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thankskenpenders · 3 months

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

6K notes · View notes

rubyuji · 5 months

Text

Treat (Kim Mingyu) ୧ ‧₊˚ 🍰 ⋅ ☆

“So Y/n, I see you noticed the cute baker in the kitchen. Any plans on getting to know him?” °❀⋆.ೃ࿔*:･

Genre: Fluff

AU: University!au

Pairing: Culinary Student!Baker!Mingyu x Medical Student!reader

Warnings: None just tooth-rotting fluff

Synopsis: An average medical student getting by who meets the cute baker from the small bakery across the street in front of her university.

Note: This used to be a TXT fic but I edited it and now it’s a Mingyu fic because I have a bunch of wips that I’m dying to finish. Here’s something for me to post at least, happy reading! As always, don’t forget to like + reblog as a way to support.

WC: 5.4k

Being a medical student was a pain in the ass and was way worse than how people would describe it, it cost money, time as well as your mental and emotional stability. It’s not like anyone would want to study the anatomy of a human in a dull lecture hall with like forty other people, or know how a whiff of a cigarette could even kill you.

Yet here you were, already going the works of med school, and there was no turning back from it all, because although you were passionate, you still had a limit to how much you could take, even if you had always dreamed of becoming a pediatrician to keep you motivated.

“Oh my God Jihyo, I don’t think I’m ready to take this exam. I’m probably going to flunk this semester and I’ll be stuck as a receptionist in scrubs at a local clinic if I don’t get my head straight” you say tearfully.

Your friend Jihyo chuckled as she patted your back comfortingly, assuring you that you would do just fine and that you had already done enough studying the past few days. You weren’t stupid, just dramatic.

“You’ll be fine Y/n, don’t worry about it otherwise you will start to feel even worse. You’ve studied like crazy so it would be insane if you didn’t do so well, like you always do” she smiled softly in reply.

You shoot Jihyo a weak smile back and sigh once again, at least one of your best friends kept you somewhat sane, you couldn’t say the same for your appearance though. With heavy eyebags and eyes that looked as hollow as your soul, anyone would probably mistake you for a psych ward patient if you were caught walking around by yourself.

“Thanks, and good luck to us once we step into the exam hall. We’re gonna need it, me especially” you sigh after gathering the rest of the materials you’ll need for the exam itself.

When an hour passed, the exam completely drained you of all the life you had left. You stepped out of the exam hall with Jihyo groggily. You just wanted to go home and sleep all your problems away, but if you were already struggling as a freshman, how much more would you be in the future knowing you still had thirteen more years to go?

“Is it too late to change careers and become a full-time sugar baby or stripper?” You ask your friend and roommate, Rosé, who was just as drained as you were.

“I don’t think so. Let’s go on that sugar baby website” she chimed back in exhaustion. Chungha laughed at you both on the couch before setting down a pizza on the coffee table in front of you, along with a few drinks and a huge bottle of coke.

“Cheer up ladies, we’ll get through all of this before you know it. Now eat up, the food’s getting cold” Chungha hissed.

You and Rosé helped yourselves without another word, the three of you scarfing down all the food and complaining about midterms just to get your system going.

In the middle of the conversation, Rosé had suddenly brought up the bakery that just opened across the university.

“By the way, a new bakery opened up across the street from our school, do you guys wanna try and visit tomorrow?” She chirped.

You guys didn’t have anything to lose, so you and Chungha agreed before setting a certain time to meet after your last exam. That was when you realized it was getting late so you all cleaned up and started to get ready for bed.

“Goodnight you two! Good luck as well, we’ll need it for our last set of exams” You bid your roommates goodnight as you retreat into your room.

“Whew! That was exhausting, I’m glad everything is over with because chemistry should be the least of my problems for now” you cheered.

Rosé groans and runs a hand through her hair in frustration. Chungha was late, and it was because her boyfriend Jungkook wanted some alone time with her.

“God if Chungha doesn’t come in like five minutes I’m gonna assume they need their ‘THEM’ time” she huffs. You laugh and just grab Rosé while giving Jihyo a call. If Chungha getting it, at least someone else can take her place, for now, her boyfriend probably needs a lot of relief.

“Jihyo can come, she’ll be there in like ten. For now, we should order in advance” you say, as you both enter the bakery.

The interior was very cute and minimal, everything was white marble, be it the racks and tables with checkered flooring. On the ceiling hung two crystal chandeliers that reflected light causing a blur of rainbows to scatter across the room.

“Wow you were right, this place is adorable Rosie! Let’s go order drinks and pick our bread” you squeal and drag her over.

Behind the register, you see a guy with black hair and another guy with light brown hair bickering about something.

“Jeonghan, I swear to fucking God if you—“ the black-haired male was cut off after seeing you and Rosé walking over.

“Go serve the customers first, I’ll be waiting in the back” The brunette smirked, and retreated into the kitchen behind the counter.

At the counter, the guy greets you with a charming smile, just about charming enough to get you flustered, but you didn’t want to look like a mess right now so you browsed the menu behind him.

“Hi! Welcome to Carat Cravings! What can I get you two today?” You read his nametag and saw that he was named Seungcheol. ‘Cute’ you say to yourself and smile back at him.

“Can we get one fruit and egg tart with a margarita pizza for here, please? And for the drinks one caramel macchiato and one americano, both iced with a fruit ade please” Seungcheol punches your orders into the register and looks up at you both again.

“Will that be all?” He asks, and you nod as you hand him your card. Rosé looked at you almost frazzled and was about to refuse your offer to pay, but then noticed that you had caught wind of another guy from behind in the kitchen.

As Seungcheol hands you your card back, you and Rosé make your way to a table near the window. “So Y/n, I see you noticed the cute baker in the kitchen. Any plans on getting to know him?” She giggled softly.

You looked at her with a glare and shook your head furiously. No, you weren’t the kind of person to date because you always prioritized your studies more than anything, but you had to admit, the baker was just so cute.

He was tall and had beautiful sunkissed skin with jet black hair and had a face that almost resembled a puppy, and maybe you also couldn’t help but notice that he had nice hands that kneaded the dough so well. You’d imagine what his hands would do if they were—

“Y/n! Hi Rosie!” Your thoughts were cut short as Jihyo entered the bakery and called over to you both excitedly. She was beaming as you made space for her to sit beside you.

“Hi Jihyo, you look happy for someone who came out of our hour-long exam” Rosé eyed her suspiciously. Jihyo only laughed and waved off what she said while staring both of you down.

“My sister called right after and said the hospital she’s working at is accepting part-timers! I just came here feeling happy about it” she says excitedly.

You and Rosé were shocked but also happy for her knowing that having a sister who worked at a hospital had its perks too. Jihyo was just one of the lucky ones, but everyone starts somewhere.

“Sorry to interrupt ladies but here are your orders! If you need anything else you can just call for me or the other guy behind the counter, the one with light brown hair” Seungcheol placed your orders on the table and the three of you thanked him politely.

When Seungcheol had finally walked out of earshot, Jihyo had lowered her voice into a whisper. “This bakery is cute but oh my god, I never expected the workers to be cute as well,” she says in a giddy tone.

You laugh at her and take a piece of the pizza while sipping on your caramel macchiato, Jihyo still ogling at Seungcheol as Rosé gives her a disgusted look.

“Come on you two, what happened to putting our studies first? If you date during your freshman year you are going to end up as a receptionist in scrubs you hear me” Rosé says sarcastically, but you were too busy staring at the baker who just came out of the kitchen.

He was talking to the two other males behind the counter and sighed. That was when you noticed that he had eyed you up and down too before looking away.

“Y/n? Hello? What the fuck, oh wait it’s that baker” Rosé says with a huff. Jihyo giggles and shushes her, noticing how flustered you became all of a sudden.

The two knew you were never one to talk about guys or wanted to date since high school, so seeing you all worked up over someone you didn’t know would only make teasing you even worse.

“New motivation to go to class every day? I know you have evening classes, so maybe I could ask them what time they close” Jihyo says with a smirk.

“Oh shut up, the baker is just some stupid eye candy you know. I can’t let that go to waste” you try to brush it off, but in reality, you two were practically checking each other out without your friends noticing.

On the other hand, Mingyu also seems to have noticed you and how you stared at him from across the room. Opting to check you out too because you didn’t look that bad either, and because he needed a break from being in the kitchen since the morning.

“Mingyu? Are you alright? Don’t tell me you’re checking out that girl over there with her friends, I was planning to get first dibs because she looked the most interesting” Jeonghan whined.

Seungcheol smacked him on the back of his head and went to tidy whatever was on the counter until a few more customers came in, but then he turned towards the two.

“I mean, you’re not wrong. She looks really pretty, but Mingyu seems to put her on edge. They barely even know each other, but you can feel the tension between them, just go talk to her Gyu” the older male grins.

Mingyu rolls his eyes at the two and notices that Jun has also come out from the back to get a breather. Business was a bit slow today, but they did just open so there was no harm in being a bit laid back.

“Are you guys talking about the group of girls over there? We just opened and you’re already ogling at our customers, be more professional” Jun says nonchalantly.

“Well I need a girlfriend, the girls in my major aren’t all that so ogling at the bakery respectfully would seem better than asking out a girl who wouldn’t know how to interact with me” Jeonghan rolls his eyes and drags Jun back to the kitchen where he’ll be taking over for Mingyu, whilst Wonwoo takes his place at the front.

In the midst of this all happening, you notice the other boys by the counter and rip your eyes off Mingyu to focus on what Jihyo and Rosé are talking about.

“The food is so good here! I can’t believe they just opened, I want to gatekeep this place forever” Jihyo gushed. Rosé nodded in agreement and turned to you, to which you replied with a confused expression.

“Well, we are done. How about we head home so we have more time to relax? I’m sorry if I’m rushing, but I have a show to catch up on” Rosé blabbered. You laugh at her and nod as you all collect your things.

“See you tomorrow Jihyo! I’ll call you” You smile and wave as the three of you part ways, you and Rosé going home together since you were both roommates.

“Alright! Stay safe you two!” Jihyo then turned and walked towards her apartment, which was about two blocks from the bakery itself.

At home, as you’re studying on the living room floor, you notice Chungha sitting on the couch behind you. “I heard from Rosie that the pastry maker from the new bakery caught your eye” she joked.

You roll your eyes and shake your head at the accusation, is it not normal to ogle at people once in a while? And how did word travel so fast?

“Trust me, he’s just eye candy. It’s nothing personal” you sigh, whilst highlighting a sentence in your book. Chungha huffs and takes a sip from her mug, smirking at you.

“I doubt it, you’re such a nerd Y/n. You already work your ass off at school so why not live a little and date? Come on, this guy is probably just as studious as you are, considering he works at a bakery with his friends” she says matter-of-factly.

“So working at a bakery that he started with his friends makes him a nerd like me? I’m so impressed Chungha, you should’ve taken criminology, to be completely honest,” you reply sarcastically, which earned you a slap on the back of the head.

“Come on, if you’re going by tomorrow at least talk to him. I mean, what do you have to lose? You’re smart, pretty and you’re kind. Not to mention, wasn’t he also checking you out?” You felt your face grow hot, guess you weren’t that slick after all if Rosé noticed it too.

Before you could retaliate, the two of you heard the soft pattering of feet and a laugh coming from the hallway. It was Rosé, and it seemed like she’d overheard your conversation through the paper-thin walls of the apartment.

“Y/n! You should go see him! It’ll do you good I promise” she squealed. Chungha laughed and nodded along with her, it seemed like your roommates were some of the most insufferable people in the entire world.

“If I do it will you guys finally leave me alone?” You say weakly. The other two nodded eagerly with wide eyes and you mentally facepalm.

If a simple conversation was gonna get them off your tail, then so be it. It’ll be quick and it’s not like it’ll be a routine part of your day.

The next morning, you couldn’t be any more wrong. You woke up earlier than you should’ve for your first class of the day, and as you fixed yourself in the mirror, you thought about the baker and why you ended up just mentally thanking your friends for the challenge.

“Good morning Y/n, you seem chipper this morning” Rosé greets you from the kitchen. You smile shyly at her and look away, which gives off the impression that you maybe were anticipating the morning more than you thought, compared to the night before.

“Looking forward to talking to him now? Seems like a culinary major so maybe you’ll find him easier than you’d think” she continues.

“Yeah, yeah maybe I am a bit excited since he is cute. I bet he has a girlfriend though and I’ll prove you guys wrong, maybe his eyes just wandered” you laugh while Rosé only gives you a smirk and a scoff.

“When you start dating this guy, I bet you’ll thank us for setting you up like this. Studies can always come second, and who said you can’t multitask?” you bid your goodbye and race to the elevator of your apartment building, sighing from the intense teasing, but before the elevator doors could close, a voice had called over from the end of the hallway.

“Hey! Wait up!” You quickly press the open door button and lo and behold, there stood the exact baker you and Rosé were just talking about this morning, except he was in a chef outfit. ‘Maybe she was right’ you chuckle.

“Thanks for that— Wait, you were with your friends at the bakery yesterday” The tall male recognized you as you nodded back and gave him a friendly smile.

“I’m surprised you even remember me, but I’m even more shocked that you live in the same apartment building” you reply with a laugh. Mingyu scratches the back of his neck awkwardly and nods.

“You guys were one of our first customers, so it’s honestly hard to forget since it’s kind of special in a way” The elevator doors open and the two of you walk out, still engaged in a conversation.

“Oh before we do part ways, I’m Y/n! I had plans to head to the bakery later but it seems like your shift won’t start ‘till the afternoon it seems” you say cheekily.

“I’m Mingyu, it’s nice to meet you. Don’t worry, I only have one morning class before the others take over for the night, so you will be seeing me right after” Mingyu chuckles. Your face heats up so you immediately bid the male goodbye and walk over to your bus.

Microbiology was probably one of the worst classes to ever have in the morning, so a coffee fix for the rest of the day was just what you needed. You offer to buy your other friend Nayeon one too since you needed someone to go with you, just to lessen the effects of being around Mingyu at least.

“I’m starting to get sick of studying fungi and bacteria all day, can you believe every fucking surface we wipe a swab on has some form of disease” you grimace.

The bell of the bakery chimes and you already see a familiar head of brown hair behind the register. “Hi welcome to Carat Cravings! What can I get you guys today?” It was still fairly early in the morning, so you guessed that the ones working the morning hours mostly had evening classes just like you.

“One americano and one caramel machiatto, both iced. While we’ll get a breakfast platter please” Jeonghan punches in the order and you hand him your card, once again, to pay. At that exact moment, Mingyu had come out of the kitchen to greet you.

“Wait you know her?” Jeonghan suddenly asks. Mingyu nods and you greet him back shyly, you two had only just met by chance at the elevator of your apartment building.

“She lives in the same building, anyways Y/n this is Jeonghan. Since you’ll be coming here more often, I assume, then you should get to know us” he grins back at you. Jeonghan gave you both puzzled looks but you nodded in reply, a grin also plastered onto your face.

“Go ahead and find a seat then, your orders will be out in a few” You and Nayeon make your way to a window seat in the corner and take out a few of your notebooks just to go over what was discussed in your lecture.

You are writing down another important note on your iPad when you hear the clinking of glasses and see another blonde beside your table, you guessed this was the other guy named Jun.

“Here you are, let us know how you feel about the food before you go by the way! Also here’s something from Mingyu that he wanted me to give you” he handed you a note and you looked at him confused, then looked over at the counter where you noticed the man as he ran back into the kitchen.

Jun walks away as you open the note, your friend Nayeon is confused as as you are. “Oh—? It’s his uh number?” You say in a flustered manner. ‘Let’s get closer! Here’s my number since I’m too shy to give it to you :)’ it said.

“Aww! Y/n that’s so cute!” Nayeon squeals as you look away shyly to bring out your phone to type in his number. “Hey, he’s just being friendly don’t be like that!” You deny it, but Nayeon wouldn’t let up.

After that day, Mingyu had pretty much become a routine part of your life, except that one phone call after a few weeks of talking to each other.

“Y/n? I didn’t expect you today since you seemed so busy, how was class?” Mingyu chuckles from the other line. You smile at his words before replying, no matter how busy, Mingyu always manages to ask you about your day.

“Well it was pretty ok I guess, I’m just sad I couldn’t stop by the bakery today because it rained too” you reply sadly. You hear the line go silent and hear a few muffled jeers and laughs in the background. ‘Cute’ you thought.

“Don’t mind the guys. Since you called, I wanted to know if you were free this weekend? Jun’s taking over for me” Mingyu asks.

“I am actually! I don’t have anything planned right now. What do you have in mind?” You reply a little too enthusiastically. You hear another chuckle on the other line and cover your mouth in embarrassment.

“You’re so cute, let’s go to a café! I don’t want us to feel so lost since it’s our first time hanging out personally” Mingyu smiled on the other line before hearing Wonwoo gag from behind him. You blush at Mingyu’s comment and try to contain the urge to scream.

“Alright then, text me the time and I’ll put it into my schedule for the week. Bye, Mingyu! Good luck at work!” The other members all smirked at Mingyu and he bid you goodbye as well, this time with reddened ears.

The taller male then turns to his friends who go back to cleaning up before they close the bakery soon. “Yeah, it’s nothing. I just made a friend I swear, besides, she lives in our apartment building so it’ll be weird if I didn’t at least make acquaintances with her” he tries to convince them.

“Yeah right, I’d ask my cute neighbor out on a date if I were you too. Cut the bullshit Gyu, we know you like her” Wonwoo says while laughing.

Mingyu looks away, they definitely weren’t wrong and even though he did have dreams of becoming a top pastry chef one day, he also couldn’t risk not seeing you again.

“It’s always studies first, but I overheard she’s also one of the top students in her major. You bagged the beauty and brains Gyu!” Seungcheol exclaims.

Jeonghan looks at his friend in confusion as to how he even knew this information, but the older only chuckles in response.

“I got this information from Jihoon just so you know, he’s pretty close to her other friend Jihyo I think” Seungcheol concludes. Mingyu sighed and went to fix the pastry display, he was in for a rough week he supposed.

On your end, your two roommates had also overheard the conversation and squealed just as you ended the call. “He asked you out on a date?! Y/n that’s wonderful!” Rosé screams, immediately engulfing you in a bear hug.

“Guys it’s just a regular hang out between friends! He’s just our, cute, neighbor and baker you know” you stifle out. Chungha gives you a look of disapproval and flicks your forehead.

“Yeah, yeah. We all know you two are whipped for each other and it’s been two weeks since they opened up, you two will probably make it official before you even start the second date!” She huffs out. You frown, were you really in denial? You wouldn’t know for sure.

The date (if you could even call it that), came by faster than you could blink and now here you were, standing in front of the mirror, with your makeup done and in a pretty white dress with matching white ballet flats.

“Why do you look so dolled up? It’s a friendly date isn’t it” Rosé teases. You turn to her and see her leaning against the doorframe, a soft smile on her face.

“I just wanted to look presentable you know” you squeak out, knowing you were caught red-handed. It was autumn so you had to take your last chance to at least wear something pretty before layering everything.

“Anyways, tell me the details once you’re back! And take A LOT, and I mean a lot, of pictures with him ok? You two look cute together” Rosé runs away before you can reprimand her, and you suddenly hear your phone ping.

“Y/n! Someone’s at the door for you!” Chungha calls out lovingly. You stiffen, was it necessary for your roommate to act embarrassing at the most inconvenient time? You walk out of your room and make eye contact with Mingyu from the hallway.

Mingyu’s eyes widen at your form, the two of you were wearing matching outfits, both white and looking like you had dressed for the spring instead of the cold autumn weather.

“So?—“ Chungha was cut short as you sprinted and grabbed Mingyu’s hand, leading him down the hallway hurriedly with a laugh.

“I’m sorry, my roommates can be a handful sometimes. Now, where are we going?” You grin. Mingyu’s ears redden after realizing your hands were still intertwined, but you didn’t seem that bothered so he led you to his car that was parked in the basement.

“Are you planning to kill me?” You joke. Mingyu shakes his head and you laugh. “No, no! Just taking you to my car since the café is in the uptown part of the city. It’s a bit far but I guarantee you’ll like it” he replies in a flustered voice.

“Are you sure you’re not some murderer plotting my demise and you’re secretly taking me to your getaway house with your actual girlfriend” you blurt out. He looks at you in confusion and now it was his turn to laugh.

“I don’t think I’d be here then if I had a girlfriend, trust me, I’m more into my studies and passion than you think. So, consider yourself a special girl” Mingyu unintentionally flirts. You hit his shoulder out of habit, but he didn’t seem to mind either as he continued to laugh at you.

“Why’d you ask me out anyway? My other friends are way prettier and way more interesting than me, and don’t think I’m saying that out of pity, I’m just confused since I’ve always had my head buried in books as well” you admit shamefully.

“In all honesty, I just felt an instant connection with you, call it whatever but I’ve never felt like this with someone before” The street lights illuminate his face and you thank the gods above that he can’t see your flushed face in the dimness of the light.

“Oh, we’re here by the way. Let me park and don’t get out until I open the door for you” Mingyu parks the car at a spot in front of a very comfy but also expensive-looking café, before getting out of the driver’s seat to open your end.

You get out and thank him bashfully, the two of you heading inside. It didn’t seem too crowded for a weekend, which relieved you a bit since the ambiance was much more peaceful this way.

“Good afternoon! Welcome to Nabi’s, what can I get you two today?” The cashier smiles. You turn to Mingyu, and he looks at you with another grin, immediately ordering since you aren’t all that familiar with the place.

The cashier punches it in and Mingyu pays for everything, leaving you flustered for the umpteenth time that day. ‘What a gentleman, and he doesn’t have a girlfriend?’ You tell yourself.

“Your orders will be out shortly, you can take a seat and we’ll bring it right over. Have a good one, and here’s your change sir” Mingyu gladly takes his card and leads you to the second floor of the café.

Upon stepping into the seating area, you were immediately greeted with a beautiful view of the city. “Mingyu this is amazing!” You run over to the seat next to the window, and this causes Mingyu’s heart to race. How could you be so endearing even in the smallest aspect?

“It’s nothing, it’s a place I like to go to when I want to be alone, but I brought you here because it’s special to me” he admits while sitting down in front of you.

“Thank you honestly, I feel very special now that I’ve earned enough trust from Kim Mingyu to be able to go to one of his favorite places” You giggle, your stomach full of butterflies from how he treated you.

“Well, I did want to say this and I’m afraid it might be too early, but here it goes” You look at him curiously and stay quiet so you can listen to him better. You were always one to make anyone feel heard and comfortable.

“I like you Y/n, as if it isn’t obvious enough. The day I saw you with your friends at the bakery, something just stood out to me about you, and after getting to know you, it made you a hundred times more attractive to me. It might be a bit early but I wanted to let you know that I’d be willing to wait for you as long as you let me” Mingyu says wholeheartedly.

You were shocked, you liked Mingyu just as much as he did you, but his confession and sincerity were so out of the blue. Was this guy sure about not having a girlfriend?

“Mingyu, I don’t know what to say. I like you too! At first, I was pretty in denial about my feelings since I didn’t want to end up as a receptionist in scrubs and only really stuck to my studies, but you opened up my heart in a way. No need to wait, I’m willing to be your girlfriend” you confess as well.

You stare at Mingyu and notice his ears turn red while a huge smile starts to make its way onto his face. “You don’t understand how happy you make me Y/n, I won’t disappoint you” he holds your hand from across the table.

The rest of the day went by in a blur, Mingyu and you talking for hours on end about everything you missed out on during the first few weeks of getting to know each other, what you guys had in common, and even planning out the second date.

Mingyu and you walk through the basement of your apartment together as he takes you home for the night, dreamy smiles on both your faces and hands intertwined with each other’s. It felt magical almost that you’d even met this guy, he came straight out of a storybook.

“I had so much fun today, thank you Mingyu. I’m so happy,” you say in the elevator. Mingyu engulfs you in a hug and nuzzles his face against the crown of your head, you two did seem like a lovesick couple already.

“Thank you for today as well Y/n, I couldn’t have asked for anything better. Now let’s take you home so you can rest well, even if I don’t want to let you go just yet” he says cheekily.

The elevator dings and you realize that you are already on your floor. You start to feel sad but Mingyu still walks you over to your apartment down the hall, the two of you constantly exchanging glances as you get to your door slowly.

“Goodnight Mingyu! Thank you again, boyfriend, I’ll see you tomorrow at the bakery after class?” You quip. Mingyu nods and you kiss him on the cheek before typing in your door combination.

“Boyfriend huh? Goodnight then Y/n, sleep tight love. I don’t want to let you go just yet” he pouts. You laugh again and give him one last peck, this time on his lips, which causes his eyes to widen again.

“You’ll see me tomorrow! Now go rest up sleepyhead, you always work so hard” After you finish that sentence, you open the door and bid him one last goodbye before he walks away, and you walk into your apartment.

Once the door is closed, you hear the shrieks of your roommates and massage your temples. You were going to be in for it tonight, but at least you finally had the man of your dreams.

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