend," she waved at the camera, and Oscar wrapped an arm around her waist, pulling her into the frame. "She's the reason I'm still sane," he joked, earning a kiss on the cheek from her.

The video included one of everyone's favorite interactions between the couple, captured by McLaren's instagram team.

Oscar had just finished a quiali, earning a P2 position, the camera caught as he reunited with his girlfriend who threw her arms around his neck as soon as she saw him.

"Hiii," he shyly said, a hint of a blush on his cheeks.

"You did such a great job, baby," she said, still wrapped around his arms, planting a kiss on his cheek.

"I couldn’t have done it without you cheering me on," he replied, his voice soft and genuine.

The final clip was from the FIA Prize Giving ceremony, Oscar stood on the stage, dressed in a sharp suit, the Rookie of the Year trophy shining in his hands.

"First of all, I want to thank my team, McLaren, for believing in me and giving me the opportunity," Oscar began, his voice steady but emotional, "But most importantly, I want to thank my girlfriend. She's been my rock through it all, supporting me every step of the way. This award is as much hers as it is mine."

The camera panned to his girlfriend, sitting in the audience with tears in her eyes, smiling proudly. The fans watching the livestream couldn't help but gush over the touching moment.

As the compilation ended, the screen faded to black with the text, "Oscar Piastri: The Ultimate Simp, and Proud of It."