#I just have a lot of mixed feelings on s2

[jackandjoker]

my top shows of 2024 (better late than never)

1. jack and joker (act surprised)

this was my first ever thai show and GOSH was i in for a ride.. i legit started watching this for fun because i saw an edit and i found the name ‘joke’ very funny… oh how times change.

this show was made for me, it’s perfect to me, i can talk about it forever and i will.

2. peaceful property

to think i almost didn’t watch this because the poster didn’t interest me 😭

but this is so underrated i think? it was everything to me, each story was special and made me feel so many things. the phoomvicha episode made me cry the most, along with ep 8 😞

3. last twilight

this is the 2nd show from P’Aof that i’ve seen and i think he’s gotten a spot in my favourite directors list. definitely not without faults, but still unique and beautiful and i loved it. also cried a hell lot… and i hope i can get mhok’s fart proudly shirt one day.

4. let free the curse of taekwondo

my first ever korean drama and it will not be the last!! i loved this so much, i only wish it was longer. i’m patiently waiting for all my exams to end so i can watch all of hwang da-seul’s filmography.

5. i hear the sunspot

so many firsts in this post- this is the show that introduced me to the world of asian bl… my first ever asian drama <3

i love kohei & taichi with all of my heart and although they seem to be the kings of miscommunication, they found each other in the end. and i desperately want to try that burger.

6. interview with the vampire s2

iwtv is my kind of crazy, i love them all 🤲

not much to say about this one but it’s one of the 3 shows i’ve given a perfect 5/5 rating so far. (others are j&j and derry girls).

7. the on1y one

patiently waiting for season 2🥹

these two had my entire heart 😭😭 something about this show that makes me feel so much comfort… and it’s gorgeous so that’s a plus. (my first ever taiwanese drama- sorry)

8. takara’s treasure

this was just so cute 🥹 they’re adorable and it’s just a light and fluffy show and i love that. i took care of an abandoned kitty for a while and named her takara because i considered her my treasure lol.

9. 23.5

loser lesbians <3333

if onsga and aylin had a daughter, it would be me. 100%. i love milklove and i’m impatiently waiting for whale store xoxo. and i love how view is like the girl version of mark pakin because i adore her and keep seeing her in random stuff i watch.

10. see your love

this was just so fun🥺 the best 20 mins i had every wednesday for 12 weeks. both the main leads and johnathan & xin jia have my heart, along with shu he and shaopeng’s parents. i love amazing supportive parents in bls 🥹🩵

some other favs under the cut :)

non 2024 shows i loved-

moonlight chicken

i need more series like this because 🩵🩵🩵🩵🩵 it was so gorgeous omg and it was too short 😞😞

when i watched the first ep i didn’t think i’d like it but still continued and i’m so glad because it only got better and better. and i hope whoever decided to make earthmix firstkhao gem4 sing the moon represents the heart never has a bad day in their life. i love it so much.

the best story

when are we getting the dew story yinwar?? 😭🥺 if i had a nickel for everytime war cried after seeing yin with a girl, i would have 3 nickels. maybe more if i start counting their music videos

cherry magic thailand

i wanted more taynew after peaceful property and damn!! karan was whipped 😭 it’s funny how his thoughts were like that when he had a gaystraight face the entire time

other 2024 shows that i enjoyed:

sugar dog life

i love shows that involve cooking and i love characters who bond over food. so obviously i loved this. similar to takara’s treasure, a feel good show.

caged again

it got a bit messy around the end and the story took turns i wasnt expecting, which was fine, but i felt it was different from the premise if that makes sense? i loved it still and i would definitely like to see more of ben & jay.

my love mix up th

i randomly watched this on my period and honestly it made me laugh so much so i’m biased 😭 some stupid stuff did bother me but overall very slay <3 i’m glad chokun has a main role now, after this & peaceful property 🥺

[curtsies-from-princess-ashlyn]

Season 2 in review....

Surprisingly, there was a lot that was improved from s1 when this season started, but unfortunately those improvements weren't consistent through the whole season. The character work for the leads was much better than the first season, and I do think how the story was being told (i.e. literary devices, visual and musical cues, etc.) was stepped up (shoutout to Ilana Wolpert for 2x06, which I think is the best written episode this season). I also really liked how the music from BATB was incorporated into this season, which I think was used more effectively to tell the stories of the wildcats than the music from HSM in s1. I also thought the season was better paced in the first half than s1 (up until 2x07 or so), but then it started spinning wheels in the 2nd half a bit before coming to a screeching halt in the finale. The finale doesn't even really have a narrative, technically. For that alone, this is the weakest season as a whole.

The season's tone is noticeably darker than either s1 or s3 (and presumably s4), which I think really makes it stick out. I don't necessarily think the darker tone is a bad thing, since many of the characters are experiencing some really painful things this season, and it matches the gravity of the pain and trials they face. However, it's not tonally consistent with the rest of the show, and I think the inclusion of the North High crew makes this even worse. For the most part, the North High students were the ones who provided comedic relief this season, and the rivalry plotline simply did not work. The plot did nothing to further the arcs of the main characters, so as a framework for the overall season, it just felt superfluous. At least Nini's YAC arc had relevance and moved along her and Ricky's storylines, but the rivalry helped no character move from point A to point B in their growth. I think it could've been used to challenge Ashlyn's insecurities about being a leading lady, with Lily being her foil in fitting the "ideal" (I think maybe this was the original idea?), but there was almost no conclusion to Ashlyn's storyline as Belle. In the end, I think the North High rivalry felt much more like the Vocal Adrenaline rivalry in Glee than fitting in the very meta world of HSM or HSMTMTS.

If Ashlyn's storyline was so unfinished, then how can I possibly say the character work was improved from s1? Well, the storylines of Ricky, Nini, and Gina were done very well this season. I think there was a lot more intention and vision of how these characters needed to grow this season than in s1, and the writers do honor each one of them in their storylines. Ricky is continuing to be challenged to confront changes, and the more this happens, the tighter he clings to his past with Nini. Nini is discovering her own voice for the first time in a long time, and YAC and her relationship with Ricky are showing her that she needs more freedom and space to be her true self than they both provide. Ultimately, Ricky and Nini's breakup arc is the best written storyline of the season (even if its dragged out an episode too long). Ricky's arc still can't move forward until he confronts his mom (who it all leads back to), and overall the writers hit the perfect balance with his story. He was held accountable for his mistakes, but we the audience know exactly why he's making them and can empathize with his painful struggle.

Gina is figuring out where she actually fits in at EHS, and her growing insecurity and doubting of her instincts all ties back to her uncertainty in her relationship with Ricky. This all makes sense, given he's the first friend she ever made in SLC, effectively being the tether to the rest of her relationships there. S2a focuses on her struggling to navigate these new relationships and emotionally separate herself from everyone. The performance of "Home" is her turning point, but even after choosing to stay, she still continues to question her worth to others. Her conversation with Nini in 2x12 reveals that she still has insecurities about her true self, calling herself "off-putting". The one character I can't figure out if his storyline is written with intention or ultimately fumbled is EJ's. It's clear this season is supposed to start him on his journey of finding his own story, but rather than continue down this path, his storyline shifts to focus on his relationship with Gina. It could be intentional that the writers wanted EJ to think that his relationship with Gina was his new story, allowing him to learn in s3 that his story can't be defined by his father or a girl, but maybe that's a generous interpretation. I have more thoughts on his s3 storyline later.

I really appreciated the attempt to expand the scope of storytelling to be more ensemble-focused than s1, but I don't think enough attention was given to the rest of the characters. I loved that Kourtney had a significantly larger role this season, and her stories meshed better with the rest of the cast this season than Nini's, tbh. I actually loved seeing her work with Big Red and them as scene partners. Save for Kourtney's storyline, I don't think there was enough payoff or conclusion for the rest of the characters' individual arcs this season (Ashlyn, Big Red, Carlos, Seb).

Last comment: I was incredibly impressed by Joshua Bassett's performance this season. He gave a good performance in s1, but he reached a whole new level in s2 as Ricky. I think the clarity of Ricky's character and arc this season really helps, but I was blown away at how he was able to portray all these complex emotions so sensitively and believably. Sofia's undoubtedly the best actor, but he also really held his own this season.

[brittlebutch]

The 'Enjoying watch you suffer' line in Broadcast has always been hard to pin down; Tim's leg getting broken is the biggest incident in Entry #35, so it's natural to want to tie the two together, but it seems to fit so indelicately into what we know about the timeline of totheark's internal relationship that it almost causes more problems than it resolves. However, even though it's very blink and miss it, Tim does actually manage to stab Alex in the arm before he gets knocked down -- we hear Alex cry out in pain, can see blood on the blade when Jay picks it up, and then in the recovered corrupted footage from that tape that Jay posts as Entry #36 Alex says "I did what I had to... he'd just stabbed me" -- and that injury being what totheark was trying to call attention to, to me, reads a lot more clear and consistent than anything else does

[lesbiantimrand]

6m spoilers in tags

[xxsquiddkiddxx]

Viktor x Reader Headcanons

Pronouns for reader: Gender neutral, AFAB undertones if you squint

Relationship type: Platonic to Romantic

General Idea: Some silly little headcanons I have for Viktor because he's still my silly little princess. Even after the whole glorious evolution thing.

Content Warnings: S1 Viktor, no S2 spoilers, But there as little bit of s2 viktor's mindset, I'm projecting a little bit (a lot) but it's fine.

~☆~

I honestly see Viktor as asexual with light aromantic undertones (kinda like demiromantic, I guess??). He rarely ever developes romantic feelings. Like its a once in a blue moon thing.

Like... he has to know you for YEARS before something in his head is like "Oh... hey they kinda cute?"

However, when he DOES develop feelings that go beyond friendship, Viktor HEAVILY struggles with coming to terms with them. Not in like a "I don't DO feelings" type way, but more in a "Well... no... it could be this" type of way.

Oh, his heart rate speeds up a little bit when you two accidently brush hands? It must just be his nerves.

When he does realize that he has feelings for someone, it's kind of like that scene in Gravity Falls where Dipper is like "It's not like I stay awake at night thinking about Wendy" and it cuts to him laying awake thinking about Wendy XD

If he likes someone romantically, he talks about them a lot. Like as if trying to bring them up as much as he can. Like "Oh (Y/N) mentioned something about that book, said they really liked it" Or "(Y/N) actually said something similar about that topic" If he could yap about you for hours, he probably would.

Even if you're being PAINFULLY obvious about your romantic feelings towards Viktor, he will firmly believe you're just being friendly.

Why he does it is a mix between two things: one is that he's just not awesome with people. And second is that he firmly believes someone like you could never love someone like him back.

One night, Viktor had been constantly working without break, so you practically dragged him to his room by his ear and forced him to get some rest.

Viktor has a strong habit of having his workspace FILLED with old mugs, sometimes days old. He doesn't really mean to, just too wrapped up in Hextech to really notice.

He also struggles with meals too. Just like above, because he literally just gets too wrapped up in his work.

If Viktor actually confesses feelings, it's such an interesting experience. Because he doesn't just flat out say "Hey I have feelings for you". He stumbles over his words and rambles about something random in the middle of it. So you gotta help him out a little bit.

Viktor's love language is quality time. He'll make sure his seat is next to you when it can, he always yaps about what he's uncovered about Hextech.

Speaking of Hextech, if you just sit there and watch him work? He'd about die of happiness on the spot. If you, someone he really loved, took an interest to something he truly loved DOING? Perfect.

He used to get really flustered about physical affection. Like you held his hand one time and he about combusted. He was red in the face for hours. He got better with it overtime, of course. But for the first few months, he was pretty much bright red the whole time.

Dates are rare, neither of you have the time for it. But when you two do have dates of some kind, they're mostly stay at home type things.

You know that thing kids do? Like playing their own separate things together? Parallel play, I think it's called? Yeah you two do that a lot.

Viktor will be reading some papers and you'll be reading a book, your feet in his lap.

Speaking of, Viktor is such a reader omg He doesn't read a lot anymore due to his constant workload, but when he does, he reads a lot of like... old books. The ones with yellowing pages and smell nice? Yeah... those ones!

If you two slept in the same bed, he'd be all like... giggly and nervous the first few times. Just like affection, he'd get used to it. But it's still cute.

When you two are cuddling, run your fingers in his hair. He'll melt right into you regardless of the situation. It's like an instant relax button for him.

Him laying his head on your chest, and you running your fingers through his hair? Something about it just... works. It calms him down a lot and makes him feel at peace.

His favorite place to kiss is the crook of your neck. Especially if you're around his height (he's like... between 5'7 and 5'10. I don't remember exactly).

Or your temples. It's simple, it doesn't attract a lot of attention. And let's be real, it's underrated as hell.

He's not big on PDA, but he'll hold your hand in public. He likes holding onto just one of your fingers, like your pinkie or something like that. It, just like temple kisses, is simple and discreet.

He doesn't often say "I love you". He feels bad about it, but you don't mind. He often says I love you without saying it. Things like holding you while you sleep, kissing your forehead as you two read in each other's arms, weaving your fingers with his while he works.

He gets self-conscious a lot. He thinks you could do a lot better than him and that he's not perfect.

Please kiss this poor boy all over and tell him he's perfect as is 😭😭

~☆~

A/N:The Arcane brainrot has gotten to me... This is how I'm coping with the finale. But I've wanted to write Viktor or Sevika stuff for a HOT minute now. I've been in the Arcane fandom for YEARS (a fanfic writer even longer) but this is my first Arcane fic... wild XD

For more fics: my masterlist!

~Squeed

[hexxedcore]

idk if you write for Jayce and I'm kinda having mixed feelings about him after act2 but hear me out: yandere! Jayce's first priority being to look for you after getting out of the hexcore

shamefully i am prioritising this because i have quite a lot of thoughts as of act two 💔. writing will be beneath the cut for people who wish to avoid spoilers. nsfw is included and given a separated section!

also, yes i write for (and love) jayce. i stand with my cancelled wife 💯

WARNINGS: YANDERE, possessive behaviour, delusion, unhealthy + toxic relationship, S2 ACT 2 SPOILERS. NSFW, marking

SFW:

If ‘tunnel vision’ was personified, it would be Jayce after coming out of the Arcane. This man clearly witnessed something so incomprehensibly horrible that it’s amped his determination up to 100%. Good luck with that.

After quite literally squashing Salo, his main mission is you. Find you and protecting you from whatever he witnessed in those Wild Runes from becoming true. Now, we don’t know how quickly time passed for him, but it had to be a long time. God knows what happened to you while he wasn’t there to keep a watchful eye on you. You were hopeless without him — you could be injured, or worse.

You were exactly where he thought you’d be. Tossing restlessly in a bed that was far too large for one person, wondering why exactly his absence was just so abrupt. No letter, no goodbye that morning; radio silence.

You were in for a shock when you were startled awake by the sound of something heavy and burdened being dragged on the floorboards, having little protection save for a knife you’d procured from the kitchen in the case that any burglars attempted to make themselves cozy.

And you were just about to throw it, too, when he stepped into the small gap of your bedside lamp. This was hardly the Jayce you knew; haggard, disheveled, scruffy — most of all, startled, his breathing laboured and his hands tightly clasping his hammer.

That man had dropped his weapon and was on you in seconds; holding you, clutching you, in the fear that you would dissipate if you weren’t treated carefully. The tight was warm and shaky, but most of all oh so incredibly suffocating.

That night there is one thing he’s promising you, like a mantra: he is never letting you go again.

NSFW:

This man is starving and there is absolutely nothing getting in the way of that. He comes out of the Arcane like he’s in a rut and poor old you for having to cope with it. Good luck.

Jayce doesn’t feel like he has the time to be sensual. He can, and still is of course, but he’s rough in the sense that it’s animalistic. He’s acting on his basest desires now, and that’s a stark desire for you.

There is nothing more that this man gets a kick out of than marking you. For general yandere hcs, yeah, but Act Two him? The whole world is finding out about it, believe it. And god forbid you leave some scratches on his back — he’d go feral.

Constantly muttering affirmations that you aren’t going anywhere, that you are so divine yet so so hopeless without him. You missed his cock while he was gone? He’ll make up for that, because like he’d let someone else do the job.

[questionablecuttlefish]

Okay Fine Let's Talk Timebomb and Season Two.

I do want to talk about this because I have a Lot of thoughts and feelings and it has been building up and building up, not only based on what's happening in other social spaces, but what people keep bringing into mine despite my best efforts to avoid it.

This isn't any kind of hatepost, I don't think I could hate Ekko or the ship if I tried, I just want to explain my very mixed feelings about the whole thing.

My likely-to-be-very unpopular take on Season Two's Timebomb romance is that it left me feeling uneasy and uncomfortable.

Not with what was in the show itself, I feel like that was perfect. Powder and Ekko sold me completely. They made me feel things. I even liked how Ekko and Jinx's story ended. I think it was beautiful, poignant, perfect...

...until.

'The Discourse' since, the way the fan culture has exploded around it, and particularly some of the creators' commentary on it, has made me sour on the whole thing.

It feels like I'm suddenly part of an increasingly small subset of people who saw what they did with S2 Timebomb and applied our media literacy to what was on our screens and got something very different to what the fandom consensus seems to be.

For context, I semi-shipped TB before this. Though I've always been Team Lightcannon, I had a lot of respect for timebomb, I understood it, I had read a few very good fics, I was just in the space of "Jinx has hurt Ekko too much for him to ever fully forgive her for murdering his friends, they might come to an understanding, and there will always be a silent undercurrent of love beneath the hurt, they may fight together on the same side again someday, but whatever bond they had as kids is broken and they can't go back, and both know it."

I respected, and still do, people who shipped them romantically, but I've always seen them as a broken childhood friendship being a much more interesting dynamic, and being hot for each other lessening that to an extent and not really adding anything to it.

All of his interactions with Jinx in season one are violent; she murders five Firelights point-blank in front of him in her intro scene, and Ekko reacts particularly upset to the pink-haired girl, Eve or Eva, whom Jinx shoots in the back. It's clear this isn't even the first time she's fought them. We don't know how many of Ekko's found family she's put on the Memorial Wall or how close he was with any of them.

Ekko is clearly convinced that "Powder" is gone, and the person who replaced her is a cold-blooded killer who can't be reasoned with. Leading to the Bridge confrontation, and this:

This is the first time Ekko catches a glimpse of "Powder", yes, but more importantly, this is the first moment he recognizes Jinx's humanity. He's hurting her, killing her, and he can't do it.

....and she knows he can't do it.

So, to save him the weight, she pulls a grenade, with the intent to kill them both, foreshadowing quite neatly where Ekko/Jinx (but not Ekko/Powder) is going to go in S2.

Fast forwarding from Season One here, Ekko disappears for 2/3rds of the second season, completely offscreen.

When we catch up with him he's woken up in the S2E7 AU; the Powder Timeline.

Here's where I start to get a little confused by the fandom take. Because, you know, I've seen enough Star Trek and Stargate and Supernatural and Batman the Animated Series and Quantum Leap to know exactly what this is.

This is the 'bottle episode', this is the 'Perfect World' trope, where the protagonists find themselves in an alternate universe - or trapped in a dream - or they've died or think they've died and this is their 'heaven' - where they have everything they ever wanted.

This is familiar storytelling and E2 follows a familiar pattern, the protagonist struggles to adapt to the surreal new circumstances, they are seduced by the illusion, particularly falling in love with someone in the Perfect World, but eventually, they start noticing something incongruous - something isn't quite right - (In this case, it's Vi's death, and Powder holding back her genius and hiding her grief to be support girl for others) - that reveals the Perfect World to be not as perfect as it seems.

And the hero has to choose to go home, because he realizes that this isn't real, it doesn't belong to him, he doesn't belong here.

Which is exactly what happens with Ekko in E7.

Which brings is to AU!Powder and Jinx.

And here's where I really start to struggle with the seeming consensus that the romance between Ekko/Powder automatically leads to Ekko/Jinx, like you can just transfer the one to the other.

I'm sorry, fam, I thought my basic media literacy was telling me that this girl:

Is not the same person as this girl:

....and I am not getting into any debate about "Jinx" vs "Powder" as identities within our current Jinx. I'm talking about Powder in the E7 AU.

AU!Powder is literally a different human being.

She may have been the same person up until the explosion in Jayce's laboratory, but from that fork in the timeline, she becomes a FUNDAMENTALLY different person to Jinx, shaped by different experiences, different relationships, different life events.

Powder's physicality with Ekko, as you can see in those GIFs, the casual intimacy, the clear affection, the way she touches him, looks at him, her awareness of him in her space, is so utterly opposite to the way Jinx interacts with him that if anything, it nailed home to me how savagely absent this kind of feeling is from his relationship with Jinx.

Powder loves Ekko. She leans on him, snuggles into him, touches his hands, dances with him, kisses him.

Jinx cares so little about him she barely makes eye contact and would casually kill him without blinking.

And I thought that was the point.

I really thought that was the whole point of E7. Being in the perfect world, getting his perfect love story with his perfect Powder, the girl Jinx could have been, but can never be, drove home for Ekko that his feelings for Jinx, both romantic and resentful, were tangled up in his illusions of "Powder", and it took living those illusions as a physical reality for Ekko to see his mistake.

To be true to himself, and true to her, Ekko had to let that go and go home.

To face his world's Jinx, and be there for her in her darkest moment, even if it meant giving up the love he'd found with Powder, a love that belonged to a different Ekko, for someone who could never love him back.

To me that was Ekko's most heroic moment, an act of selfless sacrifice. But that's what it was - a sacrifice.

Meanwhile, Season Two Jinx is not aware of any of this. The last time she saw Ekko was on the bridge where she nearly killed him, and for all we know she might have thought she succeeded.

She never talks about, thinks about, refers to, or even has scribble-nightmares about Ekko, not even once.

Season Two Jinx is, instead, having a love story of her own.

And Isha was and is a PUZZLE to me. Because she's more plot device than character, she isn't necessary except as a way to give Jinx a villain-to-hero arc and a way to reconnect to her humanity.

But she could have been Ekko.

If they really, really wanted us to have Timebomb Canon, instead of confining the entire arc to a bottle episode in an alternate timeline with a literally, physically different girl, they could easily have given all of Isha's considerable screentime to an Ekko and Jinx romance.

I'm sure Amanda Overton would have been on board with that. But that's not what we got. It's almost like reading two different fix-it-fanfics for the same character, put into the same show and running in parallel.

I'm not crazy, this is what's happening for Ekko in s2;

While this is happening for Jinx at the same time.

But Jinx's love story, too, ends with a tragic sacrifice.

And here's where the two stories finally intersect.

When Jinx is in her darkest moment, her absolute rock bottom, Ekko comes back into her life, a miracle, impossible, a Boy Savior.

But she's still ready to kill him.

Because she didn't dance with Ekko. She didn't invent a time machine with him. She didn't sit and watch the city lights with him and share a tender kiss and a heartfelt gift.

That was Powder.

Jinx and Ekko are resuming right where they left off on the bridge, right back to "I pull this pin and we both blow up".

They've both loved and lost, but their stories are absolutely unknown to each other. Ekko Doesn't Know About Isha. Jinx Doesn't Know About Powder.

It's only when Jinx (a genius, a reminder here) sees monkeys of her own design inside the Z-drive - recognizes her own handiwork, but knows SHE didn't make those - that, I think, sheer curiosity stirs her out of her darkness.

She has to know what that was about. She hesitates, just long enough for Ekko to speak. And, though offscreen, he tells her his story, and maybe she tells him hers.

And it's enough, just enough, to set Jinx back on her Redemption Arc, to become the hero Isha always saw in her.

Maybe even the hero Vi and Ekko saw in her, too. Her new costume is full of references to all of the people in her life who never gave up on her.

(side note, the yellow stars and crowns puzzle me, though - they're quite prominent, but who are THEY for? Isha? Maybe? Yellow isn't a color associated with anyone in Jinx's life, but that crown's identical to the one she scribbled on Demacia in Fortiche's map, is... this a very subtle future Lightcannon tease? Nah. I'm not that crazy.)

I mean her costume is also almost literally both a Fishbones and a Fiddlesticks cosplay, with her hair as Fiddle's tongue, so take from that what you will.

It's clear Jinx and Ekko war painted each other for the battle, but the Firelights are also similarly painted up, and (with Linke even confirming this) there really wasn't time to develop anything else, guys.

And I am, honestly, fundamentally angry at anyone who would suggest that, even if she'd been in any space to want it, our boy Ekko, one of the most genuinely good men in recent fiction let alone in Arcane, would take advantage of a girl he just talked out of suicide.

Moving on. During the battle, Ekko is knocked out and lying not far from Jinx. She doesn't even look at him, she leaps up to defend Vi instead.

And that's their final interaction on the show.

Instead of returning to Ekko, Jinx chooses one final act of sacrifice.

Ekko's final shot of the show is this.

He's sitting, alone, burning a mourning paper, where he sat with AU!Powder - where he and AU!Powder kissed - a place that has no significance to himself and Jinx, whatsoever.

It's little wonder who he's thinking about here, and which name he's burning on that paper. The girl he truly loved and lost.

For all he knows, Jinx is dead. But it's not only her he's mourning.

Or maybe he does know, or suspect, she's alive.

But either way, he's making one final act of sacrifice, too, with that paper burning into the breeze.

He's letting her go.

He's choosing his own story.

He's staying where he belongs.

Jinx may have become a symbol of the revolution, but it's Ekko who is, and always will be, the true hero of Zaun.

And this is Jinx's final shot.

Because let's face it, we all know she's on that airship.

She's "breaking the cycle". She's "walking away". She knows that Jinx has left too many scars on the people she still loves - on Vi, on Ekko, on the cities of Piltover and Zaun - for her to pick up the pieces.

She knows that if she's going to find out what "Jinx" might stand for now, she has to go very far away from everything and everyone. She has to leave it all behind and find something new.

Maybe even someone new?

And ultimately, that's why I feel the Timebomb we got was perfect, they shouldn't touch it, they shouldn't try to force it to be "Endgame", not because it couldn't have worked, but because that's the opposite of the story they told.

For the rest of my analysis, lol, this got a bit long but i have FEELINGS.

Now, I'm not saying I wouldn't buy Jinx and Ekko as a love story if they had actually told that love story. But they didn't. It had no screen time. They have less interactions in S2, maybe even in both seasons added up, than Vi and Loris. Let that sink in a bit.

We know it's Amanda's favorite ship, so she may have intended more, and may even actually give us all more at some point, but please, dear god, let's stop pretending they fucked or kissed or even held hands offscreen.

That's honestly a bit insulting to both of these characters, to insist hell or high water that this very important milestone in their relationship happened, but they just didn't even bother to depict it. That an entire love story (because it would be a whole one, remember, Ekko and Powder had a romance but Jinx did not experience any of that, she and Ekko are back at Square One) would just be cut for time.

They both deserve better than that.

Let's stop pretending there was some grand, horny, Forever Love story with 60 minutes of cut footage, all of it timebomb content, somehow left on the cutting room floor of an animated show where every single frame has to be deliberately hand painted.

Because if in some insane universe they had written, storyboarded, voice acted and animated an entire 60 minute additional timebomb storyline and then cut it from the show, that would itself be a searing indictment of the quality of the storytelling in that imagined arc, but that's not what happened. Anyone who knows how filmmaking works would shoot this one down, and the showrunners already have, so let's leave it behind.

I know Timebomb blew up hard, and I get it, but what we got on the screen is not confirmation that there is any relationship at all between Ekko and Current Timeline Jinx. If anything, Ekko and Powder's beautiful romance only highlighted the tragic 'never to be' of Ekko and Jinx.

And it's absolutely fine to look at the art book, look at the creator comments, and imagine what could have been. Draw the fan art, write the fanfic, imagine the what-ifs and the fix-its, those are all beautiful and valid expressions and deserve their space.

But don't go insisting it's "the canon" and going after the shippers of other ships for these characters as "not canon" or somehow offensive for existing, especially toward one particular ship that, yes, has been around much longer than timebomb, is uncool.

I think this is mostly people who are New From Arcane, it's Baby's First Ship and they don't know how to share space. The timebomb fans I knew pre-season two didn't do this, at least not often enough for me to notice or care.

But I'll just say to them, if a Timebomb follow up happens and they actually tell a good love story for Ekko and Jinx, I will accept it. Grudgingly, because I think Lux/Jinx is an untold, untapped story full of incredible character dynamics that would complete Jinx's story in ways that as much as I love Ekko, he's too tied to her past, he can't.

But I love Ekko, and I love Jinx, and I will accept it.

But I'll also say to them, if the followup doesn't eventuate, if things take a turn they don't expect, if Jinx's airship is heading for Demacia, maybe they'll have to experience just a taste of what it's been like for Lightcannon fans for ten long years.

And maybe that's healthy. Maybe that's okay. Maybe our endgames don't need to be 'canon' to have value and that's a lesson we should learn.

Maybe there's a new Light on her horizon, and that's okay too. Maybe Ekko won't be alone forever. Don't forget - until Arcane - his story had nothing to do with Jinx, and there was a whole lot of it.

More with the Firelights, maybe bring in the original Lost Children of Zaun from his old stories, his inventions, his parents, all could yet be in his future. Who knows? He might find a way back to AU!Powder - or she might rebuild what they worked on together, and come to him, no matter what butterfly effects that could set in motion...

But if Jinx is heading for a Light on her horizon, maybe Ekko might Explore some of his possibilities. Find a new Spark of connection. Just saying. Jinx isn't his only ship, either 😌

And it is okay for people to move on, and let go. Maybe, for two characters whose themes are letting go of the past, living in the moment, redefining their identities, and moving on, that's what their story should be.

[paperbackribs]

tags: steddie, pre-canon, season S2-ish, tommy hagan will always have a crush on Steve Harrington

🩵💥🩵

“Someday, you're gonna get bitch-slapped, and I'm not gonna do a thing to stop it,” Steve hears the echo of his words in the Hawkins High boys’ bathroom. Spinning off the tiles, pinging against its corners and stabbing at Tommy who stands gasping at his best friend.

But Steve doesn’t care. This has been a long time coming.

Tommy is a prick and Steve thought there wasn’t anything wrong with going with the flow, ignoring the snide comments, looking away from the rumours that Carol would spread, as long as his friends remained by his side.

But Billy Hargrove had infected Hawkins High. Steve stopped swallowing the cool aid. And Tommy is fuming; red in the face and ready to take it out on any unfortunate soul that crosses his path.

Enter Steve.

Or, really, enter Eddie Munson.

Steve wasn’t sure if Tommy followed Eddie into the empty toilets or coincidentally came across him or whatever could be going on in the mixed up mind of his former best friend. But watching Tommy square off his stocky, muscular body against the other boy, boxed into the corner and wide, brown eyes only visible over Tommy’s shoulder, Steve swears that he’ll no longer look away from Tommy’s indiscretions.

So, he says it again, nodding to the leather clad boy in the corner, “Eddie’s going to take a swing at you and not only will I not defend you, I might even fucking taking a swing too.”

Tommy gapes, “What the fuck, Steve? I know we’ve been having troubles, but you’d take the freak’s side over mine?”

Eddie’s face twists in the background. Steve can see the anger warping his eyes and he doesn’t blame him, almost wishes that Eddie would take a swing and then Steve could just stand back and let it happen.

He sighs: he’s allowed a lot of things to just happen so far and it’s not to his credit.

Weirdly, Steve's resigned gaze meets Eddie’s incredulous look and, just for a moment, Steve feels like he’s met someone who gets it. Someone who sees the ridiculous, short-sighted nature of the petty bullying in the hallways of their high school and knows how stupid and utterly pathetic it is.

Steve swears that the corner of Eddie’s lips kick up at the irony of their shared understanding but is distracted as Tommy strides forward, knocking against his shoulder hard enough to send Steve spinning against the wood of a stall. He steadies himself as Tommy slams the bathroom door shut behind him with a clamorous bang and shakes his head: how could he have had such loyalty for a guy who won’t even stop to talk out their stupid shit together?

Steve thought he’d at least earned Tommy’s patience, a moment of Tommy’s time so they could talk this out and find a way forward again. He stares after his former friend, a hollow, gaping hole in his stomach as he grieves the friendship he thought they’d shared.

Eddie approaches with a gentle hand, laying it on Steve’s shoulder, “Are you all right, man?”

Steve swallows around the thickness in his chest and belatedly realises that his cheeks are wet. He clears his throat and, through a tight smile, says, “Yeah, don’t worry about it. Are you okay?”

The deep richness of those brown eyes regard him for a long moment and Steve feels stripped bare. He thought he was the guy rescuing Eddie, but he suddenly feels like the one vulnerable and exposed to the other boy.

Eddie smiles softly, “Yeah, got saved, right? How could I be anything but peachy keen?”

Steve snorts despite himself, amused by Eddie’s tongue-in-cheek tone, “Like a summertime in Georgia.” He can’t help but flash to Tommy’s retreating back and hates that his tone is already bitter, “Except I’m the stupid fucking tree alone in the grove.”

His head twitching slightly to the side, as if he were weighing Steve’s words, Eddie lightly responds, “Well, maybe it’s time to try another field. Wanna hang out sometime?”

Steve blinks, bewildered at the offer. The suggestion given so freely and without conditions seems anathema to his experience of friendship, and especially friendship in the complex halls of high school. He eyes the other boy suspiciously, but Eddie’s eyes remain clear, his body loose and almost curled towards Steve as if he were the north to his compass.

What could it hurt? Steve thinks.

Looking at what he can only describe as kindness in Eddie’s eyes, Steve thinks that a lot of things could hurt. Could burn or scald or stab, but the sweet, clear acceptance in Eddie Munson’s eyes has him thinking of a world where Steve can offer his loyalty and receive it in kind. A place where he can be good and feel like he’s doing good and perhaps a lovely brown-eyed boy would wait and tell him he’d done the right thing.

Eddie sticks out his hand in a gesture of friendship that only bolsters the words he’d already extended to Steve. And nothing moves in the cold room of Hawkins boys’ bathroom, no wind or breeze, but as Steve reaches out to clasp Eddie Munson’s outstretched hand, he feels a seismic shift that he can’t explain.

Steve’s fingers fold around the warmth of Eddie’s palm and Eddie’s full lips stretch into a smile, welcoming and true. A gesture that Steve can’t be sure of, can’t let himself fully trust; yet, nonetheless, Steve finds himself hopelessly following after Eddie’s extension of friendship.

And it'll eventually allow Steve to follow him to the confusing halls of the Hellfire Club.

To the strangely welcome space of Eddie's uncle’s trailer.

And Steve follows.

Because he is helpless but to follow this wide, brown-eyed boy who smirks at him with a knowing smile.

[epicmarrowbonesoup]

Headcannon that postcannon Charles doesnt like leaving Edwin alone for long streches of time.

You know the way he did in the beggining of the show, leaving Edwin alone so that Charles could be with Crystal or just giving Edwin space to be with other people(Monty or Niko). I think post-Hell Charles Rowland would feel uneasy about not having Edwin in his line of sight while at the same time not wanting to make a big deal out of it.

Like how in the last episode Edwin is alone and Charles leaves others to pack so he could check up on Edwin, that sort of thing. Or how he was hessitent to follow Crystals plan at first becouse he has to rescue(see) Edwin ( to me it also looks like Charles was so busy rushing to Edwin he didnt noitice Nikos body but that might just be me)

Anyways i think it would be a fun direction to take Charles's characther in. Considering in s1 he is already weary of Edwin spending time with the Cat King, youd get that whole jealousy thing but doubled and mixed in with his feeling of inadequacy as the brawn. But also s1 establishes Charles as being at least partially insecure about their bond: having to correct Edwin whenever Edwin says how Charles would move on quickly and constanty seeking reassurment from edwin about their friendship (ep 1 when he asks what would happen if death came, ep 4 with his fight with the night nurse, seeing Brad and Hunter the best friends as him and Edwin)

And then you also have the reversal of how Edwin was jealous of Charles spending lots of times with Crystal and now Charles is protesting every second Edwin isnt with him. And ofcourse Charles does it from a place of fear and love but Edwin would maybe interpret it the wrong way, who knows?

And, from what the writers have told us, Edwin in s2 spent at least some amount of time flirting with other men (hopefully without Charles lurking in the background) and from what we know from that one cameo Jayden and George did, there was a lot of tension between the boys...

Now im not a writer i didnt write the s2 script or anything, im not saying this is what would have happened in s2 but.... i think the tension might have come from that. From Charles seeing Hell as a traumatic expirience and his PTSD manifesting as his insistence on Edwin not leaving his side, Charles's insecurities and his fear of losing Edwin being at an all time high. While Edwin, who has learnd how to forget Hell, is acting as if nothing happened at all, exploring his sexuality and making new friends in the process.

It would make Charles confront all of the skeletons he's been hiding in the closet but also it would ask the simple question of why is Charles so insecure in their friendship? Why is he constantly mentioning them being best mates? Why does he need it so much? Why is he constantly searching from reassurences that they are best friends?

And for more angst, from Edwins point of view he is doing everything Charles wanted him to do in s1. Hes accepting and letting the dead boy detectives workplace to grow and change, he is being more open and friendlier, he is encouraging Charles friendship/relationship with Crystal and he is no longer playing trauma Olympics at the drop of a hat. So why is Charles so mad? Hes working through his shame and his supiriority complex, hes growing as a person and Charles is still stuck at the staircase.

[warblogs17282]

Blitz and self-hatred, plus his self-forgiveness journey.

Aka, watch me try to make sense of the massive lore drops in ghostfuckers. (Long post alert, my first meta post after ghostfuckers dropped)

Section 1: The roots of Blitz's self-hatred.

The circus fire. We know what Blitz's actions were that day, he saw Fizzarolli, and tried to call for help, but then he realized that Tilla was also caught up in the fire, and instantly rushed over to attempt to save her the moment Blitz realized that fact.

We know that Fizzarolli getting severely hurt in that fire affected Blitz very deeply, considering that it was one of the memories in that slideshow.

If you look at this frame by frame, you can see some sort of face in the fire when Blitz is rushing to save Tilla from the fire. The face in that fire looks like a mix of an angry face and a screaming face at the same time. Signaling that Tilla has been consumed by the flames. That she's dead.

There's an interesting detail within the hallucination sequence as well.

"This is your life." The fact that the fire in this sequence starts right at Blitz's hand is really telling. It tells us that Blitz still blames himself for accidentally causing the fire. Blitz blames himself for the fire that severely hurt Fizzarolli, and the fire that killed Tilla. Blitz feels like he hurt Fizzarolli and killed Tilla, his own mother.

Look at Blitz's hand during this memory, you can very clearly see that it's quite badly burned, including some that haven't even fully scarred properly yet, placing this memory very shortly after the fire happened. During this scene, Cash hits Blitz, and it's very clearly a memory that still deeply affects Blitz, a memory that most likely reinforced Blitz's own self hatred, because he's blaming himself for Tilla's death and Fizzarolli's injuries at this point, and his dad is just rubbing that in a lot by getting extremely pissed off with Blitz and hitting him because of the circus fire.

Plus, just look at Blitz's reaction to this memory, look at Blitz flinch, look at Blitz starting to struggle against the chains the moment this memory comes up. Blitz's reaction to this just proves how deeply it affects him to this day, and also proves that Cash hitting Blitz added to Blitz's self-hatred over the circus fire. Also, just how many times did Cash physically abuse Blitz like this over the course of his life so far?

Finally, we have the memory of Cash keeping Blitz from seeing Fizzarolli at the hospital. "But they told me you didn't want to see me.", Cash lied to Blitz and most likely the hospital staff as well considering the 'they' used, saying that Fizzarolli didn't want to see Blitz again, having strong implications to Blitz that Fizzarolli hated him. He also lied to Fizzarolli and said that Blitz never even visited him in the hospital. Further adding to Blitz's self hatred over the circus fire.

Section 2: Everything that has reinforced Blitz's self hatred, and is important on Blitz's self-forgiveness journey.

Let's start with Loona, we see her two times during the memories sequence.

The first having this exchange of dialogue.

Blitzo: Because, I adopted you! And that should mean something!

Loona: Oh, what does it matter?! You're not my real dad! I was almost eighteen!

Blitzo: It still counts!

Loona: Well, it shouldn't! I didn't need you then, asshole! I don't, now!

Notice the word 'need.', it's something that Blitz has internalized by now, Blitz thinks that if the people in his life don't 'need' him, they'll just leave him. Another thing that this shows is that Blitz is worried about if Loona hates him.

And it's very clear that Blitz is still effected by this exchange in s1 e3, even quite a while later. In s2 e2, we see Loona kick Blitz right in the balls, and just look at Loona's face in this scene, what Blitz sees here is his fear that Loona hates him, which is why it's in the memory sequence, and there's also these pieces of dialogue to consider.

Loona: If I'm so terrible, how about you just grow a pair and replace me?

Blitzo: Okay, well, maybe I- Maybe I might.

Blitzo: Oh, Loona, my sweet baby girl! I'm so sorry, I'll never replace you no matter what you--

Blitz is still concerned that Loona hasn't forgiven him/hates him for saying that he might replace her, hence why he instantly says he'll never replace her the moment Blitz sees her again, and that face and kick in the balls definitely fed into Blitz's fear that Loona hates Blitz.

And this fear that Blitz has about people who he cares about hating him seems to be something that applies to a lot of different people.

We see this fear in Fizzarolli, because this is one of the memories that comes up in that sequence. The malice-filled stare Fizzarolli gave Blitz during Ozzie's, and we all know Cash was the reason why Fizzarolli hated Blitz for so long, because he lied to Fizzarolli and said he started the fire on purpose, and said that he never visited him once. Alongside other things like Cash making Fizzarolli the golden child. So even all those years later, Cash is still contributing to Blitz's fear of the people he cares about hating him.

Don't be mistaken as well, just because they made up in s2 e6 doesn't make this fear of Blitz's go away, doesn't make the pain of the malice-filled stare go away, which this memory being brought up proves.

And, as I've said before, Blitz still blames himself for accidentally causing the fire that severely hurt him, also adding to the fear and self-hatred.

Barbie Wire, we can see this fear play out with her as well.

"I never wanna see you ever!"

Looking at both Blitz's face at the time and the fact that this scene made it into the memories sequence, it just shows us that Blitz has this fear for Barbie Wire as well, just like how he had it for Fizzarolli. The fact that Barbie Wire doesn't even want to see Blitz again just confirms that fear he has, that Barbie Wire hates him, and the memory of it also confirms just how deeply her saying that effected Blitz.

"Are you worried I may have enough of it one day as well?"

Truth Seekers, the fact that this is Blitz's subconscious telling him this is proof of the fact he has this fear that Moxxie will get tired of Blitz's behavior, that Moxxie will hate him and just, leave.

And the sequence with all the dead Millies and her appearance in the memories sequence also confirms that Blitz has this fear when it comes to Millie as well. Plus, the sequence with the dead Millies also tells us quite a few things, but I think the main ones are the insecurities Blitz has that he 'keeps fucking people's lives up' and 'leaving them worse and more broken than he found them', which both add to the fear that the people in Blitz's life who he cares for hates him.

The last person, Stolas.

There's three memories in ghostfuckers of him I'd like to bring up here.

The first being the All 2 U song memory, just look at how angry Stolas looks to Blitz in this specific memory, while singing lines like "'Cause I don't think it meant a thing at all!"

This one, Stolas was literally just crying a moment ago with all the makeup streaming down his face, but Blitz doesn't seem to remember that fact, instead, he's more focused on what Stolas said, more specifically, "You! Why are you here? I don't want you here, go home, please! Let me not feel so sad!"

And the final one, Stolas and the BTB guy. It's not jealousy, it's god damn heartbreak, especially considering the 'I mean you're a fucking prince. How could you ever actually care for an imp... Me? How could anybody?' Which shows us that Blitz thinks Stolas deserves a better partner, and then a guy literally with a shirt named 'Better than Blitzo' came in, with them dancing and enjoying each other, something that Blitz most likely wished he could do.

Plus, it had been around 24 hours since Stolas' confession to Blitz, and to Blitz, Stolas is already with someone else, someone 'better' than him. With the moment of the BTB guy kissing Stolas being all the confirmation Blitz needed, that he'll never be enough for Stolas, that Stolas has found someone better than him. That he's unlovable.

With all these three memories just massively contributing to Blitz's fear that Stolas hates him, and his self-hatred in general.

(Obviously Stolas doesn't hate Blitz, and that the BTB dude is a one night stand at most, but I'm speaking like how Blitz sees things rn)

Something else that's also relevant is this memory of Verosika, and the reason why this is specifically in the reel is because this was the moment that Verosika said "A reckless, heartbreaking freak!", all while Stolas was watching, which is something Blitz very clearly noted in his memories of the event, showing how much this effected him as well.

And to show that even more, this is the exact point that gets Blitz's tears flowing.

Another thing I want to quickly mention is that Blitz struggles to understand concepts and such of love, outside of a transactional context. Like, correct me if I'm overthinking this, but the 'unconditional support' card is yet another example of Blitz doing this kind of stuff. Everytime they give Blitz 'unconditional support', Blitz punches a hole in the card, with the one at the end being that Blitz has to leave M&M alone for one date, like, my babygirl, that isn't unconditional.

I also suspect that this has roots with Cash as well, considering that Cash was 100% the type of person to only see their value as 'how much money they can make him', and that the less they make for him, the less that Cash will 'love' them, something that is extremely clear in the difference that Cash treated Blitz and Fizzarolli on multiple occurrences. Like, here for example. Plus, there's also the fact that Blitz was bought by Paimon to be friends with Stolas as a kid.

And well, I think we all know what the biggest example of this kind of relationship has been throughout the show, it being something that only ended a few episodes ago.

Of course, I have to mention "I believe your subconscious is trying to tell you that you simply cannot fathom proper intimacy, but… also crave it as well.", which is something that is extremely intertwined with this subject, and the best example of this is probably s2 e8.

Something else in the memories sequence that this line from truth seekers also heavily applies to are these memories.

It shows us very clearly that Blitz is rather envious of the relationship that Moxxie and Millie have, because Blitz craves proper intimacy, so what Blitz sees is something he wants, but something he feels like he can't obtain.

Finally, the last subject I'd like to talk about is the fact that Blitz, hasn't really been able to see much of the good things he's done for the people he cares about or that he straight up doesn't know, by just being himself.

Blitz saved Moxxie from a life with Crimson and also busted him out of prison, Blitz gave Millie a life, a husband, and a purpose, Blitz gave Loona a home and a loving father, right before she was about to get kicked out the system, and Blitz gave Stolas the courage to stand up to his abuser, to allow him to choose for himself and get that divorce.

But, the sad part is that Blitz doesn't really see much of that.

Section 3: The progress Blitz has made on self-forgiveness journey so far.

S2 E6, the fact that Blitz and Fizzarolli was able to make up after so long removed a huge roadblock in the way of Blitz's self-forgiveness journey. The fact that Fizzarolli no longer hates Blitz. While there are still memories about Fizzarolli that still haunt Blitz, as I've shown in this post, this is still a huge step forward for Blitz being able to repair his relationships.

The first real heart-to-heart Blitz and Millie conversation, a lot gets brought up here, just exactly how Blitz has improved Millie's life for the better, confirmation to Blitz that Millie never hated Blitz and the fact that they're best friends. Of course, there's also Millie's apology to Blitz, with this conversation being something that Blitz desperately needed to hear, and I really hope everyone else eventually tells Blitz just how much he's changed their lives for the better.

And the second conversation between the two, the first thing that Blitz mentions is Millie's best friend comment, and that is huge for Blitz, because it signals the start of Blitz learning that people in his life can care for Blitz unconditionally. That Blitz can just have friends in his life, as the line "I- I've never had a real friend that I didn't want to fuck."

(hit the image limit, so time for timestamps!) Timestamp 24:31

(Timestamp, 24:45) "The bird got to you that bad, huh?", it just means so much to me that Blitz has finally admitted the fact that Blitz has feelings for Stolas, because it shows that Blitz is slowly, but surely starting to open up, and this is gonna be a huge thing for Blitz's relationships, including when Stolitz finally gets back together.

[moremaybank]

I would just like to say that s2/3 Rafe OR Trevor from Hellraiser is absolutely the kind of guy to slap your hand away as he’s fucking your brains out in missionary.

Like it’s just becoming a lot and you can’t deal and the hand on his abdomen is to give him some kind of hint but he’s not having it 😵‍💫😵‍💫 he’s so lost in how good you feel but he also needs you to feel him.

“You can take it, baby, I know you can.. fuckin’ know you can, don’t try to move me. Keep givin’ me this pussy, I know you can take it”

genie, baby, how could you do this to me? (please keep doing it). 18+, mdni.

Rafe's going in for the kill, overpowering every one of your senses, and it's so, so good, but so mind-boggling at the same time; how much pleasure he can provide you with, free of remorse once you’re completely exhausted.

It doesn’t matter how many times he makes you cum, he always wants for more. And he’ll get it.

That’s for damn sure.

"Don't you wanna make daddy proud, princess? You're doing so well for me. You can do this, I know it."

"I-I can't, feels too good," you whine.

He ignores you, too wrapped up in the way your warm, wet pussy is encasing his cock. He's too lost in how you feel around him and it's hard for him to even catch his breath.

Your manicured hand strokes down his sternum, down to the indentations of his abs, pushing at him and trying to get him to slow down and take it easy on you.

“Please, daddy. Don’t think I can take it anymore,”

“‘Course you can,” he assures you. “You can take it, baby, I know you can. Don’t try to move me. Don’t fight it. Keep givin’ me this pussy, I know you can take it.”

He yanks the hand you have plastered on his abdomen and pushes it beside your head, restraining you as he now towers completely over your body. He leans on his elbows and his fingers intertwine with yours as he slips into you deeper.

“Rafe,” you plead.

Tears are flowing down your heated cheeks, and your legs begin to quiver as you get closer and closer to cumming again. All other thoughts have left your brain. All you have on your mind is him.

Rafe’s nose nudges your jaw, and he shakes his head.

“Uh uh. What’s my name in here, baby?”

“Daddy,” you sob. “Please.”

“Fuck, keep crying. Gettin’ so fuckin’ close. Look at those tears. So goddamn pretty.”

Your sore and exhausted walls begin to squeeze at him, almost cutting off his circulation as you fall over the edge. Your moans mix with your cries for him, and it’s heavenly.

Like music to his ears.

“Shit, gonna fill you up. Such a good girl for me. So fuckin’ proud of my girl.”

concepts

[fullscoreshenanigans]

#You can see me getting increasingly pissed lmao #Just give her pants it's not that hard #Manga Emma: only wears pants #Merchandise Emma: we need to make sure the audience understands she's a GIRL that dresses like a GIRL

Ranking Emma's outfits in promotional art according to how much she would wear them / how much she wears pants in them

※ All the promo where she wears canon outfits won't be included. Outfit with skirts will receive a maximum of 5/10 for obvious reasons

No pants, but that outfit looks fairly warm for winter clothing so that's a bonus. Also the skirt is longer than usual. Still something that doesn't look like Emma at all. 3/10

A cute outfit. She's wearing a skirt but that's kinda justified by the fact that it's Alice's dress, and she needs to be Alice since she's the protagonist. No pants but the skirt is very large and soft and the art has this feeling to it like she would enjoy running around in that fluffy dress. 5/10

The outfit on its own is pretty, but seriously Emma would never wear something like that. The skirt is extremely wrapping and looks like it would restrain her movements terribly. She has high heels I don't think Emma is ever going to wear in her entire life. I can't understand why they didn't just give her an outfit that matches Norman and Ray's, it's not like bands have a fixed gender clothing code or anything. -1/10 you tried but please try to understand what Emma would wear which is. Definitely not this

She wears a skirt but that's just how Japanese school uniforms are like. Still that skirt looks like it could be longer. 4/10 with bonus points for the lil octopus.

I don't know who ever thought that baking or serving in a skirt was a good idea but I can assure you it definitely isn't. 2/10

Same as above except this time she's not wearing anything similar to her GF uniform under the apron, so there's literally no excuse at all for making her wear a skirt. I can't see what sort of skirt she's wearing under the apron but the apron itself is wrapping her way more than how it does for Ray and Norman????? It looks like it'd be extremely hard to walk with that on, and that's NOT how kitchen clothing is supposed to work. 1/10 this time I'm not even sure you tried at all

Thanks God FINALLY something that actually looks like Emma. The only promotional art where she wears exactly the same outfit as Norman and Ray which gets bonus points for trio cuteness and for reminding us that clothes don't have gender. Look at those adorable yellow sneakers. The pants are long and beautiful. 10/10 thank you for this

Can't believe they released two pants Emma one after the other like they really want to kill me. The pants are very short compared to what Norman and Ray are wearing which is such a shame because otherwise this art would have been perfect. Still looks a lot like something Emma would wear in a steampunk AU!! 9/10 thank you.

She's called Little Red Riding Hood and not Little Red Riding Skirt, why couldn't they just give her pants. The skirt itself kinda looks like the Wonderland promo one, but this time I'm severely pissed because she got to wear that when Norman and Ray have that kind of super cool outfits. 3/10 just sayin' but next time make Norman the fairy godmother and Emma the prince

The coat is cute but it literally looks like Emma is going to freeze in that outfit. The fact that it looks like she's wearing the GF uniform under the coat makes up for her wearing a skirt a little, but not enough to prevent her from freezing. 2/10

Continues in reblogs!!

[okaysonny]

the one where they lose yenna ╎ zack + johan

❤️ @always-lovingly — hope you like it!

ᯓ★ summary: eli bestows zack with the greatest honour: babysitting yenna. nothing will go wrong, right?

ᯓ★ details: fluff, no reader, spoilers for 517 onwards, canon dynamics. (aka zack and johan's relationship is platonic)

ᯓ★ wc: 3.4k - on the longer side...sorry

ᯓ★ A/N: I HATED MAKING THIS!!! comedy is really hard to write + i feel like i waffled too much... made a post about it, but this fic is drawn from s2, ep6 of friends (the one with the baby on the bus)

how did they get ben back with no paperwork/confirmation? idk but it makes my job easier #yes

"what? you want me to look after zami tomorrow?"

"…her name is yenna" eli smiles at him sheepishly. "and yes. i have to unexpectedly work at the fruit stall. derek got a stomach bug and there's no one to cover for him. plus, the daycares closed on saturdays. would you mind?"

"…eli…i can't believe this…"

of course. eli should've expected this. what eighteen year old wants to spend their saturday babysitting?

"sorry zack. don't worry about it. i'll get someone else to— "

"i can't believe you're trusting me to babysit zam— i mean yenna!" a beam of light is practically shining on him.

eli blinks. he swears he can see zack's eyes well up.

"do you really trust me to? you really think i'm worthy?!"

well, he wasn't expecting that. eli laughs softly, shaking his head. "well…you visit her a lot and you're really great with her. i think you'd do a good job"

zack covers his mouth, trying not to cry in front of the beauty department's only guy. he does visit yenna a lot. how can he not? the fact that the baby he found happened to be eli's daughter…it felt like fate.

he coughs into his hand, composing himself, before looking at eli with determination - the determination of being the best babysitter in the world. "…it would be my honour"

eli smiles softly. he was hesitant in entrusting yenna with someone who misnames her half the time. but now, he doesn't regret it one bit.

"…thanks, zack"

"oh…you really came prepared, huh?"

zack has come prepared. he still owns that baby carrier from before. he also wears something without buttons this time. and he still uses gel, but not too much gel, because the spikes could stab her.

"of course!" he nods enthusiastically. "only the best for zam— yenna! mesh ventilation to ensure maximum comfort!"

eli can't help but chuckle. "that's…very nice of you"

with one hand, eli hands zack a list of instructions and a bag of supplies. his other hand is holding yenna, as adorable as she always is.

"…if anything happens, call me. i'll try make it back as soon as possible" he hesitantly hands yenna over, her little hands grabbing at zack's face.

"ba!" she squeals.

his eyes light up. "zam— yenna!" he cradles her head gently. "don't worry, eli ! she's safe with me!"

he nods, exhaling slowly. he reaches out to stroke her hair fondly. "you have a good time with uncle zack, okay? i'll be back before you know it" he whispers.

eli steps back, checking the time on his phone. "shoot, i need to go. you'll be fine, right?"

zack grins, using yenna's hand to give him a little wave. "yes, yes. go and chop fruit or whatever"

eli waves back and zack watches as his figure slowly gets smaller. he looks down at her, speaking with conviction.

"alright, zami. uncle zack will give you the best day of your life"

"what the hell, man? why'd you bring a baby here?"

okay, so saturday just happened to coincide with his study session. but it was a sacrifice he was willing to make.

zack hastily covers her ears. "don't swear in front of yenna! this is eli's daughter, y'know?! i'm an uncle on babysitting duty"

johan looks down at yenna with a mix of contempt and confusion, her big eyes staring back at him.

"ba?"

she's holding a baton with the top of a toy wand attached to it. his brows furrow, remembering his fight with eli.

Are you messing with me? What's with the toy?

whoops. in his defense, how was he meant to know?

johan sighs in exasperation and closes his book. "we're not getting anything done if she's here. by the way, don't expect me to help, alright? you're on your own"

"hmph. yenna doesn't want to hear your obscenities anyway" he pats her head protectively.

he rolls his eyes. "yeah, okay"

yenna suddenly starts smacking her baton-wand against the edge of the table, the smile never leaving her face.

BANG. BANG. BANG.

zack stares at the wand, already dented from her relentless attack on the furniture.

"alright yenna, that's enough of that" he says nervously, gently prying it out of her hand. she immediately starts to fuss, her big eyes tearing up.

johan glares at him. "nice job, genius. now she's going to cry"

"hush!" zack snaps. he waves the wand awkwardly in front of yenna’s face. "see, yenna? it's all better!"

yenna, unimpressed, lets out a wail that could rival a siren.

johan groans and presses his fingers to his temples. "you need to get something to keep her quiet. a softer toy maybe"

zack perks up at the suggestion. "hey, we should go to the city! we can grab something real quick!"

"we?"

"yes, we. you're not sitting on your ass while i do this alone" he grumbles.

johan stares at him in disbelief, but yenna’s cries grow louder, and he visibly gives in. “fine. but if she screams on the bus, i'm out”

zack grins, already packing up. he turns to yenna with a cheerful voice. "alright princess, let’s go find you the perfect toy!"

"...gross"

"you're gross" he mumbles, as they make their way to the bus stop.

zack awkwardly adjusts the baby carrier strapped to his chest, yenna wriggling furiously against him.

“why is she squirming so much?” johan asks, sitting in the seat across from him, his arms folded.

“she’s probably uncomfortable” zack shifts the straps again. yenna lets out an irritated whine, kicking her tiny feet against his stomach. “c’mon, work with me here…”

johan leans back. “maybe she can sense you have no idea what you’re doing”

“real helpful, johan. you wanna take over?” he glares at him while holding the carrier steady.

“pass”

“yeah, that’s what i thought” zack adjusts the carrier again, but yenna’s whining only gets louder. people start glancing over, their expressions ranging from amused to annoyed.

“okay, okay. hang on” he sighs in defeat, unbuckling the straps, gently lifting yenna out of the carrier and onto his lap.

“so now you’re happy, huh?” zack mutters. yenna’s only response is a delighted giggle as she smacks his knee with her baton-wand.

“you’re spoiling her” johan comments, deadpan.

“what do you know about babies, johan?”

he shrugs. "if you say so"

yenna, meanwhile, starts squirming again, clearly eager to explore her surroundings.

“you wanna stretch those tiny legs?” zack carefully sets her down on the floor of the bus. she stands unsteadily for a moment, then takes a few steps, laughing as she bangs her toy against the metal pole by their seats.

“...are you seriously letting her walk around here?”

“she needs some freedom!” zack defends himself, his eyes flicking between yenna and johan. "she's only a baby, it’s not like she’s gonna go far"

“...right”

“calm down. i'm watching her!” zack beams confidently, leaning back in his seat while keeping one eye on yenna.

for a moment, the two of them sit in silence, the bus rumbling along as she continues her wobbly exploration of the aisle.

“...y’know, you’re pretty calm for someone who's scared of babies”

johan shoots him a glare. “i’m not scared of babies”

“you totally are! the look on your face when she said ‘ba’ was priceless”

johan’s eyes narrow. “keep talking and i’ll make you ‘ba’ yourself”

they continue bickering, their voices overlapping as yenna toddles around the aisle, occasionally smacking the bus poles with her baton-wand.

the bus screeches to a halt at their stop. zack stands up, slinging the bag full of baby supplies over his shoulder. "alright, this is us"

johan follows closely behind as they get off, stepping onto the bustling city street. the sound of car horns and chatter fill the air, and zack immediately starts scanning the area.

“so” johan drawls, looking around. “what exactly are we looking for? a squeaky duck? a magic wand that doesn’t double as a weapon?”

“something soft, like you said” zack adjusts the straps of the carrier on his shoulder. "i never want to hear that banging noise again"

johan opens his mouth to speak, but pauses. his eyes flick down, then back up to zack, his face suddenly paling.

“...zack?” his voice is unusually tense.

“what?” zack asks distractedly, glancing around for a toy store.

johan's face is laced with panic.

“where’s the baby?”

“what are you talking about? she’s right—”

but she isn't. he glances down at the empty carrier on his shoulders, his voice catching in his throat.

we left her on the bus.

"johan, you rat!" zack snarls. "how could you forget about our child?"

"how the fuck is this my fault? you’re the one babysitting her!" johan snarls back. "and what do you mean our child?"

the argument attracts curious stares from passerby.

zack waves his hand dismissively, his movements frantic. "who cares?!" he yells, sprinting off. "we need to catch that fucking bus!"

zack hears johan groan, but his footsteps quickly follow after, the bus luckily still in sight as it makes a turn.

"it's fine!" zack pants. "we just need to alert the bus driver and it'll be fine!"

they turn around the corner, but stop in their tracks.

they're both flabbergasted as it's joined by two other identical buses on their route, the traffic blocking the vehicles out of sight regardless. something out of a 90's sitcom.

zack's lip begins to tremble. he's a dead man. will he die without knowing mira's touch?

he aggressively shakes his fist at the sky. "OH COMPASSIONATE BUDDHA!!! why have you forsaken me?"

"...what the fuck? relax. let's just..." johan pants, trying to catch his breath. "let's just think, okay? there's gotta be a way to fix this"

they both stand in contemplation.

they can fix this, right?

"thank you! please come again~" eli hands over the bag of fruit cheerfully, waving the customer goodbye.

his smile falters.

strange. he suddenly has a weird feeling.

he shakes his head, shrugging it off. it's probably nothing, he says to himself.

"the transit authority!" zack exclaims, an imaginary light bulb appearing on his head. "the bus drivers' hand all lost property to them. we just need to call and let them know we left a baby! she has to be with them! no idiot would leave a baby on the bus!"

johan nods, both of them blissfully unaware of the irony. "i was gonna say that"

zack scoffs. "sure you were. now, all we need to do is—"

zack's phone rings. he looks at the screen, his eyes widening in horror.

"i-it's eli" he stammers.

a smile tugs on johan's lips, slightly amused. he gestures to the phone. "answer it. it's gonna look suspicious if you don't"

zack glares at him, but doesn't argue. he breathes out slowly before accepting it.

"eli !" his voice is incredibly high pitched. "what's up? shouldn't you be chopping lemons or something?"

"i'm on my break" he laughs. "i just wanted to check in. is everything okay, zack?"

"everything's fine!" he chirps. "me and yenna are having a great time!"

"...that's good. would you mind putting her on the phone? i want to hear her voice" he says gently.

fuck.

johan smirks, not even trying to hide it anymore, watching zack in anticipation.

zack closes his eyes, pausing.

he does the only thing that comes to mind, shoving the phone near johan's mouth. the latter's face drops.

what the hell are you doing? he mouths.

zack covers the phone so eli can't hear.

"act like a baby" he hisses.

"over my dead body"

"just do it, you hobo! or i'll tell your mom you failed english again" he glares.

"...you wouldn't"

"wanna find out?"

"um...zack?" eli speaks up again. "what's going on? is she—"

"...goo goo?" johan squeaks, removing zack's hand from the speaker.

zack winces. he's heard better acting in porn.

radio silence.

"is she okay? she sounds a bit—"

"i think she needs a diaper change! bye eli !" he hangs up quickly.

johan stares daggers at him, his cheeks slightly flushed. "i'm gonna beat your ass"

zack shrugs, googling the number for the transit authority. "you can beat my ass after we find zami"

"...i thought her name was yenna?"

the human resources department is a picture of monotony, the ticking of the clock being the loudest sound in the room. the clerk behind the desk often jokes to himself that he lives in a time loop. every day was the same — forms to file, complaints to process, and the occasional awkward phone call. nothing ever changes, and he's stopped expecting it to.

until today.

the phone on his desk buzzes, cutting through the endless drone of routine.

“transit authority here” the caller begins briskly. “we’ve got a...situation. someone called claiming they left a baby on one of our buses”

the man blinks, the pen in his hand frozen mid-air. “a baby?”

“yeah. a little girl. we’ve got her safe now, but we’re bringing her over to your department, since...you know, you handle these things” the voice sounds exasperated, as if they can’t believe they're saying this either.

he swivels slightly in his chair, still trying to process the information. “so, wait. someone just...left their baby on the bus?”

“that’s what we’ve been told” the caller says with an audible sigh. “the guy on the phone sounded panicked. i told him to go to your building”

"...what kind of idiot leaves their baby on a bus?"

“i’m asking myself the same question”

hanging up the phone, the clerk leans back in his chair, shaking his head in disbelief.

this is new.

he glances at the clock, bracing himself for what kind of man would walk through the door.

or men, he should say.

the door to the department bursts open, startling the clerk so badly he nearly knocks over his coffee. his head snaps up, expecting one man, but instead, there were two.

they both look like they just sprinted a marathon. the first, a broad shouldered guy with a baby carrier strapped awkwardly across his chest, is hunched over, gasping for air. his face bore the genuine panic of someone who just lost something irreplaceable.

the second young man follows behind him, his sharp eyes darting around the room, like he’d rather be anywhere else.

the clerk stares at them, dumbfounded, as they both stand there panting. finally, he clears his throat, glancing at the baby carrier. “so… i’m guessing you’re here for the baby?”

"y-yes! the baby...we called about the baby! is she here?" zack heaves.

"...she's here"

zack and johan sigh in relief.

"is one of you the father?"

zack rubs his neck shyly. "ah...well no, but we know her very well. can we collect her?"

the older man crosses his arms. "if neither of you are, you'll need to call one of her parents, so we can confirm guardianship"

fuck.

zack looks at johan in wordless communication. it'll be awkward. it'll be difficult. but they both know what they have to do.

"w-what i meant to say was..." zack slowly wraps an arm around johan's shoulder, cursing his sudden high pitched voice. "we're actually both the fathers"

zack leans his head against johan's, trying to control his trembling lip as he smiles sweetly.

the clerk presses his own lips into a thin line, not looking convinced.

johan sighs and briefly scrunches his nose before laying his hand on top of zack's, leaning into his touch. his smile is incredibly fake and plastered. he's afraid he'll commit murder otherwise.

"mhm..." johan manages to croak out.

radio silence.

if the clerk doesn't believe them, it seems he doesn't care enough to press further. he shrugs, gesturing to the door at the back. "alright. right this way—"

that's all they need to hear before they bolt to the door, flinging it open.

yenna is sitting on a small cot, gripping her beloved baton-wand in one hand. she’s completely unbothered, her big eyes scanning the room with innocent curiosity. she gives the wand a few lazy taps against the cot, unaware of the trouble they had to go through.

the moment zack spots her, he rushes over, scooping her up without hesitation. “yenna! we’re so sorry! your uncles are so sorry” he says, his voice filled with guilt. he hugs her tightly, rocking her gently. “uncle zack won't let this happen again, okay? never, ever”

standing just behind him, johan watches silently. "...you’re so ridiculous" he mutters. but zack knows he doesn't mean it. he knows him too well to not spot the softness in his voice.

he doesn’t look back, too wrapped up in stroking yenna's back. "couldn't care less, mommy's boy"

as zack shifts yenna in his arms, her tiny hand stretches out behind him, her fingers reaching for johan. johan hesitates for a moment, glancing down at her outstretched hand, before gently taking her little fingers in his big ones. the room is quiet, the world around them seeming to pause.

johan’s lips curve into a small, genuine smile, one he doesn’t realise he’s wearing. he gently plays with her fingers, a silent exchange passing between them.

zack glances over his shoulder and freezes when he spots it.

a slow grin spreads across his face. “i knew it!” he blurts out, triumphant. “i knew you secretly felt the same way!”

johan's ears turn faintly pink but he doesn't let go of yenna’s hand. “...shut up”

zack snickers. “you don’t fool me anymore! everyone knows you’re actually a big softie”

johan grits his teeth, his grip not leaving her fingers. "whatever, man"

they don't see the clerk silently watching them through the door, his hand hovering over its knob.

he did think they were lying. they were way too jittery to be convincing.

but the sight of the scene made him stop. the broader one, cradling the baby so protectively and murmuring apologies with a guilt-stricken face.

the other, quieter one, gently holding the baby’s hand with a softness that doesn’t match his standoffish appearance.

it’s a moment so tender, so raw, that the clerk pauses, his hand lowering from the door knob. maybe he was being too narrow-minded.

he shakes his head with a bemused smile and turns away, leaving them to their privacy. as he walks back to his desk, he mutters to himself.

"what a progressive world we live in"

after parting ways with johan, who pats yenna's head for a little too long, he sits on a bench, waiting for eli's return.

"okay zami. you had a good time with uncle zack and uncle johan, alright? nothing crazy happened"

"ba!" she chirps back, as if she understands.

zack nods solemnly. "good"

"zack! hey!"

he sees eli walk over, sally with him.

zack spots eli's jaw tense a little less as he sees yenna safe and sound. she instantly reaches out, squealing at the sight of him.

"there you are..." eli beams, gently carrying her. "did you have a good time with uncle zack?" he says softly.

yenna aggresively shakes the wand in response.

he laughs and then looks up at zack. "so, how was it? did she give you much trouble?"

he waves a hand dismissively. "of course not! cool as a breeze. no problems at all"

"wow" sally grins. "eli, you should have him babysit more often!"

eli smiles, his gaze shifting back to yenna. "yeah...thanks a lot zack. i was worried because you hung up suddenly...i guess i was just being paranoid"

i'm off the hook! zack tries not to appear too excited.

he sighs, looking pleased with himself. "psh. don't worry. just had to focus all my attention on her. i'd never leave her out of my sight"

he nods, removing some lint from her clothes. "yeah, i get it. seriously, thanks a—"

he pauses, his smile suddenly dropping.

"hey zack?"

"...yes?" he looks up in anticipation.

is he gonna promote me as official babysitter?

eli turns yenna around, lifting her dress up slightly to reveal a big, bold PROPERTY OF HUMAN SERVICES stamp.

"what's this?" he asks, his voice a little too sweet.

zack's face drops. he can feel comical sweat beads appearing on his forehead.

"w-well that's uh..." he begins, but the words don't form.

eli silently hands yenna to sally, the grin now wiped clean from her face, being replaced with awkwardness instead.

eli smiles at him as he walks closer, pulling his sleeves up and cracking his knuckles.

"sally? please cover her eyes" he says quietly, his stare never leaving zack.

"wait eli !" he splutters. "let's just talk about this! it was—"

PUNCH

"owww! fuck! okay fine! just watch the hair—"

PUNCH

A/N: posted this on boxing day because zack is a BOXER 💜

divider: @thecutestgrotto

[lullabyes22-blog]

hi <3

i am once again asking your thoughts on the latest act of arcane?

Honestly, my feelings on S2 so far are pretty mixed.

:')

On the one hand, visually, it's absolutely heartstopping. The cinematography is incredible, and it's the first time in a while where every episode felt like an experience I had to endure in a good way. Plus the score, the voice-acting, and the sound design is, as usual, top notch.

Buuuut when you have all these stellar spheres working on this show, it makes the areas where they drop the ball stand out.

For me, that's the plot.

Alot of folks have criticized the pacing and how there's too much piled into one season. Personally, at this point I've made peace with the breakneck speed and sort of taken it as a given in a series where 'War' is the overarching theme. I can even let go of the fact that certain plot beats don't feel earned, as there's so much subtlety and foreshadowing that you can easily make the case for them via long-drawn out analyses of every frame.

But the writing, ohhhh boy. The writing. It feels like there's a disconnect between the overall plot and the individual character moments.

It's really hard to articulate, but I'll do my best.

I love that we're getting so much characterization for the main cast. Every episode, it feels like there's a new layer peeled back, and each of our leads has an opportunity to shine.

And that's exactly the problem. They're all shining.

Separately.

When I think about it, the reason why S1 worked so well was because every episode gave us a glimpse into the mind of someone different. We got a taste of what it was like to be in the head of every major player in the cast, and through this, we grew to understand their motivations, their fears, their hopes. I've used the 'gem' analogy in previous reviews, and the way the show handled that concept was amazing. Every character was a facet of the gem that was Arcane, and each shift of PoV allowed us to see them from a new angle.

There was coherence. There was cohesion. And there was a sense of complexity told in a concise and well-planned format.

S2, for me, doesn't quite work the same way.

It's not that I don't understand the characters, or that I don't appreciate the way they're handled. It's just that their individual journeys are so self-contained. I'm not getting a sense of their interpersonal connections. More as if they're crashing into and out of each other's lives, without ever stopping to have a proper conversation.

It's a common complaint with ensemble casts, and I don't mind it for the most part, but the problem here is that Arcane has been very careful about establishing its characters as part of a cohesive whole. They're not just random individuals who happen to share a stage. They're siblings, lovers, colleagues, friends, enemies, etc. And the reason why we can relate to them is because, on some level, they mirror our own relationships. We've seen how they treat each other, and we've come to care about them.

But in this season, I feel like there's been a failure to communicate.

Scenes between characters feel like a series of disconnected vignettes, some of which are great and some of which are not so great. It's as if the writers are trying to force the characters to react to the plot rather than the other way around.

I don't want to be overly critical. So much love and effort has gone into making this show, and I'd never want to disparage the efforts of so many talented artists.

But, yeah. Coherence is a bit of an issue.

I will say, however, that re: the subject of grief, especially in Jinx's journey, this season has delivered some beautiful moments. It's a surprisingly nuanced treatment of a complicated and ugly emotion, and it's something I wish more shows would tackle. The problem with a lot of modern storytelling is that, because it's trying so hard to be edgy, complex and subversive, it doesn't really leave any room for just letting characters exist. And Jinx's arc in particular is a perfect example of this.

I was worried, going into the season, that they'd take the easy route and paint her as a pure monster, utterly deranged from her loss. That's what the fandom seems to want, anyway, and it's what you'd probably expect given the general climate.

But instead, the show has chosen for Jinx to be vulnerable, and to let her arc be honest. Granted, Isha, though she's adorable, still doesn't quite feel like a full-fleshed out person, but Jinx's bond with her has been written with such heartbreaking realism that I'm inclined to forgive the former for the sake of the latter. It's just refreshing to see the series not to take that insulting and reductive 'but Jinx is crazy' route, and instead allow her to grapple with the pain of losing her family and the horror of what she's done, but to also heal old wounds with brand-new connections.

'Crazy' does not mean 'irredeemable.'

And it's about time more mainstream media got this memo.

The series also continues to be stellar at showcasing so much with such restraint. A lot of the scenes don't last longer than a few minutes, and yet you can feel so much conveyed in that brief window. And the framing and composition is consistently masterful.

Overall, though, I'm a bit underwhelmed by this season so far. It feels like an incomplete masterpiece, and the sense that the narrative has lost control is starting to get overwhelming. We've still got Act 3 left, and I'm hoping the final stretch is able to tie things together a little more neatly.

Anyway, thank you for reading this mess! And feel free to share your thoughts as well. I'm curious to hear how other people are finding the series.

<3

[13leaguestories]

2025 Forecast

Do you hear that along the wind? It's saying "you copied and pasted this from Patreon"

looks back at 2024 Yea, naw. I don't really have much to say about it besides it gave birth to some really good ideas that got me psyched about some stories. But mostly it just felt like a really long mile with covered holes that I kept falling into. If any of you watch Neebs Gaming on YouTube, I was Simon this year. If you know, you know.

Like one of the good things is I realized Superstition needed a rewrite that has me so excited, it also gave birth to All That Comes Before (which more on that below) and that my gosh. Like I don't think I can actually explain to you how well that has helped me understand Roe's character.

Sea of Stars came up and I love that story to death, sue me.

It was not the year for shorter stories and prompts though. Like my brain just pretty much died with anything on a smaller level and I hate that. I don't know why! That's the worse part. I don't know why. It also failed on the NSFW parts. That part needs to change pronto but writing them just became ... meh.

But I'll try to stay positive. So this forecast will be a mix of what to expect in January as well as what I hope to accomplish for the year.

Superstition

January: I'm nearly done with AtCB. There's one story left for me to write and that is sitting at 60% and I'll be working on today and tomorrow in hopes of finishing it.

So, I'll repeat this again on the itch.io page as well as maybe somewhere on Tumblr. This add-on will cost $3 and each edition will just add more backstory to what already exists. For example, one of the stories is about Roe's mother's funeral. These stories will also include variables that can be be moved over and will further shape Roe & Company personality. Another example of one of the variables introduced is $fear_romance. This variable gives Roe a clingy, jealous, fear of being cheat on, never having a relationship, or nothing. This will obviously work with the characters with Zillah liking clingy but not so much Sydero.

So, with all that said. IT IS NOT NECESSARY TO GET. If you 1. just don't want to buy it or 2. know that the device you use hates exporting/importing then don't get it. It's not needed and is more so something you got cos you just want to read it and "hey, look, you get to bring over some cool variables too!"

Alright, moving on.

Yearly: I really don't know what to expect for yearly besides maybe saying I'll get all of S1 rewritten, out and ready. And will be deep into working on S2 and S2's AtCB. I feel like that can easily be reached. But saying "oh yea, S3 will be finished" when I have the other stories to do as well, yea. Can't just spout that lie.

Throne of Ashes

January: So I said that I had some news on Nour. I won't get too deep into it as I think I've said a lot about why Nour is weird for me. Long story short: I wrote Nour with the same build as I did Ruben whereas every other story ended up changing to be something totally different. Nour didn't go through that and so their story always felt like it was over much faster and wasn't hitting right in the end. Well, guess what! I found out what to do. No, I don't have an ETA.

Yearly: Obviously wanting Nour to come out. I'm aiming for Q1 and if I dedicate the early months to them then that should be easy. After that, the next character will be Ozara. No. She will not be done in 2025. (I say that so maybe my brain proves me wrong, it won't).

Sea of Stars

Obviously won't be out this year but man do I really want to put a big dent in it. Like this story gets me so excited. Look, forgive me but this story gets me so pumped to do.

Riders of Abauruth

I want to do at least something with it here. Probably after I finish Nour's route, I'll slot RoA in for a bit of fun. I miss the dragons. I tried to do a bit of it in November but it was obviously going to take all of my attention and not the "spare a day" attention I was giving it because I have to iron out some plots, brainstorm, reread the old one, etc. But I'm hyped for this.

So, uh. Here's to 2025. A year that I'm not looking forward to at all if I must be honest.

[hyperfixationcritter]

Thinking again about Sky and Viktor's wasted potential cuz they could've done SOMETHING with associating the botanical with Sky and the mechanical with Viktor; how they can potentially clash but also work together as well as their similarities despite one being natural and the other artificial (circuitry/wires vs root systems and what not).

Like in s1, I was kinda skeptical about the direction they had Viktor and Jayce going with Hextech with their new inventions for Progress Day. Like others have pointed out before, there could've/should've been a lot more emphasis on environmental classism based on what was already set up and how different Zaunite characters combat that and Sky would've been a perfect candidate to do that with on Piltover's side. I'm also still mad about Ekko's tree mission going nowhere.

And like, it's one thing if they framed the Progress Day inventions as them being pushed to create tools for the mining industry (and how that industry is so integral to the class divide) to incentivize the initial funding for hextech in order to build the projects they actually wanted to but that wasn't the case. It was framed as something they did of their own volition and narratively done for the purpose of setting up for the league gear/weapons that Viktor and Vi use later on. And while I can see Jayce, as a person from a lower noble house whose money was built on making tools, thinking that's a good invention, I have mixed feelings about what would be in character for Viktor to think is actually helpful for the Undercity that balances how removed he is from it and the compromises that could arise from his place in Piltover vs his clearly established goals to help the Undercity.

Bringing environmental classism to the front and center of the story could've done wonders for Sky and Viktor and where their characters could've gone in s2 instead of making them "Fridged 2.0" and "OOC Eugenicist Cult Leader" who killed a chunk of the poor-disabled population through his hive mind.

While I personally would've liked to see Viktor, along with Sky, bring up projects related to civil engineering to improve the environmental conditions of the undercity and have more pushback on his part against certain things like the where the hex vault was built, it's fine to have him be blinded by his ambitions (and trying to not die, in part for the sake of his ambitions) from what's really important like they were trying to set up in s1. It would make him a flawed and nuanced character who has to learn from his mistakes. It would also tie into how Sky could've/should've become a prominent character through her own scientific contributions (and not post-humously from being fridged) which were canonically related to plants and the hexcore.

Like, to see the two of them go back to Zaun as equal partners, with Sky taking the lead, instead of being assistant to Viktor and Jayce (paralleling Viktor's own comment about not just wanting to be an assistant) and doing things to improve the environment with their combined skill set would've been awesome. Seeing them in sync together in s2 instead of unintentionally clashing in s1 would've been a cool parallel to have. Also have them team up with Ekko and Sevika :>

I'm having trouble wording my thoughts here but does anybody see the vision?????????