#I hate sharps

[charlie-eats-paint-thinner]

This is how my brain works when playing my silly little Trombone.

[kelkilou]

Okay no seriously send help

[fcthots]

Jason Todd who decides to play with your hair while he fucks you. He keeps a remote controlled vibrator to your clit and keeps it on low while he drags his blunt nails over your scalp. He coos at you when you shudder because of his gentle trails over the nape of your neck. He ups the setting every time you whine just so he can hear more of it. He just wants to see how much he can get you to react. He loves the way your body can’t help but squirm for him, not to mention the noises he can get you to make. He's obsessed with the way your brain turns to putty when his fingers play with your scalp. He loves learning how hard he can scratch which parts of your head and what it will do what to you. He wants to try it all.

[dykealloy]

small aside but y'know how luffy's stupidity is usually met with physical abuse of some kind? anyway. here's law's worst in response to luffy being manipulated by his arch nemesis

[juju-or-anya]

It's hard not to find irony in the criticisms directed towards Eloise Bridgerton and the elevation of Penelope Featherington as a more genuine and hardworking figure in contrast with Eloise's supposed privileged circumstances and her discourse on feminism. Indeed, some voices have pointed out Eloise's feminism as something white and privileged, and while this is not without merit, it's akin to rediscovering what others have already noticed, akin to Christopher Columbus "discovering" America.

Understanding the context in which "Bridgerton" unfolds is essential. The series is set in Regency England, between 1813 and 1825. This historical period is marked by a highly stratified and conservative society, where women, especially those of the upper class, were relegated to traditional roles and lacked basic legal rights. In this context, any discussion of feminism must consider the unique limitations and challenges of the time.

It is true that Eloise Bridgerton, being part of a respected family in English nobility, embodies many of the characteristics associated with the white and privileged feminism of the time. However, this should not diminish the value of her role in advancing feminist ideas in her historical context. It is thanks to women like Eloise, who challenged social expectations and dared to question the status quo, that doors were opened for future, more inclusive feminist movements.

On the other hand, when analyzing Penelope Featherington's role in contrast with Eloise Bridgerton's, intriguing nuances worthy of a more detailed critical exploration are revealed. Although both come from upper-class families, Penelope's experiences differ significantly from Eloise's. In the society depicted in "Bridgerton," Penelope is portrayed as a more marginal figure, overshadowed by the prominence and glamour of the Bridgerton family. She is often seen in the background, struggling to find her place in a world where her social status does not put her at the center of attention.

Throughout the series, Penelope exhibits a distressing lack of empathy and solidarity towards other women. Instead of fostering unity and support among her peers, her writings are propelled by feelings of envy, resentment, and desires for revenge. Striking examples of this include her actions to publicly reveal Marina Thompson's pregnancy, intending to undermine her relationship with Colin Bridgerton, or defaming individuals such as Daphne, Edwina, and Kate Sharma, often with no apparent reason other than personal gain.

Penelope's behavior as Lady Whistledown sheds light on her complex nature and motivations. While it may represent an attempt to find her voice in a world dominated by more powerful figures, it also reveals a tendency towards manipulation and selfishness. Ultimately, her role as the mysterious chronicler is more than just a quest for identity; it is a reflection of the moral and ethical complexities underlying the society of "Bridgerton."

In summary, asserting that Penelope is more feminist and hardworking than Eloise due to her role as Lady Whistledown is, at best, simplistic and, at worst, deeply misleading. Both women, while privileged in their own right, have chosen different paths in life and have faced their own challenges. However, the narrative of Penelope as a morally superior and more genuinely hardworking figure should be questioned in light of her actions and motivations, which often reveal a lack of integrity and empathy towards her peers.

It's important to note that when Theo confronts Eloise, questioning her understanding of the real world and her privileged position, Eloise doesn't reject this criticism but uses it as a catalyst to seek greater understanding. Recognizing the validity of Theo's observation, Eloise actively seeks to broaden her horizons. She engages in conversations with Theo and John, seeking to break free from the bubble of privilege in which she has lived so far.

On the other hand, Penelope takes a different stance towards her own privileged position. Instead of acknowledging her situation and seeking to understand the realities of those less privileged, Penelope vehemently denies any suggestion that she also benefits from the system. Rather than accepting her position of privilege, she portrays herself as a victim, despite her actions suggesting otherwise. Ultimately, this divergence in attitudes between Eloise and Penelope highlights the complexity of individual perceptions of privilege and personal responsibility in an unequal world.

PS: The comment: "Penelope saved Eloise by writing that she hung out with radicals, she doesn't know what it's like to be grateful" is shit. Whose fucking fault is it that the Queen is on a crusade with torches and pitchforks, looking for blood and a rolling head? From Penelope because she doesn't know when to keep her hand still and stop writing, if it weren't for Penelope, the queen wouldn't think that Eloise is Lady Whistledown, Penelope wasn't looking to help Eloise, she was looking to save her skin.

[eposiemc]

sooooo saying that gem is still stuck in the murder camel is tecnically canon right because wl!gem is VERY clearly not over anything that happened in the secret life finale

[notsosecretlyalesbian]

A.J. Cook as Jennifer “JJ” Jareau in Criminal Minds | 09×04: To Bear Witness

[tinkcrfluff]

if you're not giving eloise a girl BRING BACK THEO

[bumblingbabooshka]

The part in 'innocence' where Tuvok hands a scared 8 year old a gun and leaves after giving her instructions which are literally JUST "aim like this and press here to fire" is so interesting for his characterization because it isn't ILLOGICAL (she needs protection from a potentially life-threatening entity and he needs to leave for a moment) but it's also something that I don't think most other characters would think to do because. You know. It's giving a phaser to a child.

[galedekarios]

i don't know how to put this into words yet so it makes complete sense so bear with me while i gather my thoughts, but...

i think a lot of the criticism i have re: decisions bioware made with veilguard are (at least in part) the company's direct responses to the (in my eyes) often unfounded and disproportionate hate that inquisition received from the fanbase.

[natelia-aldelliz]

1 : Soap never had any idea that woman wanted him carnally, he's not the most observant on that front (he never noticed Ghost flirting with him and thought his love was one-sided for the longest time, but tbf Ghost was also very discreet about it)

2 : He sewed the hat, eyepatch and hook himself, because he's the best uncle and then got distracted as he was wrapping it up, so now he's watching a tutorial on youtube about how to build a voice box. Honestly how hard could it be, he builds explosive devices as a hobby (listen, Price doesn't have to know)

3 : He is out to his family, but doesn't want his mum to know he has a boyfriend because he knows she'll insist on meeting him and welcoming him to the family and making a big deal out of this, and he knows that Ghost isn't ready for that.

4 : Christmas is obviously a very hard time for Ghost, but he is very very in love with Soap and some days still can't believe that it's mutual, but then his Johnny does something like that and his head gets quieter while he's melting a bit.

5 : For the people that didn't see my other post : the bird is a Caique parrot, and they're supposedly very energetic, a bit loud, medium sized, unintelligible, very friendly to what they consider their family, adventurous and danger prone, with an explosive personality and a hate of boredom, so basically the adhd bird.

[dragonanon]

Why is it that I ALWAYS end up simping for the awful, douche bag, bastard men?? I’m literally over here pulling a Helga Pataki for Adam and Mammon right now, and I am fighting for my life

[fobosfear]

I'M BACK. As promised, I bring gifts.

[greengirllover]

he’s so hot he makes me feel sadistic

[frmulcahy]

Idk what kind of crack they were putting in 90s period dramas but it’s just Not The Same Anymore

[shannonsketches]

still re-reading through the dragon ball trilogy manga and just cracking myself up about how Vegeta has this very Visible Famous Corporate Wife and has probably had to go with her to events,

and I've always really enjoyed the underrated trait that pre and post breakdown/identity crisis Vegeta is very in his element lying to people and being maliciously compliant and snarky and my hot take is that the Freeza Force is probably also very corporate and political when you get down to brass tacks

so just imagine with me the wildly unexpected comedy of Vegeta getting hauled to one of these things thinking it's going to be aWFUL only to find it is terribly familiar and he knows exactly how to operate in this space, actually, but because he is An Alien who used to work as A High Ranking (Self-Described) Thug for an Intergalactic Dictator and you can't just Say That -- he's just having the time of his life playing 'what can I say without saying it' like:

Corporate Partygoer: Oh, you're Bulma's husband! She said you retired quite young?

Vegeta, just going along with whatever Bulma lied about: ...Yes.

Corporate Partygoer: Wow, you must have done very well for yourself! What did you do for work?

Vegeta: ...Real estate. :)

Corporate Partygoer: Oh, how lucrative, no wonder! Private?

Vegeta: Commercial. Surveying, acquisitions, that sort of thing.

Corporate Partygoer: Wow, so like property negotiation deals?

Vegeta, about to get dragged away by his wife: Hostile takeovers, mostly—