#I finally wrote this up

[hansoeii]

It's about who.

[choccy-milky]

seb and clora working on baby #1 👶 🔞🔞!! NSFW !!🔞🔞

[poipiku]

[twitter]

[crybaby-bkg]

I think Deku has a bit of a mean streak, actually. he’s no Bakugou—that’s for sure—but he’s not this innocent, sweet angel baby that the media has painted him out to be. but you only catch it when you least expect it, when you’re pushing his nerves, when the stakes to everything around him are high, when he’s tired of endless sleepless nights and just—snaps.

“Oh?” you go, grin unfurling like some grinch, chin resting on your hands as you leer at him from across his expansive desk. “You’re mean.” your words are teasing, a snarl that curls your mouth up. Deku stutters, eyes going wide, jaw snapping shut in surprise as he tries to think back on how rude he just sounded.

“No, I’m not—I mean, you wouldn’t stop and I just—there’s a lot on my plate right now—and you just—you keep on—I’m not—I’m not mean.” He’s sputtering, hands all over the place, the glasses perched on the bridge of his nose falling even lower with how he jabbers on and on. it’s endearing really, to see how he tries to upkeep his image of being so kind and understanding, even though his nostrils just flared at you. and his eyebrows turned down and he gritted at you, his hands were balled into fists, his words were so nasty, so ugly, so unbecoming for Deku.

you liked it. loved it even—vowed to get him like this every single fucking second that you could.

you pick and poke at him whenever you see him, teasing him and pulling at him. pushing him around even though the hero is so much stronger than you, so much bigger. and he lets you, tries to defend himself but—that’s not what you want. you want the ugliness, the snark, the mean.

he snaps, eventually, when you least expect it. grabs you up in black whip when you go to push him against the wall for the third time in only a minute, his eyes suddenly dark, the aura of the room suddenly charged.

“That’s what I was looking for.” you whisper to him, the grin spreading your face quickly dissipating in only seconds when you become the prey. when you become the one pushed up against the wall with teeth at your neck, a hand in your underwear, bullying your hole with too thick fingers.

“Why do you want me to act like this? Be so mean to you, huh?” he sounds so frustrated with himself, with you, growling and nipping and licking when you don’t answer quick enough. but your breath is caught in your lungs because finally—finally, did you get what you wanted. it just took a little bit of pushing, you suppose.

[cubbihue]

Peri was very upset about a lot of things that happened. Within a span of a week, he felt like his entire life has changed for the worst!! He had a dumb bulb on his wand, Timmy was still moving away, and he had to go to a school far from everyone he knew!!!

Of course, the cause and trigger of those emotions was Timmy. But Peri can’t blame his older brother for any of that. So the next logical conclusion for a small child to reach was to blame his parents instead!!! And boy did he blame a lot on his parents.

Many of Peri’s actions in his childhood stems from misplaced grief and anger. By the time he was old enough to know better, Peri got a mixture of stubbornness and a bruised ego to admit he was wrong for how he reacted.

Bitties Series: [Start] > [Previous] > [Next]

Instability: [Start] > [Previous] > [END]

[solarmorrigan]

“Oh shit, what’s wrong?”

Steve watches, horrified, as Eddie reaches up with his free hand to swipe at the moisture gathering beneath his eyes.

“Nothing, man,” Eddie croaks, and Steve doesn’t believe him for a moment.

“Did I hurt you? Is the bandage on wrong? Too tight?” Steve becomes aware as he speaks that he’s all but clutching Eddie’s hand in his own and makes a conscious effort to loosen his grip.

This only seems to make things worse; Eddie makes a noise of protest and grabs more tightly to Steve’s hand and then looks twice as mortified as before, and that’s not at all what Steve wants.

Changing Eddie’s bandages is a goddamn ordeal; there are so many of them, and they seem to be everywhere, and Eddie doesn’t have the good drugs anymore, just Tylenol, and he’s always exhausted and sore by the end of it all. Steve doesn’t want to make him feel worse.

He would start fixing it, if he only knew what he’d done.

“Eddie,” he says softly, “please tell me what’s wrong.”

Eddie shakes his head, swiping under his eyes again. “It’s seriously nothing, it’s stupid. It’s just…” he hesitates, and Steve squeezes his hand encouragingly. “It reminded me of my mom, what you did, with the little – like, the little kiss on the bandage when you finished putting it on. She used to do that.”

“Oh – shit, I’m sorry, I didn’t mean to, like, overstep, or–”

“You didn’t–”

“I thought it would make you laugh or something, not drag out some sad memory, and–”

“Steve,” Eddie cuts in more firmly, “you didn’t. I’m not fuckin’ sad, it just – kinda hit me weird. That’s all.”

Steve purses his lips, staring up at Eddie from the kitchen floor, where he’s been kneeling in order to work at the bandages. He’s not sure if he should get out of Eddie’s space now, maybe give him a minute to himself, because Eddie is still holding onto his hand, and Steve still has another bandage to change out, and then Eddie rolls his eyes at him.

“Stop looking at me like you ran over my dog, man. I swear to god, I’m fine. It was kinda nice, actually, alright?” Eddie huffs. “Like, I forgot about that, until you did it, so it was– it was kinda nice.”

“Oh,” Steve says.

“Yeah. So do you think we could just…” Eddie gestures at his cheek with his free hand, and Steve nods.

“Yeah, lemme– I’ll finish up.”

The bandage on Eddie’s cheek is the last to change out, and Steve tries to make it quick. He has Eddie hold his hair to the side as he works, mostly to give him something to do with his hands – there are a million hair ties still floating around the house from before Robin cut her hair (Steve finds more every time he vacuums, he swears the things multiply in the dark), but Steve’s found that giving Eddie some kind of task keeps him still while Steve deals with disinfectant and gauze.

He's gotten the process down to something simple and efficient, and it feels like he’s done too soon. Eddie takes a sidelong glance at him when he takes his hands away, though he’s obediently holding still until he’s given the all-clear.

“Done?” he asks.

“Almost, yeah,” Steve says. “One last thing.”

Slowly, in case Eddie wants to pull back, Steve leans in and presses a featherlight kiss to the center of the bandage, holding his breath in shivery anticipation of Eddie’s reaction.

“That alright?” Steve asks quietly.

“Uh.” Eddie drops his hair and turns to look at Steve, eyes wide but dry this time. “Yeah. That’s– Actually, no.” Steve’s stomach drops when Eddie shakes his head, but then Eddie goes on, “I think you should do it one more time. Just, like, to make sure it works.”

“Yeah?” A slow grin curls over Steve’s face as his stomach makes its way back up from where it had landed near his ankles. “I think you’re right. Better safe than sorry.”

Steve leans in again, giving the bandage a quick, gentle peck. Then, because he can’t quite help himself, he presses another kiss to Eddie’s chin. And then, because they’re right there, pink and inviting and slightly parted as Eddie watches Steve with rapt attention, Steve presses one last kiss to his lips.

Eddie barely has time to return it, but he laughs when Steve pulls away. “Pretty sure my mouth was never injured, Steve.”

“You sure?” Steve shoots back.

“I mean– Well, you could check,” Eddie offers.

“Yeah, I could,” Steve says, leaning back in for another kiss – one that he thinks should be much more thorough.

All in the name of proper care, of course.

[Prompt: Kissing your partner's wounds]

[sforzesco]

it's time for spartacus :)

[everythingspokenfor]

Part 3

─ ・┈ ・ ── ・┈ ・ ── ・┈ ・ ─

The new apartment was spacious, and quiet frankly beautiful. It had a large window facing the city, a decent sized kitchen with an attached balcony, a living room and 2 bedrooms.

Everything was here, all your stuff, packed in boxes, furniture delivered but waiting to be set up.

You were startled by the sound of bags ruffling in the kitchen, suddenly aware of the presence there. Haruki had been with you throughout the whole move, he had been the one to suggest you this apartment, he lives across the hall from you. He had known that you were looking for apartments for a while and suggested the vacant one in his building, although he originally wanted to suggest you move in with him, but that seemed too straight forward.

"I made katsudon, it probably isn't as good as the one you are used to having tho." He stated, gesturing towards the meal set up on the kitchen counter. You know he was indirectly referring to Bakugou's cooking but you brushed it off.

"I am just glad to have warm meal after a long day of work, Haruki, l am sure the food tastes amazing." You replied, walking towards him and taking a seat in front of him.

You both ate in silence, katsudon was good maybe not like the one at home but it was a different kind of good. Maybe it was the exhaustion weighing down your bones, or the ache of heartbreak still stinging.

"it was good." You picked up the emptied bowls and moved to the sink. Haruki hummed, tilting his head in confusion before following you.

"The food, I meant. It was good." You clarified, while staring the water and rinsing the dishes.

Haruki stood next to you, taking the soaped up dishes and running them through water. "I am glad, i didn't want you to feel lonely here. The apartment is far from main city but if it makes any better I am right next door." He said while leaning against the counter. You turned towards him only to see him already looking at you, he leaned in, before slowly pushing your hairs behind your ear. "I think this is it for today. I'll call it a night and deal with the rest of it tomorrow." You mumbled while stepping back, the proximity seemed a little less for your comfort.

"that's alright, I'll take my leave for today as well", sensing your discomfort he moved out of the kitchen and through the front door.

The silence was alot louder then you anticipated, the absence of another person suddenly causing your throat to constrict. You shock your head to clear up your thoughts and went to your room. The only thing set up was your bed, you laid down and picked up your phone.

Suki : I am sorry.

You put the phone back down, and turned over to sleep.

·····························

The loud knocking wasn't really how you were expecting to be woken up with. The clock read a time too early for you to be up considering you were on leave.

You stood up and went to the door, not really caring what you looked like hoping to deal with the nuisance and go back to bed. You swing the door open, only to see the cause of your heartbreak standing in front of you. Blond hair, more messy than usual, fidgety hands holding a white bad.

"you left me on seen" Bakugou barged in the apartment, not bothered by your disheveled appearance, having seen you in worse.

"Can I get an explanation?" you closed the door, moving into the living room, only to see him move smoothly around your kitchen. Suprisingly knowing where, what is without ever being here.

"it was shitty of me to leave that day, and even more shittier for me to apologise over text", he paused, before turning around and pulling 2 bottles of beer out of the bag. "So, I have come to apologise."

"And why do you know where what is in my kitchen?"

"you arranged your kitchen just like our was", he retorted," all plates, bowls and wine glasses in lower shelves because you used them more often" he looked smug, that did irritate you a little.

You let out a breath, before you looked over to what he had bought, katsudon, within bright orange and red containers that you had gifted him as a joke, 2 bottles of beer and fried onions, fucking fried onions because he knows you like to sprinkle it on savoury food.

"what do you want, Katsuki?", you questioned him, moving around him to grab a pair of chopsticks and starting to eat.

He looked at you silently, eating on the counter straight out of the plastic container, you looked tired, more than usual, bags under your eyes, nose red. He wonders when had it all started, he knows he broke your heart, heck he knows he is breaking it right now as well, you don't show it, you never do, always dealing with your suffering in silence.

"I came to apologise, I am the one that messed up, I get that you want to keep distance from be but why the whole squad?" He queried,"why did you leave the agency, you don't even hang out with the girls, Mina had been worrying alot you know?", he moved over to the cabinets and got out a glass, opening the freezer and filling it with ice pouring the beer from the bottle into it.

You remained silent, choosing to focus on katsudon.

"Don't choke on it, I know you hate confrontations, I don't need answers" he set the glass down next to you before continuing,"at least not right now".

"i didn't want to make things awkward with the squad," you finally spoke, taking a big gulp from the glass,"nobody really knows that I like you, and I really didn't want to cause a sense just because you got a girl."

"why didn't you tell me? Why didn't you confess?", He reasoned, fingers fidgeting, a nervous tick you know, he has.

You turned towards him and smiled, the kind of smile he hated because there were tears in your eyes, the ones that you only shed when you knew you were alone, when you knew that your grief wouldn't be shared. The kind of smile you gave when you told your truths.

"How long did it take for you to confess to her, Bakugou?", You asked him, there are still tears in your eyes, nose still red, you are no longer averting your eyes, but looking straight at him, your shoulders are still slumped. He doesn't know what made his heart ache more, the defeat in your eyes, your truth that you put out or the fact that you called him by his surname.

─ ・┈ ・ ── ・┈ ・ ── ・┈ ・ ─

[endlesslytired]

[non-plutonian-druid]

So heres the thing about Dredge.

I think its a huge missed opportunity that the main character is the husband and not the wife.

the backstory doesnt come out fully until the end, but when it does, what you learn is this:

some amount of time ago, the player character was married. over the course of the game, you pick up notes from a woman, and at the end you learn that she was your wife.

*was*, because Cthulhu ate her.

you were a fisherman, and obsessed with the ocean, and she was not. you were superstitious, and she was not. And one day, she messed up and did something unlucky, and then she was lost at sea one night when she was on your boat.

it fucks you up so bad that you lose all your memory and end the world trying to save her.

so, obviously you're torn up about her, but also, it kinda didn't have anything to do with you. She fucked up and she got got. whoops! Oh well. It also didn't change very much about you: you're still a superstitious fisherman obsessed with the sea, except you're sad now.

But if you were the wife? If he died instead?

you were happily newlywed, but if you had one issue with your husband, it was that he was too married to the sea. He was too obsessed with fishing. He liked his boat too much, and he had all these sailor superstitions that you don't take seriously.

then one day, you ignore his superstitions. and a horrible eldritch force that you've never even dreamed of KILLS HIM.

your husband is DEAD and it is YOUR FAULT.

and it breaks you. So much that you take his boat, set sail, and spend your life at sea. Just like him. Embroiled in superstition and ocean magic. Just like him. Just like your least favorite parts about him. and you spend the rest of your life trying to undo the horrible thing you did, and only ever manage to end the world.

wouldn't that be so much fun?

[itsdefinitely]

And that's what I love about you, Arthur.

[pippuns]

pre-transmigration cumplanes because they are the most divorced guys who never met

[miabrown007]

Félix: kidnapping is a love language Kagami: you have no social skills, idiot

*two weeks later*

Félix: okay, so when Marinette's at her most vulnerable, I'll gaslight her into thinking I'm her boyfriend, so she'll follow me into an abandoned building where we can put her in an altered mental state and present to her my family's life story in the imaginable most cryptic play of theater she has ever seen, which will reveal to her our horrible secret and the fact that her abusive father-in-law is also her arch-nemesis Kagami: you're so big brained, bae 🥰

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[zu-is-here]

<– • –>

[remxedmoon]

PRESS ANY BUTTON TO START

.✦*

NEW GAME

CONTINUE

OPTIONS

CREDITS

✦ EXIT GAME

YOU CANNOT QUIT.

wow!! two isatscryption posts in one day?! iiiiii don’t know what came over me! i think i considered making a logo a while ago and something about getting an ask about isatscryption just made the brainworms come back full swing. oops!!! at least i got a cool looking logo out of it. plus some alts!!! specifically the steam page and kaycee’s mod versions of the title :3

also aaaa this is the third time i’m saying this but massive thanks to @/error-ego for giving me the file for the inscryption logo!!!! this would’ve been so much more scuffed without their help!!

(also here’s the sketches i made to figure out the composition!! teehee.)

[o3o-lapd-o3o]

here's part 7! hope you guys enjoy! part 8 will be uploaded tomorrow!

(p.s my headcanon explainations are in the tags if you're curious)

the post/thread that started this whole au

dinner scene: part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 8

there's a masterlist now!

*after everyone had gone inside, telemachus left to go to his room to change while penelope and odysseus headed to theirs*

*penelope had help getting changed/ready from her handmaiden, however odysseus doesn’t start changing, instead he’s just sitting on a lounge chair looking out the window at the sun setting*

penelope: *now ready for the evening*

penelope: *to her handmaiden* thank you for your help. 

penelope: *smiles as she’s walking to the bedroom door with her* 

penelope: *remembers something* oh! please let the others know to make sure you all grab yourself enough to eat after all the hard work the past couple of days! or take some of the remaining fish & meat home to your families!

penelope: *waves goodbye as her handmaiden leaves the room*

penelope: *closes the door and turns to face odysseus*

odysseus: *still staring out the window*

penelope: odysseus?

odysseus: *no response*

penelope: *understands he doesn’t mean to ignore her* 

penelope: *slowly walks towards him* my love, it's just you and i now

odysseus: *finally realises penelope was calling out to him* 

odysseus: *turns his head to her* i’m sorry penelope

odysseus: *looks her up and down, always amazed by the beauty of his wife*

penelope: *giggles as she see the lovestruck look on odysseus face*

penelope: *stops just in front of him and twirls around*

penelope: see something you like?

odysseus: *standing up and pulls her into him by her waist* 

odysseus: always *goes in for a kiss*

penelope: *accepts the kiss*

penelope: *giggles when odysseus keeps planting kisses all over her face*

penelope: my dear husband, stop distracting me! 

penelope: it’s time for you to get ready.

odysseus: *stops the kisses and looks down and sighs*

penelope: *cups his cheek with her hand and turns his face back to hers* 

penelope: you know i’m not going to force you to wear anything you don’t want to, right?

odysseus: *leans into her hand* i know, i know…

odysseus: it’s so silly of me isn’t, it’s just clothing-

penelope: *now holding his face with both her hands* nothing is silly, not if it makes you uncomfortable my love

odysseus: *smiles* i love you

penelope: *smiles back* i love you too

penelope: *lets his face go* now, what would you like to wear tonight? 

odysseus: *looking at the tyrian purple pelops she's wearing* i would like to match my beautiful wife

penelope: *knows she had a chiton made for him at the same time she had her pelops made* ok, let's get you matching then

*once odysseus is ready, him and penelope leave their room and make their way to the palace entrance ready to greet their dinner guests*

*when they arrive, they see telemachus; who is dressed in more ‘princely’ attire than his usual day-to-day clothing, talking to athena who arrived not long ago*

telemachus: oh! mother, father, you're ready!

athena: *turning to them*

athena: *smiling* good evening

penelope: *smiles back* good evening lady athena

athena: please penelope, i think we’ve known each other long enough… especially after everything in the past year

athena: just athena is fine

penelope: *smiles* sure…athena

odysseus: *looking at athena* 

odysseus: it’s still so weird not seeing you in all your armour

athena: *laughs* well i thought the occasion didn’t require it

*the four of them continue talking for a little bit*

athena: i see that my uncle hasn’t arrived yet.

telemachus: *turns to his father* you told him it was tonight right?

odysseus: *nods* i did

odysseus: *thinks for moment and sighs* 

odysseus: he’s not going to come to this entrance… but i know where he’ll be

athena: i’ll go with you to get him

telemachus: me too!

penelope: *laughs* well i guess i might as well join too

odysseus: let’s go then

*they all head in the direction of the entrance for the palace gardens*

odysseus: *stops them before they all head outside* ok maybe we don’t all need to go down to the sea

odysseus: i’ll go meet him and we’ll both join you shortly

*telemachus, penelope and athena wait by the entrance talking amongst themselves, while odysseus makes his way down to the palace cove*

*odysseus arrives at the cove when he sees poseidon making his way out of the water*

poseidon: *sees odysseus* 

poseidon: king of ithaca

odysseus: *deadpan expression* poseidon.

poseidon: *rolls his eyes at odysseus, for the clear lack of title for him*

odysseus: the others are waiting, shall we get going?

poseidon: *about to agree when he remembers about the arrow*

poseidon: wai- uh i mean, i have a question before we leave…

odysseus: *eyebrow raised* 

poseidon: you're not… i don’t know, mad or angry with me or the sea’s inhabitants by any chance?

odysseus: huh?

poseidon: *pinches the bridge of his nose* has the sea or i, done anything to offend you in the past day?

odysseus: *now confused* no?

poseidon: *drops his hand from his face and then points at odysseus* then why did you shoot me?!

odysseus: *even more confused* shoot yo- whAT?

poseidon: *reaches into his chiton and pulls out the arrow he kept there* 

poseidon: *shows the arrow to odysseus* please tell me then, what have i done that's got you shooting arrows at the sea?

odysseus: *looking at the arrow, then up to poseidon* i've not shot any arrows at the sea? 

odysseus: also, who shoots arrows into the sea?!

poseidon: *hands up in the air in agreement, the arrow being thrown behind him* 

poseidon: that's what i said! but who else would it be? it hit the waters of this cove, so unless-

odysseus: *suddenly realises where the arrow has come from*

odysseus: *starts laughing*

poseidon: *brings his hands down and narrows his eyes at odysseus* what is so funny?

odysseus: *wiping a tear away from his eye from laughing so much* my son

poseidon: *now his turn to be confused* huh?

odysseus: *having collected himself * my son, he shot the arrow during archery practice

poseidon: *eyebrow raised* and you're teaching your son to shoot the sea… because?

odysseus: *rolls his eyes* it was an accident, my wife startled him and he misfired. 

odysseus: *lets out a tiny chuckle* i can’t believe it made its way to the sea though 

poseidon: oh

odysseus: yeah ‘oh’ 

odysseus: why would you think i’d shoot the sea anyway? 

poseidon: *arms now crossed and looking away from odysseus* 

poseidon: who knows with you…

odysseus : *smirking* oh poseidon…i’d just use other ways to get your attention

poseidon: *whips his head back to odysseus* 

poseidon: *sees odysseus’ shit-eating grin*

poseidon: oh be quiet… what if i arrived early? 

poseidon: *points at himself* i could have been hit!

odysseus: *snorts* oh please… an single arrow wouldn't kill you

odysseus: besides we both know you've been impaled with worse

odysseus: *turns to head back up to the palace* anyways, let's head up to the others

poseidon: *realising what odysseus said* wait-

poseidon: odysseus of ithaca!

odysseus: *just keeps walking ignoring poseidon’s outburst*

poseidon: *grumbles under his breath but swiftly walks to catch up odysseus* 

*odysseus & poseidon make their way to the palace garden entrance where now only athena is waiting*

odysseus: *looking to athena* where-

athena: *already knows what odysseus is going to ask* they headed to the dining hall.

athena: telemachus wanted to check some final things and penelope left to accompany him.

odysseus: *nods at her explanation*

athena: *turns to look at poseidon*

athena: *nods head at poseidon* uncle

poseidon: *blank look on his face* athena.

athena: *now looking at her nails* not seen you since you were up on olympus in apollo’s infirmary…

athena: *looks back at poseidon and grins* speaking of which… how’s your chest?

poseidon: *scoffs and crosses his arms* fine.

poseidon: *suddenly smirks back* need i remind you that you were also there for a similar  reason…how’s your face?

athena: *grin has left her face and now narrows her eyes at poseidon*

odysseus: *not wanting to deal with two bickering gods* 

odysseus: *sighs*

odysseus: *claps his hands together sharply* OK! how about we don’t fight in my palace, yeah?

odysseus: besides, telemachus has been extremely excited about tonight’s dinner, so i do not want anything ruining it…

odysseus: *makes sure to look at both of them*

odysseus: *red eyes appear & disappear in the blink of an eye*

odysseus: got it?

athena: *now semi-understands why poseidon listened to odysseus ‘requests’* uh-

poseidon: *putting an arm around athena’s shoulders* yep, no arguing here!

poseidon: *turns his head towards athena* isn’t that right my dear niece?

athena: *stares at poseidon in disbelief at the words ‘dear niece’*

athena: *turns to odysseus* you can’t be seri-

odysseus: *raises his eyebrow*

athena: *sighs* sure, no fighting in the palace

odysseus: *smiles* good. now i know you know where the dining hall is located athena, but poseidon doesn’t.

odysseus: so, if you’ll both please follow me.

odysseus: *starts walking down the hall*

athena: *shrugs poseidon’s arm off in disgust and follows odysseus*

poseidon: *sighs and also follows odysseus*