#I hate sharps

[charlie-eats-paint-thinner]

This is how my brain works when playing my silly little Trombone.

[kelkilou]

Okay no seriously send help

[fcthots]

Jason Todd who decides to play with your hair while he fucks you. He keeps a remote controlled vibrator to your clit and keeps it on low while he drags his blunt nails over your scalp. He coos at you when you shudder because of his gentle trails over the nape of your neck. He ups the setting every time you whine just so he can hear more of it. He just wants to see how much he can get you to react. He loves the way your body can’t help but squirm for him, not to mention the noises he can get you to make. He's obsessed with the way your brain turns to putty when his fingers play with your scalp. He loves learning how hard he can scratch which parts of your head and what it will do what to you. He wants to try it all.

[dykealloy]

small aside but y'know how luffy's stupidity is usually met with physical abuse of some kind? anyway. here's law's worst in response to luffy being manipulated by his arch nemesis

[juju-or-anya]

It's hard not to find irony in the criticisms directed towards Eloise Bridgerton and the elevation of Penelope Featherington as a more genuine and hardworking figure in contrast with Eloise's supposed privileged circumstances and her discourse on feminism. Indeed, some voices have pointed out Eloise's feminism as something white and privileged, and while this is not without merit, it's akin to rediscovering what others have already noticed, akin to Christopher Columbus "discovering" America.

Understanding the context in which "Bridgerton" unfolds is essential. The series is set in Regency England, between 1813 and 1825. This historical period is marked by a highly stratified and conservative society, where women, especially those of the upper class, were relegated to traditional roles and lacked basic legal rights. In this context, any discussion of feminism must consider the unique limitations and challenges of the time.

It is true that Eloise Bridgerton, being part of a respected family in English nobility, embodies many of the characteristics associated with the white and privileged feminism of the time. However, this should not diminish the value of her role in advancing feminist ideas in her historical context. It is thanks to women like Eloise, who challenged social expectations and dared to question the status quo, that doors were opened for future, more inclusive feminist movements.

On the other hand, when analyzing Penelope Featherington's role in contrast with Eloise Bridgerton's, intriguing nuances worthy of a more detailed critical exploration are revealed. Although both come from upper-class families, Penelope's experiences differ significantly from Eloise's. In the society depicted in "Bridgerton," Penelope is portrayed as a more marginal figure, overshadowed by the prominence and glamour of the Bridgerton family. She is often seen in the background, struggling to find her place in a world where her social status does not put her at the center of attention.

Throughout the series, Penelope exhibits a distressing lack of empathy and solidarity towards other women. Instead of fostering unity and support among her peers, her writings are propelled by feelings of envy, resentment, and desires for revenge. Striking examples of this include her actions to publicly reveal Marina Thompson's pregnancy, intending to undermine her relationship with Colin Bridgerton, or defaming individuals such as Daphne, Edwina, and Kate Sharma, often with no apparent reason other than personal gain.

Penelope's behavior as Lady Whistledown sheds light on her complex nature and motivations. While it may represent an attempt to find her voice in a world dominated by more powerful figures, it also reveals a tendency towards manipulation and selfishness. Ultimately, her role as the mysterious chronicler is more than just a quest for identity; it is a reflection of the moral and ethical complexities underlying the society of "Bridgerton."

In summary, asserting that Penelope is more feminist and hardworking than Eloise due to her role as Lady Whistledown is, at best, simplistic and, at worst, deeply misleading. Both women, while privileged in their own right, have chosen different paths in life and have faced their own challenges. However, the narrative of Penelope as a morally superior and more genuinely hardworking figure should be questioned in light of her actions and motivations, which often reveal a lack of integrity and empathy towards her peers.

It's important to note that when Theo confronts Eloise, questioning her understanding of the real world and her privileged position, Eloise doesn't reject this criticism but uses it as a catalyst to seek greater understanding. Recognizing the validity of Theo's observation, Eloise actively seeks to broaden her horizons. She engages in conversations with Theo and John, seeking to break free from the bubble of privilege in which she has lived so far.

On the other hand, Penelope takes a different stance towards her own privileged position. Instead of acknowledging her situation and seeking to understand the realities of those less privileged, Penelope vehemently denies any suggestion that she also benefits from the system. Rather than accepting her position of privilege, she portrays herself as a victim, despite her actions suggesting otherwise. Ultimately, this divergence in attitudes between Eloise and Penelope highlights the complexity of individual perceptions of privilege and personal responsibility in an unequal world.

PS: The comment: "Penelope saved Eloise by writing that she hung out with radicals, she doesn't know what it's like to be grateful" is shit. Whose fucking fault is it that the Queen is on a crusade with torches and pitchforks, looking for blood and a rolling head? From Penelope because she doesn't know when to keep her hand still and stop writing, if it weren't for Penelope, the queen wouldn't think that Eloise is Lady Whistledown, Penelope wasn't looking to help Eloise, she was looking to save her skin.

[eposiemc]

sooooo saying that gem is still stuck in the murder camel is tecnically canon right because wl!gem is VERY clearly not over anything that happened in the secret life finale

[sernik-krakowski]

some inaire doodles

[notsosecretlyalesbian]

A.J. Cook as Jennifer “JJ” Jareau in Criminal Minds | 09×04: To Bear Witness

[tinkcrfluff]

if you're not giving eloise a girl BRING BACK THEO

[glossoholicc]

Pest the kind of guy to space out and daydream about building his own motorcycle. Flame decals and all.

[bumblingbabooshka]

The part in 'innocence' where Tuvok hands a scared 8 year old a gun and leaves after giving her instructions which are literally JUST "aim like this and press here to fire" is so interesting for his characterization because it isn't ILLOGICAL (she needs protection from a potentially life-threatening entity and he needs to leave for a moment) but it's also something that I don't think most other characters would think to do because. You know. It's giving a phaser to a child.

[thepoisonroom]

'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.

I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.

About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'

-Casey Plett, Consciousness

[deathbringerdragon]

i really must say im quite proud of this so far. Especially the hands. i havent used a single hand reference this whole time and yet they've turned out so well for me!

which is, an oddity considering how much i normally struggle with hands.

i know the hand in the first picture gave me an ass load of trouble to sketch out last night

[ahollowgrave]

-- mistletoe. pt v. (feat. the magnetic Dar of @darcar!)

[galedekarios]

i don't know how to put this into words yet so it makes complete sense so bear with me while i gather my thoughts, but...

i think a lot of the criticism i have re: decisions bioware made with veilguard are (at least in part) the company's direct responses to the (in my eyes) often unfounded and disproportionate hate that inquisition received from the fanbase.

[dragonanon]

Why is it that I ALWAYS end up simping for the awful, douche bag, bastard men?? I’m literally over here pulling a Helga Pataki for Adam and Mammon right now, and I am fighting for my life