#I had a lot of fun with those first two panels

[catsharky]

Create cool summer treats for your vampire with this one neat trick

[comicaurora]

A bit of a strange question, but if there were any of your videos you were to "remake" today for any reason (ex: you feel like you misrepresented the original text or spread misinformation), which would it be and why? None of them is a perfectly valid answer

Again: bit of a strange question, but I've been thinking about my own creations and how I could have done so much better with some of them, but I also know that is a sign of my growth and constantly chasing "what if I did this instead" isn't always healthy for nurturing a creative mindset, and I was wondering what your opinion might be as a Creator of Things with a bit more experience than I

There's been a few trope talks where I've thought later of other angles I could've explored that might warrant sequels or part 2s, but I don't dislike any of the summaries enough to justify a rework.

I always find "I could've done this better if I made it now" to be a bit of a fallacy. I'm only better at making things now because I made all those earlier things. If I knew everything I'd learn from making a project before I started the project, it wouldn't come out the same.

I think when it comes to the "rework remake perfect" instinct, it helps to zero in on what the impulse is really grounded in. In my experience, more often than not, it's not actually about making the art better, except incidentally. It's usually about showing that you are better. It's demonstrating your competence and your higher standards and your skills, and more importantly it's overwriting the proof that you were once less than perfect. If people look at your old work and think that's all you're capable of, they'll be judging you poorly!

If that's the motivator, it's a very unhelpful one. You can't control for being harshly or incorrectly judged. It's a fruitless effort to stave off potentially upsetting outdated criticism, and it's not even going to work. Fear of critique is an unreliable and untrustworthy motivator.

If it really is about making the art itself better, perfecting your magnum opus with your newly leveled-up skills, that's a little more solid. But from where I'm standing, it's always better to use those skills to make something new instead of polishing something old. The older, unpolished work has already acquired its audience that finds it appealing for reasons that might never occur to you. Trying to bury or overwrite it just deprives that audience of the thing they like, and maybe makes them feel bad for having liked it in the first place. Also, usually when you look back on the older work, you'll conclude that the problem is everything and it'll need to be torn down and started from scratch. I know when I revisited the first three chapters of the comic, when I let my critic brain spin up, it wasn't shading or lineart I wanted to fix - it was panel composition, overall pacing, the entire structure of the chapters as a whole. I would've had to make them all over again to be happy with them, and they wouldn't be the same story by the end.

I've been thinking a lot about the Discworld through this lens lately. It ended up over 40 books long, but everyone agrees that the first two are not what you should start with, because they're the worst ones. They're entirely parodic, purely referential of at-the-time major fantasy series, and borderline mean-spirited in places. If you haven't read Fafhrd and the Gray Mouser and Dragonriders of Pern, you're not gonna understand like a full 50% of The Colour Of Magic.

It's clear that when he started in on them, Pratchett was entirely focused on taking the piss out of a genre he found mostly shallow and unimpressive. But the Discworld wouldn't leave his head, and everything he made fun of he clearly eventually found himself overthinking. He'd make little one-off jokes in the early books about Dwarves having no women and a hundred words for gold, and then twenty books later he'd have a Dwarf gender revolution make waves across the Disc, and then he'd write Thud!, a book that delves deeper into the nuances of Dwarf societal structure than Tolkien ever did.

If you look for them, there are continuity errors everywhere in Discworld. In his introductory book, Carrot defused a dwarf bar full of rowdy brawlers by guilting them all into writing to their poor lonely mothers back home. Shortly thereafter, Carrot will be outraged at the mere concept of an openly female dwarf. Pratchett even eventually wrote Thief of Time, a book that loosely explains that the Disc makes no sense because history has been broken and put back together incorrectly twice, and therefore any continuity errors are because of that.

He's the writer. He could've gone back and fixed it, edited the reprints to be less disruptively discontinuous with the later books. Instead he continuously moved forward and allowed the world he made to grow without cutting it off from its roots. And because he didn't bury his older, far worse work, we have the privilege of following the Disc's evolution from the very start, and seeing how this shallow, stock fantasy world parody became something incredibly rich and complex without ever pretending like its early installments never happened.

Anyway, that's why I think it's better to move forward. You make more good stuff that way.

[judgeanon]

So About That BATGIRL #1...

I put this review up in another site, but since folks here on Tumblr seem to be realizing I have a lot of Thoughts about Lady Shiva, I figured I'd transplant it here. So here's how I feel about it. The short of it is that I think it's a strong start with a few small quibbles because I'm not sure how much of Shiva's writing is her being intentionally OOC and how much is Brombal trying to humanize her.

The long is here:

Now, one of Shiva's main issues as a character ever since they finally split her from the League of Assassins (God bless you Bryan Hill) is that, instead, writers have stapled her to Cass. Literally every major Shiva appearance since 2017 has involved Cass in some way. That is a problem not so much for Cass, who gets to have her own stories and series with and without the Batfam (although mostly with), but for Shiva, who doesn't get nearly as much exposure as her daughter. If there's a Shiva comic coming out, odds are it's gonna have something to do with Cass. Well, except for the other Shiva comic coming out this month that's gonna suck shit.

But at the same time, I don't think that means nobody should ever do another Shiva/Cass story, because I still feel like that's rich soil that nobody has had the time, space or desire to really commit to mining. Hill in Outsiders was writing a whole ensemble cast and couldn't linger too long on them. Writers like Grayson and Cloonan/Conrad both teased Shiva trying to reconcile with Cass but never took it anyhwere. A Shiva/Cass story can still be compelling and interesting as long as the writer is willing and able to Actually Write It.

So when literally the first panel of this new issue is Shiva addressing Cass and their relationship directly, I'm already perked up. Right from the get go, you can tell that Tate Brombal is absolutely here to tell a story about these two women and pretty much nothing else, and also that Tak Miyazawa and Mike Spicer are a killer art team. I adore how hard Tak's figures look without (usually) being stiff, thanks to some solid body language and expressions. And Spicer's colors have a cool kind of dark-but-vivid look. The last leg of the issue, with everything illuminated by fire, is especially cool.

Going back to the opening, it's curous how despite this being an issue #1, there's very little in the way of character introductions or set up. There's no slow burn here, no lengthy creeping intro like previous Shiva/Cass stories. And while I can't help but feel that it must be a little awkward for readers unfamiliar with them or their current situation, I think it also accurately reflects one of my favorite parts of the comic, which is Cass' being just absolutely fucking DONE with her mom.

After years of hyper dramatic standoffs and tearful moments of cheap heartbreak, it's fun to see a Cass who has no time for her mother, who's not interested in what she's got going on, and who's confident enough in herself to even be a little shit about it. It's fun and refreshing and fits Cass very nicely.

That not-quite-breakneck but still fast pace keeps up when the Unburied show up after just a few pages of setup and you know, in a couple of interviews, Brombal mentioned being influenced by Daredevil. And this is the page that made me go "Ah, yeah, that tracks." 'cause brother, those are some MILLER-ass ninjas.

Why Shiva fears these guys or thinks Cass can't handle them is not yet explained, but her desperation to keep Cass around does lead to a small but very meaning-heavy moment: the first punch in this series is not thrown into the face of the new enemies, but it's Cass decking her mom in the face and Shiva loving it.

It's an excellent touch and a perfect mission statement about the series. I love it as much as I love the ensuing fight, full of cool moves in big and small panels, but the most fun thing to me is how it's choreographed as Cass fighting her mom almost as much as she's fighting the Unburied. And on top of being a great fight, it ends with a small nod to QUESTION #1 or the 'Tec '88 Annual, in case I was somehow not sold enough already.

And while I still love Cass being so willing to call Shiva out on her lies, it does bring up one of the small gripes I have with this issue: I don't like it when Shiva lies constantly. I think she's best when she's strong and confident enough to not need to lie, when she just lays everything out on the table the way this comic is almost doing. It's good for Cass, as it keeps showing her as someone who has grown to understand her mother, who sees Shiva for who she is and what she does. And it does set up a slightly heartwarming scene at the end.

Of course, that's personal preferrence, and I'm not gonna say this is a bad comic because it doesn't follow my own idea of what works best for Shiva, especially since it's clear that Brombal is writing her with a lot of intention here. But that leads to the other big-ish issue I have with this issue: it's a bit hard to tell, from this story alone, how much of these moments are Brombal building his own personal version of Shiva and how much of it is Shiva, in-universe, acting out of character for the sake of some hidden scheme. After all, Cass points out that twice in the issue Shiva backs down, first from a moral fight and then from an actual fight.

So it's possible that even the constant lying is Shiva playing a role in favor of a grander scheme which will be revealed in later issues. Which, fair enough, I'm willing to see where it goes. But that second moment of yielding does lead to what's maybe my biggest problem with BATGIRL #1, and it's the Unburied themselves.

There's nothing in that initial fight with the Unburied that suggests Shiva and Cass would've had trouble dealing with them. Hell, there's very little to suggest even one of them would've had trouble with them. Now, I'm not suggesting that this issue should've started with the titular character and her mom getting their asses handed to them. But it feels like there's just not enough to these new enemies yet to justify the escape. Ninjas show up, Cass and Shiva beat them without getting hit once, more Ninjas show up and Shiva self-defenestrates herself.

Again, entirely possible that Shiva has something up her sleeve here, and issue #2 did promise to show us the main villain behind them, but as it stands it leaves me with this weird mix of not quite intrigue, not quite disappointment. It's just odd. They could've had, I dunno, a bomb set in the building or some other reason for Shiva to exit the venue like that.

Speaking of odd things, however, I did NOT expect to be reading a comic that brings up Shiva's cult from Puckett/Scott's BATGIRL #25. It's an "Order of Shiva" now though, with chapters and temples and stuff. Which is a bit of a change, since back in #25 they came off more like a gang of fanboys than an order of servants or anything like that. And after being summarily disposed by Shiva in that same issue, they were never really explored again.

So this is Brombal not just bringing back a bit of old lore, but also shifting it slightly, turning it into a more organized group... and then summarily disposing of them one panel later.

Also, I don't know what it is but I *LOVE* this panel. Shiva's face, her "wut" pose, the O.O, it's just... beautiful.

Anyway, once they're in the temple for the last bit of the issue, I start to see a bit more of what Brombal's doing. Like Gail Simone and Bryan Hill, Brombal seems to want to soften Shiva up a little, to make it clear that deep inside, she does have at least a bit of a heart, or enough of it to feel sadness at the wasteful death of people she may feel like she owes something to. Compare it to BIRDS OF PREY #62 for example:

This one is not quite as dramatic or vulnerable, but it's clear that Brombal wants to write Shiva with a slightly more human heart. Which, again, I'm not opposed to but I don't think it's the best thing you can do with her. I prefer Shiva being more detached in regards to death, like the most she'll do is see it as a waste but she's not gonna get emotional about it, she's going to be way more matter-of-fact. Death happens and such. But I think that kind of aloofness often gets interpreted as monstrous disdain for life by writers trying to make Shiva into a villain, and if I had to choose between what Brombal's doing and what, well, what Tom King's probably gonna be doing in a few weeks, I'll take this anytime.

Anyway, I also didn't expect to see the apprentice from BATGIRL #26, having apparently gotten a promotion somewhere in the last 20 years. Good for him! Less good for him is the shitload of arrows he eats two pages later but oh well.

The last couple of pages lead to a nice moment of sheer badassery for both Shiva and Cass and one last showcase of Miyazawa and Spicer's glorious team effort. Those two work really well together and I'm excited to see more of them in future issues. And while we're at it, I gotta give props to Miyazawa for being one of maybe two artists to draw a visibly older Lady Shiva.

His version isn't just aged but hardened by that age, looking stern and determined without having to rely on gritted teeth or angry looks. And on top of all that, he still finds more than enough moments to give her the kind of cocky smiles that bring out the more playful side of Shiva that some stories tend to either gloss over or turn into outright sadism.

Man... I just love to see that momma smile.

Other than that, there's a couple of minor quibbles I have with the issue. There's a funny moment where Cass pulls a Batman on her own mother (who charmingly acknowledges Bruce's influence) but it's undercut by Cass poofing back into existence on the next page. And there's also the weird, almost surreal emptiness of the city around them. Even after a building explodes, there's literally nobody on the streets other than Shiva and Cass.

On one hand, it speaks to the intentions of this run. This is VERY much a two-woman show so far, with no room for much else. But it's still glaring enough to be distracting.

However, it's that intentionality that ultimately wins me over. Even with all my personal little issues with Shiva's characterization, it's obvious from the start that this is a writer who is genuinely trying to write her as a character, who is ready to engage with her and with her relation with Cass on a deeper level than just hero and villain, or good daughter and evil mom.

Brombal, Miyazawa & Spicer have put some meat on the grill, and although I don't think the biggest pieces are there yet... I'm ready to let them cook.

[princessmisery666]

Best Con Ever

Summary: It’s all fun and games until the truth is revealed.

Warnings/Genres/Troupes: fluff, drinking, silly stuff, Jared being an annoyingly good friend (seriously, he wouldn't shut up!). 

W/C: 2,381.

Characters: Jensen Ackles, Jared Padalecki, Alexander Calvert, Richard Richard Speight Jr.

Pairing: Jensen Ackles x fem!Reader (you - no descriptions of body type or ethnicity).

Challenge/Bingo: @jacklesversebingo Prompt/Square Filled: Making fun of one another 

Notes: Jensen is a single pringle for this one! 

Betas: @deanwinchesterswitch // all mistakes are mine.

Graphics: dividers - @talesmaniac89 / picture in title card - @lemondropsonice - they were kind enough to grant permission to use when I asked.

Master Lists: Dean Winchester / Main

The special fan event is going so well. The intro includes party games, such as Pin the Wings on the Angel and Bowling with the Devil. The pins have pictures of demons from each season taped to them. There’s also a drinking game with “apple juice” because Jensen and Jared keep insisting “Jack” - Alex - isn’t old enough to drink yet. You’re a little buzzed, but it helps ease your nerves. 

“Ah, you said Supernatural!” Alex exclaims, pointing at Jared, and the audience collectively yells, “DRINK!”

Shots of apple juice that smell suspiciously like whiskey this time get passed around until the four of you have one, and then, as one, you shoot them back.

“Woo,” Jensen yells, sucking his teeth as he turns his back to the audience and looks at you. “Don’t let me fall over.”

“Only if you do the same for me,” you laugh. 

“I got you.” He turns to the audience again but puts his arm around your waist and pulls you into his side. 

Of course, the audience immediately awws and gasps. “Oh shhh, you lot,” Jensen playfully scolds, “I’m just holding her up.”

“Wouldn’t want her falling now, would we?” Jared says. “Unless it's for you. Ba-dum-tss.��

He gets nothing from the band. The drummer shakes his head.

“Oh, come on!” He complains. “That was good!”

This is your first event since joining the show at the end of season eleven, but it is not the first time a potential off-screen romance has been mentioned. You have seen videos of panels where fans have asked the question, and you and Jensen have each been approached by fans on the street. With Jensen’s arm wrapped firmly around you, you are sure you can get through it without making a fool of yourself.

Jensen has been a wonderful source of support from the beginning. You had been nervous about how the fans would react because you replaced the wonderful Megalyn Echikunwoke as Cassie Robinson, Dean’s love interest from way back in season one. The inconsistencies in appearance had been loosely explained, and it was somewhat plausible in the world of Supernatural, but that didn’t bother you so much. Being Dean’s love interest was what worried you the most. The fans are so protective, and rightfully so.

“They’re going to love you,” Jensen had said when you aired your concerns. “Just like I…we do.”

He was right. The reception to the reintroduction of Cassie couldn’t have gone better. The fans loved it and accepted you and Cassie Robinson with open arms. You’d read some comments, heard second-hand from producers, and when the fans started an online petition - for fun - to get you and Jensen to date in real life after seeing behind-the-scenes footage, Jared dubbed himself the President of the “Jensen and Y/N should be a couple IRL” club.

You and Jensen played along with it. It helped ratings, and it wasn’t a chore to have Mr Ackles’ undivided attention at parties and dinners to play up to the rumors. But that's all it is: rumors. The two of you are close, on and off set, but whereas Cassie and Dean are super hot, you and Jensen are lukewarm. Hugging Jensen - though it happens often - unfortunately doesn’t lead to sex like it would with Cassie and Dean.

Richard announces it's time for the fan questions and asks those selected to form an orderly queue behind the microphone. Though the questions have been pre-approved, you get a wave of anxiety as you don’t know what they will be, and you hope this portion of the event goes as well as the rest of the day. A fan asks how your first meeting with the cast went, and you look sheepishly at Jensen. 

He shakes his head and rolls his eyes but sighs in defeat. “Fine, you can tell it.”

“Better yet, reenact it!” Jared suggests. 

Your eyes light up with something akin to glee, and Jensen raises his brow and doesn’t need to ask the question in his eyes, ‘Really?’. You pout, bottom lip sticking out as far as it will go. “Please,” you draw out.

Reluctantly, making a show of it, and very slowly, Jensen gets to his feet, leaning closer to pretend to nip at your protruding lip. 

Jared shakes his arms out as he stands up, “I’ll play Y/N.” 

“The hell you will,” Jensen says, playfully pushing him out of the way. “Y/N will play herself.”

Jared comically falls over his chair to the ground as if Jensen’s push was twice the pressure it had actually been. 

You stand up in front of Jensen and wait for the laughing audience to quiet down. Jared stands straight and holds his microphone close to his mouth. “It was a bright winter morning, not a cloud in the sky,” he narrates in a poor impression of David Attenborough’s voice. “The beautiful and elusive beast, Jensen Ackles, notices a radiant creature across the lot. Slowly, he approaches…”

Jensen shakes his head at the crowd and rolls his whole head along with his eyes but obliges the narrator. He walks the few steps and shakes your hand with way too much enthusiasm. “Hi, I’m Batman. Dean. Ackles. I mean …” he groans, trying to dismiss his embarrassment, then blushes and says, “Hi.”

You laugh again, as does everyone else. Jensen grimaces just as he did on the day. “I’m going to walk into the sun now, sorry.” he strides around you to the end of the stage, and Jared steps up to take his place. 

Jared shakes your hand like a normal person. “Translation, that’s Jensen, for I think I just fell in love with you.” 

Jensen, with his back to the two of you, throws a thumbs-up over his head. “It went exactly like that!” Jensen confirms, nodding and shrugging as he makes his way back to his seat. “And now that we’ve all relived my embarrassment, let's move on.”

The microphone gets passed to the next person, and they ask, “Jared and Jensen are known for their pranks. Have they played any on you, Y/N?” 

“Oh yes!” you answer as Jensen takes his seat beside you and squeezes your knee. “I’m hanging like twenty feet in the air,” you begin.

“That’s like three Jared’s,” Richard adds, pointing to Jared on his left.

“Exactly,” you laugh, spreading your arms and legs out in a star to show the position you were in. “I’m full on Mission Impossible Tom Cruise-ing it, three Jared’s high off the ground, and the camera breaks.” 

The audience reacts with grimaces and chuckles. 

“They tell us it will be like ten minutes, and being the awesome trooper she is,” Jensen continues, flashing you a sweet smile. “She agrees to stay up there while they fix it.”

“Of course, it takes longer than ten minutes, so Jensen and I get bored!” Jared laughs, evilly rubbing his hands together.

“First of all, they decide to rub salt in the wound,” you shake your head, laughing at the memory. “They start doing lunges and star jumps, bragging about how comfortable and free they are.”

Jared and Jensen reenact their exercises, doing over-exaggerated lunges and squats, to laughter and catcalls.

“Stop it,” you say, around almost uncontrollable laughter. “You’ll split your pants.”

“Hey, watch it,” Jensen warns, pointing a finger, “my ass is not that big!” 

“Your ass is just fine,” you smirk, the audience agreeing with whoops and hollers.

“You're not so bad yourself,” Jensen counters, winking.

“Hey, hey,” Richard chides, shouting over the raucous audience. “This is a family show.”

“ANYWAY,” Jared says loudly. “Then we used her as target practice, trying to throw Skittles in her mouth.” 

“Let me tell you, at speed, those things are like bullets.” You explain, “I swear they chipped a tooth!”

“I’ll pay for any dental work,” Jensen confirms with a slight nod. “And to answer the question, Jared and I messed with the camera. We knew she’d get stuck up there.”

You shove his shoulder, and he teeters to one side before purposely overcorrecting himself so he’s lying across your lap. 

“We still need to get him back for that one,” Alex reminds you.

Jensen scoffs, rising to sit up again. “You tried and failed. Give it up.”

You and Alex simultaneously declare, “Never!” 

“Alex and I decided to team up and get them back,” you explain to the audience.

“They tried to get me,” Jensen says, “but Jared caught them, and he told me so it didn’t work. But they managed to get Jared,” Jensen begins laughing, unable to continue the story.

“All Y/N’s idea,” Alex insists, pretending to edge away from Jared.

Jared shakes his head, tongue sitting in the pocket of his cheek while he tries to look disgruntled but can’t hide the smile he tries to contain.

“It was genius,” Jensen manages around huffs of laughter. 

“We got the wardrobe department to take in his shirts and shorten his pants a little each day for a month,” Alex says. “But it only took two weeks before he started complaining about gaining weight and growing taller.”

Jensen’s laughter stops, his demeanor turning completely serious. “I cannot tell you how annoying he was about it!”

“I wasn’t that bad,” Jared protests. 

“Dude, you were bad!” Jensen counters, “You were googling if you could have a growth spurt after thirty. It’s all you talked about for two weeks. It was so annoying!” 

“That’s me, Jared Annoying Padalecki,” he says. Then has a lightbulb moment, or perhaps a whiskey-inspired one, and jumps off the stage. Everyone laughs as they watch him cheekily shove to the front of the question queue, dropping to his knees. 

“Hi, I’m Gen from Texas, and this is for Jensen,” he says in a higher pitched voice than anyone would expect could come out of the giant of a man. “I would like to know what your favorite scene to film was from the last season. And why is it the sex scene with Y/N from episode three?”

Jensen closes his eyes, face scrunched and lips pursed in mock annoyance as he flips Jared off.

“What a great question, Gen,” you chuckle, turning to stare at Jensen. “It was definitely one of my favorite scenes to film.”

“It was a fun day,” Jensen agrees. “Usually, sex scenes are super awkward and embarrassing, but it wasn’t. I mean, who wouldn’t want to spend a day in the back of Baby with all this,” he gestures toward Y/N, “on top of you.”

Jared gets to his feet, using a fan's shoulder to hoist himself up, and then bends to reach the microphone. “Follow-up question,” Jared begins, “this time for Y/N. Are you free for dinner tonight? Asking for a friend.” 

“Oh, for a friend,” you say, leaning to look around Jensen and at Alex. “Well, in that case, I’m free anytime, Mr Calvert.” you wink. 

Jensen leans forward, pointing a warning finger at him, “No!” 

“Urgh, Alex,” Jared groans, using a long leg to step back onto the stage, “you’re such a troublemaker!”

The next fan is given the microphone. “So it’s been twelve seasons; what mementos have you taken from the set?”

“Funny you should mention that,” Jared answers immediately, then sings, “Jensen’s in trouble. He stole the infamous demon Dean's red shirt.” 

Jensen throws his hands up, shaking his head. “I did not! I don't know who did, but it wasn't me.” 

Jared rolls his eyes. “So some ghost took it out of your trailer?” 

“Maybe,” Jensen shrugs. “This is Supernatural.” 

The drummer immediately punctuates his response, the hiss of the snare still echoing as Jared stands up in protest. But the audience is too quick, and they yell, “DRINK!” 

“You lot are a bad influence,” Jensen tells them as you all make your way to the drinks table at the back of the stage.

You hold your microphone down while Richard pours the shots. Leaning closer to Jensen, you ask, “Are you really in trouble because of it?”

Jensen scoffs, “No, of course not. But they need it for a photo shoot, and they want to auction it off for charity. They’ve been on my ass for weeks.”

“Oh.” 

“Oh?” Jensen asks, very much channeling Dean in his expression. “Do you know something about it?” 

You wince, trying to feign innocence, but it's no good. You know you’ve been caught out, and you’ll have to give it back. “I took it,” you confess.

“What? Why?” 

You can’t think of a lie quick enough. So with a nonchalant shrug, that's all for show because you don’t feel it at all, you admit, “I like it. It's a nice shirt to sleep in, and it smells like you.”

“If you want something that smells like me, you can have me!” Jensen blurts out loud enough that the mics lowered at your sides pick it up.

The fans erupt, screaming and shouting. They get to their feet and clap. Alex and Jared talk over each other, but it all becomes white noise as you stare at Jensen, who stares back. 

“Screw it,” he says, and you're the only one who hears it. But everyone sees him take a small step into your space and place a gentle kiss on your lips. He pulls back enough to look at you for any reaction, and when you lightly smile, he slips a hand down your cheek and draws you in closer for a deeper kiss this time. 

The crowd goes wild. Your ears will be ringing for days.

Jensen keeps the kiss PG13, but you go as far as wrapping a hand around the back of his neck. It ends too soon, but you remind yourself that you are being watched. He leans back, smiling happily. “Sorry if that was out of line.”

“The only thing that was out of line was how long it took you to do that.” 

He shrugs one shoulder, tongue sitting behind his teeth. “Sorry.”

Jared tries to get control of the audience, but it doesn’t work. Jensen walks to the edge of the stage and holds up a hand, silencing them with the simple gesture. 

Once it's quiet enough, he smiles, boyish and wide. “Best. Con. Ever.”

Master Lists: Dean Winchester / Main

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[cupcakeslushie]

Do you have any tips on for people starting a comic and wanting to post to tumblr? Like pacing ect. Or well any experience you’ve had with your comics? Love your content as well ❤️

If it’s simply for fun, and you’re just trying to gain experience, my biggest advice would be to just START. Don’t worry about it looking perfect. Don’t worry about comparing it to other’s comics. Just try something, and if you find it’s not working, you can always change things up. I have gone through several styles and page layouts since starting. Do I wish those first pages of EW looked just like what I’m doing now? Yes, but if I’d waited around for perfection I would have never started. And I wouldn’t have had nearly as much fun creating it! If people like it, that’s great, but your art is for you. If you’re growing and learning and having fun, then you’ve accomplished something!

Now for some less preachy advice 😂…

—If your comic is gonna be hosted on Tumblr specifically, I would say, make sure you keep the 10 image limit in the back of your mind when you’re pacing things. That can definitely cause some headaches down the line. If you don’t plan ahead, and end up hitting it, you’ll have a sudden cut in your flow. This last update I knew it was gonna be long, so while I did plan, but I could’ve planned better.

—Variety is key!!!!!

Composition changes keep your viewers from getting bored. Sometimes I’ll find myself falling back into the bad habit of just doing the simple back and forth with two characters talking straight on, but changing the camera angle, making establishing shots when you change locations, and over the shoulder shots, etc etc…All these will make for a more interesting viewing. You may think a character needs to be in every single panel to make it interesting, but if you have a lot of dialogue, a simple plain shot—either in top of a solid background, or just over something boring, like a glance at the set, etc—this will let people focus on the words rather than splitting their focus.

Variety applies to shading as well—whether you’re using color or black/white. Variety in values are SO important for comics. You’re shoving a ton of information in a limited space, so try to keep your values different for items that are close together….it can make things very confusing and turn your line work into indistinguishable blobs if you shade without this in mind.

(Using this panel as an example….)

The top two panels have a variety of darker values and a halftone background—so the next two with Venus, I kept rather simple. I could’ve colored the buildings behind her, but then, she might’ve gotten lost amidst all the grey. There’s not really any trick or solid rule to this, but once you develop your creative eye, you’ll make these choices without even thinking about it.

A few links to helpful tools (they’re all procreate centered I’m afraid 😅)

Outline brush — a free tutorial for Procreate users. This brush kinda mimics the CPS feature that lets you create panels with a nice black outline. I used this brush very often, and it really gives your panels a professional look. Fair warning, it can be glitchy, but it’s free…

Manero Comic Bubbles and sfx — These brushes are not free, so I would recommend maybe getting in your groove before you try them out. They’re by no means necessary, but I’ve just started using them, and they save me so much time. There’s a HUGE selection of shapes, and they go on with a solid white background, so you don’t have to worry about coloring around your dialogue balloons.

[chamiryokuroi]

My thoughts on Tim Drake: Robin #10 heavy spoilers under the cut

First of all got to say it wasn’t a bad ending if we consider they had to wrap up this arc in such a short amount of time, gotta give it to Meghan she managed to figure out a way to answer as many questions as possible and give us a relatively good ending for a series that I feel was canceled with no reason.

You can definitely feel that the story was planned to be done in more issues, the building blocks are all there for an amazing arc and it is sad we had to condense it all in one issue.

Now into a more in depth analysis of the comic of my favorite parts.

The Labyrinth was such and interesting point I wish we could have seen more of, specially with the fact this is the cult if Dionysus.

I absolutely adore the fact that Bernard is fully aware of Tim’s identiry because we get such funny interactions like this where Pie honestly thinks Tim is cheating on Bernard with Robin, and that panel of Bernard laughing because of that is one of my favorites for sure, boy is having so much fun, as he should.

Now in a more serious tone, this two panels tells us so much of how Tim feels, how insecure he is of his own place, not only on his family, but in the world as a whole. That second panel specifically where we see Bernard having fun while Tim is just on the bg, knowing how hard it must be for Tim to wrap his head around his sexuality even now, a year after coming out and starting dating Bernard, this feels realistic, sometimes when you come out later in life it feels as if you do not fit exactly with the community, and it can be hard to find your place.

If I had a nickel for every time a creepy cult tried to recruit Tim into their ranks I would have two nickels, which isn’t a lot but it is weird that it keeps happening.

This is honestly another point that feels like it was meant to be explored for longer before the cancelation notice came. At least it gives us an explanation of why Kate was acting the way she was, it took me a while to get it but basically after Tim saved Bernard from the cult back in Urban Legends Kate went around hunting down those that managed to escape, one of them being the son of this man that appears to be the leader of the cult, the son then took his own life and Kate was taken into the labyrinth, were we know Tim was being pumped with some hallucinogen gas of some sort, depending on how long she was on the labyrinth before managing to escape that might explain her memory loss, again this is all theorizing with what we are given since there wasn’t much space for it to be explain as it should.

And now we go back to Bernard who is looking around for Tim, going to all the people that knew him as Robin, and then those words “Tim takes care of everyone… but sometimes he needs someone to take care of him” hits me straight on the feels, Bernard is such a supportive boyfriend, he is definitely what Tim needs, someone that is there for him, not only for Tim, but also Robin.

Also the fact that Bernard is making his own homemade bat-signal with his hands is just adorable to me. Boy could had probably drove to Bruce’s house, but he doesn’t need Bruce’s help right now, he needs Batman.

And of course Batman responds. Bruce why were you following Bernard? Anyways, yet another great speech from Bernard “I thought you might be a ghost. Or you weren’t real. But the truth is you look sort of normal. Like regular-people normal.” Leave it to Bernard to understand exactly what Batman is, just a normal man trying to help as best as he can.

And then he says Tim needs help, not Robin, Tim. This is just Bernard out right telling Bruce “I know, and I don’t care, because Tim is in problem and you got to find him”

And then we get the best thing, Bernard, and Tim’s friends and family, rushing in to save him, just as he was losing hope of managing to leave the labyrinth alive. Absolutely in love with Bernard’s long ass coat.

And then we get to my favorite page. The uncertainty if it is really him or another hallucination, the confirmation that it is him, it is Bernard, here to save Tim. The hug, the way Tim is holding Bernard’s face, the only thing that would had made this better would had been a kiss.

And then we get to the ending, not much to say here, I just love these two pages, Tim just finally realizing he doesn’t need to be anyone else, that he can be himself and that he is right where he belong, and that he can be happy with that. The best ending we could have hope for with what we were allowed to have.

There are obviously many questions left unanswered.

What was exactly the Cult of Dionysus? Where did it came from?

What’s going on with Bernard’s parents?

What’s up with Moriarty? Who was his boss? What was his deal with Robin/Tim??

I am sad TD:R ended the way it did, had it been given the time to develop I feel it would had gotten better. But I am glad we managed to get as much as we did, now we just have to wait and see what will DC do now with Tim, and if Bernard will stay relevant or will they brush him under the rug.

[don1t1red]

Honestly, one thing about DotO which always bothered me is how Billie seems to be so lonely in her journey. And not in a way of "she is a lone-wolf" but in a literal sense of loneliness and not-belonging. It almost feels like it is her first day in Karnaca, a city where she doesn't know a single thing or person. Which isn't true. I know that a lot of people have already talked about this, and so I won't jump into the depth of criticism. Treat this post as a bunch of thoughts which occurred to me in my first playthrough.

Firstly, there is no recognition from different people. Stilton, for example. In DH2 she was ready to battle her way to his house and help him, she payed with her blood, her eye and her arm. And yet in DotO we don't see any valuable mentions of this man. Yes, we have a photo in her cabin but that's it! Nothing more nothing less, just a photo which exists in the cabin only to show us, the player, the Void rifts. Almost like it was never meant to actually represent their relationship, just a funny mechanic of the game.

Maybe I don't understand her character to that extent but when I firstly played and heard Billie's monologue about the state of the Dreadful Whale, I had a thought. Was there no one who could help her with that? And my first thought was Stilton, especially after I saw their photo together. But alas she didn't mention anything like that which was completely fine… till the The Stolen Archive mission. With a plot progression things became absurdly stupid. Billie learns that the cult uses Shindaerey as their hideout. And what is Shindaerey? It's a literal mining quarry.

And so you want to tell me that Billie who I know, cunning Billie, who was, by Daud's words, extremely good at unsolving mysteries, won't at least ask Stilton about this quarry? She won't ask a mining baron of Karnaca? Really? Give her skills some credit! I'm not asking for a 5 minute long cutscene but at least a small panel in the pre-mission briefing where Billie talks to him about that, and where we can see how worried he is for her. She is not alone and, no matter what, there is still at least one person who remembers her, sees her and wants the best for her. But again, for whatever reason Billie has no valuable connections in this game, it seems. So it didn't happen.

Two other people about which I keep thinking about are Thomas and that person who borrowed Billie's skiff and returned it during the Follow the Ink mission.

If that note from a certain T. was actually from Thomas I can't think of good enough reasons not to include some of the letter which might happen in between them during the events of the game. Thomas knew that both Billie and Daud were in Karnaca but he didn't know that Daud had died. And honestly an unfinished letter from Billie to him where she tries her best to write about their master's death but just can't - would be absolutely gut-wrenching and insightful. Also it could be interesting to see the difference in how Billie is talking about this event and how she is living through it in reality. Because - obviously - people's internal and external dialogues would be different and seeing that difference in Billie would help us, the player, to understand some shapes of her character.

Or maybe Thomas would learn about Daud's death himself somehow, maybe he could recognize Billie's work as she goes though the city to uncover its secrets. And, finally, it would be simply fun to find a small lootstach from Thomas on one of the missions, accompanied with a letter from him. How is he now? What are his thoughts about Billie? How do her actions are seen by the common folk? Or by the gangs? After all, a good character is not only divided by how the story sees that character but also how this character sees themselves and what other people in the story are thinking about this character. And, as I already said, this small letter exchange between Billie and Thomas could cover up those aspects.

And so we are left with only one character whose presence and absence in Billie's story bothers me. That person who borrowed the skiff. Because the skiff was Billie's main link between the shore and the Dreadful Whale. We learnt from DH2 that in any port there would be a “fee” for leaving the ship there, later, in DotO she complains that hiding her ship wasn't an easy task. So whoever borrowed it must be a good friend of Billie, as absence of the skiff puts her in a bad and potentially dangerous situation. Besides there is a note by a certain M., which talks about meeting with Billie later. I was kinda excited to see who this person might be. Someone whom I already know? Character from the first game? Maybe from the second one? Would it be a howler or black market dealer? Would they give me some special mission akin to one that Emily can get in the Royal Conservatory mission? Well, should I say that I was left wondering as there was not a single special NPC which met the criteria.

What? I forgot about someone? Deirdre? Oh, right. Deirdre. The best person in Billie's life and the worst death in Billie's memory. Right. It's almost too easy to forget that she exists, as Billie talks about her approximately two times in the game? More or less so. Should she talk more about her? Maybe, I don't know. But I remember thinking about using the rat charm in the Void or in the quarry. I thought that in the Void I could hear the real Deirdre speaking, this idea gave me chills back then. To adjust to the voice of your loved one's from rats, only to hear her cursing you for all you have done or to call you from beyond. I thought that she would appear somewhere in the Void, just in the corner of my vision. But again it didn't happen. And I don't know for better or for worse. As in the current state if you want to completely strip her out from the game - you won't lose a single thing. After all, a rat charm is just a rat charm, and so is a voice in it, as it never changes and never really speaks to Billie, it was never a personal matter.

Overall, I don't want to be another person who throws rocks at DotO as, honestly, I like Billie and I'm just… sad, I guess. I'm sad that the game about such a character fails to make me think more of her. I'm sad that the plot of this game was kinda ruined with a terrible script. And, at the end of the day, I'm just sad that Billies didn't get her chance to shine in her own game.

But nonetheless I still like Billie and, at least, her sarcastic comments on the surrounding was always a delight to hear, so I'm gonna replay this game one more time in vain hopes to find what I see in it.

[melancholicstation]

I DON'T NEED YOU BUT I MISS YOU, COME HERE! - a john f. kennedy jr. one-shot

day 2 of melancholicstation! summary: After exchanging gifts with your boyfriend you both reach a haunting revelation. After a serious of miscommunications between the two of you in which the both of you thought the other had bought the round of gifts this year, you and John are forced to venture into the city on christmas eve in the search of a christmas present for your boyfriends mother. What could be more hellish than that? though your handsome boyfriend makes it more than tolerable...

taglist: @carly-rae-jean @h-l-vlovesvintage @inocennture @monturi @hisamericanmuse @passhun4w-blog @vile-harlot @bluelancergirl @jackiesgirl @fortheloveofjos @itgirlvirgo @starsprangledgirl @malkavared @remotewatch @salvatoresablondie @kimcrystal123 @vampyiricris @scaredlamb @dulcegal @strryhaze

warnings: nothing, just good all clean christmas eve fun...

words: 1,210

Light pitter-pattering of rain falls softly against wrought iron fire escape, a soft aroma of powder and flushed-skin spices laid a slight film upon the furnishings of your New York apartment which was a mix of strewn silk stockings, rugs and tapestries, and because it was Christmas: two delicately placed patchwork stockings made from dead stock fabric across an elegant carved walnut chimneypiece and an antique Christmas collage you'd scored in an auction down in the Cape.

But none of it, in all its curated charm, could compare to the beautiful boy who laid his head in the space of your lap. John's eyes closed resembled those in renaissance paintings when scrutinised too close, and was accompanied by a set of an annoyingly long lashes mirroring the color of ink that's been spilt from a fountain pen.

In all his dreary-faced glory: all tuckered out after a tranquil evening of dining on a mismatched array of foods completely incongruent with the present season such as 2 packs of lemon club sodas, a squash & burrata pizza, and a half picked at banana coconut muffin to share: foods that may or may not have been stolen from your head chef's storage pantry. In your defence the food would've had to go in the trash anyway... If you really thought about it you did them a favour in taking the food!

In service of both you and John's shared distain for the Christmas craze and chaoticness you'd both decided to give each other your presents on Christmas Eve instead of on the big day.

The very presents in question were as follows: John got you a beautiful perfume along with a first edition, signed 'Journals of Anaïs Nin hardcover.

In your case, you got John a limited edition cologne with the tagline "Wear En Plein Air if you want to smell like an unassuming art critic on his way to an orgy." Classy. To go along with the scent you got him this years Art Press magazine issue, lately he'd been talking a lot about possibly creating a magazine: you thought it was a terrific idea but he wasn't so sure it would land.

The gift-giving hour had long passed and before you knew it the both of you had ended up splayed out on top of each other on your bed: an early twentieth century opium bed with a pierced lattice panels. A statement piece in your bedroom that you were very proud of winning in an especially hard auction at Christie's Rockefeller plaza location.

The snacking continued from the floor of the kitchen to the bed, where John began shovelling crumbs of a coconut muffin with reckless abandon: defiling your freshly put-on winter goose-down duvet.

"C'mon John you know I just got this cleaned. You watched me buy it like last week!" you say jokingly, yet your movements betray otherwise: frantically moving the palm of your hands over the duvet trying to brush away the crumbs onto the hardwood floors—an almost unbelievable score for an apartment in the city.

"Baby you're way too tense, let the holiday cheer wash over you!" he says sarcastically with that kind of eat-shit grin he nearly always dons.

"Well i've decided to reject that holiday cheer, I'm too stressed out having to figure out your families fucked up dynamics on top of trying not to piss of your sister—making her hate me more than she already does"

Wiping away the coconut flakes from your chin with his fingers, to which he proceeds to place those same fingers in his mouth, making an almost comically suggestive motion: to which you giggle alongside him.

It's interesting how you can almost see the cogs turn in his mind—it's funny how the longer you get to know him you can almost predicate the exact moment a thought enters his head "Speaking of, I forgot to ask you what you got for my mother for when we go down to the cape tomorrow?"

"Wait I thought you were handling the presents for your family this year. I-I mean she is your mom after all John"

It's at this moment that you immediately understand that he did not have the Christmas presents handled in the slightest.

Oh, fuck.

So that is what transpired to have the two of you traipsing around New York City at a blistering 7 pm on Christmas Eve like total and utter idiots.

After the utter shock of not having organised a Christmas present the night before Christmas set in you both scrambled into action changing out of clothes you called "house clothes" into respectable "outdoor clothes".

You chose a practical uniform for the blistering cold raging outside: a slim-fit pair of indigo blue jeans, a silk porcelain turtleneck for layering purposes, and a camel cashmere belted overcoat.

The reason why you'd regard John as a man touched by a certain oddness, said with love of course, is no better exemplified than his chosen outfit for the blistering cold: a patterned cashmere and silk crewneck paired with some old gym shorts and a pair of uggs atop long cotton socks reaching his mid calf. Now, you wouldn't position yourself as a fashion icon but you won't pretend you didn't second guess his choice of fashion, though you did relent when you saw the bashful smile fixing its attention upon your being.

Initially you were mad at one another for dropping the ball on finding gifts but fighting never lasted all that long with you two now did it?

Now, with that being said: Bergdorf's at 7:31 pm on Christmas Eve was certainly the undiscovered 8th circle of hell that Dante's Inferno conveniently left out. You and John had been circling the aisles for about thirty minutes and still: Nothing. As you traipsed the aisles for what seemed to be no short of a few miles all you found were picked over shelves with cheesy Christmas sweaters made out of polyester and acrylic, and small cheese platters in tiny wicker trays.

And if you gathered anything from the few times you've met your boyfriend's mother: Jacqueline Kennedy, is that she has immaculate taste. And known for having a severe emotional intolerance for synthetic fibres and cheap butter.

So safe to say both products left would absolutely not suffice or bode well with her.

By 7:51 pm you're both defeated but as if an angel sent from the gods themselves decided to take pity on you John spots and item: beckoning you over holding his hand out. The item comes into your view: a 18" silver amphora vase detailed with dragon head handles—a little ornate for your taste but from the look on John's face the vase is a winner.

Delighted to be able to get out of this place you both move to the register, slightly surprised that there's not an outrageously long line before you. You're both quiet for a few minutes while waiting, you're broken out of that silence when you feel John's hand pick up yours and bring it to his lips: kissing each of your fingers wrapped in his hand individually.

Okay, maybe Bergdorf's at 7pm wasn't exactly as bad as Dante's inferno but safe to say you will be getting everyone gifts in November next year to avoid this very situation in the future.

i feel like this is my worst one-shot to date (and it hasn't been edited) but I hope u enjoy regardless p.s all the furniture written about was just an excuse to basically show you my christie's wish list items bisous!!!!!!

[yumeka-sxf]

There were two panels related to Spy x Family at Anime Expo this year, with the first on Day 1 being Toho Animation's panel featuring both Spy x Family and Kaiju No.8.

The panel started with the SxF portion, with the special guests being the series director, Kazuhiro Furuhashi, and the CODE: White director, Takashi Katagiri. They also had the six SxF ThreeZero figures on the stage with them 😀

The MC asked them some questions, like what their favorite scenes were from their respective works and who their favorite character is. They also showed behind-the-scenes footage of both the Loid/Fiona tennis match in season 1, and Yor's fight scene against Type F in the movie. We got to see both of these scenes in rough animatic sketch form and then in line art form, which was pretty cool (it wasn't clear if photo/video was prohibited at this panel, but I didn't want to risk it by being caught blatantly recording these exclusive clips, lol). Then they showed off some of Anya's unused outfits from the movie.

At the end, they showed this original illustration by Kyoji Asano, made specifically for this event 😁

And that was it for the SxF part of the panel before they moved on to Kaiju No.8...and to be honest, it kinda overshadowed the SxF part, mostly because it featured two of the main Kaiju No.8 voice actors, one of which was extremely hilarious and charismatic. Plus there were a lot more segments compared to the SxF part. The interview with the guests seemed longer, they did three live voice overs, showed a pre-recorded special message from the band that performs the Kaiju No.8 opening, and then they took a group photo with the audience (and maybe something else that I'm forgetting). It seemed like the SxF part took up about 35% of the panel's time while Kaiju No.8 took up 65%. Not sure why it felt so unbalanced, but it was still fun.

Next was the panel on Day 3 for Production IG and their related studios WIT and Signal MD. Heads of each studio were there, including George Wada from WIT. Photo/video wasn't allowed once the panel started, but it basically consisted of an interview with the different guests, then trailers/teasers for their upcoming projects, then a Q&A session.

WIT is the studio that makes SxF, so I was hoping for any news about season 3, specifically if WIT would be more involved with it than they were with season 2. For those who don't know, season 1 of SxF was made by both WIT Studio and Cloverworks. But when they decided to make both season 2 and the movie in 2023, they split up the work, with WIT focusing on the movie while Cloverworks did pretty much all the work on season 2 (which is why the animation in season 1 and season 2 looks a bit different). According to this tweet, the official staff listing for season 3 is the same as season 2, meaning WIT will once again have little involvement. But despite this, they had a slide during the presentation with the season 3 promo image (preceded by the CODE: White teaser trailer, which made the crowd go wild - glad there were lots of SxF fans in the audience!) George Wada also said in regards to season 3 that they're "working hard on it."

I wanted to confirm during the Q&A if WIT would again take a backseat during season 3's production as well, but unfortunately the panel only had a few minutes left when it was close to my turn, and then they opted to pick a few random people in line for their last questions (which I thought was kind of unfair). Guess we'll just have to wait and see if anything changes with that staff listing once we get closer to season 3's release.

Overall, while Takuya Eguchi's appearance at last year's AX was more fun, it was still cool to attend this year's SxF-related panels as well. Hopefully season 3 will either be airing or close to being released at next year's AX, so we'll have even more SxF events!

[lynn-tged-posting]

tged webtoon ep 169 spoilers and thoughts that i'm incredibly late on because finals are coming up but it's okay we ball and more below the cut

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two little creatures,,, i really like this little panel,,, why is he crouch like that,,, heehee silly guy

nothing too drastic happened in this ep but there's a lot to talk about (and a ton of thoughts i have abt the execution of it) sooo ya here we go!!!!

the expressions and the art in this ep were all REALLY good i really liked these HAHAHAA hes so fucking menacing,,,

JAVIER WAS ALSO FUN I LOVE WHEN HE PLAYS THE STRAIGHTMAN HAHAHAHA

javier ilysm "i have so many things to say,,, but i wont,,," LOL

the heavenly demon kings were cool too! though very short-lived,,, i will have more to say on that,,, their designs are pretty varied and i like that a lot!!! tho seriously why are there eight of them what happened to warrant eight LMFAO

ALSO LLOYD IMMEDIATELY SUBDUING THE DEMON KINGS BY SINGING LMFAOOOOOOOOOO he's got a weapon he's gonna fucking use it LAKJFDLSJKDF

zero hesitation he just blasted them,,, it's like taking an airhorn and firing it immediately in someone's ear,,, how evil,,, lloyd u bastard /aff

AND ARTANIS ARTANIS WAAAAHHH SHES SOOO PRETTY i love characters with horns like that ive had my fair share of OCs with those horns and together w her hair and expression and eyes i love her a lot <3 i hope she gets more sillies

it seems like she's the only one with mind reading abilities maybe its a demon king thing? javier did mention that she has a LOT more power than she lets on so maybe theres more to it? her introduction and her request for help came VERY quick she was quick to cry and while it absolutely makes sense that its bc her people really, REALLY need help, im also wondering if there's something more to it,,, she was very fast to trust lloyd; what else does her mind reading let her see, to what extent? not saying that she's an antagonist or anything, i do believe that she wants to help her people i'm just curious at how. fast this is. though it may just be because of a pacing issue thats causing this confusion in me,,, which i will talk about later below cause i wanna get thru these panels heehee

and lastly, OUR FIRST LOOK AT THE FORMER/FIRST DEMON KING CREDOS!!! and apparently he just. stopped invading and focused on farming!!!

one) i love collecting little bits of lore like this it makes me go heehee yay worldbuilding

and two) THIS IS WHAT BRIDGES TGED TO THE NEW PREQUEL THAT THE AUTHOR IS WRITING!!! AAAHH YESSS YES YEEESS I LOVE THAT A LOT

if you didn't already know, the author is currently publishing another webnovel set in Lorasia, and it's supposed to take place when tyrannus was a kid, basically a long LONG time ago

AND ISN'T THAT FAMILIAR? A DEMON KING WHO STOPPED INVADING AND WENT FARMING,,, THATS THE BITCH!!!

(it says here there were four heavenly demon kings here tho i wonder why they doubled HAHA)

i love love LOVE that the pieces were set up like this, idk if credos is mentioned in the novel at all but little building blocks that create bridges (however small) between works in the same universe are my favorite thing ever i like collecting those it's my favorite kind of worldbuilding thing bc it's like putting pieces together heehoo

i'll ABSOLUTELY be making a post yapping about this prequel and the Everything that is Lorasia soon, so i'll leave this off here for now :3 but just know IM VERY EXCITED/HAPPY ABOUT THIS LITTLE LORE BIT IN PARTICULAR

ok that's all the panels i wanted to talk about ,,, i was gonna dive into worldbuild yapping/speculations but again i wanna make a separate post dedicated to that

now,,, about the pacing of this episode,,, as aforementioned, it feels really, REALLY fast! it feels like we're speedrunning the build-up part of the journey, like within the episode it's like "oh we got new characters, we get to know them- oh okay yeah they're not bad people actually - oh new powerful character let's work together okay cool moving on"

and it's a shame because i really really like the art and gags for this ep, i think they're really silly and i think i could have really come to like these new characters with more time, but because we're going through this process so fast it's like,,, the setup is barely there, which makes the punchlines just short of satisfying,,,

i wanted more out of this episode, i expected something else. i haven't read the novel so i couldn't tell you how i'd adapt it or what the something i expected was but,, idk it feels like the pacing is off,,, lloyd was quick to piece together the status of the overworld demons based on their attire and behavior but i really wish it went about in a different way. i wish we could have had more time with the heavenly eight demon kings before they were just. subdued? and the two children too, are we gonna see them again? with how fast they were introduced and how fast they were set aside, i'm worried they won't show up again

i also kind of wish artanis' reveal was,,, more. i don't know how to explain what that means. maybe more ominous? more mysterious? just a little more, more hints to her character or her relationship with other characters or something,,, though maybe this is too soon and we'll see more of her later and i'll be more satisfied? i'm not totally sure

this episode just didn't hit the same, and that really upsets me because i really wanted to like this episode! i've read more manhwa than novel currently so even with it's flaws i still really like the manhwa, and i want to be able to continue liking the manhwa,,, i really hope that this pacing thing and these fast-paced bits is just within this one episode and that it'll be okay as we go forward. i really want to continue enjoying reading this!!!

it could be that the adapter is experiencing some kind of burnout, it has been quite a long time since the start of tged. i really hope they take their time with adapting the rest, i really wouldn't mind another break. if another hiatus is needed for the adapter to pace the story and the artist to draw the panels in a way that feels better or less rushed, i'd accept the hiatus fully

anyway that's all i have to say right now,,, ep 170 really feels like a gamble right now and im praying that it goes well, if i have more thoughts ill probably rb with more yapping idk

i'll see y'all next week (aka tmrw) (because this post is a lil bit late LOL) im praying im praying,,, manifesting that this ep was just a lil awkward and that everything else is fine,,, please,,,

[nanaminokanojo]

ACCIDENTALLY IN LOVE | part 43

-meet cute? a cheesy musical number? forget it! love makes itself known to you through a minor car accident, a broken arm, and a treacherously charming temporary chauffeur

CHARACTERS: sukuna x you/reader | jjk characters

GENRE: full-length smau + prose | bad boy x good girl | college au | a lot of firsts | aged-up characters | strangers to lovers | smut | fluff | angst | ooc depictions - soft sukuna ftw

TW/CW: strong/mature language | adult content so mdni on some parts | mentions of alcohol and/or smoking | mentions of injury, promiscuity and bullying | pet names because they're cute with 2D men | toxic behavior | will add more if something arises

MASTERLIST | CHAPTER INDEX

<<prev part 43 next>>

A/N: First panel is a video at the end of narration along with the rest. Enjoy!

You took the ping-pong ball when Nobara handed it to you after Satoru failed to shoot his shot, successfully managing to aim it at the latter’s team’s second to the last cups. The blue-eyed male complained but drank anyway, being a good sport even if he was evidently inebriated. Shortly after, Sukuna managed to wipe out all of the cups, putting an end to the game.

You cheered at that, raising your good arm as you exchanged high-fives with the girls, but then Sukuna’s protective side surfaced again when your other friends and some other partygoers also huddled too closely to you, carelessly moving around you and pretty much forgetting that you were still injured. He reached out a hand, about to shield you, but before he could do anything, you stepped back a little too quickly, and the next thing he knew, you were falling backwards, landing on your butt on the floor.

“Y/N!” Maki gasped, also reaching for you, but was too late.

Everyone immediately tried to check on you, but Sukuna beat them to it, eyes wide as he kneeled before you to check on whether you were hurting anywhere. However, to everyone’s surprise, mostly to his, you started laughing, throwing your head back as the sound disintegrated into bubbles of giggles.

“Oops.”

Sukuna sighed in relief, unable to help it but grin at you, too. “Okay, that’s enough beer pong for now,” he told you, gently helping you up. “Having fun, aren’t you?”

“Yeah!” you answered a little too loudly, giddy and almost losing your balance again, but he pulled you towards him just in time which made you end up against his chest, still in your laughing fit as you looked up at him with hazy eyes.

Sukuna could just laugh and shake his head, pressing you close to his side as he led you away from the ping-pong table and towards the back pool area which was empty. At least, you were walking straight and even had the mind to grab another shot glass of gummies from a guy passing by with a tray of it.

So this is what your friend, Kento, was talking about, he thought, knowing he hasn’t seen the end of it.

You paused in front of him the moment the two of you stepped out of the sliding glass doors to Ino’s pool area, inhaling the cool air deeply as you looked up with a grin on your face. Sukuna couldn’t help but to just look at you looking all high yet still so put-together. And then you took a step forward, staggering slightly, making him snicker as he took you by the arm and led you to the one of the lounge chairs by the water. 

He gently sat you down, briefly kneeling in front of you. “You need to cool your jets a bit,” he told you to which you responded with a noise that conveyed your agreement. “Looks like I didn’t need to worry. You’re a natural at this.”

“Mhmm.”

“You sure you’re okay? Can’t even form words anymore, huh?” Sukuna’s brows furrowed as he moved to sit beside you, still keeping an arm in front of you, his sharp eyes never leaving your figure as you threatened to slump forward. The moonlight glinted off the water, casting soft reflections on your face as you giggled incoherently at the jiggling gummy bears in the glass you were holding, clearly inebriated.

“Hey, you’ve been eating those nonstop. Give me that.”

Your eyes flashed at him as you moved to hold the glass away from him. “No,” you told him, dragging out the syllable. “Want to…eat bears.”

“I’ll get you some water, okay?”

“Gummies!”

“No more gummies,” he said, letting out a bark of laughter when you openly pouted at him. “Don’t waaaaant! Gummies! Mine!”

He couldn’t help laughing even more when you stuck your tongue out at him. “Bunny, you’re drunk.”

“WHO’S DRUNK?!” You looked around you, the action turning out to be comical. And then you focused your eyes on him, not without difficulty, he noted. “You drunk, S’kuna?”

Under normal circumstances, he found loud drunks annoying and wouldn’t give a damn carrying out a conversation, even leaving women he had been with alone when they started babbling nonsense like you were. He could use a little less of the stress that comes with that, but you were just so entertaining and adorable acting outside of your usually well-maintained discipline and character.

“You’re enjoying this too much, sweetheart.”

“You…you said to enjoy, right?” Your leaned forward, your good hand still clutching at the gummies falling onto his lap which he took in his. He slowly nodded for your benefit. “That’s good, but no more gummies for you.” He held it away from you with ease, making you gasp and then whine.

“Give it back!”

“No, Y/N. Let’s get you hydrated.”

“No, ‘Kuna.” 

You both sat there silently, Sukuna in surprise while you frowned at him. And then you proved to even be more than just a handful when you tried grabbing the glass with your good hand. It was too no avail, of course, making him dissolve into laughter at your antics.

Jabbing a finger at him, you said, “Not giving it back, eh?” trying to be threatening than you really were.

“Nope, bunny.”

Instead of the disappointment or whining Sukuna expected, you suddenly stood up unsteadily. Still, you smirked at him, reaching for the glass, hovering over him before ending up seated on his lap.

“Y/N -”

Before Sukuna could do anything, be that geared towards making you stop or not letting you fall, you quickly learned towards the crook of his neck. He felt your breath before you playfully sank your teeth into his skin, biting him and laughing when he let out a yelp.

“Bunny, what the hell? Ow!” he managed to say between winces and laughter.

“My gummies, Sukuna.” You raised your good hand and started pinching him on the cheek, grinning toothily at him and making biting noises with your teeth. “Bite you…I will bite you.”

“You didn’t just do that!”

You chuckled, eyes hazy yet shining with the same kindness Sukuna knew well. You sighed, closing your eyes as you rested your forehead against his. Despite the heavy thudding of his heart in his chest at your proximity, he couldn’t help but watch as a smile etched across your lips, your good hand playing with the hair at the back of his head.

“Not planning to bite my nose off, are you, bunny?”

You shook your head slowly. “You won’t…if I b-bite your nose off…” You opened your eyes, looking at him as if you were seeing something mesmerizing. “You won’t be hot anymore.”

Sukuna smirked, thinking maybe he should bring you to parties more often if you were going to be this funny. “So, you think I’m hot, huh?”

“Super!” Your fingers played with the piercing on his ears. “You’re soooo cool. Sometimes I just…” You snickered and shook your head. “No…no…”

“You just what?”

“Bite you.”

Sukuna just laughed, ruffling your hair. “Glad the prospect of biting me makes you happy.”

“Very happy!”

“Okay, bunny.”

“Thank you…”

Sukuna clicked his tongue. “There you go again. You keep thanking me for the smallest things.”

Your brows furrowed slightly. “M-maybe to you they’re small…”You shook your head. “Not for me.” You sighed, seemingly sobering up a little. “I only ever had Kento and Iori, and when I tried to connect with others on a personal level, it goes downhill. Takuma knows that…” You appeared to have been reliving something painful, but still, you smiled. “So, thank you. Even for the smallest things.”

Sukuna smirked, leaning closer to you. “Didn’t I tell you that if you thanked me again, I’ll kiss you?”

Your eyes seemed to shine with the same intensity as his dark eyes, also moving towards him. And then you broke into a smug grin, the challenge in your expressions palpable. “Walk the talk, Ryomen.”

Sukuna arched a brow at you. “Is that a challenge, bunny?”

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© ORIGINAL WORK BY nanaminokanojo. CHARACTERS ARE INSPIRED BY GEGE AKUTAMI’S “JUJUTSU KAISEN”. [20240529]

PHOTOS/IMAGES/GIF/FANART/ANY MEDIA CREDITS GO TO THE RESPECTIVE OWNERS.

[pukanavis]

Kiroku Kinugawa SSR "Cosplaying With Love" Track 1

Location: Living Room

Nanaki: Thanks for waiting on this page for me, Kiroku. You can turn to the next one now.

Kiroku: Okay…

Momiji: (Huh? Everyone except Ushio-kun is crowded onto the sofa around Kiroku-kun…)

Ushio: …

Akuta: Umm~? “Indeed…I have come to–” …Re…rejahvenate?

Muneuji: Rejuvenate.

Akuta: Thanks! Rejuvenate! “I have come to rejuvenate this school. To carry out my plan, I have traveled from the future” —

WHAAATTTTTT!? HINOMIYA IS FROM THE FUTURE!?

Nanaki: Woah, chill out.

Kiroku: Isotake…my ears…

Akuta: Oops, my bad.

Ushio: The shrieks of a first-time reader never gets old.

Momiji: You boys look like you’re having fun. What’re you up to?

Nanaki: Oh, it's Chief.

Muneuji: We’re reading the new volume of Patibato together.

Akuta: None of us could wait for our turn with the book, so we ended up putting Kiroku in charge of holding it while the rest of us read over his shoulder!

Momiji: That's nice…Patibato is Ushio-kun’s favourite manga, right?

Kiroku: You…know it…too?

Momiji: Mhm, I remember it from a heated café conquest that me and Ushio-kun took on together…!

Nanaki: What’s that all about…?

Ushio: Let’s not talk about that, Chief-san.

Akuta: Do you wanna join our read-along then? Come sit, there’s a spot next to Kiroku with your name on it!

Akuta: I’ll watch from back here—

Kiroku: …Isotake…stop clanking your jaw…against my head…

Momiji: Ahaha, thank you! I’ll squeeze in here then…

Nanaki: gh…

Kiroku: …?

Muneuji: Let’s carry on from the scene where Reito obtains a new spatula and challenges Hinomiya to a rematch.

Kiroku: Okay…

…Ah.

(The paneling on this page is…incredible. It communicates Reito’s resolve and his relationship with Hinomiya, all in just a single drawing…)

I want…to try drawing this…

Ushio: …!

Momiji: I’d love to see this scene in your artstyle!

Kiroku: Nanamegi, could you…help me again…

Ushio: Buddha Statue~? Drawing is one thing, but you’re not going to ask him to model for you again, are you now?

Kiroku: uh…

Nanaki: Wellー

Akuta: Did someone ask for a model!?

Hold that thought! To the kitchen!!!

Akuta: Here, hold this spatula! 

Nanaki: You’re zipping around like a hummingbird.

Akuta: I, the great Akuta Isotake, will provide you with the perfect poses for you to draw to your heart’s content!

One. Two. Three—

Kiroku: This…feels more like a croquis…than a sketch…[1]

Muneuji: This is the scene you’re trying to replicate, yes? Why don’t we dress Nanamegi in an apron as well then?

Akuta: You’re a genius! I’ll change up his hair style with a hair tie while I’m at it.

Momiji: Ahaha, that’s perfect. Wait, isn't this type of thing called cosplaying..?

Ushio: As if. This is way too scuffed to be cosplay.

Kiroku: Cos…play…

Nanaki: Aren't you good at that type of thing, Akuta? I remember you showing me a horseshoe crab outfit once.

Akuta: Oh, the magic horseshoe crab! I wouldn’t call that a cosplay, it’s more of a costume for making films with.

Cosplay is like, something too sexy for me to even directly look at…I’m not ready for that yet…

Momiji: I definitely see a lot of those type of cosplays during Halloween…

Ushio: …

Don’t talk about—

Sakujiro: —Cosplay in such a manner!

Akuta & Momiji: AAH!?

Momiji: Sakujiro-san!?

Kiroku: W-Where did you…come from…

Sakujiro: Pardon me. I heard mention of my area of expertise and had to intervene.

Nanaki: So it’s not just dressing up in an outfit you like?

Ushio: *sigh*…Allow me to offer a simple explanation that even a casual like yourself can understand. 

Cosplay is about using your understanding of a character’s personality and lore to embody them.

Sakujiro: Likewise, it is just as much a way of expressing your love for a character. It would be disrespectful to describe cosplay as anything short of a distinguished art form!

Akuta: Ohh, I get it. It’s kinda like those super dedicated actors that do method acting! I guess I can manage to look directly at something like that!

Kiroku: Cosplay…is an art too…

Ushio: If you still want to do it, then I’ll be putting your love of Patibato to the test.

Momiji: Huh? Do…what?

Akuta: He's gotta be talking about a modelling contest, right?

Muneuji: I believe he’s saying that we should all try embodying the Patibato characters. I will do my best not to disappoint. 

Kiroku: ah…

Sakujiro: Allow me to join you as a judge, if I may.

Nanaki: Even Sakuchan-sensei got roped into this…

Kiroku: (All I did was say I wanted to draw something…how did we end up here…?)

(But…this’ll help me draw a sketch so…it’s fine…right?)

Next

Notes 1. Croquis is a french word that refers to a rough sketch of a live model before they change poses.

[thewebcomicsreview]

A lot of the best writing is just doing simple basic obvious shit and doing it consistently. This page from Clown Corps is a great example.

For those who don't read Clown Corps....read it, it's great. Anyway, Morgan is a Clown (which in this setting is a superhero), who just learned that the mime-themed supervillain Echo, who has the power to mimic clown magic but had her mouth sewn shut against her will, is her long-lost sister Maggie, and now we have a flashback to happier times when the sisters go to a carnival (i.e., a place where clowns are).

This actually started on the previous page, where Maggie is winning stuffed animals and giving them to kids. Superficially, this is just a cute stage-setting scene, but every panel here is ironic. First, Maggie is accused (jokingly, but still) of being a criminal. "Suddenly you can't miss" lets us know that she sucked earlier but then became incredibly skilled at hitting targets. Maggie attributes this to being a "fast learner", a reference to the powers she'll later develop. That she's giving the toys away shows that she's not doing her "hustle" for nefarious reasons, much like as an adult her ethics are murky. And then the "fun's over" when her sister the future superhero shows up.

Then, in the next page, Morgan is mad her sister disappeared, and Maggie is mad she was expected to stand around quietly. This sisterly fight is foreshadowing Maggie's fate.

In the next panel, Maggie does a 4th-wall-breaking joke about how "it's not that kind of flashback". The primary source of jokes like this in Clown Corps is series protagonist Mary McBell

This joke is incredible

And in present day, it's Morgan who's most supportive of McBell. This panel recontextualizes the Morgan/McBell relationship. Morgan likes McBell because McBell reminds her of her long-lost sister. This connection would also serve to shorthand Maggie's personality for us, if it wasn't already coming through clear.

Morgan complains that mom made her bring Maggie along, which kind of establishes the relationship between then, and then Maggie hits Morgan with this savage burn. The out-of-nowhere horoscope reference is great, it's a specific hit on Morgan, not something that would be obvious to a reader from from these two pages. It feels more real than if she'd referenced something that we'd already learned about Morgan. Also "My nail polish doesn't match my horoscope" is just a funny line.

Oh yeah, and also this is the future Echo mimicking a future Clown. Don't forget that part.

And then the final panel is Maggie fully aware of what an annoying little shit she's being, but her expression is that of a girl who expects that Morgan is going to buy her that corn dog, glare be damned.

And, like, none of these panels are super mind-blowing genius moves that you'd need to be a twelfth-level intellect to come up with. Individually it's all really basic. It's impressive that all this referencing stuff feels like a natural conversation, but you - the girl reading this - could do that. What makes Clown Corps great is that it does this nearly every panel. Nothing is wasted, nothing here is doing just one thing. It's a sublime example of asking "Can I get more out of this" every single panel, because the answer is usually "Yes".

[mlobsters]

probably a weird thing to ask you but you seem to have watched a lot of those panels. why do you think they keep doing those cons. outside i guess of the money. i'm asking as someone who hasn't seen their panels at all. maybe one day i will. but like, i think, what do you think j2 (and the rest of the cast presumably) get out of it.

thank you again for this ask, i am very happy to have an excuse to talk about this! i have not been in this fandom very long (about 2 years now) and i mostly just make stuff so i think i still have a slightly outsider perspective, so i suppose take all this with that in mind. :)

straight away, for sure the financial aspect is gonna be part of it - and i imagine especially so for the cast that participates that had smaller roles. but that aside, i don't genuinely believe that the main cast would continue to do these for so long unless they enjoyed it and got something positive out of it, especially being that they are actively working on other projects too. they actually talked about this, in a way, at this most recent con (nashcon 2024) so i'm going to include some of that - and a bit jared talked about the connections fans have made (chicon 2023). for reasons stated below*, i'm sure there are a bunch of examples of times they've talked about these things i'm not aware of, because i haven't read or watched that much panel content. but here's a small sampling.

jared and jensen main panel, nashcon 2024 question: what has it been like to watch the entire fandom change and grow over these last many years, and people who have been at these conventions change and grow?

jared and jensen gold panel chicon 2023 question: what's your favorite fan interaction over the years?

to go along with this, i think it's part and parcel to the topic; i really do believe they truly are invested and care about their characters and the story. the way they've talked about the revival/season 16/whatever you call it, they're all in to go back to it. jared even mentioned at one point if they had shorter seasons (which they asked for repeatedly), they might still be making the show. i don't have concrete examples i can point to in panels, but i think if you do watch them talk about their characters much, there's a lot of thoughtfulness and care there.

Would you be open to returning to Sam Winchester? I feel like there are more stories for that character and, with The Winchesters done, it's a weird time to be a Supernatural fan with no new Supernatural on television for the first time in almost 20 years. It is weird, right? It's weird for you to say that and weird for me to realize it. The simple answer to your question is 100%. I will play Sam Winchester again. Jensen will play Dean Winchester again. It's more of a timing and availability thing. In hindsight, Jensen and I have always said "always," if we ever have the option. I think in the last two or three seasons of Supernatural, when we realized somebody might want more, we said "2025. In 2020, we're ending this. Let's get together in five years and see what Sam and Dean are up to." I'm going to see him in a few weeks to talk to him about it again. We've talked about it a few times. He and I are both champing at the bit to see what these boys have been up to and what else good they can do in this world or the next. I'm excited about it. My only contingency about it is, with Jensen and I being so protective of the show and the characters, the story has to be absolutely right. I don't just put on flannel and big coat, get in an Impala and say "Dean!" That won't work for Jared. It needs to have a purpose, as Sam and Dean always did.

via cbr, walker season 4 interview with jared

and i think they just have fun! they've developed a relationship with fandom that works for them in this format and they get to play around on stage with their friends and entertain people that love them. at the end of the day, it is a job for them, and they are putting on a performance; but i wouldn't be so cynical to think they aren't being somewhat genuine within that framework.

jared and jensen dccon 2023 main panel question: How long have you guys been friends?

and not to be totally j2 brained, but when you have a connection with someone like this, maybe it also isn't such a hardship to keep working together

*i actually haven't actually watched many panels! but fortunately for me (us), i have seen a lot of gifs and transcriptions. i have a hard time with the video format for reasons. when i decide to make gifs, it's often because i saw a quote or snippet somewhere and i go looking for the conversation to get a clip of, and sometimes might bump into something else that grabs me while i'm there. fortunately, a lot of the videos on youtube have at least autogenerated captions so i can scroll through the transcript there/search for keywords, etc. @eisforeidolon transcribes selections of questions from cons periodically, which i'm forever grateful for. a not insignificant chunk of my panel related show/cast trivia has been gleaned from those.

[localgremlinboy]

I have been sitting on these for a long time because I wanted to have some more varied stuff but I haven't had time to write anything! So here's what I've got! Honestly these are some of my favorites

[part 1] [part 2] [part 3] [part 4] [part 5] [part 6]

- Whenever he's kicked out of an area or event, Oswald proceeds to start shoving anything not taped down into his pockets. He doesn't need the stuff, he just likes to be petty and ruin it for everyone else

- Bane has done a series of infomercials for various products & services that only air on late night product channels. Alfred is the only batfamily member who knows, he was doing laundry late one night and nearly lost it

- Mr Freeze writes restaurants/companies when they wrong him. Like nice formal letters, signing them and everything

- The Joker has an imdb page. Actually a lot of the villains do but like the Joker has one he updates with fun facts. Who says they're accurate but they sure are fun

- Riddler freaking hates puppets. Their soulless eyes say it all. He refuses to or "work" with puppets. That being said, Scarecrow has chased him around with Scarface once or twice "for science"

- Scarecrow has and still does write letters of recommendation for his ex students. He freaking still has Gotham University letterhead paper and everything. Honestly some of his students have gotten the job from his letter alone (maybe it's out of fear but like it's still a win), and they 100% send Jonathan thank you gifts in Arkham. He's got one of those dorky teacher scrapbooks where he keeps the thank you letters. One of his students even crocheted him a little plush scarecrow. It's like, they don't love his crimes but you know that was ol kooky professor Crane for ya

- Harvey kind of has a soft spot for sitcoms, he used to watch them with his mom growing up. One of their favorites, ironically, was night court

- Bane has a famous chili recipe and he makes one batch a year. It's fucking delicious! He makes an edition with meat and a vegetarian version too. Of course consults Ivy for home grown excellent quality vegetables and she gets first dibs in return

- the Joker has not one but TWO released albums. One is essentially a mash up of all the serenades he's made Batman listen to over the years and the other one is called "The Holidays with the Joker: Christmas selects edition"

- Scarecrow's car is a mess. He's got a work truck of course but his main car is like a wood panel sedan that he's been driving since he was a professor and refuses to get a new one. It's a fucking mess, he has like clothes, papers, garbage all over the place. He still has term papers he forgot to grade under the seats. Riddler HATES his car, with a passion

- Riddler has gone through the pain and suffering to teach all the rogues how to use discord, he had once hoped it would make their crimes more efficient. They have a group chat but it's mostly suffering on his end as all chaos ensues

- Scarecrow owns a Halloween train village he has set up in one of his lairs. It plays instrumental versions of Halloween songs as it goes around the track

- Joker will push open cups off of tables because he can. He's got the chaotic energy of a cat awake at 3 am

- Riddler and Scarecrow's friendship starts like super formal and co worker like but after like a year and a half, evolves into a weird symbiosis. Jonathan points at random ass objects or books and goes "you" when he's with Edward. Eddie has a habit of fixing or picking debris of Jonathan, usually when they're crimeing. Also one time, they were both startled so bad by Batman that Scarecrow jumped into riddler's arms like Scooby & shaggy, except they both held onto each other for a second before toppling over. Robin then unmasked them like scooby doo

- Harley & Ivy are frequent Panera customers and often get pick up orders there under "codenames" given by Harley. All the workers know who "Plantmamma" and "the quinnanator" are but like they tip great and everyone should get to enjoy soup

- Bane has one CD in his car, it's a 2010 greatest hits CD that someone accidentally left in there. Who you ask? He has no idea

- Harley has a getaway playlist preloaded in her phone for car chases

- Riddler and Scarecrow watch reality tv/game shows together. They binged all of survivor and the amazing race in a year. It was a joke at first but they both got really into the shows. They have both applied to be on amazing race together and unfortunately haven't been called back

- Joker still uses cassettes (and vinyls probably) except he mixes them himself and labels them all stupid titles like "Birthday bash #9", "Baty's mix", "what's the deal with airplane food?", "etc". But he also has a tape recorder and makes notes to himself and labels those ones too, so he gets his personal notes mixed up with his music jams all the time. He goes to put on some epic clown music and instead it's a twenty minute recording he made of himself eating fruit loops

[emotionallyattachednerd]

Imposter | TP Wheeljack/Makeshift x f!robot reader | NSFW 18+

Word count: 2400+

Warnings: Smut ( Touching, spike in valve, semi public, rough interfacing and slight choaking ), dominance, impersonating and perhaps a little dark ending . NSFW 18+.

Notes: This is an idea I had thought about. Unsure how the triggers might go as it is a little different but nothing was forced, simply tricking. The ending is a little creepy, but I like that. I might do a second part but unsure still, will think about it. Sorry for the delay. Let me know what you'll think. 🥰

Coffee ☕

The history behind you and Wheeljack was long, but nothing regretful. Your friendship has always been very flirty. You were both flirty to one another, it came naturally. It was fun, of course, and you grew to love the wrecker. But like all great things they do have their bumps. It had nothing to do with either of you at first, more like the war got in between, and then after joining the autobots, you simply went your separate ways.

Wheeljack could never stay in one place for too long, he liked to travel and move around which you prefer to stay put. So yeah, no regrets what you two had, nor was there any hate from either of you for each other. In fact, over time whenever you did bump into one another, you would always end up having a good interface. Just fooling around, releasing all that built up tension, before moving on again.

Now here you were, settled on Earth with team Prime. For the past decade you've all been hidden on earth, watching for any sort of decepticon activity. A lot has happened though. Humans suddenly arrive within the base, Megatron had returned, then he offlined, or so that's what everyone thought to believe.

Putting that aside, your focus is on today, and today that brings you and the autobots a new incoming transmission, someone you haven't heard from in a long time. Wheeljack.

Knowing he is coming here not only made Bulkhead excited but so you. Sure, you were all friends, but there was something more between you and Wheeljack, a lingering spark also seeking attention. Off and on again over time you would run into one another and make up for old times. In those old times, before the war, you were quite the playful couple.

War always got in the way and things just never progressed between you two, but you both always somehow managed to bump into one another as time went on, blowing off steam as you might put it.

Upon his arrival it was no surprise that the decepticons would get involved. This was Wheeljack though, he could handle it, but that doesn't stop the others from giving the new arrival a helping servo.

Once returning to base you can't help but stare at Wheeljack. He hasn't changed at all, just the same old Jackie you grew to love. Once Bulkhead finally gave him that little space he met your stare. There's a pause, optics drifting across your figure, before he gives that cute smug smile of his. You know he's checking you out and you can't help but return the same jester.

You want to be alone with Wheeljack, and so you offered to show him around the base before the party starts for his arrival.

Now it's just your two together strolling down the hall.

"It's good to see you again, Jackie." You tell him fondly.

"Yeah, you too, y/n." Wheeljack answers, his optics glancing over sideways on you. "You look good."

You go to answer but this was tossed away when he suddenly pins you against the wall and latches his scarred lips over your own, glossa pushing in and devouring your own in a dominant act. The action did surprise you, but you melted into the heated kiss eagerly, craving it. You missed him a lot.

He lets out a growl that sounds so beast-like making you quiver in delight. You try to remember when he used to make such sounds, finding it kind of new, but this doesn't last as he suddenly turns you around and pins your front into the wall, pressing himself behind and grinding his heated panel against your aft, his lips and dentas biting against your exposed neck cables.

The action sparks a new arousal that rushes through you directly to your valve. It's been far too long, and you can tell it's been a while for him as well. Though his behaviour was so much more needy, desperate even, not that you are going to argue about that. But you did feel a little anxious feeling his servo move down and rub between your legs against your heated panel.

"Right here? What if someone sees us?"

"Let them."

Being semi-public was something you've never done during interfacing. What if the humans saw you both? That would be a long and embarrassing conversation to have with the kids.

These thoughts are long gone as he continues his desperate touching against you, letting out heated vents into your audio making your frame shiver through a growing warmth. As if answering his silent demands, you retract your panel, and suddenly feel his digit push into your valve, pumping quickly inside you.

You have to cover your mouth with your servo to prevent any loud sounds from leaving you, not wanting anyone to hear down the hall. Feeling his digit you clench around him and lean into his chassis. This doesn't last as he removes his digit and you hear his own panel retract, right before he shoves you against the wall again and thrusts himself into you firmly.

The sudden stretch does cause you to gasp out feeling it hurt just a little, but it doesn't last as the pleasure blooms through you, and he doesn't hold back as he starts thrusting into you roughly, slamming his hips against your aft with your body trapped against the wall.

This was something different that you don't think you remember happening between you and Wheeljack before in the past. Sure, you both got in the moment sometimes, but this was a control kind of rough, but you don't hate it. His movements cause your frame to scrap against the wall making you hold onto anything possible to try to keep still under his rough thrusts. It's not that you weren't enjoying it, you were loving every second of it, it just surprises you mostly.

His chassis presses into your back with his servos gripping at your waist, digits digging into your armour, with his heated grunts filling your audio as he rutts into you at a quick pace, so fast, forcing small squeaked pants to leave you over again.

Suddenly, he stills, grunts, firmly pressing against your aft and you feel a sudden warm feeling in your depths. Oh, he overloaded?

It all happened so fast and as turned on as you were, you weren't close to your own overload. Wheeljack always made sure you both overloaded, at least this is what you remember.

You hear him venting heavily as he rests against your back, cable still buried deep in you as if he was savouring it. For a moment you keep still before turning your helm a little to try and look at him. "Jackie?" You got his attention but he seems to have no words for you, making you go on. "You overloaded pretty fast." You say through perhaps what might've sounded like a little amusement, teasing in your voice, which you regret.

Wheeljack stiffens and he looks away from you as if he's embarrassed. He lets out a murmur that you don't hear as he removes himself from you, and before he could put himself away you stop him.

"Hey, Jackie, it's alright." You assure as you turn around and tug him closer against you, servos running along his cheek plating with your digits tracing over his scars. "Don't worry. It must've been a long time for you, hey?"

"Yeah." He answered through a heavy vent. "Too long." You watch as he slowly leans into your touches making you smile softly.

"It happens. But...that was something different. I never thought you liked it rough, though I didn't mind it, pretty wild."

"Oh? Is that something you like?" He smiles a little, making you beam softly in return.

"Maybe." You can't help but giggle lightly before biting your lower lip a little. "Hey, think you've got a little more in you to help me overload? I bet I could make you overload a second time."

"Yeah, sure, though I....just might need a moment." He starts palming his semi soft cable but you place your servo over his cable then.

"Allow me."

He doesn't say as much as he lets you take control, pumping his cable slowly and giving a small squeeze here and there while keeping your optics on him. Slowly you start to sink down onto your knees and he watches you as if he were in a trance. Not something you should be doing in the hall, but honestly it's all giving a small added thrill to the experience.

Taking his cable you lean forward and run your glossa along the length, pressing into each ridge and swiping over his tip as you taste his fluids and your own juices. You can also feel some of his fluids running down your inner thigh. Letting out a hum you take him into your mouth, optics up and stuck on Wheeljack as you take him inch by inch. He doesn't take his optics off you, not for one second.

Wheeljack lets out a low moan before leaning his arm against the wall in front of him, watching as you take him whole before you start to bob your head over his cable, slowly growing semi-hard as you bring his arousal up again.

"Frag..." He can't help but curse as you already manage to build up his arousal again, feeling your warm mouth and glossa running along his length while his waist moves against your mouth.

Getting him hard again gave you such pride as you let out a lingering hum around his spike before moving back slowly, letting go with a wet pop between your lips and standing back up in front of him. Some of his fluid was smeared at the corner of your mouth, and using your digit you wipe it away before sucking it clean off. Wheeljack looks on as if something was about to burst in him causing you to smirk softly.

"Do you like that?" You decide to play a little with him, running your servo all along his throbbing cable, squeezing gently. "Do you like my touches?"

"Your servo feels much better than my own." He chuckles through a throaty moan.

Letting out a soft smirk you manage to climb yourself up onto him and wrap your legs around his waist, positioning him over your drenched valve before sinking down on him.

"I think my valve can do a better job."

"Frag yes." That cute smile of his is so childish that it causes you to lean in and kiss the wrecker as you rock your hips into him.

Again, he presses you into the wall and gains firm control, thrusting slowly but firmly, and you can tell he's holding back. His moans mix in through your own while keeping a tight hold on him, moving with him as he buries his face into your neck.

"A little bite never hurt anybody." You whisper between heated vents to him. "Go ahead."

He does that, latching his dentas onto your exposed neck cables while his moans vibrate against your frame. A boiling mewl leaves you as you node is now grinding up against him giving you the perfect stimulation you needed as he leaves marks against your neck.

In the burning bliss that rocks through your entire frame you became lost but you didn't want to find a way out. You are taken out of this trance for a moment when you feel his servo suddenly wrap around the front of your neck to replace his lips. You meet his lustful dark gaze but you're not afraid, and he gets the silent approval as he adds a little pressure and drives forward into you more firmly against the wall.

The dominance is new. Wheeljack never use to do things like this, but bots can change, and you weren't complaining. Much to your surprise the change was rather thrilling as your body reacts quite positively under his rough treatment of you, but not enough to cause harm.

"Jackie...Jackie." You managed to chant his name under the tight servo wrapped across your neck, letting out thrilling mewls as the the back of your pedes dig into his rocking aft. You can feel yourself about to overload, and you don't hold back.

Your valve clenches around the throbbing cable rutting into you, feeling every ridge rub along your inner walls, right before your overload hits and sparks through your entire frame and letting out a muffled cry out moan you tried to bury under your servo in an attempt to tone it out from the echoing hall.

Wheeljack was close, so close, as you feel him hump himself against you at a rapid pace before he overloads a second time right there. He bits into your shoulder as his servo tightens a little more at your neck, only for a short moment before he loosens his hold and sags himself against you.

Eventually you both move off the wall, fixing yourselfs up and you lean forward to kiss him. He flinches, as if surprised, before quickly leaning into your kiss that turns into a hunger. You don't know why he's so flinchy, like he wasn't used to being kissed. All you do is remind yourself that it's been a long time for you both, you don't think on it too much. You missed him. Breaking the kiss you caress his cheek plating while looking up at him lovingly.

"Later, you will definitely need to show me more what I've missed out on." You whisper close to his lips. Wheeljack smirks rather proudly.

"You can count on that."

You take his servo on your own and drag him back down the hall.

While you hold his servo leading him back to where everyone was waiting, Wheeljack stares at you with a lingering hunger that you don't see. You also don't see his optics flashing white, or his sinister grin that is foreign to the Wheeljack you knew.

What you don't know is that it's not Wheeljack.

Makeshift was on a very important mission for Lord Starscream. Invade the autobot base and open a ground bridge up for the decepticons to wipe the autobots out once and for good. You weren't part of the mission, but he couldn't pass up the opportunity to blow off steam with a beautiful femme like you. He didn't mean to overload so fast before, it's just he hasn't had a good interface in a long time. But that second round was something else, very special you were indeed. Afterwards, when he succeeds in his mission, Lord Starscream will reward him, and he'll ask for you. He'll want you to be kept online all for himself.

Not the evening you might have planned, but he surely did have plans for you.