#cause imperialism is fire nation culture and he told them to knock it off
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goodvein · 8 months ago
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Avatar: The Last Airbender (cartoon)
One of the best stories ever told - period - end of sentence.
And one constantly beset by terrible spin-offs and knock-offs, and something the producers could not replicate in subsequent shows, INCLUDING their own sequel.
The show has absolutely brilliant worldbuilding, until the retcons in their own sequel show.
In the Avatar world, there are 4 main races, each named after the four Indian elements: Earth, Fire, Wind, Water.
Rather than being token aspects, the differences come down to deep philosophical differences, to the point that the world views might not be reconcilable. The Earth Kingdom is Imperial China. They value stability above all else, and as such it is exactly what they have.
The Water Tribes are a combination of Inuit with coastal China. They are fluid and free flowing, and the thing they value the most is love, (both platonic and romantic). Their deep love is what holds them together as they sail the roiling seas.
The Air Nomads value freedom, to the point they don't raise their own children. They travel the world, never having a home, but never wanting one either.
The more spiritual members of each nation gain the Bender of their element. This has them manipulate the energies of their bodies, (i.e. moving their bodies themselves), to manipulate the elements around them.
But, of course, it's a wide world. Every - single - village they come across has their own culture. They have their own laws, their own customs, their own clothing. And a third of the story is just having them explore their world. Their life is one of adventure. Literally. They spend as much time exploring their wonderful world as they do on character development as they do on the primary plot.
While the story was intended to be watchable by children, it contains a great number of heavy, thick, and deep themes, such as genocide, filial piety, and uncontrollable power. Sometimes the right answer is military force. Sometimes the power of diplomacy is what is needed. Sometimes it's trust, in others, or yourself.
The main characters are wonderful, loveable, flawed, and dynamic.
As are the villains.
As are many of the background characters, some of which became absolutely iconic.
For anyone who's seen the show: "MY CABBAGES!"
A:tLA is one of the shows where your favourite character might be a one or two shot character, and this is not in any way an insult to the main characters. This is because even one-shot characters are often done with as much love and affection as the main characters are.
All of the background writing is done in Chinese, by expert calligraphers. The martial arts are impeccably researched, beautiful, intrinsic, and true. The stories are epic and adventurous. The characters, big and small, beautiful, loving, and flawed, to the point you want to them.
An uncle of one of the main characters provides life advice that many fans return to in times of need.
That said, the sequel series is at best, petulant, the comics are femslash fanfiction, the M. Night Shyamalan movie is horrifying, but he actually improved it, the live action remake removes pesky things like worldbuilding, character development, and... honestly, fun. And The Dragon Prince, made with a lot of the same productions staff, is a completely hollow world that has world building that would have caused a bloody civil war before the show even started.
Well, lightning cannot strike twice.
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wiseabsol · 4 years ago
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WA Reviews “Dominion” by Aurelia le, Chapter 14: Two Birds
Link: https://www.fanfiction.net/s/6383825/14/Dominion
Summary: For the Fire Nation royal siblings, love has always warred with hate. But neither the outward accomplishment of peace nor Azula’s defeat have brought the respite Zuko expected. Will his sister’s plans answer this, or only destroy them both?
Content Warnings: This story contains discussions and depictions of child abuse, emotional abuse, physical abuse, sexual abuse, and incest. This story also explores the idea that Zuko’s redemption arc (and his unlearning of abuse) is not as complete as the show suggested, and that Azula is not a sociopath (with the story having a lot of sympathy for her). If that doesn’t sound like your cup of tea, I would strongly recommend steering clear of this story and my reviews of it.  
Note: Because these were originally posted as chapter reviews/commentaries, I will often be talking to the author in them (though sometimes I will also snarkily address the characters). While I’ve also tried not to spoil later events in the story in these reviews, I would strongly recommend reading through chapter 28 before reading these, just to be safe.
Now on to chapter 14!
CHAPTER 14: TWO BIRDS
Hello everyone! We are now on chapter fourteen, “Two Birds.”
 So first, the A/N. It mentions a fic called “In the Madhouse,” which I should look up at some point, since Aurelia liked it and we have similar tastes in Azula fic. ultranos’ “Salt and Ashes” series is one that we’ve been enjoying lately. There is also a discussion in the A/N about the challenge of addressing and stopping Ozai’s abuse of Azula. One thing that isn’t mentioned there, but that I want to note, is that intervening in a parent-to-child abuse situation is difficult even without the challenge posed by the parent being a powerful political figure. Best case scenario, you get the kid away from their abuser before the abuser realizes what’s happening—because if you don’t manage that, that kid will probably be the one who the abuser takes their anger out on. After all, how could anyone else have known what was happening unless the child told them (which isn’t necessarily true, but it’s what the abuser will think)? This isn’t to suggest that it’s better to leave the child in that situation, but just to point out that you can’t afford to misstep or take half-measures when extracting the child from that environment.
 I think I may have mentioned this before, but Iroh being able to live in Ba Sing Se and run his teashop, even under a pseudonym, feels like a backhand to the Earth Kingdom. Yes, he helped the Order of the White Lotus liberate the city, but does that make up for the 600 Day Siege that came only a few years before? Surely someone must recognize him and want revenge for the lives lost during it?
 Granted, an assassination attempt would cause a diplomatic incident, but I somewhat doubt that the mourners would care? Maybe there were some attempts already, which Iroh thwarted? I could see him thinking of this as a type of penance, to face the loved ones of those his siege killed. I suppose I’m also wondering how much him being an intelligence asset for the OWL would make up for his past colonialism (now cultural imperialism?) in the eyes of the world? Him settling in Omashu or another Earth Kingdom settlement, sure, but BA SING SE? Why was that allowed? I wouldn’t be surprised to find out that some of the Earth Kingdom nobles knew and were hoping that someone would take a crack at him. They’d hand-wring and launch a half-assed investigation afterwards, and when Zuko would inevitably become impatient and send in his own forces to get to the bottom of things (who the EK would then ask to leave, but of course Zuko wouldn’t back down)—well, isn’t that another route to a war of revenge for the Earth Kingdom, which they could hide under the guise of self-defense?
 In short, no matter how Iroh justified this decision to himself, it’s hard not to see this as him mooning the Earth Kingdom and asking them to bite him.
 On to the chapter itself! June and Nyla have arrived with a passenger and have paralyzed poor Ty Lee. Zuko “almost forgot [Ty Lee] was there,” so yeah, putting this in the “they’re not really that good of friends” evidence bin. If my friend faceplanted in the ground after getting whipped, I’d definitely be hurrying over and checking on them. Mind you, this is the Avatar world, so your friend getting knocked to the ground might not be as much cause for concern.
 June calls Ty Lee a twit for not knowing how shirsu venom works, but I’m like, “Chi blocking is way more impressive, you jerk, don’t call her that!” But I’m biased because I adore this Ty Lee to pieces.
 June’s passenger is an Earthbender, given his bare feet, and seems to have fallen onto hard times, given his frayed and faded robe. This man, we soon learn, is a member of the Dai Li, and…I can’t remember what happened in canon, but I believe Azula recruited them for a while after her coop in Ba Sing Se? I wonder if the Earth Kingdom didn’t take that well (that and they were keeping the king in the dark about the war, if I remember correctly). So possibly this one is trying to earn some good favor back by catching Azula.
 Since Nyla was tracking Azula’s scent, the Dai Li agent quickly puts two and two together that Azula’s scent being on Zuko means that they did the naughty. A part of me is like, “Well, it could also be suggested by Nyla targeting Ty Lee that a hug is enough to leave Azula’s scent behind, which is more recent, and…Zuko, did you not take 100 showers after boinking your sister? For real, my dude?” My point being that it seems like a big leap for the Dai Li agent to put together that the siblings had sex…except that this Dai Li agent also saw the beach house, according to Zuko. So yeah, that probably had some more, uh, pieces to add to that puzzle.
 The Dai Li agent is thrilled because he can use this information to take down Zuko. It also turns out that the Dai Li are blackmailing June, rather than paying her. They must be really hard up if they have to resort to that. June was amoral in the show, so she would have leapt at the chance to pursue the bounty on Azula. Though if she had, then the Dai Li couldn’t take the credit for capturing Azula…(sigh).
 Anyway, the Dai Li agent tries to pressure Zuko into calling off his search or he’ll tell everyone his secret (Ty Lee is very confused by this in the background). I can’t help but think, “This is a no-win situation, Zuko. He’s going to tell regardless, and if he does, you, Azula, and probably Mai and Lu Ten are doomed. This is a case where you need to take him out if you want to keep your family safe.” I don’t relish saying that—I’m not a fan of murder—but unless you have the help of certain spirits, there’s no wiping this man’s memory in this setting, and imprisoning and/or executing him would show that Zuko has something to hide. Best to leave him in a ditch somewhere.
 Zuko doesn’t connect these dots yet. He has a bit of a rage-out instead. The Dai Li agent nearly kills Ty Lee in response, but Zuko manages to drag her out of the way of the fight. When the Dai Li agent disappears, June shouts at Zuko, because the Dai Li agent might think that they’re working together, which means that they might execute the hostage they’ve taken—her father. Zuko argues that they should work together to track down the Dai Li agent, who Zuko realizes knows way too much. June is initially reluctant, because the Dai Li agent is sending regular reports to his bosses, so if he vanishes, they’ll know that something is up…but Zuko argues that he can help her find her father (a lot of searching for family in this story) and then he’ll hire her to find Azula instead. June pivots and agrees to this new deal. I wonder if she knows that Zuko was a scarily competent tracker at one point.
 Zuko carries Ty Lee to the steps of the Kyoshi Shrine, and Ty Lee pleads with him not to search for Azula, since she doesn’t want to see him. Zuko, predictably, doubts Ty Lee’s word and then says, “I can’t respect her wishes, Ty. Not with her life at stake.” On the one hand, he does have a point—Azula needs help—but on the other hand, she really doesn’t need help from ZUKO. Chances are that seeing him would be rather…uh…triggering for her, and a mental breakdown isn’t something that Azula can afford right now.
 Zuko tells Ty Lee to go update Mai on what’s going on. That’ll be fun. Ty Lee seems to be considering telling Zuko that Azula is pregnant, but equivocates instead, and we learn that Azula might not know about the death sentence hanging over her. I feel like the Kyoshi Warriors let that slip, and that Azula is smart enough to know that the EK would take her out if they caught her anyway, regardless of the legality of them doing so. Then Zuko and June are off, leaving Ty Lee alone and paralyzed at the shrine. And you didn’t even give her a blanket, you jerks! Also, is there really not a shirsu venom antidote? Seems like something someone should invest in!
 We shift over to Azula, who sailed from Kyoshi Island to the Earth Kingdom mainland during a storm. The good news is that the storm prevented her pursuers from catching her. The bad news is that the storm destroyed her ship, nearly drowned her, and snatched away her supplies, including Rai’s gold. So Azula is not feeling great after that—possibly she was triggered by nearly drowning, being reminded of Katara’s ice prison during the Agni Kai, and she hasn’t eaten in a while either. Her situation reminds me a bit of “Zuko Alone”—he also didn’t have much more than the clothes on his back—but she’s worse off, given the effects of her pregnancy. She’s much more fatigued than she wants to be, sometimes napping for hours in a bush. Azula thinks about the baby being a product of incest—“She would be lucky if it wasn’t born with gills or extra limbs or some crippling deformity.” Which…is something to be concerned about. There is a lot of shared DNA between the two parents, which makes the risk of a genetic deformity or disease more likely to arise. I doubt that it would be something as extreme as the kid having gills, BUT Azula and Zuko have both shown signs of mental illness, so I think there is a high chance that the kid would inherit that. A supportive environment and other resources can do a lot to address how hard mental illness hits someone, though (in Azula and Zuko’s cases, their environment aggravated theirs), so I’m not going to be too worried for this kid just yet.
 Azula considers that she might lose the baby. “This early, and it might not even hurt, she told herself. It might die. Wasn’t that what happened to mistakes?”—Woof to all of that, but also, no wonder Azula is such a perfectionist. When the result of imperfection is dying….
 Azula considers starving the fetus out, since she’s barely getting enough food as it is. This is a terrible idea for two reasons: 1.) Azula has nearly died once already from starving herself, and damaged her organs in the process, and 2.) She’s in enemy territory. She can’t afford to make herself weak, even if she thinks there might be long-term benefits from it.
 At this point, she starts hallucinating Ursa, who unfortunately believes that a fetus and a baby are the same thing, which is very pro-life of her. Boo, hallucination!Ursa! Boo! I’m not sure this actually reflects what real Ursa thinks, though (I mean, I wouldn’t be surprised if Ursa was hypocritical about this point), given that a later chapter will reveal that Ursa knows what plants to use to induce an abortion, and used them as birth control at one point. Azula alludes to this: “You would have done the same to me, if Father let you. He told me the truth you were too craven to admit. You never wanted me.”—Ouch!
 Okay, this is bad, but I couldn’t help but snort at the line, “You only think [that this is a precious baby] because it’s Zuko’s.” It’s so awful that it wraps around to being darkly funny.
 “Something clenched painfully in her chest at the words [I love you, Azula. I do] she had heard too many times to count from this twisted mockery. Azula couldn’t remember anymore if her real mother ever said that to her.”—Yeah, if the child ever doubts that their parent loves them, then the parent has failed, full stop.
 “It wouldn’t matter if she had. It would just be one more lie. Didn’t her abandonment prove that? Didn’t Ursa prove it every time she looked on her daughter with fear or disgust or indifference? Didn’t she prove it with the things she said, the letters she never sent to school, the sparring matches she couldn’t be bothered to attend? The goodbye she said to Zuko and not to her… She had every day of eight years to prove it was a lie, and she proved it.”—This passage is brutal. And Azula is 100% right about it. Even though Ozai undermined Azula’s faith in her mother, Ozai would have had a much, much harder time doing so if Ursa had put some effort in and demonstrated her love for her daughter. Ursa’s neglect made his job so much easier than it should have been, and Ursa is going to have to reckon with that one day.
 Also, as someone who recently escaped some toxic friendships (and grew up with a toxic parent), there is probably nothing more psychologically damaging than people saying that they care about you, but then not demonstrating that with their actions. People who don’t like you being cruel to you is much easier to handle than the lying is. In short, I think this is part of why Ursa’s betrayal, and at one point, Mai’s and Ty Lee’s betrayal, shattered Azula. While Zuko’s betrayal has also affected Azula severely, you get the sense that Ursa’s and Mai’s choices carved deeper scars in her. Ty Lee, fortunately, broke from that pattern and proved how much she loved Azula with her actions.
 Azula tells the hallucination, “I’ll give you your life back [ . . . ] A life for a life, isn’t that how it works? [ . . . ] I’ll get the closure I need to end this, and never have to see you again.” We, the readers, can already tells that it’s not going to be that simple. Yes, Azula needs to confront Ursa, but one confrontation isn’t going to give her closure. It will address the wounds that Ursa caused, but it won’t give Azula the love and support she would need to heal them. That love and support, incidentally, doesn’t have to come from Ursa herself—adoptive family could provide it—but there isn’t anyone except maybe Rai who would be willing to fill that role in this story. Also, given the way this story is structured, that healing will probably come in the form of mother and daughter reconciling instead.
 “Sometimes [the hallucination] left at her command, other times it ignored her. Azula had long since stopped wondering why.”—Because your conscious and subconscious minds don’t agree on whether they want hallucination!Ursa gone, Azula.
 “It was her own business if she wanted it gone. It had no more right to her body than Zuko did.”—Damn right, Azula!
 Azula again entertains the notion of starving herself to induce a miscarriage (a note from the future: we later learn that there was a period where she was starved as a child, so I have to wonder if that stunted her growth and contributed to the eventual damage to her organs). She is understandably anxious about this. “Tears burned her eyes when she hugged herself around the middle in unconscious imitation of the night she lay bleeding in the hall.”—Ouch.
 “Everyone knew that, exceptions like Taku aside”—I forget who Taku was?—“most Earth Kingdom doctors fell somewhere between butchers and medicine men. She would be a fool to trust her health to them, even without the added vulnerability of being a fugitive.”—I wonder if this is true or if this is some racist colonialist bullshit? Given that it’s mentioned that the Fire Nation has been sharing resources with the other countries, I feel like if there WAS a gap in medical knowledge, it’s been closing since the end of the war. But Azula’s concern about being a fugitive still stands, even if I’m skeptical of their doctors being that bad.
 Then we get this gross recollection: “That first time, she was hardly sick until she began drinking the tea. She had only put on a little weight—most of it in the swell of her hips and budding breasts, it seemed then—” So something that most of the adults around her would have overlooked, since she was the right age for that. “—and sought out their court physician for a flu remedy when mild aches and a fatigue one fraction of what she felt now began to impair her training.” Of course she only cared about how it impacted her training, rather than just wanting to not feel sick!
 “And in reply, he told her something incomprehensible. She hadn’t even had her first blood.” I AM SCREAMING! “She didn’t know what to look for then, but she knew now. She was almost four months gone when—” This is so deeply horrifying!
 “No one would ever talk about it afterward—and anyway, who would she talk to?—but Azula suspected this might have been why she hemorrhaged so badly. But she didn’t know. She didn’t know enough to fix this, if it could even be fixed. She didn’t know what to do….”—Boy, it sure would have been helpful if she’d had a midwife to consult, wouldn’t it? I’m sure her actual doctor could have told her this info, too, but unfortunately, Ozai had him killed. Idiot. Seriously, Azula absolutely needs to know this information about her own reproductive health. Especially if she was going to be Ozai’s heir and was expected to have children of her own someday (which, god, I doubt she would have survived long enough for that, given Ozai’s choices, but STILL, SHE NEEDS TO KNOW THIS STUFF).
 “She seemed to vaguely recall her doctors saying, after she starved herself, that she couldn’t have children. Since obviously she was capable of conceiving, she could only guess they meant that she shouldn’t have children. Well, they wouldn’t be the first to hold that opinion. Azula could practically hear Ursa thinking it, when she said things like ‘What is wrong with that child?’ in full hearing of her daughter.”—Listen, Azula, even if it was somehow true that you’d be a bad parent, a lot of people who shouldn’t be parents end up being parents, like your dad and grandad. As it is, if this is something that you’re worrying about, I think you’ll be okay, since you’ll be much more careful with your kid than they were with theirs.
 Azula considers the medical reasons why a full-term pregnancy might be a bad idea, and notes that “her endurance had taken a hit, even three years into her recovery. And she healed slower and less effectively than she used to, as evidenced by the persistence of her injuries from the fight with Zuko.”—Yeah, starving yourself or being starved as a kid can result in some nasty effects, with not reaching your full height being one of the most outwardly obvious ones. It also can trigger a survival mode in your body where your body desperately holds onto fat later, even when you’re getting enough to eat, in preparation for the next lean time. This can have a generational effect as well, with your kids being more likely to hold onto fat, because their parents or grandparents went through that experience. If Azula wasn’t on the run and didn’t go through such strenuous training routines, she’d probably incline towards being pudgy. Which honestly wouldn’t be a bad thing for her, since a fat reserve can be beneficial if you’re someone with a uterus. Buuuut knowing Azula, she would view a little roll as a sign of laziness, which…
(sigh)…isn’t true, but you do you, Azula.
 She considers that she might lose the baby anyway, given the past harm done to her body, and that, “she might die herself. Azula was mildly surprised to realize that after a month of living with the knowledge of her death sentence, and even longer spent knowing she was a fugitive from her own nation, the prospect held little dread for her.”—This is worrying. She should care about whether she dies or not, but I can’t imagine that she’s really recovered from…well, her flirtation with suicide. You don’t get the sense that Azula values her own life very much. Rather, she values what she can provide to others, namely to her father and her nation. She’s been taught that she herself has no value—only what she does is worthwhile.
 “More frightening in some ways was the possibility that this might actually happen. Beyond the violation of her body being given over to another life, her life might be given over to another person. Azula didn’t know how to be a mother, any more than she knew how to be an aunt or a sibling.”—To be fair, I don’t think anyone really knows how to be a parent until it happens. Also, she never got the opportunity to be an aunt to Lu Ten, which is a shame, because her pretending to kidnap him and taking him somewhere fun sounds like good, wholesome mischief. Alas, this is not a soft world where that can happen.
 “She had never had anything like a healthy example.”—Very true. Someday, Azula, you’ll have an aunt figure to look up to in an AU.
 “And if she was honest with herself—something she strived for, even if she lied to everyone else—”—Kiddo, are you sipping Zuko’s Kool-Aid?
 “she knew. It would only grow to hate her. How could it not? She was a monster.”—This is very sad and makes my heart break for her, but…Azula. Babe. You love Ozai. And I’m damned sure that you would be a better parent than he was, so I can’t imagine why your kid wouldn’t love you? Kids also just don’t work that way. It takes a hell of a lot to make a kid stop loving their parent. I’m…honestly not sure if anyone ever really does STOP loving them, even when they know that their parent is an abusive and morally bankrupt person? Love isn’t rational, and even if you hate them, like Zuko does with Ozai, that hatred is still an intense feeling for them. Plus, just because Azula doesn’t love HERSELF doesn’t mean that other people, like Ty Lee and her kid, couldn’t love her. All that Azula’s self-hatred does is make her more inclined to push that love away, because being loved can sometimes be scarier and hurt more than being alone does.
 Azula then has a cry under the moonlight—hi Yue, by the way, I always forget that the moon in the Avatar universe actually has a spirit attached to it—and then decides that she needs to go to town to get some food. Good plan, girl. Get all of the noodles. Also, Azula has this mean thought about the Earth Kingdom: “that meant a return to civilization. Or what passed for it, in the Earth Kingdom.” I hope by the end of this adventure that she learns that the EK isn’t inferior to the Fire Nation. It’s great to love your home, but don’t tear down other people’s (unless they’re unhappy with it, in which case, ask them if they want some help with the tear down and rebuilding).
 Then we move on to Toph, Sokka, and Suki. Toph likes her pillows “rock-hard.” Never change, Toph. Sokka and Suki are arguing about whether Suki should have stayed with the Kyoshi Warriors and enlisted them in the search for Azula. When Toph complains about this, she makes a “think of the children” joke, to which Sokka replies that she’s sixteen, which suggests that age of majority in the ATLA world includes sixteen (though that might depend on the culture). Toph is also super bored because they haven’t had much luck on their manhunt for Azula, so she hasn’t gotten to fight Azula yet. Suki mentions that she should consider herself lucky, because she might have a broken nose or back spasms from chi-blocking and I’m like…Suki. Buddy. Isn’t it telling that the only damage your girls went through is something they might have walked away from a bar fight with? Or a particularly enthusiastic night above the bar?
 Gosh, is Toph calling Azula a “crazy ass” ableist or overly blunt? Because Azula is mentally ill, and it’s not like this is a world where mental illness is well-understood. Let’s call this insensitive of Toph at the very least.
 “She didn’t start when [Sokka] laid a solid hand on her arm. It was hardly the first time he’d done that over the past few days, and Toph was torn between appreciating the gesture—and that it meant he remembered she was cut off from her earthsense up here—and resenting him for babying her.”—I wouldn’t call touching your friend’s arm in support babying, Toph. I do like that Sokka isn’t such a manly man that he would hesitate to give comforting platonic touches.
 “[ . . . ] Toph half-tempted to tear her own hair out by the roots just to relish the sweet, sweet pain”—I feel like someone should give Toph a really obnoxious instrument to pass the time on trips like these. I don’t know if Toph would be inclined to learn it and play it well, buuuuut I also don’t think that she would mind just using it to annoy the hell out of the other passengers. Mind you, terrible music might make the manhunt more difficult, but it’s not like Appa is a sneaky stealth plane anyway.
 It turns out that Zuko sent them a letter, telling them to search the southern part of the continent, since he would wrap up things on Kyoshi Island. That was tone deaf of him, because of course Suki would want to see how her girls are doing and resents being ordered around. Sokka insisted that they press on with the search, though, because it’s “bigger than any one of us,” and for all they know, Azula might be trying to draw them to one location. Which…I get why this is a concern, but since we’ve seen Azula’s POV, we know that her endeavor has barely anything to do with the Gaang. This is a nuclear family drama, full stop.
 We do learn here that Sokka and Suki have only been married for a few months. I wonder if there was any tongue-waggling about that back at the South Pole? In any case, Toph and Sokka are both worried about how sketchy Zuko has been lately and what he might have lied about. Toph points out that, “He might have left something out or told a half-truth. He might have been embarrassed, or nervous or afraid. The physical reaction is basically the same.” I hope that this ambiguity comes up later.
 “And [Toph] was of the decided opinion that when her head hurt, everyone else’s should too.”—Oh Toph. I love you, but you’re a jerk sometimes.
 “She jabbed a finger in what she thought was his general direction, and scowled when Sokka had to reposition her hand to keep the effect.”—That’s so freaking cute? Like damn these two are adorable! They continue to discuss how weird it is that Zuko told them to not believe anything that Azula says, because why would he think they would?
 “[You’re] like Twinkletoes on a moral tangent”—More cuteness from these two, since Sokka cannot let Zuko’s weirdness go.
 “this speculation is pointless until we find her anyway, and hear what she has to say. If she even /has/ anything to say, ‘cause by all reports”—meaning Zuko’s—“she’s been muter than a hermit these past four years!”—I’m glad that they seem eager to hear what Azula has to say, but knowing Azula, there is no way that she will tell them what happened. Not only is she ashamed about it, but she doesn’t think that they would believe her anyway. And she’d be right…if Zuko hadn’t undermined himself by tipping them off to something being up.
 They continue on their flight, and we shift back to Azula. Ooooh, I remember what this section is! I love this section! So Azula has arrived in an Earth Kingdom town, after a night of trying to get her clothes clean and scavenging for more food. I wonder if the cabin she found was a reference to something in canon? Anyway, Azula probably draws some attention to herself by scowling at everyone, and then she steals some clothes so she doesn’t look completely out of place. She sets a building on fire and crashes a public bath to accomplish this. I feel like “Smooth Criminal” should be playing in the background.
 Azula goes to look for food next and stops by a restaurant next to a courtyard labeled, “Master Yu’s Earthbending Academy.” Aaand she realizes that there’s a noblewoman staring at her—specifically, Poppy Beifong, Toph’s mom! Woot! Hey Poppy! Good to see you! I love that the flowers in her hair are present here as they were in canon.
 Azula does note that Poppy has “slanted” eyes, which I’m not sure what to do with. This might be an innocent description and might not have the same racist connotation in the ATLA world as it does in ours, since everyone in the ATLA world could be considered of to be of Asian descent, given the cultures the four nations are based on. Or we could be meant to clock this as racist on Azula’s part, which, given how she was raised, wouldn’t be surprising. Or it’s a blink-and-you-miss-it writing fumble. It’s hard for me to make a call here, but I wanted to make a note of it in case it is the latter.
 Moving on, Poppy thinks that Azula reminds her of someone—maybe Zuko? Azula has a cover story ready: she’s from the colonies and has heard of the Beifong’s involvement in trade. Poppy, bless her, invites Azula to have lunch with her, because her friend didn’t show up. I wonder if she really was meeting a friend there, or if the Earthbending Academy is a real academy space and students practice earthbending there? If so, maybe Poppy watches them earthbend to feel closer to Toph. That’s my headcanon and I’m sticking to it!
 “and I am quite alone,’ she explained, properly not counting the manservant and two maids who stood behind her as company.”—Properly? That classism! (Pats the nobles on their finely-combed heads.)
 Poppy’s laugh sounds like glass breaking. Love that description. “Poppy Beifong would hardly be her first choice of dining companion. But then neither had King Bumi, who proved surprisingly amenable to letting her go, with only a little convincing.”—I still want that side story. Azula decides to take Poppy up on the meal, since she needs to eat when she can and she doesn’t think this is likely to be a trap.
 Poppy immediately clocks that Azula is a noble and just…oh man, “we must forgive [my manservant’s] ignorance.” Bet you he has more common sense than Poppy! Poppy tells Azula to order whatever she likes, even though Poppy already has a ridiculous amount of food on the table. Reading about delicious food in a story at midnight is the worst, by the way. It’s making me want all of it, but there’s no place to get garnished fish and stuffed prawns from at this hour.
 “when one has been born to privilege, it’s easy to recognize in others”—I feel like I need a side-story in which a grifter hits up the Beifong household while Toph is visiting, and Toph totally knows that the grifter is bullshitting and fleecing her parents, but is too entertained by the con to out them. In fact, maybe that grifter could by Lin’s dad, because that kind of irony would be delicious.
 “The etiquette came easily to her when [Azula] bothered to recall it”—See, it’s not like Azula didn’t bother to learn this stuff. It’s just one tool in her arsenal, rather than a set of rules that she feels like she needs to follow.
 Poppy recognizes Azula’s eyes as being a mark of Fire Nation nobility, though she adds that, “They are not the gold of Fire Nation royalty,” which…lol, actually, they are, since Azula is a royal. Poppy asks if Azula is trueborn or a bastard, and Azula tells the truth, knowing that the Earth Kingdom puts even more stock in lineage than the Fire Nation does.
 Then we get this painful bit of questioning from Poppy: “But you must forgive me for observing that you are far from home, and seem to be without your attendants. [ . . . ] What has caused you to forsake the protection of your family?”—Oh Poppy, what if your family is the problem?
 Azula pulls out a story that mixes in some lies to entice Poppy—that she’s fleeing an arranged marriage (since Poppy is a romantic)—with a good dose of truth. Poppy grabs Azula’s hand during this, which Azula is not a fan of. Azula says that her “betrothed” is a “fool and a brute” which…yeah, from her perspective, Zuko qualifies as both.
 “If she was going to fabricate a life story, it would be better not to do it on an empty stomach.”—I love the forethought here. Also, if she needs to bolt, best to bolt down as much food as possible beforehand.
 Poppy wonders if Azula is fleeing into the arms of a secret lover, a “governor’s son or lieutenant in the army.” I guess stableboys aren’t romantic enough for someone with Poppy’s classism.
 “Having no experience of lovers, she didn’t trust herself to lie about an elopement”—This is so depressing. Too bad Chan didn’t work out, though I do think that Azula needs someone much smarter than him.
 Azula admits that she’s looking for her mother, and explains that Ursa had to flee into exile or face execution for a crime that she was “falsely” accused of. We know that Ursa actually did it, but I doubt that Poppy would take that well. Azula says that her dad died of grief shortly afterwards. If only! She adds that her brother lost their fortune by being terrible at business and falling prey to duplicitous advisors, which foreshadows what’s the come with Zuko in the Fire Nation. Zuko really needs remedial lessons on how to run a country and manage the noble court. Azula adds that her “marriage” was supposed to help her family, something the dutiful Poppy would appreciate, but it didn’t work out because her supposed betrothed was violent.
 Which triggers a flashback for Azula. She’s been getting hit with these at unexpected times, and while I’m not qualified to diagnose anyone, I wouldn’t be surprised if this was a sign of Azula grappling with PTSD. We get this gross description during it: “Of his hands grasping, bruising, his weight heavy on her, suffocating. Of his arm around her waist, fingers clenched in her hand. The ridges of his scar rubbed against her cheek when he thrusted and panted, filling her. He didn’t stop even when she forgot herself and screamed, when she started to bleed from the violence of his effort—”
 That is not a description that indicates an act of passion or pleasure on Azula’s part. She views it as an assault, and no one should be questioning her on it.
 Azula is so caught up in the memory that she loses her situational awareness, not noticing that Poppy has gotten up to go to her until Poppy touches her wrists (the sensation probably being what brings Azula back to the present, since it grounds her). Poppy almost strokes Azula’s hair to sooth her, which I’m sure Azula would not have known what to do with, since Ursa didn’t give her those maternal touches when she was around. Poppy says that her mother wouldn’t blame her for leaving a man like that, to which Azula bitterly laughs, because Ursa has never been understanding towards Azula before. I do think that Ursa would understand wanting to leave an abusive partner, considering Ozai…but whether she would have actually done it without any external pressure, or supported someone else doing it, is fuzzier. Duty in this case isn’t the death of love so much as self-preservation.
 Poppy wonders if Azula’s rueful reaction means that she’s met Toph, and is judging Poppy based on what Toph has told her. “That was either amazing ignorance or amazing egotism.”—What a line! Poppy’s assumption is off the mark, but Azula confirms that she’s met Toph in passing. I do hope those two will be friends someday, but if not, there’s always “Salt and Ashes.”
 Poppy starts to talk about Toph, while pushing food around her plate, “a nervous habit that spoke of weakness.” Ozai must have broken Azula of that habit, or at least scolded Zuko for it. Poppy and her husband tried to have more children after Toph, but from the sound of it, there were problems with miscarriages, stillbirths, and the babies dying soon after they were born. There’s nothing to indicate what might have been causing that, so we’re going to have to chalk it up to bad luck. Azula is sensitive to this turn in conversation, given her own pregnancy and her worries about the fetus dying or being deformed.
 We get this touching line: “A smile broke over her tear-streaked face then, bittersweet and more genuine than any she had yet shown” as Poppy describes how instead of a daughter she could treat like a doll, she got a strong earthbender, who lived and thrived, unlike her late siblings. But since Toph was also born blind, her parents focused on that for too long, trying to shelter her and keep her safe, rather than respecting Toph’s agency and strength. Which, naturally, Toph didn’t respond well to. Toph and her parents are still estranged, due to a fight Toph and her dad had during her last visit, and Poppy is worried that they’ll never reconcile with their daughter.
 Azula finds all of this hard to stomach, both figuratively and literally. She tells Poppy that she should be telling all of this to Toph instead, and then mentally berates herself for it, because this might backfire on her if Poppy mentions that she had lunch with someone matching Azula’s description. “This was like something Zuko would do,” she scolds herself, even though I’m not sure that Zuko would do this, since it’s Azula’s own estrangement from her mother that subconsciously prompts this. While Poppy makes an excuse that Toph is hard to track down, Azula bolts to the nearest pot and throws up in it. Darn that morning sickness! She also starts crying, due to hormones and to the unpleasantness of the situation. One of Poppy’s servants takes off her belt, which helps relieve some of the pressure on her stomach, and Poppy—who instantly realizes Azula’s condition—tells Azula that she should have run sooner. Again, if only!
 Azula does think that she’ll kill her brother for this, but I don’t think that she really means it, any more than anyone pregnant says that about the one who impregnated them.
 Poppy offers to do what she can to help Azula find her mother, and we shift over to a Zuko scene. Zuko’s crew caught the Dai Li agent, but the Dai Li agent escaped because he’s a metalbender. Bad luck, that. Apparently Zuko thought it was more honorable to let him live after he surrendered, which…(sigh) I do agree with. June points out that the rules of war don’t apply to a witch hunt, to which I also have to agree. While following the rules of war/the civil contract is what you SHOULD be doing, what do you do when your opponent refuses to play by those rules? Especially when the life of your loved one is on the line BECAUSE your opponent betrayed the rule of law to convict her and sentence her to death? The context here matters.
 Zuko tells his crew and Ty Lee to proceed back to the Fire Nation. He and June are going to round up the Dai Li agent themselves. When that happens, June is almost certainly going to kill him. Which, as I’ve said earlier in this review, is the safest thing for Zuko to do, since letting the Dai Li agent contact his superiors would mean that his secret is out, and his family will be in serious danger once it leaks. June also suggests that Zuko needs to become a harder man to survive in their new, dangerous world, and I just have to roll my eyes, because it’s such edgelordy drivel that makes perfect sense coming from her. I don’t know that Zuko needs to be harder—in fact, I think the result of that would be a bunch of unnecessary violence and property damage—but he does need to start being smarter.
 Back to Azula! Azula might not be fond of Poppy on a personal level, but she does appreciate Poppy honoring her word and making sure that Azula is supplied for her journey. We’ve got practical clothes for all temperatures (with an adjustable waistline!), rations, and what amounts to an adventurer’s pack. Azula notes that there’s a scented product in her supplies that smells similar to the abortifacient tea she used when she was…11 or 12, pretty sure…so it makes her feel sick when she smells it. Mint tea has the same effect on her. I called it—she has an aversion response now. I’d say darn you evolution, but it is useful for not ingesting substances that have made you sick in the past and could be poisonous.
 Azula notes that, given how the townspeople behave when confronted with Poppy and her retinue, the Beifongs are practically royalty in this area. I do have to wonder just how many monarchs are on the continent, since we know of at least two, but presumably there could be more, given the size of the Earth Kingdom.
 We also get this: “Azula had to wonder how such a wealthy and influential family had produced someone so loud and coarse as Toph Beifong. But then she would remember the looks Ursa gave her when she insisted on wearing pants instead of dresses, gentle remonstrations spoken from behind pinched brows and wrinkled nose, when Azula would rather practice katas than heat tea with her firebending. And she didn’t have to wonder anymore. Rejection could take many forms, after all. She should know that better than anyone.”—This is really sad and makes me wish that Toph and Azula could become friends and discuss this. Both of them have rejected gender norms and the expectations of their mothers, and while they have found fulfillment in doing so, that disappointment from Ursa and Poppy is still painful for them.
 Poppy also gives Azula an expensive ostrich horse bred for racing, which will draw attention to her. Azula tries to make it look scruffier by getting it dirty and messing with its feathers, but she’s not satisfied that she’s done a good enough job of it, and thinks that she wants to trade it for something practical like an eel hound.
 “The desert dwellers were known to traffic in exotic beasts”—I don’t remember if we actually see any of the sandbenders in this story—I’m thinking not—but I know that at one point, Aurelia was considering an encounter between them and Azula.
 Azula requested a map that led in a different direction than where she’s interested in, in case someone asks after her purchases. She also, when she decides to rest for the night, takes out the passport Poppy gave her and Poppy’s scroll to Toph. Poppy sent a couple more copies out, so if anything happens to this one, Toph will still get her mother’s message eventually.
 “The princess had nodded curtly, half-tempted to reduce Toph’s mother to ashes for the possibility that this peace offering might sic Zuko on her.”—Again, Azula is all bark and no bite, unlike Ozai, who probably would have burnt Poppy for “imposing” on him.
 Azula decides to read the scroll to see if it mentions her. She discovers that it does not, but it is—we can imply—full of Poppy’s love for Toph and remorse for how she treated her. It’s exactly what Azula desperately wants from Ursa. Azula, upset by this, burns the letter and curls up to try to sleep, even though the sun is rising and there’s “an ache in a part of her body she didn’t give a thought to otherwise.” In other words, she’s heartbroken by being confronted with something she doesn’t believe that she’ll ever have.
 And with that, we close out chapter fourteen! Thank you again for the read, Aurelia! And thank you to everyone who has been expressing interest in these reviews. Hopefully I’ll have another one to you within the next week.
 Sincerely,
WiseAbsol
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