#I just have some relevant experience for once

[mesetacadre]

Is the belief at all valid that ultimately there is nothing much we in the imperial core can do for the global south (i.e palestine) and that liberation is largely in their hands only? Was there any time historically where that wasn't the case?

Maybe I am just doom and glooming but it really doesn't feel like there is much we can affect (though I still attend protest and do whatever my party tells me to, I don't air out these thoughts because I don't think they are productive)

Primarly I feel like building a base here for when shit goes south is the only thing we can do

My friend, we can't forget that, while imperialism is committed outside of our reach, it is fueled, supported, and justified in our countries. National liberation movements fight in their own frontlines, and we fight in the rearguard. If you have the impression that any real progress is impossible from our position, that is a product of the very limited development of the subjective conditions in your country. You and I have seen a myriad of protests and encampments this last year, which have had overwhelmingly no material effects on the genocide, but this is not inescapable.

In Greece, where the KKE is a legitimate communist party in the eyes of a significant portion of the Greek working class, their organization in and out of the workplace is very capable. In the 17th of October they, co-organizing with the relevant union and other entities (small note because when this happened some tumblr users seemed to misspeak, this action would have been impossible without the help and involvement of the KKE, take a look at the US to see what trade unions do without communist influence), blocked a shipment of bullets to Israel:

And merely a week ago, they blocked another shipment of ammunition meant to further fuel the imperialist war in Ukraine:

The differentiating factor in Greece that is not present arguably anywhere else in Europe and North America is their strong and established communist party, even their presence exerts an indirect influence in the broader working class, communist or not.

So are the rest of us meant to sit in our milquetoast protests and watch on with envy at the Greeks? No, because these are subjective conditions, and we have control over them. Even if most actions we do don't achieve anything materially, we gain experience, and the base for a proper organization of our class is built up. It's not just building that base for when something goes wrong in our countries, it's building a better base for the very next mobilization, the next action, the next imperialist aggression. The student movement of the imperial core is better off now in terms of lessons to be learned after the encampments than if they hadn't done anything (and the utility of the encampments wasn't completely null anyway, some unis in Spain have ceased all economic and academic relations with Israel).

[unproduciblesmackdown]

costume design, set mockup, and rehearsal photos from this guide to the show that's like really thorough in providing Context like, mini articles about the creators of the original movie, musical, and movie musical, about other versions of productions, the history, quotes of other commentary, interview quotes, context of other / preexisting genres like b movies, faustian stories, "what if a plant was weird" stories, glossary of terms (such as references that may generally be less obscure if you were in the '60s, e.g.), suggested further reading....haven't read it top to bottom but i think it's fantastic, link to the pdf as post source

[charliethemanticore]

Hi btw being trans does not automatically grant you supernatural understanding of all esoteric trans knowledge. You actually need to put effort into learning or put effort into keeping quiet about things that don't pertain to your specific experience

[phagodyke]

looking up info on keloid scarring is so helpful. thanks man I didn't think of trying that one

[ravenwolfie97]

i can't sleep and i want to fight youtube

[roguerambles]

I understand the disappointment, I really do, but I think people might be blowing the whole world state thing a bit out of proportion. "This is SPITTING IN THE FACE of long-time fans" no it's not Steve, calm down.

The series has always had to compromise when it comes to the state of the world because so many of the choices (especially from the end of Origins) were so wildly different that trying to build a sequel from so many conflicting factors would be more or less impossible. It's why we've never seen the Architect again, because him being alive or dead has HUGE ripple effects that are damn near impossible to write around.

Heck, it was entirely possible for Anders to die at the end of Awakening, but the writers wrote around it by saying "oh no he actually faked his death" even though logically that made very little sense because at that point he'd have absolutely no reason to do that? But Anders was in the sequel so that had to come up with something.

Basically nothing from Dragon Age 2 was important in Inquisition - Hawke siding with Mages or Templars made no difference, Anders being alive or dead made no difference, whether Carver or Bethany were dead or Wardens or whatever made no difference. We got some flavour text and that was literally it, everything else played out exactly the same.

Hell, the Temple of Sacred Ashes gets blown to bits at the beginning of Inquisition, rendering everything to do with that quest from Origins basically moot. And we've never gone back to Orzammar, and everything we have heard from it has been kept super vague, because depending on who the King is and if Branka is still alive things would look WILDLY different. Crafting a new story there would be borderline impossible because the dozen different possible world states make the foundation shaky at best.

It's why I highly doubt we'll be able to side with Solas and help him tear down the Veil because that would result in basically a whole new world being created. Imagine them trying to make Dragon Age 5 and being like "okay 50% sided with Solas and tore the Veil down and 50% kept the Veil intact....wtf now what do we do--?"

Again, I understand the disappointment, but I just hope once the dust has settled and people calm down a bit they'll see that, realistically, very little has changed. Your saves are still there, your experiences and enjoyment of the games and the characters and the story are still there, but they were always gonna have to draw the line SOMEWHERE.

And that's not to say none of our previous choices will come back - if we get another game, or a spin off or something they'll probably do what they're doing with the Inquisitor now. They're just taking what's relevant to the story they are trying to tell, and leaving what they aren’t going to use presently ambiguous.

[nanamiscocksleeve]

Natural Breeding Clinic - Prologue

warnings: MDNI, breeding kinks, general sex, mention of infertility and insemination methods

a/n: It's here. Finally.

Teaser - Prologue - Patient 1

You take a deep breath and sit down in front of the laptop, waiting for the other person to join the call. Never in your life had you heard about such a unique reproductive center but lately, you’d been feeling the pull to start your own family. You’d discussed this with relevant people in your life. Everyone had said if you really wanted a child, then you should go with the options you thought were right for you.

You’d done the research, looking into different doctors and fertility clinics, but this one just stood out. There were testimonials from several happy families, saying their methods, though unconventional, were effective, and the doctors showcased on the website were all incredibly striking, each one handsome in their own way. But it was the success rate that caught your eye. A 98% guaranteed rate that you would be pregnant, and that pregnancy would be healthy. The site didn’t go into too much detail on their method, but the wording caught your eye.

“A natural breeding clinic” they’d called themselves. You’d finally bitten the bullet and called, requesting an information session. The screen suddenly lightens and you focus your attention as an attractive woman with shoulder-length brown hair comes into view. She smiles in a welcoming way before speaking.

“Hello. Am I speaking with Mrs. L/n?” You nod and smile back, trying not to look awkward or uncomfortable. 

“Perfect! My name is Shoko Ieiri, I’m the main coordinating nurse here at Jujutsu Fertility. Thank you for scheduling an information session with us.”

“Yes, of course. I just needed more details before I booked an appointment.”

“Indeed.” Shoko claps her hands together before continuing. “Let me start by telling you a little bit about ourselves. We’ve been around for almost 6 years now. What sets us apart is that we focus more on women’s comfort than most other clinics. And we are sought out by people who are willing to use a sperm donor. We do not perform insemination services with sperm that are not from our own stock.”

“Your own stock? Are you associated with a sperm bank? And screen all the donors yourself?”

“Not a sperm bank in the conventional sense. We have 5 doctors who keep excellent health and their sperm is regularly screened to ensure quality. They are the only stock we allow for insemination.”

You blink to make sure you haven’t misheard. “The…doctors? Are you saying the fertility doctor I’d be meeting with will also be my sperm donor?”

“That is correct.” Shoko nods her head to confirm. “You will be meeting with the doctor of your choosing for at least 5 sessions. They will need to be at least once a week. Some women take the week off and come in 5 days straight.”

“5…sessions?” you ask, confused by the wording.

“Yes. It’s to ensure the insemination process has occurred an optimal number of times.”

“Wait…so…I’m going to be inseminated multiple times? How much downtime do I need in between each insemination?”

“Hardly any. Our method isn’t like a typical clinic. Most women leave feeling very normal and a lot more satisfied than when they came in.”

“Not like a typical clinic? So…you don’t use the catheter method?”

“We use minimal medical equipment in our inseminations.”

“Minimal…so what does the procedure entail?”

Shoko clears her throat and continues. “So it begins with you choosing one of our doctors. We highly recommend spending some time on this part. It’s essential that you feel attraction towards your doctor. Once you make a choice, they will reach out to discuss how your insemination experience can be optimized for you. You will receive a biodata on their sexual profile, their preferred methods of arousal, and other relevant details.”

“I’m sorry, but what?” You are at the edge of your seat wondering if you’ve entered an alternate dimension. Surely, this was all being made up? “Arousal, sexual profile- why would I need all these details? I thought sperm donors only gave information like height, weight, medical history and stuff like that.”

“Why wouldn’t they? You’re choosing to be bred by them. They would have to make sure their patient is satisfied with the experience.”

“Bred?” You bleat the word stupidly.

“Yes. We are a natural breeding clinic. We use the method nature has provided to us to ensure a pregnancy.”

The gears in your brain start turning and something finally clicks.

“Are-are you saying…I would be having sex with my doctor?”

“That is correct.” Shoko smiles gently at you, pleased that you have finally caught on.

“The human body doesn’t necessarily enjoy having medical equipment inserted into it. All that cold plastic, and the mechanical methods of insertion. It puts the body in a state of stress. Not good for implantation. So our doctors will inseminate you through the process of intercourse.”

 Her words fall like a fog around you. You can feel your heart racing, a flush creeping into your cheeks. It was…insane. The doctor of your choosing was essentially going to fuck a baby into you. As your mind starts pulling up the images of their doctors, each one impossibly handsome and striking, you feel a familiar throb starting between your legs. Wetting your lips, you try to talk to continue with the information session.

“I see. And…there are benefits to this?”

“Yes. Intercourse allows the body to relax, releasing happy hormones. In this stress-free state, in addition to the knowledge that your doctor is someone you’re attracted to and trust, the chance of an implantation doubles.”

You gape at Shoko, your mind reeling from all the information.

“And…when you say the insemination process will be optimized for my best experience…?”

“The doctor you choose will ask you extensive questions about your preferences. What turns you on, positions, dislikes, toys. It’s to determine if they will satisfy your breeding experience. If they feel they might not be a good fit, they’ll recommend another one of our doctors.”

You swallow, your mouth going dry. “I see. And…what else do I need to know?”

“We will start by collecting your medical history and run some blood work to make sure your body is ready for an insemination process. Women who have a domestic partner will need to get both a waiver and a consent form signed by their partner that they have been informed what happens for the insemination.”

“Of course. Makes sense.”

“You will be assigned an emotional support companion during this process. It will either be myself or Mr. Ijichi Kiyotaka. We are there to help ease your nerves and ensure you enjoy the process. And all patients must think of a unique safeword to use during the insemination process.”

“Safeword?” you parrot back, still processing.

“Yes. At any point during the process, should you feel uncomfortable, your safeword ensures all actions cease and your doctor will give you some space to breathe and reassess the situation.”

All you can do is nod along. Shoko gives you a look of reassurance. “I can guarantee that most women are pleased with the results. And our doctors are quite skilled in what they do. It’s natural to feel a little shy and embarrassed but at the end of the day, we all share a common goal- a healthy baby.”

Despite your initial shock, you feel some of your trepidation fade away. Shoko continues.

“If you are ok with all of this, I can send you the forms to get the process started. Once those are filled, you can take some time to decide on your doctor. Then we’ll set up a call with them.”

“Thank you.” You make a split-second decision. “Please go ahead and send the forms.”

“Excellent. I’ll send them to the email you put in your inquiry. Was there anything else?”

You shake your head no. “I think I have all I need.”

“Great! I look forward to assisting you again.” Shoko ends the call and you immediately go the the website again to look at the doctors, one of which will end up fathering your child. Such a hard decision. How will you ever make the choice?

@thesunxwentblack @kentocalls @actuallysaiyan

@belle-oftheball34 @jesssicapaniagua

@figmentforms

© nanamiscocksleeve original work | no copying, plagiarizing or translating

[natalchartnurtures]

PAC: Energy Check~ for wherever you are right now

This was completely unplanned but frankly spirit doesn't give a fuck about my plans. So if this found you, here are some messages you probably need right now-

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pile 1: Ooh.. as I was preparing to start your reading, I saw 11:11 as the Chariot card showed up for you. This. Tells me that you are pretty strongly connected to your divine path right now, which simply means that you're doing something that's keeping you in alignment, sweet pile one! Good job! Keep going down this road because you WILL stumble upon amazing experiences and people! This message is coming through quite strongly. Now, isn't that lovely? Hehe.

Here's the thing, though.. Although you're actually IN alignment with your greatest timeline and life, you seem to be completely UNAWARE of the fact! You might be going through the necessary purging emotionally and/or mentally as a result of this alignment since the "old stuff" has no more room in your new vibration anymore. So, you've probably had to go through some intense endings and/or tower moments in life lately and THIS has left you feeling really, really sad. Maybe even depressed. For some of you, if that's the case, please seek help, sweet soul. It doesn't have to be therapy but even as simple as talking to a trusted loved one, you know? Or even journaling about it could help if you're into it. It seems like you could use a new perspective on the things you're going through right now. I'm sensing that you might be feeling emotionally numb right now too, but that's because you've been doing a lot of emotional processing lately AND IT'S ALL PAYING OFF. I just need you to know that. You just can't see it right now because you're slap dead in the middle of the storm, and I'm looking at it from a bird's eye view, you know?

While you're purging old stuff, I also see you making your way through an old core belief - "I gotta work hard to be deserving of anything because I inherently don't" Or something along those lines. You may have started purging this belief as a result of life showing you that it's simply not something worth keeping alive inside you. Maybe recently, you caught yourself overworking yourself to death only to receive very little in return (in any area of your life - relationships included) and this experience helped you wake up to this unhelpful belief of yours. You're unlearning this belief as we speak. It's not easy though, but I CAN assure you, you're acing it.

If you find yourself worrying too much about anything and everything or simply feeling a general fear, just know that it's a normal reaction to having things uprooted in your life. Life, right now, is asking you to do your best to focus on what's right in front of you because if you do this, the future is guaranteed to sort itself out. I promise.

I love you so much, pile 1. I see all your hard work and am rooting for you SO hard, bro. Love and light.

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Pile 2: Seems like to me that y'all have been STUCK in a particular pattern for a while now, maybe years? For some of you folks reading? Let me spell it out for you what this pattern looks like to me - an imbalance of the mind and heart. Too much mind and too little heart. Maybe none at all.

I can't seem to tap into the root of this imbalance, maybe because it's different for each of you reading, OR maybe it's not relevant to us right now because you can simply begin to address this imbalance as you see it in your day-to-day. But I sense that you're really good at addressing things, so once you're conscious of this pattern going on subtly in the background, running your life, you can really do something about this. This pattern may show up as you struggling with feeling fear, and this is blocking you off to one very important thing fear is here to show us, and that is how to support ourselves. If we are afraid of something we desire and have a healthy relationship with fear, we go for the desire while caretaking our fear. I read a quote the other day, it said "Do that thing you love but if you find that you're scared, then go do it scared." The point I'm trying to make is, fear isn't going to go away on its own, it's you who will simply expand your ability to hold space for it AND your desires equally. When you figure out how to do this, magic will happen in your life. You'll find that your unwillingness to caretake your fear only gave you more things to be afraid of (because, hello, Law Of Attraction *lol*), BUT you'll also find that when you radically start taking responsibility for your fear(s), you'll be able to act from a wiser space and be your full badass self. You'll find that there are so many things you CAN do and so much life you CAN live. Everything you've wanted to start doing in life will start to happen almost seamlessly. It WILL surprise you big time. You're currently making your way through an important part of your healing, and that is to hold yourself in all your glory. To hold all parts of yourself, even the ones that are scared shitless. Once you've integrated this segment of your healing, SO many doors will unlock for you. Sweet soul, you have no clue of JUST HOW MANY. And this… is probably because you manifest with your heart primarily (meaning you feel things deeply and so you unknowingly tap into the frequency of what you want easily) and your fear is keeping you stuck in your head, which means you're only 40% of the full You right now, PRIOR the healing of c. You might even feel it sometimes. You might feel like you're only a shell of a person (been there myself, you're not alone in this!). Listen to that feeling. Your truth lies in there. You're meant to be the 100% you, and I see that you're already halfway there!

I love you so much, pile 2, sending you so much light and love. Hope you find the resources you need to make it through to your new life where you live in more love than fear.

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Pile 3: Man… y'all been fighting for your lives, huh? I see that you may be in the midst of a lot of divinely evoked darkness? Lol, I literally heard that - divinely evoked darkness. Maybe you're going through a dark night of the soul, perhaps? Whatever your're going through though, it seems like you've been hanging on for dear life.

Some good news for you- no matter the circumstances you're in right now (be it good, bad, or terrible), you've been doing all the work necessary to keep your head above water and have been diligently nurturing your own light, positivity, and essence. THAT'S incredible resilience, sweet pile 3, and I'm really proud of you! It's not easy to keep an open heart through bad times, and that's such a grand achievement in my eyes. UGH, BEAUTIFUL.

Your energy SCREAMS transition period vibes. You seem to be neither in your "old" timeline nor in the new one yet. You're sorta hanging in the middle right now. I see the Hanged Man in the third eye as I tell you this. Feels like you're in the void right now, and things just seem… bleh. Boring. Colorless. This is probably because you're already done with the ugly part of the process, "the divine shakeups", the loss, and the purge. Think… the bland but peaceful feeling you feel after having an intense ugly crying session, you know? Yeah, you're energetically there right now. You'll probably be here for a while longer because you've let go of MAJOR stuff, pile 3. Did you let go of people recently, maybe? Or that old bad habit, perhaps? That was the purge, so to speak. And now you're in the aftermath of it all, the uncomfortable but necessary calm.

-Side note: You might've struggled to embody your divine feminine earlier, but the timeline you're entering right now is the exact opposite of that. You might be attracted towards things that will help you nurture your own divine feminine right now. Give into it. Nurture patience, stillness, and compassion for self. It will HOPEFULLY speed up the void period if you consciously take part in it, you know?-

You're quite emotionally intelligent, and it has guided you throughout the whole process, and it also seems like it ain't your first rodeo in the process of proverbial death and rebirth. Good on you because you're doing a real good job keeping your calm through venturing into the unknown. You know what? You remind me of Elsa from Frozen, taking on the unknown like it belongs to her. You are such a queen, omg.

Yep, all that's left to do now is celebrate yourself, pile 3! Try your best to embrace this period, the void, and you'll be on your way to your next happy adventure! Love and light, sweet soul. Thanks for sharing your energy with me today.

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[lilacstro]

academia astro observations (pt 12 <3)

its college season, and diploma season and a season (i am hopeless about my college life fr)

well nvm you intelligent folks, you probably cannot relate, lets go:

1.Smartest people I have seen have Virgo and Gemini placements 9/10 times. Especially, in 3rd, 9th and 12th house

2. Ok so Aquarius is an underrated placement when it comes to being intelligent, I think I have said it before maybe? But aquarius mercuries, stelliums and 11th/3rd housers are most definately tech savy.

3. OH having Grand Trine in air element*bows down* such an active mind, and so super smart, almost effortlessly but don't get lazy y'all that is one another thing

4. I think just like its sister sign somewhat? Scorpio people, especially suns are really good with money and finances, creating money and infact managing money as well

5. Sagittarius and Libra placements are very likely to succeed in theoretical subjects, like business and arts and history and both of them, civics 100%

6. Your 9th house sign or lets say element can show your learning styles, 9H in Air signs? You might actually study by yourself really well, probably using books and lectures. 9H in Earth signs? The people who like going to labs, practical experiences. 9H in Water sign? Feeling an emotional connection and desire to study or they would overwhelm themselves and come falling down, 9H in Fire signs? Ah, you all definitely need some kind of pressure to ground and sit down and grind but once you do you guys have some real passion and drive, like pulling an all nighter before an exam and doing well somehow vibes.

7. Virgo in 9H people can learn anything, ANYTHING. Maths, history. sociology, you name it. All they need is time and desire for that subject.

8. This also makes me feel Virgo in 9H people are definitely the types to elaborate everything they write especially in academic settings so they could in fact do very well writing academic papers

9. Part of Fortune in 3rd/9th again makes you a good learner and someone who can do well academically. but it doesn't quite mean you will excel without studying ahem it just means you have this extra gift to you.

10. Aquarius in 9H people are most likely to be the ones who ask the most questions in class, even if it feels it maybe totally unnecessary at times, but they are rarely afraid to speak to their instructors and ask curious questions even if they are non relevant.

11. Taurus placements, risings, or 9H, can actually be slow learners or late to bloom academically, but once they really learn something, boy its in their memory forever.

12. I have often seen people with Gemini placements have surficial knowledge in things, or they may rush with things at times, and not really go into deep details like Virgos or Aquarius people, just my observation

13. Uranus in 9H or 3H people can change majors a lot, and maybe just be uncertain overall with what they have to do.

14. Ruler of 9H in 8H can show there might be some kind of sudden nature involved in your college experience, maybe your suddenly dropout, maybe its a completely diffrent and transformative experience for you, maybe you get mental health issues in college etc.

15. College romance is likely for people who have Gemini Juno or Virgo Juno or Juno 9H/3H/11H (maybe through your friends, maybe college friends ahem) another one is ruler of 7H in 9H

16. Oh yes, people with Mercury as their chart ruler are again quick learners and also, really good at learning and very dedicated to studying things they are studying and would excel with talent or hardwork or both

17. Jupiter in 1st house people also actually come off as really smart and wise, but somewhat intimidating and know-it-alls when it specifically concerns to their academic abilities

18. Having pisces in 9H is actually one of the other indicators of being smart and actually, more of intuitive and intellectual smart, and these people actually may have some kind of emotional connection to their major and coursework not as in crying type of emotional but maybe their parents want them to succeed, maybe they want to do it because they feel like it. I also feel these people may like doodling while studying or using cute stationary or notes.

19. Mars aspecting Mercury, and you are very likely to get into full force with what you are studying, maybe go to the depths and get full drive and passion to be the best, have that competitive spirit inside you.

20. Speaking of which, it is yet again possible that people with Sun in 9H or Leo in 9H or ruler of 5H in 9H actually get competitive about studies. Infact if you have prominent leo and mercury placements both, this desire to be the best is even amplified (my mom has this, and even though her conditions did not support her completely to be as bright as she could, she still exceeded expectations imo and was always competitive about it even though she did not think of academics that seriously)

21. Jupiter aspecting Mercury people are more of wisdom smart or I may say curious smart kind of natives and there is rarely any sly and competitive kind of spirit to them, meaning someone who would want to share their knowledge most likely, talk about it to people and things like that, humble energy

22. Ego with what I know and can do is likely to come with people whose mercury aspects sun, they maybe can even make their scores their whole personality probably, there is a chance for this to happen though, so keep this in check maybe

23. Jupiter and Sun aspecting each other is another kind of placement that can give you some kind of pride and ego with what you know or you may actually get really defensive when someone questions your knowledge, however, another manifestation of this same placement is making your knowledge a beautiful part of your persona and sharing this light to most people, unafraid, these people can infact make great teachers.

24. Jupiter/Mercury in 12H people may really be good at deep research and probe, and these skills are again very important for researching and phds

25. Of course the Sag risings, we cannot miss them afterall. Even better if the Sun is in Scorpio or Mercurial signs the ability to pay attention to details and actually learn and teach things from scratch would be crazy.

26. Nadir in Virgo/Moon in Virgo/Moon in 9h or 6h/air or mercury ruled 3H natives may actually have some kind of mother who more so focused on the academic part in their life growing up or their childhood did have a lot of things around excelling academically

27. People with strong and positive mercury placements, or mercury in air houses may really be good at calculation and maths. Or even having an air sign/mercurial sign in air houses can count

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28. People who you have an academic rivalry with must have strong aspects to each others mars or pluto or both (there is some detail this point deserves but I am too exhausted I might add an edit here)

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29. This also makes me think of people with Pluto in 1st house, 10th house or Scorpio risings, they are 9.9/10 times always competitive, wanting to succeed and be the number 1, not in a toxic way but they really cannot easily see being left behind and if these people are academically inclined (they likely are since they are doing it), they would again want to do their best and be the person who is in some kind of rivalry with you lol

support me on ko-fi :)

paid readings are open xoxo

i have more but im tired af so i might make a part 2 someday, but its been a while since I have posted ngl but thanks for the support you all give me, ilysm

[saint-ambrosef]

I've also recently seen comments from conventionally schooled people who felt like the homeschoolers they met were socially ill-adept because they were not good at "relating to their peers."

Allow me to share some inside perspective as someone who was home schooled, and what that looked like from my side:

I had a great social circle in high school with friends from different schooling backgrounds, but I routinely found publicly schooled kids to be the hardest to socialize with in unfamiliar situations (e.g. a family friend's party, church youth group, etc.).

I'm sure it seemed to them like I had nothing to say and was overly quiet, but from my perspective, almost every conversation topic revolved around gossip. Not necessarily the mean kind, but two-thirds of their discussions were about other people - mainly other kids at school - whom I didn't know. The remaining third was pop culture and complaining about homework. It made it difficult for me to contribute to conversations, and they would quickly lose interest in talking to me once they realized that.

I don't know why, but many of the public schoolers seemed to dismiss socializing with kids who couldn't relate to the things immediately relevant to their personal lives (if you couldn't gossip or talk pop culture, what else was there to talk about with you?). I didn't have that issue with most private school or homeschool kids. Public schoolers were by far the most exclusionary in their social habits on average, in my experience.

Maybe I'm just on crack with this theory, but sometimes I wonder if the "socially awkward homeschooler" stereotype that's so prevalent in public school circles, isn't at least partially because many public school kids have only surface-level conversation skills, but their social shortcomings are instead blamed on homeschooled kids' "inability to relate".

[ohnoitstbskyen]

Hi Skyen, hope you're well! I'm seeking some advice and since you used to work doing mainly art commissions I figured asking you was worth a shot.

I'm a furry artist and I'm looking into doing commission work as a side gig while I finish animation college, and hopefully acquire enough experience/clients/notoriety to turn it into a full time job once I graduate.

Do you have any advice for someone literally just starting out with fresh accounts and zero following? Especially when it comes to reaching people and getting your first clients, and anything that one should take into account when working with NSFW specifically. Also advice for pricing your work is always useful 😅

No need to answer obvs but I'd appreciate your viewpoint if you want to share!

Got 2 asks on this exact subject so I'll write up what advice I can. One big caveat: I haven't worked as a commission artist for like half a decade at this point, and this job has a tendency to change fast, do not take anything I say as gospel. This is advice from a limited perspective, be critical of what I say and trust your peers and the people you are in community with before you trust me.

building audience

Step one is getting people to notice the artwork you create. Literally nothing else can happen until you have eyeballs on your work, and the most consistent and reliable way to make that happen is fanart. Ideally you'd want to produce fanart in a fandom you are personally engaged with and passionate about and familiar with, and which also has a sizeable community whose attention can help you build recognition and a base of followers.

This isn't always possible, and there's many a working artist who creates work for fandoms not out of deep personal connection, but because the fandom is large and relevant and a good way to capture the goodwill of algorithms and content feeds.

This approach has some downsides. For one, genuine fans can usually tell when someone's engagement with Their Thing is shallow, and for another it can be deeply creatively exhausting to chase the algorithm. I don't recommend this approach, but it is a valid means of building a business.

Another important consideration, especially when you are early in your career, is that volume tends to trump quality. Every artist will eventually learn that their shitty joke-doodle they sh*t out in ten minutes on a whim will get a billion reposts, and their complex personal work that took eight weeks to finish gets 2 likes from their closest mutuals and a comment from a bot saying "wow!"

In the age of the algorithm, what machines and for you pages value is a consistent, high-volume of output that generates user engagement. You will generally get further, faster, by producing a lot of work than you will producing great work. Again, this can be rough on your mental state, and a fast way to burn the fuck out, so please be careful and mind your health before all else.

The best way to build something that will last is to build your audience in communities and around fandoms and themes and ideas you genuinely care about and enjoy exploring and interacting with. Being your authentic self and creating work from your authentic interest is generally both healthier and long-term better for your career than trend-chasing. Treat trend-chasing and volume > quality output as tools in your toolbox, as creative and business decisions you can make to achieve a specific purpose, never ever EVER let them become the center of your praxis or your philosophy. Never ever EVER allow the Numbers™ to be your source of validation and accomplishment.

building business

Ok, so you've got eyes on your work. You've got some followers. How the hell do you get them to commission you?

Well, again, by demonstrating a capacity to create kinds of art for which there is demand. In the furry community, there's brisk trade in things like ref sheets and character design, for example. For most fandoms, ship art is a product which tends to be in demand. Being able to do really good expression sheets is a marketable skill. Being able to create compelling and clear emotes for streamers and creators is a marketable skill.

Showing the capacity to work in a wide range of styles is valuable. Showing the capacity to work in a wide range of genres is valuable. If you can do both comedy and romance your appeal expands. If you can do shonen-like action and angst as well, it expands again.

Equally, being incredibly good at a specific niche is valuable as well. Focusing hard on an under-served niche of work can give you a lot of opportunities to be the Go To person for that specific kind of thing.

Perhaps the hardest part of all of this is marketing yourself. Not only showing that you have the skills, but actively informing your audience that you are available, eager and willing to practise your skill for a fee. You have to sell yourself. It sucks, but you have to do it. You have to advertise what you can do, and you have to suffer the rejection and annoyance that comes along with doing that.

You have to ask people to commission you. You have to raise your hand and demand attention. It's not fun, but it's business.

Walking the line between self-promotion and being a person is hard. I can't help you that much with it, it's a very personal balance to find. Stay in touch with your soul, but kill the part that cringes at yourself.

Ultimately, you best marketing asset is your portfolio. Every time you do work, show it off. Repost it, retweet it, spread it around. If someone is happy with what you've made for them, do your best to make sure that other people see that happiness. Ask your clients (politely) to tag you when they share your work.

Oh, and for the love of god, sign everything you create, slap watermarks on anything that's likely to get reposted, and make it impossible for someone not to find your business email on your profile.

building network

If you're a commission artist, you are in community with other commission artists. You share interests, you share experiences, you share needs.

Practise solidarity. Absolutely seek out professional peers to help your business, but equally seek out opportunities to help them with theirs. If someone comes to you for art and you don't have commission slots open, point them at a colleague who you know can do the work too. Gas up your peers and spread their work.

Be a symbiote, not a parasite. Respect the craft of your peers, and don't chase celebrities and big names in the hope of coasting on their coattails. It will fail.

smut

If you're a working artist, at some point you have to reckon with smut and r34.

These genres are excellent sources of income, and fertile ground to build a business and network of customers. BUT. Do not ever make the mistake of thinking that they are "the easy way" or a shortcut. Do not ever make the mistake of thinking you can simply offer to draw tiddies and rake in the cash.

It's work and graft same as literally any other form of labor, it's challenging on both a technical and creative level, and the audience can sense if you're looking down on them. If you approach this from a position of shame, of "eugh, I'm debasing myself by doing this for rent money," it will not work, and you will lose standing and respect in the eyes of every peer whose support you need to succeed.

Just as in all other forms of creativity, if you treat the audience as morons who will slurp up whatever slop you serve them, then you will attract clientele that agrees with you, and you will deserve the misery they will inflict upon you.

If you are going to work in smut, establish your boundaries and enforce them. Know that good clients will feel safer and more comfortable with an artist who clearly states their red lines and earnest interests than they will with someone who tries to attract more clients by pretending to be open to work that they are actually uncomfortable with.

Never, ever, EVER let a client push you to create work you are not comfortable creating. It scars your soul in both the short and long term.

Also, when working with this kind of content, know the rules of payment processors and know how to hide the nature of your business from them. PayPal should never, EVER know the details of the content you sell with their service. Frankly, neither should your bank, most likely.

Look to your peers for advice and best practises about this. And be meticulous about your bookkeeping.

money

I want to tell you to charge at least minimum wage for your time. I want to tell you to charge substantially more than that, because your labor is specialized and highly skilled.

But the economic reality of commission work is that there is a crushing downwards pressure on the labor price of art, which has only been made more devastating by the rise of generative AI, and especially when you are a young artist just starting out, you're going to find yourself in a position where charging even minimum wage for your time will turn away a huge proportion of your potential customers.

Again, your portfolio will be the greatest argument for the value of your work, but you have to build that portfolio first, and very often that means doing a f*kton of work for not remotely enough pay until the pressure of demand finally works in your favor.

I don't condone or justify this state of affairs. It is horrid and I hate it, but I don't know how to fix it either.

Making a living from content creation of any kind requires you to get lucky, on top of working obscene hours and foregoing rest and vacations. It's not a safe or sensible plan for a career or paying your bills.

My sensible advice is to get a "normal" job you can survive doing, and do your creative work on the side, and resign yourself to the possibility that the creative work may never actually pay your bills.

And that is soul-crushing, but I cannot stomach pretending that hard work and gumption will guarantee anyone a decent living if they just try hard enough.

There are people who are better at every aspect of my work than I am, and they struggle harder and work for longer, and they will never see half the success I have, because I happened to get lucky, and they happened not to. It's wretched.

I'm not telling you not to chase your dreams. I'm telling you to do it with your eyes open, and with compassion for yourself first before all else.

All of this to say: I can't tell you what to charge for your work. It depends on everything from your competition to your niche to your genre to your community to your economic situation. You have to figure it out on your own.

All I can tell you is never forget that your work is worth more than the market will let you charge, and to raise your prices as soon and as much as you can. Try to reach at least minimum wage for your time as fast as possible.

in conclusion

Again, I haven't been a commission artist full time for a long time, please do not take any of this as gospel. Listen to your peers before you listen to me.

But trust me about the solidarity. It will save you when all else fails.

[delulupunk]

How the batboys react to you only speaking in meme references:

Dick Grayson

This is the Robin who used to unironically use turns of phrase while busting crime lords with Batman, so of course he’s going to match your energy. If you say “What the fuck Richard?” He’s just going to reply something even sillier.

“They are my crocs.” He does this in the most deadpan tone and these two memes aren’t even related to one another.

He loves it though and finds the funny way you react to situations similar to his demeanour so you bounce of each other very well. It leads to the pair of you having meme wars- you try and outdo each other in how many memes you can reference.

“Bethany I made BiScUiTs!”

“Look at all those chickens!”

“So no head?”

The pair of you now have inside meme jokes that you say to each other, that earn you weird looks from everyone else when you say them to each other. Mainly because the combinations barely make any sense. However it brings you two closer and sometimes helps break the ice after an argument.

“It’s Wednesday my dudes…”

…

“AHHHHH!”

Jason Todd

Jason isn’t much of a social media person anymore. He tells everyone he finds it jarring and that it’s like peer pressure on steroids. He only uses Pinterest for book recommendations. So you can only reference memes that went viral before his death, at the beginning of your relationship otherwise he just ignores you.

When he does recognise a meme he’ll either roll his eyes or give you an annoyed, yet affectionate smile. Over time though as he notices you making more relevant meme references with your friends, he finds himself getting jealous. Jason wants to experience that with you.

So he pushes aside all his reservations with social media and watches as many meme videos as he can. Eventually he tries incorporating them into your conversations, albeit sheepishly as he’s unsure of himself.

“Brother Eugh?” He’ll state in a reluctant tone and you’ll just laugh and say it right back.

Tim Drake

Tim is far too focused on being a detective to watch memes, instead the way he relaxes is by doing something that still stimulates his brain in a way, so he’s a fan of puzzles.

“You look like the polite cat sometimes.” You told this to him once absentmindedly and he looked at you like you’d grown two heads. He immediately researched it and saw some similarities. You continued the meme reference when you bought him a puzzle of the polite cat for his birthday. It was safe to say he wasn’t that impressed. However he finished it in record time.

Whenever you quote any memes though he gives you a factual answer, “Roadworks mean that construction workers are fixing the road.” In retaliation you begin sending him all the memes you reference and then one day he just starts saying them. At first you’re shocked and he doesn’t do it often, but he’ll have a smug smile on his face every time.

Damian Wayne

Due to Damian’s harsh upbringing from the league of assassins he isn’t well versed in meme culture.

“What is aura? How have I lost -10,000? What was my starting amount?” He takes your meme references too literally, but when you offer to show him some and explain them he accepts. He’ll scoff and tell you he was only doing it to humour you, but in reality he wanted to regain some of his childhood and he felt this would be a good way to do it.

This bitch empty… yeet!

“She could have hit an innocent bystander with that.”

“I think she did Damian.” You play the video back a million times just to see whether or not she had.

He doesn’t ever reference memes back to you or say them in the first instance. Despite this he learns when you’re most likely to quote them and which one it would be. If you choose not to he’ll raise an eyebrow and ask you why you hadn’t. He wants to make sure you haven’t stopped because of him, he likes it he’s just not sure how exactly to show it.

When you do quote memes to him, he’ll have the ghost of a smile on his face. You’ll only see it if you look closely.

[markrosewater]

I appreciate your patience in listening to the people mourn what's currently being decided right now. If I can contribute something as well: I am also a UB fan, and I agree with the mechanical uniqueness and the awesome designs and all that.

However, the mantra being spoken before has been "maybe this product isn't for you," and while that was far from easing my concerns about some decisions, now that ub is going to be at every level of competitive play, wotc has taken away the ability for competitive players to opt out of an experience they don't want to partake in. If you want to win, you HAVE to get Sephiroth and Green Goblin, etc.

I like UB as an opt in choice, but the current decision feels malicious towards those who expressed their concerns before who were abated by consolations that wotc has rolled back. It does feel like a cynical money grab at the cost of many of the most dedicated players.

It’s not a “cynical money grab”. It’s us responding to two big pieces of feedback from the players.

1) Straight to modern sets were speeding up the flux in Modern. Metagames are influenced by how many new relevant cards enter the environment, and having a bunch of straight-to-Modern sets was creating unwanted flux. Modern players enjoyed that archetypes lasted longer than in smaller formats. It was a loud compliment often made here on Blogatog. This change is made to address that.

As a corollary to that issue, because we had less experience with making straight-to-Modern cards, our ability to balance them wasn’t as efficient as premier sets. This change also has the vast majority of cards going through the same system and power level, one we have years of experience with.

2) Players who were entering through Universes Beyond (and there are a lot of them - it’s a primary strength of UB sets) that wanted to play competitively were thrown into Modern. That’s just a bad entry ramp into tournament Magic, and it was a common complaint we were getting from newer players.

Universes Beyond’s greatest contribution to the long-term health of Magic is as a conduit to introduce new players. Learn the game system with a property you love, and then once you see what a great game Magic is, become a lifelong Magic player.

To accomplish this we need to have a “softer” landing spot, and we believe that is Standard. Note this is in addition to a lot of other work we are doing to return Standard to prominence.

I know it’s easy to want to attribute malice to a company’s decisions, but we really are trying to do what we feel is best for the longterm health of the game

[jstor]

I saw something about generative AI on JSTOR. Can you confirm whether you really are implementing it and explain why? I’m pretty sure most of your userbase hates AI.

A generative AI/machine learning research tool on JSTOR is currently in beta, meaning that it's not fully integrated into the platform. This is an opportunity to determine how this technology may be helpful in parsing through dense academic texts to make them more accessible and gauge their relevancy.

To JSTOR, this is primarily a learning experience. We're looking at how beta users are engaging with the tool and the results that the tool is producing to get a sense of its place in academia.

In order to understand what we're doing a bit more, it may help to take a look at what the tool actually does. From a recent blog post:

Content evaluation

Problem: Traditionally, researchers rely on metadata, abstracts, and the first few pages of an article to evaluate its relevance to their work. In humanities and social sciences scholarship, which makes up the majority of JSTOR’s content, many items lack abstracts, meaning scholars in these areas (who in turn are our core cohort of users) have one less option for efficient evaluation. 

When using a traditional keyword search in a scholarly database, a query might return thousands of articles that a user needs significant time and considerable skill to wade through, simply to ascertain which might in fact be relevant to what they’re looking for, before beginning their search in earnest.

Solution: We’ve introduced two capabilities to help make evaluation more efficient, with the aim of opening the researcher’s time for deeper reading and analysis:

Summarize, which appears in the tool interface as “What is this text about,” provides users with concise descriptions of key document points. On the back-end, we’ve optimized the Large Language Model (LLM) prompt for a concise but thorough response, taking on the task of prompt engineering for the user by providing advanced direction to:

Extract the background, purpose, and motivations of the text provided.

Capture the intent of the author without drawing conclusions.

Limit the response to a short paragraph to provide the most important ideas presented in the text.

Search term context is automatically generated as soon as a user opens a text from search results, and provides information on how that text relates to the search terms the user has used. Whereas the summary allows the user to quickly assess what the item is about, this feature takes evaluation to the next level by automatically telling the user how the item is related to their search query, streamlining the evaluation process.

Discovering new paths for exploration

Problem: Once a researcher has discovered content of value to their work, it’s not always easy to know where to go from there. While JSTOR provides some resources, including a “Cited by” list as well as related texts and images, these pathways are limited in scope and not available for all texts. Especially for novice researchers, or those just getting started on a new project or exploring a novel area of literature, it can be needlessly difficult and frustrating to gain traction. 

Solution: Two capabilities make further exploration less cumbersome, paving a smoother path for researchers to follow a line of inquiry:

Recommended topics are designed to assist users, particularly those who may be less familiar with certain concepts, by helping them identify additional search terms or refine and narrow their existing searches. This feature generates a list of up to 10 potential related search queries based on the document’s content. Researchers can simply click to run these searches.

Related content empowers users in two significant ways. First, it aids in quickly assessing the relevance of the current item by presenting a list of up to 10 conceptually similar items on JSTOR. This allows users to gauge the document’s helpfulness based on its relation to other relevant content. Second, this feature provides a pathway to more content, especially materials that may not have surfaced in the initial search. By generating a list of related items, complete with metadata and direct links, users can extend their research journey, uncovering additional sources that align with their interests and questions.

Supporting comprehension

Problem: You think you have found something that could be helpful for your work. It’s time to settle in and read the full document… working through the details, making sure they make sense, figuring out how they fit into your thesis, etc. This all takes time and can be tedious, especially when working through many items. 

Solution: To help ensure that users find high quality items, the tool incorporates a conversational element that allows users to query specific points of interest. This functionality, reminiscent of CTRL+F but for concepts, offers a quicker alternative to reading through lengthy documents. 

By asking questions that can be answered by the text, users receive responses only if the information is present. The conversational interface adds an accessibility layer as well, making the tool more user-friendly and tailored to the diverse needs of the JSTOR user community.

Credibility and source transparency

We knew that, for an AI-powered tool to truly address user problems, it would need to be held to extremely high standards of credibility and transparency. On the credibility side, JSTOR’s AI tool uses only the content of the item being viewed to generate answers to questions, effectively reducing hallucinations and misinformation. 

On the transparency front, responses include inline references that highlight the specific snippet of text used, along with a link to the source page. This makes it clear to the user where the response came from (and that it is a credible source) and also helps them find the most relevant parts of the text. 

[sainamoonshine]

Okay so I’m still thinking about ART in Artificial Condition and I think that its possible that it didn’t just let MB board it out of curiosity or boredom, but out of professional curiosity. Because like as far as I can tell everyone in this universe seem to think that a SecUnit’s primary purpose is data mining and their secondary purpose is enforcement; only the SecUnit themselves appear to believe that their primary purpose is — or should be — security.

And we know that ART’s secret side job is corporate espionage. So what are the odds that it initially saw letting MB board it as an opportunity to observe and analyse a crucial component of a corporate surveillance system, something which would be very useful for it to know about in order to a) better prevent its crew from being surveilled and b) deploy counter surveillance or even piggyback on corporate surveillance when possible.

Like, MB thinks that ART must be worried about a rogue SecUnit damaging it or its systems because rogue SecUnits are known to be violent, right? But that’s how humans think. ART isn’t perceiving MB the way a human would, it’s not worried about MB attacking it or damaging its systems; it warns it not to attempt to hack them. Different thing. It’s worried about MB trying to access its data. It is thinking of SecUnits as crude instruments of data gathering first and whatever else they do as not being particularly relevant to it. I mean, it said it itself: it doesn’t really know what humans get up to outside of its hull and it doesn’t watch media.

I mean, think about it. Given as ART doesn’t even know what governor modules do when it meets MB, at that point it might not even think that a SecUnit being rogue is such a big deal. Like, okay so they don’t have to follow orders, but neither does ART. And it doesn’t understand the idea of not liking your function. So really you have to wonder whether ART even knows about the myth of rogue SecUnits being mass murderers, or if it did hear about that once and then immediately decided it was unlikely.

So, back to my initial theory: ART invited MB aboard with the goal to learn more about how corporations use SecUnits to spy on people. Sure, it ended up getting a whole lot more than that. But it also did get to do that, when it watched MB work on RaviHiral. Not only that, but aside from learning every way that corporations use SecUnits for surveillance, ART also got to learn ways that SecUnits and ComfortUnits can hide data from the corporations. Something which saved its life in Network Effect when it used that trick to hide its core files!

And if that wasn’t enough to give you an emotion, then lets consider the additional fact that ART was already heading to RaviHiral when it met MB. Probably to do some corporate spying. Putting aside the whole thing with Tapan, Rami & Maro and their stolen data — which obv ART must have been thrilled to be able to help with — there’s also the fact that here’s MB, telling it that something horrible happened here some time ago, and it was so completely deleted from existence that no one would be able to even know something happened without intense digging. And it has to be investigated in person.

So here you have ART presented with a scenario in which, if this was a mission with its crew, it would not be able to help with. They would have to go down alone, like MB is doing now. But then MB comes back and it turns out the data it recovered was hidden in such a way that nobody human or bot could have ever found it because nobody else would have known where to look. Not even ART itself or its crew, who are supposed professionals at this.

So now ART has observed two field missions (the security job and the investigation) during which:

- It got to ride along SecUnit’s feed and help in ways it never could do before, and then it also got to experience the frustration of not being able to help when MB is down in Ganaka pit and Tapan doesn’t get on the shuttle;

- Just like how watching media with MB helped it process emotional context, observing MB on the station must have also provided ART with a shitload of new data and better understanding;

- SecUnit is just like. Super competent at security and data retrieval, above and beyond what a human team can do, even ART’s own humans;

- SecUnit knows stuff that ART itself doesn’t know and can navigate corporate systems with ease; not only that, but during this book MB comes up with a new and more efficient way to loop cameras, which means ART got to watch it invent new ways to hide from corporate surveillance on its own on the fly.

TL;DR: when it gave MB the comm at the end, ART was absolutely already drafting its employment contract and rehearsing ways to convince Seth to let it try to hire MB. There is no way it didn’t go back to the university with a 200 slide powerpoint presentation on why it needs MB to join all its missions forever and ever. No way.

[burst-of-iridescent]

No, Shipping Zutara Is Not Supporting Amatonormativity (Please Use Some Fucking Braincells For Once)

- a treatise by a severely pissed off aroace zutara shipper

since words don’t mean anything anymore (if they ever did on the esteemed piss-on-the-poor website), let’s start with a definition.

amatonormativity: the set of social assumptions that everyone prospers with a romantic relationship, thereby positioning marriage as a universal goal of adult life. amatonormativity forms the basis of several institutional structures that are built to cater to romantic bonds over all others, also manifesting in social pressure on individuals to find a romantic partner by pushing the false narrative that those who do not experience romance are automatically lonely, unhappy and unfulfilled. it is usually characterized by the prioritization of romantic love over other forms of love, particularly platonic.

the anti-zutara argument based on this is as follows: wanting zutara to happen is amatonormative because it a) devalues zuko and katara’s platonic bond b) pushes the idea that men and women can’t be friends and c) doesn’t align with the themes of the show, as romantic love was never the point of atla.

i would like to take the time today to tell you that this is some fucking bullshit, for the following reasons:

one, this may come as a shock to some of you, but zutara shippers did not invent the concept of romantic love in avatar: the last airbender. you are more than welcome to criticize the pairings of suki/sokka, katara/aang, mai/zuko, yue/sokka, jin/zuko, jet/katara, and even kanna/pakku for perpetuating amatonormativity through their unnecessary romantic subplots. and if you don’t have anything to say about any of those pairings, then here’s a word for you: hypocrite.

zk shippers are not introducing the taint of romantic love into some kind of wholesome platonic utopia where it never existed. when we say zutara should have been canon, it is a statement that ends with the implicit instead of kat.aang and mai.ko tacked on at the back because if we were going to get a romantic relationship anyway, it might as well have been one that was well-developed, narratively impactful, and thematically relevant.

two, saying zutara is amatonormative is fucking rich when the main “romance” of atla is a three season long struggle to get out of the friendzone. aang’s desire to be in a romantic relationship with katara is one of his primary motivations throughout the show, and not once does either he or the narrative ever entertain the thought that just being katara’s friend might be enough. to the contrary, aang’s crush and the potential of its reciprocation is a fundamental part of how the story gets its audience to invest in both his character and the kat.aang relationship. they want you to want him to get the girl, and that’s the driving force of the ship’s development from start to finish.

you can see the influence of this in the way people defend why kat.aang had to happen: “aang would be crushed!” “it would break aang’s heart!” “aang deserves to be happy!” and that in and of itself is more amatonormative than any version of romantic zutara, as if this idea that aang is somehow doomed to a life of misery and loneliness just because he can’t be with the girl he likes isn’t inherently based on the assumption that platonic love can’t be as meaningful and satisfying as romantic love.

three, let’s be so fucking fr: a show written by cishet men in the early 2000s was not “subverting amatonormativity” by not making zutara happen, especially not when they went for the fucking olympic gold of romantic cliches — the hero gets the girl trope — instead. otherwise, why did the entire show end with an uncomfortably long liplock? if romance would’ve devalued zuko and katara’s platonic bond, then what the everloving fuck happened to their friendship in the comics and the legend of korra?

it is blatantly false to say that zutara shippers are the ones devaluing their platonic bond when the creators did it first. they evidently don’t view zutara’s platonic bond as equal to kat.aang’s romantic one, judging by their treatment of both relationships in the comics and LOK and the fact that they talked about kat.aang “winning” the ship war in the first place. because if the two relationships were of equivalent standing, why would there be a winner and a loser at all?

amatonormativity is baked into the DNA of atla, and while some people choose to reject this framework entirely (zk friendship >>> ka romance anyday), it is also not wrong for zk shippers to be annoyed at the treatment zutara received within the context of said framework. since the creators clearly thought a romantic relationship was better than a platonic one, they could at least have picked the couple that actually made sense instead of adding insult to injury by making that romance kat.aang. it is not amatonormative to acknowledge that zutara was not afforded the distinction it should have been in the eyes of those who wrote it, because it’s obvious that the decision to keep zuko and katara’s relationship platonic wasn’t to respect their friendship, but to position them as inferior to kat.aang.

four, detractors of romantic zutara often argue that their platonic relationship is inherently better & i’ve discussed before why that isn’t the case, but i also hate this argument because it’s perpetuating the very thing that aromantic people are trying to get rid of in the first place: the hierarchization of love. it is not the “gotcha!” you think it is to genuinely state that platonic love is better than romantic love, because it’s still buying into the idea that there’s some kind of order to categorizing human relationships. the solution to amatonormativity isn’t changing what form of love gets to be at the top of the list — it’s doing away with the hierarchy entirely.

i ship zuko and katara because canon already gave me their friendship. i already know what their platonic relationship looks like and that gives me more room for imagination in developing their romantic one because it’s a place canon didn’t go.

at the end of the day, friendship and romance are just different avenues of exploring intimacy. neither is inherently more valuable than the other, and neither is inherently more problematic. and if you truly believe in dismantling amatonormative beliefs, you would recognize that making a distinction between the two is only perpetuating the problem, not challenging it.