#I know I'm late this week

[scasuallypursuits]

#6 : Studying Inspired stuff.

Did both commission work and studying colors and texture this week.

Work has eating a lot of my time so I couldn't art much this week. But what I did do was quite simple.

This picture by catwheezie really inspired me to put more brushwork in my art. I just love how much details it provide. I know it doubles as texture for the fur but I wanna add details like this to things the are not fur. The most obvious way is probably to do detail contrasting cuz if you see here, there more texture at the cat versus the BG. So I'll probably do that as my study this week.

Downlodead the G-Rutkowski brushes2017. I think they look pretty good. Eventually, I'll learn how to use them in my stuff.

------------------------------------------------------------------------------

This one by shanodesu . I love the colors chosen here. It looks so much more vibrant compared to mine. This is what inspired me to study color again cuz, I may know how to render thing but I don't know how to color them.

Cuz mine looks pretty good but after doing some observation, I think it's because I lack some neutrals that would make, in contrast, the saturation pop better. Atleast, that's the theory of it.

Anyways, that what I plan to study more this week and hopefully by then or the after that, I have something for you guys to see.

[indifferentinfatuation]

truly the most dad-with-a-toddler-coded coups and hoshi have ever been

GOING SEVENTEEN - EP.117

[dragondawdles]

the beastie <3

[wistfulwatcher]

CRAZY EX-GIRLFRIEND APPRECIATION WEEK | day one, favorite character: heather davis

[poorly-drawn-mdzs]

Lan Wangji Goes To Lotus Pier AU: Part 3: Enveloping Feelings.

(Part 1, Part 2, Part 4)

[ckret2]

So y'all know the Gravity Falls production bible that leaked three weeks ago. Someone in one of my discord servers pointed this out:

And, naturally, that spawned an entire AU.

AU Concept: Ford was kicked out instead of Stan and takes a job as a trucker to makes ends meet since he couldn't go to college, while still studying the weird and anomalous however he can.

Ford driving around from quirky small town to quirky small town, drifting through the liminal spaces of truck stops, meeting odd people in isolated diners, seeing strange things out on the road—a deer with too many eyes bounding across a two-lane highway, a flirty woman at a rest stop who doesn't blink or breathe, mysterious lights in the sky at night, inhuman growls on the CB or 50-year-old broadcasts on the radio—and taking notes when he stops for gas or food.

Aside from having gotten kicked out before graduating high school, Ford's the same person he is in canon.

He's still an ambitious guy, and here "ambitious" means working hard and saving as much money as he can—so, a long haul owner-operator who spends weeks at a time on the road. (He goes through a LOT of educational audiobooks.) Plus, this is the easiest way for him to get to travel the country; and since it looks like his "travel the world" dreams with Stan are dead, he'll take what he can get.

Since he's never in the same spot long and carries his life in a truck, almost all of Ford's research is in his journal. His bag of investigation supplies has an instant camera, a portable tape recorder, a thermometer, a flashlight, rubber gloves, and a few zip lock bags—and that's about it. It has to share space with all his clothes, toiletries, and nonperishable food when he's on the road. He doesn't have much opportunity to closely examine anything odd he finds, unless he's lucky enough to run into something when he can stop for the night. He has to cram his paranormal research around the side of his full-time job.

He doesn't live in Gravity Falls, but he knows it exists. Every time he moves—to Chicago, to Nebraska, to California—he seems to inch closer. He currently lives in Portland and usually hauls loads between the Pacific Northwest and Chicago or New York. He stops at the truck stop outside Gravity Falls when he can and has gone fishing in town a few times. He doesn't have the benefit of extensive research to know that this is the weirdest town in the world; but it seems pretty weird to him, there are local rumors about the town, and he's had some weird experiences in the area.

Plus, he can't explain it, but it's like the town's calling to him. He wants to move there, but it'd put him over an hour outside of Portland where the nearest jobs are. Maybe if somebody chucked him like $100k to build a cabin in the woods; but what are the odds of that?

He does know Fiddleford. Truck broke down somewhere and Fiddleford kindly pulled over to fix it on the fly. They looked at each other, had mutual knee-jerk "dumb trucker/hillbilly" reactions, and within ten minutes both went "oh wait you're the most brilliant genius i've ever met." Fiddleford's living the same life he was in canon before Ford called him to Gravity Falls—with his family in California, trying to start a computer company out of his garage—but they make friends and keep in contact.

One time Ford stops at a kitschy roadside knickknack store that also sells new agey magic things—crystals, tarot cards, incense, etc. He bought a "lucky" rearview mirror ornament that looks like an Eye of Providence in a top hat and hung it from his cab fan, and ever since then he's had weird dreams whenever he sleeps in his truck.

Things I don't know yet: what Stan's up to; or why Ford's the one who got kicked out. I tend to believe that in canon Stan wasn't just kicked out because he ruined Ford's college prospects, but rather because the family thought he deliberately sabotaged Ford; so in this AU, Ford would've been kicked out over a proportionate crime.

[why-the-heck-not]

me, a responsible being, working on the coding project as I should vs. me, a dysfunctional shithead, getting distracted by reading about brains (once aGAIN damnit (it's my favorite "I need to study my field but bc I should do that it's an impossible unthinkable feat now, so I'm reading about something else to fool my brain I'm still being productive"-topic))

[felixcatton]

VAMPIRE APPRECIATION WEEK → Favourite Vampire/Vampire Dynamic: The Lioncourt-Pointe du Lacs

We do like mortals do. We fight, we eat, we laugh, we sleep, we love.

[kate-bridgerton]

Period Drama Appreciation Week 2024 || Day 6 - Favorite Adaptation || Still Star-Crossed

[amalthiaph]

or whatever 'laundry' and 'taxes' are called in a galaxy, far, far away.

This was supposed to be my May the 4th Art but every day is Star Wars day if you're hyperfixated enough

so let me post it eleven days later. Okayy, but I have to admit that it really bummed me out how I wasn't able to finish this on time, bec I had planned this since January.

Rebelcaptain was my first Star Wars ship and since I heard this quote, Jyn and Cassian are all that ever came to my brain.

Here are the clean version (for those who are still reading this and ILYASM btw)

[shoyoist]

now that i've read your sub julien fic i need a lil thirst for him to DOMINATE u in bed

I like to imagine him fuckin u in front of the mirror all messy <3 sorry but i cant act normal after his spread came out i love himm

──── 𝐋𝐎𝐖-𝐊𝐄𝐘 : julien loki

content: gn!reader, dom julien + mirror sex, lots of praise and sweet talk, multiple orgasms, mind-break(?) a few generic french terms of affection. a/n: literally never passing up a chance to write for a dark-skinned poc lmaoo thank you for sending this in nonnie!

sometimes, you think julien is so fucking agonizing. but in the best way — if that makes sense.

he's got those gentle eyes, that low-voiced hum, those firm hands. all the right words and all the best moves. he hypnotizes you so easily, like he's a magician and you're a pretty little pet he's picked out from his audience.

he could bite right into you, and you wouldn't even know it. because he'd be murmuring soft, sweet nothings into your skin the entire time, and the tone of his voice is enough to tip you into a daze — you'd let him do anything he wanted.

like you're doing right now.

julien has one hand wrapped around your throat, like a pretty bow-tie that's just a little too tight. his other hand squeezes at your chest, holding your body pressed firmly to his, coaxing little whines out of you with feather-light, teasing brushes of his fingertips at your sensitive nipples. you're sat in his lap, bouncing like a bobble-headed doll while he fucks up into you.

"look, chéri," he nods to the full length mirror propped up by the bed, facing your bodies. he holds your throat a little tighter, kissing the side of your neck gently as he groans with you. "lovely."

you know he doesn't even mind if you don't look, knowing that by this point you're too high on the pleasure he's giving you to respond properly — but your eyes flit to the reflection waiting before you anyway, as obedient as ever for him.

julien sits at the edge of the bed, you in his lap with your legs spread nice and wide so he can watch the way his cock slides in and out of your messy hole. both your bodies glow with a sheen of sweat, and if you look close enough, you can see tear streaks lining your face. "j—julien," you whine. "'m close. getting close."

"yeah? gonna cum for me again?" he chuckles, pressing another soft kiss to your neck. "so easy tonight."

he says that, but that's only because he's gentle with his words. magician's silver tongue. the way he's fucking you has you out of your mind — he's the one that's got you ragdoll-limp in his arms, and he's teasing you, calling you easy. "mh— julien."

your moan is sweet, but julien doesn't sound impressed when he clicks his tongue disapprovingly. "ah, shhh. use your words, love."

the pace of his cock in and out of you doesn't relent, and you're only able to let out another moan in response. his hand slips down from your chest to the space between your legs anyway, touching you just the way you like it.

"hhn, please. nearly there." you let out, and his fingers press just slightly harder, pushing you to the edge immediately. he'd tell you to hold the orgasm and wait till he allows you to cum, but he knows you're past that point. there's no playing with you anymore, fucked out and dumb on his cock.

so he pulls the high out of you like a man at a magic show with a top hat and a wand, letting go of your throat so he can press at your chest and whisper in your ear to breathe deeper and slower, knowing the orgasm lasts so much longer when you're relaxed and dozey. "there you go, mon trésor... so good for me."

his voice comes out just slightly cracked, feeling you flutter around him, tight and warm and wet. you're really so damn good.

"you can take some more, can't you?" he hums, finally bringing his hand back up, cupping your face and turning your lips to him for a kiss. "make me feel good?"

"mmm," you nod, and julien knows you're doing it mindlessly. he sees the tears in your eyes, the blank look in them. he lets out a little laugh, grabbing your hips to adjust your body. he knows you're all his for the taking. as long as he keeps giving you kisses and talking to you sweetly, you'd let him do anything.

"alright, baby." he feels his cock twitch within you, ready to empty another load inside. his grip on your body tightens once more, turning you towards the mirror. "eye-contact with yourself while i fuck you, now. good."

[adustoflove]

Having bpd to me is like I'm the loneliest person on the planet, no matter how many people I talk to, no matter how many connections I make or have, I'm a lonely void who will die alone. I have to be talking to someone or with someone every second of every minute of every day. I love people so much, I need people. There's so many people out there with different things to teach you. And then, if I have to talk to one person for more than 6 seconds today, I'll kill them. I'll kill myself. I need to be left alone for the rest of the day, I need no one but myself to be happy. I don't want to partake in anything with anyone because it's all draining and taking out of my alone time. Everyone is the same, they're all boring and self-absorbed. Every conversation feels like I'm forcing myself to be actively present. I just want to be alone in my room with nothing or no one. I don't see a future where I'm happy with anyone other than being by myself.

[halfwayriight]

UNTIL DAWN - PS5 Announcement Trailer

[jkvjimin]

TAEHYUNG, NAMJOON & JUNGKOOK + memories (2014-2021) (cr. dwellingsouls, 0613data, namuspromised)

happy birthday, sky! @jung-koook ���

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[posi-pan]

a day late, but i’m here now so let’s spread some love and support for pan folks!! i hope pansexual, panromantic, panalterous, pansensual, panplatonic, panaesthetic, and pangender (and any other pan related labels i might’ve missed) people have a lovely week. i love y’all so much.

pan week is december 6-12 💗💛💙