#I finally wrote this up

[hansoeii]

It's about who.

[crybaby-bkg]

I think Deku has a bit of a mean streak, actually. he’s no Bakugou—that’s for sure—but he’s not this innocent, sweet angel baby that the media has painted him out to be. but you only catch it when you least expect it, when you’re pushing his nerves, when the stakes to everything around him are high, when he’s tired of endless sleepless nights and just—snaps.

“Oh?” you go, grin unfurling like some grinch, chin resting on your hands as you leer at him from across his expansive desk. “You’re mean.” your words are teasing, a snarl that curls your mouth up. Deku stutters, eyes going wide, jaw snapping shut in surprise as he tries to think back on how rude he just sounded.

“No, I’m not—I mean, you wouldn’t stop and I just—there’s a lot on my plate right now—and you just—you keep on—I’m not—I’m not mean.” He’s sputtering, hands all over the place, the glasses perched on the bridge of his nose falling even lower with how he jabbers on and on. it’s endearing really, to see how he tries to upkeep his image of being so kind and understanding, even though his nostrils just flared at you. and his eyebrows turned down and he gritted at you, his hands were balled into fists, his words were so nasty, so ugly, so unbecoming for Deku.

you liked it. loved it even—vowed to get him like this every single fucking second that you could.

you pick and poke at him whenever you see him, teasing him and pulling at him. pushing him around even though the hero is so much stronger than you, so much bigger. and he lets you, tries to defend himself but—that’s not what you want. you want the ugliness, the snark, the mean.

he snaps, eventually, when you least expect it. grabs you up in black whip when you go to push him against the wall for the third time in only a minute, his eyes suddenly dark, the aura of the room suddenly charged.

“That’s what I was looking for.” you whisper to him, the grin spreading your face quickly dissipating in only seconds when you become the prey. when you become the one pushed up against the wall with teeth at your neck, a hand in your underwear, bullying your hole with too thick fingers.

“Why do you want me to act like this? Be so mean to you, huh?” he sounds so frustrated with himself, with you, growling and nipping and licking when you don’t answer quick enough. but your breath is caught in your lungs because finally—finally, did you get what you wanted. it just took a little bit of pushing, you suppose.

[cubbihue]

Peri was very upset about a lot of things that happened. Within a span of a week, he felt like his entire life has changed for the worst!! He had a dumb bulb on his wand, Timmy was still moving away, and he had to go to a school far from everyone he knew!!!

Of course, the cause and trigger of those emotions was Timmy. But Peri can’t blame his older brother for any of that. So the next logical conclusion for a small child to reach was to blame his parents instead!!! And boy did he blame a lot on his parents.

Many of Peri’s actions in his childhood stems from misplaced grief and anger. By the time he was old enough to know better, Peri got a mixture of stubbornness and a bruised ego to admit he was wrong for how he reacted.

Bitties Series: [Start] > [Previous] > [Next]

Instability: [Start] > [Previous] > [END]

[solarmorrigan]

“Oh shit, what’s wrong?”

Steve watches, horrified, as Eddie reaches up with his free hand to swipe at the moisture gathering beneath his eyes.

“Nothing, man,” Eddie croaks, and Steve doesn’t believe him for a moment.

“Did I hurt you? Is the bandage on wrong? Too tight?” Steve becomes aware as he speaks that he’s all but clutching Eddie’s hand in his own and makes a conscious effort to loosen his grip.

This only seems to make things worse; Eddie makes a noise of protest and grabs more tightly to Steve’s hand and then looks twice as mortified as before, and that’s not at all what Steve wants.

Changing Eddie’s bandages is a goddamn ordeal; there are so many of them, and they seem to be everywhere, and Eddie doesn’t have the good drugs anymore, just Tylenol, and he’s always exhausted and sore by the end of it all. Steve doesn’t want to make him feel worse.

He would start fixing it, if he only knew what he’d done.

“Eddie,” he says softly, “please tell me what’s wrong.”

Eddie shakes his head, swiping under his eyes again. “It’s seriously nothing, it’s stupid. It’s just…” he hesitates, and Steve squeezes his hand encouragingly. “It reminded me of my mom, what you did, with the little – like, the little kiss on the bandage when you finished putting it on. She used to do that.”

“Oh – shit, I’m sorry, I didn’t mean to, like, overstep, or–”

“You didn’t–”

“I thought it would make you laugh or something, not drag out some sad memory, and–”

“Steve,” Eddie cuts in more firmly, “you didn’t. I’m not fuckin’ sad, it just – kinda hit me weird. That’s all.”

Steve purses his lips, staring up at Eddie from the kitchen floor, where he’s been kneeling in order to work at the bandages. He’s not sure if he should get out of Eddie’s space now, maybe give him a minute to himself, because Eddie is still holding onto his hand, and Steve still has another bandage to change out, and then Eddie rolls his eyes at him.

“Stop looking at me like you ran over my dog, man. I swear to god, I’m fine. It was kinda nice, actually, alright?” Eddie huffs. “Like, I forgot about that, until you did it, so it was– it was kinda nice.”

“Oh,” Steve says.

“Yeah. So do you think we could just…” Eddie gestures at his cheek with his free hand, and Steve nods.

“Yeah, lemme– I’ll finish up.”

The bandage on Eddie’s cheek is the last to change out, and Steve tries to make it quick. He has Eddie hold his hair to the side as he works, mostly to give him something to do with his hands – there are a million hair ties still floating around the house from before Robin cut her hair (Steve finds more every time he vacuums, he swears the things multiply in the dark), but Steve’s found that giving Eddie some kind of task keeps him still while Steve deals with disinfectant and gauze.

He's gotten the process down to something simple and efficient, and it feels like he’s done too soon. Eddie takes a sidelong glance at him when he takes his hands away, though he’s obediently holding still until he’s given the all-clear.

“Done?” he asks.

“Almost, yeah,” Steve says. “One last thing.”

Slowly, in case Eddie wants to pull back, Steve leans in and presses a featherlight kiss to the center of the bandage, holding his breath in shivery anticipation of Eddie’s reaction.

“That alright?” Steve asks quietly.

“Uh.” Eddie drops his hair and turns to look at Steve, eyes wide but dry this time. “Yeah. That’s– Actually, no.” Steve’s stomach drops when Eddie shakes his head, but then Eddie goes on, “I think you should do it one more time. Just, like, to make sure it works.”

“Yeah?” A slow grin curls over Steve’s face as his stomach makes its way back up from where it had landed near his ankles. “I think you’re right. Better safe than sorry.”

Steve leans in again, giving the bandage a quick, gentle peck. Then, because he can’t quite help himself, he presses another kiss to Eddie’s chin. And then, because they’re right there, pink and inviting and slightly parted as Eddie watches Steve with rapt attention, Steve presses one last kiss to his lips.

Eddie barely has time to return it, but he laughs when Steve pulls away. “Pretty sure my mouth was never injured, Steve.”

“You sure?” Steve shoots back.

“I mean– Well, you could check,” Eddie offers.

“Yeah, I could,” Steve says, leaning back in for another kiss – one that he thinks should be much more thorough.

All in the name of proper care, of course.

[Prompt: Kissing your partner's wounds]

[endlesslytired]

[itsdefinitely]

And that's what I love about you, Arthur.

[pippuns]

pre-transmigration cumplanes because they are the most divorced guys who never met

[ofbakerst]

when watson tells him he has to return to the hotel to console a dying englishwoman, & holmes knows this may be the last time they will see each other, his face softens into the slightest of wistful smiles, like he's seeing all the things he loves about watson, his kindness, bravery, loyalty, trust, and then he just turns to go! like he's already said his own secret little goodbye that watson doesn't know about & now it's time to move on to the next thing

[miabrown007]

Félix: kidnapping is a love language Kagami: you have no social skills, idiot

*two weeks later*

Félix: okay, so when Marinette's at her most vulnerable, I'll gaslight her into thinking I'm her boyfriend, so she'll follow me into an abandoned building where we can put her in an altered mental state and present to her my family's life story in the imaginable most cryptic play of theater she has ever seen, which will reveal to her our horrible secret and the fact that her abusive father-in-law is also her arch-nemesis Kagami: you're so big brained, bae 🥰

[zu-is-here]

<– • –>

[remxedmoon]

PRESS ANY BUTTON TO START

.✦*

NEW GAME

CONTINUE

OPTIONS

CREDITS

✦ EXIT GAME

YOU CANNOT QUIT.

wow!! two isatscryption posts in one day?! iiiiii don’t know what came over me! i think i considered making a logo a while ago and something about getting an ask about isatscryption just made the brainworms come back full swing. oops!!! at least i got a cool looking logo out of it. plus some alts!!! specifically the steam page and kaycee’s mod versions of the title :3

also aaaa this is the third time i’m saying this but massive thanks to @/error-ego for giving me the file for the inscryption logo!!!! this would’ve been so much more scuffed without their help!!

(also here’s the sketches i made to figure out the composition!! teehee.)

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[sommerregenjuniluft]

@rosekillermicrofic may 4 — hopeless — 1233words — cw: mildly pervy and sexual thoughts, nothing explicit though

no thoughts, just line cook! barty

A miracle.

The gods have heard Barty’s wishes and granted him this blessing.

Evan usually gets set up for dealing with the bar or counter but on rare occasions his lovely name gets jotted down in the column of servers/busboys. Today is one of those fateful occurrences which means Barty has at least 30% longer time windows of flirting his jolly ass off and burning food he’s not paying attention to curtsy of Evan’s slutty narrow hips in those damn aprons. Obscene things, those are.

Barty is currently staring at them as he blindly flips the burger patties one after the other, the stove sizzling animatedly. Barty is pretty sure he hasn’t blinked once since Evan has entered the kitchen again a minute ago to help sort dishes.

“So how’s your day been so far, Evan darling?”

“No,” comes back immediately. Not even a look thrown over his shoulder.

Barty’s grin widens. He puts more meat on the stove.

“Aw, c’mon. People been scant with tips already or what?”

Evan doesn’t reply, instead ripping off the notes from his pad and wordlessly striding over to Barty’s station, pinning them up.

Two of today’s specials, one cheesesteak and one portion of chicken for a caesar salad. And a little dick scribbled in the bottom corner.

“More people coming in than usual. Get a move on,” Evan says before briskly walking off again. Barty just so manages to get a whiff of spicy deodorant and whatever shea butter coconut extract beauty shit Evan uses for his curls before he’s gone again.

Barty sighs, looking after his pert little ass and long legs all the way until he’s around the corner. Then he readjusts his grip on the spatula and finally picks the patties off the grill, calling for Lily to collect them and assemble.

“They’re burnt,” she hisses, punching him in the arm with vigor. It hurts but Barty is too busy thinking about what type of underwear Evan might be wearing today. “Stop getting distracted by Rosier and do your damn job, chef.”

Barty hums, “What you think it’ll take to trick Evan into following me into the freezer room?”

Another hit. The same exact spot and Barty can’t help but hiss in pain this time.

Lily simply shakes her head, muttering Hopeless as she leaves.

Rush hour comes and goes.

Barty doesn’t let himself be bothered by the frenzy of it, bobbing his head to his playlist jamming over the old, staticy speakers while servers bustle around him like worker bees.

It’s meditative to him in a way and usually he sort of snaps out of it once it all calms down.

It’s when Evan asks him for leftover containers that Barty is brought back down to earth today.

The other boy is flushed in the face, slightly sweaty and hair messy with what can only be described as the final quarter of an eight hour shift look. It looks unfairly sexy on him.

The take out containers are in the cupboard over Barty’s head to his left side which he made sure to push all the way back during his break earlier.

“Yeah, they’re right here,” Barty says, nodding to the shelf.

“Grab two for me?”

Barty turns back to his meat again, teeth digging into his lower lip, grin straining his cheeks. “Nope.”

There’s nothing for a few seconds, only the background noise of the restaurant, the sizzling oil and Barty’s music.

When he turns again Evan is standing in the middle of the kitchen, rooted to the spot, blinking at Barty once. “‘No’?”

Barty hums, “Yeah, ’m pretty busy right now in case you can’t tell.” He shuffles a strip of bacon around as if to prove his point.

Evan’s eyes narrow, lips twisting into an obscene little pout, “You just have to lift your arm!”

“Sorry, no can do, Rosie baby.”

“You-” Evan huffs, “Hand me the fucking boxes, Crouch.”

“Can’t,” he replies airily, shrugging. “They’re pretty high up, too,” a hum, “I might not even be tall enough. I think you’ll have to walk your devilishly tall ass over here and grab them yourself.”

“Branleur,” Evan spits before reluctantly closing the distance between them.

His amber eyes glower dangerously at Barty and he has to suppress a deeply satisfactory hum, gut tightening and blood thrumming.

Evan yanks at the handle, opening it up to the ceiling before stretching up on his tiptoes to peer into it. He lets out a grumble, presumably at finding the containers to, in fact, be there but pushed all the way to the wall.

He’s only taller than Barty by a bit, an inch or two, maybe three, which means he’s struggling to reach the boxes too.

And it’s glorious and heavenly and so very tempting because Evan’s shirt is riding up in the back and, oh god, he has dimples there. Fuck, Evan has back dimples and they’re approximately half an armslength from Barty’s twitching fingers and it really requires visceral effort not to reach out and dig the pads of his thumbs into them. Push and maybe fold Evan right in half over the counter all together. Lick along his spine and bite into his hip bones, the smooth skin of his stomach, nibble at that one little mole right next to his navel that Barty was once fortunate enough to make acquaintance with and has since rubbed one out to more times than he could count.

When the other boy lifts back down he catches him staring, their eyes snapping to each other instantly.

“Don’t be a perv,” Evan comments, giving Barty a derogative once over and christ, no, don’t do that.

Barty laves his tongue along the corner of his own mouth, collecting spit that was threatening to drool, and uses a quick hand to adjust himself in his jeans.

Evan’s eyes follow his movement, arms crossing in front of his chest and a heavy breath punches out of Barty. He can’t help it, his mind is a powerpoint of all the different things he wants to do to Evan to make him lose this put-on condescending demeanor. Glimpses of the prettiest pair of eyes rolling back, eyebrows scrunching pitifully as Barty sinks into deliciously tight heat.

He desperately needs to get Evan alone with him. “Wanna smoke a blunt with me after closing?” he blurts.

And then Evan suddenly smiles. A downright cute little thing, all coy and syrupy sweet, poisonously candid. So viscous saccharine Barty feels it immobilize him like a glue trap and he groans in anticipation of the fatal blow Evan is about to deliver.

“Sorry, B,” he murmurs innocently, clicking his head, “no can do.”

It glides over Evan’s lips all strained and faux and with the most erotic little pitch Barty’s ears have ever heard.

“Fuck,” he breathes, his semi straining so heavily against the denim it would surely be visible without his own apron.

From one moment to the next Evan’s smile falls, having fulfilled its purpose, and he gives one last snootily look before he whirls on his heels and marches away, takeout containers in hand.

Just over to the other end of the kitchen where he bends down to grab some cutlery with which he will scrape the leftovers from the plate into the aluminum containers.

Doing so, Evan’s shirt rides up again, his ass jutting out and Barty vaguely registers the smell of burnt pork as he commits the muscle shift of Evan’s thighs and back into his memory for later.

[buttercupshands]

MHA didn't create some miracle way of helping others. It was never promised to be this way. And when it came to villains...

Spoilers for manga all the way to chapter 423.

The only way to get anything in life in MHA was to be born "normal" like everyone else and that way of thinking never left Izuku with Toga getting the same treatment she did before from everyone from her family to her "normal" classmates. It was Ochako who helped Toga even if just a little by lifting the weight of all the feelings that Toga had.

She couldn't save Toga the way one could save a civilian by saving them from harm. If it worked that way Dabi would've saved Toga even before Ochako could apologize for failing to notice Toga. She was so lazer focused on saving everyone else, that she was just another villain to stop, not a human.

Even if by the end of it Ochako helped Toga to deal with her grief, acceptance as it was wasn't something possible when a quirk makes you want to drink someone's blood from jealousy.

We got a bittersweet ending with Toga, in which she probably died from blood loss just like her double did in MVA. If it wasn't for Twice she would've died back then.

Giving away her blood for Ochako wasn't a redemption or a way to save Toga in the end, more as it was her being true to herself until the very end.

Just like Twice chose to stay with the League even if Hawks offered him a way to survive that battle. He refused and died protecting his friends who accepted him instead of choosing to betray them and accept Hawks' offer.

After Twice's death... It was a matter of time that more 'active' LoV members would join him as well. As sad as it is, we now can return to Izuku.

Who, after his time OFA-AFO quirk space, now wanted to help a "crying boy" he saw in Tenko just as before with Katsuki in chapter 1. He didn't forgive Tomura and didn't excuse the way he chose to solve his problems.

It didn't mean that Tomura would survive in their battle, even if Izuku didn't see killing others as a way to solve problems. He didn't understand Tomura, but he still wanted to try, and try he did.

The rest of this post was nothing more than a contextual prologue to understand that it's not the first time a hero failed to save a villain and in Twice's case we know that he died and his death was the reason Toga started thinking about her own possible death and Dabi finally revealed himself as Toya.

The goal of saving a "crying boy" never was an end-goal for Izuku in the Final arc, since helping Tomura deal with his feelings just left him hollow with a goal that clashed with Izuku's. As being a hero for villains meant destroying the world for them to help them live freely.

But that was before AFO resurfaced.

Sadly after that Tomura who was talking about making his own choices for a while now stopped doing that. Even if he still had a goal of helping villains and only villains, Tomura was almost gone. And his goals were now unreachable.

Izuku helped Nana who in turn kept Tomura from fading away entirely. In MHA there were countless situations where Izuku's help affected people by helping a different person to keep hope, All-Might being the first one and Nana being the last one at the moment.

Hollow after Izuku helped him to get rid of his hatred Tomura could do the only thing he did - accept the situation as it was.

Accepting AFO as his Sensei, accepting Stain's ideals and Overhaul's deal was the way he solved his problems. Just like Izuku had a problem of understanding something outside of his norm, Tomura was accepting too many things, which lead to his downfall after accepting AFO's quirk.

Just like Twice could've given up everything that he had for his friends so did Tomura.

With Izuku helping as much as he could let Tomura to finally rest as he wasn't really living ever since waking up in the hospital. With his body now affected by AFO's wishes instead of his own until the end.

In a way Izuku didn't succeed in his wish for Tomura to stop ever since PLF war arc. As he "kept fighting to destroy" no matter how hard Izuku tried to stop him.

The only thing he succeeded in was changing Tomura's mind about himself, instead of viewing himself as a monster he accepted that he was a human just like Izuku said. A "crying boy" who couldn't really destroy Izuku's hands in the end.

For a group of Villains who weren't supposed to get profiles of their own at the start of the series, League is slowly fading as the most memorable group that there was in MHA, getting backstories, their own Villain themed arc all the while being as human as anyone else.

As sad as their story is they were not "unlucky", they didn't need a happy false ending where they would need to change to be normal - they chose to live this way and they lived it to it's fullest.

[togament]

you feel togame’s larger hand rest on top of yours while you’re both sitting next to each other. you look over to him and it’s like he’s not affected by it at all, scrolling through his phone without sparing you a glance. your heart breaks a little but you swear you feel his grip tighten slightly when you attempt to move away (you think he did it on accident and hasn’t noticed)

…unbeknownst to you, his heart’s already beating a mile a minute and he prays you don’t feel the sweat forming on his palm.

[front-facing-pokemon]