piya21

[drjoneslabratory]

The Splatoon rant The franchise that won't leave my brain alone: 1 the biggest nitpick/issue I have with this franchise.

(Before you read, this is my opinion and this is just me rambling. Don't take it too seriously, I didn't as there are probably typos and grammar issues but ill fix it later as its lunchtime here and I am hungry.)

Anyways...

Splatoon is one of those franchises where it has something so strong that I can't stop thinking about it/draw ocs/write AU lore for it. I haven't touched it in ages as Its still in a box and I have drift. But I still think about it/listen to music, consume fancontent and still read the lore and think of the gameplay.

For years I had this Splatoon fps game I always wanted to play. I have thought about it, and drawn ocs/enemies/bosses/factions/guns for over seven years. (I am soon to show this wacky fandom one day)

Ever since playing Splatoon 2, the squid-to-kid ink mechanic has fascinated me. It's on the same level as the gravity gun/portal gun and the grappling hook/titans from Titanfall in terms of creative innovation in the shooter genre. Despite me having issues with the campaign and story etc. There is nothing like it (foam stars don't count) The multiplayer (of all games), is the most fun I had with a multiplayer pvp game since Titanfall 2 and I think one of the few multiplayer PVP shooter games that is casual and non-competitive focused. And more importantly not a gritty tactical mil-sim/cod clone or generic "not overwatch/Fortnite clone number 10000" It's its own thing, and it does it really well.

Everything is unlockable in the game, there are no microtransactions. No season passes and once in a while simple updates keep it fresh. and not make it repetitive for a concept that seems it be a trap for boring repetitive gameplay.

There are DLCS, but they are worth the price for the content you get. Octo Expansion/Side orders are full-on expansion packs.

Splatoon brings me back to a time when shooter games were focused on simple fun and had a gameplay loop that people wanted to spend hours on.

Splatoon Proved to me (personally) that those games are still possible. And maybe the issue with modern AAA gaming is that Gamers have unrealistic expectations and developers and publishers trying to find new ways of laundering money/investment to appease stockholders.

(seriously am I the only one who is concerned with hearing new articles about the alleged "Most expensive game ever produced every once and awhile, there is no way that is sustainable, especially with these live service games that keep popping up like fruit flies and then die, or showing signs of decay)

The thing, I think bothers me most about Splatoon, is that, I really, I mean this, don't like the single-player campaigns, more particularly the Main Octo-trooper enemies you fight in every goddamn game. Because they are just so... boring and not fun (To me at least). It pains me, really fucking does as Splatoon is capable of having fun Enimies (the Octoling soldiers (though I think have issues, but they are a solid starting point I wish they expanded on) and Salmonoids (god they are so fucking awesome) and whatever the robo fish bots are called in side order)

My main issue with the octo-troopers is that

Boring that most Octo troopers just kinda stand there and then move around. acting more like turrets than soldiers

not really threatening/poor readability of what you are fighting, I am not saying their being goofy is bad, in fact, the weirdness of Splatoon enemies (all of them) is what I think makes it unique, and what it is, but I feel like there comes A point where they are just "Too Goofy" and I think it can hinder combat encounters and can confuse the player on what enemy you are fighting. An example of Good/bad execution of this is

The Octosniper and Commander are my examples of "Goofy done right" and "threatening enemy you need to pay attention to" They fire their guns out of their mouth and have "out there" proportions and designs, One has cool sunglasses the other a peeping eye. but I also get the idea, that these are trained soldiers who were trained to shoot to kill and won't hold back. So I have to be careful around them or I am a goner.

For goofy done wrong, I think I can make the argument that I think the Octobomber and rocket Octotrooper enemies are A prime example.

I fucking hate these assholes, I moved them around Poorly to prove a point that, I can't tell which one is which from afar and often mistake one for another. doesn't help one has a more powerful attack and takes up more hitpoints. The only thing that separates them is easily missable and I think lazily done addition to their helicopter helmet.

Now back to the examples.

Most don't really use the main gimmick of the games (squid-to-kid ink mechanic The Octostamps and Squee-Gs don't count) What I mean is how the ink mechanic can affect combat encounters and I think (As far as I remember) only a few really "take advantage" of Splatoon gimmicks, I really like the shielded octo-troopers as they capture gimmick you are using ink as your main projectile type. you can blind them and have them freak out giving you an easy shot. The octopods glitch out and fly back causing an explosion of your own ink if defeated, creating huge ink puddles. Octodivers try to flank you by hiding in their own ink.

Most feel like obstacles then actual enemies The Tentakooks are a good example, mostly just item holders and nothing really else. Same with octo ballers. Most just try to cover large areas of ink with their own, which isn't bad, but feels like most enemies, most don't really do much.

Don't feel like A real army or "Bad guys" (I get its lore point, but from a gameplay view, They feel so incompetent compared to the Octoling soldiers and bosses heck I question why Mr Grizz would choose them over the Salmonoids (I, am glad I am not alone with being disappointed with Splatoon 3 campaign)

(this one is gonna rustle some jimmies, but don't take this the wrong way) The fact is all the Octoling soldiers you fight, use the same model and they all look the same and have no differences. I get it everyone loves the lesbian child soldiers but I think it wouldn't hurt if there was a male model (and there was a male model originally) or at least had different skin tones. (at first, I thought they were all clones, but apparently, they are all different people, I am sorry but I find it hard to believe Marina, agent 8, and Acht were in the same army when they all look the same no matter what rank, including 8 if you make yours a guy and not white) But the fact some have different weapons with different combat styles the elite's only difference is their black hair with seaweed.

I am sorry but when I am shooting trying not to die, I don't know which Octoling is holding which, and the fact it's third person really handicaps my focus. At least the elites have glowing green seaweed but if you removed that, you couldn't tell which one is the elite. I am trying my best to not come across as "There needs to be more boys, girls are icky" but I wish there was more diversity/readability for the Octoling soldiers, I really wish they were the main enemies you fought. If I were to do it. Id make them a mesh between the elites from halo or HECU from black mesa and Zombie Marines from doom the Gunners from fallout 4. There is this mod I have for Black Mesa that adds female/more diverse HECU soldiers. its random every time, but it makes combat/readability so much better. If I am in a combat section with them, I can now easily tell witch ones witch, who is holding witch weapon, witch one is coming to get me and how do I respond.

The elites and Marines from Doom are the perfect example of a "Readability" Zombie marines have a rifle and are slow firing meant to pepper you, the Sargent/shotgun zombies are the upper class meant to keep you aware as one shot at low health and your dead, The chain gunners are the beefy "wake up call" as they have a repeating hit scan attack causing players to be aware of how they move in a area and giving them a target to kill before the other demons. For the new ones "The shock troopers" in the recent expansion "Legacy of Rust" are An upgrade from regular Marines having a plasma rifle attack that they can spam blocking areas and keeping people focused. The gunners from Fallout 4 are not really that special they are just reskinned raiders with a military gimmick, but they provide a good example of the thing Fallout 4 I Like, make every human enemy you fight have a rank/variation, and each gunner though having a template/variation, you feel like you are fighting a skilled solider of that rank and they are unique/different enough, you feel like you're not fighting the same enemy over and over again.

The elites are so barebones and simple, but so effective, in CE, the upper-ranked elites are just a color swap with a weapon change at the top.

This a good video on the topic as it does it better than I can ever do I know these are not the types of games, I assume most splat fans play (I'll provide links and context later on if anyone is interested)

I know that this is a Nintendo game and demographics blah blah blah I'll I'm asking for is little more creativity and I wish that the single-player campaign was given more attention and life as the multiplayer I really think the default campaigns are just not really fun to be honest.

I don't wanna say it's bad or mediocre, as when they have their high points and when you fight the bosses the campaigns start to shine. I say this as a Galaxy fan, but I don't like how they're just islands and feel more like tutorials than actual levels and feel more like cut levels from Mario Galaxy than its own thing.

I am not trying to bring up lore or anything as this is going on long enough and I have a lot to say about the lore.

If you read this far, thank you, know, this is my opinion, and you're not invalid for thinking otherwise, I am just a nerd who likes shooter games and I really like Splatoon, and I feel like it can be even better than it is!

[bananafishdepression]

Yuma Uchida be voicing every single gay depressed/angry character and serves every single time, I remember his voice as Ash Lynx's and when I try to watch another BL and I hear his voice I get flashbacks but I try my best and now he voices Hisashi in Twilight out of Focus (which is the only reason I read it and watched the episode) and the resemblence is crazyyy 😭😭😭 they didnt need to look exactly like Ash and Eiji but I'm thankful they did 'cause now we can be delulu and say they got their happy ending in another life

[ranarenee]

I made more.

[evilkitten3]

naruto crack au where kakashi manages to successfully drill the "never abandon your comrades" thing into team seven's heads

so when sasuke deserts naruto and sakura immediately desert with him. like he gets to the village gates and they're just waiting for him bags packed like "what took u so long we doing this or what"

he tries to get them to go back bc of course he does. "no you losers this is about me i'm going to kill my brother. also i'll have to kill my best friend for the super sharingan and you two are like the only people i talk to". but they do not listen. teamwork sasuke we will defeat your brother (OUR brother #communism) with the power of teamwork. just like kakashi-sensei said

suddenly orochimaru has to deal with three horrible little goblins with an even more codependent relationship than his old team

[australianklaviergavin]

OTHER POSTS: Baby bunny Trucy, Uendo lizard, Prosecutors, Aura Blackquill, Clay Terran, Bobby Fulbright, modpoppy's Uendo, okartichoke's Caracalvier,

Compiled here is almost every single design sketch I've done for this... AU? It's my nonsense, take it or leave it! The tag for it is "#The Great Detective's Animal Attorney", but the prefix is mostly for filtering, I just call it "Animal Attorney".

I must disclaim that this is not meant to "compete" with any other AUs or designs! They're all real and I hope my dognix can be friends with yours.

The below post has my designs for the Gavin brothers, Maya, Fransizka, Phoenix, Athena, Sholmes, Lord van Zieks, aaand a teeny Harebrayne. Sadly, no Apollo this time, all his art is doodles and I hit image limit anyways! Him and Trucy may get their own post soon, however!

These were all done with my non-dominant hand, and Athena was done on a Magma board, if that explains the anything.

The Gavins are the first ones I really did, and they're both caracals! I've kinda wanted to go back and change Klavier a bit in regards to an insane headcanon, but caracalvier is too iconic like this, I just can't do it

Putting Maya and Fran together, cause they're both kitties! If Maya was a specific breed, then I forgot, but Fransizka (and her dad, by extension) are both oriental longhairs. If I weren't presently injured, I'd draw a scrungly Manfred, but alas your mind's eye will have to do the work.

Phoenix is a puppy dog! Very very nearly made him a hyena... But I couldn't. I couldn't reconcile it with Ryunosuke. I have a Yeenix in the back, for any interested parties

LASTLY for my main-series designs is Athena! She's a seal. I don't think I had a specific reason besides not being able to get ears to fit with that ponytail... Might change her to a sea lion, though!

AAAAND TGAA BONUSES... Aka the Barokorn Cinematic Universe

Sholmes is a lion (with his sad little low testosterone mane)! He was easily the hardest, as I went back and forth... Alot. He was a pigeon at first! I contemplated rabbit..? But I tried to steer away from the mascot designs, generally. I'm happy with the decision of lion, however, mostly cause it gives him fun symbolism with the whole Professor thing.

The van Zieks-es are unicorns, and Bunnybrain is a pony! I could go more in-depth, buuut that's kinda spoilery

Ryunosuke and Kazuma (not pictured) are both puppy dogs, and I think I settled on bunny for Susato?? To make her pops a bunny also? I also have some sketches of her as a sugar glider, but I don't really like most of their art 👎 so there's a couple gaps here

If anyone wants to (??!?!?!!) you can use these designs for pretty much anything you want (and feel free to extrapolate upon the rest of their designs, most of these are very limited), just make sure to tag me, partially for credit, but also because I'd just REAAAALLY want to see... They are my babies, my world, I think I might break down into tears (/pos) BUT ANYWAYS I LOVE YOU ALL. THANK YOU FOR STICKING WITH ME AND I HOPE THIS MAYBE MOTIVATES YOU TO DRAW SOME SILLY ANIMAL ATTORNEYS OF YOUR OWN!!

[oneroomjestershow]

Inspired by THISSSS post that made a lot of sense and made my brain shake so hard it melted, i wanted to try to assign my angel's favorites so i put them together!

thinking that Ren could make friends with pokemon... one can just dream.,.. they're a menace

[lightasthesun]

CODY IS ALIVE HES ALIVE AND WELL HE'S SWEEPING SAND OUT OF HIS QUAINT HOME AND KISSING HIS HUSBAND WHILE THEY SLOW DANCE IN THE KITCHEN

[oceanwithouthermoon]

i think its weird that i have to make this disclaimer but the internet is crazy so wtvr,, anyway,,

if i say i dont like something, that doesnt mean "that thing is bad and nobody should post it.."

i swear literally every time i even mention that i dislike something, people will go "wow does that mean u fucking hate me cuz i post that thing? ur a fucking stupid bitch and all ur opinions r wrong" LIKE ?? er.. no. just because i say i dont like certain characterizations of certain characters (the saiki k fandom is CRAZY about this cuz i can state an opinion on literally any character and a group of people will still go 'well only we're allowed to post our opinions about them because we're always right!1!1!'), or certain ship tropes (mentioned my hatred of toxic yaoi maybe once or twice on here months ago and people STILL get mad at me as if i said toxic yaoi lovers r evil or something), or certain ships, or WHATEVER, does not mean that i HATE the people who are posting them or that i think they shouldnt post them at all, NO, im just posting about my personal tastes on my personal blog and it would be extremely weird and hypocritical if i decided that i was the ONLY person that was allowed to do that,,

i think the only reason people assume that is because there are a lot of other people on here who ARE like that, and a lot of people toe the line between posting that they dont like something and posting that they think everyone who likes that thing is stupid, annoying, and wrong,, so i guess all i can say is, sorry for whatever made you make these assumptions but they arent true about me so plz leave me alone ʘ‿ʘ ur doing the same thing to me that ur accusing me of but i didnt do it in the first place so ur just actively being a dick for no reason

[fantasymusicreblogs]

Vote Kristen Applebees for Class President

Justice for Lucy Frostblade

Justice for Buddy Dawn

And

Fuck Kipperlilly Copperkettle

[sualne]

Sualne: ofc they know each other, otherwise it'd be too sad

Also Sualne: Makes Ace suffer alone

Btwww it's not a hate comment or anything I just found it very funny, the duality of Sualne ✨️✨️✨️

ace IS a very sad character! :'D he says something in his light novel (that i havent read but really need to (law's too)) about how he probably would've killed himself if it hadn't been for sabo and luffy, im forcing him to survive till he can meet luffy in the au, but i have to keep that passive suicidality of his in there! ace even in canon was not doing fine at all!!

the duality of sualne, lol, i havent even started the angst yet.

here a lil ace ive drawn for concepts art and planning reasons:

[onbearfeet]

Queerwolf By Night: Queercoding, Media Literacy, and Werewolf By Night (part 2)

Welcome back to Media Studies And Writing Hacks With Kat! Part 1 is here if you missed it. We discussed queercoding: what it is, how it works, why it exists, and how it plays into the 1930s and 40s horror movies Werewolf By Night likes to reference.

Once again, the thesis I'm arguing here is that there is queercoding in WBN, and that it should be part of the discussion of the special (which I'm calling a movie or film because I think "special presentation" is dumb and this is my essay.) I am NOT arguing that WBN is explicitly queer, or that inferring heterosexuality where queercoding exists is morally wrong or even textually inaccurate.

TL;DR: you can totally still ship Jack and Elsa, I just wanna point at some metaphorical rainbows and say, "Look! Rainbows! Aren't they neat?" I personally think the queercoding adds a layer of richness to the story. I hope you get something out of it, too.

And now, allow me to introduce our starting point, the wolfman of the hour, everyone's beloved blorbo and queercoded icon: Jack Russell.

Look at this adorable protagonist, this absolute chewtoy of a human being.

He's queercoded as fuck. Not as much as Ted, but we will GET to Ted.

Let's begin with Jack's introduction, where he is literally revealed as the narrator speaks the phrase "the monster who finds himself among them". We join Jack as he enters an unknowingly hostile space, a building full of people who would literally mount his head on the wall if they knew who and what he really was. Jack's introduction to this world is a series of Bayeux-style tapestries showing, among other things, the gory slaughter of his kind. We see him react with a mixture of shock, queasiness, and tamped-down anxiety, which marks him as an outsider. It seems unlikely that the other hunters would be grossed out by the sight of a depiction of their literal jobs.

Now, outsider status alone isn't necessarily queercoding, but it often is, especially in monster movies. Jack's reaction is not dissimilar to that of a closeted person entering a homophobic church for some kind of socially expected ritual--and, indeed, Jack has come for a funeral.

Look at that nervous glance as he walks into the room. He's not comfortable here. He knows he doesn't fit in.

This is a good time to mention Jack's outfit and the way it intersects with what we see of hunter culture. From the leather to the weapons to the heads on the wall, the aesthetic of hunter culture in WBN is hypermasculine, almost to the point of parody. The obsession with imagery of violence and death (the paintings on the walls, the corpse animatronic, the skull bowl) and the hostility to anything perceived as feminine is marked.

Wait. Hostility to anything feminine? Yes, I said that.

There are three characters who are played by female actors: Elsa, Verussa, and ... look, the hunters HAVE names, but I'm just gonna call them Scottish Guy, Asian Guy, Black Guy, and David Bowie. So David Bowie is an adrogynous character played by a female actor who acts as our third not-exactly-a-male character, and it's interesting to me that they're taken more seriously by the other hunters than Elsa is. Elsa, by contrast, is treated with contempt by the other hunters--and the contempt is very specifically gendered. Scottish Guy calls her "lassie" when he threatens her, and Asian Guy says, "Where's the lovely lady's medallion?" with a noticeable leer. They don't take her seriously, not even after Verussa announces she's welcome to participate--and they only brighten up when Verussa reminds them that they're allowed to kill Elsa if they can. That's the response to the only unambiguously female hunter.

Now, you may point out that Verussa doesn't get nearly as much shit from the hunters, but Verussa is explicitly presenting herself as the servant (and sexual partner) of a man. She's also not competing with them for the Bloodstone, nor trying to inherit, even though presumably she has at least as good a claim as Elsa does. She's not trying to enter the hypermasculine realm of hunting, but Elsa is in it, and so Elsa is despised and Verussa is tolerated.

And then there's Jack.

Okay, time for Baby's First Queercoding Element: gender nonconformity. In general, feminine male characters and masculine female characters (something explicitly forbidden by the Hays Code, by the way) are coded as queer. A lot of gay male stereotypes are men doing "womanly" things, like cooking and wearing dresses and having sex with men. The same goes for lesbian stereotypes like short haircuts, manual labor, and having sex with women. Now, obviously ACTUAL queer expression is infinitely more complex, but stereotypes don't do infinite complexity.

So. Is Jack feminine?

Well, he's wearing a gentleman's suit, but by the standards of hunter hypermasculinity, yeah, he's pretty girly. For one thing, he's wearing that suit in a room full of people in combat gear. For another, the suit itself is full of fussy details that mark him as a man who cares a great deal about his appearance, another stereotypically feminine trait. The suit is green, a barely acceptable color in menswear, and it has glittery details like the trim on his lapels. The spinal-column tie is metal as fuck, but it's also a silk tie. He's doing the death-and-gore theme, but making it high fashion. He's even wearing makeup. Granted, it's Día de los Muertos makeup, but it's still pigment on his face for aesthetic purposes. He's also the only hunter who acknowledges, in dialogue, that he has non-white, non-USAmerican heritage--"It's to honor my ancestors." He marks himself (literally) as visibly foreign, even though denigrating foreign masculinity is a big part of American hypermasculinity. He also tries to smile at and befriend every hunter who glares at him--another stereotypically feminine trait that leads to his conversation with Scottish Guy.

Speaking of, that conversation is gay as hell. It's practically flirting, especially the part where Scottish Guy compliments Jack's makeup and then tearfully admits that hunting and living all by himself "gets lonely". And Jack makes this amazing face:

Now, this is me inferring again, but I read this face as a combination of "Aww, that's sweet of you" and "Loneliness caused by hypermasculine self-isolation? I literally have no idea what that's like, but it sounds bad, bro." Perhaps with a soupçon of "Get me out of this conversation aaaaaaa."

So the scene rolls on, and Jack continues to be Bad At Toxic Hypermasculinity. When his top kill count is mentioned, he shrugs it off rather than taking a little bow like the others do. He actually chuckles at Ulysses' joke. He seems mildly interested in Elsa rather than hostile, and amused by her snark rather than threatened by it. He shows fear and worry when he learns Ted is in peril and in pain. The guy really wears his heart on his impeccably tailored sleeve. Notably, none of these traits are bad, per se--they're just more likely to be assigned to feminine characters, and they're given to Jack.

It's important to note the impact of perspective here. Jack is our POV character. If there were to be a hunters' version of this story, Jack would be a sneaky, cowardly, vaguely effeminate villain and Elsa a traitor (or possibly a dimwitted victim seduced by Jack's charms). All of Jack's queercoding would make him a GREAT queercoded villain; it's just that here, he's the protagonist, and a deeply sympathetic one at that, so we miss some of his "unmanly" traits.

All right, let's fast-forward to the maze. We see Jack being clueless and awkward about the drawing of lots, we see some sneaking around, and then we see his first hostile encounter with Elsa, and we get this great exchange:

Jack: I suggest we just pass each other by.

Elsa: ... What?!

Jack, visibly pained by the awkwardness: I suggest we just ... pass each other by.

Jack is uncomfortable with violence. He actively avoids it, talking his way out of trouble when he can and running when he can't. Even Elsa points out how strange he is compared to other hunters, specifically because he avoids violence. He doesn't kill or even hurt anyone in his human form. He doesn't even know how his explosive works--to the point where he asks a woman if SHE knows how to work it.

I'm not saying violence is an inherently masculine trait, but the association of masculinity with a capacity for (and comfort with) violence runs deep in Western culture in general and American culture in particular. It's a huge thing in Mexican culture as well, and yet Jack is actively choosing not to participate in it. He's denying a core part of what would otherwise be his traditional gender role. He later tells Elsa that any "hunting" he does is done by "a part of me that is not me"--a part of himself that he doesn't see as himself. In his eyes, violence is not merely scary or distasteful; it's not part of him at all.

(Compare this to all the ass-kicking Elsa does.)

And then we get to Ted. Buckle up, guys.

Technically, our first introduction to Ted is a distant roar and some screaming, but the moment where we meet him is this:

A jumpscare, followed by a cuddle.

Once again, Jack wears his heart on his sleeve, but more importantly, let me draw your attention to the juxtaposition of Ted's scary grab and Jack's excited snuggling. This relationship is introduced as something scary before being revealed as something sweet--and "scary" is a good description of the portrayal of queercoded couples (who are, remember, usually villains) in classic cinema. All the cinematic language around Ted right up until the grab is telling us to be afraid of him--and then our cinnamon roll of a protagonist starts petting him and greeting him and asking if he's okay. Ted is monstrous and inhuman ... right up until we see him receive affection from another man.

We don't get clear details of Jack's relationship with Ted, but we know that it's a big deal to them--after all, Jack is risking his own life to save the big guy. Jack also describes Ted as "family" and, with a fond eyeroll, a "pain in the ass". Jack implies that he no longer has contact with his family of origin, a common experience for many queer people who are shunned for leaving the closet, but Ted slots neatly into the category of found family. Ted is also, notably, the only close relationship Jack is seen to have, just as Jack is the only close connection Ted is seen to have. The two are physically affectionate (again, cuddling) and emotionally vulnerable in their conversations.

And Elsa, the outsider to their relationship, finds the whole thing bizarre, right down to Ted's name.

Speaking of Elsa, let's talk about Jack's behavior in the crypt and the cage.

In the crypt, Jack displays compassion for someone who has largely been hostile to him (he REALLY wants to fix Elsa's leg), absolute delight when he receives the tiniest signal that she might be sympathetic to him ("It's not in your DNA, then?") and remarkable emotional intelligence (see his speech about families). He also, notably, doesn't hit on Elsa or indicate any sexual interest in her.

He also makes this terrific face when he's handed a skull:

Oh, yeah, that's a big, scary hunter there.

Now, the cage. Jack's response to being put in the cage (and stripped of his jacket, interestingly--little bit of dehumanization there, perhaps) is recognition, followed by attempts at reassuring Elsa, followed by panic. He's arguably more upset than Elsa is, and Elsa thinks she's about to be torn to shreds.

At two points in this story, Jack Russell finds himself trapped in a small space with a beautiful woman and more or less immediately freaks out. It's not the most heterosexual pattern. In fact, it's got strong thematic overtones of queer men being forced into straight relationships by their families, their work, or their society. In a culture that entwines sex and violence, the fact that he's delighted to be grabbed by a male swamp monster but begs for death rather than symbolically do a sex with a woman is noteworthy.

"Symbolically do a sex"? Yeah, the only times the film frames Elsa as anything like a sexual object are the transformation sequence, which is a visual callback to classic sexualized scream queens of yore with her literally in Jack's shadow, and the face-touching scene, where Jack straddles her, their faces almost touch, and then he flees and she sits up with her hair mussed in a dreamy, almost post-orgasmic way.

Michael Giacchino doesn't eroticize violence MUCH, but he's fairly classy about it when he does.

"But wait!" I hear you saying. "What about the sniffing scene? Isn't that eroticized? And it's between Jack and Elsa! Checkmate, liberals!"

First of all, how dare you call me a liberal when my preferred political descriptor is "chaotic good". And second of all ... well, you're HALF right. It IS eroticized...but not because of anything Laura Donnelly or Gael Garcia Bernal is directly doing.

Go watch Elsa's body language during the scene. It's awkward as fuck. She's curled in a ball, knees and elbows out, letting Jack pull on her arm and sniff her hair but not really participating. There's no indication that she wants to be doing this, or even knows what "this" is.

Gael is making a little more of an erotic show about it; in fact, the intensity of his sniffing would probably be an indicator of sexual desire--if he weren't CRYING WHILE HE DOES IT. That's why his voice breaks on "Once."

These are both excellent actors, making very intentional choices with their voices and bodies. They're playing the scene as something that COULD be sexy IF THEY WEREN'T BEING FORCED TO DO IT.

Seriously. There's enough fanfic now that we've all read Jack giving Elsa a leisurely, consensual sniff. You can't tell me Gael and Laura couldn't have made that happen. This is not sexy sniffing. This is angst sniffing. It's just angst sniffing between two beautiful, sympathetic characters who genuinely don't want to hurt each other. It could have been acted and shot in a much sexier way, but it wasn't.

It's also worth noting one last category of queercoding that WBN plays with a lot: dehumanization. A lot of those classic movies played their queercoded characters as specifically less than human, visually aligning them with disliked animals like rats or wolves and often making them literally less human as the story progressed. Even after the Hays Code, monstrous and inhuman queers became a staple of horror movies, especially in the 1980s and 90s as the AIDS crisis convinced a lot of conservative America that LGBTQ people were literal plague rats. There were proposals to tattoo HIV-positive people to identify them, to round them up into camps, to shut HIV-positive kids out of schools because those kids were implicitly queer and therefore not deserving of human rights like an education.

WBN, with its werewolf POV, pushes back on this trope in some specific ways. Jack's line about being "still a human" is an obvious one, as well as his explanation of "systems" to keep other people safe. (It was common during the AIDS crisis for queer people to be fired from their jobs if they were outed because they were considered an AIDS risk to their coworkers--even if they were, say, an office worker who didn't have any contact with other people's bodily fluids. There were conspiracy theories about AIDS spreading through shared soda cans. Those paper seat protectors in public bathrooms came about because of fears that AIDS could spread via toilet seats. So imagine a gay man trying to explain that he's not a threat to his officemates, and you'll see the parallels to Jack trying to reassure Elsa.)

Most notable, however, is how Elsa survives the wolf. She's safe because she maintains eye contact (implicitly acknowledging her and Jack's shared humanity--she literally refuses to stop seeing him) and because he remembers her scent (she becomes a part of his world as he becomes part of hers). Elsa is rewarded, both with her life and with her inheritance, for treating Jack and Ted like human beings when the world around her regards them as abominations.

Elsa is an ally. She's ally-coded. She can also be read as a love interest for Jack, but she consistently acts in support of his relationship with Ted as well.

In Part 3, we're going to talk about the crowning moment of queercoding in WBN. That's right--it's time to learn about coffee in the woods, the gay jukebox, and the Friends of Dorothy.

[reel-fear]

MIKE BLOCKED ME ON TWITTER FOR ROASTING HIS DUMBASS RESPONSE TO THE GRAPHIC NOVEL STUFF!!

grown ass man scared of the 19-year-old queer being mean to him over his public meltdown more at 8.

[hexastitchimera]

How genuinely fucking sick in your rotten heart do you have to be to not only be intimidated by queer children, but to hurt and even kill them.

You're grown ass adults who are terrified of CHILDREN. That's the most fucking pathetic thing I have ever seen. Take your own advice and "grow the fuck up, snowflake."

[callmehere-iwillappear]

yall i got my first ever 'update when' comment today whats up. am i part of the cool kids club now

[gurenkurosen]

yeah okay fine ill post that new character im obsessed with, be nice to me though

im calling them Valentine for now, or just Val for short; more about them below

i dont know what they are exactly, but they have a hypnotic eye (hence the spiral) and can change their shape and features; it takes time and effort to transform depending on what part it is and to what extent - changing something like hair length and color would take a few seconds at most, but scaling up fully by a significant amount could take a couple minutes - so they usually stay in this form most of the time. their personality is also rather malleable and they always seem to know what demeanor would be the most... effective, be that someone to look up at you sweetly while pawing at you not-so-innocently, or someone to pin you down with one foot and describe in detail how they think youd taste

...thats a lot more information i think than i usually give, but im also just taking my own notes here i suppose ^///^;

[youngpettyqueen]

the thing is is that there's not a single conceivable in-reason universe to not promote Harry