#I have never Done That

[httpiastri]

hands hands hands hands hands

[spoofyleaf]

When I’m at the dentist, sometimes I like to pretend that I’m one of those crocodiles getting my teeth cleaned by the little birds

[christophernolan]

I appreciate people’s dedication to watching their favorite actors entire filmography despite the lackluster quality. That can NEVER be me.

[burning-academia-if]

what creatures are in your game?

This is lowkey a hard question to answer because the world BA takes place in is one I created way back in middle school. And as 12 year olds tend to do, there's a whole bunch of weird things I just Made Up.

I did nickname it The Fairytale World, so in general if you can think of a creature from fairytales or folklore they're likely in here (except large creatures like dragons or Phoenixes. I know I know, how does a fairytale world not have dragons?)

I'm not entirely sure if anything beyond human magic users (magicians, witches, mages, and warlocks), ghosts, and wraiths will make an appearance though. There may be mentionings of other things but idk if they'll appear on page.

Also, if someone doesn't have magic in their veins though, they can't see/sense/feel any magic. Unless something pretty severe happens, when looking at a magical creature or witnessing the use of magic a person's brain kinda just sees something different then what's actually going on or what's in front them.

[onyxedskies]

i get to skip french today and that’s the only reason i have not just collapsed

[bitebitesnap]

I have been here for over 13 years and this is the first time I've seen someone actually thirst over fuckin SVU characters.

[bagettues]

dating in dungeon

[chloesimaginationthings]

The true meaning behind FNAF princess quest

[bluegiragi]

i drew johnny "soap" mactavish as phreak (the original design) from overwatch.

bonus (just for fun):

[naritaren]

By the way, I know I said there would be a fic recs list today. I will do it tomorrow. It's just been a hell of a day.

[hinamie]

spiraling

[crumb-crumblet-s-crumbington]

"You and me, Ethan. Together we go save Rose, and then we can grind Miranda into paste!"

[spoopup]

tv boyfriend

inspired by the fangamer klapollo pin. im crazy

[shalmonsdraws]

her favorite song is the chicken dance

[bacchuschucklefuck]

truly this one's just for me. I can do what I want foreverrr

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.