#I just have some relevant experience for once | Explore Tumblr posts and blogs

remxedmoon · 28 days ago

Text

(You don’t know how much longer you can do this.)

hi the wip for this was absolutely not supposed to blow up. why does that have 1k notes. horrifying. anyways!!!! it’s update time baby!!!! 64 new assets this time around!

so that’s what the caption was supposed to be. this update was already pretty damn big and took a ton of time to make!!! and i was finally done!! but then my hand slipped and now we’re at 143 new assets. super sorry for the delay! That Was Not Supposed To Happen.

i’ll go more indepth below the cut, but this update encompasses all menu/profile art for both isat and sasasaap, battle portraits for sasasaap, every single pixel icon in isat (to my knowledge anyways), the dialogue skipping animations, and a few miscellaneous additions.

also i spent too much time on these to put them below the cut so Please God Look At My Icon Resprites I Spent 16 Hours On Them. enjoy!

okay first things first. why the hell is this batch 143 assets. so. i HEAVILY underestimated how many times the menu drawings are used in the games. even removing all of the custom art, it’s still ≈30-40 variations! that’s a lot! and once i finally finished everything, i got Posting Anxiety and somehow convinced myself that attempting Animation And Pixel Art (two things i haven’t done in YEARS) would be easier than writing a normal post. so here we are.

the custom art here is pretty much par for the course at this point. extra menu art for bonnie, extra expressions for the party in act 5, we’ve done this enough times that it’s expected. i am aware that bonnie’s custom menu art gets completely covered by the ui. i kept it in because it’s really funny (and also i didn’t feel like extending the sprite (but then the sasasaap version forced me to extend the sprite anyways so Whartever)).

once again, provided a spritesheet for sasasaap’s battle portraits! i do intend to cover both games, it’s just a slightly lower priority atm. unlike isat though, i’ve got Less (read “No”) experience with sasasaap, so there might be more issues with those assets?? apologies if there are, i’ll try to fix any issues that come up!

the Miscellaneous Additions i mentioned above are the sprites used on the teleport map and the loading screen, which is just a tiny version of the skipping animation. they were pretty small, so i figured i might as well get them out of the way!

not actually much to say about the 75 icons surprisingly! i haven’t done pixel art in about 5 years?? and that’s a Travesty actually these were super fun to make. i did make mockups for the overworld sprites earlier, but they aren’t Officially part of the redraws (yet) so they’re getting posted seperately

and also!! some exciting news!! this project might actually become a Proper Published Mod pretty soon!! i’ve been in contact with someone who’s willing to help me get everything set up, and i’ll be getting a Usable Computer around the end of the year!!!! it’ll still be at least a month before it’s up (i’d like to get the enemy art finished beforehand wauaua) but!!! still exciting!

okay, i think that’s everything relevant to the update!! i Definitely can’t fit all of the relevant assets here lol. but i’ll try my best ! please enjoy !!

#marshdoodles #isat #in stars and time #isat spoilers #isat redraw project #<- new tag! which is probably going to change in the future when i settle on an actual name.#apologies if this is hard to follow? writing this update in the middle of the night…#anyways! oh my GOD those gifs were HELL to make #the framerate for the act 2 version is. Nebulous?#procreate will not tell me. i had to fix the framerate with a gif maker site #also for the record. all of the art here was made on procreate #which seems to horrify people when i tell them #for the less recent stuff. did you know that the profile art has a different size than the menu versions?#and that they’re Zoomed In Slightly? because i fucking didn’t! i spent 2 and a half hours cleaning up the profiles.#other than Those. actually had a blast working on these. especially the pixel art wauaa #lets hope i dont have to patch this a week later lmao

1K notes · View notes

reignpage · 7 days ago

Text

Piercer!Geto

Manx Norton: going over the limit

Contents: 18+ mdni, fluff, smut, grinding, making out, blowjob, deepthroating, throat fucking, swallowing, marks the end of their pre-relationship story

“We need to talk,” you say.

Geto looks up from his journal, slow and steady like he knew you would come here and at this time. He sets his pen down. His hair is tied up completely today and there are dark bags under his eyes that you can’t bear to look at, so you don’t. Instead, you settle into the seat, without being asked, and you cross your legs and your arms.

You mean business.

“Good afternoon, pretty. You look gorgeous.”

Sighing, you ignore that fluttering in your stomach. There’s no point in getting carried away by his charm; it’s his instinct to be sweet, otherwise he wouldn’t have as many clients as he does. But you’re aware, faintly and right at the very back of your mind, that his words have a bite to them — they’re complimentary whilst also accusatory.

“I need an explanation, Geto,” you state firmly.

His left eye twitches. It’s not a flicker or a nervous tick, it’s a flinch. You have the power, just like your sister said, when you were throwing her shoes out of the window, and she was offering advice as a means to fight your murderous intent off. It didn’t work.

There’s always something shifting between you, something unstable, and it’s been difficult to manage — you’re new to relationships, so new to venturing outside your comfort zone that you’ve relied so much on him to guide you. But you’ve also had to step up and make decisions for yourself.

Your friends weren’t very helpful; they insisted you quit or bring a new man to the studio to make him jealous, and as tempting as it is to be petty, you know they wouldn’t solve anything. It’ll just make you feel bad and icky.

So, you’ve chosen the high road, providing him the opportunity to share his side, to explain why he let you down once again and why everything between you had been built on a lie.

Nodding, he opens a drawer and takes out a familiar sheet of paper. Then, in a conversational tone, he asks, “What do you see?”

“It’s my CV,” you answer. Truthfully, you have no clue what game he’s playing; there’s something in particular he’s looking for but all you see is the whites of the paper and the lines of ink.

“Look at it from the perspective of an employer looking to fill a hole in their establishment,” is his reply.

You’ve heard that tone often, every day, in fact. It’s the tone he uses on clients when he needs to go over payment plans, or on suppliers when he needs to negotiate a new contract. But he’s never used it on you. Distant and devoid of attachment, it makes you feel uneasy.

Fiddling with a loose thread on your sweater, you furrow your brows as you read over the paper. Geto is leaning back on the chair, hands folded on his lap, the pinnacle of confidence. That used to be so attractive. Now, you’re just a little peeved off. You were supposed to be the confident one; you came here on your own volition, even prepared a speech you practised with your sister.

You should have known he’d sweep the rug from under you.

Frustrated, you groan and smack the sheet. “Just tell me what I’m supposed to see! I have no time for this.”

Smiling reassuringly, Geto doesn’t bat an eye at your outburst and instead, begins a lecture, “What I saw was a CV lacking in relevant work experience. In fact, you had very little experience. Your most recent job was in high school, when you worked as a librarian’s assistant for a day. The other things on there were debate club and a certificate for being a neighbourhood ‘sweetheart’, and I’m not even sure what that means.”

“Oh.”

To your embarrassment, he laughs. A blush is growing on your face and suddenly you’re very aware of how some strands of hair are sticking to your forehead uncomfortably, how the sweater you’re wearing is a little scratchy and that maybe, just maybe, you’ve overreacted terribly.

Maybe you should have confronted him sooner. Perhaps just as soon as you overheard him tell Miguel that your sister owes him a favour for hiring you. However, in your defence, you were feeling a little hurt from having been left at the restaurant — you waited for an hour, watching people pass by and give you sympathetic looks as you sent text after text to a man too busy with a client to realise time passed by.

A week has gone by since then, and you haven’t come to work at all, you dodged every text and call from Geto and ignored him when he showed up on campus and had the nerve to get upset that you’re hanging out with a classmate. Your sister tried to defend him, and herself, but you weren’t willing to hear her out. On many occasions, you’ve told her to butt out, to leave you to make mistakes and get hurt, because it’s your prerogative.

She can’t protect you from everything and the more she tries, the harder you all learn that lesson.

“Okay, fine. So, my CV sucks a little,” you huff, “but you should have never hired me under the pretence that I was good enough when the real reason was because my sister asked you. It’s unfair on me. I wanted to earn this job on my own and you two went behind my back to manipulate this whole situation!”

The man sighs and leans forward. You smell his cologne and it’s muddling your mind a little, so you lean back, away from him. He notices. “I understand you’re upset. And I’m sorry to have colluded with your meddling sister. But it really isn’t what you think, pretty girl.”

You hate how patient he sounds, like you’re the crazy one. And maybe you are. You don’t know anymore. In fact, you’re starting to think you know nothing at all.

“Yes, it’s true she asked me to give you a job. But all I promised her was that I’ll give you a chance, like everyone else. And when you came for the interview, I thought a lot of things. One was that you are so different from your sister. Different from the people that tend to come through the door, from me. You’re much brighter, much warmer and lighter than everyone I’ve ever seen.”

There’s something in his eyes, a sincerity that makes you breathless. All the air has left the room and you’re leaning in without even realising it. Everything that he says is entrancing, he’s a pied piper playing a tune that fills your soul with a fire you can’t put out, and he’s leading you closer to him, away from everything you’ve ever known, away from safety and reason.

You’re not afraid.

“I had a look at your CV and thought, there’s no way I would hire you, not even if she begged or blackmailed me — I take great pride in my studio, I turned it from a little backroom space with flickering lights to what it is now. My clients trust me to provide quality service from beginning to end, and I will not let a woman, no matter how beautiful, get in the way of that.”

Geto reaches for your cheek, like he can’t help himself, and you let him. His hands are slightly calloused but otherwise smooth and soft. And that smile, the polite one he always wears, is gone. In its place is something that reflects how you feel, how you’ve both been feeling for a long time now. A frustration against the distance between you, the boundary that’s erected itself between employer and employee, boss and receptionist, and a man who’s seen it all versus a girl who knows so little.

You aren’t meant to be. Everything about this relationship is wrong, it’s inadvisable, foolish, like Hades and Persephone, or Eros and Psyche. It’s a tragic love story doomed from the very beginning, the kind people talk about centuries later with a mix sense of awe and pity. You know all about it, have read so many variations of the same story with the same individuals who think they know everything, who believe they’re different, special and that the Fates will smile fondly on them.

Except neither you nor Suguru are under the impression that you’re different, that this will turn out differently and that the cards you’ve been dealt are from a separate, fresh deck. You both know you’re playing a dangerous game.

Neither of you care.

“But then I talked to you. And you were so witty, so undeterred by my unrelenting questions, and so willing to learn as you go. You had the confidence of someone who’s worked a thousand jobs, who’s met a thousand people that, despite knowing better, I wanted to hire you on the spot.”

Carefully, with your eyes fluttering shut at the tentative touch of your skin, you breathe out, “Suguru, we shouldn’t.”

“I know.”

When your eyes open, you see his gorgeous, tortured eyes fall to your lips and you know what you want.

Your lips meet his.

This kiss is so similar to the one you shared that night, but oh so new. It seems so long ago now, and when you feel his plush lips devour yours it feels like this is new to both of you and it urges you to push in further. His tongue touches yours and you don’t hesitate to intertwine it, to explore all that he’s laying out for you.

Gasping for breath, you pull away with little success before he’s grasping the back of your neck and urging you over the desk, kneeing the papers there and hearing the pens and stapler fall to the floor with a dull clatter, you sit onto the desk and you hear his chair slam against the wall when he stands to press himself closer to you. He kisses you again.

“Things work differently with me,” he says in between pecks to your lips.

Whilst his mouth moves to your jaw, sucking at the skin by your ear, you giggle. “I know. My sister says you like control. Something about Christian Grey.”

Chuckling in your ear before nipping you there, he admits, “I’m not as insane as him. In truth, I don’t really know what I am, but I know it’s more intense than what most men ask for.”

“That’s okay, Suguru. We can work it out together, step by step.”

He kisses your pulse point. You moan. Goosebumps are rising along your arms; your back is arching to press as much of you closer to him. You’re barely capable of creating a single train of thought, you feel so lightheaded you don’t register how your legs are wrapping around his hips.

“My smart girl,” Suguru muses against your skin.

Your legs are wrapped around his hip, pulling him close until you can feel the bulge there push against your core. With a roll of your hips, the zipper of his jeans nudges your bundle of nerves. You gasp. And you seek out that pleasure again with slow, gradual grinds.

Breathlessly, you say, “Suguru…”

He’s scraping his teeth against your pulse point, one hand kneading your thigh and the other holding himself up. Filling your senses, all you can think about is him and how there’s a growing pressure within that’s dying to be released.

“Go on, pretty girl. Take what you need.” Tightening your legs around his hips, you grind harder, frustrated that there are layers between you. Your arch your back, chest rubbing against his. Like he knows what you want, his hand finds your breast, squeezing and groping. “No bra? Are you sure you came here to talk, angel?”

When his thumb brushes over your nipple, you cry out, body tightening as that coil inside snaps. You spasm, grinding hastily to draw out your pleasure. It’s much better than you any could have given yourself and you’re addicted. Hand flying to his hair, you thread it through, brushing out his hair tie until his silky hair cascades down.

He groans.

In a blink of an eye, you’re being pulled and pushed down onto your knees. You grip his thighs, blinking fast as you desperately try to regain your bearings.

“You’re asking for trouble, sweet thing. Can you handle it?” Suguru asks, a challenge glinting in his eyes as he smiles down at you.

You bite your lip, thighs squeezing to subdue the regrowing aching there. With a sudden bravery, your hands make their way up, revelling in the marble like strength in his muscles before they find his zip.

Hesitating, you feel something holding you back, an instinct within awakening. Awkwardly, you question, “May I?”

His smile widens, surprise flickering in his eyes, and then he’s threading his hands through your hair. It’s a rewarding pat, one full of warmth, and it’s empowering.

“Such a good girl. You’re a perfect little angel, aren’t you?” He coos. “Of course you may, my pretty girl. Go on, go at your own pace.”

Nodding, you unzip his jeans, tugging it down with his boxers. And what springs out leaves your mouth watering. It’s huge and intimidating. It’s bad enough that he’s well-endowed, but nothing about him is typical. He’s different to the average man in every way.

Starting with the metal piercing the underside of his dick, emerging through the head.

Seeing the horrified look on your face, he chuckles, the hair soothing your head delving down to pinch your chin. Unperturbed by your reaction, likely expecting it, he explains, “I got it done a year ago, mostly as a dare. It took around nine weeks to heal and yes, it did hurt.”

“B-but I-I can’t,” you stammer and shake your head, adding, “there’s just n-no way.”

Suguru sighs, thumb grazing your cheek. “You don’t need to. I understand this is too much too soon, but I don’t think you’re giving yourself enough credit. You’re more than capable.”

You don’t want to disappoint him. And you want to prove you can do whatever you set your mind to. Recalling one of your sister’s drunken admissions, you know the trick is to pinch your thumb, so you don’t gag, to breathe through your nose and take a little at a time.

“Okay, okay. I can do it.”

He gathers your hair and keeps them out of the way. Slowly, you wrap your hand around the base, gasping at the way your fingers barely touch. With no particular method in mind, you explore his length, thumb following a vein from bottom to top. He’s hot in your hand, almost burning, and the tip is shining with what you know to be pre-cum.

It’s pearly white and you can’t wait to know what it tastes like; you lean in and scoop up the drop with your tongue. You both groan.

Salty, you mull the taste over. It isn’t bad. And suddenly, you no longer feel scared. Your tongue fiddles with the bent metal barbell, surprisingly not minding the cold sensation against your hot tongue.

“That’s it,” he groans, grip on your hair tightening.

You widen your jaw, suckling the head, tongue pressing against the slit before it circles around, grinding the barbell back and forth. He groans louder, deep breaths vibrating through the room.

When you push in further, you make the mistake of doing it too fast. You gag, eyes tearing up.

“Slowly, pretty. Slowly. There’s no rush, okay?”

Coughing, you nod weakly, feeling embarrassed. Recovering your breath, you go back in, slower. Eventually, you work up a rhythm, bobbing your head up and down, taking more and more of him but never quite making it further than halfway.

Both hands on your head, he soothes your tears away with his thumb before he advises, “Relax your throat, sweet thing. I’ll guide you, is that alright?”

You tap his thighs twice in a yes.

And then he’s pushing in, more and more until he’s filling your throat, muscles stretching to take him in. Tearing up once more, you mentally swallow that panic rising, the claustrophobia within forcing your nails into his bare thighs.

“You’re doing so well, angel. So good -ngh- for me, hmm?”

Suguru pulls back, the piercing scraping your tongue. And then he pushes back in. Again and again, he builds up to a rhythm, allowing you to get used to it, before he gives you more of him.

This is so overwhelming, the feeling of his piercing bumping at the back of your throat, the ache in your jaw at the stretch, and the salty taste filling your senses. All you can see and feel and hear and taste is Suguru. You can’t get enough of him.

So, when he bottoms out, your lips tickling his skin, your eyes roll to the back of your head just as his do.

“I’m going to cum, pretty. Do you want to pull out?” He asks, pleasure written all over his face, the veins in his arm bulging at his barely constrained urge to fuck your throat freely. Knowing that he’s so in control, so concerned over you, when he could use you how he pleased, could take what he wants makes you so wet.

You blink rapidly.

“No? Are you sure you -ha- can take it? I won’t let you spit it out,” he warns.

Sucking your cheeks in, you suction him closer. His cock head is rubbing the back of your throat, piercing burning, and with a shallow thrust, he’s cumming down your throat.

Hot liquid fills your mouth.

Suguru pulls out and you swallow the thick cream he leaves in your mouth. Your head slumps against his thigh, gasping for breath, heaving like you’ve just ridden a rollercoaster.

Hands tucking themselves under your arms, he lifts you onto his lap just as he sits back on his chair, boxers pulled up before you even realise what position you’re in now.

He rubs your back, muttering encouraging words about how perfect you were, how amazing you did, and how he knew you’d do well for him.

“Open,” he orders, bottom lip pulled down by his thumb. He inspects your mouth and smiles at what he sees. “Good girl.”

And then he’s kissing you, tasting both yours and his essence.

“No wonder Miguel gave me a funny look when I asked how many piercings you have,” you whisper against his lips, a high pulsing through your veins.

Suguru chuckles. “He’s a good guy, did all my piercings. Eased all my concerns every time and I knew I wanted him in my studio.”

You nod.

Your eyes are heavy and you’re hiding your face in the crook of his neck, breathing him in, and pondering the change between you. You’ve accepted that you’re entering an unconventional relationship, that he’s going to introduce you to a world none of your friends had seen a glimpse of, but you won’t be navigating it by yourself.

He’ll lead you just as he had when you first started working here.

Softly, gently and with so much patience, you’ll be free to stumble as often as you need until you know who you are, what you want, and what you need to be.

“Get some sleep, my gorgeous, gorgeous girl.”

Is the last thing you hear before you fall deeper into sleep in his arms.

#jjk x reader #jjk fluff #jjk smut #Suguru geto #suguru x reader #suguru fluff #suguru smut #jjk drabble #jjk oneshot #suguru geto

627 notes · View notes

roguerambles · 3 months ago

Text

I understand the disappointment, I really do, but I think people might be blowing the whole world state thing a bit out of proportion. "This is SPITTING IN THE FACE of long-time fans" no it's not Steve, calm down.

The series has always had to compromise when it comes to the state of the world because so many of the choices (especially from the end of Origins) were so wildly different that trying to build a sequel from so many conflicting factors would be more or less impossible. It's why we've never seen the Architect again, because him being alive or dead has HUGE ripple effects that are damn near impossible to write around.

Heck, it was entirely possible for Anders to die at the end of Awakening, but the writers wrote around it by saying "oh no he actually faked his death" even though logically that made very little sense because at that point he'd have absolutely no reason to do that? But Anders was in the sequel so that had to come up with something.

Basically nothing from Dragon Age 2 was important in Inquisition - Hawke siding with Mages or Templars made no difference, Anders being alive or dead made no difference, whether Carver or Bethany were dead or Wardens or whatever made no difference. We got some flavour text and that was literally it, everything else played out exactly the same.

Hell, the Temple of Sacred Ashes gets blown to bits at the beginning of Inquisition, rendering everything to do with that quest from Origins basically moot. And we've never gone back to Orzammar, and everything we have heard from it has been kept super vague, because depending on who the King is and if Branka is still alive things would look WILDLY different. Crafting a new story there would be borderline impossible because the dozen different possible world states make the foundation shaky at best.

It's why I highly doubt we'll be able to side with Solas and help him tear down the Veil because that would result in basically a whole new world being created. Imagine them trying to make Dragon Age 5 and being like "okay 50% sided with Solas and tore the Veil down and 50% kept the Veil intact....wtf now what do we do--?"

Again, I understand the disappointment, but I just hope once the dust has settled and people calm down a bit they'll see that, realistically, very little has changed. Your saves are still there, your experiences and enjoyment of the games and the characters and the story are still there, but they were always gonna have to draw the line SOMEWHERE.

And that's not to say none of our previous choices will come back - if we get another game, or a spin off or something they'll probably do what they're doing with the Inquisitor now. They're just taking what's relevant to the story they are trying to tell, and leaving what they aren’t going to use presently ambiguous.

#dragon age #dragon age the veilguard #I get the disappointment but I think some people need to take a deep breath and calm down #it's gonna be okay

555 notes · View notes

nanamiscocksleeve · 7 months ago

Text

Natural Breeding Clinic - Prologue

warnings: MDNI, breeding kinks, general sex, mention of infertility and insemination methods

a/n: It's here. Finally.

Teaser - Prologue - Patient 1

You take a deep breath and sit down in front of the laptop, waiting for the other person to join the call. Never in your life had you heard about such a unique reproductive center but lately, you’d been feeling the pull to start your own family. You’d discussed this with relevant people in your life. Everyone had said if you really wanted a child, then you should go with the options you thought were right for you.

You’d done the research, looking into different doctors and fertility clinics, but this one just stood out. There were testimonials from several happy families, saying their methods, though unconventional, were effective, and the doctors showcased on the website were all incredibly striking, each one handsome in their own way. But it was the success rate that caught your eye. A 98% guaranteed rate that you would be pregnant, and that pregnancy would be healthy. The site didn’t go into too much detail on their method, but the wording caught your eye.

“A natural breeding clinic” they’d called themselves. You’d finally bitten the bullet and called, requesting an information session. The screen suddenly lightens and you focus your attention as an attractive woman with shoulder-length brown hair comes into view. She smiles in a welcoming way before speaking.

“Hello. Am I speaking with Mrs. L/n?” You nod and smile back, trying not to look awkward or uncomfortable.

“Perfect! My name is Shoko Ieiri, I’m the main coordinating nurse here at Jujutsu Fertility. Thank you for scheduling an information session with us.”

“Yes, of course. I just needed more details before I booked an appointment.”

“Indeed.” Shoko claps her hands together before continuing. “Let me start by telling you a little bit about ourselves. We’ve been around for almost 6 years now. What sets us apart is that we focus more on women’s comfort than most other clinics. And we are sought out by people who are willing to use a sperm donor. We do not perform insemination services with sperm that are not from our own stock.”

“Your own stock? Are you associated with a sperm bank? And screen all the donors yourself?”

“Not a sperm bank in the conventional sense. We have 5 doctors who keep excellent health and their sperm is regularly screened to ensure quality. They are the only stock we allow for insemination.”

You blink to make sure you haven’t misheard. “The…doctors? Are you saying the fertility doctor I’d be meeting with will also be my sperm donor?”

“That is correct.” Shoko nods her head to confirm. “You will be meeting with the doctor of your choosing for at least 5 sessions. They will need to be at least once a week. Some women take the week off and come in 5 days straight.”

“5…sessions?” you ask, confused by the wording.

“Yes. It’s to ensure the insemination process has occurred an optimal number of times.”

“Wait…so…I’m going to be inseminated multiple times? How much downtime do I need in between each insemination?”

“Hardly any. Our method isn’t like a typical clinic. Most women leave feeling very normal and a lot more satisfied than when they came in.”

“Not like a typical clinic? So…you don’t use the catheter method?”

“We use minimal medical equipment in our inseminations.”

“Minimal…so what does the procedure entail?”

Shoko clears her throat and continues. “So it begins with you choosing one of our doctors. We highly recommend spending some time on this part. It’s essential that you feel attraction towards your doctor. Once you make a choice, they will reach out to discuss how your insemination experience can be optimized for you. You will receive a biodata on their sexual profile, their preferred methods of arousal, and other relevant details.”

“I’m sorry, but what?” You are at the edge of your seat wondering if you’ve entered an alternate dimension. Surely, this was all being made up? “Arousal, sexual profile- why would I need all these details? I thought sperm donors only gave information like height, weight, medical history and stuff like that.”

“Why wouldn’t they? You’re choosing to be bred by them. They would have to make sure their patient is satisfied with the experience.”

“Bred?” You bleat the word stupidly.

“Yes. We are a natural breeding clinic. We use the method nature has provided to us to ensure a pregnancy.”

The gears in your brain start turning and something finally clicks.

“Are-are you saying…I would be having sex with my doctor?”

“That is correct.” Shoko smiles gently at you, pleased that you have finally caught on.

“The human body doesn’t necessarily enjoy having medical equipment inserted into it. All that cold plastic, and the mechanical methods of insertion. It puts the body in a state of stress. Not good for implantation. So our doctors will inseminate you through the process of intercourse.”

Her words fall like a fog around you. You can feel your heart racing, a flush creeping into your cheeks. It was…insane. The doctor of your choosing was essentially going to fuck a baby into you. As your mind starts pulling up the images of their doctors, each one impossibly handsome and striking, you feel a familiar throb starting between your legs. Wetting your lips, you try to talk to continue with the information session.

“I see. And…there are benefits to this?”

“Yes. Intercourse allows the body to relax, releasing happy hormones. In this stress-free state, in addition to the knowledge that your doctor is someone you’re attracted to and trust, the chance of an implantation doubles.”

You gape at Shoko, your mind reeling from all the information.

“And…when you say the insemination process will be optimized for my best experience…?”

“The doctor you choose will ask you extensive questions about your preferences. What turns you on, positions, dislikes, toys. It’s to determine if they will satisfy your breeding experience. If they feel they might not be a good fit, they’ll recommend another one of our doctors.”

You swallow, your mouth going dry. “I see. And…what else do I need to know?”

“We will start by collecting your medical history and run some blood work to make sure your body is ready for an insemination process. Women who have a domestic partner will need to get both a waiver and a consent form signed by their partner that they have been informed what happens for the insemination.”

“Of course. Makes sense.”

“You will be assigned an emotional support companion during this process. It will either be myself or Mr. Ijichi Kiyotaka. We are there to help ease your nerves and ensure you enjoy the process. And all patients must think of a unique safeword to use during the insemination process.”

“Safeword?” you parrot back, still processing.

“Yes. At any point during the process, should you feel uncomfortable, your safeword ensures all actions cease and your doctor will give you some space to breathe and reassess the situation.”

All you can do is nod along. Shoko gives you a look of reassurance. “I can guarantee that most women are pleased with the results. And our doctors are quite skilled in what they do. It’s natural to feel a little shy and embarrassed but at the end of the day, we all share a common goal- a healthy baby.”

Despite your initial shock, you feel some of your trepidation fade away. Shoko continues.

“If you are ok with all of this, I can send you the forms to get the process started. Once those are filled, you can take some time to decide on your doctor. Then we’ll set up a call with them.”

“Thank you.” You make a split-second decision. “Please go ahead and send the forms.”

“Excellent. I’ll send them to the email you put in your inquiry. Was there anything else?”

You shake your head no. “I think I have all I need.”

“Great! I look forward to assisting you again.” Shoko ends the call and you immediately go the the website again to look at the doctors, one of which will end up fathering your child. Such a hard decision. How will you ever make the choice?

@thesunxwentblack @kentocalls @actuallysaiyan

@belle-oftheball34 @jesssicapaniagua

@figmentforms

1K notes · View notes

natalchartnurtures · 8 months ago

Text

PAC: Energy Check~ for wherever you are right now

This was completely unplanned but frankly spirit doesn't give a fuck about my plans. So if this found you, here are some messages you probably need right now-

~~~~~~~~~~~~~~~~~~

pile 1: Ooh.. as I was preparing to start your reading, I saw 11:11 as the Chariot card showed up for you. This. Tells me that you are pretty strongly connected to your divine path right now, which simply means that you're doing something that's keeping you in alignment, sweet pile one! Good job! Keep going down this road because you WILL stumble upon amazing experiences and people! This message is coming through quite strongly. Now, isn't that lovely? Hehe.

Here's the thing, though.. Although you're actually IN alignment with your greatest timeline and life, you seem to be completely UNAWARE of the fact! You might be going through the necessary purging emotionally and/or mentally as a result of this alignment since the "old stuff" has no more room in your new vibration anymore. So, you've probably had to go through some intense endings and/or tower moments in life lately and THIS has left you feeling really, really sad. Maybe even depressed. For some of you, if that's the case, please seek help, sweet soul. It doesn't have to be therapy but even as simple as talking to a trusted loved one, you know? Or even journaling about it could help if you're into it. It seems like you could use a new perspective on the things you're going through right now. I'm sensing that you might be feeling emotionally numb right now too, but that's because you've been doing a lot of emotional processing lately AND IT'S ALL PAYING OFF. I just need you to know that. You just can't see it right now because you're slap dead in the middle of the storm, and I'm looking at it from a bird's eye view, you know?

While you're purging old stuff, I also see you making your way through an old core belief - "I gotta work hard to be deserving of anything because I inherently don't" Or something along those lines. You may have started purging this belief as a result of life showing you that it's simply not something worth keeping alive inside you. Maybe recently, you caught yourself overworking yourself to death only to receive very little in return (in any area of your life - relationships included) and this experience helped you wake up to this unhelpful belief of yours. You're unlearning this belief as we speak. It's not easy though, but I CAN assure you, you're acing it.

If you find yourself worrying too much about anything and everything or simply feeling a general fear, just know that it's a normal reaction to having things uprooted in your life. Life, right now, is asking you to do your best to focus on what's right in front of you because if you do this, the future is guaranteed to sort itself out. I promise.

I love you so much, pile 1. I see all your hard work and am rooting for you SO hard, bro. Love and light.

~~~~~~~~~~~~~~~~~~~

Pile 2: Seems like to me that y'all have been STUCK in a particular pattern for a while now, maybe years? For some of you folks reading? Let me spell it out for you what this pattern looks like to me - an imbalance of the mind and heart. Too much mind and too little heart. Maybe none at all.

I can't seem to tap into the root of this imbalance, maybe because it's different for each of you reading, OR maybe it's not relevant to us right now because you can simply begin to address this imbalance as you see it in your day-to-day. But I sense that you're really good at addressing things, so once you're conscious of this pattern going on subtly in the background, running your life, you can really do something about this. This pattern may show up as you struggling with feeling fear, and this is blocking you off to one very important thing fear is here to show us, and that is how to support ourselves. If we are afraid of something we desire and have a healthy relationship with fear, we go for the desire while caretaking our fear. I read a quote the other day, it said "Do that thing you love but if you find that you're scared, then go do it scared." The point I'm trying to make is, fear isn't going to go away on its own, it's you who will simply expand your ability to hold space for it AND your desires equally. When you figure out how to do this, magic will happen in your life. You'll find that your unwillingness to caretake your fear only gave you more things to be afraid of (because, hello, Law Of Attraction *lol*), BUT you'll also find that when you radically start taking responsibility for your fear(s), you'll be able to act from a wiser space and be your full badass self. You'll find that there are so many things you CAN do and so much life you CAN live. Everything you've wanted to start doing in life will start to happen almost seamlessly. It WILL surprise you big time. You're currently making your way through an important part of your healing, and that is to hold yourself in all your glory. To hold all parts of yourself, even the ones that are scared shitless. Once you've integrated this segment of your healing, SO many doors will unlock for you. Sweet soul, you have no clue of JUST HOW MANY. And this… is probably because you manifest with your heart primarily (meaning you feel things deeply and so you unknowingly tap into the frequency of what you want easily) and your fear is keeping you stuck in your head, which means you're only 40% of the full You right now, PRIOR the healing of c. You might even feel it sometimes. You might feel like you're only a shell of a person (been there myself, you're not alone in this!). Listen to that feeling. Your truth lies in there. You're meant to be the 100% you, and I see that you're already halfway there!

I love you so much, pile 2, sending you so much light and love. Hope you find the resources you need to make it through to your new life where you live in more love than fear.

~~~~~~~~~~~~~~~~~~~~

Pile 3: Man… y'all been fighting for your lives, huh? I see that you may be in the midst of a lot of divinely evoked darkness? Lol, I literally heard that - divinely evoked darkness. Maybe you're going through a dark night of the soul, perhaps? Whatever your're going through though, it seems like you've been hanging on for dear life.

Some good news for you- no matter the circumstances you're in right now (be it good, bad, or terrible), you've been doing all the work necessary to keep your head above water and have been diligently nurturing your own light, positivity, and essence. THAT'S incredible resilience, sweet pile 3, and I'm really proud of you! It's not easy to keep an open heart through bad times, and that's such a grand achievement in my eyes. UGH, BEAUTIFUL.

Your energy SCREAMS transition period vibes. You seem to be neither in your "old" timeline nor in the new one yet. You're sorta hanging in the middle right now. I see the Hanged Man in the third eye as I tell you this. Feels like you're in the void right now, and things just seem… bleh. Boring. Colorless. This is probably because you're already done with the ugly part of the process, "the divine shakeups", the loss, and the purge. Think… the bland but peaceful feeling you feel after having an intense ugly crying session, you know? Yeah, you're energetically there right now. You'll probably be here for a while longer because you've let go of MAJOR stuff, pile 3. Did you let go of people recently, maybe? Or that old bad habit, perhaps? That was the purge, so to speak. And now you're in the aftermath of it all, the uncomfortable but necessary calm.

-Side note: You might've struggled to embody your divine feminine earlier, but the timeline you're entering right now is the exact opposite of that. You might be attracted towards things that will help you nurture your own divine feminine right now. Give into it. Nurture patience, stillness, and compassion for self. It will HOPEFULLY speed up the void period if you consciously take part in it, you know?-

You're quite emotionally intelligent, and it has guided you throughout the whole process, and it also seems like it ain't your first rodeo in the process of proverbial death and rebirth. Good on you because you're doing a real good job keeping your calm through venturing into the unknown. You know what? You remind me of Elsa from Frozen, taking on the unknown like it belongs to her. You are such a queen, omg.

Yep, all that's left to do now is celebrate yourself, pile 3! Try your best to embrace this period, the void, and you'll be on your way to your next happy adventure! Love and light, sweet soul. Thanks for sharing your energy with me today.

~~~~~~~~~~~~~~~~~~~~~

750 notes · View notes

ohnoitstbskyen · 3 months ago

Note

Hi Skyen, hope you're well! I'm seeking some advice and since you used to work doing mainly art commissions I figured asking you was worth a shot.

I'm a furry artist and I'm looking into doing commission work as a side gig while I finish animation college, and hopefully acquire enough experience/clients/notoriety to turn it into a full time job once I graduate.

Do you have any advice for someone literally just starting out with fresh accounts and zero following? Especially when it comes to reaching people and getting your first clients, and anything that one should take into account when working with NSFW specifically. Also advice for pricing your work is always useful 😅

No need to answer obvs but I'd appreciate your viewpoint if you want to share!

Got 2 asks on this exact subject so I'll write up what advice I can. One big caveat: I haven't worked as a commission artist for like half a decade at this point, and this job has a tendency to change fast, do not take anything I say as gospel. This is advice from a limited perspective, be critical of what I say and trust your peers and the people you are in community with before you trust me.

building audience

Step one is getting people to notice the artwork you create. Literally nothing else can happen until you have eyeballs on your work, and the most consistent and reliable way to make that happen is fanart. Ideally you'd want to produce fanart in a fandom you are personally engaged with and passionate about and familiar with, and which also has a sizeable community whose attention can help you build recognition and a base of followers.

This isn't always possible, and there's many a working artist who creates work for fandoms not out of deep personal connection, but because the fandom is large and relevant and a good way to capture the goodwill of algorithms and content feeds.

This approach has some downsides. For one, genuine fans can usually tell when someone's engagement with Their Thing is shallow, and for another it can be deeply creatively exhausting to chase the algorithm. I don't recommend this approach, but it is a valid means of building a business.

Another important consideration, especially when you are early in your career, is that volume tends to trump quality. Every artist will eventually learn that their shitty joke-doodle they sh*t out in ten minutes on a whim will get a billion reposts, and their complex personal work that took eight weeks to finish gets 2 likes from their closest mutuals and a comment from a bot saying "wow!"

In the age of the algorithm, what machines and for you pages value is a consistent, high-volume of output that generates user engagement. You will generally get further, faster, by producing a lot of work than you will producing great work. Again, this can be rough on your mental state, and a fast way to burn the fuck out, so please be careful and mind your health before all else.

The best way to build something that will last is to build your audience in communities and around fandoms and themes and ideas you genuinely care about and enjoy exploring and interacting with. Being your authentic self and creating work from your authentic interest is generally both healthier and long-term better for your career than trend-chasing. Treat trend-chasing and volume > quality output as tools in your toolbox, as creative and business decisions you can make to achieve a specific purpose, never ever EVER let them become the center of your praxis or your philosophy. Never ever EVER allow the Numbers™ to be your source of validation and accomplishment.

building business

Ok, so you've got eyes on your work. You've got some followers. How the hell do you get them to commission you?

Well, again, by demonstrating a capacity to create kinds of art for which there is demand. In the furry community, there's brisk trade in things like ref sheets and character design, for example. For most fandoms, ship art is a product which tends to be in demand. Being able to do really good expression sheets is a marketable skill. Being able to create compelling and clear emotes for streamers and creators is a marketable skill.

Showing the capacity to work in a wide range of styles is valuable. Showing the capacity to work in a wide range of genres is valuable. If you can do both comedy and romance your appeal expands. If you can do shonen-like action and angst as well, it expands again.

Equally, being incredibly good at a specific niche is valuable as well. Focusing hard on an under-served niche of work can give you a lot of opportunities to be the Go To person for that specific kind of thing.

Perhaps the hardest part of all of this is marketing yourself. Not only showing that you have the skills, but actively informing your audience that you are available, eager and willing to practise your skill for a fee. You have to sell yourself. It sucks, but you have to do it. You have to advertise what you can do, and you have to suffer the rejection and annoyance that comes along with doing that.

You have to ask people to commission you. You have to raise your hand and demand attention. It's not fun, but it's business.

Walking the line between self-promotion and being a person is hard. I can't help you that much with it, it's a very personal balance to find. Stay in touch with your soul, but kill the part that cringes at yourself.

Ultimately, you best marketing asset is your portfolio. Every time you do work, show it off. Repost it, retweet it, spread it around. If someone is happy with what you've made for them, do your best to make sure that other people see that happiness. Ask your clients (politely) to tag you when they share your work.

Oh, and for the love of god, sign everything you create, slap watermarks on anything that's likely to get reposted, and make it impossible for someone not to find your business email on your profile.

building network

If you're a commission artist, you are in community with other commission artists. You share interests, you share experiences, you share needs.

Practise solidarity. Absolutely seek out professional peers to help your business, but equally seek out opportunities to help them with theirs. If someone comes to you for art and you don't have commission slots open, point them at a colleague who you know can do the work too. Gas up your peers and spread their work.

Be a symbiote, not a parasite. Respect the craft of your peers, and don't chase celebrities and big names in the hope of coasting on their coattails. It will fail.

smut

If you're a working artist, at some point you have to reckon with smut and r34.

These genres are excellent sources of income, and fertile ground to build a business and network of customers. BUT. Do not ever make the mistake of thinking that they are "the easy way" or a shortcut. Do not ever make the mistake of thinking you can simply offer to draw tiddies and rake in the cash.

It's work and graft same as literally any other form of labor, it's challenging on both a technical and creative level, and the audience can sense if you're looking down on them. If you approach this from a position of shame, of "eugh, I'm debasing myself by doing this for rent money," it will not work, and you will lose standing and respect in the eyes of every peer whose support you need to succeed.

Just as in all other forms of creativity, if you treat the audience as morons who will slurp up whatever slop you serve them, then you will attract clientele that agrees with you, and you will deserve the misery they will inflict upon you.

If you are going to work in smut, establish your boundaries and enforce them. Know that good clients will feel safer and more comfortable with an artist who clearly states their red lines and earnest interests than they will with someone who tries to attract more clients by pretending to be open to work that they are actually uncomfortable with.

Never, ever, EVER let a client push you to create work you are not comfortable creating. It scars your soul in both the short and long term.

Also, when working with this kind of content, know the rules of payment processors and know how to hide the nature of your business from them. PayPal should never, EVER know the details of the content you sell with their service. Frankly, neither should your bank, most likely.

Look to your peers for advice and best practises about this. And be meticulous about your bookkeeping.

money

I want to tell you to charge at least minimum wage for your time. I want to tell you to charge substantially more than that, because your labor is specialized and highly skilled.

But the economic reality of commission work is that there is a crushing downwards pressure on the labor price of art, which has only been made more devastating by the rise of generative AI, and especially when you are a young artist just starting out, you're going to find yourself in a position where charging even minimum wage for your time will turn away a huge proportion of your potential customers.

Again, your portfolio will be the greatest argument for the value of your work, but you have to build that portfolio first, and very often that means doing a f*kton of work for not remotely enough pay until the pressure of demand finally works in your favor.

I don't condone or justify this state of affairs. It is horrid and I hate it, but I don't know how to fix it either.

Making a living from content creation of any kind requires you to get lucky, on top of working obscene hours and foregoing rest and vacations. It's not a safe or sensible plan for a career or paying your bills.

My sensible advice is to get a "normal" job you can survive doing, and do your creative work on the side, and resign yourself to the possibility that the creative work may never actually pay your bills.

And that is soul-crushing, but I cannot stomach pretending that hard work and gumption will guarantee anyone a decent living if they just try hard enough.

There are people who are better at every aspect of my work than I am, and they struggle harder and work for longer, and they will never see half the success I have, because I happened to get lucky, and they happened not to. It's wretched.

I'm not telling you not to chase your dreams. I'm telling you to do it with your eyes open, and with compassion for yourself first before all else.

All of this to say: I can't tell you what to charge for your work. It depends on everything from your competition to your niche to your genre to your community to your economic situation. You have to figure it out on your own.

All I can tell you is never forget that your work is worth more than the market will let you charge, and to raise your prices as soon and as much as you can. Try to reach at least minimum wage for your time as fast as possible.

in conclusion

Again, I haven't been a commission artist full time for a long time, please do not take any of this as gospel. Listen to your peers before you listen to me.

But trust me about the solidarity. It will save you when all else fails.

#tb answers #Anonymous

215 notes · View notes

mesetacadre · 2 months ago

Note

Is the belief at all valid that ultimately there is nothing much we in the imperial core can do for the global south (i.e palestine) and that liberation is largely in their hands only? Was there any time historically where that wasn't the case?

Maybe I am just doom and glooming but it really doesn't feel like there is much we can affect (though I still attend protest and do whatever my party tells me to, I don't air out these thoughts because I don't think they are productive)

Primarly I feel like building a base here for when shit goes south is the only thing we can do

My friend, we can't forget that, while imperialism is committed outside of our reach, it is fueled, supported, and justified in our countries. National liberation movements fight in their own frontlines, and we fight in the rearguard. If you have the impression that any real progress is impossible from our position, that is a product of the very limited development of the subjective conditions in your country. You and I have seen a myriad of protests and encampments this last year, which have had overwhelmingly no material effects on the genocide, but this is not inescapable.

In Greece, where the KKE is a legitimate communist party in the eyes of a significant portion of the Greek working class, their organization in and out of the workplace is very capable. In the 17th of October they, co-organizing with the relevant union and other entities (small note because when this happened some tumblr users seemed to misspeak, this action would have been impossible without the help and involvement of the KKE, take a look at the US to see what trade unions do without communist influence), blocked a shipment of bullets to Israel:

And merely a week ago, they blocked another shipment of ammunition meant to further fuel the imperialist war in Ukraine:

The differentiating factor in Greece that is not present arguably anywhere else in Europe and North America is their strong and established communist party, even their presence exerts an indirect influence in the broader working class, communist or not.

So are the rest of us meant to sit in our milquetoast protests and watch on with envy at the Greeks? No, because these are subjective conditions, and we have control over them. Even if most actions we do don't achieve anything materially, we gain experience, and the base for a proper organization of our class is built up. It's not just building that base for when something goes wrong in our countries, it's building a better base for the very next mobilization, the next action, the next imperialist aggression. The student movement of the imperial core is better off now in terms of lessons to be learned after the encampments than if they hadn't done anything (and the utility of the encampments wasn't completely null anyway, some unis in Spain have ceased all economic and academic relations with Israel).

#ask #anon #seriousposting

202 notes · View notes

markrosewater · 2 months ago

Note

I appreciate your patience in listening to the people mourn what's currently being decided right now. If I can contribute something as well: I am also a UB fan, and I agree with the mechanical uniqueness and the awesome designs and all that.

However, the mantra being spoken before has been "maybe this product isn't for you," and while that was far from easing my concerns about some decisions, now that ub is going to be at every level of competitive play, wotc has taken away the ability for competitive players to opt out of an experience they don't want to partake in. If you want to win, you HAVE to get Sephiroth and Green Goblin, etc.

I like UB as an opt in choice, but the current decision feels malicious towards those who expressed their concerns before who were abated by consolations that wotc has rolled back. It does feel like a cynical money grab at the cost of many of the most dedicated players.

It’s not a “cynical money grab”. It’s us responding to two big pieces of feedback from the players.

1) Straight to modern sets were speeding up the flux in Modern. Metagames are influenced by how many new relevant cards enter the environment, and having a bunch of straight-to-Modern sets was creating unwanted flux. Modern players enjoyed that archetypes lasted longer than in smaller formats. It was a loud compliment often made here on Blogatog. This change is made to address that.

As a corollary to that issue, because we had less experience with making straight-to-Modern cards, our ability to balance them wasn’t as efficient as premier sets. This change also has the vast majority of cards going through the same system and power level, one we have years of experience with.

2) Players who were entering through Universes Beyond (and there are a lot of them - it’s a primary strength of UB sets) that wanted to play competitively were thrown into Modern. That’s just a bad entry ramp into tournament Magic, and it was a common complaint we were getting from newer players.

Universes Beyond’s greatest contribution to the long-term health of Magic is as a conduit to introduce new players. Learn the game system with a property you love, and then once you see what a great game Magic is, become a lifelong Magic player.

To accomplish this we need to have a “softer” landing spot, and we believe that is Standard. Note this is in addition to a lot of other work we are doing to return Standard to prominence.

I know it’s easy to want to attribute malice to a company’s decisions, but we really are trying to do what we feel is best for the longterm health of the game

274 notes · View notes

jstor · 7 months ago

Note

I saw something about generative AI on JSTOR. Can you confirm whether you really are implementing it and explain why? I’m pretty sure most of your userbase hates AI.

A generative AI/machine learning research tool on JSTOR is currently in beta, meaning that it's not fully integrated into the platform. This is an opportunity to determine how this technology may be helpful in parsing through dense academic texts to make them more accessible and gauge their relevancy.

To JSTOR, this is primarily a learning experience. We're looking at how beta users are engaging with the tool and the results that the tool is producing to get a sense of its place in academia.

In order to understand what we're doing a bit more, it may help to take a look at what the tool actually does. From a recent blog post:

Content evaluation

Problem: Traditionally, researchers rely on metadata, abstracts, and the first few pages of an article to evaluate its relevance to their work. In humanities and social sciences scholarship, which makes up the majority of JSTOR’s content, many items lack abstracts, meaning scholars in these areas (who in turn are our core cohort of users) have one less option for efficient evaluation.

When using a traditional keyword search in a scholarly database, a query might return thousands of articles that a user needs significant time and considerable skill to wade through, simply to ascertain which might in fact be relevant to what they’re looking for, before beginning their search in earnest.

Solution: We’ve introduced two capabilities to help make evaluation more efficient, with the aim of opening the researcher’s time for deeper reading and analysis:

Summarize, which appears in the tool interface as “What is this text about,” provides users with concise descriptions of key document points. On the back-end, we’ve optimized the Large Language Model (LLM) prompt for a concise but thorough response, taking on the task of prompt engineering for the user by providing advanced direction to:

Extract the background, purpose, and motivations of the text provided.

Capture the intent of the author without drawing conclusions.

Limit the response to a short paragraph to provide the most important ideas presented in the text.

Search term context is automatically generated as soon as a user opens a text from search results, and provides information on how that text relates to the search terms the user has used. Whereas the summary allows the user to quickly assess what the item is about, this feature takes evaluation to the next level by automatically telling the user how the item is related to their search query, streamlining the evaluation process.

Discovering new paths for exploration

Problem: Once a researcher has discovered content of value to their work, it’s not always easy to know where to go from there. While JSTOR provides some resources, including a “Cited by” list as well as related texts and images, these pathways are limited in scope and not available for all texts. Especially for novice researchers, or those just getting started on a new project or exploring a novel area of literature, it can be needlessly difficult and frustrating to gain traction.

Solution: Two capabilities make further exploration less cumbersome, paving a smoother path for researchers to follow a line of inquiry:

Recommended topics are designed to assist users, particularly those who may be less familiar with certain concepts, by helping them identify additional search terms or refine and narrow their existing searches. This feature generates a list of up to 10 potential related search queries based on the document’s content. Researchers can simply click to run these searches.

Related content empowers users in two significant ways. First, it aids in quickly assessing the relevance of the current item by presenting a list of up to 10 conceptually similar items on JSTOR. This allows users to gauge the document’s helpfulness based on its relation to other relevant content. Second, this feature provides a pathway to more content, especially materials that may not have surfaced in the initial search. By generating a list of related items, complete with metadata and direct links, users can extend their research journey, uncovering additional sources that align with their interests and questions.

Supporting comprehension

Problem: You think you have found something that could be helpful for your work. It’s time to settle in and read the full document… working through the details, making sure they make sense, figuring out how they fit into your thesis, etc. This all takes time and can be tedious, especially when working through many items.

Solution: To help ensure that users find high quality items, the tool incorporates a conversational element that allows users to query specific points of interest. This functionality, reminiscent of CTRL+F but for concepts, offers a quicker alternative to reading through lengthy documents.

By asking questions that can be answered by the text, users receive responses only if the information is present. The conversational interface adds an accessibility layer as well, making the tool more user-friendly and tailored to the diverse needs of the JSTOR user community.

Credibility and source transparency

We knew that, for an AI-powered tool to truly address user problems, it would need to be held to extremely high standards of credibility and transparency. On the credibility side, JSTOR’s AI tool uses only the content of the item being viewed to generate answers to questions, effectively reducing hallucinations and misinformation.

On the transparency front, responses include inline references that highlight the specific snippet of text used, along with a link to the source page. This makes it clear to the user where the response came from (and that it is a credible source) and also helps them find the most relevant parts of the text.

#jstor #ask #generative AI

293 notes · View notes

anemoiashifts · 1 month ago

Text

december shifting pick an object reading !

hello ! happy almost christmas to those who celebrate i thought id continue with a general shifting reading & maybe some messages from people in your desired reality. i thought last months reading was a little to general for my liking, so i will be trying to add as much detail / specifics as i can to solidify the feeling that this is made for you.

as always please please don’t force messages to resonate. i do these on the first of every months so they’ll be many more chances to feel connected to a reading if these ones don’t do it for you :) !

bunny ⋆⭒˚｡⋆ 🐇 !

signs : pineapples, snoopy, stained clothing, missing buttons, mars, tree stumps.

you are currently going through some sort of “seasonal depression; some sort of funk. as of recent, you’ve been comparing yourself to your peers. seeing how much they can do & are capable of, it makes your (feelings of) lack amplify & hurt even more. maybe you have some sort of codependent relationship or always feel the need to confide in others approval before a task is complete ? this month you’ll find the motivation to learn new skills & plant the seeds that are needed to trust yourself.

this boils over into your outlook on shifting. people seem to fall into boxes of where they want to shift, have methods that have worked for them, have made a decision in what they’d like to experience in their desired reality. it’s not that you lack a direction, you may know where you’d like to shift. more so an indecisiveness on what you actually want. you want to shift yes, but when you really think on it, you’ve become comfortable where you are. you could struggle to see yourself shifting at all as you are a more analytical person. your someone who is very fact based, you could enjoy doing research & weighing all options before making a decision. things need to make perfect sense to you before you believe in them. this mindset only feeds into what ive mentioned above & could circle back to your feelings of being directionless. the main thing you need is clarity for your manifestations & desires.

this person is someone who is very likely defensive of & true to their beliefs; someone stubborn. birds or turtles may be relevant to them. what this person wants to remind you is consistency is key. you may jump from one project to another without finishing the last; which leaves you as someone who knows a lot of different skills / has aloe of hobbies. you don’t have to be perfect to start something & continue with it. very few people do things the first time & it comes out just how you imaged it. focus on the quality of information rather then the quantity. take this month to create a vision board of some sort. write down what you’d like to accomplish by the end of the upcoming year.

otter ⋆⭒˚｡⋆ 🦦 !

signs : greek lettering, pink slippers, butterfly earrings, long black wrap coats.

in your head, you have “unfinished business” to attend to. so, shifting has been kept on hold for a very long time — years for some of you. it’s always “ill try and shift after i finish my work” or “ill shift when i improve my sleep schedule”. while it’s good to have goals, you’re allowed to work on multiple things at once as long as you balance the two. take this time to reevaluate your priorities & consider what is helping or hurting you. are you really putting off shifting because your room isn’t clean and you have done laundry yet and you have a research paper ? or are you simply not in the mood for it as your mind has wandered else where. do you desire to go to a reality that you have built up in your head or have you grown out of it & would rather fall in love with another desired reality ?

there could also be some sort of desire not to shift at the moment. perhaps you like the holidays & you’re excited for them ? you’re in a stable place right now & shifting is something you fall back onto in times of distress ? however you look at shifting & where you want the future of your relationship to be with the practice later down the line, take time to nurture that vision for yourself.

this person could be someone from your family in your desired reality or a person you would consider family, even if not by blood. this person is a little bit of a player & like you, has moments of lack of direction. while this person can be hotheaded, it’s a good reminder to slow down before lashing out on others. your insecurity doesn’t grant you the right to think negatively of other people. through these moments, this person notices that you struggle to see clearly & your tendency to obsess over small things. focus on the bigger picture.

deer ⋆⭒˚｡⋆ 🦌 !

signs : 88 or 888, farmers markets, lillie’s, historical landmarks, purple lip gloss.

you’re not the kinda person people look at & think that you haven’t been through a lot. on the outside, you look fine. you’ve been very lucky in a lot of ways & you’re able to hold everything together really well.

often a front for something being repressed, you often have an “i don’t care” attitude or come off as really easy to be around & agreeable. you’re someone who doesn’t quite know yourself entirely. while, you recognize you’re a kind person & a good friend, you struggle with a fear of judgement & being ostracized from certain groups if they “knew the truth”. you could’ve or used to have some unconventional hobbies or are into certain subcultures that aren’t the norm.

your desired reality could be a wanted but a shamed one by nobody other then yourself. you have a love of the place of where you’d like to shift but the shame of admitting to yourself that you do consider yourself a shifter, can be a hard to accept. you’re probable someone who lives in constant fear of being “outed” as a one. you’ve gone through the ritual of blocking everyone you know in your personal life & making a mental note of not keeping physical scripts laying around. maybe shifting as a while feels a little elementary to you. even if it isn’t the practice, it could be the places you’d like to shift itself that allow these thoughts to conjure up inside your head. if you are able to work on quieting that noise of shame & insecurity, you will soon have your desired fulfilled. — as I was typing & the time 11:11 appeared on my desktop if that number means anything to you.

the main thing somebody from your desired reality wants you to know is to listen to your dreams. your dreams are apart of your subconscious & your subconscious holds the key to how you operate. if your circadian rhythm is off, take this as a sign to start to get it back on track. i really couldn’t get a read on who this person was, so i assume whoever your thinking of is this person or they prefer to remain anonymous.

thank you for reading. i hope something was able to resonate with you ! ⋆✴︎˚｡⋆

#desired reality #reality shifting #shiftblr #shifting #shiftok #shifting motivation #shifting realities #shifter #reality shifter

146 notes · View notes

burst-of-iridescent · 8 months ago

Text

No, Shipping Zutara Is Not Supporting Amatonormativity (Please Use Some Fucking Braincells For Once)

- a treatise by a severely pissed off aroace zutara shipper

since words don’t mean anything anymore (if they ever did on the esteemed piss-on-the-poor website), let’s start with a definition.

amatonormativity: the set of social assumptions that everyone prospers with a romantic relationship, thereby positioning marriage as a universal goal of adult life. amatonormativity forms the basis of several institutional structures that are built to cater to romantic bonds over all others, also manifesting in social pressure on individuals to find a romantic partner by pushing the false narrative that those who do not experience romance are automatically lonely, unhappy and unfulfilled. it is usually characterized by the prioritization of romantic love over other forms of love, particularly platonic.

the anti-zutara argument based on this is as follows: wanting zutara to happen is amatonormative because it a) devalues zuko and katara’s platonic bond b) pushes the idea that men and women can’t be friends and c) doesn’t align with the themes of the show, as romantic love was never the point of atla.

i would like to take the time today to tell you that this is some fucking bullshit, for the following reasons:

one, this may come as a shock to some of you, but zutara shippers did not invent the concept of romantic love in avatar: the last airbender. you are more than welcome to criticize the pairings of suki/sokka, katara/aang, mai/zuko, yue/sokka, jin/zuko, jet/katara, and even kanna/pakku for perpetuating amatonormativity through their unnecessary romantic subplots. and if you don’t have anything to say about any of those pairings, then here’s a word for you: hypocrite.

zk shippers are not introducing the taint of romantic love into some kind of wholesome platonic utopia where it never existed. when we say zutara should have been canon, it is a statement that ends with the implicit instead of kat.aang and mai.ko tacked on at the back because if we were going to get a romantic relationship anyway, it might as well have been one that was well-developed, narratively impactful, and thematically relevant.

two, saying zutara is amatonormative is fucking rich when the main “romance” of atla is a three season long struggle to get out of the friendzone. aang’s desire to be in a romantic relationship with katara is one of his primary motivations throughout the show, and not once does either he or the narrative ever entertain the thought that just being katara’s friend might be enough. to the contrary, aang’s crush and the potential of its reciprocation is a fundamental part of how the story gets its audience to invest in both his character and the kat.aang relationship. they want you to want him to get the girl, and that’s the driving force of the ship’s development from start to finish.

you can see the influence of this in the way people defend why kat.aang had to happen: “aang would be crushed!” “it would break aang’s heart!” “aang deserves to be happy!” and that in and of itself is more amatonormative than any version of romantic zutara, as if this idea that aang is somehow doomed to a life of misery and loneliness just because he can’t be with the girl he likes isn’t inherently based on the assumption that platonic love can’t be as meaningful and satisfying as romantic love.

three, let’s be so fucking fr: a show written by cishet men in the early 2000s was not “subverting amatonormativity” by not making zutara happen, especially not when they went for the fucking olympic gold of romantic cliches — the hero gets the girl trope — instead. otherwise, why did the entire show end with an uncomfortably long liplock? if romance would’ve devalued zuko and katara’s platonic bond, then what the everloving fuck happened to their friendship in the comics and the legend of korra?

it is blatantly false to say that zutara shippers are the ones devaluing their platonic bond when the creators did it first. they evidently don’t view zutara’s platonic bond as equal to kat.aang’s romantic one, judging by their treatment of both relationships in the comics and LOK and the fact that they talked about kat.aang “winning” the ship war in the first place. because if the two relationships were of equivalent standing, why would there be a winner and a loser at all?

amatonormativity is baked into the DNA of atla, and while some people choose to reject this framework entirely (zk friendship >>> ka romance anyday), it is also not wrong for zk shippers to be annoyed at the treatment zutara received within the context of said framework. since the creators clearly thought a romantic relationship was better than a platonic one, they could at least have picked the couple that actually made sense instead of adding insult to injury by making that romance kat.aang. it is not amatonormative to acknowledge that zutara was not afforded the distinction it should have been in the eyes of those who wrote it, because it’s obvious that the decision to keep zuko and katara’s relationship platonic wasn’t to respect their friendship, but to position them as inferior to kat.aang.

four, detractors of romantic zutara often argue that their platonic relationship is inherently better & i’ve discussed before why that isn’t the case, but i also hate this argument because it’s perpetuating the very thing that aromantic people are trying to get rid of in the first place: the hierarchization of love. it is not the “gotcha!” you think it is to genuinely state that platonic love is better than romantic love, because it’s still buying into the idea that there’s some kind of order to categorizing human relationships. the solution to amatonormativity isn’t changing what form of love gets to be at the top of the list — it’s doing away with the hierarchy entirely.

i ship zuko and katara because canon already gave me their friendship. i already know what their platonic relationship looks like and that gives me more room for imagination in developing their romantic one because it’s a place canon didn’t go.

at the end of the day, friendship and romance are just different avenues of exploring intimacy. neither is inherently more valuable than the other, and neither is inherently more problematic. and if you truly believe in dismantling amatonormative beliefs, you would recognize that making a distinction between the two is only perpetuating the problem, not challenging it.

#zutara #anti kataang #anti atla #anti bryke #amatonormativity #thanks to you idiots now i have to be out here as a romance repulsed aro defending romantic love on main #i enjoy a friendship better than romance joke as much as the next aro #but if we’re using it as a genuine argument… come on now

361 notes · View notes