#I have no idea if this made sense but I hope it does!

[midnightcatharsis]

Ok, how are we supposed to reconcile This:

(source: https://www.youtube.com/watch?v=a5MiWKKkPho) With Jayce murdering him without even talking to him in episode 6?

The show is supposed to be a canon prequel to the game now. And game Jayce clearly still cares about Vik. Furthermore what Jayce says indicates that the game is not set before episode 6 because Viktor still was trying to maintain his humanity and will only try to get rid of it later as a result of Jayce murdering him… Yet despite seeing all those terrible things that made him want to kill Viktor in the show this Jayce still doesn't want to kill him. On the contrary, he wants to save him.

The "first encounter line" clearly shows that Jayce is not hostile or aggressive towards Viktor. He doesn't hate him. He's actually trying to do what he failed to do in episode 6 - he is trying to talk to Vik, reason with him and convince him.

"kill- Viktor" line - again Jayce is not angry or hostile, and again shows that he cares for Vik.

"Viktor? Do I have my partner back?" - Do I have to write anything? He desperately wants him back and believes it can still somehow happen.

Enemy Viktor - "Viktor may not be the man I knew but he's still worth saving" - again Jayce shows how much he cares and that despite having seen all the horrors he still does NOT want to kill Vik but save him. What he says here once again indicates that he still hopes saving Vik is still possible, and that it's worth trying. Edit: He cares so much he's like "Viktor an enemy? I WILL SAVE him even against his will and I will bring his humanity back"

How the **** am I supposed to reconcile this Jayce, Jayce who wants to save Vik, who thinks Vik is still not completely lost, and who thinks Vik is worth the effort and the risk with Jayce from episode 6 who just murders him without even talking to him???

Does that mean Jayce was really controlled by the Void? Or that he will be extremely sorry in act 3 for giving up on Vik? Anyone has any idea how can this even make sense??

Anyway seeing those interactions gave me hope. The yaoi, while still doomed, may not be as doomed as I thought. Like.... at least Jayce clearly is supposed to care, right?

[asm5129]

So I’m coming back to this post with a clearer head.

Look, I’ve…I’ve just experienced so much toxicity and gatekeeping in this fandom, seen so many posts talking about how none of the games after the first one are “real” life is strange, so much obsession with these white girls and disdain for the other stories told in this world that are more diverse and have just as much love poured into making them.

I kept telling people, Max and Chloe’s story was over. Life is Strange is an anthology series. And I got harassed for it, laughed at for enjoying BtS and TC and ESPECIALLY LiS2.

People praising Don’t Nod to shit on Deck Nine really got under my skin too because I’ve seen so much unwarranted hostility towards LiS2, which was Don’t Nod.

It felt like people were just ignoring that hostility towards LiS2 so that they could feel better about shitting on D9.

I know that I lumped a lot of people in together with some of the worst people who call themselves fans of LiS. There are people with legitimate criticisms of DE that aren’t the toxic gatekeepers I’ve encountered or the people harassing the devs.

But I’ve seen enough people normalizing the idea that the LiS narrative team at deck nine just have a personal hatred for Pricefield and Chloe specifically. And that’s just gonna empower those inclined to harass the devs, even if you’re not one of them.

That is a myth.

Objectively speaking, it doesn’t even make any sense.

Before the Storm, for all its canon inconsistencies, tells a *really* good Chloe story

The idea that Felice Khuan (staff writer on Before the Storm and now the narrative director for Deck Nine) and a majority queer narrative team would not understand ahead of time how a lot of this would be recieved feels genuinely strange, as does the idea that a majority queer narrative team would have a collective hatred for a pioneering queer couple.

I think they were handed the mandate for a Max game, and the narrative team genuinely tried to tell a meaningful story about Max in the aftermath of the first game.

And I think Square Enix was very hands-on with the creative direction of the story.

I have a lot of faith in the narrative team.

But I have significantly less faith in deck nine or square Enix management, and one thing in that IGN expose was that Square Enix is apparently very hands-on with the scripts.

DE—and I say this as someone who genuinely liked a lot of it— reeks of the narrative team desperately trying to tell a meaningful story with a lot of interference.

And obviously this is all speculation of course, but it makes so much more sense than the team behind True Colors taking such a significant step backwards from the quality of that game.

And it’s a far more likely reality than that the narrative team somehow hates Pricefield stans so much that they made an entire video game with complex branching paths just to piss them off and make some easy cash.

Anyways. I apologize to those I lumped in with the worst so-called “fans”.

But I hope this gets y’all to think a little harder about LiS discourse.

I’m playing the new life is strange game and apparently people are pissed at how it handles following up the original because OF COURSE THEY ARE.

The first game has two endings, one where Chloe survives and one where she dies.

Officially, neither is the “canon” ending, that’s been made repeatedly clear since the original game released.

But a bunch of people keep demanding more of the Max and Chloe story. It doesn’t matter that they’ve gotten comics about it and a prequel, they still want more. They don’t want to let Life is Strange be an anthology series.

So here, Max is back as the protagonist. But guess what? Chloe isn’t a main character.

Because she fucking DIED in one of the endings, and both are canon.

So even if you choose to play in the timeline where she survived, they had to write her out or they would have had to develop two different games, one with Chloe and one without.

So instead they made it an interesting character issue. Max is stuck in the past, in the trauma of the events of the first game while Chloe wants to move forward.

It was never going to be Max and Chloe living happily ever after. It couldn’t be.

That’s not an interesting game, and it flies in the face of the ending of the original.

This game is in many ways rooted in Max dealing with that trauma and like…that’s an interesting story.

But you’re mad because the story you wanted isn’t the story they made, even though that was literally never going to happen.

The LiS fandom is shitty sometimes

Very gatekeep-y

There’s a sort of notion that there’s only one way for a Life is Strange game to be Life is Strange, but the people that buy into that don’t seem to realize that their criteria is literally just the game that already exists.

[shutupineedtothink]

Ok this has been sitting in my drafts for a minute but since nobody asked for it, here’s my full Nicky headcannon. It leads into an insane MCU witch movie with Agatha, Wanda, Rio, Billy, Tommy (?), maybe Jen and even Alice. All the witches! I got yall.

So, Nicky Scratch. That boy is Agatha and Rio’s but most prominently he is Death’s Son, right. A demigod something or other, an entity, Something Else. Not really human/mortal, but certainly not dead either. He’s in the same class of whatever Rio is. Rio knows this from day one. Agatha does not.

That means two main things: Nicky isn’t really “dead,” (he wasn’t even supposed to be “living”) and that kid should have hella powers. We should have seen some indication of that imo in the show but I can explain it away easily enough in a minute. Either way, under the surface he should have scary magic along the lines of Billy if not far more powerful.

Except while Billy has essentially Wanda’s magic, creator magic, Nicky’s is much, much darker. You know, something fitting of a child of Death.

Let’s say Nicky has Black Magic. 👀 haven’t seen that one on the color wheel of magic colors yet amirite. (Except the Darkhold I suppose, which is an interesting connection potentially.) Or maybe it's like Dark Magic, as in literal darkness. Darkling style. Maybe it's somehow a dark/light binary, like how Rio is technically a death/life binary. Idk I'm working on it, but you get the idea. He's on another level, something adjacent to Rio but not quite the same.

His magic is so strong, corrosive, not evil necessarily but heavy and consuming, that it was killing his mortal body from the beginning.

That’s why he was never meant to live in the first place — like Rio he is Another Being, his magic is Something Else. It’s too much for a human little boy. He needed to join her to really “live” and have any hope of control over his magic.

His powers also make him a massive target for who knows what demons and underworld beings. … you see where this could go.

So in this version, let’s say Rio has a much deeper connection to Nicky on a magical level. She can tell when his magic is about to manifest in the world of the living and takes him right before that happens, otherwise both him and Agatha will be in danger. Perhaps she even tells Nicky what’s happening, and he can feel it coming too, which also accounts for why he goes with her so willingly, to protect his mama from his own power. Kind of a lot for a six-year-old to understand but again, he’s Special.

Maybe Rio’s even been keeping the monsters off Nicky and Agatha’s trail while Nicky was human. Tbh it was a miracle she managed it for six years alongside her other responsibilities. She never told Agatha a) because she didn’t want her being more afraid than she already was, b) because would it have really made any difference, Agatha would hate her either way and c) For The Drama.

When Rio takes Nicky, maybe she stashes him in some kind of purgatory space. Pocket dimension? Idk we have no idea what she has access to but let’s say she hides him away somewhere so that she can teach him to use his magic and keep him away from the demons. This is where I would pull in Alice if possible, after we see Rio take her into the smoke in ep 8 Rio makes her an offer to help her protect Nicky in purgatory for a while, because his powers are only getting stronger and she's starting to get worried something's going to happen. Yes, diverting a soul like that is wildly against the rules. She does it anyway for her son.

All of this of course makes Agatha’s hatred for Rio that much worse, because Nicky is still “alive” in a sense and Rio is doing everything she can to protect him and raise him and help him control his magic. She can’t tell Agatha any of this because anyone else who knows about Nicky is a liability. Again, she really shouldn’t have even let him live with Agatha in the first place, it was a massive risk to everyone involved. But she did, and Agatha has no idea what a gift that was, for her and for Nicky.

All of that said, this would set us up for some CRaZy MCU witch/underworld stuff. So here’s the rough outline of my movie: let’s say the demons finally find Nicky wherever Rio has him hidden and take him to the underworld, Mephisto, blah blah whatever. I’m not worried about the motive at this point. Age Nicky up to Billy’s age roughly so he can be a real character. Btw, in my head Nicky is still the sweetest bean, total opposite to either of his mothers, too good for this world, cursed with this insane power he doesn’t know what to do with. Obviously, we have some opportunity to develop him from there.

Anyway, once she finds out he’s gone, Rio is forced to tell Agatha the truth. There’s no one else she can trust to get Nicky back. (I’m imagining a juicy confrontation between the two of them where we just let Kathryn and Aubrey cook with the exposition.) Rio can’t go to the underworld herself for some reason, because of The Cosmic Rules, and the Jac Schaeffer rules of Rio can’t hang around on screen for too long (which I like, actually).

Rio only deals with the mortal plane and directing souls to whatever comes next. So it has to be Agatha who rescues him, but as a ghost she’s stuck on the mortal plane too. So now we gotta “bring her back to life,” because I need real life Kathryn Hahn in this full movie not as a ghost, you feel me. And she has to be able to use her magic. So we gotta manifest a new body around her ghost form. At first they think Billy can do it, but even he’s not that powerful, not to mention still relatively untrained.

… Do you see the vision yet?

There’s only one witch, who may or may not be dead, who can manifest Agatha Harkness back into a living breathing body. And Agatha HATES it with every fiber of her noncorporeal being, but she needs the Scarlet Witch to make her mortal again, so that she can go to the underworld and save her son. Of course, chaos and shenanigans ensue, and Wanda and the boys end up going with her.

I’m calling the movie — Agatha Harkness and the Scarlet Witch. It’s a team up babyyyy! It’s about women and power, Wanda and Agatha being two sides of the same coin, mothers and their sons, rewriting your story, reuniting and letting go, etc etc etc. Yes I have entire scenes already written in my head, no I’ll never actually write the fic or the screenplay, if somebody wants to run with this please let me know and I’ll give you what I got.

The point is, the story potential on Nicky is insane to be The One Who Brings Everyone Else Together and I really hope they don’t just throw it away.

[hyperbali]

I've been tooling around on My Version of the DA canon in regards to Veilguard and here are a few fun things you should know about it

Varric, obviously, survives

He also has Titan stone powers now, which in his opinion is a shit-poor replacement for the fact that the lyrium dagger damaged his pectoralis tendon so badly that he couldn’t pick up a crossbow again even if it were to get fixed (RETIRE, BITCH)

He and Pina were together for a few years, but between how burnt out she was post-Trespasser and Varric’s absolute insistence on finding Solas with full intent to change his mind instead of kill him like she wanted, they went their separate ways

Proserpina Lavellan had since retired to Halamshiral, where she basically kicked the Imperial Court out of the Winter Palace, dared them to stop her (no one has tried), and made it her own

She turned much of the property's land into an ungulate farm (sheep, goats, harts, and halla) and surrounded it with Fen'Harel statues that very specifically have their eyes gouged out

Iron Bull joined her in this retirement; they have their own set of twins! Occasionally the Chargers (now led by Krem) have stopped by to hang out for a few weeks at a time and help take care of the farm

So she's REALLY REALLY REALLY PISSED OFF that she's being forced out of retirement to help deal with TWO MORE of her own damn gods!! Solas when I fucking catch you!!!

Prospero relocated to Minrathous with Dorian, where he basically flaunts his position as a trophy husband and has become a massive pain in the ass for most of the magisters in general while also absolutely charming the general public

In that vein, he's become a fairly lucrative merchant who regularly does business with Xenon the Antiquarian and The Viper

He sent the magic mirror to his twin sister and they talk on the regular

BUT SPEAKING OF ORLAIS

In the aftermath of the incredibly damaging civil war, the loss of pretty much every single upper hierarchy in the Chantry, the rumors of a puppet government (Pina forced a public truce), the installation of such a radical Divine (Leliana), and the mounting cruelty of the chevaliers in an effort to regain control, Orlais is a powder keg

These flames are both fanned and stifled in equal measure by the Bards, who have now become a sort of entity all their own rather than being informal mercenary spies

Rumours abound that at this point, Orlais is the only country in Thedas that wants to be entirely rid of their monarchy - it hasn't escalated into all-out war yet, but it feels inevitable

Given the history of the founding of Orlais, a population desperate for a sense of identity and trust turned to their most vaunted and uniquely Orlesian tradition - that of the Bards

Bards, who have always been largely comprised of commoners hoping to make a decent living, elves wanting to leave the alienages, non-inheriting nobility, the bastardborn, and mages hoping to avoid detection anyway, certainly did not turn up their noses at the idea of becoming a symbol of rebellion

It has now become sort of a point of pride for the Bards to effectively target and slaughter the nobility and chevaliers as creatively as possible - whether that be in the literal or social sense (the Great Game is still held in high regard)

A Bard then has the opportunity to take a trophy from their claimed victory - this trophy is usually whatever fanciful finery that noble owned

As a result, Bards have become increasingly easy to spot because they patchwork pieces of items from their defeated quarry into their ensembles. The more variety and asymmetry to a given outfit, the more targets that Bard has taken

(It’s deeply frowned upon to wear more than one piece from a given victory, or to wear something taken from the estate of someone that particular Bard was not responsible for dealing with)

Basically making a mockery of how important style and flamboyance have always been to the Orlesian nobility by stealing their shit and turning the dial to 11

Some Bards have taken this to mean entirely different materials, textures, and colours - the most 'decorated' of them can look like Alexander McQueen meets Bisa Butler

The really dangerous ones manage that patchwork design, but also look cohesive - meaning they've taken down enough nobles and chevaliers to be able to start matching pieces

Anything not taken as a trophy by a Bard is then free game to be raided and distributed among the people, so tensions are HIGH and security is VERY EXPENSIVE

Divine Victoria publicly denounces all of this but secretly provides information to the Bards when she can

(Yes I am giving you all this setup because the Orlesian Bards are a Faction for a planned companion)

As for Dejana

Yes I'm going to be proceeding with Emmrich as her romance

No I have not decided if she's getting Bone Daddy or Bone Son

Maybe this will end up being a threesome with Varric

Yes she is going to have a lot to explain to the parents she forgot existed for several years in any case

Kieran will also be an installation of the party thanks to Morrigan telling him to watch over his sister but he's pretty much going to usually be in the form of a black sphynx cat (he likes creepy cute)

[luna-loveboop]

Wind is not ok

Idk how to pinpoint it. It's something about how since Dawn part four, almost 45 percent of the sentences he's said have ended in questions marks or been directly theorising. How the Link who figured out the most about the timeline with ease hasn't spoken much outside of theorising about the monsters, the postman, the shadow. How he whipped his blade out the fastest and went for the fairy.

It's something to do with how the most expressive Link had tears standing in his eyes when Twilight was ill but never once let them fall. It's something to do with how the most energetic hasn't been the center of attention but has been on the sidelines for quite a few updates. How he told Hyrule it's about being ready for the variety and has seemingly been ready ever since.

It's something with how for the past ten updates (we're at entrance pt 3 now), he has only smiled on ten out of ninety pages. How an extremely reliable Kid appears the most ready outside of Sky to rip the shadows throat out, after being pushed by him in battle like he was nothing. How angry he looks when talking about the shadow.

It's something about how he yelled in Legend's face that they had to help, questioning if Twilight was corrupted or possessed. Something about how this kid sincerely asked his brother if he was feeling evil and hasn't stop asking questions since.

[woodohwanedandproud]

@bunnydongsik I've thought about this as well, and I actually lean towards Han Kihwan never having touched him ever, I hope you don't mind me adding my thoughts number one is that time spent between Joowon and his father is minimal - we even get that one line from Joowon about how their time spent together put together over the entire course of Joowon's life is less than a year. Joowon was raised by nannies, and then sent to England, so Han Kihwan has never provided care for Joowon at all. Second, I think it is very important to consider how Han Kihwan sees himself and Joowon. Han Kihwan very much sees himself as above the masses - notice how he treats the people he considers socially inferior, yelling at them, grabbing them, making them kneel etc. Joowon is his first born (only) son, and Han Kihwan does not fully see him as his own person, but rather as an extension of himself. Thus raising a hand to Joowon is on Han Kihwan's mind equivalent to raising a hand to himself. Notice how Han Kihwan strikes Kwon Hyuk for Joowon's failures? Kwon Hyuk is not the blood son and is therefore an "acceptable" target, as the simple son of a fruitseller, even though he has "performed" the role of son better than Joowon, in the end it comes down to blood for Han Kihwan. Even when Joowon reveals the recording and threatens blackmail, the worst Han Kihwan does is grab Joowon, to which Joowon's respons is "let go, you're getting blood on my clothes", completely and utterly calml and unafraid. So, even in these extreme circumstances, Han Kihwan never even considers hitting Joowon and Joowon doesn't look like he's expecting violence at all I do think that Joowon is a lot like his father, with some of it being nature and some of it being nurture. like I said before, the contact between the two has been minimal, so in that sense it is limited how much influence Han kihwan could really have had, but Joowon does have those angry, physical outbursts, and I think it's very interesting to consider post-canon how he deals with this. and to put those ideas together - it is my interpretation that when Joowon realises what his father has done and he flashes back to how his father treated his mother and also how he himself treated Dongsik, he is making a parallel. Specifically, the way his mother was seen as "crazy" when she was in fact just in agony, the way she smiles when saying that she didn't manage to kill herself, while Han Kihwan stands menacingly above her. And the way that Dongsik was also seen as "crazy" when he was really just in agony, and how Joowon made that pain worse by asking "did you really not kill your sister?" and the answering smile from Dongsik. It's also my interpretion that this is really the root issue of how much trouble Joowon has had with understanding Dongsik and his behaviour until now, he has purposefully blocked as much as he could regarding his mother, and therefore hasn't tried to analyse anything about it, and therefore can't recognise the same signs in Dongsik. I think this increases the guilt that Joowon feels in that moment, because he is simultaneously letting himself understand his mother's pain, his own pain in response to her's, Dongsik's pain, Joowon's role in his pain and Han Kihwan's role in everything while ALSO realising how similar he actually is to Han Kihwan in certain ways, despite spending so much time rebelling against being in his shadow and always being compared to him. And Joowon really needed this moment to see his own behaviour I think, and fully understand just how despicable he has acted towards Dongsik, and just how bad his personality really has been, which is why Joowon's behaviour change is so extreme over such a short period of time. I think there is a specific hurt caused by just not being touched at all, a kind of rootlesness to contrast Dongsik being utterly stuck in place

Watching Han Kihwan’s violent tendencies and outbursts makes me wonder if—in addition to everything that makes him a shitty father already—he ever raised a hand to Joowon.

Especially since he’s been the “single parent” for so long, and without any other sibling, Joowon would be the only one to conveniently be the outlet of Han Kihwan’s anger.

Then it makes you wonder if it may be partly the reason for Joowon’s aversion to touch: because he has never experienced the tenderness of it, only the violence.

It also makes you wonder if that’s why Joowon keeps a tight rein on his emotions: he sees what an outburst of emotion does to his father, and what his father does to the people surrounding him because of it, and maybe: Joowon doesn’t want that to happen to him.

To become like his father.

It’s interesting because the more I look at Han Kihwan, the more I realize Joowon has inherited that temperament: that tendency to have outbursts of emotion.

(Or maybe it’s simply because he had no proper role model to look up to.)

And then it makes you wonder if that’s also part of his aversion to touch: his fear that he will hurt other people too.

Because that’s the only kind of touch he’s ever known.

And maybe, just maybe, Joowon fears the violent tendencies he may have inherited from his father so much that it’s the reason why he chooses to be alone.

In this way, perhaps he had convinced himself—at least no one will get hurt because of him.

Because of his touch.

(So imagine—imagine—his surprise in discovering that not only does Dongsik not break from his touch, no matter how powerful his outburst of emotion is, but seems to match it, pushing back with the same intensity.

Imagine his surprise at finding someone who not only doesn’t fear his touch, not only doesn’t break from it, but more than anything—seeks it.)

[oatmealcrisp-freak]

"shipping saiki is aphobic because he's aroace!"

stares at you with my demiromantic asexual in a committed relationship eyes then looks at the camera like im in the office

[artsandstoriesandstuff]

@esteebarnes94 it’s Missus! The Missus? lol.

Anyway, I made a sketch thing for her! I have a feeling this may end up the primary way I draw the robot detectives… or any mini art projects or requests, for that matter.

I don’t know if I characterized her right but I imagine her as a calm but anxiety prone lady. I also have a hunch she’d be just a little scared of Enid.

Speaking of Enid, and given Enid’s personality, she probably bought some accessories for Missus. Including that silly looking hat on the right side.

Like I said, I’m really happy that you developed her backstory (it’s actually making ME think more about the factory), but I hope I did her personality justice too! :)

[mordremrose]

I’m just gonna write a little thing! A little thought for Bloom, nothing too intense, just so I don’t forget it!

1000 words later? Whoops

Writing below the cut, major spoilers for the end of Heart of Thorns and implied End of Dragons spoilers but nothing explicit from EoD :]

Bloom

“Kill me, Commander.” Trahearne could hear his own voice tremble, as horror overtook his dear friend’s face. Around them all, their friends— Rytlock, Caithe, Canach, Marjory, Braham— were exhausted. Worn thin by the fight against the jungle dragon, both physical and within the Dream.

“What? No! Mordremoth is dead. We destroyed its mind from the inside.” The commander protested, their fingers curled around the hilt of Caladbolg.

“But I still hear its voice.” Trahearne looked down at his hands, twisted and blighted as they were. His body was not his— he was corrupted. It was only cruel fate that he had kept his mind this long. Or perhaps something more sinister.

“Mordremoth is alive. One last hateful vestige… a terrible seed, planted deep in my mind.”

Trahearne’s hands curled into fist, as he took a deep steadying breath.

“You must kill me, Commander, before that seed grows. Before… before Mordremoth reclaims what it has lost.”

He reached out now, hands on his friend’s shoulders. The tears streaming down their face broke his heart. He did not want this. He didn’t want to hurt them, to see them suffer so.

Trahearne wished there was another way.

“What is left of me can’t survive on its own, my friend.” He croaked, and felt the Commander tremble beneath his hands. Were they always so small?

“Strike now or—“

Against his will, a rage rose up. A sick bile that boiled in his stomach and burned through his chest as his mind lurched.

Through his mouth, Mordremoth spoke.

“I am the future! I am this world! You cannot destroy me!” The dragon roared, hands tightening around the commander.

“Run while you can!” It took everything he had left to force his fingers to uncurl, to release the commander even as the dragon wanted to tear them to shreds to be remade anew.

Caladbolg flashed in the corner of his eye.

“No!” The commander yelled. Strike true my friend! Trahearne wanted to yell. But he couldn’t, and his mind went dark.

There was no great explosion. There was no dying scream.

If you asked those present what happened, none of them gave any concrete answer.

Canach hesitated to answer, but would confirm that Mordremoth was no longer hounding his mind, or any of the sylvari.

All Rytlock would say was that the confrontation wasn’t pretty.

Caithe mourned Trahearne, in her quiet and melancholic manner, and asked not to push the matter further.

Braham would scowl, shake his head, and shove his way past, unwilling or perhaps unable to describe that final blow.

Marjory Delaqua, normally so elegant and clever with her words, who could see the twists of a plot before anyone else— when she was asked, she could only shake her head and reply ‘I don’t know’.

The Commander didn’t answer at all, because no one was able to find them to ask.

Eventually, researchers at the newly established lab of Rata Novus confirmed what the entire world held its breath to hear.

Mordremoth was dead. He had to be, to explain the slow steady trickle of magic escaping the jungle, supposedly as the dragon… decayed wasn’t the right word, but it conveyed the idea well enough. It was a slow death, they said, not quite the explosive reaction from Zhaitan, who had gorged itself on magic before its death, but a gradual decay. It changed things, about magic, about how the people of Tyria and the soon to be established Dragon’s Watch understood the flow of magic around and through the Elder Dragons. But it was dead.

It had to be.

He woke up. His body ached, as it always did, as he woke. A consequence of being too bigsmall. He stirred slowly, limbs stretching out and tail dragging behind. He had buried himself beneath massive vines this time, the weight of them both familiar and restricting. These conflicting sensations, the constant disagreement with himself… it was the only thing he could rely on. Even his name escaped his memory, although he could hear whispers of it on the edges of his mind.

Traherdremaneth.

It didn’t matter, really.

He moved slowly, not truly wanting to rise, but knowing he must.

He was something in between, and there was no stillness for him. No place of his own.

His one companion, if you could call it that, would be upon him soon. A dogged purserer, both a thorn in his side and a trusted ally, trailed behind him. For a time he thought they left him— and the feelings that had wrought left him stationary in a deep cave for nearly a week before they had reappeared.

He didn’t want them close, he knew that much, but they were one of the few things he had, a consistency. He couldn’t see them well, not with the distance between them, but he could always make out the broken blade at their hip. The one that made the scar across his chest ache.

He wondered what would happen if he let them get closer. Would they strike? Would they know him?

They were his enemyfriend. What would they make of him? Caution kept him at a distance from them.

The longer he was awake, the more memories he could half-remember.

The Orrian landscape stretches out before him and it reeks of his sibling, twisting beneath the dirt. The undead don’t notice him, not yet, and he can take a moment to look closer at the coral. It was neither alive nor dead. Not unlike himself and yet so different to him or anything he had ever encountered before.

He missed his siblings, their quiet talks among the then empty roots, among safe coils with their constant presence around him. They were too distant to feel or simply gone now and it unnerved him. This was wrong. Perhaps they could help him make it right.

There was one other thing, other than his sort-of companion and his unsteady roiling mind, that remained constant. And this was the true constant. A steady beacon, that he could not see or hear, but simply felt in a way that he could not describe. A magnetic sort of pull that had him orbiting closer and closer.

It drew him in, out of the depths and dark underbelly of the jungle and the cave systems, towards the strange golden stones, the elegant walls meant to keep out creatures that wished to destroy the beacon. He was not welcome there, not yet, even though he meant no harm. He just needed to be closer.

He didn’t know how he knew that. He just knew it.

[my-thoughts-and-junk]

finally watching channel zero and i immediately have so many thoughts in the first ten minutes

[keeps-ache]

cuz i Don't need it to be detailed or very realistic with my worldbuilding! because L. ron hubbard existed at some point and

[arolesbianism]

I wanna take a crack at making some fake screenshot graphics for my Sif Odile duo loopers au but I do not feel confident enough in my ability to mimic isat's art style and I also have a crippling fear of drawing backgrounds

[martianbugsbunny]

Idk if I'm strong enough for either canon Kalluzeb or Kalluzeb getting destroyed

[im-smart-i-swear]

Does Jiro has ghost like abilities (possession, ability to levitate things, etc etc) or does she just live in Shiro's head?

when i created this au, i thought the best option would be for her to be unable to interact with the physical world in any way(including possesion), beacuse i really wanted to lean into her isolation and how it affects her....... and while thats something i still want to emphasise here, lately ive been toying with the idea of jiro being able to impact the physical world somehow(though it still being fairly limited). i think letting her have some control could have a lot of potential! buuuut i also have no idea what abilities i want her to have lol

For now i think im not gonna give her any telekinetic abilities, bc i feel like it would be giving her too much power......... if she could throw shit, shed go APESHIT with it. it would made things too easy for her. i'm sorry babygirl but i'm NOT giving you the possibilty to throw knives and other sharp objects, i dont trust you to not kill someone:/

i really like the idea of her being able to temporarily posses her old body in certain circumstances tho- maybe when shiros uncouncious?? or like when hes is very tired or heavily injured she can kind of 'squeeze through' and take control back for a few minutes???? idk. i think this could be a very cool ability to give her- it cant be frequently used but can also be very helpful, and also theres so much potential for ✨shenanigans✨here>:) oh god i could put these fuckers in so many Situations with this..........

uhhh. so basically i think all of her influence on the physical world are through shiro. shes here bc of her connection to her old body, and thus its the only way for her to interact with anyone besides him- and shes NOT HAPPY about this(neither is shiro).

[kitaychan]

"Help us with a small interview"

[neon-danger]

Okay so who knows how similar they are then. :v

Idk idc sims castaway concept was fun and silly and I think we need a fun silly spin off on the sims four engine and we could’ve had a fun and silly Star Wars spin off on the sims four engine but we got a fucking piece of shit game pack