#I knew it played at some point but not in this episode I was TAKEN ABACK

[idk-i-just-really-like-tsc]

woah woah woah me casually watching greys paying like only a little attention and then fucking carry you by ruelle starts up 😳😤🫨😵‍💫😵

[stevie-petey]

episode two: vecnas curse

“Hey, guys?” Max gets everyone’s attention and points towards the boathouse.  Dustin is the first to start walking down, Robin and Max not far behind, and you stand back with Steve. “Yeah, sure. Let’s go into the creepy abandoned boathouse. Yay.” “We’ve done worse, angel.” You sigh. “It’s really depressing that you’re right.”

Summary: you and billy play marco polo, max interrupts a saturday morning breakfast at the henderson household, robin crushes steves dream of becoming a 1950s housewife, reefer rick has an odd taste in movies, boathouses are creepy in the dark, and eddie munson likes it when you pull his hair.

Rating: general, some swearing

Warnings: drowning, violence, swearing, fem!reader, use of y/n, blood mentions

Words: 10.5k (i wrote this in one day)

Before you swing in: hey gang !!! so i wasnt supposed to update so soon. and then i wrote this entire chapter in one day. so now here we are. anyways ! read the warnings, this chapter starts heavy. on another note: i start senior year of college on tuesday so updates will vary as i settle into my routine again so pls be patient !! for now, heres a very surprising and unplanned chapter 2, enjoy !

–

Water. 

There’s so much water. 

In your mouth, in your chest, burning your lungs and swallowing every scream that scrapes your throat to escape. Every breath you take, more water spills into your body and quiets the desperate cries and gags you. 

Your head breaks through the water’s surface and you inhale so sharply it burns your lungs even more than the chlorine does. You choke on the air, it’s sickly sweet, and a hand shoves you back under the water before you can inhale again. 

Bubbles encase your screams, your arms flail up, your legs kick wildly to try and reach the surface again. But the arm attached to the hand is strong, it holds your body under the water without effort. In the rims of the ripples above you, the corpse of a boy you once knew stares down at you.

“I’ve found you.” Billy sneers, his voice muffled by the water that rushes in your ears.

His eyes are cold, his skin sunken in and littered with cracks. It’s yellowed, decayed, edges of his skin have turned gray as he’s decomposed. Billy’s hair is matted and his shirt is torn and yet his hand shoves you underneath the water again and again and again.

You try to scream, you try to fight against him, but he’s always been so much stronger than you. Even in death, Billy Hargrove’s weight on you anchors you to the rushing water that threatens to drown you. 

Your head breaks the surface again. Billy pulls you up by your hair, your scalp burns. Air wracks your lungs as you struggle to inhale anything other than Hawkin’s pool water. Coughs shake your body, bile rises in your throat, and Billy shakes his head at you in disgust.

“I’ve found you.” He shoves your head under, your nails claw at his skin but he doesn’t flinch. Blood drips down his arm, stains the pool’s crystal blue, and yet you’re drowning still. Again Billy yanks your head back up, for a brief moment you can breathe, before his breath ghosts your face and he hisses into your ear, “I’ve found you.”

Water. It’s all you can feel around you. Your lungs are on fire, you scrape your nails the concrete as you struggle against Billy, but you’re dying. 

You’re dying.

Billy pulls you back, air kisses your face. Your vision darkens, more bile rises. There’s so much water. You can’t stop coughing, you think you’re crying, the chlorine stings your eyes as it sears your raw throat. Billy slams your head down onto the pool’s edge. Pain explodes in the bridge of your nose, blood stains the water even more.

“I’ve. Found. You.” You take one final gasp of air before Billy shoves you back under the water. 

You’re weightless. 

Everything goes dark. 

Suddenly your body rips forward, jerking awake so violently that it makes you nauseous. Your chest heaves, your body struggles to inhale the air that was so cruelly taken from you in your dream. 

It had been a dream, though the water felt so real. The taste of chlorine lingers in your mouth.

Panting, you force yourself to look around your room, list all the things you see. It’s become a little game you play, every time you have a nightmare so vivid that it challenges reality. Your eyes find Steve’s old basketball hoodie, draped over your desk chair. You focus on the bite of bitter cold from the charm bracelet’s silver that rests against your wrist. Breathing through your nose, you try to name what you can smell.

The scent of your mother’s famous waffles wafts through your room. Notes of freshly roasted coffee accompany it. Slowly, agonizingly slowly, your heartbeat settles down. Your fists unclench, your body finally relaxes. 

It was only a dream. Billy isn’t really here. He didn’t really tried to drown you at the pool. It was all just a fucked up, horrible dream.

“Y/N! Breakfast is ready!” Your mother’s sweet, doting voice carries through your closed door. “Come join Dusty and I, please.”

You rub your face, sighing deeply. The nightmare bears down upon your shoulders, the weight of last night crushes your chest. “I’ll be there in a second!” Your voice is brittle, exhaustion evident.

Breakfast with your mom and Dustin is the last thing you want right now, but you know it’s better not to deny Claudia. She’ll worry, ask you if everything is okay. You’re scared she’ll notice that you aren’t at Family Video for the first time in months. Every weekend you’re there to see Steve, to tease him with Robin. 

But the hurt that marred Steve’s devastatingly handsome face last night… You can’t see him, at least not right now. You’re not even sure he’d want to see you, which scares you even more. 

You take your time getting ready, your movements slow. In the shower you scrub your skin raw, as if you can cleanse yourself of the memories from last night. The betrayal in Steve’s brown eyes, Jonathan’s raspy voice asking questions that made your head spin. Lucas and his heartbreak as your brother abandoned him. Dustin’s denial of your code blue. 

Pulling on one of Steve’s old t-shirts, the smell of his cologne lumps tears in your throat. It’s all too much. You miss him, though how can you be sure you haven’t really lost him?

When you finally sit at the table, Dustin doesn’t look up at you, and your shitty mood only worsens. Only your mother brightens when she sees you. “Y/N! Here, I saved you some bacon, I know you don’t like it crispy.”

She slides some food onto your plate and you try to give her what you hope is a bright smile. Your mother can see through people in a way only you can, an ability she passed down to you. Today, you’re afraid that if she asks you what’s wrong, you’ll break. “Thanks, mom.”

Breakfast is tense. Your fork scrapes against the plate. The food looks delicious, your mother is a brilliant cook, but there’s cement in your stomach and you can’t bring yourself to eat any of it. Dustin doesn’t look at you even once, and your mother tries her best to make conversation. 

“So, any big plans for spring break?” She asks, looking eagerly at you and Dustin.

You push some fruit around on your plate. “No, not really.”

“Hm, well why don’t the two of you go and build something together? Remember that robot set from Stevie? I’m sure you and Dusty could build something with what’s left!” 

“Yeah, maybe.” As if Dustin wants anything to do with you right now. You must not sound convincing enough because your mother starts to frown. Panicked, you clear your throat and try to change the subject. “Hey, have you gotten any new toys for Tews?”

“I got her some new stuffed mice, but she doesn’t seem to like them.” Your mother responds, setting her fork down. She looks at her children in front of her, sees the tension that brews between them. Dustin hasn’t said anything all morning, and the dark circles underneath your eyes worries her. Grasping at straws, she rushes over to the T.V. and turns it on, hoping one of your favorite programs is playing. “Here, let’s watch something.”

Only the Saturday morning cartoons don’t appear on the screen. Instead, Channel 9 lights up. Hawkins’ news channel. 

“We’re at the Forest Hills trailer park in east Roane County.” A broadcaster announces as a swarm of people behind her gather around something. There are cops everywhere, and you get up from the table, curious. “We don’t have a lot of details now, but we can confirm that the body of a Hawkins HIgh student was discovered early this morning.”

Your mother lets out a strained gasp, the shock ripping through her body. Your own body stills, your heart skips a beat. The broadcaster drones on, explaining how the police believe there’s foul play involved.

Someone has been murdered in Hawkins. 

Over by the table, Dustin’s eyes finally meet yours. You know he’s thinking what you are. Monsters have plagued Hawkins for years now, but there’s never been something as gruesome as a murder. Not in the six years your family has lived here. 

Something isn’t right. The news channel interviews a plethora of neighbors in the trailer park. One woman talks about Barb, all the suspicious deaths since 1983. How Hawkins is cursed. Your eyes find Dustin’s again and you both exhale nervously. The woman is right, although she can never know what really goes on in this town. Hawkins is cursed, but not in the way anyone thinks.

Then, terrifyingly too late, you remember that the broadcaster had announced that the body was found in Forest Hills. Max lives in Forest Hills, and the body had been a highschool student. The police haven’t released the name of who it was and panic slices your nerves at the thought that it could be Max. 

“My heart can’t take it anymore. It just can’t.” Your mother whimpers, holding Tews close to her chest. Your heart aches for her, she grew up in this town and all it has endured these last few years is pain and death. 

Dustin sighs next to you and when the doorbell rings, he goes to open it. You follow, nervous and fretful as you always are.

Max stands on your porch, and the moment you realize it’s her, you pull her tightly into your arms. “Oh, thank God.” She stiffens at the touch, you notice that she’s out of breath, panicked. A terrible, horrible feeling of dread takes a hold of you. Pulling away, you force her averting eyes to look into yours. She’s scared; she’s never scared. “Max. What happened?”

Everything falls apart quickly after that.

Max drags you and Dustin into your room and collapses onto the bean bag. Her words are jumbled as she tries to explain everything. You sit motionless on your bed next to her, listening to every word she says. Dustin paces the room, both of you try to make sense of what you’re hearing.

“The body… It was found in Eddie’s trailer.” 

Your breath catches at Max’s words. Dustin’s steps falter. Nausea washes over you, you place a shaky hand over your stomach to quell it. You’ve left your brother alone with Eddie hundreds of times this year, and now a dead body has been found in his home?

“No, that can’t be possible.” Dustin doesn’t want to believe it, he doesn’t want to consider the idea that his mentor could ever harm anyone.

Max bites her lip. “The police have his trailer taped up, it’s under lockdown. And the body they found, she was-” She pauses, takes a deep breath. “It was bad, guys.”

“You can’t seriously think it was Eddie though, right?”

You catch Dustin’s arm and give him a warning look. He’s antsy, you get it, but he needs to calm down. Turning to Max, you ask the question you’re dreading. “Who was the dead student, Max?”

The girl looks down, plays with her fingers, and you can see the remorse that drapes her shoulders. Fear plagues you again, it had to have been someone you knew. After a few moments, Max finally tells you. “Chrissy.”

An overwhelming sense of grief forces any air left in your lungs out. Chrissy had always been so kind to you. She was a ray of sunlight, you shared a class together sophomore year, she had given you daisies when she heard of Will’s disappearance. 

Chrissy Cunningham was one of the few good things in Hawkins.

And now she’s dead. 

Dustin can’t believe it, either. “Chrissy Cunningham?”

“A-are you sure?” You breathe out, eyes following his pacing figure as Max nods.

“Yes, she was in her cheerleader outfit. Same thing she was in when I saw her with Eddie.”

You frown at this. “She was with Eddie?”

Max nods again, and you’re struck by how odd the entire situation is. Chrissy is, was, the head cheerleader. While she was always nice to you, she never interacted with anyone like Eddie. Hell, hardly anyone ever associates with the guy, so you can’t believe that she would even talk to him. That she would willingly step foot in his trailer, especially after the basketball game last night. 

You had overheard one of the kids on the team mention a party to Lucas before he left. Chrissy should’ve been there, next to Jason as they celebrated the win. 

“Did you tell the cops?” Dustin asks, still trying to wrap his head around it all. 

Max shakes her head. “No, but I-I can’t be the only one who saw them together. I mean, they stood out.”

“Are you even sure they were together?” You also can’t wrap your head around the fact that they’d be together in the first place. “Maybe… I don’t know, Chrissy had a friend who lives in Forest Hills as well?”

“No, Eddie and I are the only two students who live in the trailer park.”

Dustin paces again, in complete disbelief. “Eddie, the freak, with Chrissy, the cheerleader.”

“You know, his name’s not in the news yet or anything, but–”

“Eddie is going to be the prime suspect for Chrissy’s murder.” You finish for Max, understanding where she’s going with all this. It’s the only logical conclusion that can be drawn from finding a dead girl’s body in the guy’s trailer. 

Anyone would be suspicious of that, and yet Dustin refuses to admit it.

“No, that’s crazy.” He glares at you, he can’t believe what you’re implying. “Eddie didn’t do this. No way.”

Max looks at you, she has a grimace on her face, and your expression mirrors hers. Sighing, you try to reason with your brother. “Dustin, they found a body in Eddie’s trailer.”

“No way,” Dustin hisses out, eyes burning into yours. He won’t back down from this, he knows you hate Eddie but he’s furious that you’d go as low as to accuse him of murder. You’re so fucking hypocritical. “And, FYI, your annoying vendetta against him won’t get us anywhere.”

“I don’t have a vendetta against him!” You scoff, hurt that Dustin would assume you’re only saying all this because Eddie mildly annoys you. 

Max, sensing an argument brewing, gets up from the bean bag and intervenes. “We can’t rule it out.”

“Yes we can!”

“Dustin!” You and Max berate him at the same time, now standing in front of him. He isn’t listening, he’s blatantly ignoring the fact that someone died in the same trailer Eddie grew up in. He was the only one with Chrissy last night. Dustin is refusing to see the glaring red flags presented in front of him. 

“Look, you guys don’t know him like I do, okay? Y/N practically wants the guy dead most days–”

“Hey!”

“So I don’t necessarily trust her judgment on the matter.” Dustin doesn’t let you interrupt him, he’s adamant to defend his friend. “When we got to high school, Lucas made all his sports friends. Mike and me? I mean, no one was nice to us.”

Upset creeps up your neck. You had been there for the boys, offering them sanctuary their first day, but they had denied you. It hadn’t been enough for them. They didn’t want your help, not anymore. “Dustin…”

“No one except Eddie.” He finishes, eyes only on Max as if it’d make it sting any less. He recognizes what he’s saying, that it isn’t fair to you, but he’s too overwhelmed to try and clarify it all to you. Not right now.

Max’s shoulders deflate, her resolve dwindles but she still argues anyways. “Okay, well. They said the same shit about Ted Bundy.” 

“Ted Bundy was charming.” You snort, understanding what Max is trying to say, but it’s a poor example. “Eddie isn’t.”

She smiles briefly at you, the joke amusing her, but then she sees Dustin’s narrowed eyes and quickly defends herself. “I mean, he’s like a super nice guy, but then he’s murdering women on the weekends.” 

“So you’re saying Eddie is like Ted Bundy?”

“No, we aren’t saying that.” You mollify Dustin, although you can’t help but add in, “besides, Eddie could never lure in multiple women. We still aren’t sure how he even lured Chrissy in the first place.”  

Dustin is about to start yelling at you, you can see it in the way his mouth twitches and the enraged breath he exhales, but Max is quick to step between the two of you. She isn’t sure why you guys are at each other’s throats this morning, but she doesn’t have time to deal with it.

“No, we aren’t saying that.” Max glares at you, and you smile weakly back at her. “We’re-we’re saying that we can’t presume anything okay? But it doesn’t look good for Eddie.”

Dustin, now finally starting to listen, sits on the bean bag behind him. He lays there, looking small in the mass of the makeshift bed. He’s crestfallen, and your anger from earlier disappears. Sighing again, you sit next to him and nudge his shoulder. “Listen, I know it’s a lot right now, but maybe the police will find evidence that Eddie didn’t do it–”

“Why haven’t you told the cops this?” Dustin sits up, eyes on Max.

She crosses her arms, the question surprises her. “I… I don’t know.”

Dustin presses her, both of you notice how her body language changes. She draws into herself, she’s uncertain. There’s something there, buried beneath all the information she’s told you today. Something else happened in Eddie’s trailer, something she isn’t telling you. 

“Max,” you soften your voice, afraid. “What did you see last night?”

The girl’s knees find your bed and her body falls against it. Max’s eyes won’t meet yours, she almost seems scared. Her demeanor causes your stomach to drop. What could she possibly have seen that terrified her so much?

“After I saw Eddie and Chrissy go in the trailer…” Max looks up at you and Dustin, her blue eyes guarded, alert. “Something else happened.” 

She explains the lights flickering in her house. The static on her T.V., how the air felt thick. She tells you that she could hear a scream, Eddie’s fleeing silhouette ran into his car and the way the tires screeched on the pavement as he left. 

The more Max recounts, the tighter the fist of dread inside your stomach coils. Flickering lights, static… It can’t be what you think it is. You catastrophize everything in your mind, you always are the first to fear danger that isn’t really there. Hopper closed the gate last summer. He died saving the world. The gate is closed, the Upside Down is out of your life. For good this time. 

But then why does it feel like its spillage is leaking through the cracks you’ve desperately tried to glue over?

Max must see the panic on your face and she quickly backtracks. “Y/N, it wasn’t that weird or anything. Eddie always drives like a maniac and the power goes off at my place all the time. It’s a piece of shit, alright?”

“Then why did Eddie run?” The question taunts you, there’s something wrong with it. Shitty power grids and reckless driving can be explained, but why would someone scream while fleeing a crime they committed?

Max swallows. The question has been on her mind, too. “The look on his face… He was scared. Really scared.”

Dustin sucks in a breath, it’s subtle but you can feel it against you. He looks up, eyes meeting yours, and the dread that resides in your ribcage seeps into his. Max stutters out possible explanations, she tries to find something else to explain what it could mean, but you all know that it’s no use.

You realize why Max had rushed to your house. Why she hasn’t gone to the police with what she knows.

The fear on Max’s face when she arrived on your doorstep, how breathless she’d been from running over. That had been real, familiar. The same fear that crossed her face when you’d first unwillingly introduced her to the Upside Down all those years ago.

“Or maybe Eddie was scared because…”

“Something else killed her.” Dustin mumbles quietly, piecing it all together as well.

Your body is numb, your lips move but you don’t recognize the voice that speaks. “You think it’s the Upside Down.”

The words hang in the air, everything stills the moment they’re brought into the light. Beside you, Max nods, slowly, regretfully. As if she doesn’t want to believe it herself. “But, that’s impossible, right?”

Every year the impossible somehow becomes possible. Every year the wound that scabs over reopens, the blood of it chokes everyone you love. 

“I don’t know,” Dustin’s voice is soft, he’s scared, too. “It should be.”

“And yet we always end up here,” you laugh bitterly. It’s the same fucking thing, over and over again. 

Dustin’s hand finds yours, his touch is warm, yet unfamiliar now. He hasn’t held your hand in months, you almost forgot what it feels like against yours. “We don’t know that,” he squeezes your hand. He’s kind again, he’s your brother again. “There’s only one person who knows what actually happened.” 

Eddie. 

Whatever he saw, it’s important. No one will believe him if it’s the Upside Down, no one will understand that he hadn’t done anything at all. That monsters haunt the shadows of this town, that the deaths in Hawkins hadn’t really been deaths. 

You have to find him. 

– 

Steve doesn’t think he’s had a worse morning than the one he’s having today. He hadn’t slept, his exhaustion a reminder of how much of an asshole he had been to you last night. He had yelled at you; he’s never, ever yelled at you. Not in the entire three years he’s known you, not even when you’d hurt him so deeply by cutting him out of your life that fateful summer.

But last night Steve swears he saw the same look in your eyes that Nancy had in hers the night she told him she didn’t love him. He saw it, he knows he did, and he had been fucking terrified. He can’t lose you, he doesn't think he’d survive if you ever left him. Especially not if he’s the reason you leave.

Steve is miserable, and his foul mood only worsens when you don’t float through Family Video’s front door with a smile on your lips and a glint in your eye like you always do every Saturday. 

“Where’s Y/N? Normally she’s here by now.” Robin looks around the store, noting your unusual absence as she scans a movie to restock. 

Steve pretends not to hear her, he really doesn’t want to talk about it right now. He knows that if he tells Robin the two of you had a fight, she’d demand an explanation and promptly call him an idiot, regardless of whether or not he’s in the wrong. 

“Dingus, did you hear me?” Robin shoves the cart his way, causing it to hit his hip with a slightly painful thud. “Where’s that gorgeous girlfriend of ours?”

“She’s my girlfriend,” Steve grabs the cart and throws random movies inside of it as he starts to walk down the romance aisle. Fitting. 

His coworker doesn’t miss the way he avoids the question. Suspicious, she blocks Steve’s path and forces him to look at her. “You’re dodging. Why are you dodging? Where’s Y/N?”

“Robin, we should really be focusing on work right now–”

“Oh my God, did you kill her? Did all that hairspray rot your brain and cause you to kill Hawkins’ sweetheart and force the world to mourn the beautiful legacy she’d leave behind? Huh, is that it?”

“What! No, I didn’t kill Y/N. What is wrong with you?” Steve elbows the girl, he isn’t in the mood for her ramblings, yet Robin remains standing in his way. She raises an eyebrow at him, silently daring him to keep avoiding her questions, and Steve knows he has to fess up. Looking away, he clears his throat. “We, uh. Sorta had a fight last night.”

Robin frowns. “A fight?”

“Yeah.”

“But you two never fight.”

“Yup.”

“Alright, so it was all your fault then.”

Steve rolls his eyes, he knew Robin would say that. “I didn’t even tell you what it was about.”

“And yet I know it was all your fault.” Even though she’s kidding, she sees the hurt that flashes across Steve’s face and eases up. Clearly whatever the fight had been about was bad. Bad enough that you don’t show up to Family Video like you always do. Taking pity on her friend, Robin flicks Steve’s forehead and prompts him to start talking. “Alright, I’ll bite. Tell me what happened.”

Steve leans against the wall, rests his head back. He knows he should talk about this, Robin will know what to do. He doesn’t have the best track record of communicating with his girlfriends, and for the first time in his life, he wants to try with you. Steve would do anything for you, even if it means being vulnerable with Robin in order to figure out how to make you laugh his name so softly again. 

“Y/N was… Upset last night. After the game. She’s been having some problems with Dustin lately, and, I don’t know. I was trying to be funny, I guess? Cheer her up, get her to laugh.”

Robin winces. “Oh, that never ends well.”

“Yeah, no kidding.” Steve huffs. He always somehow makes things worse, and last night he’d gone for a world record with you. “I just… I really wanted to see her smile, you know? So I joked about our future together, said we’d live in a shoebox apartment in New York after she graduates, and she just…”

“Lost it?” Robin shakes her head at him, trying to hide her disbelief. She wants to give Steve the benefit of doubt, but she thinks she knows where this is going. And it isn’t good.

“She told me I couldn’t come with her.” The words had branded themselves onto Steve’s chest, the flesh still raw and bleeding. You hadn’t wanted him to come with you; you didn’t want Steve anywhere near you. “She was just going to leave, without me.”

Robin stands next to him and she nudges his head with her hand, hitting him without any malice. He’s such an idiot sometimes, a hopeless, well meaninged idiot. “Okay, you’re being very thespian right now. I’m sure that’s not what Y/N meant when she said you couldn’t follow her to college. She’s like, crazy in love with you. Anyone can see that.”

“Then why was I the only one considering our future the entire time? I mean,” Steve scoffs, angry again. “I asked her what she thought we’d do after she applied to college, and she couldn’t even answer me. For months she was applying and she didn’t stop to think about us, about our relationship. She just… she was just going to leave.”

“And your solution was to… Follow her to college, unannounced?”

Steve recognizes how stupid he must sound, but he doesn’t expect Robin to understand. When you’re with someone, when you love them, your actions become theirs. How they breathe becomes your heartbeat, how they sleep becomes your solace. From the moment Steve’s eyes laid on you, he knew he’d follow you to the ends of the earth.

He just thought you’d do the same for him. 

“I wasn’t going to just show up at NYU unannounced, alright?” Steve pauses, he tries to find the right words. “But I thought… I thought she envisioned us together, for the rest of our lives. Instead she told me that I deserve better, as if I-I’m physically able to imagine a world where I’m not standing next to her, where I’m not a ten minute drive down the street.”

Robin bites her lip. She thinks she understands what Steve means, where his actions were coming from. She remembers the late night talks about Nancy, how the girl had hurt him deeply when she abandoned him. The surface level love that tainted his perception of himself for years afterwards. Robin knows that Steve clings onto any semblance of stability he’s presented. Years of being lonely and used have left him unwilling to let go of the ones he loves the most. 

But that doesn’t mean he should give up his entire life to do so. 

Robin thinks that this is what you really were trying to tell Steve, even if he’s too blind to see it right now. “Y/N wants you to live your own life. You gotta see that, Steve.”

“She is my life!” Steve throws his hands up in the air, he’s sick of explaining this to everyone. You’re his everything. You’re the blood he bleeds and the tears he sheds. His life is yours. He doesn’t care how pathetic it may sound or how dramatic it may seem. 

“Steve,” Robin places a hesitant hand on his arm, and when he doesn’t pull away, she takes it as a sign to continue. “Y/N loves you, she wants what’s best for you. Meanwhile, you have no idea what you want. You’re seriously considering abandoning everything to live in a giant, rat infested city, and you hate cities! I mean, what would you even do there? Lay around all day and wait for Y/N to come home like some 1950’s housewife? No offense, Stevie, but you don’t have the legs for a dress. Although, maybe if you wore heels and some lipstick–”

“Get to the point, Robin.”

“Sorry,” she shakes her head quickly, refocuses. “The point is that her not wanting you to follow her to college is nothing personal. If Y/N didn’t see a future with you, then she wouldn’t waste her time with you. Simple as that. But she does, and she’s totally, madly in love with you. Plus, we both know that the real reason you want to go with her is because you’re scared she’ll find some hot, 6’5 guy to replace you with and if you’re not there, she’ll be swallowed up by all those hot models and rich business men who prowl the streets of New York–”

Steve covers his ears, shoving Robin away from him. “Okay, okay! I get it, Jesus. There’s plenty of hot men in New York, you’re totally not making this worse for me.”

“So you admit that you’re scared she’ll find someone else.”

“Okay, no. I didn’t say that–”

Robin runs towards the other end of the store and grabs a VHS tape. “Ignoring you! I’m right, you’re wrong, and I’ve just found our morning movie: Doctor Zhivago.”

Steve lets her change the subject, he’s tired of arguing anyways. “You know I don’t do double VHS.”

“But it’s about doomed love.”

Of course it is. “Oh, well that’s relatable.”

“Precisely.” Robin starts to go on and on about an actress in the movie who’s hot, but Steve drowns her out as he returns the cart. She grabs the T.V. remote and clicks it on for their movie, but quickly their morning plan dissipates when Channel 9 comes onto the screen.

“... that the body of a Hawkins High student was discovered early this morning.”

Steve and Robin stare at the screen in silence, the broadcaster’s words echo throughout the room. A Hawkins student is dead. The temperature in the room drops, Robin shifts uneasily next to him and Steve presses his arm against hers, silently offering comfort. 

They stand side by side as the broadcast goes on. Neither one of them speaks, listening quietly as the details are revealed. It’s a horrific murder, from the sounds of it. The more the channel announces, the more tense Steve becomes. He doesn't like it, violence has always made him anxious. As his nerves spiral, he gets the horrifying idea that maybe the body is yours. 

He knows it isn’t, he dropped you off at home last night, but he hadn’t stayed to make sure you made it inside safely. Steve curses, he’s a fucking idiot. He left you alone last night, and if you got hurt because of his selfish actions, he will never forgive himself. 

Suddenly the front door opens and you run in with Dustin and Max by your side.

“Hey, Steve.” Dustin tries to get his attention, but the teen is already hopping the counter, sprinting over to you.

Forgetting about the fight from before, Steve clings onto your shirt and hugs you. His arms shake, you can hear his heartbeat stuttering a mile a minute. Overwhelmed with the scent of him and the feel of his body against yours, you melt into the hug as relief sags your bones. “You’re okay,” Steve exhales against your ear, his hand finding your hair. He tangles his fingers through the strands, tries to pull you in even closer. 

“I’m okay.” You whisper back, clinging onto him just as desperately as he is to you. 

The moment is interrupted by Dustin, who pounds on the counter to break the two of you apart. “Hey! Assholes!”

Steve glares at the kid, he doesn’t let you go, but he reluctantly steps away. “Someone was murdered, you know that, right?”

Dustin ignores the sarcasm. “How many phones do you have?” 

“Two, why?”

“Technically three, if you count Keith’s.” Robin adds.

You make a disgusted face. “I wouldn’t touch his phone.”

Max tells Dustin that three phones will work and the younger teen quickly takes off his backpack before sliding it onto the counter.

Steve narrows his eyes, looking at you with slight panic. “What is he doing?”

Dustin throws the backpack over the counter and Robin yells as the kid jumps over and lands with a loud thud on the ground. He brings down a pile of tapes as he does so, and Steve tears himself from your side to try and stop him, but it’s too late. The damage is already done and Dustin has sat himself at one of the computers. 

“Dude! My tapes, what are you doing?” Steve cries, groaning as he bends down to pick up the ruined pile. 

Robin glares at your brother as she huffs as well. You quickly hop the counter, an apologetic smile on your face, and bend down to help. “I’m sorry about him. He’s Dustin. That’s the only way I can explain his behavior.”

“I’m setting up base of operations here.” Dustin’s fingers fly over the keyboard, ignoring Steve’s distressed cries. 

“Base of operations?” Robin looks at you, she likes you, she really does, but sometimes she hates Dustin. “Y/N, I love you, but I’m about to strangle your brother.”

You hand her a tape and blow a strand of hair out of your face. “Ya know, I get that a lot.”

“Stop, get off!” Steve pushes Dustin, but the kid is like stone at the computer. Max is beside him now, having chosen to walk around the counter like a normal person. 

“I need it.” Dustin responds, not giving much else for an explanation. 

Steve pinches the bridge of his nose and turns to you. “Y/N, please come get your dog.”

“He’s not my dog–”

“I need the computer for Eddie’s friends’ phone numbers.”

“Oh, you mean your new best friend that Y/N and I hate? The one you think is cooler because he plays your nerdy game?”

You step in between Steve and Dustin now. You’re getting really tired of being accused of hating Eddie. While it may not necessarily be wrong, hate is a strong word. “We don’t hate Eddie, you’re just dramatic, Steve.”

“I never said he was cooler than you guys,” Dustin tries to amend, finally looking at you and Steve.

Behind you, Robin slams a tape down while she rebuilds the ruined pile. “Seriously, you guys, maybe on a Monday you can play around here like toddlers, but it’s Saturday. It’s our busiest day.”

You help her pick up a dropped sign, feeling bad for disturbing their place of work so early. “I promise I wouldn’t take them here unless it was important, please don’t hate me–”

“What Y/N is taking too long to say is that this cannot wait until Monday.” Dustin jots down the numbers he ends up finding. Steve drops his head into his hands, exhausted. 

Robin rolls her eyes. “I’m not blaming your sister, she’s an angel, but is calling Eddie’s friends really an emergency?”

“Correct!”

You drop your head onto the counter, defeated. Dustin is only making everything worse, like he normally does, and you’re tired. Steve stands next to you, allows a hand to fall onto the small of your back. Without thinking about it, he starts to rub soothing circles into your skin. 

“Want me to strangle him or you want to?” Steve asks Robin. 

“We could take turns.”

Not bothering to lift your head up, you leave your face smushed against the countertop as you speak. “Please don’t strangle him, my mom would be really sad and we can’t afford a funeral.”

“Can you just fill them in already, Y/N?” Dustin pokes your side.

“Fill us in on what?” Robin asks, exasperated.

Finally raising your head, you look at Max and swallow down any remaining uncertainty. The sooner you explain everything to Steve and Robin, the sooner you can find Eddie and figure out what the hell is going on. With Max’s help, the two of you give them an abridged version. 

“The murder happened in Eddie’s trailer.” You begin. 

“And the body was Chrissy Cunningham.” Max finishes.

Steve’s eyes widen. “What, so the freak killed her?”

“Unconfirmed.” Dustin snaps from the computer. He’s almost done writing down all the numbers.

“Not exactly. There’s some… details that we’re hoping to figure out, first. Before we go to the police about Eddie.”

Robin doesn’t like the way you say this. “What details?”

“The lights flickered in my house, I-I could feel static.” Max says, eyes downcast. Nothing else needs to be said, Steve and Robin understand immediately.

Now quiet, Steve’s hand finds yours. If it’s really happening again, he’ll be damned if he lets you go anywhere out of his sight. He’s not losing you. Surprised by the affection, you look and Steve and find that he’s staring down at you with so much tenderness in his eyes, even after you both maliciously hurt one another the night before.

It’s almost too much for you, the honey in his eyes that are meant for only you to see. Jonathan’s words from last night burn your skin. 

Do you ever wonder if we’ve made a mistake?

Steve doesn’t know what’s been said. Neither does Nancy. How could you possibly tell them what he’s done? The line he almost crossed? After everything the four of you have been through together, the deep history that divides you, how can you settle the ruins that Jonathan left in his wake? 

You can’t. Not without hurting everyone in the process. 

You’re torn out of your thoughts when Dustin calls your name. He’s giving out instructions, ordering everyone to call Eddie’s friends. 

“Y/N, you’ll call out the numbers we need to dial and write down any leads we get. Max, Robin, you’ll be with me on the phones. We need to figure out where he is, if he has any specific hiding places. Steve, you can bat your eyelashes at customers or whatever.”

Steve makes a disgruntled sound in the back of his throat and you squeeze his hand. “You heard the kid,” you lean against his chest, allow yourself to smile up at him. “Go bat your eyelashes, handsome.”

He laughs, and because he loves you, because he will always love you, Steve kisses the corner of your mouth, right where your smile line forms. It’s a quick, chaste kiss. Enough to remind you that he’s still yours, yet mindful of the fact that things may not be as easy as they once were between you. “Aye aye, angel.”

And then he’s gone, leaving you with such a rush of love for him within your bones. Later, when there’s time, you and Steve will talk, and he’ll still be yours and you’ll still be his. 

Everyone gets to work after that. Max, Robin, and Dustin spread out around the store and begin dialing the numbers that you read off from the list. Their conversations are short, all filled with the same set of questions. There’s at least eight people to get through, but dividing them up helps. 

Robin shouts at you to write down some kid named David who has a vacation home in Tennessee. Dustin tells you to cross off one of the phone numbers ending in 5823, apparently the guy and Eddie no longer talk.

Max, who stands the closest to you at the counter, hangs up the phone and turns to you. “I think I might have a lead.”

“Seriously?” Dustin spins around in his chair and Robin sets down her phone.

“Yeah, apparently Eddie gets his drugs from some guy named Reefer Rick–”

“Wait, Eddie actually sells drugs?” You thought that had only been a rumor, a stereotype from people who didn’t know any better. Why the fuck is a drug dealer hanging out with your fourteen year old brother? Alarmed, you grab Dustin’s arm and force him to look at you. “He hasn’t offered you any, right? I swear to God, I will stab his boney little body if he’s offered so much as even a whiff to you–”

Dustin rips his arm out of your grasp. “Can you not freak out for more than five seconds? Holy shit, no! He hasn’t offered me anything, he isn’t irresponsible with his business, he only sells to seniors.”

“So you knew he was a drug dealer?” You’re so going to kill Munson. 

“Guys!” Max claps her hands, breaking up yet another fight between you and Dustin. “The drugs aren’t important right now, what we should be focusing on is the fact that Eddie sometimes crashes at Reefer Rick’s.”

Robin pats your shoulder and nods at Max’s words. “Okay, that sounds promising. Where does this Reefer Rick guy live?”

“That’s the thing. No one knows. He’s more of a… a legend than someone people actually know.”

“Well that doesn’t sound suspicious at all.” You mumble under your breath, but Dustin hears you anyway and elbows your ribs. 

Ignoring your pained cry, he looks at Max. “What about a last name?” 

“I don’t know that either.”

“Bet the cops know a last name.” Steve says, back turned to you guys as he organizes some tapes. Max asks him what he means and he finally walks over. “I mean, listen, if this Reefer Rick is actually a drug dealer, I guarantee you he’s been busted at some point. Means he’s in the system.”

Dustin throws his head back in annoyance. “The cops? That’s your suggestion?”

“I mean, at this point I think they should be filled in on what we know, what’s going on.” Steve defends himself, and honestly a part of you agrees with him. 

Technically speaking, this is a lot to hide from the police. If this had been happening last year, you would’ve been the first to suggest telling Hawkins police about everything. But last year Hopper was alive, this year he’s dead. He’s gone, and the new chief wouldn’t understand or even bother listening to what you’d have to say. 

Hopper would’ve believed you. He always believed you. 

“The police won’t help,” you say, and Dustin is surprised you’re agreeing with him for once. “At least, not like they used to.”

“You think Eddie is guilty, don’t you?” Your brother accuses Steve, and a fight breaks out between them. 

Steve brings up some weak point about believing in everyone being innocent until proven guilty. “I just, you know. I don’t think we can rule it out.”

“That’s precisely what we’re trying to do here, Steve.” Max points out, annoyed by all of this. 

Dustin nods. “And maybe we’d have a little bit more luck if you spent less time ogling my sister and more time trying to find Eddie.”

You flick the kid’s head and Steve waves his arms out, defensive. “I wasn’t ogling her, and even if I did, I have every right to as her boyfriend! Besides, someone has to attend to the customers.”

“And by customers, you mean Y/N.” Robin teases, knowing she’s right.

“I’m right here, you know.” You don’t like this conversation, you don’t even know how everyone ended up here in the first place. 

“Sue me for trying to find a movie for my girlfriend, alright? We’ve got a very big selection in here. It can be super overwhelming, even if I’ve worked here for almost a year.”

You tilt your head at Steve. “You were trying to find a movie for me?”

He blushes, suddenly shy. “I mean, yeah. Figured we could… watch something later?”

“I’d like that,” you tell him shyly. Things will be okay between you, they have to be. 

Meanwhile, Robin types frantically on the computer, and Max asking her what she’s doing catches your attention. You walk over, lean down to stare at the screen in front of you. “Maybe we don’t need a last name,” Robin explains, pulling up the store’s video rental catalog. 

A list of Ricks pop up, and you quickly realize what she’s doing. “Oh, you’re a genius, Buckley.”

“Tell me something I don’t know, pretty girl.” Robin smirks, showing everyone else the screen. “There’s twelve Ricks who have accounts here.”

“That’s a lot of Ricks,” Max remarks. 

Robin nods, she expected this. “So, let’s narrow it down.” She clicks on the first Rick’s name and his movie rental history appears. “Rick Alderman’s latest rentals are Annie and Dumbo.”

“I doubt a drug deal would rent sensible children’s movies.” You say, and everyone agrees.

“Alright, Rick Conroy. Sixteen Candles, Teen Wolf, and Romancing the Stone.” In unison everyone says “no”, and Robin moves down the list. “Okay, Rick Joiner. Mask, Footloose, and Grease.”

You hum thoughtfully. “Grease, I like this Rick’s taste in movies.”

Dustin snorts. “But he isn’t the Rick we need.” 

Finally, Robin lands on a Rick Lipton, who has rented three Cheech & Chong movies over the course of a week, and immediately you all know that you’ve found the right Rick. Robin looks up the address and Dustin observes that it’s out by Lovers Lake.

Lovers Lake. Where you and Steve finally got together. 

As if thinking what you are, Steve’s hand finds the small of your back, where it permanently resides, and he shares a shy look with you. There’s fondness in his eyes, the memory from that night doesn’t burn him. The tension of your fight lingers, you both can feel it, but the memory of that July night causes you both to smile.

And it’s enough. 

– 

Steve is the one who drives, he’s always somehow the designated driver, and everyone crams into his car. You sit in the passenger seat, he doesn’t let anyone else sit there when you’re with him, and Robin complains from the backseat. 

“One of these days I’m going to sit up front and no one will stop me.” 

“You sat in the passenger seat yesterday morning, Robin.” You remind her, smirking when you see how squished she is between Max and Dustin.

“Minor details. Please drive quickly, Harrington. I think Dustin’s elbow is lodged between my third and fourth rib.”

Lovers Lake is far. The house is in the middle of nowhere, the perfect place to hide, so by the time you arrive there it’s dark. Steve keeps a few flashlights in his trunk, a precaution he’s adopted since befriending you and Dustin. He hands them out to everyone with the warning to stay close. 

“I don’t want anyone slipping away, you hear me?”

“Okay, dad.” Robin shoves past him, causing Max to giggle, and you pat his chest in pity. 

Dustin rings the doorbell, figuring if Eddie is really here then he’d want to see a familiar face. When no one answers, he starts to repeatedly hit the doorbell over and over again. 

“Guess he’s not here,” Steve says after Dustin rings the bell for the hundredth time, but the kid ignores him and starts to pound on the door instead, now yelling. 

“Eddie! It’s Dustin!”

Still no one answers, and you begin to think that maybe you’ve gotten it all wrong. There’s the woods, the abandoned Hawkins Lab, and a million other places to hide. Reefer Rick’s house may have been too far for Eddie to run off to. 

Dustin calls through the door about how it’s just him and that there aren’t any cops. Robin tries to get a look inside the house through the window while you shine your light around the house. Max seems to get the same idea and the two of you wander over towards the side, trying to find another way in. 

Only you don’t find another way in. Instead, you find an old boathouse down by the water’s edge. It’s huge, masked by the trees and house in front of it. Eddie has to be hiding out in there, then. 

“Hey, guys?” Max gets everyone’s attention and points towards the boathouse. 

Dustin is the first to start walking down, Robin and Max not far behind, and you stand back with Steve. “Yeah, sure. Let’s go into the creepy abandoned boathouse. Yay.”

“We’ve done worse, angel.”

You sigh. “It’s really depressing that you’re right.”

Slowly the five of you approach the building, there isn’t any sign of life. The door is unlocked, which is both a good and bad sign. Robin pokes her head in cautiously, calls out into the darkness. “Hello? Is anyone home?”

Steve walks behind you, guiding you gently with his hands. Everyone spreads out, Steve grabs an oar that he finds hanging on the wall. He shows it to you, raising his eyebrows as he silently asks if it could be of any use, and you nod. Following his lead, you flick your knives out, eyes catching on a boat with a tarp draped over it. 

Wary, you point it out to Steve, and he understands. Raising his oar, he brings it down onto the boat with force, stabbing at the tarp. Luckily he doesn’t catch on anything, or anyone, but Dustin yells at him. 

“What are you doing?” Then, seeing the glint of your knives, Dustin scoffs at you. “Seriously, you really think those little elbow stabbers are gonna help?

You raise them at him. “I stabbed Billy with them, don’t forget.” 

Besides, like hell you’re taking any chances this time. Even if Steve’s oar isn’t the most ideal weapon, it’s still a weapon. You’re in an abandoned building with a killer on the loose. Neither one of you is willing to risk being defenseless, not after everything you’ve been through together. 

“He might be in here,” Steve continues to stab at the tarp, and even you have to admit it’s overkill. 

“Just take the tarp off!” Dustin says through clenched teeth. Steve tells him to take the tarp of himself and again they spiral into an argument. You watch with slight amusement. Some things never change. 

Robin and Max find something over by the table, alerting you that Eddie may have been in here. Dustin waves an arm out in front of Steve, who’s still jabbing his oar into the boat’s tarp. “Don’t worry, Steve will get him with his oar.”

“I know you’re being funny, little Henderson, but considering the fact that everyone in this room has nearly died a hundred times, personally, I don’t find it funny in the slight–” A figure jumps out from behind Steve and grabs him. “Wait, wait, wait!”

“Steve!” You scream, extending your knives, following after them. The person shoves Steve into the wall, holds a broken glass bottle to his neck. Pressing yourself behind them, you bring your knife to the perpetrator’s face, digging its tip into his cheek. A mess of curly hair touches your face, the scent of leather infiltrates your nose. It’s Eddie. 

“Eddie! Stop!” Dustin exclaims, struggling against Robin’s hold. To your relief, she isn’t letting him get any closer, which you’re thankful for. “It’s me. It’s Dustin. This is Steve, and the girl with a knife fixation is my sister Y/N. She’s not gonna hurt you, right, Y/N?”

“Let go of him,” you sneer into Eddie’s ear, pressing your knife deeper into his face. The blade nicks the crest of his cheekbone, blood drips down, but you don’t ease the pressure. He has Steve in a chokehold, he could slice his neck any second.

Steve sees that you’ve cut Eddie and he knows you’re seconds away from gutting the guy, which would only escalate the situation. He needs you to be safe, he’s afraid that Eddie will turn the glass bottle towards you instead. “Y/N, angel. Look at me, I’m okay. Drop the knife, and I’ll drop my oar, alright?”

You hesitate, and Dustin screams at you to do as you’re told. Your eyes flicker between Steve and Eddie, lingering on the bottle that is pressed even deeper into your boyfriend’s neck now. A thud echoes in the room, Steve drops his oar. He looks at you again, his eyes pleading, and you reluctantly flick your wrist to put the blades away. 

The moment your knives are gone, Steve lets out a pained groan. Eddie only tightens his hold on him and the glass cuts his skin. In a heartbeat your hand fists through Eddie’s long hair and you pull. Hard. He sucks in a breath, clenches his teeth, and finally looks at you. “Cut him, and I will kill you.”

“She’s cool! I promise she’s cool!” Dustin shouts from across the room, doing everything he possibly can not to get both Eddie and Steve killed. He doesn’t worry about you, he knows you can handle yourself. He’s more concerned that you’re about to have blood all over your hands. 

“If you let me go,” Steve chokes out, careful not to move his mouth too much and cut his throat. “Y/N will be cool.”

Eddie doesn’t ease up, and neither do you. Despite the awkward angle of his head, he leers down at Steve. “What are you guys doing here?”

“We’re looking for you,” Dustin tells him, taking a cautious step forward.

Robin now speaks up. “We’re here to help.”

“Eddie, these are my friends. You know Robin, from band.” She pretends to play the trumpet to ease the tension, but it doesn’t work. “This is my friend Max, the one who never wants to play DnD. And you know Y/N, she used to hang out with Jonathan Byers all the time and I always talk about her.”

“I know all about Hawkins’ sweetheart.” Eddie sneers, flinching only slightly when you pull his hair even more. “She isn’t so sweet now.”

Your other hand reaches towards your back pocket, towards your knives, and Dustin’s heart skips a beat. He needs to resolve this. Now. “Eddie, we’re on your side. I swear on my mother. Right, guys?”

Robin and Max both swear, and Steve chokes out, “Yes, we swear on Mrs. Henderson. She-she’s great. You’d love her.”

Eddie doesn’t respond. Seconds pass, although they feel like hours. His neck must ache from the way you pull against it, and you see him staring down at you from the corner of his eyes. A crazed smile of interest crosses his face, his gaze lingers on your figure, blood drips down from his cut. You watch his every move, and when Eddie finally releases Steve, you throw him aside. 

“Are you okay?” Your fingers ghost over Steve’s neck, checking for any sign of injury. He’s panting heavily, finally able to breathe again now that there isn’t a sharp edge grazing his neck. Your touch is gentle, your hands shake, and you hardly even register that Robin is next to you. 

“I’m okay,” he breathes out, rubbing his neck. His shaking hands find yours, steadying them with your interlocked fingers. Mindful of the fact that Robin is present, he kisses the backs of your hands. “I’m all fine, angel. I promise.”

You want to carry him away, out of this town, away from anything that can harm him. You want to tuck him somewhere far away, where no one will ever find him again, alone with only you, safe and sound. 

But you can’t. Instead, all you can do is sit next to Steve, caressing his hair as your body slowly attunes to his again.

Eddie is crying a few feet away, his threatening persona long gone. His entire body shakes, his eyes are dark with haunted memories. Dustin crouches down next to him, and Robin joins. Softly, as if talking to an injured animal she doesn’t want to scare away, she tells him, “We want to know what happened.”

“You won’t believe me.” Eddie sniffs, sounding completely and utterly broken. Something horrible happened to him last night, something that will haunt him forever. The way he holds himself, how small he tries to become, how he shakes violently. They’re all signs of trauma, not guilt or remorse. He didn’t kill Chrissy.

Taking pity on Eddie, you reach out and rest a hand on his shoulder. He’s startled by your touch, only moments ago you held a knife to his face, and now your hand warms his body. “We’ll believe you,” you whisper.

He tells you everything. The details are gruesome, bloody and terrifying. 

“Her body, it just… lifted into the air and,” Eddie’s voice breaks as he cries again, and a part of you wants to tell him that he can stop, clearly he’s in pain. “And she just, she hung there. In the air. And her bones, they-they–” He stumbles over his words, but he clenches his fists and forces the rest out. “Her bones started to snap.”

Your heart stops. You can’t imagine how horrifying that must’ve been to see. The image of Billy’s body pierced by the Mind Flayer is still burned into your retinas. The same will be true for Eddie with Chrissy’s body. 

“And her eyes,” he shakes his head, he tries to get the memories away from him. “It.. it was like there was something inside her head, pulling.” 

Eddie describes the sound of Chrissy’s bones snapping, the squelching pop when her eyes exploded. “I-I didn’t know what to do so I-I… I ran away.” He stares at the ground, you see his fists tighten, he’s angry with himself. Ashamed. “I left her there.”

“There wasn’t anything you could do, Eddie.” You tell him. Anyone would’ve ran away. He’s human for being afraid, and you hope that he hears you through all the unnecessary shame. You know, better than anyone, how hard it is to hear anything over the roaring rush of guilt that floods someone’s mind. 

Eddie ignores you. “You all think I’m crazy, right?”

“No, we don’t think you’re crazy.” Dustin’s voice is gentle, softer than you’ve ever heard it. Eddie yells at him, he thinks you’re all playing some cruel trick on him. He’s stuck in a state of flight, panicked and ready to flee, and Dustin lowers his voice even more. “Look, what I’m about to tell you might be a little… Difficult to take.”

You sit next to your brother, everyone else stands behind the two of you as you face Eddie. Dropping your voice to its own soothing, comforting lilt, you lean in closer to the scared teen and offer whatever solace you can give him. “It’ll be difficult, but I’ll be right here, okay?”

Eddie stares at you, his hardened expression softening little by little. “Okay.”

Dustin takes a deep breath. “You know how people say Hawkins is cursed? They’re not… way off.”

“There’s another world, hidden beneath hawkins. And sometimes it… bleeds into ours.” You reveal, careful to make your words as clear and concise as possible. Even after all these years, it still feels impossible to explain it all. 

Dustin continues, beginning to explain the monsters that haunt Hawkins from the Upside Down. How you all thought they were gone, but that they somehow come back again and again. As your brother talks, memories flash before you. Billy’s death, Will’s disappearance, the darkness that infiltrated his tiny body. El, her powers. The Demogorgon, its cruelness and its tunnels.

Steve walks up behind you, your body falls against his, he draws you in. 

“They’ve come back before, that’s why we needed to find you.” Dustin explains to Eddie. 

Max steps forward as well. “If they’re back again, we need to know.” 

Robin asks Eddie if he saw anything that night, Max asks if he saw any dark particles. Any indicators that you’ve come to learn that signal the Upside Down, but Eddie can only shake his head. Dustin presses him further, describes what the particles would look like, but it’s no use.

“No, man. There was nothing you could see, or-or touch.” Eddie’s voice is hoarse, you can see the exhaustion in his eyes, but his words catch your attention.

“Was there…” You swallow, your mouth has gone dry. “Did you feel static in the air? Like an electric pull, almost as if lightning was about to strike?”

Describing the sensation is easy, it’s the same feeling you’ve come to associate with El. Her powers, they have a magnetic pull to them. It’s hard to miss, easy to feel. 

Eddie stares at you, and slowly, with hesitancy, he nods.

You fall back against Steve’s chest. Everyone else goes silent as the realization settles upon the room. It’s happening again. The dread crawls over your neck, settles into your throat. It will never end. 

“She couldn't move. It was like she was-she was in a trance or something.” Eddie says, unaware of the despair surrounding everyone. 

Dustin looks at you, his eyes reflect the grief that you feel. “Or under a spell.”

“Like El.”

He nods, before Eddie adds, “Or a curse.”

“Vecna’s curse.” Dustin says, eyes now on Eddie, and a cold chill creeps down your spine.

Steve asks who Vecna is, and upon hearing the name again, a pang rips through your head. Dustin explains who Vecna is, a character in Eddie’s DnD campaign, but you don’t hear any of it. You gasp in pain, the beginning stages of a migraine darken your vision and twist your stomach. Max notices, her eyes trail up your body and linger on the hand pressed against your head. 

Lost in the pressure building within your skull, you don’t see the way Max almost seems to know what’s happening. 

She doesn’t say anything.

-

⌑ series masterlist

⌑ i am no longer doing a taglist, my apologies ! however, please feel free to like, reblog, and comment instead :)

[consoledacup]

In order to fully understand Colin's reaction to the Lady Whistledown reveal and how he processes everything moving forward, you have to think about the entire season, the entire series really, through his point of view. I have no problems with the part 1/2 split. It made the anticipation that much more intense, and it worked out perfectly with their love story. But you can't separate one part from the other when you're thinking about his character.

In Colin's mind, the end of episode 4 is his happily ever after. That's it. He did it. He took action. He was the Cupid to her Psyche and played god and rescued her from a loveless match. He made shit happen and told her how he felt and they shared that moment in the carriage, and he gleefully proposed. He saved the girl and got the girl, and what a remarkable, enchanting, beautiful girl she is.

And aside from Eloise and Cressida, everyone's obsessed with their relationship. They're the true love match with a great story, and how lucky he is to fall in love with his best friend. And she's showing hints of unease, but maybe that's just wedding jitters. Or maybe she's mourning her relationship with Eloise which is why he keeps trying to get them to make up. Or maybe she doesn't feel as secure with him as she would've with Debling, even though she'd never tell him that. He is the third son after all. And he still has no idea how in love with him she is.

So when she tells him how she's always loved him, he's warmed but also wracked with guilt. Because if he had only taken his stupid head out of his ass, he would've figured out why her letters meant so much to him or why he was eager to participate in an investment with her family or why her lack of response the past summer devastated him. He thought he was the instigator of their love. He's the one who laid himself bare and was like, is it possible you feel a fraction of what I feel for you? And to find out that she did always love him made him feel so undeserving. Because why would this exquisite siren still want anything to do with him after all that he put her through?

There is an incredible scene that I think deserves a lot more gravitas. The minute Penelope mourns Lady Whistledown and burns her issues, it cuts to Colin getting over his writer's block as he writes with great enthusiasm. It's like, he's unknowingly siphoning her power. He is Cupid and a writer and her protector and her provider and so madly in love. And he will finish his manuscript, and he will make things right with Penelope and Eloise. And he and Penelope will have the perfect life together.

And then everything he thought he knew about Penelope, about friendship, about love, is completely shattered. She rips his power from him, and he is absolutely gutted. She has been the mastermind this entire time, and he was none the wiser. And what part of their love story was even real? At which point was he manipulated into doing what she wanted him to do? And while he was helping her with her confidence, and telling her how changed of an individual he was, she not only saw through him but broadcasted his insecurities to the entire ton?

He's still so desperately in love that he remains steadfast in marrying her. But he cannot get over his fury and hurt and betrayal at that point. Which makes so much sense. It's painful to see him lash out and withdraw from her, but he's absolutely reeling.

And on top of all that, he is humiliated. He thinks about everything she said about his own writing. She told him how he made it seem effortless, which is such a great compliment. And he's like, I don't want you to edit my manuscript because I want to prove to you that I'm worthy of you. And he might be thinking, I can even give her some pointers for her own writing! What fun we'll have with more lessons. To find out that she's the talented, sharpest, most prolific writer in the ton fully emasculates him. He feels like she was patronizing him all along.

He brings that part up, and she's like, no, I meant everything I said about your writing. But he doesn't believe her and immediately switches the conversation to her dangerous predicament, so he can at least, at the very least, offer himself up as her protector. It worked before when he danced with Penelope after Cressida ruined her dress, when he rescued Marina from Rutledge, when he helped save Daphne's reputation, when he saved Penelope's family from Cousin Jack, when he helped save Will's business, when he kissed Penelope, when he saved her from the balloon, when he defended her to her mother... If he can't be the provider, he can be the protector. And she doesn't even want that from him. She's the knight in shining armor. She's Don Quixote. Not him. Never him.

So he is grappling with his role in their union. He figures it out, but it takes him a little bit to get there. And in the process, he not only remains in love with Penelope the entire time, but he also falls head over heels for Lady Whistledown.

[blueberrypancakesworld]

Hazbin Hotel Men - Take care of you

warning : fluff, hurt/comfort, crying, no use of Y/n, fem reader

Characters : Alastor , Angel Dust, Husk , Sir Pentious, Vox , Valentino

Info : So it is here my first work for the hazbin hotel fandom and I'm very excited. I'm in it again after watching years ago the pilot, the first few episodes of hb and the great/amazing music video adict. So have fun everyone and enjoy it ;)

~~~~~~~~~~~~~~~

Alastor : A smile always graces his lips and even if you're not used to it, he's quite disturbed when his loved one doesn't smile too. They've been through a lot together, but when he walks through the corridors of the hotel from his broadcasting studio and finds his darling sad, even crying, the static goes out of his voice for a moment. He will always worry about his darling, the only one in his dark, twisted heart. ,,Darling, what's wrong...who should I make scream?" he asked, his claw-like fingers resting on your hands, the strange charged static running through you strange yet familiar. Almost judging and somehow tickling. He would listen quietly to what was on his darling's mind and let a soft song play over his wand, the song that had played when he got the letter. Your letter of admiration in such a cruel place as hell the radio demon had marveled at. ,,Or I'll just stay with you mhhh a little show?" he asked, gently wiping the tears from your cheek with his fingers before pulling his sweet tone from the bed and flicking the room into a reddish dance hall. The radio waves turned to a song and he gently guided his darling around the room, brushing away her tears with each turn, reminding her of the things they had together. The time they had together, the things they had done for each other. His special affection, his gratitude and his love that belonged only to her. ,,You know I'm always with you darling, no matter what," he reminded his heart before leaving a gentle kiss on the back of her hand as the music faded.

~~~~~~~~~~~~~~~

Angel Dust : Angel Dust knew best what it meant when it came to money. He had lived it hell he was in that vicious circle and knew what it was like to be exploited for money almost every night. But in all this fire and poison he had found his own drug, so to speak. The one that had helped him when he was down, when he needed a break, when he couldn't sleep after night after night. She had sacrificed herself, Val had practically thrown herself at the throat, had taken it upon herself to become the number two in the business, something "enough" as Valentino called it. But Angel knew better than anyone that something like this didn't just pass you by. Which is why, with a warm tea in his hands, the spider heard the quiet knock on the door before he heard the ,,Come in." He didn't have to look to know that the runny makeup was from tears and other things. ,,Hey princess, come here," he murmured, putting the tea on the side table before slowly putting his hands around her. Never firm enough that she couldn't resist, always calm enough to show her that he didn't want what the others in the store wanted. The words flowed slowly over her lips and even though they both knew there was no point in talking about it, it felt good. It eased the pain and Angel was able to wipe away her tears before he gave her the tea. Because if there was one thing he had learned, it was that a cup of tea could work wonders in a few minutes and make you feel warm and safe. ,,I promise this will all end soon," he murmured, letting his beauty lay her head on his chest and he smiled gently as he saw the trembling of her body lessen with his calm heartbeat. At least they would both have something like hope for a while...a moment of calm and peace in the vicious circle.

~~~~~~~~~~~~~~~

Husk : The clinking of glasses was something that could always be heard at the bar, either when the former overlord was sorting, washing or serving the glasses. The bottles made about the same sound but darker. But something still filled his bar: sniffling and sobbing. The sadness of his favorite, lucky clover, sitting at the bar with his head buried in his hands. He had just blown away to take another order because everyone else was already off to Satan's place. The beating of his wings could be heard as he hurriedly came over to her. He didn't need to look at the sad face, ,,I know you've given everything we all know that" he said and reached for the right drink he knew her favorite order was the one she had brought him back when he was lucky. He handed her the drink and slowly and gently took her hands from her face before she took the drink with a slight look of gratitude. He nodded in acknowledgment as he saw them both just sitting there for a moment, he slowly wrapped his sweat around her waist and pulled her a little closer, placing a wing on her shoulder. Knew the feathers were something she wanted. Because he was right, she let her fingers wander over the pattern. She finally gave in and told him about her yet another failed attempt to get money and power for the hotel, maybe even a few free ones, but nothing had worked. Instead, only the usual cursing and swearing...as the cave was true. Without happiness and kindness. ,,But our happiness and togetherness will last forever," he said and handed her one of his golden dice before the two of them rolled it over the wood of the ceiling. But in fact, when Husk pressed a gentle kiss on her cheek, both dice landed as doubles. They knew that together they had the best luck they could have as a couple.

~~~~~~~~~~~~~~~

Sir Pentiuos : The airship's engine was loud, but the serpent demon was able to distinguish between the sound of an engine, the cracking of eggs and the sobs of its first officers. Turning away from the steering wheel, hoping that a cherry-scented bomb would not be thrown through the windshield, he made his way into the interior of his airship. ,,My beauty? Are you in here?" he asked as he looked into the individual rooms of the ship before he heard her from the craft room, where she was mostly developing her weapons. Weapons that had often led them both to victory, but this time it didn't work out. it was the third time in the last week that they had been caught by the bombs. He saw her sitting on one of the tables with another broken weapon in her hands, a mistake she took to heart. ,,Ohh darling please don't I'm here come here" he whispered and his forked snake tongue wetted her cheek lightly as he pulled her into an embrace. The kiss on her cheek made her smile as she saw that the serpentine demon was a little pink in the cheeks himself. His cuteness that he mostly didn't know about always cheered her up, he would always manage somehow. His snake tail curled around her body and his slightly scaly skin felt warm when she put her fingers on it. He knew his scales soothed her and his words dug into her like the bite of a snake. He slowly put her weapon aside and cuddled her again, encouraging her. ,,Shall I fetch the eggs? A big party, my dear, maybe a party," he suggested with a smile and shortly afterwards he lifted her into his arms before the two of them went to the little ones. The family sat down together and soon instead of crying, laughter and joy could be heard as Sir Pentious stood by their side.

~~~~~~~~~~~~~~~

Vox : Voices can get loud, programs can get loud and with the three Vees it can get very very loud. If not the models, then Val's employees or hookers suffer from this. But this stress for new eriesn, new porn shoots and new clothes became too much for every demon. And when Vox went back to his office/broadcasting station he had, as always, an overishct on everything. A look at everything and everyone, but a look at the one screen he always had closest to him. Just a second later, he showed up in her room using his skills to make the viewers go haywire. They were always surrounded by noise, so he knew how good it was to have silence. ,,Hey button we'll take care of the ratings later...what do you need mhh?" he asked taking her cell phone from the one she was using to monitor the other ratings. He used his hands to pull her towards him, moving her slightly around the room, not necessarily dancing but playfully looking for that spark. ,,Come on, tell dear Vox what it is? Something special you want me to take care of?" he offered a small spark on her body, seeing that she smiled briefly knowing she liked it, that little shock that made her heart beat faster, drove her nerves and dispelled her fear. ,,You know no one can do anything to the four of us, we're different...and hot," he reminded her, laughing with her as his mood brought her back to her proper self. She felt the loaded kiss on her lips briefly but like catching up on a television. Before they moved across the room they shared a drink and she rested her head against his shoulder as they looked across the cave knowing that if they all stayed together she would stay with Vox he would never leave her and everything would work out in the end.

~~~~~~~~~~~~~~~

Valentino : Obscene noises, neon pink signs, and a reclamation board and TV that gave a taste of the videos and movies that would come out if you went to the brothel in the compartment that belonged to Valentino. In this particular business, one thing mattered above all else. Stamina. Stamina if it was going to be a long night with twenty guys, stamina to film it all, stamina to count the money at the end and stamina when you were in hangover. It was exhausting for the employees and for Val, but especially for the assistant. The brothel mother, designer, scriptwriter and partner of the moth demon. It all just became too much at some point, which is why it took the Overlord a moment to realize that crying wasn't what he knew. In a flash of his smoke and the flutter of his wings, he made his way to their shared room. ,,My sweet kitty, what's wrong? No inspiration shall I fetch Angel or our favorite maybe Vox?" he suggested with a grin and took a puff on his cigrette as he approached the bed. Sha, however, that this only made him more depressed and his grin diminished as he extinguished the cigarette in the smoke and came to her, his wings blocking out the bright pink light from everywhere and the two of them a little darkened. Quiet and just the two of them. ,,Too much...I know it's a bit too stimulating sometimes," he mumbled, trying to find the right words, still not the best at taking care of others in his egocentric worldview of sex and money. But for her he would give anything and he could feel how it bothered him not to see her smiling, not shining with inspiration. He held out his hand to her for permission as she slowly cuddled up to him. ,,Here just the two of us just here and no one else just us" he whispered quietly trying not to hold her too tightly but not too loosely as the wings wrapped around them both like a blanket. As they both listened to each other's heartbeats, the sweet smell of Valentino was familiar but reassuringly true. It was just that hold they b oth needed in a place where they knew there was no going back.

~~~~~~~~~~~~~~~

[gay-dorito-dust]

Hi! I saw your Percy Jackson asks where open and I wanted to send in a request! How would Percy react to a fem reader who is the child of Morpheus the God of dreams? Like I imagine being a child to the God of dreams would make one fall asleep randomly when they are still new to their powers, so how would the scenario play out if perhaps one day reader falls asleep on him during a movie night? Would he stay as still as possible as to not wake her up or would he do something else like gently wake her up/move her? Hopefully I made this detatiled enough but in anyway thank you!!

You were just halfway from dozing off when Percy’s voice brought you from the cusp of a deep sleep to ask:

‘Does your dad look like-‘

‘For the last time Percy no, my dad doesn’t look like Tom Sturridge from The Sandman.’ You replied before he could even finish his question. It wasn’t the first time he asked this question after watching the Netflix show ironically about a man who bore the same name as your godly father, Morpheus, the god of dreams; Something that you now had a bone to pick with Neil Gaiman over.

‘Sooo he doesn’t blow golden sand at people’s faces to make them fall asleep?’ Percy continued to ask but at this point you knew that he was only doing this just to get a rise out of you and also to keep you from falling asleep again.

‘No-will you pack it in, in trying to get some rest from today.’ You said as you lightly smack his arm whilst readjusting your head onto his shoulder for more comfort, already feeling the lull of sleep beckoning you to fall further when Percy once again spoke up.

‘But you already do enough sleeping as it is!’ He cried but tried his hardest not to move too much in fear of agitating you, knowing firsthand how much you hated your sleep being disrupted. ‘And I can’t help that!’ You exclaimed. ‘I’ve been falling asleep at random ever since Morpheus claimed me as his own. It’s almost as though I’ve suddenly developed narcolepsy or something.’ You were still getting use to your powers that for some reason would backfire now and then, causing you to have bouts of almost narcoleptic episodes where you could just be talking to someone then boom; there you were, fast asleep in the strawberry fields or on the sandy dunes of the lake as though it were the most comfortable place known to man.

It worried to everyone to begin with but upon being claimed, it started to make a lot more sense that whenever you did spontaneously fall asleep, it was easier to be accommodated for; letting you sleep because you were mad cranky when woken prematurely. Connor and Travis learnt that the hard way when for an entire week their dreams consisted of being chased by a very angry humanoid goose, as if being chased by a regular goose wasn’t scary enough. Just one of the few perks of being the child of the god who could morph dreams and enter them however he saw fit.

The subject of your tendency to fall asleep at random was soon dropped entirely as you and Percy went back to watching the movie that was already well within it’s third and final act. Well Percy was, you on the other hand…were fast asleep on his shoulder, uncaring of the crook in the neck that you were surly developing from your uncomfortable position. Percy doesn’t notice until he goes to look at you to make a joke on a certain scene but stopped and the words died on his lips as he stared at you adoringly. ‘Why am I not surprised that you’ve fell asleep. Again.’ He says softly to himself as he watched how your grip on his arm would occasionally tighten as though your dream had taken a tonal shift, only to loosen up and relax not a moment after.

Not that I needed my arm or my shoulder anyways. Percy thought to himself as he tried his absolute hardest to stay still for your benefit but he might as well have asked Medusa to make him into stone instead because he was doing such a shit job at not moving at all. It was almost as if all his limbs had minds of their own as they’d move or his fingers would tap against his thigh impatiently as the movie ended and the credits began to appear on screen; With the remote too far for him to reach without waking you up and nothing else to occupy his restless mind, Percy felt as though he was in his own personal hell and heaven, or fields of punishment and Elysium.

For one, he got to admire you as you slept, completely at peace and safe within his presence as you would oftentimes shuffle further into him, making noises of discontent when you thought you felt him move away and tightening your grip; Something he found undeniably adorable as he watched the twitches in your face and tries to guess what kind of dream you were having based off them. Secondly he desperately wanted to move, his brain was telling him to move, but Percy would rather not risk having an angry human sized goose chasing him in his dreams for the next week because he accidentally woke you prematurely from your nap. He knows you wouldn’t do that but in cases like these, it he’d know it be better to be safe and sure then expect special treatment; which upon retrospect sounded a lot worse then getting chased by a human sized goose.

So Percy allows himself the fate of being your makeshift pillow, though not before pressing a kiss to your head, wishing you the sweetest of dreams before inevitably falling asleep himself as he rested his head atop of yours, crook in his neck be damned.

[captainmera]

My God I love your depiction of the Wittebane brother ❤️

Do you think there might have been a chance that your Pip wouldn't kill his brother when Calec goes to Demon Realm? He seems way more tolerable of weirdness and is actually curious about the taboo things. That it makes me wonder if other steps were taken by people around him, maybe he would make different choices and not turned into a brother-killing genocide goop man. Obviously, the blame is still his for what he did, but I can't stop wondering what if.

And him getting along with Evelyn instead of hating her right of the bat is really cute.

Thank you! :D <333

He grew up with this theatrical bisexual of a brother. Pretty sure the reason Belos didn't give a hoot on the Boiling Isles about queer stuff is because he kinda knew, and accepted, that Caleb was kinda queer. In some cases, people can ignore or bend certain rules for people they love. Even disregard them or pretend they don't apply or exist.

(long rant about writing and narrative foils and blah blah under the cut)

Unlike Caleb, I think Philip is the sort that only picks-and-chooses whatever rules he feels will supports his personal wants/thoughts and tosses the rest.

Caleb was not hiding it as well as he thought he did. lol.

I think that, sure, there was probably a turning point for Philip.

And absolutely, people around him influenced him. He's just a kid, a vulnerable one at that, in a protestant Christian cult.

I kinda like to think of it as a corruption arc. Mostly because it seems (to me) that the whole reason Luz was meant to have a depression-arc and Philip getting all "YoUrE JuSt LiKe Me!" thing was because.. There was supposed, I think, to be similar beginnings for them.

But Luz, in season 3, got depressed and felt a lot of guilt, so her arc is going from this happy-go-lucky kid interested in different things, to a depression arc where she questions herself. While Philip has a corruption arc, where he gradually goes from a well-meaning kid interested in different things, to evil and delusional.

I am also combining Luz, King, and the Collector into Kid-Philip's themes.

King is fascinating as a pre-narrative foil for kid-Philip. I think. As King was very clingy to Luz and didn't want her to leave, he too had a delusion about his own importance (disregard that it was kinda true in the end there). King tried to dictate (in that book episode) about what his and Luz' book should be about, how it should go, and it really hurt Luz' feelings. In the end, they solved it. But as a narrative foil, I think for the Wittebanes, they probably had a similar struggle on a larger scale, and it didn't get resolved.

The Collector, too! They're desperate to be close with someone, anyone, who gets them and wants to play on their terms. Kinda like Belos wanting him and Caleb to be witch hunters. Not accounting that Caleb is his own person outside of him-- Which, if you think about it, Caleb made his whole life (in my version anyway) about taking care of Philip. So I'm sure Philip felt like he really was Caleb's entire world. And then suddenly he wasn't. Because of a witch. The Collector, despite having this incredible power (just like Pip having his brilliant brain) is still a child and using their power in selfish ways. Not intentionally, I think, just out of a fear of abandonment or isolation.

I personally am in favour of nobody-is-born-evil-but-anyone-can-become-evil kinda thing.

I would like to explore how Philip gets corrupted.

I am slowly influencing Philip in my fanfic with little things that will, eventually, boil down to not so great moments.

The thing about delusions is that the person truly believes in it. Philip believing he's a hero has to make sense and feel believable.

Belos is a jerk. Philip isn't, yet. He becomes that jerk. But I don't want to write a sociopath. I also don't like using less-favourable mental illnesses as an "easy way out" to write why Philip became Belos and a genocidal maniac.

I have strong feelings about de-stigmatizing mental illnesses in writing, without romanticizing them or leaving out the really awful and less discussed sides of it. This includes diagnoses within all the clusters of the DSM5. I will not sit here and say I only support a diagnosis like Autism or GAD, and not things like Histrionic or Borderline.

And including people with MH issues and personality disorders is important, too, as well as not trying to downplay them.

People throw around Belos with things like Narcissism and Psychopath, without actually understanding what those means or what the different types there are. For example, is he a grandiose, oblivious or a fragile narcissist?

Yes, these disorders are looked down upon. A lot of people who have them aren't very nice people. But that doesn't mean they're evil or have no heart.

Lots of children can display early signs of these, and in a rough time like the colonial 1630s of America, it is not unthinkable that those rough times bred some dysfunctional people. I'm sure Philip has his own slices of pie as far as mental health goes, just like Caleb and many other struggling people.

But, I will not write from an angle that implies Philip just has darkness from the start in him.

There's a reason why I had Caleb go on a rant about being born evil in chapter 5. Because puritans, and Christians alike, at the time - truly did believe bastards were just... Half people. Did you know that if an orphanage found out a baby was a bastard, they wouldn't let it suckle the nursery goat's udders. Because they were afraid it would soil the milk and, in turn, might give the non-bastard babies bad influence. Somehow.

With that kind of logic in your culture, it's no rocket science that people would put nonsense together and think it made sense.

I'm much more interested in how puritanism and witch hunting culture influenced and corrupted Philip into becoming who he became, and why he refuses to budge on his beliefs to the point of murder.

As the owl house, the show, has commentary on systems influencing cultures in a bad and positive way. But in particular, the one Belos tries to influence the Demon Realm with; being a not-so-great way. So! With that as a clue: what made Philip turn bad, most likely, was partially the puritanism and its extremist ways. I think TOH is also a bit of a nudge at the HAYS-code of Hollywood and how it has trickled into most all the American culture-core. As it's both trickled into schools, morality, politics and other things outside cinema.

Just pointing at him and going "He's a sociopath because he became a genocidal tyrant" is, to me, cheap. Not only does it further stigmatising mental illnesses by implying only a disorder can make someone do such evil things. But it also disregards the most horrific truth of all; that the true monsters are people not at all unlike yourself. And that they, too, were children once.

[ashonheavenscloud]

five more minutes || h. jisung

⋆｡𖦹°⭒˚｡⋆ contents: han jisung x reader, college au, established relationship, fluff, slightly suggestive, intense make out sesh, disgusting amounts of mutual simping

⋆｡𖦹°⭒˚｡⋆ word count: 1.8K

⋆｡𖦹°⭒˚｡⋆ warnings: tinyyy bit suggestive (this whole fic is just one really long kiss scene LMAO), one (1) hickey is given to reader

⋆｡𖦹°⭒˚｡⋆ a/n: repost from my old instagram under starryy.chan. this is like 2 and a half years old so i’m not sure how great the writing still is but i hope you enjoy regardless! comments and reblogs are greatly appreciated <3

now playing : whisper - park jiwoo

─── ⋆⋅☆⋅⋆ ───

If a more perfect end of your day existed, you didn’t think you wanted it.

It had been meeting under that giant oak tree on campus, just to sneak a few kisses after your last classes of the day ended. Then Jisung had dragged you to a nearly secret bakery, hidden along the outskirts of the university campus, where the store owner had offered you a small box of macarons with the chocolate cheesecake you’d shared. You’d taken them snugly in their container back to Jisung’s apartment, where the treats had been devoured over a heated and exhilarating few rounds of uno. 

You’d decided on a simple dinner: a pizza (or maybe it was two) to share over loud discussion and banter, where he relentlessly teased you and you argued playfully back. With him, the rhythm of conversation flowed effortlessly- and over every possible topic you could explore. Because it was just that easy with him, just that natural. 

And Jisung had the unique ability to make you laugh with hardly any effort. What was even better was how much you knew he attempted to bring out your smile and loud giggles simply because he loved them. He never failed to tell you that, and it always left you a flustered mess. Which, of course, he also adored.

And after way too much teasing and silly banter and lame puns just to crack a smile, Jisung pulled you onto his lap. He hugged you close, sighing in content when you let your head fall onto his chest. His heartbeat in your ear, paired with the sound of his breathing, was so calming as you binged several episodes of a favourite show. Occasionally, the boy pressed a kiss to your forehead or around the crown of your head. You, in turn, laced your fingers through his and played with his various silver rings and admired the black polish on his nails.

Yes. Yes, you barely paid any attention to the TV. And could you be blamed, when every time you peeked at Jisung, you could see the pure love shining from his eyes as he looked back at you with that beautiful smile of his?

And after what had been nearly six hours together, it became apparent that the day would have to end at some point. You had early classes, and Jisung worked at 9 am, which meant the two of you needed to momentarily part ways. Jisung drove the short fifteen minutes to your place, before pausing in front of the building. Looking out the car window into the night, you felt a sad little pang to your heart.

“You have everything?” Jisung inquired, offering you your bag. You took the thin straps in one hand, nodding slowly before looking up at him.

Describing what Jisung meant to you was always hard. You knew you loved him, but it was more than that. You felt safe with him, and when you were around him all your worries seemed to melt away. Especially late at night, you hated to leave.

“I don’t want to say goodbye.” You confessed, feeling a little silly. It wasn’t like you weren’t going to see him soon. After all, you went to the same university together and texted pretty much constantly. But for some reason, tonight it was even harder to step out of the car.

Jisung must have noticed, because he gently pulled the backpack from your grasp and replaced it with his hand. He slid his fingers to fit between yours, making your heart do all sorts of acrobatics in your chest. He slowly smiled at you, allowing his other hand to rest lightly on your thigh as he leaned closer to murmur,

“Let’s make it a long one then.”

He moved in to press his lips to yours, softly taking your lips in his. You responded instantly, inhaling as you moved your mouth to the rhythm Jisung set- a leisurely pace that sent your mind spiraling at his touch. His free hand found a stray piece of your hair to tuck behind your ear as he kissed the corner of your lips, then your cheek and jawline with several more slow pecks. You sighed in absolute content, eyes closing to focus on what you were feeling- the tickle of his breath on your skin before each press of his warm lips, the occasional touch of his tongue that made you shiver, the brush of his fingers as they wound around your neck to tangle into your hair.

Here you could sense the embers sparking to life in your veins as you pulled him in for another kiss. This one was firmer, more needy than before; you sucked on his bottom lip, hearing a low hum from his throat as he tugged lightly at your hair, bringing your face as close as possible to him. “I love you,” he whispered, and then again and again with every added press. Butterflies flew up your throat; his air was your only air- and the only air you felt you’d ever need or want again. 

Kissing Jisung was exhilarating. Like a drop on a rollercoaster played over and over; a stutter of your heart felt in the best kind of way.

Your fingertips landed lightly on his shoulder, before slowly bunching the fabric of his blue sweater. His kisses remained heated but came along slower; they savoured yours, each methodical roll of his tongue purposeful. He knew the best ways to rile you up- and luckily you knew his weaknesses, too. You allowed your hand to drop and brush along his forearm, dragging your fingers up his arm and around his neck. You felt him shiver at the same time you did, as his hand released yours to grasp your waist. In one swift motion Jisung pulled you over the seat to tumble onto his lap as his lips continued their abuse on your own. You responded with equal enthusiasm as you found a tight grasp on his dark locks and pulled harshly. He grunted and urged you closer, kissing you ravenously- you heard him pant out, “Y/n-”

You became acutely aware of the warmth of his thighs underneath you, the firm muscles of his chest pressed to yours, and every touch of his skin on yours. His teeth nibbling your bottom lip was more than enough to drive you near insanity, and his firm grip sliding over your hips did nothing to help that. You wanted absolutely no space between the two of you, nothing but him and you stuck together like glue. And it seemed Jisung had the same idea, as he wriggled his arms out of the sleeves of his sweater, the sleeveless white tee underneath already precarious over his shoulders. Your fingertips traced over his arms again- this time, you could feel the burning heat of his skin, the flexing of his biceps as his hold on your waist tightened, his breathing coming out unsteady. 

Through the fuzziness of your mind, you felt words you didn’t mean come from your parted lips. “Shouldn’t- shouldn’t we go?”

“No-” Jisung managed, kissing you like he might never have the chance again. His kisses trailed south, making you gasp as he found your throat and quickened his pace over your skin. And between each peck: “Five- more- minutes.”

As if you hadn’t been hoping he’d say that.

And any last whisper of a thought to go was buried once his lips found its place right under the curve of your jawline, a sensitive spot only Jisung knew about. You gasped as his teeth nipped at your skin, shooting fire through your veins as it left a mark. His hands gently rocked your hips over his, and you stuttered out a whine. Jisung’s murmurs- words completely  lost in your hazy state- were breathy and low, making you shiver as the warmth of his breath tickled your skin before his lips made contact along your neck again. Feather kisses fluttered across your collarbone, accompanied by his hands winding around your neck, thumb absentmindedly brushing your jawline. 

His words were whispered louder this time, and you finally heard them clearly. “ Let’s lose time, Princess.” He breathed as his lips touched your ear, and goosebumps erupted over your skin. They trailed along your jaw, before your mouths were locked again, and his words disappeared in favour of sloppy kisses.

Your mouth was captive to his, and content to remain so. His hands ran up and down your sides, fingers teasing the hem of your hoodie to skim his fingertips over your burning skin. It sent shivers across your body, and a soft breathy whine left your lips as your fingers found purchase in his locks again. Your brain was a jumbled mess, just every cell of your existence intent on Jisung, whose mouth worked wonders as he slid his tongue along your bottom lip, before diving in again.

You swore you could have spent hours just kissing him, bodies pressed together, air a distant and seemingly inessential thing at the moment. His hands teased you under your sweatshirt, while his lips continued their breathtaking work with yours. You felt on fire, heat simmering over every inch of your skin and burning where his lips touched you. At last, some sense seemed to come back to the both of you, and Jisung’s kisses slowed to softer, slower movements.

“Princess?” He murmured against your lips at last, and you knew that it really was time for the two of you to go.

You pulled away, breathing heavily as your eyes refocused onto Jisung in front of you. He was also panting, eyes looking back at you. For a minute you were both still; then Jisung’s hands dropped to find yours, fingers tangling between your own.

“Did you know I love you?” He whispered- like it was a promise, a secret  just for the two of you. And it only mattered that you knew it.

You ducked your head to plant a soft kiss to his swollen lips, feeling him grin into the kiss when you did. You lingered close when you leaned back, noses nearly touching, his breath tickling your face. “I think you’ve told me.”

His eyes flickered to yours, and the adoration in them made your breath catch. 

“I love you, Ji.” You whispered, brushing his bangs away from his eyes. You watched him slowly smile- the kind of smile that had you feeling something far beyond happy- before resting your head on his shoulder.

His arms wound around your waist, fingertips gently drawing circles over your back. It was silent and peaceful for a moment before Jisung spoke again.

“We really should go-”

You shushed him with a quick kiss before collapsing against his chest again. “Five more minutes.”

Jisung laughed softly, and when his grip on you tightened and his head fell against yours, you knew you’d won him over.

─── ⋆⋅☆⋅⋆ ───

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[graceshouldwrite]

The Most Powerful Hack to Make Your Readers Cry

You’ve seen it all: show, don’t tell, plant a visceral image in the reader’s brain of the environment/character, write a complex character arc with lots of growth and setbacks, establish deep relationships, high stakes, etc. 

All the advice for making readers cry I’ve seen so far is basically that list. But, while those things are absolutely important, I find that the thing that always does the trick, whether as a tipping point or in and of itself, is this: 

THE CALLBACK! 

Before we move on, this is an ANALYSIS heavy post, so all the book + show examples contain spoilers!!

So, what do I mean by a “callback?” Think of Chekhov’s gun, but, here, you use the gun to pierce your reader’s heart. As a refresher for anyone who needs it, Chekhov’s gun is just a rule in writing that anything you introduce in the book should play some role in the plot.

Specifically, the name comes from the example that if a reader introduces a gun in the first act, it MUST go off later, (maybe, say, in the third act). For example, in the TV show Breaking Bad, the protagonist Walter White prepares a vial of poison (ricin) that he wanted to use to eliminate an opponent early on in the series. After the assassination attempt falls through, the ricin makes an appearance again in the very last episode of the show, when Walt finally uses it to kill another opponent. 

Got that? Alright, onto the examples of successful, tearjerking callbacks: 

1. The Last Olympian (Rick Riordan); “Family, Luke, you promised.” 

Context: The character Annabeth says this line. Years ago, Annabeth had run away from home, and Luke had effectively adopted her into a found family with another kid named Thalia. Common reason for leaving home = parental trauma! Yay! He promised Annabeth that they would be each other’s “family” from now on. 

Now: Kronos, the antagonist titan, has possessed the demigod Luke and uses his body to strike Annabeth, injuring her. She’s also holding a dagger that Luke had given her when she joined his “family.”

Significance: her words + the dagger are a mental + physical reminder to Luke of his promise. They force him to recognize the sheer degree of his current betrayal by bringing him back to a different time. The fact that their found family only happened because of parental trauma bringing them together makes it worse—Luke felt abandoned by his Olympian father, Hermes. Now, he realizes that he basically did the equivalent to Annabeth by joining the titans. 

2. Les Miserables (Victor Hugo); Jean Valjean’s death 

Context:  At the beginning of the book, the bishop had caught Valjean trying to steal candlesticks to sell. Instead of handing him over to the police, the bishop told the police that he had given them to Valjean, saving him from arrest and showing him mercy. This changed his life forever, kickstarting his character redemption arc. 

Now: Jean Valjean dies surrounded by his loved ones, remembered as a benevolent man who bettered thousands of lives. He’s surrounded by light from candlesticks that once belonged to a bishop.

Context: Valjean had once taken in an impoverished woman named Fantine, showing her mercy and promising to take care of her daughter, Cosette, after Fantine died. Valjean then rescued Cosette from abusive quasi-foster parents (it’s a long story), raising her as his own daughter. This furthered his arc by allowing him to finally understand how unconditionally loving someone feels. 

Now: Valjean describes Fantine to Cosette, who never knew her mother. 

Significance: Both examples throw readers back to much earlier points in the story before the completion of Valjean’s character arc. In a way, this final scene feels like an external manifestation of his kindness paying off; both he and the reader feels a sense of accomplishment, relief, and just a general “OMG WE MADE IT.” Readers don’t feel cheated, because they were with Valjean every step of his 1,400 page arc. The weight of it all just crashes down on you...

3. Your Lie in April (anime); Kaori’s letter after she dies

Context: Kaori’s entire plot significance is that she helps Kousei, a piano prodigy who can’t play piano anymore due to traumatic parental memories associated with it, play again—but also, just to help him enjoy life again after a turbulent upbringing. She meets him a year before she dies of a medical condition, and her free spirit + confidence influences him to find beauty in life and music again. They basically do a crap ton of crazy funny stuff together lol

Now: Kaori has died, and she leaves a letter to him. Among other general confessions and thoughts, she references things they did and memories they shared: she says, “sorry we couldn’t eat all those canelés,” reminisces about  jumping with him off a small bridge into the stream below, “racing each other alongside the train,” singing Twinkle Twinkle Little Star as they rode the bike together, etc.

Significance: Yes, the nature of the letter is just sad because she’s revealing that she loved him all along, apologizing for not being able to spend more time with him, lying that she didn’t like him (to spare his feelings b/c she knew she would die soon), etc. BUT, these small details highlight exactly how many experiences they shared, and the depth of their relationship. Thus, they emphasize the significance of her death and the emptiness it leaves behind. 

4. Arcane (show); “I thought, maybe you could love me like you used to, even though I’m different.” 

Context: Character Jinx says this in the last episode to her now estranged older sister, Vi. Without going into the crazy complex plot, basically, orphans Vi and Jinx used to care for each other before a bunch of crap went down that got them separated. They then grew up on opposite political sides; Jinx grows up on the side of the underbelly city rebellion, and Vi grows up working on the side of the richer city that essentially oppresses the undercity. Thus begins the development of their opposing viewpoints and work environments, to the point where they always meet on opposite sides of a political battle, never able to come together as a family or understand each other again. 

Now: After a super dramatic confrontation, Jinx reveals that although she wants Vi to love her like she did before their separation, she knows it’s not possible because “[Vi] changed too.” She finishes with, “so, here’s to the new us” before blowing up a political council meeting a few blocks down filled with people Vi sides with. Oops! This cleanly seals the fate of their relationship as something basically irreparable.  

Significance: This callback isn’t through literal flashbacks or items like in the previous examples. Jinx’ lines are enough to bring back images of their childhood to the audience’s mind. Now, the audience subconsciously places this image of: 1) two sisters so different, hurt, and torn apart, right next to 2) the image of two sisters as innocent children who loved each other and would care for each other no matter what. 

Why do callbacks work so well? 

If you’ve noticed something in common with all of them, you’re right: they remind audience of a time BEFORE the characters have come so far on their arcs, developed, and put on so much more emotional baggage. 

Callbacks force the audience to SUDDENLY and IMMEDIATELY feel the weight of everything that’s happened. The character’s anguish and overwhelming emotions become the audience’s in this moment. Callbacks are a vehicle for the juxtaposition of worlds, before and after significant development. 

This works because we, as mortals, fear IMPERMANENCE the most. We fear LOSS. For us, time gone is time we will never get back; callbacks make us face that exact fact through a fictional character. A lost moment, time period, or even part of oneself may hurt as much as losing a loved one, and nothing makes humans grieve more than the realization of a loss. A callback slaps the audience in the face with the fact that something was lost; loss hurts so much because almost 99% of the time, what’s gone is gone forever. 

Of course, a good callback requires good previous character development, stakes, imagery, and all that jazz, but I thought I’d highlight this specifically because of how under covered it is. 

∘₊✧────── ☾☼☽ ──────✧₊∘

instagram: @ grace_should_write

I’ve been binging general media lately: I finished Death Note, Your Lie in April, and Tokyo Ghoul all within like a month (FIRST ANIMES I”VE EVER WATCHED!!), reread lots of Les Miserables, analyzed a bunch of past shows like Breaking Bad, watched a bunch of My Little Pony, worked to fix up my old writing... and that’s not even all! The amount of times I’ve CRIED while enjoying the above media and so much more honestly just inspired this post. 

Like, no joke, my eyes were almost always swollen during this period whenever I hung out with my friends and it was so embarrassing help 

Personally, I just find that this method works super well for me, and I watched a bunch of reaction videos to these above scenes (and read book reviews on the book scenes I mentioned), and it seemed that just about everyone cried during these parts. That’s when I realizes that the callback might also just be a universal thing. 

Anyway, this post is long and dense enough as is. SORRY! As always, hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated <3333

Happy writing, and have a great day,

- grace <3

[chirpsythismorning]

The Vanishing of BLANK Wheeler

I wanted to make a list, from least likely to most likely, for which Wheeler I think is going to go missing.

But I also wanted to give a little disclaimer first, that even if these titles are real, they could still be fake, or could even possibly change given how much time we still have until s5 actually premieres.

For s2-3, the Duffers literally released official promo videos announcing episode titles for their upcoming season, with some of them changing when the season finally premiered.

Like in the case of s3 for example, they dropped a s3 episode promo video only a day after they completed filming. Meaning them titling 3x06 The Birthday, made absolutely no sense. They knew they didn't film anything birthday related for that episode. So they intentionally gave that one a fake name.

In the case of s4, that was the first time they promoted an upcoming season without giving fake titles, with the s4 promo announcing them following through with what we ended up with when s4 finally dropped.

I guess I sort of assumed s5 would follow in s4's footsteps, but from a leak standpoint, it might be smart to remember that fake titles are still a possiblity regardless. Especially in this case, where it's getting to the point in production where leaks are unavoidable. And so that might even explain why they play with this idea of fake episodes, which is because they can rest easy knowing leaks will mostly consist of half fake titles they planted there.

But for the sake of this post, lets humor the title for episode 2.

For starters, it's worth noting that the person who shared this leak originally said 'BLANK wheeler'. So as far as I know, they did not give any number of letters via underscores (_) to hint at who this Wheeler could possibly be. It's when ST news accounts caught wind of the leak and started rolling out posts, replacing BLANK with 5 underscores, that led a lot of fans to assume that the Wheeler had to have 5 letters in their name, which would have obviously ruled out Ted and Mike. But since all the Wheeler's are still on the table based on the original leak, they will all be included in this list.

5. Ted Wheeler

Believe it or not, there is something that I think actually warrants considering Ted as a possiblity.

There were some posts @stranger-chichka made a while back, comparing visual parallels between Stranger Things and Chernobyl, which could be hinting at this concept of Ted being in danger.

TBH though I think Ted being in danger or ending up dead is a possiblity regardless of him actually being the missing Wheeler.

Technically speaking, quite literally no one on the show is ruled out from being in danger at this point, so that's not saying much.

And considering the show is going to need to kill off some people next season and they are insistent on not killing any of their leads, supporting characters amongst the ranks have a high risk at being taken out. The emotional connection for Ted from the audience isn't as strong as other characters, but at least him being in close relation to a few main characters is something? I mean, he's funny I guess?

Quite frankly I don't think it's likely nor do I think it would actually make sense narratively for Ted to be the one to go missing out of all of them. I think it's a lot more likely they'd just kill him off, hence the Chernobyl parallels which imply he's gonna die. And so wasting time by having him go missing, only to kill him, just doesn't track. I think they'd just get that over with without dragging it out for very long, if anything.

Can you just imagine someone on the show shouting emotionally, It's Dad (Ted). He's gone.' Like, okay... And? I have a hard time imagining the characters being in serious turmoil over this, at least not enough for it to warrant like final season stakes amongst a bunch of other crazy shit happening. At best, the characters would be indifferently guilty for getting him roped into all this.

So yeah, I really don't see it happening.

4. Nancy Wheeler

I honestly feel like Nancy is even less likely to go missing than Ted, but the un-seriousness of an episode titled The Vanishing of Ted Wheeler is so astronomical, that I really had no choice but to put him last.

The reason I think Nancy is just very unlikely to go missing is because they technically already had her go missing as a cliffhanger between Vol 1 and 2 last season. It would just fall flat if they repeated something along those lines, with that same character, 3 episodes later. Vecna could have killed her and yet he didn't. His point was to send her a message, which was why he did what he did and then released her. The choice to target Nancy and taunt her about her family's safety in the first place, felt like their attempt at foreshadowing the danger that is to come for all of them, but one specifically. One of them that is not her. Which will make this moment back in s4 feel a lot more impactful upon rewatches.

So yeah, not feeling like Nancy is very likely.

3. Karen Wheeler

Karen is sort of a hard nut to crack all around. In the case that she is somehow connected to the Creels (Alice), anything is possible in terms of not only her being targeted, but again the entire family being at risk in some capacity. Without much to go off of outside of the obvious very haphazard timeline confusion, I feel like putting her somewhere in the middle. She was given a poster for s4. If she is Alice, then yeah it would make sense to target her. The stakes are also a lot stronger in comparison to Ted, because she was the parent in the family that actually came to Mike or Nancy and told them verbally that she wanted them to open up to her and is actually shown trying on several occasions. Whereas Ted is sort of just there when he's on screen. So the characters' distress would be a lot more dire and interesting to see unfold amongst everyone.

I also remember there being a leak in relation to Karen, Holly, Mike and Nancy all being at the hospital filming. And this was also like a day or so after ST dropped a video of Cara saying she was filming that day to hype up fans. So that leak did check out on the Karen front at least. Which puts her at the hospital at some point, potentially along with the rest of the Wheelers. Now that I'm thinking about it though, this could all fit with a Ted Wheeler death...

At this point, I'm sort of like indifferent to the possiblity, but it's still more likely than Ted and Nancy to me.

2. Holly Wheeler

It all goes back to s1, when Karen was visiting the Byers to console Joyce after Will went missing, when Holly sort of ventures off to Will's room, being guided by the lights, and sees the demogorgan in the wall.

I feel like people overlook this moment too, because it's kind of crazy that Holly has seen UD shit for herself. She was young enough that she could rule it out as just imagining things. And that could be partly the case even if she is skeptical.

There is something about Holly that makes her curious and sort of open to this world that most around her have no idea exists. And yet simultaneously some of the people closest to her do know about it and could easily clue her in when the time comes to do so, and because of that, I think she would probably be able to believe it all a lot faster than others.

Maybe this is a story where things need to happen and it just always ends up this way, but she has this tendency to be included in things that feel very important. Like in s4 with her playing with the lite-brite, and how that ended up being used to communicate with the others in the UD. There's this almost clairvoyance vibe about her. Her feeling the need to follow the Christmas lights to Will's room and her noticing and then fixating on the trees in s3.

Like I said, I don't know if it's something deeper, but it very well could be in the case she is connected to the Creels.

And while that is all somewhat compelling, at the same time it also feels very convoluted. Even if the Wheelers are Creels, I don't think that means the Wheelers would have powers, given that Henry got them when he was a child, meaning none of his family could have gotten them unless they too were taken in by the lab at some point, or were born with it.

Though I'm being full serious when I say the theories about Mike having time powers or maybe just manifestations from his emotions connected to the powers of others around him is one of my favorite theories of all time. I want it to happen. It would be cool. But that just opens the door to all of the Wheelers in my opinion, assuming his time powers came from being related to Henry. And if it was done that way, I feel like it would add way too much confusion to the story, where now all the Wheelers are gonna need to have powers, and then as a result would just takes away from the uniqueness that is already associated with Henry, El and potentially Will. One person potentially having powers without us knowing until the end aka Will, is enough honestly. Adding the Wheelers to the mix might be a bit much.

I'm also not totally convinced of the Wheeler's being Creels, and yet I also can't seem to want to rule it out entirely. But the prospects of Holly having powers or some sort of ability and just going through the same thing as Will when he was young and unaware of his powers, who is just now finding out the truth about his experiences... It just feels like serious whiplash honestly, when they haven't spent much of any time on Holly up to this point.

Like what are the stakes here exactly? What makes her disappearance and what that would look like compelling, on her front specifically? Because sure, I can see it being compelling watching the perspective of those around her reacting to this, what they would do to try to save her and all that, but what does that mean for her exactly? Are we going to see what she's doing? Are they going to hide it from us like they did with Will and then have to spend even more time uncovering it later on. And what does she even gain from being alone and taunted by Vecna presumably? What does the audience gain from witnessing that sort of event? There isn't a lot of story to explore there, outside of maybe making direct parallels to Will in s1? And then wouldn't that sort of take away from the importance of Will's role in it all just now being uncovered, if it all just repeats for Holly?

Which brings me to something that I see a lot of people using as strong evidence for why it has to be Holly, which is the fact that they recast her character.

What I think people are failing to consider is the fact that the twins who were cast to play Holly originally, were like 3-4 years old while filming s1. They weren't just kid actors, they were damn near baby actors. And while I know a big part of the reason why they gave Holly such few lines over the years was because the actors were aging way faster than the character they played, I think another factor could have been the fact that their acting experience is near nothing outside of Stranger Things, which is also pretty little on its own as well given that they have very few lines on the show.

It's not at all uncommon for child actors, let alone toddler actors to leave the industry once they start getting older. It could be for personal reasons, like wanting to explore other ventures, or it could be that they just don't perform as well with all the added expectations that come with acting as a character who is a kid with a lot of lines vs. a baby with 2 lines.

The girls got cast because at the time, they were able to perform as well as a 3 year old possibly could and would be expected to be in that role. But does that skill carry forth as they grew older? When now they have to deliver full sentences and carry conversations for scenes that are longer than 5 minutes? They've never really had to do that up to this point. Is it something that they feel comfortable with doing? Is their performance believable and is it something the writers feel confident about?

Honestly, I think they might have recast Holly, not because I think she is going to be targeted and focused on as this missing person they have to find, going through a near identical situation to 11 year old Will, but because they simply want her to be more apart of the story in general. And maybe because either the twins and/or the production didn't feel that they would be able to perform it in the way that they wanted it to be done.

And I mean, even if Holly isn't the one to go missing, one of the Wheelers is going to go missing based on this leak. If it was one of her parents, she would get a lot more scenes than she has in the past. If it was one of her siblings, again it would make sense for her to be more involved with the story. No matter what she is going to have a bigger role.

So no I don't think her being recast is as strong enough of proof as some might believe. If anything I think there is much stronger evidence that, like Karen, if they are related to the Creels, Holly is as fair game as any of them. The stakes could be high because she i such s a child. And her parents and Nancy and Mike worrying about her seems like something they would obviously do because she is so innocent and completely ill-equipped to endure something like that. But like I said, I just can't picture an focus like that on her, for her character, being very compelling given that Holly isn't really someone that needs like alone time with us witnessing it...

But there is one Wheeler left, and boy oh boy would he benefit from being alone.

1. Mike Wheeler

The most simple explanation for why it makes sense for it to be Mike, is that he genuinely benefits more than anyone when it comes to being alone with his thoughts, and with the audience watching. There's a lot of stuff dude has to work through in his own head, and since they haven't really let us have a moment alone with him that isn't under ten seconds since s3, an episode or two dedicated to making that a priority would make him coming back and things building up to the end, feel a lot more earned.

The audience needs to feel confident about how Mike feels about things. It can't be a guessing game for much longer when so many different factors are involved.

And while I think Mike may be the strongest possiblity in terms of the value it would add to the overall story is compelling enough to put him at number 1, the evidence supporting it happening is even stronger.

If we want to be crazy we can go back to the beginning. Plenty of fans have already speculated about how Mike is always late at the start of every season and how that might play into the beginning of season 5 again. I made a post about this recently and speculated it would happen one last time around the 15 minute mark. And maybe I was wrong... but maybe I was also right? Because if the second episode is called The Vanishing of Mike Wheeler, it's likely Mike's fate wouldn't be confirmed by the opening of 5x01, but in fact the closing scene of 5x01.

Throughout the show Mike plays a key role in leading the others, he's even referred to as 'the key' in s3 by Hopper. You know this show and their keys, they don't joke about that sort of thing. It's likely that Mike's story and what it is leading to is going to be central to how all of this ends.

Also in s3, there is one scene in particular that I think could be hinting at Mike being targeted, along with the s4 main poster with all of the characters. In the poster, we see El at the top, with Max and Mike as near equals on each side of her. Of course their roles are central and that's a fair layout on it's own arguably, but the equal-ness provided to Mike and Max feels very intentional. While she is slightly bigger than Mike in the frame, that could be a hint in regards to her being central now in s4, with Mike joining the mix alongside her in s5. Honestly, they could have made it so these two were beside other characters that also played a huge role in s4, and yet they chose those two to give a specific focus to. I think that is interesting (and probably intentional).

But if I'm being honest, there are so many moments in s4 specifically that hint at Mike being in danger, that I will not be able to include it all in detail in this post. So I'm going to link those below and then build off of some of it with some new details I've recovered that are worth re-contextualizing again with all of this in mind.

Hints regarding Mike and Will being targets of the town, but Mike specifically being focused on after the word 'missing' is said...

I'm gonna expand on this one because I think it's important to recognize the massive curtain in the background as this is all happening. And I vaguely reference this concept here as well which is worth checking out. But not is this whole concept of the curtain pretty blatant in this episode, this scene of the town all fleeing to hunt down hellfire club, is followed directly after, by this:

Notice how Mike is nearly always central in these moments? And how what follows feels eerily similar to what is about to go down at the end of s4 aka Suzie = Mike.

Now, this has already been talked about plenty so I won't go into detail, but... based on everything else happening surrounding this, this would apply to Mike in the sense that not only is he not in love with El, he's gay and in love with Will aka a boy. A BOY!

And then this mention of 'the terrible truth'. This word has been used like 3 times in the last few minutes. First intensely during Jason's speech about a terrible truth, with Ted and Karen being focused on with the Mike and Will extra in the background.

But what is even more crazy is that what follows sort of seals the deal for me that, this IS about Mike and it's foreshadowing what is about to come in s5.

5:02... 5x02!!!!

Also peep the watch and the letter from Dustin under it... I don't want to speculate but lettergate is looking extra relevant within all of this as well...

And to close off this point, lets show the shot that follows directly after this one.

Then later in the season, after Nancy is back from being taken by Vecna, here we have this long and emotional pause before she says Mike's name, last after her mom and Holly.

If they wrote and filmed this scene, knowing Mike would be the Wheeler missing early s5, it would make sense for them to list off the characters like this.

Mike peeking in the frame at this moment is not suspicious at all...

If it wasn't enough that Jason hyped up the whole town to see the Hellfire club as their enemy responsible for all of this, here we have a focus on Mike specifically being targeted by Jason.

The Duffer's statement about the show overall in the Piggyback script, and I gotta say it fits Mike a lot more than any of the other Wheelers.

Mike is a Paladin. And when they break an oath, they might spend an all-night vigil as a sign of penitence... aka everything is going to come to a head and Mike is going to be alone dealing with this shit for a bit, until he can come back ready to face it.

And I know it's controversial, but this post explains perfectly why Mike being central to this would make the show go full circle in a really compelling way.

Mike hasn't really unpacked...

Karen lookalike standing in front of the missing persons board. Could be any one of them but still, considering the costume of this extra looks closer to what Karen was wearing when she reunited and hugged Mike... I'm gonna put it more so with him.

Mike's guilt and shame regarding the past and what it has led them to could also play a big role and why him going missing would be worthwhile to explore. Part 1 / Part 2

Mike paralleling Yuri, who eventually reveals the truth (in his pocket) after stalling. If Mike parallels him all throughout the start of that moment, what does that mean for how it ends for Mike?

An antique funeral home fan behind Mike in the s4 character promo photos in the Creel attic, how Mike is seen sitting before Will sits beside him shortly after and it involving upside down imagery, Mike's first line in the show being used to later foreshadow his fate in early s5, and also bringing it back to Suzie's house which I already went into but it might be helpful to look at it again from this lens.

The Duffers would not pass up on the opportunity to parallel Mike with Finn's other character Richie in IT, which is literally based on a book that heavily inspired ST in the first place. And how all of that plays into the queer-coding for Mike going all the way back to s1.

The Duffers revealed after posting the funko-pop shotplanning pictures (2) that they were finished with planning for 5x01-5x02.... meaning this shot of Mike all by himself, is going to occur in one of those episodes...

We could still hypothesize Holly is the one to be taken, given that she doesn't have a funko and so they couldn't include her here regardless. But the fact that Nancy is with the other seems to imply to me that they are all likely working together to get Mike back, who is alone.

This one is a little more hard to pinpoint for sure, but it comes from a BTS Ross posted recently.

We are clearly in the Wheeler's house here. And if you zoom in, it looks like someone is standing (hiding?) behind a doorway/curtain. And the only person that seems to fit it imo is Mike... But why would he be hiding in his own house...?

It just makes me think about what is going on with Mike in early s5. What would be occurring that has him in this sort of situation? And it makes me wonder if him going missing has solely to do with him being taken and gone in one single moment, or if it could involve him avoiding his family and others potentially, with him being taken after that.

Lastly, I'm going to go into more choppy territory, stuff I know only a couple of people will actually consider. But it is pretty fucking fitting of what is about to go down so I can't not mention it.

In the Puzzle Tales' most recent Hellfire Campaign, this is the title...

Like the whole chapter is just a big joke on Mike about him being scared to be alone, which is painfully ironic if this is the direction the show is about to go for the next 2 upcoming episodes.

And then we have a song WSQK posted on Twitter back in January. I know people don't believe that this account is connected with anyone in the production, which is fair because I myself rarely believe leaks from anonymous accounts as it is. But I've been keeping up with it and it genuinely doesn't seem like a fan could come up with these songs.

The song I'm about to mention is the 7th song they posted, called Army Dreamers by Kate Bush. And you might fight it sounds a lot like the situation Mike might find himself in in early s5.

And though I'm sure I didn't cover everything, I feel like all the things I've mentioned and referenced from other posts are plenty to at least consider this as opposed to rejecting it all together.

At the end of the day I think there are some valid arguments for all of them to some extent. And quite frankly all of the Wheelers and most of the characters in the show will find themselves in danger in a way that is going to probably last longer than just one single moment the entire season. So even if it's just one of them, I don't think that rules out the others playing a bigger role in what is going down.

I just think narratively, there is one person that benefits from being on-screen and alone with their thoughts. And the other 4 being confronted with what that person discovers eventually will also make all of this a lot more worthwhile than any of the other options in my opinion.

[andkisses]

♡ he takes care of you (1) | enha ♡

ot7!enha headcanon: they take care of you when you have a headache

♡ ot7 x gn!reader | wc. 1.2k ♡ genres/tropes: fluff!  casual hurt/comfort ♡ mentions of/warnings: pain, pain meds, headaches ♡ a/n: little something for every member <3 jungwon’s first and the rest below the cut ^^ dedicated all my migraine homies </3 also lowkey not proofread it could be better lol ♡ masterlist ♡

✧･ﾟ: * jungwon

“are you feeling better?” he asks. jungwon pouts as he watches you shake your head, still squinting. you snuggle back up into the blanket, and further into jungwon’s side. the tv plays so softly, the sound might as well be off. jungwon has watched four episodes of whatever drama netflix recommended, understanding everything through facial expressions and subtitles. every half hour or so, he would check your tempurature, just to make sure it wasn’t something else. but you stayed cool–or warm?--and jungwon knew it was just one of those days. “don’t worry,” he whispers against the crown of your head, planting a gentle kiss as episode five opens to a melodramatic scene.  “i’ll stay right here for as long as you need.”

✧･ﾟ: * heeseung

he comes home to find you on the couch, under a blanket, in total silence. the lights are off and the tv, which is normally playing reruns of your favorite dramas, is silent. oh no, he thinks, a sad smile on his face as he gently pulls back the blanket. you rest, asleep, with a line between furrowed brows, headache plaguing you even know. heeseung takes one finger, lightly running it down your forehead to the tip of your nose over and over in slow, soothing strokes until that angry line fades away. heeseung can tell you still hurt, even in your sleep. it leaves a certain pang in his heart. he wishes he could take your pain from you, but since he can't, he settles for what he thinks is next best. heeseung places a warm, tender kiss between your brows. then, he pulls the blanket back up and sits on the other end of the couch, electing to read a book. he stays close, as close as he can, so he can always be there for you.

✧･ﾟ: * jay

when you came home, stumbling through the front door, leaving your stuff in a messy heap to disappear into the room you shared, jay knew what was occurring. he takes the time to stop what he's doing and sort your things–shoes on the rack, bags on the hook, keys in the bowl on the table by the front door. next, he grabs a small glass of cold water and some pain medicine. jay slips into the bedroom, which you've left dark and unlit. he can barely make out your figure curled up on top of the covers. he places his things on the side table and sits beside you on the bed. he rubs his hand up and down your back, and frowns when you whimper. "take these," he whispers, helping you sit up. after you've taken your medicine, jay wraps you in his arms, pulling you both down. he selfishly savors how you feel, snuggling into the crook of his neck. how lucky he is to be able to hold you and help you whenever he can, he thinks, kissing your temple. whatever he can do for you, jay will.

✧･ﾟ: * jake

he knows something is up from the way you squint when you laugh too hard, or take a moment to stare at the food on your plate you merely pushed around. at one point, you’re mid conversation, stumbling you’re way through a story, when jake reaches over and places his hand on top of yours. you don’t need to say anything–his look tells you he cares, and jake watches as you slump your shoulders and sink into your chair. “i thought i could just… think it away.” jake makes sure to laugh softly–he knows noises make it worse. you both stand and he holds you close, hand cradling the back of your head with fingers massaging your scalp. he walks you back to your room, where he dims the lights and turns on the fan. he makes sure the blinds and the curtains are shut before tucking you in safe and secure. “i’m sorry about dinner,” you mumble, already relaxing. “it’s okay,” jake assures, smoothing your hair back out of your face. “let me take care of you.”

✧･ﾟ: * sunghoon

he feels awkward, not knowing whether to hold you or give you space, talk or stay silent. he feels like glass, and sunghoon knows you’re really the one in trouble, but he cares so much and overthinks everything he isn’t sure what to do. he’s so in his head, that when you call out to him from your spot on the couch, encapsulated in the cool darkness, that he jumps. “what’s wrong?” you ask, your voice low and tired. you’ve taken your medicine (he knows, he helped you), but sunghoon can tell you’re still in pain. he kneels beside you on the couch, taking one of your hands in both of his, holding them beneath his chin. “i love you so much, it hurts that i don’t know what to do.” painful honesty, but sunghoon feels relief when you smile, telling him to stay. he crawls onto the couch with you, a tight squeeze, but he feels better–and he’s certain you do too–with you firmly and safely in his arms.

✧･ﾟ: * sunwoo

it’s quiet in the car, aside from the air conditioning, sunoo parked it minutes ago, but you’re finally relaxed in your seat, eyes shut, head tucked onto your shoulder. he knows he needs to move you–don’t need to suffer a neck ache too. but after everything you went through? it warrants a small reprieve. “you don’t have to pretend,” he says, leaning over to move a strand of hair from your face. he kisses your forehead and whispers against your skin. “not with me, not ever.” you over a soft, albeit pained smile, looking up at sunoo through your lashes. his heart swells–you tried your hardest to make it through the evening and everything he had planned, but sunoo’s known you long enough–loved you long enough–to see through any facade you put up, no matter how shiny and pristine. sunoo smiles, kissing your cheek this time. he can feel you smile wider. “let’s get you safe inside, hm? i get to take care of you now.”

✧･ﾟ: * niki

at first, he’s nervous when you go silent on your side of the couch. it isn’t that far, but you feel miles from niki in your silence. normally, you’re both going back and forth in your banter, no matter the subject on tv. but about half an hour ago, you started getting quieter and quieter, to the point niki wondered if it was something he said, a line he crossed without even knowing it was there. but then, as he finally gets enough courage to look your way, he sees you with your eyes shut and snuggled into the back of the couch. sometimes, i get these headaches. and now he;s rushing to do everything he can remember–lights off, cold water, medicine, a blanket, and—you wrap your fingers around his wrist, and he freezes in his panic. “thank you,” you say with a smile, and niki is certain you can feel his racing heartbeat through his wrist. “for taking care of me.” suddenly, the panic has melted away, and a new nervousness washes over niki–a unique worry of how much he loves you, and how it’s so much more than he ever anticipated.

[lulu2992]

Greg Bryk was in episode 25 of Podcast141, co-hosted by Marwen Heni, Mars Lipowski, and Jim Boeven, to talk about his acting career in general, but also and mostly his role as Joseph Seed in Far Cry 5.

Since he’s already shared a lot of anecdotes in interviews and live videos on Instagram, I thought I wouldn’t learn anything new... but I did, so here’s a summary of what he said about his experience playing the Father.

We knew that the dev team (he specifically mentioned Dan Hay and Drew Holmes) had struggled to find the “right” actor for the role, but what I don’t remember ever hearing before is that, after two years of unsuccessful search, the project was almost cancelled for this reason!

Thankfully, that was when Greg Bryk auditioned. He had already said the script they gave him (and that he thought was “amazing”) was what became Joseph’s monologue in the mission “We Must Be Strong”, but he gave more details about what was originally in it. In this early version of his backstory, Joseph was 23 years old and working two jobs to support his family. One night, exhausted, he fell asleep on the couch as his pregnant wife went out to get ice cream. He was then awoken by a knock on the door, told she had been in an accident, and taken to the hospital. The rest of the story is what he says in Far Cry 5: when he arrives, his wife is dead, their premature daughter is “stuffed with tubes”, he hears God’s calling, and understands he has to make this sacrifice.

So he got the role, and when they called him again to record a sermon (my guess is it was this one, but I’m just speculating), he saw what the game looked like and thought everything and everyone was “incredible”. Over time, as they got to know him, they even changed the character and partly rewrote the Father specifically for him.

The team was also very accommodating. For example, the scenes are usually shot in the huge performance capture studio, but for the Heralds’ eulogies, which are much more intimate, they built a small room so he felt like he actually had something around him instead of a big, empty space.

A day before the game came out, the cutscenes were already available online and he watched some of them. He was very impressed by the last eulogy (or, as he calls it, “snot monologue”) in particular because of how “vivid” and “human” it felt. It brought tears to his eyes and he recalls his wife was “blown away”; it was “special”.

As for the fans, he thinks they’ve been very supportive and welcoming. Some have told him they felt heard and seen by Joseph, and he believes it’s because he’s a character who loves people for who they are. At this point, he and the co-hosts agreed that being an actor was a gift because it gives an opportunity to make people’s lives better, especially in video games because there’s a unique connection that doesn’t really exist in movies or TV series.

Marwen Heni mentioned that, while most villains want you to hate them, Joseph, on the contrary, wanted you to reflect and think that he might be right. Greg Bryk admitted that he believed everything he said, especially about family and technology. Sometimes, people are isolated or only have online connections, so having someone tell them, “I see you and I love you for what you are” is powerful. In his opinion, this message resonated with a lot of players because it’s a simple truth and we all want to be part of a family.

Joseph doesn’t control his followers with fear, Marwen Heni commented, but with devotion, and that too makes him compelling. As he was playing Far Cry 5, he started questioning whether or not he (as the Deputy) was right for opposing the Father, which is something Greg Bryk says he saw a lot in comments. He believes there’s “an intimacy to the relationship” between Joseph and the player, a “seduction” in the sense that we all want to belong. He’s humbled by the impact his work had on people.

When asked if he would be open to reprising the role, this time, he answered, “Absolutely”. In fact, and this is news to me, he revealed there were discussions about turning Far Cry into a TV show, and the different games would have been standalone seasons. That said, he added that, at a certain point, it’s necessary to let characters go and that he was grateful for what he had already experienced playing the Father.

Marwen Heni then asked if Joseph, who is very complex, was entirely fictional or if it was Greg talking through him. He answered his characters are always him, to a degree, because he wants to connect with the material so he never lies and can work from things that matter to him. He never judges them and tries to think about what he wants to express through them. He’s interested in their humanity and what motivates them. “We’re all broken,” he said. “Some are much more broken than others, and sometimes those broken pieces are very sharp and jagged, and they lash out.”

He also revealed he had “very specific rituals” to help him become a character and then let them go. He mentioned a few prayers that one of his friends, who is a Wiccan, taught him. In fact, and all the co-hosts agreed, it can be very hard to “disconnect” from a character sometimes because actors aren’t just pretending; they’re using real emotions.

He had already said his son Dempsey had done the mocap for John and Jacob in the Collapse DLC and that he felt carrying Ethan’s body in New Dawn was a way for him to honor his “boy”, his dead dog Lucky, since he deeply regretted that he couldn’t be there to take him to the veterinarian the day he passed. What I didn’t know, however, is that it was Greg himself who had asked if Joseph could carry Ethan, and the team made it happen. He also explained that, when it was time to play this scene, he tried to imagine what it would be like to actually lose his son.

But who is Greg Bryk’s favorite Far Cry villain? Well, when he auditioned and started researching the franchise, he was interested in Vaas because of Michael Mando’s performance. He still doesn’t know him personally but has a friend who worked with him and who spoke about “how electrifying his talent was”. There’s something “unhinged” and “primal” to him as a performer; he’s a “wild” and “special” actor.

Finally, when told he was born to play Joseph, he confessed he felt he was indeed “called” to play this part but wants to give credit to Dan Hay, Drew Holmes, and Jean-Sébastien Décant for creating such a “terrifyingly human” antagonist in the first place.

[pupkashi]

time

gojo will always make sure you’re taken care of

a/n: inspired by the saying “time will pass anyways” this is also me telling everyone that it’s okay to choose fun and relaxation sometimes <3 don’t feel guilty about it when you do :] this is very self indulgent and i will be rereading this once the semester starts up again :P

wordcount: 909

masterlist

the exhaustion behind your eyes was evident as you rubbed them, yawning and glancing at the clock.

12:37 am

you began to do the math in your head, if you studied until 3 then woke up at 8 you’d get a good amount of sleep and get all day tomorrow to study!

just as you were about to dive back into your studies, a knock caused you to glance at your front door, heart racing as you cautiously stepped closer. you could feel your heart beating in your chest as you neared the door, finally getting the courage to look through the peep hole.

a wave of relief washed through your body as you saw the mop of white hair, unlocking the door and staring at your boyfriend.

“what are you doing here so late?!” you scold him quietly, moving to the side and letting him into your apartment.

“oh cmon sweets we both know you weren’t asleep anyway” he retorts, pressing a kiss to your forehead before walking next to you, settling on the couch and grabbing your work, “still studying?”

you nod as you sit next to him, grabbing your work from him and placing it in your lap.

“shouldn’t you get some rest? or leave your apartment? it’s been like two days” he mumbles, throwing his head back before looking at you again.

“satoru i have to pass this final” you huff, “i have to study in order to pass” your tone is sharp and you almost feel bad for how mean you sound.

gojo only smiled at you. he knew you’d been studying practically all day. he knew you’d been studying all day yesterday as well.

“you studied for two days straight sweetheart” he pouted, already grabbing your work back from you and holding up to where you could t reach it, “let’s spend time having fun!” there’s a wide smile on his face.

“satoru!” you squeal, trying to grab your things to no avail, giving up with a frown on your face and furrowed brows.

“i have to take this time to study! i don’t have time to have fun!” you’re already starting to feel stressed thinking of your time constraints when satoru is grabbing you and pulling you into his lap, holding you tightly against his chest.

“time will pass no matter what you do” his voice is calm and there’s no playful tone behind it, “so how about you spend a couple hours relaxing and having fun, rather than studying things with an exhausted mind that isn’t gonna stick anyway?”

“who said they won’t stick?” you fight back, he only looks at you with a small smile.

“look me in the eyes and tell me what you were just studying” a beat of silence and a couple nonsense words leave your mouth, “see?”

you let out a small sigh, letting yourself relax in your lovers hold. satoru is there to urge you to shower, telling you it would help you relax, handing you a shirt of his he brought for that very reason.

it’s 30 minutes and a hot shower later that you’re walking into your living room with a much less exhausted and stressed look on your face, snacks on the coffee table and hot chocolate with marshmallows in matching mugs.

“we can watch Hell’s Kitchen and snack until we fall asleep!” satoru smiles widely, patting the spot next to him enthusiastically.

while you hate to admit when your boyfriend is right, he absolutely had a point.

you were gonna study for hours more, only to be utterly exhausted the next morning and not be able to recall half the things you’d read. instead you were laughing with your favorite person in the world, happily munching on your favorite snacks and melting into his side.

you only made it 10 minutes into the second episode, sound asleep on satoru’s chest when he looked down at you. there’s a small smile playing on his lips, his fingers ghosting over your back as he debates waking you to move to your bed.

he takes a moment to just admire you.

your hair still slightly wet, the smell on your shampoo and body wash filling his nose, there’s dark circles under your eyes. you were perfect.

‘i love you’ he thinks to himself, ‘i love you more than i can ever put into words.’

he loves you so much, he lets his arms go numb after 20 minutes of not moving, your figure still sound asleep. he loves you so much, that when you do stir, he’s coaxing you gently, picking you up and carrying you to bed, tucking you and letting you drift to sleep again.

he loves you so much he’s cleaning up your living room, turning off the tv and throwing away wrappers and washing your dishes. he’s sweeping the floor and whipping out the mop, hurrying so he could join you in bed. he’s setting alarms so the two of you don’t oversleep, knowing you’d still want to spend the day studying,

he loves you so much, he’s tiptoeing into your room, quietly getting into bed with you and moving your hair from your face. he lets you gravitate towards him, mumbling something when you finally feel his arm lay over your waist.

“gnight toru” you manage out, eyes still closed before you’re back to sleep.

“goodnight my hard worker” he smiles, kissing you gently before letting himself fall asleep.

taglist (send an ask to be added!) : @chilichopsticks @anime-for-the-sleepless @4sat0ruu @luna0713hunter @safaia-47 @nanamikentoseyebags

[the-badger-mole]

i've scrolled through your blog quite a bit, and one thing i haven't seen you talk about (though maybe i just didn't scroll far enough) was the scene where sokka is wearing the kyoshi warrior uniform.

i've seen so many people say "wow, the show is really taking a stance against toxic masculinity! sokka wore a dress! it humbled him!" but if you actually watch the show . . .

it wants you to laugh at that, actually. it's one of my least favorite lines from aang. sokka is repeating something suki told him about what different parts of the uniform represent or something like that and he's looking pretty proud, but then aang walks by and says "hey sokka, nice dress" and laughs. and that's never walked back and aang's never punished. so the narrative is clearly pushing that . . . what aang said was okay? but if what aang said was okay, then that means that sokka wearing a dress was meant to be laughed at, right?

anyway, i don't understand how people watch that scene and take away "wow, that scene was so progressive! sokka wore a dress!" yeah . . . we as the audience are supposed to laugh at it. it's supposed to be funny. because boy in dress can't be taken seriously! it has to be a joke!

and i don't understand how people watch that scene and like aang. that was his first major red flag for me. like??? it get that he's twelve and a little shitster, but as you've said so many times, his age isn't an excuse to not hold him accountable. in fact, his immaturity means he should be held extra accountable, so he doesn't end up the same little shitster as an adult. the end of that episode should have had aang apologize to suki (who was also there when aang made that comment iirc). that comment was demeaning and threw away the entire point of that scene (and episode, honestly) in just four words. it demeaned the kyoshi customs and culture, and it completely throws away the point of suki telling sokka "if you want to train with me, you have to follow all our traditions" (paraphrase, not real quote).

anyway aang sucks, and if you've already talked about this, sorry. but if you haven't would love to hear your thoughts.

Of all the things that I think are wrong with Aang, his sexism is pretty low. That's not to say I don't think he's got the potential to be sexist, I just don't think it's occurred to him. He grew up in a gender segregated monastery. I wouldn't be surprised if Katara was the first girl around his own age that he'd spent any time with at all. What were the monks teaching him about girls, and why they were separated? Who knows? Clearly, he knew enough to ridicule Sokka for wearing a dress and to be upset about being played by a woman in EIP. Aang does have some sexist tendencies, but I don't think he's thought through the implications enough to actually be outright sexist. His worst moments have to do with his cultural biases, and an Air Nomad superiority complex. One of his worst moments had to do with him being disrespectful towards Bato about SWT artifacts.

The most obvious potential example of his sexism the way he treats Katara throughout the series, at least on the surface, but while there was absolutely sexism involved in how Katara was treated, I think it was more sexism in the writers room than in Aang himself. With Aang, it was less sexism, and more general entitlement. He wanted Katara. Her feelings didn't matter, not because she was a girl, but because she was an object. I've pointed out before that Nightmares and Daydreams proved that he understood what enthusiastic consent is, but he never even considered her feelings enough to think that she could turn him down. He was very entitled about Katara's affections and even her body, but I don't think the entitlement would've been different if the genders were reversed (look at how entitled Korra felt to Mako), or even if Aang and Katara were both boys.

I'm sure someone else could find more examples of Aang being overtly sexist- in fact, I remember reading a really good meta about Aang's reaction to being played by a woman in EIP, but I can't remember who wrote it. Still, don't think it matters if Aang was sexist or not. He's more toxic than Sokka ever was, even without being overtly sexist. Sokka, at least, was open to learning and growing, and his sexism was never that deep. But Aang? He never gets the opportunity to grow, because his bad traits are never called out like Sokka's are. I'm convinced that Aang benefits from cute privilege within the fandom. If Aang was a year or two older, and looked like Sokka or Zuko, he'd be right up there with Ross Gellar and Ted Mosby in the Nice Guys Who Aren't Actually That Nice pantheon, but because he's got big ears, chubby cheeks, and a big ol' smile, he gets a pass.

[genericpuff]

the last few episodes of persephone moping around have felt like less of a self-reflective moment for her to grow and change and more rachel griping about criticism and surrounding herself with yes men

this isn't gonna be in any way a formal essay like my usual sort, more of a slam post honestly, so fair warning that i'm gonna be a little salty here

EPISODE 263 SPOILERS AHEAD!!!!

but seriously, it's been a pity party of greek proportions because this constant "woe is me" shit with persephone that's constantly met with "no queeen you're amazing and perfect" has been going on for DAYS (real time and comic time)

literally every episode since the comic returned has had some segment of either persephone or hades (or both) being upsetti spaghetti over their current situation because oh nooo persephone made the deal with erebus and had to sacrifice something. even though they both knew that was gonna happen and yet she did it anyways. so she just continues to lock herself away in her mansion and spout adorkable quips while her husband, mother, and colleagues deal with the mess she caused.

and of course there's the constant inclusion of apollo spitting straight facts about persephone being a terrible queen and person, but of course because it's apollo saying it, it's not meant to be taken as gospel, essentially clapping back at the words of the critics who call out persephone for being a shitty and toxic protagonist by putting those words into the mouth of a literal rapist.

and yeah episode 263 had a lot of the same shit, to the point that you could literally swap out the names of the characters and the words they were speaking and it applies exactly to rachel and the corner she put herself in u.u it's been a thing for a while now that apollo has just felt like a mouthpiece for LO criticism but as mentioned by users within the subreddit during the discussion of this newest episode, it's never felt more apparent than now.

so yeah enjoy this satirical text edit of a sequence from the newest FP episode, which I honestly can't tell is meant to satirize the critical community or Rachel's reactions to the critical community because the weird reality this comic and its community exist in has just become that wack that it's hard to believe it's not directly from The Onion sometimes LMAO

-and as much as i find myself empathizing with the pressure that rachel is surely under right now - no one should have to be subject to the screeching howls of the peanut gallery - i can't help but be reminded of the memes and tweets she's put out that basically outright say "persephone is supposed to be celebrated for being a shitty person, if you can't handle her at her worst you don't deserve her at her best 💅"-

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A post shared by Rachel Smythe (@usedbandaid)

-and how often she's ruined her own day looking for critical groups or people with the "wrong opinions" that were minding their own business, or how much she's stifled her own community's attempts to discuss the story openly by having her mods ban anyone with even so much as a question regarding persephone's integrity.

so yeah, as much as i can empathize with her from one creator to another that being under this amount of pressure and scrutiny must be immensely frustrating and exhausting, beyond that one similarity i just can't empathize or relate to this mindset of almost learned helplessness that's taken a firm grip over her writing. this is the story she wants to tell and by all means no one is entitled to make her stop, but if she's gonna keep using her greek myth "retelling" comic that's trying to be "feminist" as a mouthpiece for her own griping over criticisms that are largely on-point and justified - to the point of putting the words of her critics into the mouth of her token villain like she's playing some single player barbie doll "act out that fight that sounded cooler in your head" game - then she's gonna keep getting called out, full stop. i figured she didn't have any nose left to rip off in spite of her face but apparently not.

look, i get it, there are some opinions and behaviors within the critical community that even i'm not on board with. there are people who absolutely take shit too far on both sides of the fandom, and i think both sides need to do more to hold themselves accountable for how they interact with each other, the comic, and rachel herself. i make it a point to keep my shit in my own house, i'm not entitled to rachel's attention and frankly it's the last thing i want because i have a lot of fun here and i don't want that to be potentially ruined or dampened! but if you come into my house and complain about the decorating, then i legitimately don't know what to tell you. i used to love LO and i'm so sad for my past self knowing fully well they're not gonna be able to wholeheartedly enjoy this comic forever due to how manipulative and shitty the storytelling has become. a story that i once connected to as an AFAB who was a victim of assault and abuse and generational trauma.

if persephone being the true main villain in her own story was ever meant to be the point of Lore Olympus, then it's taken way, way too long to get to that point, and rachel herself definitely doesn't seem to be of the mindset that that's what she's become with all of her blasé meme'ing on a plot arc that she's still expecting us to take seriously. persephone was never a very complex character to begin with - being an easy self-insert for the audience and rachel to project themselves onto and relate to - but at least in the beginning she felt like she had so much legitimate potential, she was naive but put her best foot forward and clearly wanted to make a life for herself, made by herself.

now she's just mean. jaded and mean. dependent on the constant validation of others to the point of being manipulative. an absolute shell of a person who can only grow a spine when she's punching down on people weaker than her, completely incapable of standing up to the people who are a legitimate threat to her. it's not empowering, it's not subversive, it's just another pick me story about women pitting themselves against other women and never taking accountability for their own behavior, mistakes, and deliberate actions meant to hurt others, often teetering on the line of straight up narcissism all for the sake of a "boss babe" moment.

anyways, if you want an actual well-written and GOOD scene of an empathetic female protagonist struggling to find their footing in adulthood being called the fuck out for their learned helplessness behavior, go read Tamberlane, it tackles this topic much better through its main character who keeps using her brokenness as an excuse to never do better, it slaps and it's so real.

[estro-gem]

Jax x Ragatha: The snake and the water spring

The Amazing Digital Circus AU: Oasis.

Author's note: I found this show by chance and I took a great liking to it! So now I did a thing, instead of studying for upcoming exams, because I love making things difficult for myself, apparently.

I have no idea what the fandom is like, but I'm playing it safe just to be... well... safe. I just loved the concept of this show so much that I couldn't help but be inspired by it! It got me thinking and I let it all out in this... thing.

I want to write more one-shot fics about the other characters and how they fit into this au too, but I don't know when I'll be able to.

WARNING! None of these characters are mine and everything mentioned and described is purely made-up fiction; inspired by works that are not my own. Nothing should be considered canon or taken seriously - we are all here to have some harmless fun! No age restrictions. I think this might be appropriate for all ages...?

Please show some love and support for Gooseworx; the creator of The Amazing Digital Circus!

I definitely butchered Gooseworx's characters by adding unnecessary 'relationship dynamics' and deviating from their original personalities. I promise that the actual show and characters are so much better than they are in my false portrayal of them.

SUMMARY:

A fanmade take on the events following Pomni's arrival and after the crew had dinner together. This is focused on Jax's point of view, but still written in the third person.

Jax confronts Ragatha after the pilot episode's 'dinner' and does his best to comfort her in a way that works for them. That's it.

Please enjoy!

THE SNAKE AND THE WATER SPRING

Jax was a desert snake.

Nothing but a cold-blooded pest that lived to find his next meal.

When one is left to die under the scorching sun, you can’t stomp on the sun for creating a desert, but you could stomp on the desert snake if it added to the pain of surviving in said desert. The Digital Realm was nothing but a desert sun – a cage with no exit and an evil with no target.

It was no secret why so many had lost their minds here.

Jax took on the role of being the snake. It was never announced or planned, but it was deemed necessary by all who came to know the realm. The inhabitants of The Amazing Digital Circus craved any sense of control; something they could hold accountable for their torment – something they could punish. A menace, parasite.

Evil with a target: Jax.

It was fun to act out while everybody went about their lives. He could unapologetically be the worst being known to man and thrive on the rage and hatred of all he had affected. If they hated him, he was fulfilling his role perfectly… and that meant they could stay sane and do their parts as he did his. Less people would be lost to insanity… and the group would grow stronger.

Everyone had a role in their system – an oasis was established, with Ragatha as the heart of the oasis; their very own water spring.

But when a new invading creature bursts into the oasis with no knowledge of this system, their system would be doomed. Pomni happened to be that invader. Everyone could collectively, yet silently agree that she was acting by her own careless devices since she arrived a few hours ago. She greedily soaked up their water source and left it barren, dry, and suffering.

Granted, Pomni didn’t know how their oasis worked, but it didn’t change the fact that she disrupted everything by showing up. She would have to catch on quickly and prove herself useful, before anyone else loses their minds.

They lost one of their own already… and they almost lost their beloved Ragatha; Jax’s equal and opposite.

Their precious water source.

Snakes offered venom, while water springs offered hope of life. They all desperately needed Ragatha to survive. While most would assume her to be fine after being fixed by Caine, Jax knew better than that. He saw her reluctantly stand aside Pomni to support her – beautifully acting within her role as she always would, but it was clear that Pomni still didn’t understand how scarce the water was by then. Rags was spread thin enough by handling the extra stress and enduring the continuous pain of being corrupted by the abstraction, but that didn’t stop Pomni from practically having a mental breakdown at the dinner table.

Jax saw that coming from a mile away. Thank goodness he silently took the open seat next to Pomni, silent in his insistence that the ragdoll should keep her distance for the time being. He’d give anything to destroy the little jester for abusing his doll. Ragatha was acting perfectly normal at the time – her masked smile perfectly set on her face – until it was time for them all to retire to their respective bedrooms.

Jax wished that he would’ve just dragged her after him when he booked it from the abstraction earlier today. Pomni would have been the perfect distraction for them to escape and get Caine.

He stood at Ragatha’s door after dinner.

Jax made a point to ring the doorbell this time. Usually, he’d just pluck out a key and saunter in like he owns the place, but with what happened today, he’d make an exception. Everyone has their limit – and someone has already reached their limit today. They couldn’t risk losing another one. Especially not Raggs. They all really needed her.

When she didn’t open, he tried the bell again. Nothing.

Well, time for the key, then.

He shoved his hand down his front pocket and fished out the doll’s room key. The bunny didn’t waste time opening the door. He wanted to see what state the girl was in, despite dreading the possibility of finding an abstracted amalgamation on the other side.

Silence.

Not even a creak was heard from the hallway. The room was lit up as it usually was, so that was a good sign, at least. Jax couldn’t see an obvious black body of eyes – another win. But where was Ragatha? He did see her walk into her room, so she had to be here.

He walked around, keeping his cool, casual composure fixed, despite no one being around. It was effortless at this point. It became a way for him to focus on what he could control in this crazy digital prison; himself.

He couldn’t, however, control his ability to spot a blasted ragdoll, it would seem. He scanned the room again, until his eyes fell on her ¾ bed. Could she-?

The bunny rolled his eyes at himself as he lowered himself onto his knees – maybe he could convince himself that he was not phased by the situation. Bending down, he peered beneath the bed frame.

Jax sighed in exasperation. Or was it relief? Both?

Ragatha was in the state she was in before retiring to her room. No gliching, no extra eyes.

Just Raggs.

She didn’t look good, though. The doll was curled up beneath her bed and blindly staring ahead of her. It didn’t look like she was breathing – not that they needed to anyway, but it was uncanny to see Rags like this. She was their voice of reason. She was a water spring in this desert.

If she dried up, their desert would be doomed.

Jax silently stood up and walked back to the open door again. No need to make a fuss over this. He took hold of the door handle and shut it from the inside. Key in hand, he locked the door and nodded to himself. Ragatha needed a raincloud… and he’d have to fill that role now. It’s the least he could do after leaving her to fend for herself when they found the abstraction today.

Why didn’t she run with him? Why did think she could fix someone whose mind was broken beyond repair? Why didn’t she just leave the rookie as bait?

Because that just wasn’t her role, was it?

If it weren’t for her nature – her role – none of them would have made it this far. It dawned on Jax, once again, how close they were to losing their beloved doll. How close they were to being stuck with an invader who knew nothing about what it took to survive in this hell hole.

Enough.

Back to the bed, crouched down and silent Jax positioned himself to lay down and simply look over the red head from a relative distance. There was enough space for the doll to crawl out of hiding without having to touch him. The bunny still hadn’t said a word. It’d be stupid to talk, and he didn’t feel like making the effort. He just wanted things back to normal again – well… as normal as it could have been.

Now Kaufmo is gone, a new creature was invading their home, tearing it up from the roots and tipping the delicate scales of the balance they worked very hard on creating. All because of a lunatic ringmaster having the bright idea of creating a fake exit-door. Someone better get that jester on a tight leash to get her to fall in line, like the rest of them were forced to.

He knew he, for one, wouldn’t mind roughing her up a bit. It was his specialty – his role. The parasite. The menace. The instigator.

Evil with an actual target.

The sound of shifting and movement had Jax blink out of his own head. Ragatha was slowly and dumbly making her way out from under her bed. Her eyes were still fogged over and her face still eerily blank, but at least she came out of hiding out of her own will. In a matter of seconds, the doll was out from her hiding place and settled on the floor beside Jax. She was staring him in the eyes now, waiting for the bunny, silently pleading.

Jax hadn’t had his aloof-douchebag persona engaged since he locked Ragatha’s door. She didn’t need a menace now – she needed to be grounded; revitalized. She needed a dark raincloud to fill up the water spring they all needed.

He didn’t look forward to what needed to be done, but he wouldn’t allow anyone else to do it.

He moved to stand up and held out a hand to help her up. He took note of the way her hand was shaking when she took his and gently guided her to the bed. The red head was the first to sit, then moved to lay down on her back and numbly stare at the ceiling. With a deep breath, Jax gathered himself mentally and cautiously crept onto the bed and positioned himself to briefly hover over her, before lowering his full weight onto Ragatha.

He had his head in the crook of her neck, on the left shoulder with his ears folding back to floppily droop to his upper back… with his left hand resting on the opposite shoulder. His body, although slim, enveloped hers and caused her to sink slightly into the mattress. His legs just loosely laid over and aside the ragdoll’s. It was more important to have his weight resting on her torso anyway.

For a long moment, they just motionlessly laid on the bed like this. To an outsider, it would look like they fell asleep atop each other or simply cuddled together very closely.

An outsider wouldn’t see that Jax was focused on the slow process of Ragatha’s body relaxing under his weight and her breathing slowing to a regular rhythm. An outsider wouldn’t have known that this was hardly the first time they’d done this – how long it took Jax to learn that this make-shift deep-pressure therapy was the most effective grounding technique for Ragatha to collect herself again.

They wouldn’t understand that Jax didn’t do this out of wanting to, but rather out of necessity.

Jax didn’t like to be touched. If anything, he was very capable of merely tolerating it. Everyone in the circus knew that he was touch-averse; some even used that as leverage to mess with him if the situation called for it. It was a necessity that he endured to keep his doll sane – to keep anyone of importance here in the circus, sane. Their whole lives revolved around mental strength. It was all just a matter of staying sane.

The laid there for what felt like a lifetime.

Slight shifting beside Jax alerted him that the doll was moving her arms – previously stiffly pinned to her sides. This was good, she felt comfortable enough to move around now!

Her left hand gently snaked up to the bunny’s head and slowly, softly petted his ears in a longitude motion. Her right hand wrapped loosely around his middle-to-lower back – motionless. This was bad, Jax did not like being touched like that!

While he was fine with the rhythmic touches of Ragatha’s left hand, he despised the idle position of the right hand resting on his back. He couldn’t prevent himself from tensing up in discomfort.

Bad touch, bad touch, bad-

This caused the ragdoll to tense up and rip her hands off him as if he burned her.

Oh no you don’t! We are not starting all over again.

He slowly pulls away and propped up unto his elbows, hearing Ragatha’s breathing pick up as she presumably spirals into her own thoughts on how he was going to leave her like this. Jax cast down a disapproving look. He broke his gaze to unceremoniously take her right hand – now clutched close to her chest – and intertwined their fingers, before resting his head on her left shoulder once again. He close eyes as he use his free hand to put her left hand on his head again, waiting for her to resume her petting.

Good touch; this was a good touch. Please understand.

Thankfully, Ragatha relaxed… and continued her previous slow, rhythmic motions. Slowly, Jax felt her relax once again and he indulged into her need for touch by stroking his thumb over hers occasionally.

Soon they fell into a rhythm; Ragatha would pet Jax’s ears 3 times, then it was his turn to stroke his thumb over hers. Then they would repeat the routine. This also helped Jax cope with the touching; the routine. The rhythm.

It felt like hours ticked by as the two just practiced their little unspoken routine. Jax grew used to it after a while, almost forgetting that his new mattress was now a sentient ragdoll and completely tuned into their rhythm of touches.

Pet… pet… pet… thumb. Pet… pet… pet… thumb.

Jax didn’t like touch, but he loved routine.

The doll and the bunny’s time together, once nothing but grounding techniques, grew to become an intimate exchange of touches and caresses – all wrapped in a routine, like a dance. Jax felt warm and fuzzy inside; for once he basked in the moment of enjoying his dolly. He lazily wondered if Ragatha felt the same. He shifted his head to look at her.

The doll looked down to meet his eyes when she felt him move. He could swear that she looked at peace, basking in the bliss of their closeness. For some reason, she looked like an angel. They all saw her as their angel. Had he successfully pinned a heavenly body beneath him?

Her gentle, longing gaze made a kaleidoscope of butterflies erupt from his core.

This wasn’t the first time this feeling invaded his being when they did this – as rare as these moments were. He wasn’t sure when he started experiencing such feelings during these rare encounters, but as months crawled by, he felt drawn to his dolly more and more. Based on how she looked at him, he could only assume that she felt it too.

Something so foreign, yet so familiar.

He didn’t fail to spot the warmth rushing to her cheeks when their eyes met. She looked so ethereal beneath him, especially when her breathing picked up under his firm gaze. Her lips were parted, and her eyes were lidded. This time, it wasn’t fear or overstimulation. It was anticipation. It was desire.

Jax internally flinched at the tingly sensation when he smoothly burrowed his face into Ragatha’s neck. She shivered at the breath he let out against her skin. He could tolerate the touching a little longer, as long as he could see her crumble again. He wanted to see her walls crumble again.

“Jax- ”

Oh… he had to hear her again. More clearly, next time. This was torture, but she made him into her own personal masochist. His skin crawled at the sensation of her skin shivering against him, but he needed more. He could take it. Just a little longer – he just had to stand these sensations a little longer. He looked at her again.

Ragatha was reverting to a helpless puddle. The doll’s arms were gripping at the covers beneath her, successfully eliminating the bother of excessive contact that he despised. Jax didn’t know if she did it with that intension or without thinking, but either way, he was thankful. He really wanted more.

Why couldn’t he just be normal?

He lifted onto his elbows again and – dare one say – lovingly looked at her face. She could only peek back at him, breathing slightly faster than usual. Out of the corner of his eye, he saw her shaky hand rise from the covers and hover next to his cheek, while her eyes pleaded for his mercy. He hesitated but bit the bullet to comply; leaning into her touch while desperately trying to ignore the odd tingles. Jax convinced himself to kiss her wrist and drowned himself in the pleasure of hearing her softly call his name.

He only heard it because he was listening so closely for it.

Yes.

DING DONG

In a flash, Jax braced himself up into a crouch and slammed his foot down with a mighty THUMP upon hearing Ragatha startle into a fit when the doorbell chimed. His hair on his back stood on end and his claws ripped through his gloves, leaving gouges in the covers beside the doll’s head.

His precious doll was disturbed again!

He heard her soft cry of fear and his blood boiled with a thirst for vengeance. Only he can make her cry out. He’ll skin the soul that dared to-

“Ragatha…? Can we talk?”

That DAMN jester!

“Jax?” a quiet voice trembled in his ear from beneath him. Jax stopped glaring at the door to softly glance down and see what his little doll wanted.

“Don’t…” Raggs sounded like she was begging while being held at gunpoint, whispering despite their rooms being enchanted to not hear anything from the outside when the door is shut.

Jax wouldn’t dare let that thing inside. Raggs was upset enough as it is.

“Look, I know it probably wouldn’t make a difference…” Pomni’s voice came from the other side door again, “…but I’m so sorry for running off… Again… I saw that exit and I had to see if it was real. No one else believed me and I started to think that I was losing my mind. You understand that, right?”

Jax placed both his hands down on the mattress, blocking the doll’s view of the door as if it could block the sound of the voice from reaching the Raggs’s ears, still hovering over her. He knew that his dolly didn’t want to hear anything the harlequin had to say now – he had half the mind to get up and bash the newbie’s head in.

“I hope we can talk about this some time. You are probably tired after such a long, crazy day.” Pomni’s voice died down near the end, “It feels like you’re the only good person here.”

She really is, but she’s too good for you. Selfish leech.

Jax looks down to the girl, still stiff as a board beneath him. Her eye was shiny with the swell of tears. He melted at the sight – anger simmering down. She was just a sweet little rag dolly, she didn’t deserve any of this, but oh, he was so happy to see Ragatha finally emote something again. She was OK again. Their water source was filled once again, now threatening to spill over. He’d happily welcome the flood.

He needed her.

The sound of fading footsteps causes Jax to rip his eyes to the direction of the door. His hearing was better than the dolls, probably thanks to being a rabbit.

Good riddance.

Ragatha seemed to relax at the sight of Jax deflating his stance, reading that Pomni probably left her door. She hesitantly reached up to cup Jax’s cheek. Jax followed her hand’s motion and scoffed, cringing at the invasion. He’s had enough touching for a week. It sucked to leave his doll so soon after being distressed again, but he couldn’t bring himself stand any more of this. He quickly got up and smoothed out his clothes, but not without missing the flash of hurt in the doll’s eyes. He felt bad, but he had to be strong with the new girl around, so straining himself now would only make matters worse and mess up the whole system.

Still, seemingly bored, Jax stood in his spot while rocking on his heels and looking off to the side, only sparing her a glance. Raggs sat up by then. She looked a little worse for wear, but it’s an improvement from hiding under her bed. She rested her elbows on her knees with her chin in her hands. The hurt in her eyes was long gone, but she looked tired. Poor thing, Jax shared the sentiment.

He felt her eye bore into the side of his face and the bunny couldn’t stop himself before he rolled his eyes and looked to her again. He could’ve choked on air when he saw her face, but the years of steeling his demeanor left no trace of his inner turmoil.

Raggs sported that longing look in her eyes again.

They were so close this time – closer than they’ve ever been before. Each time they spent together on nights like this, although few and far between, they grew closer… and hungrier. Neither understood what it was, but they never had the chance to just collapse into it, tonight being the closest to that.

But there was always something, right?

Jax allowed gaze to soften. His doll offered a small smile that almost ripped his heart out if his chest. It was drenched with melancholy of something she knew they could never have.

Because their roles in their little ecosystem didn’t allow for it to ever be theirs. It would never work.

This was survival.

The rabbit steeled his demeanor once again, but this time, his doll’s face didn’t fall.

Good, as it should be.

Jax walked to the door and fished out the key from his front pocket. He didn’t bother looking back. If he did, he wouldn’t have the will to leave anymore. When he opened the door, though, he couldn’t help but mumble out teasingly.

“See yah later, Doll~!”

He wished that he could shout his affections for her out into the void instead.

“I’m not your doll.” Ragatha responded, voice still wobbly and tired, but perky regardless. She knew just how to indulge him.

Yes, she is… she always will be.

Fanart: Evil with a target

Oasis: TADC AU list

Masterlist

[canonicallyobserving911]

Buck & Eddie: T.K. and T.K. possible and potential parallels

Taylor Kelly vs. Tommy Kinard

I've been thinking about the "possible and potential parallels" between Taylor Kelly and Tommy Kinard all day and I believe their similarities go far beyond their initials.

Since the new stills for 7x4 are now available, I think I may know where one of the "You don't know me"'s from the title of episode 7x5 may come from.

I did a post about Buck saying "You don't even know me" in 2x8 (linked here) and I think there's going to be several people saying it to someone in 7x5 and one of them might be Eddie saying it to Tommy. At first I didn't think it sounded like something he would say but now I do think he would especially if it's about Buck.

Back to the regularly scheduled program...

Last week I rewatched the begins episodes for Chimney, Hen and Bobby (post linked here) and I was reminded of how horribly Tommy treated Chimney and Hen when they first arrived at the 118. He wasn't really rude to Bobby (his best friend Sal DeLuca was) but Tommy transferred to the 217 not long after Bobby transferred in.

Reminder, Tommy and Chimney are "supposed" to be friends and Chimney called him in 2x14 to help the 118 with the neighborhood fire in Doheny Park. But it's interesting because in 7x4, Eddie's the one who will be hanging out with Tommy but Chimney will be the one who invites Buck to play basketball with them 👀.

Before I continue, I have to include something Hen said in 3x16 while the 118 was playing pool in the firehouse.

Buck had just met Red and he was freaking out about how the firefighters from Red's former firehouse left him behind (Actually, he was really freaking out about himself but reminder, Eddie had already taken care of that when he changed his will after 3x15). He went on to explain how Red was living in a one bedroom apartment that he paid for with his pension. Sound familiar? It should because Buck lives in a one bedroom apartment and he's single 👀.

After some discussion about them keeping in touch with each other if someone left, transferred or if Bobby retires, Eddie asked Chimney and Hen, "Like you two. You still keep in touch with the guys who used to be here, right?" but Hen responded, "Um... I don't know if we'd call some of them friends". Then Chimney said he called Tommy for a favor the year before but he never called him back.

In 7x3, Hen still side eyed Tommy and she didn't trust him but she went along with it to save Bobby and Athena. Also, Chimney wasn't shown calling Tommy to ask him for help, they were already there when she arrived.

Why is this important?

Well, what if Tommy DIDN'T really change and he's still the same person he was years ago just like Taylor DIDN'T change? Reminder, the show made it seem like she was redeemed but she really wasn't.

In 5x18, she told Buck "You knew who I was when you started dating me" and the truth is, he did.

So what if...

Tommy shows his true colors to Eddie and says something about Buck and Tommy ends up being the same jerk he was towards Hen and Chimney years earlier? If so and Eddie realizes Tommy is not the cool new friend he thought he was, then he just might tell him "You don't know me or Buck". Reminder, Eddie hasn't had a lot of friends and I said it before that him and Marisol might just be friends and they aren't seriously dating (post linked here).

I just think it's interesting that Tommy and Taylor BOTH HAD TROUBLED PASTS with the 118 during season 2 and they're both being paralleled with Buck and Eddie and they are/were supposedly their friends.

Another reminder, Taylor always wanted to throw the 118 under the bus and she finally did in 5x17 with the Jonah story so maybe Tommy hasn't changed at all. Or maybe he has but he's still holding onto some frustrations or animosities towards Hen, Chimney and Bobby, especially if he's still cool with Sal.

The point of this post is, I don't think it's a coincidence that Taylor and Tommy have the same initials, troubled pasts with the 118 and they're both connected to Buck and Eddie.

Eddie loves Buck to his CORE and they're in love with each other! Therefore he won't hesitate to tell Tommy to get the hell on if he says something negative about Buck.

Will Tommy Kinard show his true colors before the end of 7x5? Only the showrunner, writers and producers know the answer to that question.