#I guess to try to get me out of it? and it tries convincing me that this thing does not actually make me happy and I'm an idiot

[yieldtotemptation]

PAROXYSM ft. Mina

mina x male reader smut

part two of strange currencies

16k words

Go ahead, try and pretend like you’re not obsessed.

Like you’re not bothered that it’s been weeks since you had Mina—felt the heat of her body, the silk of her skin, the sweetness of her breath on your neck.

Since you've seen that ass. Had it in your hands, spread her cheeks with your fingers, stretched her wide with your cock and left Mina in tears, crying out—

"God, I can never go back from this."

And it’s not like you haven’t been searching for opportunities; a party you’d both be invited to, another gala, some event with enough plausible deniability for when you inevitably, ‘accidentally’ bump into her again.

But for some reason, nothing seems to align.

You’ll get word that she’s in Korea, basking in a rare stretch of free time, while you’re in Hong Kong, signing deals and making promises of dubious sincerity.

You’ll be rushing to return, already planning out how you’ll steal another taste of her, another touch; only to find out she’s been whisked away again—to Japan, or Brazil, or any one of the countless countries desperate to host her.

Glimpses is all you ever truly get—paparazzi shots, magazine covers, the odd video that passes through the digital ether.

So, yeah.

You let it rest, go through the motions, try to recreate it in the aggregate. There are plenty of pretty faces, eager bodies in your orbit.

But they're all just that: bodies.

Empty shells of what you had. They don’t laugh like her, they don’t keep you on your toes like she can, they don’t look at you with the same hunger.

(They don’t say your name like Mina did.)

—

“So,” is the first word you hear from Mina. Too much time has passed, and you’ve officially given up on any pretences of nonchalance. Decided to get straight to the point with the right people and just get her number. “I guess I’m not the only one who can’t stop thinking about that night.”

“Uncharted territory and all,” you’re repeating, and there’s a beat of silence on the other line.

A deep breath, and you swear you can hear her smile. “Definitely unique.”

It’s well past midnight and you’re tired and you’re feeling unusually vulnerable, so you're admitting things you'd usually keep under lock and key. “It’s been—you’ve been stuck in my head, Mina.”

“I know the feeling,” she sighs. Just the timbre of her voice and there’s shivers down your spine. “The memory alone is still—”

You finish for her, “Vivid.”

“I was going to say really fucking hot, but yes,” she laughs. “It’s helped me through some lonely nights. Remembering how you felt inside me, everything we did together it’s—God, you have no idea.”

“I’d argue I have the entire idea. For one—the stairs,” you’re supplying, grinning to yourself, leaning back in your chair, remembering the way she clung to you. How tight she was around you, how fucking new she felt as you filled her. “You were so fucking gorgeous. Never felt anything like it.”

“And the shower,” she counters, “you had me pinned against the tiles. Couldn’t move without you fucking me deeper. Just stuck with nowhere to go but further down your cock. No one’s ever done that to me.”

“Don’t forget the kitchen,” you add, “We got pretty creative with the utensils.”

Mina giggles. You didn't know she was capable of sounding so girlish. “I’ll never look at a spatula the same.”

It’s getting dangerous, each memory rekindling the flame of a night that you’d tried to convince yourself couldn’t have been as epic as you remembered. Couldn’t have mattered so much.

And yet here you are now, letting Mina stir up thoughts of her cunt gushing down her thighs, her nipples stiffening between your teeth, her ass choking your cock, the look on her face when she came all over you—and you know she’s wading through the very same set of flashbacks.

“Every time I close my eyes, I’m back in that garden. Your hands are all over me, your mouth everywhere—”

“Your cunt on my tongue—”

“Your fingers in my ass—”

“Your fucking moans, Mina—”

“Wait, I need to—”

Mina stops you, and you find yourself releasing a breath you didn't even know you were holding. You think you can hear her; hear the shutting of a door, a lock turning, frantic pacing, the squeak of a bed.

Your eyes close and you're picturing it now—Mina, laid back on pure white sheets, sprawled out like a Goddess. It's all there, crystal clear. Fingers dancing over her collarbones, tracing the delicate line of her neck down to the swell of her breasts.

Teasing herself, running her thumbs over her areola, the skin there a shade darker, a touch more sensitive. Pinching and pulling, peaks hardening into tight buds, missing the roughness of your tongue.

And then going lower, down over her ridged abs and between her toned thighs. Spreading her legs out in an invitation, toes curling into the mattress. Finding herself slick with need, so, so soaked. Dipping down to trace over her folds before sliding right into the wet heat.

Mina gasps. It's not your imagination. She moans into the phone.

You can almost taste her again.

She finds her voice. "Please, keep talking."

—

The first photo comes through the very next day.

You can intuit from the architecture in the background—the steep roofs, the brick exteriors, the gothic towers—she’s somewhere in Paris.

And there’s Mina, flat on her stomach, sheets tangled around her like the aftermath of a hurricane that’s swept through. Smiling at you straight down the barrel of the camera, cutting through the digital space between you. It’s sly and knowing and a little bit wicked, because she knows that it’s not the view of the city behind her that you’re looking at, nor is it even her face, usually so stunningly unavoidable and instantly captivating.

It's her ass.

Plump and round, poking over her shoulder, filling a whole corner of the frame. And you're spotting the indentations where your fingers have sunk in, the stretch of alabaster that your grip turned a shade of pink. A map of memories etched across the curve of her cheeks.

It’s a thousand words in a single photo, a message loud and clear, carefully composed to make you ache. So, you do. You ache.

You save the picture—not because you think you’re going to forget, but because you need to have a piece of her with you at all times.

Something to pull out when the days are too long, too dull. Something to look at when your memories of her aren’t enough anymore.

The photo, you notice, comes with a caption: ‘The only thing missing here is you.’

—

“Stability,” Mina’s telling you nights later, after you’ve spent close to an hour describing to her all the ways you’d like to have her again, like to break her down until she’s just a trembling mess of limbs and cum.

It’s a habit the two of you have picked up; these clandestine calls that come in the dead of night, during those rare occasions you’re in a reasonable enough time zone to talk. You’re actually in the same country this time. The States, but on different coasts, so, close enough.

She’s sending these breathy whispers down the phone; still coming down from her high, from the way her thighs clenched around her own hand, from the way she painted your name onto her skin with her own juices.

Still coming down from you, from the meticulously detailed step-by-step explanations of exactly what you’d do to her if you weren’t thousands of kilometres apart.

“Stability,” you repeat the answer she’s given to the question that’s been burning in your mind for weeks now. It’s certainly a faux pas to ask right after she’s made you cum across your own chest; but it’s late, and tonight’s suite is far too big and much too quiet—the kind of quiet that lets you think too much.

And so you had to ask her. Why was she still with him?

“That’s it?”

“That’s it,” Mina confirms. “I like stability, I like routine, I like knowing what to expect. Means I can never be disappointed.”

“Never be surprised, either,” you point out. She laughs, the sound warm and rich through the speaker.

“That’s never really been a problem.” She pauses. “Until you.”

There’s an alarm bell sounding somewhere, triggered by the way that last syllable curls around the corners of her lips, bounces across fifty different states to land in your ear.

You.

It rattles around your brain, punches you right in the gut. You try to play it off with a chuckle. But you both know what this really is. The desperation, the need. What you do to each other. How much of a fucking mess you’d make together if you had half the chance.

You make an attempt at being casual: “Apologies, then.”

“You kinda fuck everything up for me, you know?” She admits. “I was fine with it all. Leaving all of this as just a fantasy. Living with the boredom.”

“Everything’s boring.”

“Except this.”

You should really be above all this. The pining, the yearning. Having a crush.

It’s unbecoming.

Leave her alone. Leave her to the dream life she’s built up for herself. The career, the boyfriend, the whole shiny package that everyone’s decided she should want. It’d be the rational thing to do.

And yet— “So, what are we going to do about it?”

“I suppose,” Mina says, and once again, you're swearing you can hear her smile through the phone, because this is far from the end of things, “We’ll just have to find some way to scratch this itch.”

—

(It’s an outrageous abuse of power.

But so what? You’re an asshole billionaire, that’s what everyone expects of you anyway.

Besides, compared to your peers, it falls far short of bankrupting entire economies or causing irreparable damage to the Earth’s oceans and atmosphere.

So why not go full tilt and really indulge?

That’s basically the gist of your justification for forcing fate’s hand and manifesting your own ‘accidental’ meeting with Mina.

Still. It’s only a meeting.)

—

“Quite a situation you’ve engineered here,” is Mina’s first quip, as she steps right out of your daydreams and into your office.

Oh, you’ve been thinking of her.

Spent time replaying that night in your mind, revisiting the sight of her bouncing on that staircase, the feel of her soft skin slapping against yours, the sound of her sighs in your ears.

Obsessed over the messages, the photos, the videos she’s sent—how she moves, that coy smile on her face when she knows she’s got your full attention in her grip. All these mesmerising moments captured in high-definition.

And it’s coming back to you now—the waterfall of hair cascading down her shoulders, the red of her lips, the beauty spot on her nose, above her cupid’s bow—a constellation across her face.

(She makes your office feel small.)

“Don’t know what you’re talking about,” you say, aiming for flippant, but missing the mark by a wide margin.

“Mhm,” is all you’re going to get, because you both know better.

She makes herself at home here, taking the long way to your desk. Hips swaying as she runs her fingers over the décor, the lights and the statues, the books and the furniture. Again, fitting right in with the expensive, the luxurious, the exclusive.

You’re not hiding that you’re staring, and she’s not hiding that she knows either.

Mina walks right past you, turns away so you can see the full sweep of her back, the high-waisted skirt that hugs her curves before flaring out at the waist. Eventually, she stops at the floor-to-ceiling window that overlooks the city, the urban sprawl below a far cry from the palatial gardens that backdropped your first encounter.

The sun’s setting overhead. It casts a warm glow over her. Outlines her figure in gold.

You break the silence, "Heard the photoshoot went well."

“Well, you get what you pay for,” is Mina’s second quip of the afternoon. She turns back to face you, leaning against the window frame, a perfect silhouette.

You can almost hear the glass tremble.

Mina asks, offhandedly, “You’ll have to enlighten me—is it standard practice for visitor passes to have access to every floor in the tower?”

“Security must be lacking.”

“Right,” Mina says. “And is it normal in your line of work, for the CEO to handpick the brand ambassadors?”

You shrug. “I like to get my hands dirty.”

“If that’s what they’re calling it,” she responds, smiling now. Pushing herself off the glass and taking a dangerous step forward.

“We were looking to appeal to our Japanese market,” you say, repeating the same lines you fed to your team, to her management, to anyone who bothered to raise an eyebrow. It’s a good lie. “Needed someone refined, someone that depicted class. Aspirational.”

Mina takes another step forward. Heels that make her legs look endless hitting the polished flooring with a click. "So that's how you see me, then."

"Amongst other, less appropriate things," you admit, already completely, hopelessly captivated.

"Let me guess: Stunning?"

"That's one."

“Fuckable.”

“Absolutely.”

“Submissive?”

“Are you asking, or telling me?”

Mina’s eyes dazzle as she closes the distance, rounding your desk and stopping just short of your chair. She waits for you to swivel and face her.

And then she leans forward, so close. Nose brushing yours, breath warm and sweet and familiar. Her hands land on your thighs, pushing your legs apart.

She drops to her knees.

“Telling.”

You can’t help yourself, you press your thumb to her lips, stamping it crimson.

It’s a wicked thing, how Mina’s bottom lip dips, how her tongue snakes out to lick the pad of your thumb clean. You push in deeper, watching as she takes you into her mouth, seals her lips around you and sucks.

How she’s looking at you now—building up this image of Mina; kneeling, the skirt riding up, her panties soaked with anticipation. Dressed like this is just another business meeting—masked in a high neckline and a smile so perfect against your skin.

That's today's game. Dress up.

Professionalism went out the window the moment she walked in—it barely crosses your mind to wonder whether or not she locked the door. You don’t even care.

Mina stops her little show, thumb pops out of her mouth with a wet sound, leaving a smear of red behind. There’s something about Mina, something that can’t be intuited unless she’s right in front of you, inhaling your exhales, smiling up at you like you're the only person in the entire world that matters.

It's like magic—makes everything and everyone else feel like a figment of your imagination.

“You forgot to mention a few other things,” Mina breathes on you, low and warm, priming you for a punchline that you know will send you reeling.

“Like what?”

“Oh, you know,” and she starts unbuttoning her blouse, reaching for the top button then— “How utterly,”

Then the next button.

“Desperately,”

More still.

“Needy,”

All of them.

“I am for your wonderful, perfect cock.”

The blouse opens up, falls away, drifts off her shoulders until it’s blood-red lace and vanilla-white skin.

Fuck.

(Mina’s not from this world, no fucking way. Definitely not human; jury’s out on if she’s some kind of Goddess. Probably something in between, come down from some place where the air is thinner and the lights are brighter.)

Your mouth is dry. “I could never forget.”

Mina’s eyes crinkle at the corners. Lips spread wide. She’s kissing your cock through your pants.

It’s electric. A long, teasing press of her lips that winds you so tight that just the slightest touch, just a single word could set you off.

Her teeth graze the fabric. You throb through the cotton.

“Mina,” you manage, hand dropping to the side of her face. There’s a tremor in your voice that you’re not used to, that you can’t even pretend to hide. Mina’s got you in the palm of her hand—or rather, on the edge of her lips—even though she’s the one on her knees.

“Relax,” she coos, holding her lips against you, deft fingers unlatching your belt, finding your zipper. “Let me take care of you. Let me take care of this cock,” honeyed words slipping out with the same ease that tugs you free, “Get my tongue all over it, take it deep down my throat, be such a good little whore for you—until you can’t think of anything but how much you want me to swallow every drop you’ve got for me, baby.”

You swallow, caress her cheek, “Darling—”

“Shh," Mina hushes, taking your cock into her hand, holding it against her cheek. So damn happy to have it so close to her mouth once again. “Everything you said over the phone. All that stuff about fucking my face, leaving a mess, filling up my throat—I want it all. You’re going to give it to me now, please.”

She doesn’t even look up at you, just so focused on your cock. Kissing around the shaft, and then drawing her tongue in one, slow, dragging lick all the way from your base, right to the tip. It’s gentle, careful, exploratory.

Introducing her lips to every inch of skin along your cock, over your balls, taking her time to stain all of you with the sheen of her kisses. Careful, so careful. Meticulous too, deep in concentration that you can almost feel her thoughts, intuit from the pressure of her lips how much this means to her. How much she needs it.

And it’s as her breath warms the head of your cock that you realise you’ve got a stranglehold on the armrest of your chair, holding it so tightly you could snap it in two. Not like there’s any helping it, nothing to do but brace yourself as she opens her mouth, pink tongue peeking out, and licks you again—longer, slower.

Holding still now, cock balanced on her tongue, fixing you with this stare.

A dare.

(Don’t move. Don’t interrupt. Let her do her work.)

That’s when her boyfriend calls.

Sorry, her partner.

A jarring noise, a slap in the face that breaks the spell. Vibrating atop your oak desk, a violent buzzing through the room—once, twice, thrice.

Mina’s eyes flick to yours. A split second, a single thought shared. There’s laughter on her lips because of course, because why the fuck not, because this is definitely your kind of chaos. You nod. You’re both in on the joke.

The phone’s still ringing, ringing, ringing.

And Mina’s mouth is still on you, tongue tickling underneath, lips wrapping around, before taking you in deep. Right as she accepts the call.

“Hmf?”

—

(A good idea to mention this theory you’ve been brewing for a while, the other reason why Mina still hasn’t broken up with boyfriend.

Because of you.

Because of how much fucking hotter it makes her. The thrill, the rush, putting a blemish on an otherwise spotless record.

And maybe you’re just as guilty—because you want to hear her lie to him too.)

—

“Still working,” is Mina’s deadpan over the phone, somehow keeping a straight face despite how full her hands are with you. She even rolls her eyes. “You know how it is—unreasonable CEOs jumping down my throat for no good reason at all.”

This woman.

Churning lies with such ease that you almost feel sorry for the poor, oblivious soul on the other end of the phone. Almost.

But Mina's too good at all of this. Too good at hiding it all. Too good at everything, really—whether it's singing, dancing, kneeling before you, making your cock disappear down her throat.

Just a slight adjustment in posture, and she’s taking you in deeper. A gentle suck, a swirl of her tongue around the ridge—and oh, the way she’s looking at you, eyes up and so damn full of mischief.

She’s fucking loving this. Loving the way you’re watching her, the way your hand finds her hair as she takes you in, the way you’re fighting to keep your composure. Fighting to keep your breath even and calm and to stop yourself from groaning so loud that it won’t just be her boyfriend, but the whole fucking tower that’s going to hear how much of a slut she is for you.

You can still hear his voice coming through—muted, indistinct—like a ghost, haunting the edges of this pornographic scene you’ve painted together. 

Fuck this guy likes to talk.

“Mhm,” is all Mina has to say to keep him convinced, to let him believe that she’s actually invested in whatever the fuck he’s on about. Keeping him none the wiser that her full attention is on you, her mouth moving up and down, her eyes glued to yours, watching every twitch, every drop of pleasure that flits across your face.

She reaches up with her free hand, wrapping it around the base of your cock. Gliding along your shaft in this twisting movement that sets your nerves alight.

Everything’s just so tight—her grip, her throat, your own breath in your chest.

“Mhm,” again, longer, sounding closer and closer to a moan than a casual agreement, but still, she’s playing the part. Barely listening to what he’s saying, because she’s doing this thing with her tongue—right at the tip, flicking it around your slit—that’s making you test the strength of your chair.

There’s temptation here—her mouth so warm, so wet—it would be so easy to grab a fistful of her hair and fuck her mouth like you know she wants. But you keep your cool, keep your hand gentle and steady atop her head, let her dictate the rhythm.

And when you hear the voice over the phone rise, maybe a bit of frustration or concern, maybe the start of something suspicious, Mina shamelessly pops your cock out of your mouth and answers, “Just having a snack. Late lunch break.”

She hits the mute button.

Bows her head deep, savouring each inch as she takes you deeper, making this fucking sound when your cock hits the back of the throat. Wet, gagging, sloppy noises that build this tension right at the base of your spine that leaves you aching, absolutely desperate to just give her more.

She holds herself there, choking so nicely, so sweetly, on your cock. Her eyes start water, it’s an effort to keep them open, but she’s still smiling through it all, just so delighted to finally taste what she’s been dying to have for weeks.

You’re struggling, “Fucking hell, Mina.”

Mina giggles into your cock, vibrating along your shaft. Pulls her head back; just a rope of spit that connects the two of you, glinting under the fluorescent lights. A poke of her tongue has her scooping it all up and slurping it all down, smacking her lips with a satisfied ‘ah’.

She unmutes.

“Sorry, it just tastes really good. Like nothing I’ve had before.”

There’s a confused murmur coming out of the speaker, a perturbed, “Really?”

“Like you wouldn’t believe,” and Mina has the gall to wink at you, the audacity to keep her hand on your cock, stroking it like it’s the most normal thing in the world. All the while she just chats to her boyfriend—partner, again—like you’re not about to cover her face with your entire load.

“Mina,” you let slip when she squeezes too hard, cranes her head to feel the weight of your balls on her tongue. Lapping away, licking and tonguing and teasing, until you’re gritting your teeth, holding back the moan that wants to break free.

The voice at the end of the line crackles, “Who’s that?”

Mina doesn’t miss a beat, “Boss for the day,” presses a wet kiss onto the head of your cock in a futile attempt to still you, “Really pushing me hard, making me work for it, you know?”

The voice relaxes, but not enough. “What’s going on over there? Something doesn’t sound right.”

“Everything’s perfect.” Mina’s just so pleased with herself, tongue dancing up and down, over and around, making the chair creak from the reflexive jerk she forces out of you. “I’m exactly where I need to be.”

“I told you that you shouldn’t do these types of jobs, you should listen to me and—”

“Get on my hands and knees and beg them to let me break the contract?” Mina smirks up at you, lips all smeared and messy with your arousal. “I can handle it” she continues on, dragging her lips to your base so she can slur into your waist, “I’m a professional. This is what I’m built for.”

God, he really doesn't deserve her.

He drops the subject so easily, moving on to talk more about him, about his schedules, his work, his boring fucking existence outside of her. And now you’re both rolling your eyes, sharing this secret, this ridiculousness that’s got you both on the edge of laughter and utter bliss.

Mina ups the ante, mutes her side of the call, and places the phone back on top of the desk.

You cock an eyebrow. “Seriously, him?”

She shakes her head. “No, just you.”

And she shows you, proves her point, because Mina’s not one for half-measures. Holds your cock tightly, strokes it again and again, one after another like it’s counting down to something explosive. Bomb’s ticking: the pressure’s building, the heat is coiling in your balls, but she keeps it steady, keeps it slow, keeps it right on that edge where it’s just enough to keep you there, but not enough to push you over.

“I’m just yours,” Mina hums, licking her swollen lips. “I’m yours to do with as you please, but,” she pauses, so she can jerk you just right, stroking with such finesse that you can't believe she's ever been with someone who didn't appreciate it, "I'm really hoping you let me swallow your cock now."

“You’re too fucking greedy.” 

Mina nods so earnestly.

So you give her what she wants, because what’s the point of playing this game if she isn’t going to win? 

You stroke the back of her head, guide her as she takes you all the way—nose to stomach, swallowing you up like you’re her favourite snack, her favourite secret. Her favourite lie to tell herself.

Fucking ridiculous. Too fucking much.

You lift your hips, leaving her to yank down your pants over your knees and to the ground. The clank of your belt buckle against marble echoes through the room, a starting gun to your undoing.

The phone’s still there, he’s still talking, a vaguely muffled annoyance. Mina doesn't even spare it a glance, just looks up at you, mouth full, eyes declaring:

‘Ignore everything else, just enjoy me.’

Fuck.

Mina’s cheeks hollow, her throat pulses, and gone is the usual effortless grace that she carries through everything she does.

No, she’s all raw, all passion. Sloppy now, greedy, showing you just how much she’s willing to do for you. It’s in the way she’s using her hand to squeeze the base of your shaft, the way she’s bobbing her head faster and faster.

Filling the room with the sounds of her slurps and smacking of her lips; her eyes watering with every deepthroat. Making her mouth this perfect, wet, hot little cave that’s swallowing you whole.

And you’re watching, watching every single move she makes. Unable to do anything else, really. Unable to think, to speak, to do anything but stare at her mouth, her eyes, her hand moving up and down, up and down—stare at Mina giving herself over to you.

“Jesus—fuck—” and there’s your voice back again, so much louder than you intended.

But Mina’s smiling around your cock, eyes still on you, urging you on, putting you under her spell. She’s playing with your balls now, her thumb brushing over the sensitive skin, her nails lightly scraping, and it’s like she’s got every button mapped out, knows exactly how to make you go off the deep end.

"Mina, you're just so," you try, rummaging through your addled mind for the right words to pin on this storm before you, "so fucking good at this," you finally settle on.

Mina's eyes light up, triumphant. Deep pools of brown swirling with all sorts of things—few that can be said out loud and even fewer that should ever be thought—and none of which she gives a flying fuck about.

Your cock slides off her lips long enough for her to slur, "Flattery gets you everywhere, sir."

“Mina.”

She's just so happy with it all—it's a little unsettling. Mina, all elegance and poise, so fucking giddy at the opportunity to debase herself at your feet.

She takes a breath, a real one, not the shallow, desperate ones she’s been taking for the past few minutes, and then she’s diving back down. You can see the determination in the set of her jaw, the way she’s holding herself in place with one hand on your thigh so she can devour you whole. And she’s doing a phenomenal job, really, because your cock’s so hard it’s almost painful, and your thighs are trembling with the effort of keeping still.

But she’s not done yet, Mina’s never done. She reaches behind her, unclips her bra with a flick of her thumb, slipping it off her shoulders—a silent, unnoticed escape.

Perfect little tits, perfect little dusky nipples, peaked and ready for your attention. 

She takes one in her hand, rolls the nub between her fingers, playing with it, plucking it like a guitar string, making it sing. Making sure you’re still looking, while she's still sucking you off with her mouth, still fucking grinning around your cock.

A true masterclass in multitasking.

Her other hand stays on you, working in tandem with her mouth. A stroke for every bob, a squeeze for every moan, and she’s whining into your skin, a muffled—mmph, mmph, mmph—so loving that you know it’s not just for show.

Her hand drops down, slipping between her legs, disappearing into the fabric of her skirt. You can’t quite see it, but you know by her sigh as she leans into your thigh, by the way her other hand pinches her nipple harder, that she’s pressing up and into herself.

The fabric’s too thick to see much, but you can imagine her—fuck, you don’t have to imagine—you can almost feel her, her fingers sliding into her wetness, her palm cupping her mound, her middle finger circling her clit like it’s the head of a tiny drum, matching the same rhythm that’s been driving this whole spectacle.

“Your fucking mouth, Mina.”

The words leave you on a groan, a tightening of your grip on her head as she just plays and plays. Every suck pure heaven, warm, wet, utterly divine; pulling your hips closer and closer off the edge of your seat, until you’re nearly falling down her throat.

But even Mina, for all her skill and polish, can’t hold out forever. The fingers at her cunt, the kneading of her own tits, the gagging around your cock, the oblivious boyfriend still blissfully unaware of the depraved scene unfolding on the other end of the line.

It’s a heady cocktail, and she’s had too much too quickly. Her throat’s tightening around you, rogue tears are sliding down her cheeks, and it’s about time that you both give up on pretence and hurtle straight to the crux of this entire escapade.

You stand, rising to your feet before Mina has you tumbling off your chair, sliding your cock out of her chasing lips.

“Mina,” you breathe, voice full of gravel, heavy.

Mina’s frozen, just staring at your cock dangling above her nose, her mouth open and wet, her big, brown eyes begging for its return to her lips.

“Mina,” you repeat.

“Mmm?”

“I want to fuck your face now.”  

Mina licks her lips. “Want to?”

“I will.”

“Please,” she says, a single word like a hot knife slicing through whatever restraint you have let. And you’re just about to lose it, really fucking lose it because she’s so fucking eager, so fucking hot for it, so absolutely fucking yours.

In your office, at your desk, kneeling at your feet, skirt rucked up around her waist, panties drenched.

She ties up her hair into a messy bun.

“Please, use me.”

A twist of your hips has your cock slapping against her cheek, the sound bouncing off the walls, leaving a trail of gloss across her flushed skin.

Mina laughs.

You lean down, grab her hair, thread your fingers through the strands, and guide her lips to where they were made to be.

“Christ,” is ripped from your throat as your cock is back down hers, plunging into her mouth like its home.

You push, push until her nose is squished against your pelvis, holding her there; her throat tight against your cock, her hand working her clit in double time. Whimpers escape past her lips, muffled whines that threaten to break you if you’ll let it.

But you don’t, not yet. You pull out, just long enough to let her gasp for air, only, she doesn't need the respite. She just blinks, and begs—

“Again.”

And again. And again.

Until she’s a writhing mess, until she’s shaking with the effort of holding herself together, until you’re plunging into her mouth so fast that you’re truly fucking her throat.

Deep, harsh strokes that make her cheek bulge, that fuck tears from her eyes. And Mina fucking loves it. Loves every second of it, loves having her head thrown back, her throat working for you like it’s your divine right, like her sole purpose in life has been to take your cock.

You’re fucking her face like you said you would, like she’s been begging you to do for weeks, whispering sweet nothings and filthy somethings into your ear during those late-night phone calls. Giving exactly what she’s been craving, exactly what she’s been dreaming about when she fucked herself so nicely for you to hear.

And she’s just taking it, letting you use her mouth like it’s nothing, because to her, it’s everything.

She’s lost in it, her hand a blur between her legs, her eyes glazed over. She’s so close, so fucking close, and she’s taking you with her; dragging you down into this pit of depravity that she’s been keeping warm for you.

“Mina?”

And there’s the phone again. Louder now, insistent, demanding. Finally noticing somethings not quite right.

"Mina?"

There’s panic in Mina’s eyes—but you’re quick to realise it’s not worry for him. It’s desperation for you. For you to keep going, for you to not notice, for you to keep the fantasy alive.

But you do notice. And it just makes you harder.

You're too far gone now—you're thrusting into her mouth with a fervour that’s almost violent. Mina’s eyes widen, but she doesn’t pull away. Instead, she takes it all, letting you fuck her face with a reckless abandon that’s only heightened by the voice on the phone getting louder, more concerned.

You’re the only voice she’ll listen to now. “Hold still for me, Mina.”

Her eyes go wide, and she nods, her mouth stretched wide around you. Cradling her cheeks, just firm enough to feel the heat of her blush.

“Mina, why are you muted?”

She’s barely even on this planet anymore—just bringing herself closer to the edge, loosening these ragged, wet moans around your pistoning cock.

“Mina, are you ignoring me again, seriously?”

“Mmph—fuh—mmph—” is her attempt at an answer, but she’s too busy letting you use your mouth, too busy fucking herself on her fingers, too busy being the perfect little slut she’s told you she wanted to be.

It fills the room—the sounds of wet, sloppy sucking, careless fucking, your own grunts of pleasure. And somewhere in the background, that voice getting more and more insistent.

“Mina, say something, answer me!”

And she does. Just not to him. She says it to you, mouth full, eyes on yours.

Garbled, stuttered, fucked-up little pleas— “there—there—please—please—oh my god—"

Her hand moves faster, her throat seizes, her eyes roll back in her head. Her body jerks, her hand still working her clit, her mouth still full of you.

Mina cums at your feet, a terrible, beautiful orchestra of noises—moaning, gurgling, gagging around your cock. Swallowing, desperate for a breath of air, trying not to choke, eyes watering so badly it’s a surprise she can see you at all.

You pull out, so abruptly that she gasps and stumbles a little. And yet, despite it all, despite how brutally hard and fast her orgasm hits her, she’s still smiling up at you, as graceful and gorgeous as ever.

So fucking proud of herself.

And she’s not done yet. She’s never done, not really.

Her hand comes up to catch you, holding your cock like an anchor, keeping you ready as she takes a moment to recover. The other reaches for the phone, a shaky hand bringing it to her lips, level with your own tip.

She takes a breath. She’s going to answer.

She unmutes again.

“Sorry. Can’t talk. Gotta finish something big.”

“Mina—what the fuck are you—”

Mina gives you that look—that nod.

Sucks you in one last time, gives you a final choke. A desperate gag, a deep impossible swallow down her throat. And then she releases you from her lips.

The phone clatters to the floor, forgotten.

“Cum for me, please, baby.”

At her instruction, you're erupting.

Mina captures the head of your cock with her lips, keeps it balanced on the edge. Uses both hands to twist and wind around your shaft. Overwhelming you, seizing you into her mouth because this is exactly what she’s been starved for.

Breaking a fucking dam inside you, flooding her mouth with your cum, completing her with your taste. It hits the back of her throat, thick and hot and she swallows and swallows and swallows.

So fucking grateful for every drop, for every pulse that shoots into her mouth, coating her tongue, sliding down her throat. She’s drinking you down like water, like air, like she can’t get enough of you, leaving you breathless until all you can do is just repeat her name over and over again—an endless chant of “Mina.”

And when you’re finally done, when every nerve-ending in your legs isn’t burning down and threatening to take you with it, you pull out of her mouth, gasping for air.

Mina just sits there.

Looking up at you, naked chest heaving, nipples stinging red. Cum slipping out the corners of her mouth, staining her chin. Skirt ruined, panties a sodden mess around her ankles. Hand still on your cock, coaxing you to peace.

And fuck, it’s the hottest thing you’ve ever seen.

With a smile that could melt the coldest of hearts, Mina reaches down to the floor and picks up the phone. She wipes her mouth with the back of her hand, not even bothering to be delicate about it.

"Hey," she says, voice miraculously calm and collected. "Sorry—got distracted."

You watch, utterly stunned, as she plays the part of the girlfriend so flawlessly, puts on an Oscar-worthy performance. You can hear the boyfriend's voice, frantic and worried—and completely fooled.

But then she looks at you, clears her throat, and her smile goes wide, and you can see the woman beneath the façade. The woman who's had enough of being bored. Who's decided that she's owed the impossible fantasy.

Kneeling on the floor, yet more powerful than ever.

So, so fucking perfect.

Spreading her thighs, fingers back at her cunt, carefully toying with her clit. Building herself back up to that peak she’s just thrown herself from, because apparently, that’s what you’ve taught her to do.

To never settle, never stop, never be satisfied with just one taste.

You’re cock throbs.

“Mina, you need to tell me what the fuck is going on.”

Her hand moves faster, her thumb circling and pressing, her middle finger slipping inside herself. You can see the gleam under the artificial lights, how her cunt’s making everything sticky and messy.

Making herself nice and ready.

“There's a big mess here,” she says into the phone, all sugary sweet, a perfect story that drips from her tongue like molasses. “Lot of clean up. It’s ruined me—ruined the whole job. It’s gonna keep me here all fucking night.”

—

(It’s just an arrangement.

That’s what you’re calling it when the moon’s rising over your office, and Mina’s kissing these promises over your heart, drawing up the terms of this unwritten contract that neither of you can really commit to—even though you're both well aware of how much you want to.

Sex, as an agreement. Sex, as a release. Sex, because you’re both fucking incredible at it.

It just might be everything you both need.

You're both just too afraid to be the first to say it out loud.) 

—

Weeks later, and you get really fucking good at making time for her.

Whether it’s fifteen minutes at a party, a couple hours at an airport, or a few nights spent in a hotel room with the curtains drawn and a do not disturb sign nailed to the door—everything starts to fall into place.

There's always an empty room to be pulled in to, a shadow to be claimed, a corner of the world that belongs to you.

It’s Mina, straddling you in the backseat of a limo, her cunt tight around you as the city lights slide by. Your hand on her throat, not choking but guiding, a conversation based on pressure and pleasure alone. Her tits bounce in your face, begging for your teeth, and you give it to them, biting down until she’s gasping your name into the leather upholstery. The chauffeur pretends not to notice. You don’t pretend anything.

It's you, bending her over the bathroom counter of some stranger’s house, her rather business-like slacks down at her feet to expose the bare, wonderful convex of her ass. You spank her until she’s crying, until she’s bright red and demanding that you make good on your promise to fill her up so she can’t leave this party without globs of you leaking down her legs.

It’s hotel beds that have seen too much, office desks forced to bear your weight, dressing rooms with the door locked tight.

It’s the way she looks at you when she thinks no one’s watching, the way she says your name. How she laughs, how she teases you, how she lets you in—just a little, just enough to keep you hooked. And you do the same.

It’s sex, but it’s not just sex, no matter what you tell yourself.

And it’s Mina again, fixing her hair while you zip her into something far more appropriate, already mentioning, “I'm going to be in New York next week, if you're in the area—"

And it's you, answering in the same way that you always do, "I’ll find a way."

—

Serendipity finds the two of you in Shanghai, amidst all its concrete jungle and neon lights, kept at bay by the soundproof windows and the drawn curtains of this hotel room turned temporary sanctuary.

Mina's stretched out on the bed, wearing one of your shirts that swallows her up to her knees, her hair a mess of curls and knots that she hasn't bothered to tame. Nose buried in a book—something thick and weighty Nayeon recommended her.

Paying no mind to you, as you’re busy brewing tea in the kitchenette (piping hot, oolong, how she likes it).

You sneak a glance as you wait for the kettle to boil, at the perfect picture she's composing—her bare legs peeking out from the shirt, the soft curve of her waist, the way the light from the bedside lamp casts shadows across her skin.

It's seeing her like this, far more exposed and naked than minutes ago when she was pinned beneath you wearing nothing at all, draining your cum into her cunt and thanking you for the privilege.

The drawbridge is coming down, guards leaving their posts—just the two of you in your stolen moments.

It's nice.

She catches you staring.

Tilts her chin down, peering at you over her glasses.

You ask, "Am I distracting you?"

"Always," she says, and it's loaded with the sum of whispered secrets and inside jokes, the weight of a dozen different glances stolen across crowded rooms. She closes the book, setting it aside, and pats the you-shaped imprint on the spread next to her. "Come here."

You bring a steaming cup over, handing it to her, adding a little more warmth to her side of the bed. An unneeded murmur of thanks, a smile that's brighter than any of the skyscrapers gleaming outside, and a careful sip.

You wait for her review.

A cool, clear, "Ah."

And as for your reward, she sets the mug down on her lap, closing her eyes and pursing her lips. Waiting, patiently.

It's built in you like a habit now—lean in, get the light peck you're owed. Gentle press against her lips, nose bumping up against her glasses, sweetness that makes her cheeks flush a lovely shade of pink.

Just so fucking cute and domestic that it almost feels wrong.

The normalcy, you're realising—doing something that millions of other people do every single day—kisses that aren’t about fucking, power plays and games. Kisses that are just...kisses.

Mina's on the same wavelength, that's her thing now. Looking at you with a slanted smile. A little disbelieving, a little amused.

You're sure you're mirroring it back.

“This is... weird, right?” You finally say, breaking the silence. Feeling the weight of the question, the implication of what you’re really asking. Is this okay? Is it allowed? Can we put a name on this without the whole world imploding?

Mina's smile doesn't falter. "Kinda," she says, and her hand's slipping into yours, her thumb tracing little circles against your palm. “Very. But also, good.”

You nod, not quite believing it. You've had relationships (is that what you're calling this now?)—but none of them felt like this. Like, sure, she makes you hard, but fuck if she doesn't make you weak.

Pulling you into this loop of familiarity, learning things about her that you would've dismissed if it was anyone else. Not just the carnal things—the ones that make her thighs run with need, that make her chant your name like it’s the only word she knows.

Normal people things. Snack addictions, sleeping habits, temperature controls.

The mug goes to the bedside table, and Mina twists her body into yours, landing her head on your lap and curling her legs up so they stay on the bed.

"You know," she says, still holding your hand, fingers tracing up your forearm now, nails drawing in a light tattoo. "I thought that this wouldn't work out."

You mention the obvious. "Because you still, technically, have a boyfriend?"

Mina stretches herself out against your waist, incidental movements that just so happen to make you stir. "No, darling," she's saying, turning to look at you, making your heart stutter. "It's because you're you. Relationships just don’t seem to be in your nature."

You feign injury.  

Even though, truth be told, she has a point there. You’ve never been one for the quiet moments, for the mundane comforts, mornings next to someone you spent the night with.

Maybe it's your own guardrails you've put up, maybe it's some sappy Trojan Horse she's pushed through the gates of your stoic heart—but here you are, stroking her hair while she holds your hand, your fingers playing with the soft strands like you're trying to learn Braille.

"You know," she says, reaching it out to run her thumb down the line of your jaw, "guys like you are all the same."

You arch a brow. "I think I’ve heard this one before.”

"Let me finish," she says, "Obsessed with the thrill of the chase, with the idea of something you can't have. And when you finally get it, you just...disappear."

She grants you the headspace to ruminate over that one. 

"Are you saying I already have you?"

"Haven’t figured it out yet?" she whispers, shifting her weight on the bed. Another Mina special, the incidental movements, shirt pulling taut against her, and with benevolent grace, it slides down an inch. The swell of her breast revealed, an already pebbled nipple peeking out. A shy secret. As if.

And she knows. Mina knows what it takes to turn you on because, deep down, she’s the same. Different animals, same beasts, the roles could easily be flipped: her the billionaire, you the idol, and it would still end up the same.

You’re both chasers of thrills, craving the high of the untouchable, the unattainable.

Doing whatever it takes to feel alive—that's what it boils down to, isn't it?

"I meant it, you know," you're saying, exposing yourself, all gooey and raw. "Never once dreamt of owning you."

It's obvious where Mina's headed with this. So used to people just laying claim of her without even asking—like it's their fucking right. Believing that just because she’s in their vicinity, smiling all pretty and dressed up, she's fair game. Thinking the fame has done to her what it's done to so many others, turned them into commodities.

And maybe she's let them believe the fantasy, it's her job after all, to fuel the delusion and make it feel real. But never once did she truly belong to anyone but herself.

And yet, and yet, and yet.

Mina lifts herself off your lap, body bowing, leaving the shirt to ghost down her arms and leave her chest bare.

Closer still, until she's straddling your hips, thighs pressing down on either side of your legs, and oh, mystery solved, there was nothing under the shirt but her.

And again, Mina, on the subject of your title over her: "Not even if I wanted you to?"

—

(It takes the length of a phone call for Mina to be officially yours.

Brutal in her efficiency, cutting the guy down and pushing him off the cliff of the inevitable.

You're just as cruel, laughing between her thighs as she slurs vague platitudes, barely encroaching on an apology, uncaring bullets flying across borders.

And then the 'I can't' when prompted for a chance to negotiate, an 'I'm busy' when the pleas come, and a final 'just fucking give up already' when the desperation gets too much and he's becoming less and less important the further your tongue gets into her cunt.

Poor bastard doesn't even know he's not the only one getting fucked.)

—

You feel like you’ve earned the right to be a tad more reckless.

So, dates.

Conventional, yes, but fuck you could do with some of that now. You had the money, the power, and now you had the girl. So, secret dates, grand gestures, the whole nine yards.

And yet, each one was its own little disaster.

An example: the restaurant.

Michelin stars, gourmet courses, over-the-top bullshit that you unashamedly love. Booking out the entire joint for the night, only for it to all go haywire when Mina showed up in that dress; tight, tiny, black.

"Eyes up here, darling," is what she said, before, "Or, you know, don't. I like the attention."

Just fucking you all the way up, having you pushing her into a backroom before the wine was even poured. Ruining said dress, rucking it up to her waist, making it some poor drycleaner’s problem.

“I was never big on grand gestures,” she assures you, as you pepper her neck with kisses, hands curving around to her breasts on sheer instinct.

"Wish you'd told me that in advance."

"And miss out on this?" Mina groans something fierce when your fingers find purchase. “Never.”

It's just Mina and you, doing what you've done a dozen times over by now, having long blown past any insecurities that this might just be too good, too perfect, that one of you might be the first to bolt for the door and run.

“I swear to god,” Mina’s managing, as you’re shoving her panties to the side, because you’re both well aware that this has to happen right here, right now. “This cock is going to be the death of me.”

You chuckle against her throat. “Wouldn’t be a bad way to go though, right?”

“You’re insatiable.”

“Says you.”

“Please, just—”

Your hips snap into her. She flinches. Screams your name so fucking loud.

Each and every one of the kitchen staff receives a very, very sizeable tip.

—

It becomes a problem.

Oddly enough, neither of you are at fault.

Leaked photos light up every website, tabloid, and social media platform in mere minutes—Mina and her ex, wrapped up in each other’s arms, the unmistakable blur of a bedroom in the background. Nothing too lurid, nothing too explicit—but just enough to get the world to gasp in collective shock.

The fucking coward did it. You never knew he had it in him.

Sure there's dating on the pictures. Years, probably, back to when their happiness couldn't be called into question, but it does its job.

The statements pointing this out do little to shift the public's attention though, they've already latched on to the chance to rip apart her spotless record. You’ve seen it before, a hundred times with a hundred different celebrities. The cycle of love turned to dust in the blink of a camera flash.

And yet despite all of this, despite the shitstorm that’s swirling around her, despite the radio silence you're expecting, not an hour passes before Mina's calling you again.

“I need you.”

“Then come over.”

—

Mina belongs here, it’s so obvious.

Walking through the rooms of your home like she’s always been there, like she’s what’s been missing.

None of the art on the walls, the books on the shelves, none of the sculptures worth more money than any person should ever see in their life—none of it make as much sense as she does here, in your space.

Ours, you’re already thinking.

While you’re staring at her, she’s taking it all in—every detail of your domain, eyes brushing over the aged furniture and modern finishes, each aspect of your home that you’ve curated as meticulously as you’ve cultivated your own reputation.

She doesn’t say a word about whatever conclusion she’s drawing—because she’s not the type to judge—she’s just curious. She’s always been curious.

And then she’s in your arms.

Hands looping around your neck as you hold her tight, like it’s been years instead of the mere days since you’ve seen her. Since you’ve felt her heat, heard her whimpers, felt her nails dig into your skin like she’s trying to slip in underneath.

“It was inevitable, right?” She whispers against your collarbone. “Something was bound to fuck this all up eventually. My life, yours. It was all too perfect.”

You hold her tight. Letting her sink into your embrace, disappear into your chest. She’s so small in your arms—not that she’s ever not been, but right now, it’s stark. Like she’s shrunk, folded herself into something more manageable, something easier to hide. Something that won’t be torn apart by the teeth of the media and the rabid fans.

Kiss the top of her head to make her relax a fraction, opening a pressure valve that releases a shaky exhale.

You point out, “It still is.”

Mina blinks up at you, and you pretend you don’t see the dampening in the corners of her eyes. “I need to do the whole apology tour now. Keep my head down, hide my face. That’s what they’re saying anyway. What they expect.”

You shrug. “Could hide out here.”

That makes Mina smile, laugh even, colouring her features with something far more impactful than any of the decor. “And, I'm guessing, fucking each other’s brains out from sunrise to sunset?"

"There'll be a couple of meals in between. You may be surprised to learn I make a mean bowl of ramen."

Mina laughs again, and it’s the sweetest sound in the world—like the chiming of a bell that’s only meant for you. She looks at you, really looks, and you can see the wheels turning in her mind, the genuine consideration she's giving your proposal.

“What do you say?”

“I—”

Before she can finish, you add, “I can handle our little problem. Just leave it to me.”

Mina blinks. There’s the curiosity again. “Handle?”

“Yeah,” you reply, vaguely amused. Something darker in the back of your throat. “I know some people. Nothing out of the ordinary.”

Mina stares at you aghast, the smile slipping from her lips. Wondering if she might have missed something in the reality of the billionaire with a silver tongue and a penchant for ruining dresses.

It’s your turn to laugh. “I’m kidding, Mina. Jesus, the look on your face. I’m not going to have the guy killed.”

Mina rolls her eyes. Slaps your chest with a little more force than intended.

You add, with a Disney Villain-worthy ominous tone, “For now.”

“You ass,” she says, but she’s smiling again, the tension all but dissipated.

“Not even I’m capable of having that sort of thing arranged. Well, maybe I am, just never tried, so—” you begin, only to stop immediately at the curving of Mina’s lips. “I was just planning on doing a bit of spin. Tap some of our PR Wizards, maybe offer the wolves something juicier. Whitewash the whole thing—shut him down.”

And a cherry on top of your whole plan—

"Make him wish I'd kill him instead."

Mina’s expression shifts, taking pause to study your face, your words. It’s the pragmatism that gets her, you think—but it’s baked into who you are. You don’t get to a billion dollars by making friends.

As a point of clarification, she asks, "What are you going to offer the press? I mean, you’re not going to leak dirt on someone else, are you?"

You shrug, an easy smile playing on your lips, "I was thinking we could just go public with us. Offer our whole thing."

"You're serious, aren't you?"

"My jokes usually make you laugh."

Mina takes her time to ponder this, to consider what you’re actually saying. To process the idea of turning all this—the sneaking around, the private moments, the stolen kisses—into something so exposed. Something translated and made palatable for public consumption, to be picked apart by the vultures skirting the edges of the media.

And there’s fear there too. That the thrill could wear off for her again, the exhilaration could evaporate, and the boredom would settle in.

Or it could be a whole brand-new opportunity. Replacing one thrill with another, the rush that comes with being seen together, the excitement of the chase being replaced with the passion of the capture.

She asks, slowly, carefully choosing each word, doing her best to avoid setting off a bomb that could send this whole thing into a downward spiral. "Is this what you want to do?"

You pull her closer, fit her body flush against yours, and bring your lips down onto hers. You let them linger, let her sigh, let her melt and keen and smile against your mouth.

"Darling," you murmur against her lips, "I've been ready to tell the whole world since the moment I sat down next to you."

—

Sometimes, the conventional ways are the best.

Stumbling through your house—kissing her hard in the hallway, losing her skirt in the kitchen, tearing off her shirt at the top of the staircase. Carrying her past the threshold of your bedroom and leaving her panties at the door; truly letting her into your world in every way, shape, and form.

Holding her close, one hand at her waist, the other looping around her chest. Kissing into her neck as you lay her down onto your mattress, getting up close and personal until it’s all Mina, all the sweetness and heat of her, the richness of her perfume that’s become her signature.

The red of her blush, her lips, the marks you’re leaving on her skin. The white of her throat, her collarbone, the bra that’s half on, half of.

Pinning her wrists over her head, keeping her still, watching her pupils dilate.

Fucking flawless. Every inch, every glorious detail. Underneath you, at your mercy, already staining your sheets with her need.

And then, a beg:

“Please.”

“Greedy.”

“It’s how you made me.”

Your other hand ventures lower, drifting down her stomach, holding against her abs, leaving your fingertips to ghost over her mound.

She shudders at your touch.

You let her know, “I wasn’t complaining.”

And your tongue is on hers, soft to start, relaxing into familiar patterns, swipes of reintroductions, until Mina’s arching her back, urging you on. But you’re greedy in your own way; wanting to take your time, wanting to extract all these sighs and moans straight from the source.

Only, Mina’s having none of it.

“You’re really going to torture me after the day I’ve had?”

You quirk an eyebrow, push your thumb down against her clit. Applying enough pressure to make her hips buck.

"Torture is a strong word, darling."

Mina's huffs as you hold her there, keeping her locked in place and at your mercy. Wriggling under your grasp, but not making any real effort to escape. After all, where would the fun be in that?

"Fine," she's relenting, eyes slipping shut, unable to hide the smile that’s making its way onto her face. "Call it what you want. Just—more."

"Then let's just call it a pleasant distraction."

Your lips are together once more, your kiss quickly turning from something sweet to something a lot more demanding. Throwing Mina a bone, pressing into her a declaration of intent that has her wild for you.

You take your fingers, slide it down, swiping through her folds. Dancing around her entrance, seeing how nice and slick she already is for you, feeding that gnat in the back of your head that urges you to just fill her whole. Right before pressing up into her cunt.

“Yes,” Mina whispers into your mouth, hips rising to meet your hand, helpless little shivers around your first, then second digit—pushing until you’re knuckle deep inside her heat, making her squirm and cry, “Just stretch this fucking pussy, please.”

“Oh, you’re so wet for me,” you say, like it's a surprise, like she's ever not, like she doesn't part her legs and beg for you to take the invitation to her cunt every single time.

And Mina’s reaffirming, “Of course I am, I’m always—” but she never gets to finish her sentence, because you’re sliding a third finger in, and she’s trying so hard to keep it all together despite how determined you are to pull it all apart.

You’re too attentive—watching her face, every micro expression. Watching for every twitch, every whine, every cry that gets stuck in her throat when she tries to swallow it down.

There’s beauty in all of it, every single time, you could never get enough of it. Been burned into you now—what it takes to make Mina come undone. The right ways to touch her, the spots that make her preen. Where to be gentle, when to be rough, how to keep her guessing.

It’s all here, now, distilled to its basest elements, and it doesn’t even take much. You’re too good at this, know her far too well to need anything other than the sound of her breath to dictate your pace.

Your thumb plays at her swollen clit, doing nothing but pressing down as your fingers saw in and out of her slippery cunt, making her clench around you like she always does. Faster and faster, until she’s crying for it, shivering and trembling underneath you, struggling against your hold on her wrists because she's dying for something to hold onto.

“You—you’re too much,” Mina pants, because that’s all she can do now as you push into her with purpose. So, so fucking wet, creaming around your fingers, pooling in the palm of your hand. “Too—too—too fucking—”

Losing control over her own limbs, cumming with a sharp cry, levitating off the bed as your hand works magic between her legs, needing a hard kiss to ease her back down to Earth.

The aftershocks still roll through her body, leaving her with these tiny, frantic whimpers. You keep her pinned, soothe her with your thumb at her clit, padding around in gentle circles, feeling her spasm and pulse around your fingers.

Your kiss ends on that high note, parting lips to give Mina a chance at a complete inhale. Her chest is heaving, nipples poking out of the top of her bra, skin already sticky with sweat. Eyes opening, hazed over with need and the beginnings of tears.

“I—I need more.”

Hands let go of her wrists, fingers slide out of her cunt, and you lean back to watch her try to compose herself. It’s a battle she’s not winning.

Mina’s blinking up at you, trying to catch her breath, trying to remember how to do anything other than be fucked into oblivion by you. You help her—leaning over, thumbs hooking under her bra straps. Pulling it down with a gentle tug that makes her arch into the motion, makes her chest spill out and your mouth water.

You take the chance to admire her. To drink her in, appreciate her the way she deserves to be appreciated—a masterpiece spread out on your bed, naked and needy.

There’s the intoxication, knowing you’re the one that did that to her, knowing that you’re the one that’s going to do it again. Over and over again.

“If I have to wait another second, I’m going to scream,” Mina says, the demand losing its edge in a whine.

You chuckle, press an open-mouthed kiss onto her breast, sucking a nipple between your teeth.

Sometimes, you just can’t resist.

“Let’s not pretend that isn’t exactly what I want.”

“Make it happen, then.”

Mina holds position as you pull back, keeping her hands over her head, keeping as still as a statue as you come to your knees over her. Eyes on you as your shirt, your belt, your pants go. Eyes on your cock as your briefs fall away, leaving it standing tall and thick and ready for her.

There’s power dynamics at play here—how Mina’s so vulnerable to you, how she’s laid herself out, unwilling to move until you tell her to. She understands it, implicitly. Knows she’s playing right into your hands, forced to wait while you let the anticipation build.

You hold your cock above her, stroke it carefully. Watch her eyes track it. See her gulp.

And she begs, again, “Please,” softer now, the unmistakable tremble in her voice. "I just—I need it so fucking bad."

Whether on purpose or by instinct, her legs splay, presenting her pussy, glistening with want. There’s the pulse in her clit, the need dripping over her folds—you feed the agony just a little more, hovering over the entrance, letting the tip of your cock graze over it. Teasing, taunting.

"Beg for it."

Mina opens her mouth, but she fails to summon the words. Just leaves her lips hanging open, leaving you an opening for your fingers to push in and try to help her find the right plea.

Her tongue flicks out, licks at your digits, the taste of her arousal still thick on them. The wetness of her tongue as she sucks, the suction of her lips as she envelopes each finger, one by one. Savouring her own flavour with deep, longing slurps, with grateful hums resonating around your fingers.

Leaking down the tip of your cock, cunt getting wetter and wetter the longer she’s denied. Making you throb against her, making your hips jerk and bump dangerously close to where she needs you to be.

But you still don’t enter her. You just wait until she’s done, until your fingers are clean and wet, and she’s left a trail of kisses up to your wrist.

It’s then that you drag your fingers out from her lips and demand of her once more:

“Beg.”

And this time, Mina’s able to say it clearly, confidently, right from her chest—

“I need you inside me. Need to feel you so deep inside me that I can’t tell where I end and you begin. I want to make you cum so hard you’ll never want to leave, want to leave your mark so deep inside me that even if you do, I’ll still feel you.”

Each word, a fucking gift.

And her reward—

A hard, quick plunge straight into her cunt. Inside her, instantly buried, immediately unbearable. Just too good.

Mina can’t do anything, just dig her nails into the sheets and try not to scream at the suddenness of it, at the way you complete her without any warning at all.

It all just ripples through her, a second orgasm already possessing her and forcing her into seizure. Can’t even hold it together—can’t keep the moans contained, can’t keep herself steady—can only just lock eyes with you and hope that you’re seeing it all, hope that you’re feeling it too.

Mina’s got no control around you anymore, none at all.

“Your cock,” she’s saying, repeating it over and over. Like it’s brand new to her, like it hasn’t ever left her wrecked a hundred times over.  “Your fucking cock.”

Words punctuated by the slaps of your hips, the wet sounds of your bodies colliding, of Mina welcoming every stroke of your cock inside her. So fucking tight, gloved around you like it was forged specifically for your cock; not for anything else but you, only you.

“So hard, my God.” Mina’s hands clasp behind your neck, needing a firm hold on something solid and real. “So fucking hard for me, so—so—fuck—”

Her lips are everywhere, a flurry of butterfly kisses across your cheekbones, the bridge of your nose, the edges of your jawline. Crazed, unbridled assault of affection. Disarming, incredibly hot. Mina doing her best to mark you up before she’s torn away again.

It’s far too early in the processions—habit would usually have her playing it cool, trying to keep up the façade of control, hold onto shreds of dignity, until she’s unravelling completely and begging you to fuck her harder, deeper.

But now, she’s just letting you have her.

No games, no pretences.

Just you, and her, and this wild, hopeless need to feel good, to be consumed by this.

“Yours,” Mina’s whispering, voice cracking around the edges, “All yours.”

And you know it. Have known it. Had it signed and sealed in ink since the very first time she told you. When you made her knees buckle and eyes water as you took her in every way possible. Since she called out for you, said your name into the quiet of the night like it was a secret she never wanted to keep.

Yet it’s hearing it now, the sum of all these moments stacked on top of each other; the haunts that you’d frequent, the private corners that you’d made yours, the endless phone calls and messages and photos that could fill entire warehouses with their filth.

Finally here—both of you, panting, sweating, sex thick in the air. The world outside forgotten.

Fucking Mina so hard, so deep, euphoria shooting straight through you each time your cock bottoms out inside her. The softness of her cunt, its heat, its creaminess, its fucking divinity. Leaking out all around you and squeezing you so good that it’s a miracle that you’re still coherent enough to speak.

But you do, with a gruff, “Already knew that, darling.”

Mina’s laughing, because that’s the type of high you’re giving her. Even with the way you’re stretching her open, even with her eyes barely open and her toes curling into the bed—she’s laughing because it’s the only thing she can do. Because it’s all so absurdly perfect that she can’t find the energy to do anything else.

“All this, all of you,” you’re leaning in, at the base of her throat, licking a stripe up to her earlobe. Drumming the words into her skin, until she shivers. “Every part of you. All mine.”

Simple words that hold so much sway over her, that could pull her apart or build her right back up. Words that make Mina clench around you, make her cunt grasp you so tightly as if she’s trying to make them real.

“Always,” she’s heaving, “Always yours.”

And there’s this look on her face, like she’s lost in a dream—eyes glassy and all fogged up, breath hot against your shoulder. Glowing under the dimmed lights, making the sweat pooling at the base of her throat shimmer.

Keeping your hand there, at her neck, like it’s the only thing keeping her from floating away. Ruining her. Because really, it’s all for her. All of this is all for her pleasure, her satisfaction.

You’re just along for the ride, so fucking lucky to have her like this. So impossibly beautiful, just knowing she exists would drive you insane if you didn’t get to be with her. Didn’t get a chance at this pussy, so perfect, dripping so much, made so hot for you and only you. Your own personal slutty cunt.

It’s the way her legs wrap around your hips—the smoothness of her skin, the power in those thighs, holding you like she’s afraid you’ll pull away. Like she’s terrified you’ll leave her like this, frantic and wretched and so, so fucking wet.

The newest picture you’re painting, your magnum opus in her name—her tits bouncing with each thrust, nipples stiff and flicking in the air. The yielding of her back, bending just so she can accommodate that extra length of you inside her. And her stomach—fuck, those abs. Tightening and loosening, shaking with every hit of your hips, with every sharp gasp of air.

Demanding of you. Cum for me. Please. Now.

“I need this. Exactly this from now on,” Mina’s declaring, stuttering it like you’re fucking every syllable out of her tightness. “Just you fucking me. Whenever we’re together, every second we get alone—fuck—"

And you’re nodding because you’re always right there with her, always on the same wavelength, thinking the exact same fucking thing.

“Keep filing me up until I can’t take it anymore. Until I’m screaming so loud, I can’t even hear myself think—”

Breathless words that flood your ears, that Mina needs to get out, needs to make sure you hear. Absorbed straight into your bloodstream, pumping into your cock, fed right back into her cunt. So fucking tight. So downright incredible that you’re speeding up, driving in deep, as deep as you could possibly go.

“Until I’m so full of you that I forget my own name—forget any other name but yours—until I—until I—”

A nasty hit makes her body curve and rise, makes her pussy clamp around you, in warning of the orgasm to come, the one you’re both hurtling towards with a kind of reckless abandon that’s become second nature.

“Until I—please—just always make me feel this way—”

“You will,” you promise, meaning it, fucking it into her like your life depends on it. Like you need it to survive, because maybe you do. Maybe you’ve never truly lived until you’ve felt Mina’s cunt quiver around your cock like this, until you’ve heard her beg for you like you’re the only thing she needs to breathe. And again, for good measure, “you will."

And oh, that’s all it takes. That’s enough to have Mina spilling.

“Cumming,” is her proclamation. Repeated, ad infinitum, just, “Cumming, cumming, cumming.”

All over your cock, all around your cock. Cunt strangling you with the force of it.

And this is where you decide Mina’s most beautiful.

When she’s consumed by climax, when she’s held prisoner by it, when she’s just nothing but a canvas for you to leave your marks all over.

“Feel so good—so fucking good—”

It’s the best kind of challenge, pushing her through it.

Worshipping her in all the ways that count, treating Mina in ways woman like her should never be treated. Tearing an angel down from the heavens just to hammer her cunt into submission, and being thanked for it afterwards.

“God,” Mina’s trying, voice rasping and broken, “I—fuck—I can’t—”

You take her, hand wrapping around her tits, pinching, rolling, teasing nipples until they’re as tight as her cunt around you. Leaning in and capturing her lips, drinking down her whimpers with a kiss so deep you can taste your name on her tongue.

Fucking her, ruining that tight, little pussy, through every wave that crashes down over her, that burns her up from the inside and makes her so Goddamn hot.

Leaving her in disbelief that it could ever feel this good again, that there's a light at the end of this tunnel, that there's a life after being fucked so thoroughly by your cock.

Holding her through it, preventing her from crumbling into a million overstimulated pieces. Slowing down the pace of your hips with steady, deliberate thrusts until you’re just inside her. Cock throbbing, bathing in her heat, waiting.

Mina stirs, eyes flutter open, meeting yours. “Cum inside me. Wherever you’d like.”

There’s only one real choice. Mina knows this as well as you do.

Your cock leaves her cunt, slick with her juices, her cum. Proof of your dominion over her body, gleaming along your shaft.

Nothing but bliss on Mina’s face, so well-fucked and satisfied and just plain happy that it’s almost a surprise she hasn’t melted away into a puddle. She’s smiling, looking up at you through her lashes, sweet and soft and perfect.

Turning herself over, bowing down on her knees, pointing her ass up at you like it’s the universe itself handing you a present and saying, ‘Here, this is yours.’

You can’t resist that kind of temptation.

“I’ve been waiting for this,” Mina tells you, rolling her hips higher still, flaring out her hips, treating you to the perfectly round globes of her ass. “Waiting for you to take me. However you want. Make it hurt so good. Make me remember how you feel.”

Her hands reach back, delicate fingers spreading plump cheeks apart. The tight, pink ring of her ass winking at you. A sight that never gets old, a vision that’s forever carved into the back of your eyeballs.

One last request. “Please.”

Your cock pushes in.

“Thank you.”

Right away, it’s too fucking much. Your cock breaching through her asshole, pushing in inch by inch. Slow and torturous, the kind of thing that makes you want to yell.

Then the first thrust—that first hit, like a narcotic, straight through your veins, every single time. Feeling it, sensations so intense, so sharp, that you forget to even breathe.

And Mina’s crying. Crying out, muffled by the pillow she’s biting into. Yet still, pushing back against you, urging you deeper, even though she’s coming apart, even though she’s shaking from the sheer effort of having you fill her.

“Darling,” you call to her, “you’re doing so good,” because she is. Good, good, so fucking good for letting you split her in two like this. For letting you ruin her in all the best ways.

The second thrust is easier, smoother. Body giving in to your demands, stretching around your cock like it always does, like it’s made to do. To bend and flex to your whims and desires.

With every push, every retreat, every agonisingly, achingly slow grind into her ass, you’re nearing that rapturous end.

“So fucking good for me, Mina. Your ass is so tight around me. Such a good girl.” You’re grunting now, trying to ease her into it, to build up to the point where you can pound her, push her like you really want to.

Mina’s nodding, eyes screwed shut, sunken in the way you’re stretching her out. It’s a familiar feeling, having her ass opening up for you. A dance you’ve performed so often it’s almost muscle memory—each step painstakingly learned; each move carefully choreographed.

You’re easing into her, slow, so fucking slow that it’s a wonder that either of you doesn’t implode with want. But Mina’s good, so good, letting out these tiny, shuddering breaths that you feel down to the marrow of your bones.

And then, as your is fully seated in her ass—

“Don’t hold back,” Mina says, quietly, barely audible, but the need is crystal clear. “All of it, please.”

Hand in her hair, hand at her waist. Gripping into her, guiding her and then fucking her, really, truly flooding her ass with your cock, disappearing into her tightness until your hips are slapping into hers.

So pretty, even like this, even when her moans are getting louder, borderline screams that are cut off by the cotton of the pillow, her knuckles turning white in the effort. Her back tenses, muscles rippling underneath your palms.

She dips a hand underneath her, between her legs. Fingers at her cunt, whirling around her clit, doing all she can to keep up with you.

“Feels fucking amazing. Your ass, Mina,” you’re trying to say, but it’s coming out all gravelly and thick. “So fucking tight for me.”

It’s the one through-line that’s kept steady over these months. Mina’s transcendental beauty, Mina’s razor-sharp intelligence, Mina’s pussy that’s always, perpetually yours. All these things; but it’s Mina’s ass—that perfect, juicy, heart-shaped, fucking flawless ass that keeps you up at night.

Every time you’re buried inside, it’s like coming home to something sacred. Tightness gripping you, ass swallowing your cock in waves, the kind of feeling that makes you believe in a higher power—because nothing so divine could possibly be man-made.

“Fuck, I just—” Mina’s breathing out, quick huffs because that’s all she can manage, “just love this so fucking much. Love how you feel in my fucking ass.”

Her hand’s working overtime now, circling her clit with a fervour that’s almost religious. Pussy starting to leak again, juices running down her thighs, mixing with the sweat, pooling at her knees. Fuck, the way she’s touching herself while taking you in, so willingly, so wantonly, so utterly destroyed for you—she’s going to cum again, you can feel it. And you’re not far behind.

“I think I’m going to—fuck, I only just—but I’m going to—again—you’re going to make me—again—” She’s squealing, half-mumbling, full-crying, and your heart nearly bursts out of your chest because it’s all for you.  

You’re not even managing anything other than desperate thrusts, just fucking her with everything you have—like you’re trying to claim her inside and out, trying to leave your fingerprints on every part of her so everyone will know she’s been yours all along.

“Please, please, please,” again and again, stuttering out, “Just—just—just—”

Just keep going, keep pushing into her until she’s shaking, until she’s pleading for you to stop, to let her breathe, because she’s about to fucking break.

Or, really:

Keep going and never, ever stop.

The hand in her hair tightens, pulling her back, making her arch. That perfect spine, the curve that’s painted by God himself. Kisses into her shoulder, into the crook of her neck, making her whimper.

“Keep fucking me. Like this—like this—God—I’m going to—again—”

Pulling her closer to you, so you can feel the tremors starting from her core, spreading out like wildfire. Pushing her hand away, taking over between her legs—rubbing, teasing, circling her cunt and pushing her closer and closer to the brink. Fucking her so deeply that you can feel the first quivers of her orgasm from the inside out, daring to take over her body again.

“Keep fucking—touching me, fill me up—just don’t—please, I need it—”

A final plea, her last rites, before she’s lost.

“Cumming—cumming again—please, oh, please—oh—”

Mina’s body goes lax, a ragdoll in your arms. But you keep fucking her through it. Through the quakes and shivers, through the cries—through the crying out. Pleading. Pleading for you to follow her into oblivion.

And fuck. If you’re not right there with her.

You’re close, chasing her, feeling her orgasm, feeling it coil around your cock and pump through her veins and into yours. Feel her—her body, her muscles, her cunt—tightening, tightening, tightening around you until it’s unbearable.

“Cum for me—with me—” she’s repeating, her newest mantra, “cum inside me. Give it to me—please, I need it—please—so badly—”

Begging, dying for it. Willing, wanting to do anything for it.

But she doesn’t need to—you can’t fucking hold on any longer.

“Mina—fuck—"

You slam into her, and finally burst.

Filling her ass with your cum, feeling it spurt into her, thick and hot. Pumping into her, over and over, getting wrung dry by her ass, cumming so hard it feels like your bones might shatter.

Cumming until your vision swims, until the architecture in your knees threaten to give out, until all you can do is hold onto her hips and keep her in place, keep her right there, impaled on your cock, until every single drop of cum has found a home inside her ass.

Until you’re so sensitive it’s almost painful. Until the orgasm has passed over the two of you and left you feeling like you might dissolve into nothing but pure sensation.

“Christ,” you manage to get out, the word tearing out of you like it’s being ripped from your chest. Holding Mina close—embracing her, seeing just how much she’s loving it. How thankful she is. Taking it all, soaking it all in, moans turning into whimpers that you’d swear are prayers of gratitude.

Body limp and strung out, fucked so hard she can’t even hold herself up anymore—Mina collapses into the bed, pulling you with her, your cock still buried deep inside her.

Like the first time, like every time, it’s a complete fucking disaster.

Tangled up in sheets, in each other. Sticky with sweat, stickier with cum. And Mina turns her head to look at you, just so pleased, and so gleefully satisfied.

You lean in and kiss her, slow and deep, resisting the urge to stir, to roll her onto her back and start this whole thing over again. Claim her once, twice, a dozen times more.

But you don’t. You just lay there, breathing into her neck, letting all of this, your orgasms, your bliss, your absolute contentment roll through you.

There’ll be time to keep going, to keep fucking her. Give her the same tour of your house that she gave you that first night.

Eat her out in the kitchen. Fuck her into the sofa. And yeah, introduce her to the balconies on the higher floors.

For now though, there’s Mina, lips parting with yours, looking at you with a smile that’s this original blend of lust and love and admiration. “You really know how to ruin a girl, you know that?”

You chuckle, picking a stray strand of hair out of her eyes. “Just trying to scratch an itch.”

—

Everybody loves a love story.

And yours is packaged up so nicely, polished and made shiny and perfect for the public to see.

It's the type of story the media dies for—a tale of modern romance, woven through the glitz and glamour of celebrity life. The cold-blooded billionaire who had his heart stolen by one of the nation’s daughters, and then chased her across continents in order to get it back.

You and Mina, becoming the ultimate power couple—the kind that makes the paparazzi's cameras click in unison and tabloids sell by the millions.

Together at every high-profile event, her hand nestled in the crook of your arm, your thumb tracing lazy circles on her wrist—a secret promise of the bruises she’ll wear under her designer dresses. A whispered reminder of the things you’ll do to her when the lights go out and the world isn’t watching.

But nobody sees that. The public sees the smiles, the kisses, the sweet little glances that pass between you—and they eat it all up.

They'll never see the way she begs for your cock, the way you fuck her until she can't walk straight, the way she rides you until all you know is her name. They don’t know that it wasn’t love at first sight—it was lust, paroxysms of it, pure and raw and unbridled.

But here you are.

Mina, in your bathroom, smiling at you through the mirror. Dressed to the nines, looking like a fucking dream. Making it so obvious now that you wonder how you missed it at the start. The way she looked at you that first night, the way she looked. It was all there, laid out in big bold letters, all caps, telling you that this is what you’ve been searching for—what you needed all along.

That dress she’s wearing—some dazzling shade of green. Olive? Celadon?

“Emerald,” she smiles, catching you staring. “It’s emerald, darling.”

You grin back. “Then it should match.”

Mina’s eyes flick to the box in your hand, curiosity piqued.

“Got you something.”

You hand her the box—a simple, muted green velvet, lacking any markers or logos to give away the contents. Ergo, it’s really fucking expensive.

She takes it out of your hands. Opens it, and her breath catches.

“It’s—” Mina whispers, lifting a necklace from the box. A simple, stunning piece. A thin diamond band with a solitary jade teardrop hanging from the center.

"Yours."

Mina holds it up against the light, seeing how it dances through the stone like it’s alive. When her eyes come back to yours, she’s beaming—a smile so wide it makes you wish you had your phone ready to snap a photo.

“Help a girl out, would you?” she says, turning her back to you, sweeping her hair over her bare shoulder.

You step forward, kissing the skin there, feeling the softness of her neck, the pulse of her vein. Your hands come up to fasten the necklace around her, the coldness of the diamonds brushing against your knuckles.

“You know, there’s one thing I was wondering about,” you murmur, letting the jade rest atop her throat.

Mina giggles, tilts her head slightly to the side. The jewels sparkle. “Oh?”

“That first night. The gala. You came alone.”

“I did.”

“Why?”

“Why?” Mina repeats, amused. Happy to have her own little secret, the one thing you've yet to pry out of her between the sheets. She regards you through the reflection, a twinkle in her eye that says she’s been wondering what took you so long to ask.

“Yeah, I’ve never quite figured it out. I mean I know why you were alone. But why did you come at all? What were you doing there, just sitting all pretty and by yourself. It felt so wrong to me at the time.”

That makes Mina laugh, making you feel somewhat silly to even ask. She spins on her heels, facing you; the necklace sitting perfectly against her skin. She runs her fingers over the chain, ending at the pendant. Tapping it. Once. Twice.

And she doesn’t even need to ask you if it looks good on her or if it suits her because she knows. She can tell by the look on your face.

She wears it like a fucking collar.

“Why?” Mina says again, stretching the syllable out long and wide, until you’re staring at her lips, knowing you’re about to kiss her again, knowing that you may very well not make it out of the house tonight, likely not even make it out of the bathroom.

You’ll be ruining that dress, fucking her against the sink, pushing her up into the mirror, kissing into the top of her spine and repeating over and over again—mine, mine, mine.

“Because you invited me.”

[kangshxrtie]

12 . mansion party (written)

after the mandatory pregame at matthew's house, your group piled into ricky's car and headed to the party.

"do i just go up there and say i know daniela?" you asked, the nerves creeping into your voice.

"i mean, yeah. she literally told you to do that," yunjin replied, shrugging like it was the most obvious thing in the world.

"what if i just text her?" you said, already pulling out your phone.

"you could, but what are the chances she'll answer? since she is the host and all," ricky said, giving you a skeptical look.

"she answered," you said, cutting him off and unbuckling your seatbelt with a smug grin. "she's coming out to meet us."

"oh..." ricky trailed off, stepping out of the car, clearly impressed.

"that girl is so down bad," julie whispered, not very quietly, to the group.

"seriously," matthew agreed.

as you all approached the massive house, you couldn't help but take in the luxurious mansion. you scanned the crowd near the entrance, eventually spotting daniela looking around like a lost puppy. the moment she saw you, her face lit up, and she walked toward you like a magnet.

"go meet your girlfriend," ricky teased, giving you a playful nudge that made you glare at him.

"stop saying that," you hissed, but your feet were already moving. you met daniela halfway, and the bright smile she gave you made your stomach do an unexpected flip.

"hey, y/n," daniela greeted, her voice soft, almost shy. it threw you off for a second, shy was the last thing you'd expect from someone who owned a mansion and hosted massive parties.

"hi, daniela," you replied with a small smile.

"you can just call me dani. everyone does," she said, shrugging casually.

"okay, dani," you said, trying it out. the way her name rolled off your tongue made her cheeks turn pink. you noticed, and it took everything in you not to smirk.

daniela cleared her throat, trying to snap herself out of it. she handed out wristbands to everyone, specifically taking the time to help you put yours on. her fingers lingered on your wrist just a second longer than necessary, but you didn't mind.

"follow me. i'll give you a quick tour," she said, leading the way into the house. since you'd arrived early, mostly to avoid inconveniencing her later, it was the perfect opportunity to see the place before the crowd rolled in. you tried to convince yourself it wasn't just to spend more time with her.

"so, everyone's first five drinks are on me. after that, you gotta pay," daniela explained as she led you through the impressive space.

"that's fair," yunjin nodded.

"but," daniela added with a smirk, "weed is free all night for everyone."

"except you," she whispered in your ear, her breath warm against your skin. "you have free access to everything all night. i already let sophia know."

"you didn't have to do that," you said, feeling slightly flustered. "i can pay for my own drinks."

"and i want to make sure you're taken care of and having a good time," daniela said, her eyes locking onto yours. her tone was so sincere that you didn't know how to respond right away.

"well... thank you," you finally managed.

"anything for you," daniela said softly, her lips curling into a small smile.

"well we should get some drinks to get tonight started," yunjin said cutting off whatever was happening between you and daniela.

"i guess i should—" you started, but daniela cut you off.

"go. have fun," she said with a small smile. "just let me know if you need anything tonight. seriously. i'll make time."

your stomach fluttered at her words as you turned to join your friends. you couldn't help but glance back at daniela one last time before heading off. she was still standing there, watching you go, her smile soft but unmistakably confident.

once daniela was out of sight, belle immediately started hitting your shoulder, freaking out for you at the interaction.

"you like her," belle accused, eyes wide with a mischievous grin.

"what?" you said.

"she was staring at you the entire time she showed us around," matthew jumped in.

"really?" you asked, your voice coming out a little too eager.

"yes, really," matthew replied, rolling his eyes. "it was so obvious. i'm almost certain she forgot we existed for a while."

"she definitely did," julie chimed in, smirking knowingly. "the whole tour felt like it was for you. i swear she didn't even glance at us when she was explaining stuff."

"stop," you said, shaking your head in denial. "all of that did not happen."

"didn't happen? babe, we were literally there," belle shot back, giving you a pointed look. "that girl is already down bad for you. she was practically flirting the entire time."

you groaned, covering your face with your hands. "you guys are so annoying."

"so, who's making the first move tonight? you or her?" yunjin teased, slinging an arm around your shoulder as the group moved toward the bar.

"neither," you replied firmly, shaking your head. "i just met her. i'm not rushing anything."

"okay, but hear me out," ricky said, leaning casually against the bar counter. "if she's already doing this much to impress you after, what, one week? imagine how much she'll step it up if you give in just a little."

"that's true," julie agreed, her eyes sparkling with amusement. "she's already hosting a whole ass party just to have an excuse to see you."

"that's not even true," you said quickly, though your racing heart begged to differ.

"she didn't have to host this party," matthew said smugly, clearly enjoying your flustered reaction. "but she did. and we all see why."

you exhaled, "look, i'm just gonna see how tonight goes. i'll think about the rest later."

"that's fair," belle said with a shrug. "it's best not to make decisions like these when you're fucked up."

"exactly," you agreed, leaning on the bar counter as you waited for sophia to finish up with the others' orders. "now we get fucked up."

since it was a mansion party it was a little more fancy and so instead of the usual beer cans and seltzers, sophia was making cocktails and it took more time than usual.

"sophia!" you greeted as she finally came over.

"i was threatened to give you free drinks tonight," sophia said with a grin.

"i told her she didn't have to do that," daniela's voice rang in your mind, and you fought back a smile.

"i would've done it for you guys anyway," sophia continued, sliding drinks across the bar. "but hey, i'm not saying no to getting paid extra."

"to sophia being a real one," belle declared, raising her glass.

"we love her," you added, clinking your glass with hers.

later on, a couple of drinks in, you hadn't really seen daniela since earlier. instead, you'd run into yoonchae and megan, who complimented your outfit and hyped you up before taking some shots with you. eventually, you found your way to lara's dj booth, like usual. you hung out there for a while, chatting and delivering drinks to lara in exchange for song requests.

between the music, the drinks in your system, and probably the secondhand high that you were experiencing, you started to feel more at ease, just going with the vibe. that's when you decided to wander away from the dj booth, weaving through the crowd until you ran into manon.

"hey, manon," you slurred slightly, sidling up to her.

"i've been looking for you," manon said, giving you a playful look. "dani wouldn't let me come over to greet you with her."

"well, you found me," you said with a shrug, leaning against her for a moment.

"so, about that dance?" she teased, raising an eyebrow.

"saved it just for you," you replied with a grin.

the two of you moved to the beat of the music, feeling the alcohol take over your bodies, and losing yourselves in the moment. as you and manon have done this many times there was no awkwardness, just you and manon laughing and dancing through a couple of songs.

that was, until someone slipped between the two of you, causing you and manon to step apart slightly.

"can i cut in?" daniela asked smoothly, her voice soft but confident as she slid into the space between you.

"all yours," manon said with a knowing smirk, backing away as she gestured for daniela to take her spot.

you felt your heart skip a beat as daniela turned to you, a playful smile tugging at her lips. "mind if i steal you for a bit?"

"not at all," you responded.

"i can't leave you alone, apparently," daniela teased as she leaned closer to be heard over the music. "every time i turn around, someone else is getting your attention."

"jealous already?" you shot back, the alcohol letting you flirt back without overthinking it.

"maybe," she admitted, her hand brushing yours as she spoke. "i don't know why you're worried about me when apparently you're the one with hoes."

"not hoes... just a little competition" you joked.

"competition, huh?" daniela chuckled, her tone playful as she raised an eyebrow at you. "looks like i'll have to try harder."

you couldn't help but laugh, "just letting you know i'm not that easy."

"trust me," she said, "i'm not worried."

before you could respond, she gently took your hand, pulling you closer as the beat of the music shifted into something slower and more intimate. the sudden closeness made your breath hitch, and you were hyper-aware of her presence.

"you good with this?" daniela asked softly, her dark eyes searching yours, waiting for a sign.

"yeah," you said, nodding as you let her lead. your hands naturally rested on her shoulders, hers finding your waist. the two of you swayed to the rhythm, forgetting about the rest of the party.

"you look really good tonight," she said after a moment, her low voice becoming softer as she held your gaze, "i mean, you always do, but... yeah."

"thanks. you don't look too bad yourself," you replied, a small smile playing on your lips.

the two of you danced through another song, the tension between you shifting from nervous to comfortable. every glance, every touch, felt intentional, like you were both testing the waters on where this was going.

"can i tell you something?" daniela asked.

"of course," you said.

"i wasn't kidding earlier when i said i wanted to make sure you had a good time tonight," she admitted, her gaze dropping to your hands still resting on her shoulders. "i was hoping i'd be less busy so we could get to know each other, but that didn't turn out like i wanted it to. i just really wanted to get to know you more and i didn't know how else to do that other than a party."

her honesty caught you off guard, but it also made your chest feel warm, like your stomach was doing little flips. "i'm not gonna lie," you replied, meeting her eyes again. "i don't know if i'm just a little fucked up right now, but i'm willing to try this out."

daniela's smile widened, a mix of relief and excitement. "well, how about we get out of here for a bit? not leave the party, just... somewhere quieter."

"lead the way," you said, letting her take your hand again.

she guided you through the crowd, weaving past groups of people until you reached the back patio. the night air was cool and refreshing, a stark contrast to the heat of the party inside. a few groups lingered outside, but it was quiet enough to finally hear yourself think.

"better?" daniela asked, leaning against the railing as she looked at you.

"much," you said, taking a deep breath and stepping closer. "i don't have to scream to talk anymore."

"that's true," daniela said with a chuckle. "i've been waiting all night for some one-on-one time with you."

"i bet you were," you said, your confidence growing as the tension between you thickened.

for a moment, neither of you spoke. you could barely hear the music from inside now and the only thing you could focus on was the way daniela looked at you like you were the only person she saw in the room. finally, she broke the silence.

"so... what are you thinking about right now?" she asked, her tone light but curious.

you hesitated, your heart racing as you debated how honest you wanted to be. but something about the way she looked at you made you feel like you wanted to spill out all of your feelings.

"you're just like really pretty and i like the way you look at me," you said finally, the words tumbling out before you could second-guess them. "i also like being near you, you feel comforting to me."

daniela's expression softened, "good," she said after a moment, her voice barely above a whisper. "that means i'm doing something right."

before either of you could say more, the sound of someone clearing their throat broke the moment. you both turned to see matthew standing a few feet away, smirking like he'd just caught you doing something scandalous.

"sorry to interrupt," he said, his tone making it clear he wasn't sorry at all. "but we were wondering where you disappeared to. didn't think i'd find you out here having that kind of moment."

daniela chuckled, shaking her head. "i knew i messed up showing y'all the balcony."

"you're lucky it was me and not yunjin," matthew quipped, shooting you a knowing look. "but belle sent me to find you because, uh, she's doing a keg stand."

"belle?" your eyes widened, and you immediately stepped forward because you had to see this.

grinning, you grabbed daniela's hand and pulled her along without hesitation. she didn't protest, her fingers tightening around yours happy that you included her in this.

matthew guided you through the crowd, weaving through the party until you reached the keg station. your group was gathered there, cheering loudly, with belle front and center, looking far too excited to be sober.

"y/n! you're here!" belle exclaimed, bouncing slightly when she saw you.

"of course i'm here," you said, laughing. "i was not about to miss this."

her gaze shifted to daniela, "and you brought dani? i'm so proud of you!" she declared, looking like she might cry for whatever reason.

"you really are drunk," you muttered, rolling your eyes, but you couldn't help the small smile tugging at your lips.

"yall know i get emotiona when i'm drunkl!" belle exclaimed, "you're out here pulling bitches, and i just-i'm so proud. my baby's all grown up."

"we're the same age," you said, trying to wave her off. daniela just chuckled softly next to you.

"okay, okay," belle said, shaking her head like she was pulling herself together and focused on the keg once again.

ricky and matthew stepped in, helping belle into a handstand, their laughter blending with the cheers of everyone around. the crowd started counting loudly as belle began chugging.

"i'm surprised she's lasting this long, she hates beer," julie said, her arms crossed as she watched with a mix of amusement and disbelief.

"she's drunk enough to forget that right now," yunjin added, holding up her phone to record.

belle somehow made it to thirty seconds, and the group erupted into louder cheers.

somewhere in that time, daniela's hand found its way to your waist, her touch gentle but firm. you glanced at her, but she didn't say anything, her focus shifting between belle and you, as if she wanted to make sure you stayed close.

belle lasted an impressive full minute before she tapped and ricky and matthew finally helped her down. she stumbled slightly and the group quickly steadied her, as she wiped her mouth.

"who let me do that?" belle groaned dramatically, her face scrunching in disgust. "i hate beer!"

"we tried to stop you," yunjin pointed out, still recording as belle leaned against julie for support. "but apparently you're a grown adult and can make your own decisions."

"still? you should've tried harder," belle muttered.

daniela leaned closer to you, her voice low and teasing. "your friends are crazy."

“yeah… but I need you to know I’m just like that when I get drunk enough,” you said, laughing lightly.

“i’d like to see that,” daniela teased, her gaze lingering on you.

before you could respond, julie chimed in, her voice cutting through the conversation. “i think we need to call it now before belle starts dancing on tables with matthew.”

“that’s probably a good idea,” you agreed, glancing over to where matthew and yunjin had disappeared. you had no clue where those two were off to, but you definitely didn’t trust them drunk and unsupervised.

luckily, belle was still hanging onto julie for dear life, which meant she wasn’t joining in whatever chaos matthew and yunjin were stirring up.

“i’d love to stay, but i’ve got to make sure my friends make it home,” you said, turning to daniela with a small smile.

daniela’s lips quirked up in a soft smirk as she pulled you into a hug. “we just have to go on a real date now,” she said, her voice low and teasing in your ear.

“go be a good host now,” you replied as you pulled back slightly, but daniela’s arms stayed wrapped around your waist, and your arms lingered around her shoulders.

“to be a good host, i’m going to walk you all to your car,” daniela said with a shrug, her smile never wavering.

“oh, will you?” you teased, raising a brow at her.

“just to make sure everybody gets home safe,” she added, finally loosening her hold on you.

“well, i gotta say, i’m liking this treatment,” you said.

“as my future girl you’ll get this kind of treatment at every party,” daniela shot back smoothly.

“who says we’ll even be dating by your next party?” you teased, glancing at her over your shoulder.

“when will it be, by the way?”

“well, i was thinking toward the end of the month, or maybe the beginning of next month,” daniela said casually.

“crazy, i thought you’d be doing a halloween party,” you said with a laugh.

“that was the plan,” daniela admitted. “but i just had this sudden inspiration to throw more parties.”

“oh, i’m glad you did because i love your parties,” you said genuinely.

“i’m glad you do,” daniela replied, her eyes soft as she looked at you.

while you were searching for matthew, daniela got pulled into handling some host duties, which meant the two of you had to be separated. meanwhile, ricky took julie and belle with him, splitting up to look for matthew and yunjin, definitely thinking you were more sober than you actually were. so, you were left to wander mostly on your own.

you eventually found matthew, and of course, he was on top of a table with yunjin, both of them going full-out to crank that. you were beckoned up to join them, and you did because why not, you couldn’t help but laugh as you danced with them. that is, until daniela and ricky appeared, and you were instantly reminded of the whole reason you were even there.

“matthew and yunjin, get down!” you shouted, trying to sound authoritative despite your tipsy state.

“but this is where i belong!” matthew protested dramatically, giving you a grin that was pure mischief.

“you belong in the car, because we’re going home,” you retorted, crossing your arms.

“i could’ve been superman,” matthew said, getting into position as if he was about to jump off the table in a ridiculous superman pose. fortunately, ricky was behind you, catching matthew just before he could do something stupid.

“you too, yunjin!” you called, helping her down.

after successfully wrangling them out of their impromptu performance, you started guiding everyone toward the exit. of course, it took at least ten minutes to leave the house because distractions were endless, mainly people trying to say their goodbyes to you.

eventually, you made it down the street and into the car, with ricky and daniela helping you shepherd everyone into the vehicle. ricky gave daniela a quick thank you as he slid into the driver’s seat, and you realized, since you hadn’t had much to drink after hanging out with daniela, you were starting to sober up and could finally do the whole “goodbye” thing properly.

“goodbye for real this time,” you said as you turned to daniela, your voice soft, though there was a lingering smile on your lips.

“i’m really glad we spent time together tonight, even if it was short,” daniela replied, her voice warm.

“text me when you get home,” you said, giving her a small, meaningful look.

daniela pouted, teasing, “i’m supposed to tell you that.”

“you right,” you said, laughing lightly. “i will most likely already be asleep by the time you get home, so i’ll text you instead.”

with that, you pulled her in for a tight, lingering hug, holding her close for a moment longer than you expected.

“take care, y/n,” daniela said softly into your ear as you pulled away, her fingers brushing lightly across your back.

“you too, dani,” you replied, your smile a little wider now.

you got into the passenger side of ricky’s car and he started the car and pulled away. luckily the rest of the group was too tired to even tease you about your interaction, but you were fine with dealing with that in the morning.

BACK | MAIN | NEXT

TAGLIST 🪩 @saysirhc @wintersgff @sixflame438 @1luvkarina @ihrtantn @yeetaberry127 @urmom2314 @vrtualstar @sed7ction @inybits @ellezra @meganskiendielsbtc @firstclassjaylee @modanisgf @kristalag

[genericpuff]

Hello! I'm someone with autism (and I'm suspecting ADHD too) who's planning multiple projects. Do you have any advice when it comes to overthinking a lot about decisions on a project? Be it the first step, planning, questioning if you're moving too fast, etc?

ouuuu I think the biggest thing I struggle with personally is just like... the overbearing weight of expectation that isn't necessarily even there. Like, expectation to do everything right all the time, to never make mistakes, to never fall through on promises, to never break any 'rules' (real or imaginary) and most of all, for everything I do to matter in some big, recognizable, memorable way - but the steps to that goal aren't defined, I just know what the goal looks like, with no clear path as to how to get there, and so it often results in me aiming at my own "best guess" and then beating myself up for not hitting the target LOL which is completely unfair to myself and my own work!

What I try to regularly remind myself of is that I am one person, who is only capable of what one person should reasonably be able to accomplish on their own, no matter how much my auDHD tries to convince me otherwise that I "should" be able to handle more than what's reasonable. And in that same sense, there isn't any more pressure on me to put out something perfect than there would be on any other person. I am not Atlas carrying the fate of the greatest work known to mankind on my shoulders - I'm a chronically online dweeb making stuff that's interesting to themselves and sharing it in the hopes that even just one other person will like it too. That isn't a diss on myself, that's me embracing what I am so that I can keep doing it better and more confidently each time.

Though I don't know if this exactly applies to you, I'm gonna say it just in case: I know when it comes to balancing multiple projects, it can be hard not to go "oh well I SHOULD be working on xyz!" but at the end of the day, you're not a failure for preferring to work on something else or needing space from projects that used to thrill you and have now become monotonous. In fact, it turns out that's how it is for most neurotypical people too! I know they make a lot of shit look easy, but even they have shit they loathe doing - they just don't have to deal with the unique hurdles of being neurodivergent.

Always remember to set boundaries with yourself and your work. Remember, just because you're really excited to work on something, doesn't mean you have to work on it all the time. I've learned to appreciate those moments when I'm stuck doing my day job and I'm excited to get home and work on my passion project, because it means I can actually look forward to it and it'll feel all the more rewarding when I finally get to do it! Pushing yourself too hard to fulfill that excitement all at once right off the bat often just means you're gonna spend it all way too quick, and that won't feel good because then you'll be left wondering where all the love went.

Set little goals for yourself. Stuff that's manageable and achievable within a reasonable amount of time. I know we tend to dive into thinking huge right off the bat, because that's what's exciting to us, but when it comes time to actually do the work, those smaller goals can keep us moving forward far better than the big, far off, ambiguous goal hiding somewhere off in the horizon. While it's good to plan ahead, not setting smaller milestones for yourself can burn you out faster because it's really hard to work towards an "end goal" that might be too far away for us to even conceptualize. The small goals allow us to reward ourselves along the way, and they do ultimately still build up to the bigger picture in the end, even if it feels like we're "not doing much". It can be anything like "get to this chapter that I can finish in the next few weeks" or "fully write out this scene that's been living in my head rent-free".

As for the overthinking... yeah, I wish I had some magic solution to that, but it's really just about learning what you enjoy doing vs. what you don't, so that you can have confidence in knowing when your creative decisions suit the project you're working on. This is something that gets better with practice and experience, but I feel like it's better tackled by reminding yourself that any project, no matter the outcome of how popular it gets or whether or not it "takes off", is an opportunity to learn and grow. Treat every project as a learning experience and you'll hopefully find the process itself more enjoyable, which will subsequently buff up your confidence. It's all a process of honing in on what works for you, what you excel at, and what you enjoy doing; while learning what doesn't work for you, what you could improve at, and what you don't enjoy doing.

Finding a writing buddy or someone who's willing to read your work and give you feedback is super helpful for this, too, because sometimes it takes another perspective to help us navigate the fog of indecision and find a solution.

And again, remember - you are one person, and you are under no obligation for any of your projects to be some perfect, infallible holy grail. You will write stuff that you will inevitably look back on with disgust and cringe. You will create projects that you will eventually outgrow or move on from. That does not invalidate the time and effort you put into those projects - it's proof of experience and growth. Embrace the growing pains, find peace in the process in whatever way you can.

It's not a question of right or wrong - it's asking yourself what feels true to you and your voice, and finding out along the way.

[tyrantisterror]

You're welcome! Thank you for being such a willing participant in the interactive side of this story!

And yeah I'll gladly answer some more questions.

So, as I said above, I realized in the process of writing the story that, from a narrative and thematic perspective, this story could not give Sailor a clear and definitive answer to what they are. Even in the ending where they chose to go back to the normal world, we get an answer that convinces Sailor, but still clearly has some holes to the audience. I think there are ways we could have skewed certain conversations to learn more about the hypothetical answers in-story, but it would have come at the cost of key moments of character development for Sailor and Calibani. And I also think it's possible we could have skewed the story in such a direction where giving a definitive answer to the question wouldn't have necessarily hurt the theme of the story, by dint of turning the story into a different theme entirely - a South-heavy story might have focused on Sailor confronting their own inherent selfishness and short-sightedness rather than questions of their identity, for example, while a West-heavy story might have been a more dense and wacky adventure full of foolhardiness where learning who/what Sailor is could happen quickly and definitively without fanfare in order to be pushed aside for more shenanigans. 58 choices - there's a lot of potential what-ifs here.

There would be no way to contact Earth in the story as told, no, just as there wouldn't be a map till the very end. But, like, Sailor is canonically living longer than just the nine or so days the story covers, the Sea of Monsters is big, and Sailor knows a mad scientist. It's possible Sailor finds a way to get a message back to earth at some point - but I guess we'll have to save that for a hypothetical At Sea Without a Map 2: Now With Map!

I generally tried to vote either for the answer I thought would get the most votes, or the one that would get the least, in hopes of not actually affecting the result too much (unfortunately tumblr doesn't let you see the results before the poll ends unless you vote, and for the sake of keeping to a more-or-less daily schedule, I kinda needed to keep an eye on it to know what I'd need to draw during my downtime moments). I think the TT-only version of At Sea Without a Map would have been pretty similar to what we got. We might have spent a bit less time with Calibani and bit more time getting into monster hijinks and drawing exposition about the setting from characters like Dr. Neptune, but otherwise it would have been pretty similar. I had more fun with the player-choices that contradicted my own instincts, though - it was fun being given free reign to just shoot the shit with love interest while ignoring the plot. Very indulgent I do wonder if Sailor might have turned out differently, though - I was very conscious of trying not to flavor things too heavily when Sailor was in my control in the narrative, i.e. when they had to make choices without a compass to set them in a direction. I didn't really start giving Sailor personality in-text until I got a feel for what we were turning them into together, and even then I always felt nervous about it - I never wanted it to feel like I was forcing you all to play a character that wasn't authentic to what you were choosing. This wouldn't be a problem if Sailor was just written by me and me alone, so they might have become something different by dint of me not having to worry about alienating voters with their actions.

At Sea Without a Map Post-Script

After two months of so, my little writing experiment At Sea Without a Map has come to an end. And because I'm vain, I not only felt compelled to share it, but to talk about it in depth after the fact, so here we are. This is going to be long, though, so I'm not only going to break it into sections, but put it all under the cut for the sake of your dashboard. So go ahead and dive into the depths of the Sea of Monsters with me one more time!

Part 1: Never Stop Blowing Up

The writing process of Wizard School Mysteries Book 3 was really strained - not because of the book itself, mind you. When I was actually able to work on it, Book 3 came together really well - I think it required the least substantial rewrites of any my novels thus far. It's just that real life was kind of beating the shit out of me while I was trying to get it done - or maybe the better metaphor was that it was just slowly but steadily draining me of energy all the time. I'm honestly surprised I got the book out in roughly the same amount of time as the first two - by the way life had been treating me, it should have taken longer.

But when I got done with it I was accutely aware of how tired I was. I still had the creative drive, but fuck I needed something simple as a palette cleanser - something easy, and more importantly, something that was allowed to be bad. I needed something creative to do that was surplus to requirements and fully within its rights to suck ass so long as I had fun making it.

Around this time, I decided to rewatch Dimension 20's Never Stop Blowing Up. Brief explanation of what that is: Dimension 20 is an actual play show, i.e. a recording of people playing D&D and other TTRPGs. I'd say its reputation is built on the contrast of its main DM, Brennan Lee Mulligan, who makes these meticulously crafted campaign plans, and his chaotic band of improv comedian players who promptly derail those plans spectacularly. Like, a good deal of the show's humor comes from Emily Ashford or Ally Beardsly doing something so off-the-wall that it shatters whatever the scene was going to be and creates a far more absurd and zany spectacle in its place. Which is why Never Stop Blowing Up is pretty notable, because it's the one campaign where Brennan himself is the agent of chaos, fully unleashing his own brand of madness that the players struggle to keep up with. And fuck does he seem to have fun with it.

Of course, all of the analysis above is purely from the outside looking in - it's likely that a lot of the "chaos" is played up for the audience. But still... there is something to the idea of a person who's been working on meticulously structured stories letting loose and just doing something extremely stupid.

So I decided to give myself a Never Stop Blowing Up moment - a short story that would be simple by design, with no standards to live up to or goal beyond "have fun telling a silly little story." I then came up with a few key criteria:

It can't be set in the Midgaheim/ATOM universe. I don't want the burden of figuring out where this story would fit among others.

It's gotta be a romance. People who've read my books might have picked up on the fact that I like to write about people falling in love, for the same reason I like to write about fire-breathing reptiles and friendly monsters (i.e. I use writing to indulge in things I'll never experience in real life). I've only used romance as subplots in my fiction before, and tend to feel a bit guilty if I focus on it too long - like I'm being self indulgent. Well, this is all about self indulgence, so the romance should be front and center.

It's gotta be SIMPLE, episodic even. Not complex plotting required.

I almost chose my xenomorph romance for this, but I had developed its outline to the point where it would be too complex to fit. I then considered a sort of superhero story that could be pitched as "what if Bringing Up Baby but Katherine Hepburn's character is a Harley Quinn-esque supervillain and Cary Grant's character gets turned into some sort of horrifying genetic mutant in the first ten minutes." That one hit a weird roadblock when I got to the character brainstorming phase (the first phase of any writing project I do) - I was trying to figure out what the mad scientist who turns out Cary Grant-figure into a mutant would be named, came up with the name "Dr. Skullfuck," immediately realized that having a character named "Dr. Skullfuck" is a Mark Millar-ass writing move that I could not allow myself to do, but then couldn't stop thinking of the name "Dr. Skullfuck" and giggling, which just brought all thinking to a grinding halt on that project.

(I'll still probably do it someday, though - just, you know, without Dr. Skullfuck)

Inspiration struck again, though. I'd been getting into Epic: The Musical, a musical retelling of The Odyssey, and it put me in the mood for a sea monster story. But, more than that, it got me thinking about one particular archetype from sea monster stories - but that brings us to the next part of this Post Script...

Part 2: It Was Always About Calibani

Ok, so, one of the big changes Epic: The Musical made involved Odysseus's encounter with the sirens, and before you read more of my rambling, I'd like you to watch two animatics for the two songs in question here:

A summary: one of the sirens takes the form of Odysseus's wife to try and tempt him into getting in the water, Odysseus tricks her into giving him directions, captures her and the rest of her kind, and proceeds to have his men slaughter them horribly. In the OG story the sirens don't die - nor does their song involve imitating a man's wife, for that matter, it's just a really pretty song.

This is done for an important narrative purpose - Epic: The Musical is focused on analyzing the moral ambiguity of Odysseus, and how it is constantly challenged by the impossible choices he is forced to make in his attempt to get home. At this point in the musical, Odysseus has decided to stop trying to be a compassionate man, shirking all mercy in favor of utter ruthless pursuit of his goals. These two songs are meant to be unsettling as hell - this is the beginning of a series of heartless choices by both Odysseus and his men that will culminate in the mutiny and complete annihilation of Odysseus's crew, as well as Odysseus himself being so hopelessly stranded that nothing short of divine intervention will save him.

I bring this up because when I first heard these two songs - specifically while watching these two animatics - it, like... it devastated me. I was so horrified and sad, so shaken by it. And part of it was for the reasons outlined above, but admittedly that wasn't the gut reaction I had. No, my immediate reaction was, and I quoute my own broken brain verbatim here: "You can't kill the sirens! They're not for killing, they're for loving!"

...now, those of you who know me are probably not surprised by this very stupid sentiment coming from me. One of my more popular posts is just me talking about how down bad I would be for various folkloric monsters whose whole shtick is "looks like a pretty lady but Watch Out." But as a person filled with immense self loathing and doubt, my brain immediately looked at that very stupid sentiment I expressed and said, "Wait, no, that's fucking dumb, I'm fucking dumb. The sirens are remorseless murderers. These sirens in particular preyed upon a man's love for his wife, who he has not seen in twelve years, to convince him to let them kill him. They are, by all standards of morality, Very Fucking Evil, and if they were not women you would not feel bad about them getting killed."

And as my brain argued with itself over this topic, I got to thinking about the various monstrous/othered sea women of The Odyssey - not just the sirens, but the witch Circe, the nymph Calypso, the monsters Scylla and Charybdis. And I thought about the others of their kind in other myths and folktales - selkies, mermaids, etc.

There's an archetype of sea monster that focuses entirely on one specific anxiety sailors are prone to, namely the fact that (for a good deal of human history) being on a boat meant spending a lot of time away from women. The horror of this monster is how it uses that desire for female company to tempt people into danger - like a mirage, it leads you to expose yourself to danger in pursuit of an illusory comfort.

But, unlike real world mirages, these monstrous sea women DO exist in their stories. More than that, they're often, like, sad and lonely. Their narrative purpose is just to be a temptation, but that doesn't change the fact that they do have lives of their own in these worlds. And, softie that I am, I can't help feeling sad for them, especially the ones who actually seem to want the same companionship the sailors they tempt want. Sailors don't stay with their Circes, they don't marry their Calypsos. The sirens live on a barren rock, alone, Scylla is left to wallow in misery at her monstrous form, and the selkie always has to leave for fear of being trapped by a person who won't love her on her terms.

I realized I had my hook for this simple, easy, silly little sea monster romance story: I was going to give a sea woman the happy ending she'd never get from anyone else.

Sailor may be the protagonist, but make no mistake: At Sea Without a Map was always, always, ALWAYS about Calibani.

The goal with Calibani was simple: I was going to set up a fairly standard Monstrous Sea Woman, but where other stories would let her be in one episode of the travel narrative and move on, this one would stick around. She'd be an unambiguous predator of human beings - an open and admitted maneater - but she would have no true malice to her. She, like all predators, eats what she can get to survive, and it just so happens that she's adapted to eat humans. And the story would pose the same question to the reader that my brain posed to me during Different Beast: is there any way you could make a siren-style sea monster sympathetic? Can you make a normal person who doesn't have my particular brain rot look at a maneating siren and think, "You're not supposed to kill her, you're supposed to love her!"

One of the few unavoidable plot points of At Sea Without a Map was that Calibani and Sailor's relationship would become romantic. What kind of romance it was could have varied substantially - it could have been one-sided, it could have been toxic, it could have been far more tragic OR far more comedic. But it was always, always going to be a romance of some sort - the goal of this experiment was to make you, the reader, love Calibani. All else was icing on the cake.

I decided to base Calibani's personality on Miranda from The Tempest - i.e. a sweet girl who is both wordly and naive, who understands the strange setting of our "lost at sea" story far better than the audience viewpoint character does, but views the mundane world of the audience viewpoint character with wonder and naiveté. In fact I almost named her Miranda outright... except I already had a character in the setting I chose for this story who had that name, and as an allusion to the same Shakespearean character no less. So I settled on naming her after Miranda's adoptive sibling (of sorts), Caliban - more fitting in some ways, as Caliban is a fish-human hybrid who is arguable more native to the magic island in The Tempest than Miranda herself.

(Calibani isn't the only Tempest name homage, either - her mother, Sycorax, takes her name directly from Caliban's unseen but oft-spoken of witch mother. Dr. Antonia Warefore takes her first name from Antonio, one of the human villains in The Tempest who hopes to use being lost at sea as a way to perform a coup. And the mothman Iriel takes her name from Ariel, the wind spirit in The Tempest who aids the wizard Prospero in controlling the magic island. If Sailor has a "real" name, it's probably either Ferdinand or Miranda, the two lovers who manage to blend civilization and the wilderness together with their romance.)

Visually, I wanted Calibani to not be any common archetype of sea monster woman, but rather something that evokes the popular images while still being her own thing. She's not a mermaid or a siren or a selkie - she's basically "what if a sea serpent was also a girl." In-universe, she's chubby because she, like all marine megafauna, needs blubber to survive. Out-of-universe, she's chubby because I've found that routinely drawing cute chubby girls is good for my mental health.

Part 3: CYOA

Now, while we live in a post-Muncher society where shame and cringe are emotions only the cowardly should experience, I am nonetheless Very Catholic about expressing my own feelings of, like, liking girls and shit. I cannot help feeling guilty when publicly expressing adoration of women without, like, an excuse - it's gotta be a joke or something, you know? I can't be genuine about it, or else Jesus will beat me with a cane for disrespecting women with my lecherous gaze.

But luckily I've cultivated a loyal audience of fellow monsterfuckers, which meant I had an excuse lined up: if I made this a choose your own adventure type deal, a story with audience participation, then you all would be my accomplices. And Jesus can't cane all of us! He doesn't have enough hands! I found a loophole bigger than his stigmata!

Plus I love collaborative story-telling - there's a thrill in not having total control of where the narrative is going. As Brennan Lee Mulligan must know, there's a joy in having to deal with the chaos thrown your way by letting others grab the figurative ball, even if just for a moment.

Part 4: Offbeat Melody

Since I did not want to set this story in Midgaheim, I decided to steer myself away from a vaguely medieval setting altogether. But I also didn't want to limit myself with the need for "realism" that putting it in a normal sea would require, and making a new setting whole cloth would start pushing this project into "not easy" territory.

Luckily, I had a setting lying around that I hadn't played with in a while, which just so happened to have a location that was PERFECT for the sort of Never Stop Blowing Up style madness I was aiming for. For a few years I ran a Monster of the Week TTRPG campaign called Offbeat Melody, and one of its core setting elements was taking the goblin universe hypothesis in paranormal science (yeah it's a real hypothesis) to an illogical extreme. We had specifically seen glimpses of the Sea of Monsters in Offbeat Melody, i.e. the parallel universe where monsters like Nessie, Ogopogo, Champ, and the like all hail from. Well, why not have a whole story set there? It's literally a universe devoted solely to creating sea monsters - what better place to strand our modern Odysseus?

Offbeat Melody was always sort of a Never Stop Blowing Up project, or at least NSBU adjacent. Some of my most unhinged story-telling moments are in that campaign - you could make a supercut of just the "commercial breaks" in the various sessions and it'd basically be an I Think You Should Leave episode. Taking one obscure corner of its multiversal world and exploring it in detail was perfect for this project.

Part 5: Monster by Monster

With our main romance as sorted out as could be for a CYOA story, it was time to figure out the "episodes" of this sea voyage. I settled on there being ten to roughly align with The Odyssey - just in terms of number, mind you, not in a one-to-one comparison. The first was, obviously, Calibani herself, which left nine more slots for me to fill with monsters. Let's go through them together in brief:

Tree Storks - any lost at sea story eventually has to get its protagonist into an island at some point, but this immediately begs the question, "Why don't they just stay on the island where it's safe?" The answer to that question has to be, "it's not safe there, actually." The Odyssey does this quickly and cleverly with a one two punch: the first island seems safe until you realize the food on it brainwashes you into forgetting everything except your desire to eat it, and the second island is full of delicious sheep but also giants who will eat you just as easily as they eat the sheep. When other islands show up in the story later, you immediately regard them with suspicion, because you don't know HOW they're going to be fucked up, but they definitely will be. My goal with the second episode was to establish the same sort of danger - that land is NOT safe, that islands WILL be fucked up and dangerous in ways you might not expect.

I also wanted to establish that this is not just a sea of monsters, but a very WEIRD sea of WEIRD monsters. It couldn't be any old monster on this island - it had to be one that was unique, unexpected, and maybe just a bit silly while still being menacing.

I've always felt that there's a lot of un-mined horror potential in storks, cranes, and herons - any bird with a long neck and spear-like beak it uses to stab smaller creatures from above. Just imagine yourself in a frog's place in the world - tiny, going about your business, when suddenly something shoots down at you from above and impales you before you even feel the shadow fall over your face. Or perhaps you did see the shadow - some of these birds spread their wings to create shade specifically to attract fish, and then spear the poor little bastards.

Well, what do people often look to islands for when out at sea? Shade - the shade of a palm tree. And palm fronds kinda resemble feathers, don't they? Wouldn't it be both ludicrous and terrifying is there was a stork big enough to mimic a palm tree - and wouldn't that be a DEVIOUS trap for a sun-drenched sailor to fall for? So the Tree Storks were born.

The Globster - I made a list of sea monster archetypes in the early planning for this project, and one I wanted to include was a kraken, i.e. some sort of tentacled sea beast. But I didn't want to do JUST a big squid or octopus, or even a riff on them. I wanted to take the idea of "big sea monster with lots of tentacles" into a stranger direction.

Since the Sea of Monsters is explicitly the home universe of lake and sea monster cryptids, I thought it might be fun if ASWaM's kraken equivalent was a globster - just a big ball of rotten meat. I love drawing monstrous faces, so I decided it'd just be, like, MADE of hideous rotten faces, all melting and congealing together, with its tentacles doubling as the tongues of its many mouths. A perfectly wretched image that, like the Tree Storks, would do well to establish how Fucked things could get in this setting. Plus similar monsters had appeared in Offbeat Melody, which would make for a fun sense of familiarity for the, like, five or so readers of mine who had listened to that campaign before.

Captain Peter & the Dolphin - Another thing I did in the early planning stages of this project was make a list of the different sea voyage stories I know and love, the most contentious of which is The Life of Pi. That's a story that I love on a literal level but kind of hate on a figurative level - its whole theme/message is that doubt is the worst thing you can have, that if you don't commit to believing something with zealous conviction you are a coward. As a person who thinks doubt is valid, that "I don't know" is sometimes the ONLY truly valid answer to a question, I have issues with that message.

But I can't help loving the beautifully ludicrous idea of a non-anthropomorphic tiger sailing the ocean on a big Odyssey of its own. Like, if that story didn't actively hate me for being agnostic, it would be one of my favorites.

So I decided to, you know, just steal the idea of a tiger Odysseus. The tiger in The Life of Pi is named Richard Parker. Richard Parker also happens to be the name of Peter Parker's dad. Hence we get Captain Peter - the figurative son of Richard Parker, if you will. And to ratchet up the absurdity of a tiger Odysseus, I made him a pirate and the sole sailor of his voyage. Somehow, this tiger has manned a boat on his own.

Captain Peter was intended to be the hero of another story - a sign for the readers that it IS possible for a stranded person (or, in this case, tiger) to survive out here. To that end, he had to rescue our heroes from another threat, but not one that would be interesting enough to take the focus off of the tiger pirate. Originally I planned for that threat to just be a big shark, but I ended up liking my shark design too much to put it in a role that small, so I quickly designed a nasty dolphin for the role instead. I think that worked out well, honestly.

Dr. Neptune - Episodes 5 and 6 were the mid-point of this journey, so I wanted the two monsters of those to escalate things significantly. I figured episode 5 was probably a good place to FINALLY give some meaningful exposition on what was going on, and there are a lot of stories about mad scientists doing weird shit on islands in my big list of sea voyage stories I love. So we get Dr. Neptune, a classical brain-in-a-jar mad scientist who's affable enough to give more-or-less accurate exposition but loony enough to be a problem. This also felt like a good spot to remind the reader that Calibani is not just a girl with a tail but rather a Sea Monster herself, and one that we'd been making stronger by allying with.

With his human-but-not-quite nature and cyclops eye, Dr. Neptune could sort of be seen as the Polyphemus of this story, couldn't he?

The Crocodisle - One of the sea monster archetypes on my list was "the island that's actually a sleeping monster," of which there are many in mythology and folklore. My favorite is the Jasconius from the voyage of St. Brendan, mainly because it's more or less benign and actually comes back to help St. Brendan and his crew at the end of the story. I always love when I can find an old story with a friendly monster in it.

When thinking of my own spin on the island monster concept, I remembered the only Magic the Gathering card I had as a kid, which I still have and love to this day: The Sandbar Crocodile. This card already inspired Crocogon's color scheme in The Atomic time of Monsters, but I felt I could go to that well again one more time, and so made a crocodile that wasn't just a sandbar, but a whole damn island to itself. And, like Jasconius, it turns out he's pretty chill.

I did not think of the pun name "Crocodisle" until I was actually writing the chapter in question.

The Femdom Mermaids - These three were a late addition to the roster. When I had Calibani bring up mermaids early in the story, I realized as soon as I wrote her rant about them that we'd HAVE to meet some later on in the story.

The readers had significantly shaped Calibani and Sailor's romance by this point, and I decided that it could be useful to have a chapter that was devoted to showing definitively how these two were good for each other. I thought the mermaids could provide a good contrast: have them act out a seemingly more benign take on the monstrous sea women trope (they abduct our hero to protect and care for them!) only for it to quickly feel MORE deranged than Calibani's comparatively simple desire just to eat him.

The spirit of Calibani's rant about mermaids was taken from weird* girls I knew in high school complaining about cheerleaders, so I wanted the mermaids to look like the sea monster equivalent of popular kids to Calibani's chubby weird girl. Two of them got the names of famous beauties - Helyne = Helen of Troy, Clio = Cleopatra.

(*when I say "weird" I mean it in a complimentary and affectionate sense)

Bob, meanwhile, kinda... rebelled, I guess? Before I had names for them, I listed "bob" by her as just, like, a descriptor for her hair cut, but then I liked it as her name, and once she was named Bob she became more than just a mean popular girl. She was a weirdo too, the little punching bag of the two mean popular girls who did their dirty work and smiled through their abuse because hey, at least they included her. It gave the trio an easily defined dynamic, helped make two of the three more visibly nasty, and gave us comic relief in an arc that could very well have gotten too uncomfortable otherwise.

And I guess it worked - readers REALLY loved Bob, and were very vocal about it, and I realized mid-arc that I had accidentally made her too likable to just leave in this arc. So Bob got to be rescued from her awful friend group thanks to readers like YOU.

Lord Ironteeth - yeah, this was the shark that was too cool to be a minor threat. When I drew his noggin, I realized he would need a chapter of his own, one with gravitas. I decided he'd specifically be the threshold guardian -once we beat him, we'd know for sure how to get home, even if there were a few more threats in store.

Spindle Inc and Sycorax - when I was a kid I used to have this recurring nightmare about being on some sort of underwater sea station that had this huge sea serpent trapped inside it. I'd look at the sea serpent from a window within the station and see it coiling in its tank, only for it to look at me with fury. In that glance I would suddenly realize two things with absolute clarity: first, it was going to break free and kill everyone, and second, we deserved that destruction for what we had done to it. The terror of the dream was less that the sea serpent was going to break free, and more the guilt of knowing that all the mayhem that was about to unfold was our fault to begin with.

I thought that would be fun to homage with the penultimate chapter of this story. OBVIOUSLY the sea serpent was Calibani's mom, obviously the trauma of its capture was why Calibani grew into a predator that specializes in hunting humans, obviously we would have to free the sea serpent despite that running counter to Sailor's goal of getting home. Easy, easy, easy plot point to include.

Spindle, Inc. is the primary antagonistic force in Offbeat Melody, so they easily slotted into the role of the arrogant humans who captured this monster for nefarious and selfish motives. They could tie a lot of other plot threads together too - Dr. Neptune was a scientist who worked for them as a contractor only to get screwed over (i.e. they stranded him in the Sea of Monsters, expecting him to die, and then used his research to make their own base of operations in it), we'd learn of him through a spindle briefcase left behind by some unfortunate rogue agent who got eaten by the Globster while he was trying to escape, hell they could even be one of the possible origins of Sailor themself (more on that later). Very useful villains, Spindle.

The Abyssal Mother - I knew the last sea monster would need a lot of punch to it. I briefly considered just a big whale - the Moby Dick to Spindle's corporate Ahab - but it felt underwhelming after all that came before. So I went for arguably the most dramatic possible sea monster, a full on Cthulhu-style elder god. If you're a frequent follower of this blog, you might know I have particularly high standards for Eldritch Abominations, so I realized this was going to be a pretty big challenge for me to live up to, and decided to keep the cthulhu in question reserved to the last few entries as a result - the less it appears, the less it has to live up to.

I realized I had a good angle when my experiments with the Cthulhu "squid for a head" concept ended up having a face framed in shadow - you know, the same visual that our protagonist has in most appearances. That provided some very juicy parallels between the two that made this final monster feel particularly noteworthy to me, ones that I'll leave you to ponder, since they tie into...

Part 6: Themes

I did not set out to have a theme in this story. I just wanted to make a sailor and a sea monster kiss. That was my only goal.

But I really don't begin with theme in ANY of my writing. I figure out topics I want to address, but for all my novels I feel like the themes didn't start coming together until about halfway through the first draft, when enough of the elements of the story had been set down and interacted with each other enough for me to realize what I was saying with them. A huge part of my second and third drafts for my novels have focused on making the themes of my stories more concrete and unified.

Well, ASWaM is very much a first draft of a story, but it's a simple enough story that I think the theme found itself pretty well despite lacking subsequent drafts to refine it.

ASWaM is about doubt and direction. It's about being adrift in a world that is in many ways hostile by nature, about not feeling like you're where you're supposed to be or even WHO you're supposed to be, and about setting off aimlessly in the hope that maybe you'll find your way to that mythical land of "what my life is supposed to be."

When I began the story, Sailor had amnesia and wore clothes that obscured their identity as a way to make it easier for anyone to step into Sailor's role. Sailor had to feel like You, the Reader, and so we don't know their name, their gender, their eye color, their hair color, even their skin color (note that their hands are always wearing gloves, and their face is always in shadow).

But it also meant Sailor is, well, undefined, at least at the start of the story. Sailor doesn't know who they are, what they are, how they came to be. Sailor feels distinctly that they should be Something Else, should be Somewhere Else, should be Someone Else, should not be who/what/where they are. Sailor is plagued by doubt, by a need to go in a different direction, by a need to be other than they are.

This initially contrasts with Calibani, who begins the story very confident that she is doing exactly what she was designed to be doing and acting exactly like she should be. As they interact, they begin to shift each other in opposite directions - Calibani questions her existence and nature, sometimes to a self destructive degree, and Sailor begins to find something about who and where they are that they like. They find a healthy middle ground together - doubtful enough to want to be better people, but with love for themselves that allows them to not feel the need to up-heave their lives entirely.

I knew at the start that I would build an expectation for there to be some answer to the question of who Sailor is and where they came from, because those are the questions that begin the whole narrative. I brainstormed a number of answers to those questions, but once I got a few chapters into writing the story and saw this theme of doubt developing, I realized I couldn't answer them. From a thematic standpoint, the doubt HAD to remain. So I gave hints to possible answers, bits of evidence to support the possibility of them being true, but never planted a smoking gun that answered it for sure.

Sailor can't know the answer because NONE of us know the answer. Outside of blind Life of Pi style faith, you cannot know for sure that you are living the life you're supposed to live. All you can do is figure out whether you're happy with the life you've got, or if you need a change. Sailor will never know who they are supposed to be, but they did learn who they are, and they love that person now.

For those curious, the possible Sailor origins are:

Occam's Razor: they're exactly what Dr. Neptune theorized, i.e. a human who got stranded in the Bermuda Triangle (or the Devil's Triangle or any other number of paranormal triangles) and fell into the Sea of Monsters. The trauma of that experience gave them amnesia. It's just brain damage and bad luck.

A Spindle Experiment: Dr. Warefore mentions that Spindle has been trying to find a way to make a human who can evolve like the denizens of the Sea of Monsters. Sailor may well be an attempt to do just that, perhaps one they wrote off as a failure and abandoned (they do that a lot)

A Deep One: Sailor is the offspring of one of the denizens of the Sea of Monsters (most likely the Abyssal Mother herself) who has somehow been tricked into believing they are human, to the point where they seem to be human to everyone else, even other monsters. Maybe a human summoned a sea monster to breed with on earth, and Sailor ended up being subconsciously drawn back to the Sea by their blood. Maybe Sailor never actually lived on earth at all, but was only made to THINK they had as part of the transformation into a human.

The Platonic Ideal of a Sailor: the Sea of Monsters is full of archetypal concepts, and arguably a sailor trying to find their way home is just as archetypal as any sea serpent, mermaid, or kraken. Our only proof that humans aren't native to the Sea of Monsters is Dr. Neptune, and he's not as reliable an expert as he claims to be.

This theme of doubt and direction also made the compass more important to the narrative than a simply mechanic for audience participation - a compass, after all, gives direction, and the feeling that Sailor is not where they're supposed to be, that they need to head in a different direction, is ultimately the catalyst of the plot. The compass is, in many ways, the antagonist of the story - the force that keeps Sailor from accepting themself. I realized this a little after I started making the different directions have personalities - initially they just represented broad concepts (North = follow conventional wisdom ala the North Star, South = preserve your short-term self interest at all costs, East = act with curiosity and be willing to take calculated risks, and West = throw caution to the wind and do anything that seems novel and exciting), but over time they became little characters themselves.

Since it was our thematic antagonist, I decided to pepper in some ideas about what the compass might be in-universe - and, in a move that would no doubt frustrate the compass, we also don't know for sure which of those is "correct." Is the compass a poltergeist, some amalgamation of dead sailors who try to steer other lost souls home? Is it a malign entity that leeches off of those desperate enough to seek its aid, living through them while pretending to aid them? Is it a device Spindle made to lure sailors to their clutches, OR to guide their experiments in human/monster hybrids? Was it a cursed item that forced a sea monster to assume a human shape? Who can say - the compass sure can't, it can only tell you a direction to go in.

Part 7: Q&A

Since this was an interactive story, I felt it was only fitting to add one last interactive element to this post-script write up, and some of your happily obliged me by sending in questions.

When I noticed how fast readers were falling for Calibani, I figured there was a good chance we'd end up staying in the Sea of Monsters. By chapter 7, I figured it was more or less a given, and by the end of the Lord Ironteeth encounter I was almost 100% sure Sailor would remain at sea. There was always a chance, though - while a look at the polls shows that the audience got more and more on the same page towards the end, there were always dissenting voices, and the desire to get an answer to the question of Who Sailor Was remained strong, as a number of people kept trying to find angles where they could get that AND stay with Calibani.

I was surprised early on by how easily the audience fell in love with Calibani, to the point where I made a few posts commenting on it. I mean, I shouldn't have been - as I said earlier, I have cultivated an audience of fellow monsterfuckers on here, and I know at least a few of them saw my bait and knew they could get me to be freaky in a way we found mutually agreeable (thank you all again for helping me escape being caned by Jesus for being horny).

Like, we REPEATEDLY ignored developing the plot in the Tree Storks chapter for several days just to spend more time with Calibani - something that I enjoyed immensely (this whole thing was an excuse for me to write and draw a cute chubby sea monster girl as much as possible aftter all) but also knew as a storyteller was not what most would consider a good story call. I like how it turned out, but it defied conventional narrative wisdom, you know? I was surprised.

On the other side of the coin, I was also surprised by how the audience NEVER chose an option that was humorously disastrous. I gave plenty of them, and, like, generally in collaborative storytelling there will be at least one moment where your collaborators decide to do the really, REALLY stupid thing that makes everything spiral out of control really quickly. I figured at least once the audience would choose the troll response, but no, you guys worked hard to keep Sailor and Calibani alive. You refused to let them hurt each other, refused to let them throw themselves into danger, refused to imperil them for your own chuckles. It was very sweet and unexpected.

I say "you refused" but to be fair it's not like NO ONE voted for the troll options - they generally got a handful of votes, just one that was beaten by a landslide of more reasonable options. Hopefully those of you who voted for the troll options enjoyed Bob throwing you a bone by disintegrating Dr. Warefore - that was my consolation prize to you.

Yes. I knew at the beginning that there would be two endings for this story: either Sailor leaves the Sea and goes home, or Sailor stays there forever. Or, you know, Sailor dies as a result of you guys choosing several stupid options in a row, but as stated above you guys avoided those scenarios pretty decisively.

Had Sailor gone home, the following would have occurred: first, they would forget everything that happened in the Sea of Monsters. Second, they would wake up in a hospital, having been found in the Atlantic Ocean by a human-recovery charity run by... oh, isn't that funny, some tech company named Spindle Inc! Spindle would foot the medical bills and even offer Sailor a job, but Sailor would decline because even now they're still not sure what Spindle even does. Sailor would go back to their life and find it familiar and utterly mundane, but not particularly happy. Their father died when they were 18, their mother was never in the picture, they have no siblings. They worked an office job and were sort of a nonentity - that position has long since been filled, but Sailor gets a new job and lives out much the same life: simple, mundane, dreary. Every now and then they get a pang of desire to leave, to go to sea, but they push it out of mind. They never even see the ocean again as long as they live.

Sailor would have gotten the normal life they thought they were supposed to have, the normal memories and name and identity, the mundane life of a normal person. And they just had to trade everything they found in the Sea of Monsters to get it. A question is answered, a direction is followed, but is it the right answer, the right direction?

Well, I think doubt would have remained.

I had a very vague idea for there to be some sort of man-eating giant in, like, a crystal castle. He got cut to make way for the mermaids.

I wanted to fit in a big whale and a giant crustacean, but there wasn't room or an interesting angle for me to want to make room for them. Saved for a possible sequel, I suppose.

I also wanted to have a scene with, like, DOZENS of sea monsters, including some of the ones from Offbeat Melody, but the goal of "this should be EASY you dumbass" made me kill that idea pretty quick.

Thank you!

The primary inspirations were:

The Odyssey and Epic: the Musical

The voyage of St. Brendan

The many "weird shit happens on an island" movies in Toho's filmography, i.e. Godzilla vs. the Sea Monster, Son of Godzilla, Yog Monster of the Deep, Matango, etc.

The Island of Dr. Moreau

The Boy and the Heron

Ponyo (specifically Ponyo's parents - I wanted Sailor to have the same desperate energy as that wizard who fucks the giant sea goddess)

The Life of Pi

Slay the Princess (perhaps most obvious in the use of second person narration, multiple voices in the protagonist's head, and falling in love with a creature that has tried to kill you at least once)

I'm going to use this to springboard to a related point in a second, but first a genuine yet humorous answer: Yes, absolutely yes, I am enough of a big romantic sap that I would give everything about my life away to be with a person who loves me and explore a world of monsters in a heartbeat. Hell, I would have jumped in the water the minute Calibani asked and died with her fangs in my neck and a smile on my face. I am dumb this way. Do not follow my example.

On that related point, though... Most stories like this, I daresay ALL stories like this that I know of, end with the hero abandoning the fantasy world in favor of reality, never to return. And that seems like the proper choice and lesson on the surface - we don't want to tell audiences to give up their real life in favor of a fantasy, after all. That's encouraging escapism, and that's not healthy!

But, like... textually speaking, the fantastical world IS real to the characters in these stories. And it's often not really an escape - was Sailor's life devoid of conflict and suffering in the Sea of Monsters? Fuck no! It's just that they figured out how to deal with that conflict and suffering - they built skills and a support system, they adapted, they learned how to overcome what was there.

I think it can be argued that sometimes the return to a "normal" world is, in itself, an escape - the idea that your life can spiral into chaos but that's ok, you can just reset everything and go back to The Way It Was and Should Be is just as unrealistic and unhealthy an idea as You Should Escape to A Better World. Sometimes your plans for your life fall apart, sometimes you're thrown into a place you never intended to go, sometimes you have to learn skills you never anticipated needing and ally with people you never thought you'd befriend to deal with problems you never dreamed you'd have to overcome. And sometimes it's ok to look at your derailed life, your Not Where You Should Be life, and say, "Well, I've learned how to live here... maybe I can stay."

Especially if there's a cute chubby sea monster girl who loves you.

Bob was never supposed to appear past chapter 7, but about halfway through that chapter I realized the audience and I myself would be heartbroken if we didn't rescue her. Definitely for the best - she provided some well-needed comic relief in the final chapters.

This is gonna sound snarky, but, yeah - there were 58 choices with four options a piece, and we only chose one of the four. While some of the options would have similar results, almost none would have had identical outcomes. And some would have been VERY different.

Like, to go back to the beginning: when Calibani attacked, we could either throw a net on her, harpoon her, try to drive around her, or hide below deck. We picked the net, but for the other three options:

Harpooning would result in us hitting her in the thigh, causing her enough pain that she collapses on our deck and we, horrified at the violence we committed, just sort of push on. Calibani would be wounded for at least the next chapter, perhaps longer, and significantly weaker (and probably harboring a great deal of hidden resentment while also being genuinely scared of Sailor). She would be vulnerable during the stork attack, forcing Sailor to take a more active role in that chapter.

Trying to steer around her would result in us essentially fighting her with our boat, resulting in the boat capsizing and Calibani getting tangled up in it. We'd wake up alone on Stork Island and have to travel in search of our boat, alone and vulnerable among man-eating trees. We'd run into Calibani again, also beached and in trouble, end up recruiting her to help us get our boat out of the sand.

Hiding below deck would end in a sea storm that leaves us inside our boat as it's beached on Stork Island. We'd fend off the storks alone, and run into Calibani once we get our boat out to sea, as she got away more or less unscathed.

All of these would have majorly changed the trajectory of our relationship with Calibani and our identity as Sailor, despite seeming to have the same component parts on the surface. Now account for how similarly slight changes in the other options could have gone, and we could have had a very different story indeed.

Part 8: Our Girl

I just think she's neat!

[theprincessandthepie]

replaying dragon age inquisition is just an exercise in “the rebel mages would not fucking do that”

[icterid-rubus]

I’ve got a bizarre and predictable cycle of making friends getting very excited about hanging out and seeing them a lot and then becoming terrified and tired of hanging out and it’s annoying

[an-assortment-of-forks]

there are doctors there are hospitals there are specialists there is medicine there are systems in place so people do not have to suffer and be tortured under their own chronic pain daily and yet. they're all fucking inaccessible to the people who need it most!!! to what I would argue is most disabled people!! I'm so fucking done with the medical system.

[hobisexually]

long winded rant in the tags coming that’s partly about weight but in a very unfiltered sad way so if that triggers you do Not read on

[townofcrosshollow]

Idk man if you're constantly talking about your crushing loneliness and feelings of being ostracised and left out when you ostensibly have a bunch of friends around you then maybe the feelings of loneliness aren't the problem there

[lemondropletters]

I know I’m making a joke but you really don’t understand how angry I am at the recent news.

[Video Captions: “Why are you the way that you are? / Honestly, every time I try to do something fun or exciting, you make it not that way. / I hate so much about the things that you choose to be.”]

[specialshinytrinkets]

[ID:

You do [caps] not [end caps] need to kill off a character for 'emotional impact', or 'realism'. Especially if you've given readers / watchers time to bond with said character. Come on.

/endID]

im starting to think you guys dont like it when stories make you feel things

[coridallasmultipass]

In my dream last night, someone in the grocery store aisle asked me to read the raisin box which was in front of me, and it said to microwave it first to soften them. Weird, huh? It was like $6.99 for a small pack of snack raisins so I said FUCK that. SMH @ dream-flation.

We can't even have dream raisins anymore. Because of woke up.

[yuukiiqwq]

Satoru was confident that you liked him back. He was positive. He had no doubt in his mind that you were going to be his pretty little wife. Is he getting ahead of himself? Sure, he is, but he's that confident. That's until he noticed how he hadn't received any chocolate from you.

It was Valentine's Day, and he still hasn't received any chocolate from you. Yeah, he had a mountain worth of chocolate from all those people who gave him it, but where was yours? He couldn't find it anywhere. He was sure that you would have placed your chocolate on his desk since you hadn't given him his. He double no triple checked all the chocolates, yet he could not find the one that has your pretty little name written on it. He continued to search through the chocolate pile for the fourth time today.

He must have missed it, right? Or did someone steal it? He swear he's going to hunt that person to the end of the Earth. Who dared to steal something that was rightfully his?

"Satoru, calm down."

He looked up at his best friend, who was trying to hold down a laugh at his panic.

"She'll probably give it to you later. The day just begun."

Right. Suguru is right. You'll give him his chocolate later. He's a good boy. He can wait.

That's what he told himself, but Suguru and Shoko have already received theirs this morning, and his is still nowhere to be found. Where is his chocolate? You're just sitting there in your seat, looking all pretty as if Satoru is not going through a huge dilemma because of you.

He couldn't help his hands that kept inching itself closer to the chocolate you gave Suguru. He wouldn't know if he snatched it, right? Suguru had received a lot of chocolate! He wouldn't know if he took it... was what he convinced himself before Suguru slapped his hand away.

"Satoru," he sighs.

"But Suguru!!!" Satoru whined as he sunk down into his seat.

"Be patient. You'll get yours soon."

But how soon is soon? Satoru isn't exactly known for his patient.

It was the end of the day, and still no chocolate from you. He asked Suguru and Shoko to leave first because he thought you would finally give it to him when both of you were alone. But you haven't. Where was his chocolate?

The two of you were approaching the exit of school, so Satoru made a quick decision, grabbing your wrist and pulling you into an empty classroom. He quickly shut the door and locked it.

"Satoru?" You asked in confusion. "What's wrong?"

"My chocolate."

"Your chocolate?"

"My chocolate from you! The symbol of your love towards me!"

"I didn't make you any," you replied smoothly. "Forgot to make them yesterday, so I woke up early today to make them, but I guess not early enough. I only had time to finish Shoko's and Suguru's. I didn't have time to make yours. Otherwise, I would have been late."

Satoru swear the world just ended. He looked down at his chest because he swears his heart ripped out of his chest at your words. Nope. Still alive. Why is he still alive in this cruel world? You had no chocolate for him? None? Not even a crumb?

"That's fine with you, right? I mean, you got a bunch of chocolate from other girls! You don't need mine."

He swear he is about to burst into tears. He didn't care about other girls. He didn't care about their chocolate. He wanted yours. How could you be so cruel and deny him of your chocolate? To reject him like this? He was devastated. No. Beyond devastated. Where is the closest cliff so he can jump off?

Pure silence radiated the room as Satoru tried to comprehend this horrible situation. Then he heard a small giggle slip pass your lips. That small giggle soon turns into a full-out laugh.

"You should have seen the look on your face, Satoru," you say as you try to stop laughing.

Was this funny to you? Why were you laughing at his suffering? Do you know how much he looked forward to today? To receive the cute little wrapped up chocolate you made for him? He dreamed of today, and you didn't have chocolate for him?

He then sees you reach into your bag and pull out exactly what he had imagined. A cute little chocolate box wrapped up in a baby blue color with a touch of white ribbon to finish it off. Fuck. He thinks he just got a heart attack seeing your chocolate. His chocolate.

"Princess, please don't joke like that to me ever again. You scared me half to death. I was going to jump off a cliff," he whined as he took the chocolate from your hand.

You couldn't help but roll your eyes at his dramatic behavior. "Stop being dramatic, Satoru. It's just chocolate."

A look of offense dawned his face as you utter those horrendous words to him.

"Chocolate? Just chocolate?" He huffed at you. He can't believe you as you treat this amazing god send gift as just chocolate. "Don't you dare call this just chocolate! This! This right here is proof of your undying love towards me!"

You laughed at his antics– "You're getting ahead of yourself, Satoru."

He delicately placed the chocolate safety away in his bag, treating it as a prized possession. He's looking forward towards white day. He already knows what he wants to get for you. He pulled you into a hug, nuzzling his face against your neck as he mutters– "You won't be saying that after I wife you up."

[wiitzend]

it's absolutely bonkers, just off the wall nuts, that my mom and sister have been arguing constantly since 2020 and putting me in the middle of it and then my mom has the nerve to get angry with me when i don't publicly come to her defense despite that causing even more problems when i tried to do that in the past. 'well your other sisters wouldn't just sit there and not speak up for me!' well they also don't have to live with two people who cannot stay in the same room together without arguing every five minutes soooo...what're we gonna do here.

[musicrunsthroughmysoul]

I would love to know why the hell it is that I do this. (And is it related to OCD or one of my other mental illnesses. 🙃)

[fleshengine]

k I've seen a couple posts about it today but it is so funny to me how the "break up with a trans woman and unperson her" and "unperson any trans woman who's minorly annoying" so perfectly map onto my own recent experiences. My friend (transfem enby) broke up with their boyfriend (transmasc) and he immediately turned our entire friendgroup against them. The three other people immediately, and I mean immediately, like within a day, put them on their shitlist. He convinced them to hate them so fucking easily. He said he feared for his safety and that they'd almost hit him, and that they were a sociopath and all this shit. I learned about this late (because no one talks to me) and my first thought was "has anyone talked to them about this?" Because it didn't seem like them, the friend I knew was extraordinarily kind and understanding and loving and quiet. They'd never do that shit. Guess what?!?! None of my friends had talked to them and it had been two days of icing them out and telling them to leave. So I talked to them, got their side of the story, and spent days convincing the rest of my friendgroup to talk to them. Well, after talking to them literally everyone came around and now we're back to normal, minus the asshole who tried to get us to hate them. During all this, while he was going around spreading rumors about my friend, I texted him and asked him to stop. I tried to be understanding and meet him where he was at while holding fast to the "please stop telling random people my friend is a sociopath." I knew he was doing it too, because he apparently randomly started talking to MY ROOMMATES about my friend. Well lo and behold literally the next day my roommates were chilling in my living room and told me "Oh yeah ____ is going around calling you a gaslighter btw." Which was hilarious to me?!?! I guess he thought they wouldn't tell me? Like he was unironically trying to turn the people I live with against me. If I hadn't done anything, my friend would have been completely ditched by my friendgroup. They would have no one at their back going into their senior year.

Anyway moral of the story is love every transfem before it's too late and maybe check with people who are having rumors spread about them? Maybe that "violent sociopath" is stressed out from classes and made some bad decisions. Maybe that "manipulative gaslighter" is genuinely just trying to look out for her friend.