#I just don’t care much for the romantic subplots

[rainedroptalks]

My brothers been showing me Invincible for the past few days and I just finished s1 and words cannot even begin to describe how much rage I felt watching that episode

[sad-endings-suck]

I have seen exactly 1 episode of Blue Eye Samurai and I am gobsmacked by how amazing it is. Mizu is already my everything. I am almost never so deeply invested so quickly in any media. I am obsessed. If the rest of the show is consistent in quality with the first episode then this show is Arcane level incredible, and I do not say that lightly.

[secondhandsorrows]

Some Vital Scenes to Include in a Romantic Subplot, pt. 1

I’ve been in the plotting stages of a novel I’ve been working on for some time now. It’s not a romance novel, per se, but the romantic aspect is very prevalent… dare I say important. Anyway, so as I was working on my scenes and character arcs, I began to realize that I didn’t have enough fleshed-out about romantic arc, nor deepened the protagonist’s love interest or their connection, for that matter. This led me to devise up some scenes that I felt were crucial to the story if I wanted to keep this romantic angle to it, and now that I’ve most of them arranged, I find now that I’m way more excited about my characters’ love story. 

These tips will be unnumbered because, obviously, the sequence of these events and how they will fall into your storyline will probably be different. Also, you don’t have to use only one scene for every suggestion that will be mentioned, as you can have multiple scenes of flirtations or deep conversations, for example. They usually blend all together into the narrative at this point. Just remember that there should be some relevance to the plot at hand in some of these scenes as to not derail completely from the main narrative or other conflicts.

I was going to post this all at once, but decided it was too long and wanted to split it into two parts to go more in-depth and for easy reading. /-\ Enjoy ~

- The meet-cute, or the meet-ugly:

Ah, yes, the first encounter. Or, as we sometimes like to call it: the meet-cute, or the meet-ugly if you’re feeling a little unconventional or perhaps mischievous. Though we may enjoy setting up our star-crossed characters in a whole range of moments from awkward to swoon-worthy, the initial meeting is what’s important (if your characters haven't already met before the beginning of the story, ofc, but this is useful to have in mind). Let us quickly define the two:

Meet-Cute: A charming and serendipitous first encounter between the characters in question that sets a positive, memorable, and oftentimes romantic tone.

Meet-Ugly: An unconventional, awkward, or disastrous initial meeting that adds a unique twist to the start of the romantic connection, often leading to unexpected chemistry and an added intrigue on whether or not they’ll get together.

You don’t have to nail your characters’ first encounter into a label or bubble such as these two examples, but I like bringing these up for a general idea. 

- Bouts of flirting and/or banter:

Just as the title suggests, these are scenes containing the flirtaious communication between the two characters. These kinds of interactions will, of course, develop over time and deepen the bond or relationship. Playful interactions, gazes, and witty exchanges between the characters can create a lighthearted and flirtatious atmosphere that hints at their growing attraction.

The way they might flirt or tease can reveal their personalities. For example, one character might be more sarcastic, while the other responds with quick wit, or quiet bashfulness. There’s an element of subtlety, as flirting lets the characters express their romantic interest without explicitly stating it (unless one of your characters lacks subtlety in general and prefers to shout their undying love from the rooftops, which would make for an interesting dynamic, but I’m only spit-balling). 

Banter, teasing, and romantic tension underscoring heated debates or loathsome gazes suit just as nicely, especially if you’re writing with enemies-to-lovers or rivalry tropes in mind. But be careful! A little goes a long way: too much all at once can repel any growth for the characters or narrative.

- Initial conflict or struggle:

Depending on your story’s big-picture conflict, the introduction of challenges or obstacles can create tension between the characters, adding depth to their relationship and making their eventual connection all the more satisfying. This might include cultural or class differences, opposing goals or values, history of past heartbreak, personality weaknesses such as stubbornness, or external pressures that threaten to keep the characters apart. Even a nosy family or a disapproving mother can be considered. How the characters navigate and resolve these conflicts contributes significantly to the overall emotional impact of the romance subplot, as well as allowing for some exploration of each character's strengths, weaknesses, and resilience. 

- Shared vulnerability:

This kind of scene involves the characters opening up to each other about their innermost fears, insecurities, past trauma, or personal struggles. Shared vulnerability goes beyond surface-level interactions. It involves characters revealing their authentic selves, exposing their emotional vulnerabilities, and allowing the other person to see them in an honest — and sometimes new — light.

This is a symbolic gesture of commitment we’re talking about, here… something that requires trust. As characters share their fears or past traumas, they are entrusting the other person with sensitive information, fostering a sense of trust and emotional intimacy. It might be scary, it could be out from left field, but they will end up learning something new about themselves, their situation, or about the other person, and thus deepen their connection, little by little.

[animanga-bonanza]

The Magneto/Rogue/Gambit love triangle is great not only because of how #telenovela it is, but because it puts Rogue into a dilemma that forces her to make character-defining choices and grow as a person. It’s classic Want vs Need. Rogue wants physical intimacy, mistakenly believing that it is necessary for love, but needs to realize that real love is so much more than that. “Some things are deeper than skin.”

This is an example of how to do a romantic subplot that serves the narrative and character development. Plus, the chemistry that Rogue has with both Magneto and Gambit feels natural instead of forced (seriously idk how they managed to make Magneto x Rogue genuinely hot).

I know a lot of folks like to argue about the morality of the situation and make it all about Gambit and his hurt feelings, but I find that to be a boring way of looking at it. This subplot isn’t about a man getting his heart broken, it’s about a woman learning about love for the first time.

We gotta remember that Rogue is incredibly inexperienced when it comes to love, and the little experience she does have is colored by pain and regret. The first time she kissed her first boyfriend, her powers almost killed him. That obviously traumatized her. Then she met Magneto, the only person she could safely touch* and explore her sexuality with, but that relationship was never going to pan out for obvious reasons. After that, she was afraid of getting romantically involved with anyone.

Rogue and Gambit maintained a casual flirtation with undercurrents of real passion and yearning for a deeper relationship, but Rogue understandably kept him at a distance — she couldn’t forgive herself if she hurt him. Gambit respected this, and for his part, was afraid of getting into a serious relationship because he felt that he was unworthy.

Magneto is the catalyst who forces Gambit and Rogue to do some necessary introspection and be honest about their feelings, instead of playing this endless game of “will they or won’t they.” For Gambit and Rogue to build something real together, they need to step out of their performative roles as Scoundrel and Cher. Of course it’s messy, and dramatic, and confusing, and frustrating, and heartbreaking. But that’s love. “There is no love without sin.”

In fairness to all three of them, I think they handled the situation as maturely as they could, with honest communication about what they wanted. There’s no deception or manipulation here, just three people trying to navigate a messy and emotionally-charged entanglement.

As for Magneto, I think he genuinely cares for Rogue and loves her in his own way. But I feel like he’s using her to fill the void left in his heart by Charles. I don’t think he’s secretly “evil” or anything like that — but Gambit is right to be skeptical of his motives.

Overall, once Magneto and Gambit come back (AND THEY BETTER COME BACK OR ISTG MARVEL — ), they’ll get necessary closure, and Rogue and Gambit will offically become the power couple they were always meant to be.

*I’ve seen people wonder why Rogue doesn’t wear one of the mutant suppression collars so she can safely touch Gambit. Idk how the comics deal with that issue and I don’t remember if the original 90s cartoon did, but the way I see it, it’s not just about the physical act of touching. It’s about intimacy. Being able to be your full, truest self with another person. Having to wear a collar that was made to oppress your people in order to experience a basic human pleasure would be degrading and take away from that intimacy.

[transrightsyamaguchi]

blue lock fic rec list #1 (?)

i always liked when people made long masterlists of fic recs but i haven't seen anyone do it for blue lock yet. at least not recently. so in the spirit of Be The Change You Want To See In The World here's my list.

not in any particular order just going through my bookmarks lol.

sound of breaking down. chigiri-centric, 4k words, rated T.

“Is he dead?” “No, of course not.” A pause. “I hope not.” “Yo, Princess, are you alive in there?” The door rattles. OR Determined to prove himself, Chigiri disregards his health and deals with consequences. None of it is pretty. Set during the neo-Egoist league arc. it's a sickfic. it's a really good sickfic. it hits all the beats i like my sickfics to hit and then some. it's a genfic which is a major bonus. no romantic subplot just chigiri being vulnerable and getting taken care of. there's some sweet moments between him and chris prince that made me melt inside.

2. the rituals are intricate, bro. karasu/otoya, 2k words, rated E.

Otoya offers to groom the homie's wings. Things escalate in ways he did not expect. this is by one of my beloved mutuals but i'd still be recommending it even if it wasn't. great title. there's an "it's not gay with socks on" joke in there. there's the ever-present Otoya Eita Sexuality Crisis. the porn is less sexy and more funny (as tabieita deserves).

3. six facts about lobsters. bachira/isagi, 4k words, rated T.

What it says on the tin. (In fine print: six facts about you.) can't remember if ghost is on tumblr or not but this is another mutual fic. it's a take on the 5+1 format, tracking the bachisagi relationship through lobster facts. isagi's autism radiates through the text. it's so cute and so sweet and so very bachisagi essence. as expected of ao3 user smallghosts (<- the bachisagi essence writer)

4. counting crows on the windowsill. kaiser/ness, 18k words, rated M.

“How much,” you ask, “would you let me do to you?” The feeling of vibration on your fingers comes again, and he is thinking, or perhaps toying with you even more. Your grip tightens on his skin, and Alexis twitches slightly in the grasp. More than once have people told you to learn some patience. “You already know my answer.” “Doesn’t mean I don’t like hearing it in your own words.” Inhale, exhale, and they all fall onto your skin. There is a chill in the room—it is rising up your arms, your neck��but the whole of you is hot. “If it’s you, I’d let you do anything.” Seven snapshots of life through the eyes of Michael Kaiser. this is a longer one but if you have time and you want to feel some Emotions read this one. nskins contain such multitudes and this author understands them so well.

5. shidou-ctionary. shidou/sae, 4k words, rated T.

Contemporary linguists agree that achieving proficiency in a new language requires between six months and four years of study. Itoshi Sae knows better. He has anecdotal evidence to suggest that a person can become fluent in a new language in as little as one week. A week of Shidou Ryuusei's attempts to ask Itoshi Sae on a date: a story in emojis. yet another mutual fic. i can't help it that my mutuals are all extremely talented and correct about everything. it's got some experimental formatting going on and (in my opinion) it looks best on desktop. ft. shidou being shidou and sae being smitten (in the emotionally constipated way that sae is smitten with shidou)

6. puppy love. kurona/kiyora, 9k words, rated G.

Jin doesn’t fight the small smile forming on his face. It’s been a long time since he meshed well with anyone. People tend to avoid him; he avoids them in turn. He stopped caring (or so he had told himself), but he doesn’t hate the weight around his shoulders—doesn’t mind it at all, really. He wraps his hand around Ranze’s wrist, and he laughs along with him. Kiyora Jin has a number of problems. A growing crush on Kurona Ranze is not supposed to be one of them. this was the inaugural fic in the ranjin tag and. not to pat myself on the back or anything. but i beta-read it hehe. another mutual fic. kiyora jin character study before kiyora jin was even a character, with an adorable little romantic subplot. somewhat negated by the Recent Developments in canon but it's still good!!

7. pink light. shidou/sae, 19k words, rated E.

Fifteen years ago, Shidou took a pass from Sae that shattered his knee and ended his career, and Sae hasn't been able to speak to him since - and Sae wants it to stay that way. Deserves for it to stay that way. Unfortunately, the world has other plans for him, courtesy of a little art studio a five minute walk from his new post-retirement apartment. this is not a mutual fic but i'm trying to change that. it's post-canon ryusae ft. cane user shidou (!!) and emotionally constipated sae learning how to live without soccer. not quite old man yaoi but it has the spirit of it.

8. year one. snuffy & lorenzo centric, 3k words, rated T.

"When's your birthday?" Snuffy asks him carefully, moving on to the next field. "Today," Don answers immediately. "Really?" Snuffy looks at him suspiciously. "No," Don replies without hesitation, turning back to a poster describing professional tooth brushing. Snuffy tries not to look at the tense faces of the receptionist and the surgeon peering out of the room. Snuffy's first year of parenthood. what is it about snuffy & lorenzo fics that just hit so different. i swear everyone who writes for them is a genius. this fic is short snapshots of snuffy and lorenzo navigating their newly-formed parent-child relationship and it's heartwrenching and heartwarming and poignant. this writer has a few snuffy & lorenzo fics and they're all wonderful. (she's also on tumblr and writes in-depth lorenzo meta so you Know she understands him)

9. pov: you just want the world to be quiet. itoshi brothers, 4k words, rated T.

his big brother and football have become the only hope to which rin can cling to dream of better days. without them, he only and just remains that little six-year-old boy destroyed by the senseless atrocities of evil hands. hesitated to include this one because the tags are scary but fuck it we ball i do what i want. it's a rewrite of rin's backstory with a darker spin on it and it follows rin and sae's relationship through that lens. as par for the course with pre-canon itoshi studies, it does not end happily. it's incredibly well-done and it will give you Feelings. (this is one of those cases where the author drops a life-changing bombshell of a fic on you and then you go to their profile and there's no bio. there's no public bookmarks. this is their only blue lock fic. they haven't posted anything in a year. who are they)

10. peak male living space. kunigami/chigiri, 3k words, rated E.

Raichi and Kunigami had met at university; playing on the football team, sharing many lectures, and living through the shitshow that was university halls together. It seemed only natural that they’d move in together, and it had been great for the past few of years… Until Kunigami’s new boyfriend asked why he never invited him over to his place, and he was forced to deal with the realisation that he and Raichi have the most boyish disaster of a flat. part of a series but it can stand alone. t4t kunigiri smut. kunigami and raichi are disaster roommates and bachisagi play wingmen. lionel messi makes a cameo in the form of a cardboard cutout. all the kunigiri fics in this series are good but this fic in particular is just so funny.

if you notice any ships or characters Conspicuously Absent it's because they were positively dominating this list at first so i'm planning to make a separate list for only them hehe

there are many more fics that made my soul ascend from my body so i might make another of these

[skania]

OnK Chapter 149

I know it doesn’t mean much coming from me because I’m always complaining about Aka’s writing, but…

And I mean it when I say that I expect nothing 😭 This was literally my first ever OnK-related reblog and its tags are more relevant than ever lmao

These, too:

#honestly I didn’t think too hard about any of this during my first read #because the romantic endgame seems so obvious that it kind of discourages guessing lmao #but re-reading these chapters has made me appreciate Aqua’s side of his bond with Akane a lot more

Back when I first got into OnK, I mentioned that Akane was the entire reason I kept reading the manga. I didn’t care about the romantic subplot, found Aqua/Kana extremely obvious and predictable, and Aqua plain boring.

It’s only during my second read that I paid close attention to Akane’s interactions with Aqua and I ended up playing myself into both, caring about Aqua and shipping him with Akane lol

This chapter has made me realize that despite everything, I'm not emotionally invested in whether they end up together or not. I’d prefer it, obviously, because Aqua truly is at his most interesting whenever he’s around Akane, and their dynamic has the best development in the manga (so far).

But it’s just like I said before: If they don’t end up together, that’s just Aka’s loss, not mine. I’m just here for Akane 😂

And as an Akane fan, I feel like the best thing for me to do right now is to just take a step back and watch things unfold, because Aka will do whatever he wants regardless of how any of us interpret his manga lol

So instead of posting the long post I originally wrote about this chapter when the leaks came out, I'll just share a a clown gif because in hindsight it was silly of me to expect Kana out of all people to have any sort of meaningful insight into Aqua 🤡

And a couple of things that caught my eye because I can't help myself:

Kana didn't even see Aqua and Akane have any sort of meaningful moment, just those two standing in each other's vicinity was enough to make her throw herself a pity party. How many more times is she going to pity herself and give up? How has Aka not tired of writing her this way? Where did her development from the Scandal arc go? 🤡

So Chapter 147 featured Kamiki thinking Ai doesn't love him and Kana thinking Aqua likes her. It even had a helpful "Cut 139: Misunderstanding" panel and everything. Will this mean something? Who knows!

Kana used guilt-trip! It was super effective!

Oh the irony! Poor Akane looks like she's been hard at work convincing herself that she's over Aqua. And you know what? I cheer for her and respect her energy 100%. I'd rather see her doing her mightiest to help him without any ulterior motives than to have her crying for him and hoping to get back with him every other chapter lol

Akane calling Kana out for her pity-party and for being cowardly was so cathartic that if I didn't already stan her, I'd have become a fan right now 😭 It also means that Aka is 100% aware of the way he writes Kana, so when will she finally be allowed to grow?

Kana's praise to Akane made me so sad though because yes, Akane is pretty and she's talented and she's kind. That's sweet of her to say. But that's not what made Akane someone special to Aqua: it was the way she understood him. The worst part is that Kana ends her praise by saying that Akane is a "goody-two-shoes" but... that's the opposite of how Akane views herself. She sees herself as someone who's not decent and not normal. So it's no wonder that while she gets flustered (it's her dear kana-chan praising her), she seems to get a bit sad/frustrated afterward. After all, for Akane it's probably the opposite. Men would prefer a decent, normal, bright girl like Kana - Aqua included.

I wish someone would tell Akane that she is too ignorant of her own charms and that she doesn't have to act like an adult all the time. Truly the pot calling the kettle black! Sadly, unlike Kana, Akane seems to have no one in her corner in this manga. Aqua was the only one there and the poor guy is barely even a character anymore lol

Overprotective mother or controlling ex-girlfriend? Take your pick!

The English translation left something pretty important out in these panels. Akane doesn't just say "if you have a girlfriend", she says "if you have a precious/important girlfriend". This distinction is very important because it goes to show that... as expected, Akane doesn't think she was an important girlfriend to Aqua. It's like she didn't count and Kana would be the real deal. Oh, Akane...

Which takes me to her very silly, very convoluted yet very predictable plan (in true Aka fashion).

When Akane thinks “I know exactly what you hate”, I imagine she means that Aqua hates hurting and endangering those he cares for. So I'm guessing Akane thinks that if she plays matchmaker and quite literally throws Kana at him, someone he has a soft spot, then Aqua won't be able to go through with his revenge because that would mean breaking Kana's very fragile heart.

In other words, it looks like Akane is going to try and use Aqua's guilt-complex against him and her weapon of choice is love. But not her love, obviously, because as far as she's concerned, her romantic love already failed to save him.

Granted, using Kana's romantic feelings to her advantage is kind of... well, wrong. To quote Akane herself, [Kana] is neither her pet nor her property, but a person. But I'm guessing that Akane may be falling victim to the same loophole she got caught in in Chapters 96 - 98. She thinks she knows what's best, so she's putting her own beliefs aside for the time being.

Kind of like Aqua, actually.

And, ironically, it's Aqua himself who first realized how easy Kana is to use.

So! All in all, I'm here for Mastermind!Akane but I hope that Aka will actually make it worth our while. Will Kana realize that she's about to be used as a chess piece in this Proxy War? Who knows, characters in this manga seem to walk in circles, only being allowed to grow when it fits the plot 😂

Last week we wondered whether Aka would subvert expectations or go the predictable route, and down the predictable route he went. His way of making it less predictable is by including a twist in the form of Akane's ulterior motives, but will this be enough to allow this ol' used trope to lead us someplace new? I guess we'll have to keep reading to find out, but given the quality of the writing lately, I'm not expecting much lol

[zootopiathingz]

If you really think about it, the ship where Alastor would be involved in that would most likely be canon so far would be Charlastor.

I mean, he despises Lucifer and sees Vox as not worth his time, so he's not gonna be throwing himself all over them anytime soon. Nearly everyone he interacts with besides the three women he's friends with, he's either indifferent, respectable or hostile to, but towards Charlie? This man has allowed her to touch him without permission, stated multiple times that he has faith in her beliefs and even handed her his source of power. Twice.

I'm aware he's doing all this with some underlying motive, but you can't deny he won't do all this for just anyone. I really can't imagine him all comfortably curled up in Angel's bed or getting handsy with Lucifer (He wipes his hands after touching him, man really doesn't like him at all). I support all ships with Alastor but if we're looking at this at a canon perspective, Alastor interacts with Charlie the most and will continue to interact with her as the show goes on, it's more possible to happen in a sense with Alastor.

Plus with all the romantic cues the show has (Unintentionally?) given so far, with the part where both Charlie and Alastor are laying on the heart shaped pillow but Charlie falls off the bed while Alastor remains on top off it, it seems that there could be a very small possibility that there might be an unrequited crush on Alastor's part.

Yeah, it's a stretch, but hey, he didn't have to lay in that bed. He could have stayed standing, looming over Charlie to show that he might be helping her but he still sees himself as above her and in control of the situation. But! Someone still animated him on that bed! They still animated him on that heart shaped pillow right beside Charlie! They didn't have to, but they still did and my minds still reeling after that fact.

No because you’re absolutely correct here.

Out of any of the characters in the series for Alastor to end up with, if he were to have a romantic subplot of any kind, it would be Charlie. They have the most potential together as a pairing and there have been so many little hints and visual cues that I’m honestly shocked that a romance plot isn’t where their relationship is going.

I genuinely cannot see Alastor ever engaging in anything romantic or physical with Vox or Lucifer in any way. And whenever I say that people like to excuse me of hating gay ships (which I clearly don’t. I am queer, and I love seeing queer ships that actually make sense and have good chemistry, and not just because they’re gay). It’s because he canonly hates men and is much kinder towards women—except for Vaggie lol. Yes, ship Alastor with whoever you want. It’s not my place to tell you if your ship is bad or not. I honestly don’t care because it’s your opinion and as long as you’re having fun with it, that’s all that matters!

But like anon is saying here, if we’re looking at it from a canon viewpoint, let’s think about it. Again, Alastor clearly doesn’t like men and can’t even be bothered to shake Lucifer’s hand without being disgusted. There have been three women who could be potential love interests. First is Mimzy, which I can see there may have been some flirtation here and there in the past, or even an unrequited crush on her part. But with her basically using him to get her out of trouble all the time, I can’t see them going beyond their on-and-off friendship. Then there’s Rosie, who he’s obviously very comfortable around and lets her touch and grab him as she pleases—which he wouldn’t let slide with any male characters in the show. And the Radiorose ship is cute I admit, but to me they’re a pair of gossip buddies who would maybe pretend to be in a relationship if needed, but otherwise their feelings don’t go any further than platonic.

And so that leaves us with Charlie. When I first watched the pilot I absolutely assumed they were going to have some kind of slow burn, not only because the idea of the princess of Hell and this feared Radio Demon falling for each other is so intriguing, but generally just the way they acted with each other. In like a span of eight minutes they were happily dancing together, with Alastor calling her one of a kind, tossing her around and making improvements to her dream hotel.

You can imagine how surprised I was when I found out they weren’t canon and weren’t going to be in the actual show. Like, I was legit going “🤨🤨🤨” and this was before I was even in the fandom lmao

And thank you so much for mentioning that scene in her bedroom because…

What is this. What do you mean the mfs making this show drew out this scene, carefully looked at every detail for the final product, and went “yup👍” if there wasn’t supposed to be something more going on here???

Like seriously if you’ve never watched this episode and you saw these two frames, what exactly would you assume is going on here? Be honest with me

But ya know, charlastor “isn’t canon” (so they say🙄) so the animators here were def trolling us lol

[demonslayerunhinged]

Reddit shame list

Here's a list of stupid homophobic comments from r/KimetsuNoYaiba in response to OP's question about queer characters. Some of these comments come from the subreddit mods themselves. If you're part of the subreddit I'm sure you would recognize some of these comments.

tw: homophobia

I don't have such speculations :3

I couldn't care less, i just want a good story and good characters. People ruin good ideas by forcing certain things, they care more about representation than creating a GOOD character or a good story.

Lgbt characters are at their best when they DONT tell you they are lgbt characters, they are just good characters that happen to be lgbt, this is something that a lot of people are unable to understand.

It it set in early 1900's Japan, where being gay/lesbian/pan/bi was not accepted⚡

LGBT was very rare back then.⚡

And in general I much prefer no representation in fiction than poor/terrible representation for the sake of including representation.

I don't care about it at all tbh 💜

Demon slayer is set in early 1900 so back at that time it was very odd

Doesn't really bother me, especially given the time period and location it makes sense to not have different races or lgbtq+ characters.

It’s- set in the 1900’s Japan. Also Suma is Bi and Douma is hinted to be so as well but regardless, it doesn’t matter. They don’t HAVE to put characters like that in there🐍

True if they didn’t the series would just be shit on by overly woke people on twitter

It’s set in Japan…… where the Japanese are, and it’s 1900’s Japan. Where I imagine it wasn’t to fondly looked upon. Tbh it doesn’t bother me

introducing any romantic subplot by forcing lgbt relations ruins the story and is historically inaccurate for the sake of appealing to trash. theyre in a pretty secluded part of japan in the 1900s, you will not find the french

ah yes, im homophobic for being against shitty nonsensical romantic subplots which would ruin the entire story after being shoehorned in literally everything disagreeing with yalls asses are homophobic/transphobic/phobic/phophobic or whatever.

I don’t give a fuck about what labels a character a has. It’s who they are as a character that actually matters. 🦋

i dont ever really care about that sort of stuff. i only care when it seems forced

Don't think this is a series where exploring one's sexualities is a thing that the story is set up to do.

It's set in the early 90's and lgbtq came around 1990 so..well , yeah you get it

I don't really care 🦋

This is from a subreddit that has a semi-sexualized picture of Nezuko as their main picture. The members including the mods sexualize the female and male characters on the daily but when someone makes a post about the possibility of queer characters and ships in Demon Slayer suddenly it's 'too much'.

The hypocrisy is really hypocrisying.

[sloowoorants]

Thoughts After Watching Hannibal

About two months ago, I saw some Hannibal fan art on Twitter. It looked pretty cool, and I just so happened to have some free time, so I thought: why not watch the show? It's just a normal crime thriller, right?

I expected the type of show that's relatively light yet still intriguing, filled with sarcastic humor, starring a typical grumpy-but-genius protagonist. (This is vaguely the type of show that I’m generally into: Inside Job, Sherlock, House, Suits, Mr. Robot….)

I was so, so wrong.

Nothing, and I mean nothing, could have prepared me for the bat-shit crazy fever dream of a show that Hannibal is: bizarrely artistic gore, incessant cannibalism puns, completely unpredictable romantic subplots, torturous sex scenes that feel like angry acid trips, a multitude of absolutely unhinged psychiatric conduct, esoteric cryptic dialogue which require five google searches and a whole thesaurus to understand, two lesbian murderers "milking" a guy for his sperm to inherent his family heirloom, long scenes of intense and unabashed eye-sex, clumps of dog fur sticking to sweaty bed sheets…and a literal fucking social worker crawling out of a horse, alive and breathing and everything, covered in whatever acrid substances come from a horse uterus.

I ended up watching all of Hannibal in a week, hastily devouring it in just a few sittings.

In no way am I a professional film analyst or critic, but after having stayed up for nights on end, every single one of them spent under my blanket binging episodes until devilish hours of dawn (and barely comprehending the plot from the sheer speed I was consuming the show at, but also from sleep deprivation), I have cultivated a skull full of thoughts on this blessed masterpiece, and I need to rant about it. Which is exactly what this post is.

I am going to separate this ranty-meta-ish thing (I think a “meta” is what it’s called? I’m not sure, I don’t use Tumblr a lot) into two parts: one, about the representation of morality in the show, and two, about the intimacy between Will and Hannibal. It’s not super well written, my grammar is a bit iffy, but I hope you still enjoy reading this, and remember to take everything I say with a grain of salt. After all, I am just some guy with unrestricted internet access, a keyboard, and a little too much passion for the media I love :)

Part One: Hannibal Lecter’s Morality

Hannibal loves art. There is no episode in the entire show where he doesn’t reference some artistic thing—He plays the piano, he plays the theremin, he frequents the opera, he draws, and he finds peace at the birthplace of the Renaissance, Florence. His love for art is why he kills, he transforms people he considers to be “inferior” and “ugly” and elevates them into art. He is acting out his own sense of justice, creating meaning from the meaningless.

In a way, he must have a certain degree of respect for his victims to do what he does. He could have just killed people and disposed of their body in a dumpster, but that’s not his style. Even if he doesn’t “care” about his victims in a traditional sense, there’s this unique honesty and attentive in his murders. Hannibal cares enough about his victims to make them art. And I’m not just talking about the way he displays their bodies, I’m also talking about his cooking, because a big part of art is also cuisine.

He follows a strict code of his own ethics, it’s almost like he’s acting out his “duty” to kill, to eradicate and transform the lesser “scum” of the world. To be killed by Hannibal is almost an honor, like being killed by God personally, skin to skin. Wouldn’t you feel a sense of divinity and fulfillment if God killed you with his own hands, knowing that he respects you enough to choke you himself, then turn you into an elegant display? Every kill of Hannibal’s is filled with passion – Which poses the question, does he kill out of hatred or not? When I think of violence fueled by hate, I think of sex or race based violence. But that’s not Hannibal. He kills victims he considers to be rude, yes, but is it a humiliation? Is it degradation?

This whole "elevate-swine-into-art" thing is also shown through the way that gore is generally portrayed throughout the show, and not just Hannibal’s murderers. It’s very interesting the way gore pretty in Hannibal. It’s often meticulous. It’s meaningful.

These murders are all aesthetically pleasing. For me, it creates a cognitive dissonance: on one hand, I know that these are painful, brutal murders, one the other, they’re kind of nice to look at, which makes me think—Have I ever for a second, while watching Hannibal, considered the crime scene to be beautiful? Have I ever viewed one of those scenes as art rather than gore? As an artist myself, do I understand Hannibal’s obsession with beauty? And if so, what type of person does that make me?

And I love the way this show makes us really think in Hannibal’s shoes, because of how unconventionally it portrays him as a villain. Usually, shows will provide villains with a backstory, but that doesn’t extend beyond just creating sympathy. In Hannibal, the villain is humanized. We understand him. We empathize. And what does that make of us?

Have I ever, in all seriousness, rooted for Hannibal instead of Jack Crawford? Have I ever thought someone deserved to die in the show? Have I ever looked at what Hannibal was cooking, and thought it looked delicious, despite knowing that its human flesh? Have I ever been annoyed at innocent patients of Hannibal, like Franklyn, because I viewed them from Hannibal’s perspective?

On top of that, Hannibal’s philosophy makes sense. I find myself agreeing to a lot of the things he says.

For example, this dialogue from S2e12 "Tome-Wan", when Will finds Mason Verger and Hannibal in his house, and Hannibal asks Will if he should kill or spare Mason Verger:

HANNIBAL: Murder or mercy?

WILL: There is no mercy. We make mercy, manufacture it in parts that have overgrown our basic reptile brain.

HANNIBAL: Then there is no murder. We make murder, too, it matters only to us. You know too well that you possess all the elements to make murder. Perhaps mercy, too. But murder you understand uncomfortably well.

Does Will only have the capacity for mercy because he has the capacity for murder? Does mercy only have meaning in the context of murder? Is our own compassion a reflection of our violence?

With that said, are the things that I believe to be evil still evil when I throw away my moral believes? Is morality only meaningful in my own perception? And if so, how much am I contributing to evil if I am the one judging it? Do I create the evil that I so adamantly detest? Does deciding what is murder and isn’t not murder require the ability to, and intrinsic understanding of, murder? Can the morality of life and death be so clear cut, separated into different categories?

These are the types of questions that the show makes me ask, which is part of the reason I love the show so much.

I also love how the show puts a dark turn on empathy. Empathy is way too often portrayed as one of the best traits of all time, many claim it to be the most important aspect of mankind, but Will’s empathy is what ends up making him go on a downwards spiral: He is drawn to the darkness because he can understand it. He chose to teach at the FBI academy because he gets to feel like a killer without actually killing.

It made Will miserable, being able to understand killers. It gave him all sorts of guilt and self-hatred and confliction, which was why he was so damn miserable at the start of the show. And on top of that, no one really cared about him, Alana only had a whole “professional curiosity” thing going on (yes, I know that Alana’s character is one-dimensional because Hannibal’s female characters are poorly written, but even with that in mind, I still think that a huge part of Alana’s affection towards Will was in fact just curiosity), Jack was constantly pushing Will past his limits, so the poor dude didn’t have any connections to anyone until he met Hannibal.

And after Hannibal clocks him immediately when they first meet with the whole “your  values and decency are present yet shocked at your associations” situation, Will experiences his first kill: Shooting Garet Jacob Hobbs. Ten. Times. Then he confesses to Hannibal that he liked the feeling of killing him.

But Will can’t let go of his morality, it’s the only thing he’s been able to hold on to this entire time. It’s his lifeline. He holds onto it so dearly because he needs to convince himself that he’s a good person, that he’s not a killer, and that he’s doing the right thing. Yet, he knows that letting that morality go would be so freeing. He wants to. Hannibal helps him let go of it, and we as viewers can’t help but be on Hannibal’s side, because Will’s corruption arc is so gratifying. We like it, deep down we root for it. And what does that say about our relationship with our own morality? Does our morality tie us down? Do we crave to be free?

Will’s killing style is different from Hannibal’s, though. He’s passionate, reactive, and he doesn’t care about the process of killing, or the display body (before you say “the firefly man”, I believe he was imitating Hannibal’s style instead of curating his own), as long as the person is dead. He kills them from a sense of righteousness, like a vigilante justice. Was it wrong for him to find a sense of pleasure in killing Garett Jacob Hobbs? Does finding pleasure in killing corrupt his righteousness? Is it worse to kill out of passion, or kill meticulously? Is Hannibal’s style of killing more respectful? Is Will brutal? Just because Will kills out of a more conventional moral judgement and Hannibal doesn’t, does that make him better than Hannibal?

Another way the show convolutes the concepts of good and evil is using religious symbolism.

For example, from S1e02, “Amuse-Bouche”:

HANNIBAL: Killing must feel good to God too. He does it all the time, and are we not created in His image?

WILL: Did God feel good about killing?

HANNIBAL: He felt powerful.

(Shocking that this line was from the literal second episode. This show got intense so fast.)

And Will’s quote from S3e02, “Primavera”:

WILL: God can't save any of us because it's...inelegant. Elegance is more important than suffering. That's his design.

Is God an artist? Does that justify what He does? Are we only creating taboo out of His works to comfort ourselves? What does it mean to view the world with a purely aesthetic vision?

It’s these quotes that really allow me to see from Hannibal’s perspective: To him, there is no ultimate purpose of the world, there is no end goal to achieve, just the creation of beauty, and that’s terrifying to think about. Even as an atheist, it’s hard to digest the belief that there is no purpose to anything. We spend our entire human lives looking for meaning. But Hannibal doesn’t see it that way. Life and death are just futile processes to create art, and there’s no bigger point behind it. The cycle of life is supposed to be art. In a way, he’s like the God (sounding like Hannibal here), giving people meaning by making them into art, just like how God designates meaning onto every creature he makes.

And the show has a lot of art parallels, not just with Hannibal’s murders. Here are some that I’ve noticed:

(Parallels, in order from left to right, top to bottom: Nude From Back by Picabia compared to a shot of Bedelia from the back, The Persistence of Memory by Dali compared to Will’s clock drawing, Le Double Secret by Magritte compared to how Will saw Hannibal after visual overload from light therapy, Ophelia by Millais compared to Bedelia sinking into the bathtub, Portrait of Pablo Picasso by Juan Gris compared to Will’s hallucination of himself falling apart in a mirror, Ivan the Terrible and His Son Ivan by Ilya Repin compared to the cliff scene.)

I’m not the only one that has noticed these. Here is cool blog that focuses on artistic references in Hannibal, they’ve also noticed some of the ones I noticed: The Art of Hannibal.

Bryan Fuller probably didn’t do these on purpose while directing. But it still unintentionally solidified this theme artistic divinity. So I think Bryan must, to some extent, understand Hannibal’s obsession with making art out of death, because of the way art is subconsciously woven into the show. I don’t know though, just food for thought.

Anyways. Will, at the end of the show, while being cradled in Hannibal’s arms, both of them covered in blood that appears black in the moonlight, says to Hannibal: “It’s beautiful.”

And all that morality fleets and becomes insignificant in the face of aesthetics.

To Hannibal, beauty is moral. To Will, morality is beautiful. Have the lines begun to blur?

Part Two: Hannibal and Wills intimacy

“For [Hannibal and Will], two people who have been wandering their whole lives through a world in which they have not really experienced any viable form of connection with another human being—because they’re two extremely unusual people—and then they meet.”

-Hugh Dancy quote from SDCC 2013

Hannibal loves will. He drew him and Will as Patroclus and Achilles. He was ready to run away with Will in S2. He surrendered himself in S3 just because Will rejected him. And lets not forget the little twitch in his face when Francis attacks will. And when this dialogue happened (S3e12, “The Number of the Beast is 666”):

WILL: Is Hannibal in love with me?

BEDELIA : Could he daily feel a stab of hunger for you and find nourishment at the very sight of you? Yes. But do you... ache for him?

It is my belief that Will also loves Hannibal, although I understand that it’s not as agreed upon in the fandom as Hannibal’s love is. I think Will is just a little bit more reserved with affection, but that doesn’t mean he doesn’t love Hannibal.

But one thing is for sure—there is a lot of homoeroticism in the show:

So, whether you think the love is reciprocal or not, the show is still, to put it lightly, really gay.

Hannibal’s love for Will is dark, possessive, powerful. Will is the only one that is capable of understanding Hannibal, and Hannibal was willing to risk literally everything just for Will to connect with him. He goes to extraordinary lengths just to make Will a murderer.

But even throughout Hannibal’s ruthless manipulation, which Will eventually becomes aware of, Will still stays for Hannibal. Because deep down, Will was willing to give up his own innocence to have that connection. Because Hannibal was the only person that could really understand Will too, no one else would be able to accept his dark tendencies.

S2e02, “Sakizuke”:

WILL: I don’t know which is worse. Believing I did it, or believing that you did it and did this to me.

(I remember reading a really good post by endlessly fascinated on how Will was actually being manipulative by saying this quote. I can’t find it though. If someone finds it, please tag me!)

Will eventually grows just as obsessed with Hannibal, as Hannibal is obsessed with him. Proof: telling Jack that he wanted to run away with Hannibal, telling Hannibal that he can’t get him out of his head, and that his inner voice is starting to sound like him him, and the “where would I go?” when Hannibal tells him not to leave his side, and the ���one could argue, intimately” when Chiyoh asks him how he knows Hannibal, and the “before you and after you” when Hannibal asked him where the difference between the past and the future come from…I could go on forever. Will has never felt so grounded before, not in the way when he’s with Hannibal, with him, Will can see his own reflection, and he’s never been able to see that before.

And oh, the love language between them is violence. Will tries to kill Hannibal (someone tell me how many times, I forgot), and Hannibal tries to eat Will and a plethora of other fucked up shit. But in my eyes, none of those were out of hatred. Both of them trying to murder each other is out of love, out of acceptance, and out of forgiveness.

S3e06, “Dolce”:

HANNIBAL: You dropped your forgiveness, Will.

HANNIBAL: You forgive how God forgives.

And, S3e03, “Secondo”:

BEDELIA: Betrayal and forgiveness are best seen as something akin to falling in love.

HANNIBAL: You cannot control with respect to whom you fall in love.

No one can control who they love, or who they forgive, which is why Hannibal forgives Will and stabs him in the same breath. He is forgiving, not letting go.

Will forgives Hannibal too. He forgives Hannibal way too many times, throughout all the manipulation of Hannibal. Think about just how much insanity he’s endured: drugged, gutted, encephalitis abused, hypnotized, framed for murder, a serial killer was sent after his family, had his brain literally almost eaten, and despite all that, Will still forgives Hannibal—it was not a conscious decision. We cannot control who we forgive.

If Hannibal is a fallen angel, then Will is God to him. And God is indifferent, sometimes even cruel. Like Hannibal said himself, good and evil has nothing to do with God. Will forgives Hannibal, but that doesn’t mean he still doesn’t want to hurt Hannibal; just like how Hannibal forgave Will, but still gutted him. In that moment, Will forgave indifferently, so he could get back to revenge. They both forgive like blades, they both forgive with pain.

Doesn’t God forgive through punishment? God will forgive you for your sins but you still have to go to hell, right?

Violence is a pillar of stability in their relationship, it’s how they understand each other, an eye for an eye, a tooth for a tooth, the smile on Will’s gut a permanent reminder of Hannibal’s hurt, and all of Hannibal’s scars a reminder of Will’s hurt.

I see all of their trying to kill each other is affection. Hannibal doesn’t try to eat Will because he hates Will, he tries to eat to immortalize him, to keep Will as part of him forever.

And through that violence, Hannibal helped Will let go of his morality. Will had spent forever trying to repress himself—Molly was a failed attempt to escape into normalcy. Will definitely thought about Hannibal those years Hannibal was in prison.

S3e13, “The Wrath of the Lamb”:

HANNIBAL: When life becomes maddeningly police, think about me. Think about me, Will.

Will definitely missed the hunger, the violence. We can see this though the passionate way he killed the Red Dragon. He probably held Molly’s gentle hands and desperately wanted to feel something more. To feel something dangerous. Something that could simultaneously revive and ruin him. Molly never understood him the way Hannibal did, and he will never love her the way he loves Hannibal.

He did think about Hannibal when life became maddeningly polite. He probably fantasized about what they’ve done, what they could’ve done, and the feeling of freedom when he’s with Hannibal.

And Hannibal waited for him patiently, staying exactly where he was three years ago. And when Will eventually pushed them off a cliff together, Hannibal showed no sign of resistance, and just let them fall.

“I think [Hannibal]’s feeling that embrace and that’s the first thing that he’s feeling, and even as he’s plunging into the Atlantic, he’s first and foremost thinking about the man he’s holding onto and the man who’s holding onto him.”

–Mads Mikkelsen on Hannibal’s thoughts during the final scene

Their violence is something that we as viewers may never comprehend, but we can all understand their intimacy. Isn’t it what we all want, after all, to be seen?

Anyways...

Hannibal is a great show! 10/10, would recommend. Although, the lighting kind of sucks. Bryan, if there is a season four, please make the show brighter, for the love of God.

Thanks for reading this! :)

[hiyyihrts]

my predictions for how season 3 part 1 will end:

The episode will end with Colin discovering Pen is LW and he’ll have his big explosive moment and she will too, but they’ll get into the carriage together after their outbursts and it’ll fade or black

OR the discovery will be made and they’ll get into the carriage together, continue having their spat with one another but the tension will become too much and the sexual tension will unleash (not necessarily the romantic I don’t think that’ll be until part 2 where Colin realizes that he doesn’t want to just marry Pen out of obligation but because he actually cares and feels for her as his friend and lover) BUT THEN once they’ve done the deed it’ll pan to them realizing what they’ve done with shock and surprise on their faces and then the episode will end

Eloise will come to realize that Colin knows about LW and she’ll have to knock some sense into him regarding it and will come to Pen’s defense, even if they haven’t made up officially yet.

I think they’ll steer from the books and have Eloise and Theo remain love interests, or they’ll sort through their issues and stay friends? Maybe? I just don’t see her ending up with Philip unless they decide to bring him and Marina back for another season only to have smth happen to Marina and he becomes available

Eloise and Pen will remain on no speaking terms but somehow LW identity will become apparent or on the verge of being exposed and Eloise will do something to counteract it or distract from it, maybe even come up with a scheme in part 2 with Colin to diverge it (similar to s1 finale with the queen’s men interference)

I don’t think Anthony and Kate will have as big of a role as I’ve seen some people say they will, but I think we’ll get features of them throughout the season, maybe a snippet of them having a child and Anthony feeling that out, but it’ll be similar to Daphne and Simon where they’re there but not really there or a main feature

I’m sure there are other things and subplots I’m missing but these were the main ones I’ve been thinking about. Any thoughts? Additions? Or are these altogether dumb and the worst opinions you’ve ever heard?

[raccoonfallsharder]

what’s your favorite version of rocket? for me it’s between eidos rocket and mcu rocket

this is such a great question ˶ᵔ ᵕ ᵔ˶

it’s like asking “what’s your favorite star in the sky?” “which ice cream is the best ice cream?” “what flower do you prefer?” “what bird is the coolest bird?” “what cat is the best cat?”

it’s not that i don’t have a fave (i do, or at least i think i do), it’s just that im picking from such a fucken splendor of options. truly spoiled for choice. there’s no wrong answer here (although some of the comics artists have never, i think, seen a raccoon. here’s lookin at you timothy green ii).

so i’ll rank these motherfuckers but understand that i love them all differently. also im sticking to various versions of canon but honestly some of my fave rockets come from fanfiction writers like @hibatasblog, @caesarhamato22, @aliasrocket, & @elegant-fleuret ~ and what is mcu rocket or cartoon rocket or eidos rocket really but fanfiction with a budget?

anyone else who wants to share their faves and why, please do. it's so fucken fascinating to learn why certain rockets appeal to different people!

Grounded: Rocket Raccoon (2016) story by matthew rosenberg // pencil & ink by jorge coelho i love this furry bastard so much and this whole arc pulls on all my heartstrings which is probably why my first rocket fanfic was based off this storyline. he's at his snarkiest, most cynical self, still saving people in spite of how fucken thankless everyone around him is. as much as comics-rocket talks about how everything he does is for the money, i feel like this series really exemplifies his begrudging willingness to do the right thing for people even when people suck. i just wanna love on him tbh (platonically, romantically, domestically). wanna take care of him. wanna build him a blanket-fort and feed him hot cocoa. grumpy asshat

MCU's Guardians of the Galaxy (2014-2023) created by james gunn, et al. nose to tail, this rocket has the most consistent and coherent character development and we get to see so many sides of him in one long-lived arc, and it's fucking beautiful. just because of the nature of comics in general, we never get to see this much growth in any single incarnation of rocket. but here we have sad-rocket, dad-rocket, lonely-rocket, friend-rocket, baby-rocket, captain-rocket - i love him so much and what this movie has given us in terms of a fully-fleshed out character. plus we get to hear lines like "oh yeah" (you know EXACTLY what i'm talkin about) and his goddamn singing. not to mention that beautiful expressive face.... the way he moves when he's beating the shit out of ravagers... what? huh? where was i?

Rocket Raccoon: Blue River Score (2017) story by al ewing // pencil & ink by adam gorham i fucken love this comic arc. we get a lot of rocket in a suit and we get to see his impulsive behavior, his softness for otta (and by extension, his desire to love/be loved) despite their history, his cleverness in the colon and the final heist, and his relationship with gatecrasher. PLUS if you thought one sad snarky gun-wielding maniac wasn't enough, there's a subplot where rocket and deadpool team up and it's the best thing in the world. just a perfect little kiss from every five-star chef in the galaxy. i love rocket's last few lines to deadpool in this segment. perfection

Marvel's Guardians of the Galaxy Game. (2021) by eidos-montreal and marvel entertainment. just to note: 4,5, and 6 got real murky for me in terms of figuring out how to rank these rockets. i wish i could watch this game multiple times so i could get a better feel for who this rocket is but it is SUCH an undertaking tbh. still, this rocket is so good. bitter, hilarious, sassy, isolated. i love him so much. i just want to play with his beard and also say lots of nice (occasionally naughty) things to him so he blushes really hard like in that sequence where pete was like "you deserve some praise" (i think that was the closest we've ever seen rocket to actual death, volume three included). there's a thing about rockets-in-general that i think this rocket in particular really pulls out of me: the desire to trust, and to be worthy of trust. ...that and the fact that you just know this guy is fuckin filthy. when he decides he wants you, he's gonna make you miserable in all the best ways. like, the level of teasing would be so over-the-top you might spontaneously combust before you get into bed (though luckily, he is an expert when it comes to manipulating combustibles).

Assorted other comic appearances that I've smushed into one thing in my mind. i dunno, friend. rocket who blames himself for pete's apparent death breaks my heart. rocket who thinks he's the only one of the guardians left breaks my heart. rocket who blames himself for groot's death breaks my heart. rocket who is sick and alone on halfworld like an animal crawling under the porch to die but ends up leaving inside a giant mech-suit to save his friends breaks my heart. rocket who protects chewy's kids breaks my heart even though it's supposed to be a lighthearted fucken arc. there are more.

Rocket Raccoon, Volume 2. (2014-205) story by skottie young, pencil & ink by various artists. yo. this rocket is so different and yet still perfectly rocket. he's a hyped-up little gremlin of a guy who fucks and is probably constantly high off blaster-fumes and engine-fuel. i fucken love him so much. imagine rocket with no self-confidence issues who pops caffiene pills and energy drinks every half-hour and smashes anything that can orgasm, and you've got a skottie young rocket. while other rockets might get you off because they think they've got something to prove or want to keep you coming back, this is a rocket who has learned how to use his tail solely for the fact that it's a claim to fame that means he can get laid anytime he wants. he never lacks for an excited partner (or partners) because everyone in sixty-nine systems knows how fuckin good he is. ultimately, he fucks like a god for the most (apparently) selfish, shallow reasons (and then inevitably ghosts his partners). or maybe not. maybe he's also just obsessed with the idea that anything he's gonna do, he has to do over-the-top. like planning an intergalactic scavenger hunt for your friend's birthday. ...but scrape the surface and underneath you find a guy who's just so afraid of being the only one of his kind that he's gotta fuck or shoot everything in his vicinity. what a wild little shithead. i love him so much, so much. p.s. the fron storyline - the cold, parts one and two - is one of my favorites. he loves groot so much. and princess jink is the fucken best

Guardians of the Galaxy TV Series/Cartoon. (2015-2019). i enjoyed this rocket and his gremlin ways. his fascination with duct tape is a particular point of charm. the take on his backstory was interesting. loved the episode with ja kyee lrurt - like it was so fuckin cute i could die. i need more of THAT storyline in particular.

Rocket & Groot TV Series/Cartoon. (2017) i loved this so much but it just left me wanting more (just because, you know, of the nature of this type of short-episode media). big skottie young energy. ultimately, trevor devall does a fine job but i think his voice in both this and the other cartoon make it a little harder for me to fully embrace these rockets. like his interpretation of rocket's voice just doesn't match mine, you know? and that's okay. still would rewatch 5,739 times.

how's that? i still need to watch telltale but i think i got most of the iterations in there lol. anyone i forgot, or who is worth specifically pulling out and mentioning by author/issue/edition?

[eelfuneral]

I know I seem to be writing a lot about my issues with certain aspects of how the Jedi were written lately, but I will say that I do like them over all—especially when we look at individual Jedi characters. What has been prompting my flurry of dissection of the less than nice aspects of the Jedi as an organization has been seeing a number of really uncomfortable arguments in their favor. I’m going to elaborate on this, but I’m putting it below a cut and tagging it as “jedi critical” so you can avoid it if it’s not your thing. So here is a list of fandom Jedi takes that I don’t love:

1. The insistence that the Jedi having a repressive view of emotions is nothing more than a fanon myth. Star Wars canon isn’t terribly consistent: it has a number of different writers and George Lucas is famously indecisive about his beliefs regarding canon. As a result, you have a hodgepodge of differing portrayals of Jedi, but the one that people are most familiar with is the one from the sequel and prequel trilogies. While it can be argued that the Jedi are more about controlling how you react to your emotions and avoiding harming people, especially if you look beyond the films and at other canon material, the first six films don’t do a great job of portraying the Jedi in that way. When Yoda himself has multiple lines about how certain emotions (not reactions to them, but emotions by themselves) are of the Dark Side, can you really blame people for coming to this conclusion? The same goes for the idea that they don’t *really* forbid romantic love. When you have a whole subplot involving a prominent Jedi Knight having to hide a romantic relationship or face expulsion from the Order for having a romantic relationship in any capacity, then this argument doesn’t hold a lot of water. A rule stating that “romantic partner = automatic expulsion” does not line up with the idea that Jedi only ban possessive love.

2. Having any sympathy for Anakin Skywalker means you think that he’s never done anything wrong ever. I acknowledge that rabid Anakin stans who bash every other character to prop him up are very much a thing, but I don’t believe that we need to shut down every discussion of Anakin that doesn’t paint him as an ungrateful brat who needed to stop having so many damned emotions. Anakin was intentionally written as a sympathetic antihero and later a sympathetic villain. People picking up on the sadder elements of his life and the times where he maybe didn’t get everything he needed from the Jedi Order are sniffing out intentionally placed story nuggets that are designed to make his betrayal of everyone he loved in ROTS that much harder to watch. Also, acknowledging that the Order may not have been a great fit for Anakin isn’t the same as saying that it was somehow abusive or evil. No organization, real or fictional, can meet the needs of every single person. Anakin was certainly loved and cared about in the Jedi Order, but his personality and trauma arguably made him incompatible with their lifestyle.

3. The weird vitriol at the idea of Gray Jedi. Gray Jedi were very much a thing in the legends continuity and have been a fanon staple for literal decades. A lot of people aren’t fond of this concept, because they feel that it misrepresents how the force works, particularly in current canon. That’s perfectly fine, but acting like this type of Jedi was never, ever a part of canon is silly. Insisting that it’s a cardinal sin to depict a Gray Jedi in fanworks, which exist specifically to be a free-for-all that may not be canon compliant, is just mean. You didn’t have to like every fanwork or concept, but you cannot control what other people create for fun.

4. Outright denial that the clones are enslaved by the Republic. Clones are described as “property” and “equipment”. The Republic BUYS them. They do not have a choice but to go to war and don’t seem to be paid much, if at all. When a group of people are owned, bought, and sold, they are slaves by definition. I understand that the Jedi were dealt a bad hand and weren’t in a great position to do much about the situation, but I and a lot of other people would have loved to see more instances of Jedi advocating for clone citizenship and freedom. People noticing that the Jedi could have done more for the clones are not stating that they think the Jedi were 100% okay with the situation, and it is entirely possible to acknowledge the deep Jedi/clone friendships that we see in canon while acknowledging what the Republic was doing to the clones. Justifications of the clones’ enslavement mentioning that they liked being soldiers (they didn’t know anything different) or were treated well by the Jedi (Pong Krell existed, and they were still owned by the Republic) make me very uneasy. If your defense of your blorbos reads like Neo-Confederate chattel slavery apologia retrofitted to be about pretend space people, then maybe it’s time to do a little bit of self-reflection.

5. Ableism. When you throw takes like “if the Jedi philosophy regarding emotions is so hard for you, then you are a baby or a sociopath” into the tumblrsphere, they are always going to fall and hit people with disabilities that cause emotional regulation issues. The line between stating that people should not use emotions as an excuse to harm others and outright attacking people for having intense emotions in general is one that I have seen crossed, shat on, and lit on fire in defense of the Jedi.

6. Equating criticism of the Jedi to real-wold prejudice. Saying that criticizing the Jedi is the same as being antisemitic or homophobic is uncalled for. Queer and Jewish people exist in the real world, and pretend space wizards do not. Comparisons like this are insulting because they put real-world prejudice and fandom wank over space wizards on the same level. Do better.

[cosmic-day]

Having seen the final season of The Umbrella Academy: I didn’t hate it quite as much as most of fandom seem to, but I also didn’t love it. Rambly thoughts and massive spoilers under the cut:

First of all, I don’t know how much the compressed episode count affected things, but I felt like adding  ‘could/would have worked better if fleshed out more’ at the end of every sentence in this review.

As far as positives go, I was OK with the ending. It has been baked into the show from the beginning that the Hargreeves siblings only break whatever they try to fix, and their erasure from the universe being the only thing that restores the timeline does make sense. I kind of respect the show for committing to that, rather than finding a last minute “they died but not really” cop out.

I loved Abigail’s role in it as well and think that is a really underrated bit of satisfying writing: Abigail who has been literally and figuratively fridged for three seasons gets to tell Reginald that she never asked for this and never wanted it, and most importantly gets to not only seize control of the narrative but end it. That part really worked for me.

Viktor had a decent arc and also got to confront Reginald about his shitty parenting which was also satisfying.

Unfortunately, there the positives end.

Most of the other characters got short changed. Klaus was stuck in an irrelevant subplot, as he often is, but here it felt more irrelevant than usual, and also gratuitously dark – I mean, it’s a dark show at times but this felt like trauma porn for the sake of it. Allison had some good moments, but not much of an arc. Diego and Luther were both reduced to goofy, borderline pathetic comic relief in a way that just felt mean spirited at times. Ben and Jennifer needed way more time to work properly.

And then there’s the Five/Lila of it all.

I love these guys. Not only are they my favourite individual characters, but I loved their enemies to chaotic besties arc, and I really wanted more of that friendship. The subway plot was a brilliant idea, and I could have watched a whole episode (I’m thinking the Last Of Us episode ‘Long Long Time’), following them surviving together and developing their friendship (and also maybe addressing little irrelevant details like Five being the killer of her parents). But they just had to shoehorn in a romance, by Steve Blackman’s admission, because they ‘had to have a love story’ for Five. OK, but why? Why does a character ‘need’ a romance? Also, protip, but if you do something because you feel it ‘has’ to happen, and not because you want to develop the characters in any way, it shows.

I should say I don’t particularly care about the age gap issues. Nor do I entirely agree with the argument that it’s ooc for Five, because our precious blorbo Would Never betray his brother like that. I love Five, but he’s a little shit. Also, I’ve seen many complaints that he spent decades in the apocalypse and never gave up so why is he giving up now, but maybe he gave up because he spent decades in the apocalypse. Maybe he’s just tired. Everyone has limits, and Five has hit his.

I just hate that platonic relationships are always erased, sidelined and overwritten in favour of romantic relationships because those are obviously more important and more interesting. Five’s friendship with Lila and devotion to his family are also love stories, and they’re not lesser because they’re not romantic. I also violently hate love triangles. This one was particularly annoying and not even properly resolved.

Overall the season just felt lacking. Where were the great big goofy, joyous setpieces, or alternatively, if such is your jam, the dark and deranged pieces of ultra violence set to a banger of a pop tune. Where, in short, were Footloose and Istanbul Not Constantinople. (Though I will admit Baby Shark made me laugh.)

Anyway. I wouldn’t say the show is ruined for me, but it was a disappointing conclusion and my least favourite season by far.

[doodlegraveyard]

I also wanted to know how you felt about the pixies and if you were going to use them in your au

@seth-the-whalelord you are two for two on 'asking very simple questions that send me into a brain spiral' lol thank you this is. actually very useful for getting me to figure this stuff out. This is what i've gotten to write thru on my lunch break.

So! Pixies.

Once again I have no idea if I’m about to spout an Unpopular Opinion or not but…..I don’t like…..little, ‘Mascot’ characters. And I tend not to like the Pixies. Theyre trying Too Hard to be Beloved and it CAN be pulled off..........but I’m sorry I can’t stand their shrill little voices………………

I GET that it’s a kids show and you want little critters to appeal to little kids and sell toys of but like… the cast of Winx is HUGE and bloated at a baseline?? Like the Winx and Specialists by themselves are already so much to deal with. I will say upon rewatch, the Pixies are definitely better than like, any of the other little critters they add in later seasons. There are definitely episodes where the pixies Work and aren't completely overwhelming, and they're liked enough to be worth keeping, conceptually.

I like the idea of the pixies being plot relevant to the fairies development, and I actually have been thinking about explicitly tying them to charmix (or, idk if I’m keeping the concept of Charmix entirely intact because its BARELY a form. But i guess it can remain as a concept, and as a stepping stone to leveling up a fairy has to get her pixie/charmix (so its a standard step not just something the Winx girls have)

I really like how Amore and Chatta specifically contrast Stella/Flora’s respective personalities, because it brings to mind to me that charmix is supposed to be about overcoming some personal fear or weakness/character flaw, it makes sense to me to tie them together.

THAT SAID some of the pixie/fairy relationships are stronger than others.

Lockette’s theming as Pixie of Portals/a wayfinder can be styled as helping Bloom who is currently feeling ‘lost’ in an unfamiliar world, help her navigate both herself learning about and her newly discovered backstory/identity. I think that pretty much works: Lockette encourages Bloom to find the truth even if she’s kind of afraid to/ has been avoiding it. Amore’s calm peacekeeper demeanor definitely helps to temper Stella, and I feel like she could help deal with issues of not just romantic love but her relationships with her friends and her parents. I think Stella is full of love and affection, but doesn’t always show it / in the most considerate way.

Chatta forcing Flora to talk to Helia about her feelings is a pretty good example of what she brings to the table there, though I never want it to be just flattened to Flora’s romantic subplot - Flora could do with speaking up more in general! Have her forced to intercede in a friend conflict or assert herself when previously she was just letting the group overrule her!

Piff. I am conflicted about. Because like… she’s just a fuckin’ baby. there's a limited amount of personality there. She's sleepy. She's baby. I guess I think it’s cute that she helps Aisha with her bad dreams. I knee-jerk wondered if it was in bad taste to ‘mom-ify’ Aisha by giving her effectively a baby to care for but it really doesn’t read like that too much because Aisha is arguably one of the best-written and most complex of the girls. Piff could play a dual role - as someone Aisha has to stand up for and be brave for, but also a manifestation of childish wonder, to push Aisha to enjoy things she maybe didn’t have the opportunity to experience as a kid.

Tune is where it starts to lose me. I get it, Musa is tomboyish and brash and Tune is about manners but that really doesn’t feel as…important a problem to deal with? I feel like it may be a thing where Musa has to like… repair difficult relationships she has that are made rockier by how quick she is to argue, or maybe take responsibility for mistakes - like a formal apology and maturely talking about things rather than being avoidant? I’m not sure it’s best styled as ‘Etiquette’ if that’s the case. I’m taking suggestions on this one idk.

Aaaaaand they didn’t even try with Digit. She’s just a Flanderized version of Tecna. It doesn’t feel like she contrasts or challenges Tecna’s personality in any interesting way...Idk I kind of feel like she has to be changed whole cloth?

I know they replaced Tune and Digit but I’m not as familiar with Cherie or Caramel. I might look into whether their concepts work better for Musa and Tecna character arcs as they are currently swirling around in my head. What's the general consensus on those two?

My design thoughts are. I want to make the pixies much more…. Abstract I guess? What if they’re not their own species as much as concentrated sparks of magic - Fairies generate a lot of excess magic, hence ‘their pixie’ is actually a part of them - a little external manifestation of their magic fissured off my whatever internal conflicts or unaddressed needs they have, and resolving that allows them to re fuse with the Fairy? (Bonus: pixies are only around when relevant and I can poof them away when I don’t want them in a scene lol)

[kafus]

i have also been answering questions on retrospring for my twitter audience so here's a few of those condensed into a post since they have likodot thoughts :]

Q: What happends on Liko and Dot's first date?

A: the topic of a first date is a little funny in regards to likodot because like… these girls technically already live together and are traveling together now too, so going out of their way to hang out together isn’t as huge of a jump as it would be otherwise. honestly i can really imagine them just setting aside time to hang out alone in dot’s room and be romantic about it - video games & movies sleepover kind of thing. they’re on the younger side so i don’t think they’re planning anything fancy plus that’s a very accessible way to have a first date considering, again, that they live together… also dot’s tendency for reclusion lol. in the future though i can imagine them planning actual outings - i like to imagine liko dragging dot to restaurant dates because it’s a doubly whammy of a date and also helping dot explore her limited tastes in food more lol. sorry for the ramble-y answer i think about this a lot xoxo

Q: What do you think about jealous Dot? And do you everr think about how it would go for both Liko and Dot IF it comes it an episode or something??

A: if you can't tell from my recent tweets i think the concept of jealous dot is fitting and also goes hard. like it's really effective drama material but also like… to be honest if i was a social recluse with poor social skills as a preteen/young teen and then someone was as kind to me as liko is to dot for the first time i would also be clingy and possessive. and this actually isn't an "if", i have personal experience with this sort of situation lmfao. so like i get it.

as for them exploring this sort of thing in the anime, i obviously don't expect a romance jealousy subplot, that's pure fanon babey. but considering dot's noticeable off behavior in recent HZ054 around ann, i would not be Surprised if they actually are setting up to do something with that? like, of the more normal variety lol. dot still struggling to socialize with people outside her circle and exploring more of overcoming her social anxiety, or if you wanted to stretch it, i don't think it'd be surprising if they decide to take it in the direction of dot feeling insecure around ann because ann is so naturally outgoing and was able to connect with liko instantly in a way that dot couldn't - but like in a friendship way, and liko having to assure her that she isn't a lesser friend and find a way for her friends to act comfortably around each other. that doesn't stop me from making into a romance jealousy subplot in my head though LMAO

Q: What if Dot never confessed to Liko that she's Nidothing/Gurumin? Like it's so nice to imagine and i wanna know your thoughts abt it :3

A: this might be an unpopular opinion IDK but i actually wouldn't have liked this very much. i think by the time liko saw dot's face IRL, the bit had run its course and it would have gotten annoying pretty fast. it was funny and cute while it lasted but likodot is meaningful to me for how these two care for one another and complete one another as people and i don't think their dynamic would feel nearly as sincere if dot was still hiding something that massive from liko… and like for what, at that point? dot never even really WANTED to hide being gurumin from liko, it was a massive misunderstanding that she just didn't have the courage or social skills to clear up, but by the time dot stepped outside her room to literally save liko's life and saw her face to face there was really no reason not to tell her the truth. i also think liko coming to terms with dot being gurumin in all of her silly embarrassed awkwardness and knowingly supporting dot in being gurumin is incredibly sweet and we would have missed out on that too had dot not told her. (alternatively, there is also a world where dot never told her and liko found out by herself but that would take away dot's agency and really trample over her character arc. i think it's important that dot was the one to say it and liko didn't have to go searching for that answer any more than she already did)

all that being said if you really want to put me in the shoes of an alternate universe where liko never found out, i WILL concede that the possibility of liko continuing to be a fan and dot getting flustered about all the attention liko gives her on streams and then seeing her IRL and KNOWING all that gay shit liko's been saying online despite liko not knowing they're the same would be cute/funny. just not cute/funny enough to warrant it over the reality we live in which i find much more cute, funny, and sincere and meaningful

[canonmisogynyvictimstournament]

PROPAGANDA

CHLOE BOURGEOIS (MIRACULOUS LADYBUG) (CW: Child Abuse)

1.) Girl was done so dirty… She was starting to develop and could’ve had a redemption arc and then they made her even more one-dimensional than she was at the start, dumbed her down, and the creator on twitter claimed she was never abused and that she never cared about her childhood friend, only his status. And in a scene that thankfully got cut by editors, her father was going to disown her, adopt her sister instead (who is like a “nicer” replacement for her) and pass Chloe onto her abusive mother.

And then a male character gets introduced who is also at first an antagonist with a backstory that gets revealed later, also a childhood friend of the same character, but it’s acknowledged that he got abused by his parent and he gets a redemption arc and a romantic subplot and a spot on the hero team (which Chloe was excluded from because she was irresponsible with her power and revealed her identity publicly… Except he also did that)

This show is about girl power btw.

2.) Chloe was done so fucking dirty. So basically, the creator of the show (Thomas Astruc) created the character in the first place as a stand-in for his childhood bully (red flag no.1) Because of this, any development that she as a character got from the other writers (and it was a lot) got retconned, just because he hated her. Other, objectively much more evil, (male) characters (the main villain!) were portrayed as more sympathetic than her, because god forbid a hurt, abused, emotionally immature, unloved little girl be portrayed as anything other than an unlovable, unforgiveable unchangeable demon. Also she’s obsessed with clothes, shoes and handbags, because she’s a mean girl, don’t you see, so obviously the nice girls (who don’t wear makeup while Chloe does) are better than her.

3.) Stuck up spoiled rich girl is treated as worse than the actual villains of the show. At some point we get a glimpse into her awful traumatizing home life and she starts to be redeemed, but the second something doesn’t go her way she backslides and is suddenly even more evil and dumb. Also her father is incredibly neglectful but it’s portrayed as her somehow abusing him into doing what she wants and he’s so sad about his awful evil daughter. He gets a redemption arc but never actually becomes a better father. She’s seen as unfixable.

CHI-CHI (DRAGON BALL)

1.) okay so to start at the beginning, she was introduced as a young kid but they put her in a super revealing bikini styled outfit. pretty sure it was supposed to be armor too, so besides just being a disgusting design choice even in-universe it’s impractical. but besides that she was pretty charming as a kid, she was cute and funny and pretty tough, and had a cool gimmick in her blade/ laser helmet. even when she reappeared in late Dragon Ball, she was a bit abrasive but was overall rational and kind. she was strong enough to make it into the World Martial Arts Tournament, one of only 16 to qualify.

but come Dragon Ball Z and on, she’s reduced to just a shrill, nagging, aggressive wife and mother. all she gets to do is cook, worry, and berate her husband and sons. her physical strength is only used so she can comically hit Goku. sure its played for laughs, but he’s shown to be afraid of her. I only recall her leaving her house once or twice in DBZ. just the worst mother character stereotype, with nothing left to make her likeable. she’s portrayed as irrational but despite her aggressiveness, half the time her wants are completely reasonable. can’t blame a woman for not wanting her husband to die every other day!! her writing us ass but I still love her and she deserves better!!!

2.) So in Dragon Ball she wasn’t the BEST character to start out with. Toriyama hasn’t ever been the best at writing women or not making stupid fucking sex jokes about them. So she had to deal with that. The outfit she wore as a kid was… NOT GREAT. Let’s say that! Then in late Dragon Ball her entire character revolves around Goku and trying to marry him, which she gets by tricking Goku and getting beaten by Goku in a tournament in one hit. Not off to a great start. Then Z started and Toriyama just… gave her an ENTIRELY NEW new personality, and that new personality was just a stereotype of a tiger mom. Regardless of how correct she might’ve been about letting Gohan fight (and she WAS completely correct, he was 5-6 for a HUGE chunk of Z) the narrative frames her as a hysterical and unreasonable woman nagging at the menfolk and not letting them do things. So naturally people hate her without even considering why she’s upset because the story itself frames her as in-the-wrong. The whole franchise also just forgets that she’s a martial artist and never has her DO ANYTHING.

This is only scratching the surface, there’s a LOT more because the franchise is like 40 years old and we’d be here all day.

3.) GODDDD okay so full disclosure i guess shonen is such an easy pick but like. out of every shonen wife she was and is THE most hated by the narrative and creator (maybe tied with sakura omfg). shes always made out to be a beast, got her fighting skills shafted after she got married, was always played like she was hysterical for worrying about her kid dying in battle, and not to mention the creator actively HATES her. like toriyama just straight up hates writing her. its bad. its really bad. shes just “bitch wife” but for no reason :(