#I feel like we barely talk about it

[chirpsythismorning]

Most underrated byler moment goes to this. Them hugging, only to stand by each other this close, with Will looking at Mike emotionally waiting for him to look back, but all Mike can do is stand there frozen… Both suffering and not feeling like they can comfort each other any more than they already have 😭😭😭

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[xxplastic-cubexx]

🧙‍♀️🐈‍⬛

[napping-sapphic]

I just want to fall in love with someone who makes me feel safe like even when we’re angry or sad or upset i just want to know that both of us are still going to be okay

[hunkledunk]

I'm seeing a number of people defending the use of a logitech controller being used in the Oceangate sub claiming it's totally normal for heavy machinery to be controlled by such devices and I feel the need to yell from the rooftops that, while it's faaaar from the worst factor at play here...

NO, IT IS NOT ACCEPTABLE TO USE A BUDGET THIRD PARTY VIDEOGAME CONTROLLER TO DRIVE A SUBMARINE

Listen. I hear you. You can use a commercial videogame controller for a lot of surprising things. They're ergonomic, incredibly easy to use, highly familiar to a massive portion of the population, very adaptable to pretty much any system you can slap a usb drive to, but do you know what they're not?

Reliable

They're made with cheap parts and are NOT built to last. I've had to replace dozens of videogame controllers for multiple different systems and for a variety of reasons. Compatibility issues, degrading input accuracy, unresponsiveness, all the way down to plain old wear and tear. Shit, I had to replace a dualshock 4 controller this month because holding directly up on the left analogue stick would have the input wavering 8~ degrees left or right.

I watch a castlevania speedrunner on twitch who uses the Logitech f310. It's an extremely similar model to the one used in the Oceangate sub. He talks about having to replace it every couple of months because they wear down so quickly. These are not devices made to steer one of the single most dangerous vehicles humans have ever created. Let me reiterate, even professional videogame players and speedrunners don't trust their controllers to last longer than half a year at best. Not that Mango is going to be using the sub to practice his tech skill but it says a lot about how temperamental these things can be.

The fact that it's got those little dongers on the analogue sticks for more precise movement should tell you everything, really. They recognise that the accuracy of that thing simply isn't good enough. It's not even a digital input modifier like hitbox controllers have, it's a cheap ass 3d printer looking plastic cone on a third party video game peripheral. It's not a budget issue either. If they needed more accurate fine controls the could've gotten a steering mechanisms with more accurate fine controls.

There's so much wrong with the Oceangate sub that it's a miracle anyone thought it was a good idea. There's no seats. You're bolted in with no way to open the sub from the inside. All the controls are digital with no mechanical backups. There's no distress call system. There's no black box equivalent. The one porthole isn't rated for depths even half as deep as they're going. Communication is demonstrably unreliable. All issues way more likely to cause a catastrophic incident. I would be surprised if the logitech controller specifically was the root cause of this one incident but don't let the truly comically bad engineering of the sub in almost every other sense trick you into thinking that it's acceptable for such an expensive and dangerous vehicle to be steered by a device many wouldn't trust to control mario with a consistent level of precision.

[kaitobromota]

[Blows the dust off this blog] Long time no see...

Back in the Danganronpa pits... have some silly doodles for an...AU? or like, slight canon divergence/missing scene? I got to chapter 5 in my THH replay and was thinking about the part where these four are alone in the gym dismantling Monokuma all night.

I know realistically it's supposed to be because they were paranoid and extra careful about taking it slow so nothing went wrong... but like... their alibi is from 10pm to 7am? In my heart of hearts it actually took the whole night because they kept getting distracted and chit-chatting and got into a bunch of shenanigans once the actual dismantling part was done. Like Byakuya says they went to the bathroom in pairs?? Not to mention you'd totally expect him to make a comment about how insufferable it was being stuck together for like nine hours. And Hina says they played rock paper scissors to decide who brought back breakfast???

You can't tell me they didn't bond at least a little bit. A friend pointed out it'd have the vibes of a 4am discord call and that's exactly it. Emotional confessions about personal fears and insecurities to dumb physiological debates that become inside jokes forever. Etc.

[signorcerullo]

Mal's Avatar: The Last Airbender rewatch: The beach 3.05

[vitrall]

I don't think Jayce and Viktor literally died. They were kind of pulled into another dimension/astral plane/whatever you call it. We see older Viktor, and while it could be another Viktor, I think it would be more meaningful if it was our Viktor, finally free from the arcane, going through the universe with Jayce, fixing timelines together. Kind of like a cosmic mission.

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[axolotlclown]

So I finished Moominvalley season 4 and here is my review:

Of course, spoilers ahead! It's long. It's detailed. It's a bit much, and I spent hours writing it.

I greatly disliked this season, not just from one particular angle. When Moominvalley first came out, it was advertised as the first narrative-style adaptation. This would imply one concrete story that ran throughout the show. They said the story would take time and required patience, but there was a larger narrative story. What was that story exactly? In the beginning, each character was established with certain flaws that they needed to grow from.

For Moomintroll, throughout season 1, we see him struggle with his father's expectations. He never quite makes his own decisions—either doing what he's told or what other people in his life would do. In the last episode of the season, Midwinter Ancestor, Moomintroll is told by Too-Tikky to not open the closet door. Going against her wishes, he does so anyway. This is the first instance of Moomintroll making a decision for himself. In the end, it was a bad decision, and he regretted it, but it still was a big moment. We understand the importance of this journey when he changes out the picture by his bedside table. It was a baby photo with his parents; now, it's a photo of Moomintroll fully grown. This was meant to denote a journey of independence.

We see him continue with this struggle in season 2. The Hobgoblin's hat adds to the internalized identity crisis. During the lighthouse arc, Moomintroll is mostly doing his own thing, somewhat. Although, I think that cutting out his glade from the book sort of hurt this theme of independence. I hoped that they would revisit that somehow, but they never did. In season 3, Lonely Mountain, we see a sort of regression with Moomintroll. (Ignore how this affected Snufkin, I'll come back to this later.) When Moomintroll unpacks his things, we see a collection of items that represent Moomintroll's past. One of these items was the old baby picture. Aside from this episode, we don't see any notable growth from Moomintroll this season.

In season 4, we watch Moomintroll fall right back into his father's shadow. He continues to struggle to carve his own path. The set up for Comet in Moominland was promising, but ultimately did not deliver. When Moomintroll goes against his friends to make a decision for himself, it turns out to be a bad decision that he regrets later, and someone else has to guide him out of the situation.

Moomintroll ends from the same place he started as a character. All growth is erased and ignored. While this is the most egregious example—with him being the protagonist—he is not the only character that this happens with.

Snufkin probably upsets me the most, as he had so much potential to be the most interesting character in the series. In season 1, The Spring Tune, we see where Snufkin is starting as far as his strengths and flaws go. What particularly intrigued me was his relationship to attachment. We see that Snufkin ultimately fears abandonment, and he copes with this in conflicting ways. He wants to be with Moomintroll out of fear of being left behind, but he is afraid that he feels this way. He tries to create distance between him and Moomintroll in an attempt to ease what he experiences as pain. This is demonstrated further in the next episode, The Last Dragon in the World, when he frees the dragon. We see his struggle with responsibility and commitment in Snufkin and the Park Keeper.

In season 2, The Hobgoblin's Hat, Snufkin is explaining to Moomintroll what the King's Ruby is. The ruby functions as a metaphor for love throughout the season. Moomintroll imagines that the Hobgoblin must love this ruby, while Snufkin argues that he only wants to possess it. While both may be correct in their own ways, they fail to understand each other. As a result, Snufkin decides to leave Moomintroll out of fear of being possessed himself under the false pretense that he is helping with the hat (he did not). We never visit this plot point again.

Snufkin has some large developments in season 3. In the Lonely Mountain, we see Snufkin break down his walls and let Moomintroll in. He acknowledges his responsibility to him and his longing to see him. Unfortunately, this aspect of his character is completely abandoned in season 4.

Back to season 1, Snufkin and the Park Keeper, we get a flashback in which Snufkin is enjoying a party with Moomintroll until he is overwhelmed by the presence of others. He winds up abandoning Moomintroll and the valley. He does this again in season 2, The Hobgoblin's Hat, as discussed above. In season 3, Snufkin and the Fairground, Snufkin chooses not to abandon his responsibility to Moomintroll or the valley. When faced with an uncomfortable challenge, he chooses to stay and support Moomintroll.

In season 4, The Great Cold, when faced with a crowded challenge, Snufkin abandons Moomintroll again. While he appears later in the episode, it felt disingenuous to me. The original problem had already been solved. In Comet in Moominvalley, Snufkin does not abandon Moomintroll. In fact, he makes an active effort to stay by his side. But it feels strange, almost undeserved? We saw so little of Snufkin this season, and when we did, he spent his screen time backtracking his progress.

In season 3, Lonely Mountain, Snufkin has a small monologue about listening to the campfire as the sparks dance and fly. Well, the whole episode was about listening. Anyway, that was a call back to the season 1 episode, The Invisible Child, in which Too-Tikky tells Moomintroll that there are many lost souls in Moominvalley that needed to be heard. The screen then cut to Snufkin leaving the valley. It would have been really cool to find out what that meant!

His abandonment issues never really get addressed. Refusing to let Snufkin meet his father was just baiting the audience. It was also just bad writing! What's his deal—where's his lore?? Who made him like this? Why is he so afraid of intimacy? Why are basic fundamental questions about this main character being left unanswered?

It really is disappointing. Every adaptation (and the books, if we're being honest) treat Snufkin like a stoic hero. He doesn't want to be looked up to, yet he's always painted as a character that you should. This is the first adaptation that gave him flaws. He felt like a character that needed growth and time. He was never given either.

I won't spend so much time on Snorkmaiden, even though she was robbed, too. She never grew to be more independent apart from Moomintroll. In the same vein as Moomintroll and Snufkin, her character ends exactly the way she started. All of her character growth vanished in seasons 3 and 4. I love this version of Snorkmaiden. I certainly prefer it to her other portrayals. But the writers screwed her over so bad, it's heartbreaking.

None of the characters actually learn or change. Everyone sort of becomes a static character, which makes any semblance of a plot impossible to write. For the fun of it, I will try to decode a plot, anyway.

So, you're not crazy. Moomintroll and Snufkin were set up to be endgame. There was a way to make Moomintroll and Snorkmaiden endgame in a satisfying way, but the writers chose against it. It's a very suspicious backtracking that reeks of queerbaiting, but let me explain the narrative romance angles first.

I feel unsatisfied with the ending Moomintroll and Snorkmaiden got. Throughout seasons 1 and 2, they would frequently lie for each other's approval, and jealousy was a common player. They would ignore each other when someone more interesting came along. Ultimately, what led to the break up in season 2, Farwell Snorkmaiden, was the understanding that Snorkmaiden was just more mature than Moomintroll. In her own way, she was ready for a serious committed relationship, and Moomintroll was not.

However, there was never a formal conversation of them getting back together. They just sort of were? And all of the problems in their relationship were never resolved. They still lied to each other and ignored one another for something shinier all the time. It was irritating. These two became no better than Sniff in the end. I'm standing on business with that.

I'm also not convinced that Moomintroll and Snorkmaiden can have a healthy relationship after the finale. They will definitely break up again. They haven't resolved any of the issues that led to their original break.

Okay, so Moomintroll and Snufkin. Let's chat about that for a while. The first three episodes establish Moomintroll, Snufkin, and their relationship together (in that order). We, as viewers, are led to believe that their relationship (either romantic or platonic) is the key to understanding the story. Throughout seasons 1 and 2, every single motif for love (lanterns, fires, the ruby, etc.) that is introduced is done with Moomintroll and Snufkin. Regardless, different expressions of love and intimacy were the focal point of the show. That was almost completely abandoned in seasons 3 and 4. While turning the focus on the greater community could have added depth, it ultimately detracted from the close personal relationships that were driving the narrative.

So, the Groke. She does not just represent fear, she is a reflection of each character's own fears. I loved this! I thought it was a really cool concept, and the ways that she was portrayed in seasons 1 and 2 were excellent. Here's the thing. In her introduction in season 1, Night of the Groke, we are also introduced to lanterns/fires as a motif about love. The Groke is chasing love and craves acceptance. It's not quite something you can catch, and trying to is a failed endeavor. Brilliant episode. We saw what Snufkin's greatest fear was earlier in the season (loving Moomintroll), but we needed to pay more attention to see Moomintroll's fear. I think it was complex. On one hand, with the lanterns, Moomintroll could also be afraid to love Snufkin. However, as we saw at the end of Moomintroll and the Seahorses, he needs to learn independence before he can love someone. This was also reinforced through Snorkmaiden in Farwell Snorkmaiden. The fires and lanterns were constant reoccurring motifs (not just for Moomintroll and Snufkin, though that's where the focus is right now). Rewatch the season 3 episode, Lonely Mountain, and that one monologue that Snufkin gives will start to make sense.

By abandoning these important motifs, the Groke's conclusion feels unfinished. It just felt wrong. In the end, she did just represent fear. This completely erased the layer of depth that she had to start.

For Moomintroll to learn to be more independent and self-reliant, he needed to learn from Snufkin. For Snufkin to learn to accept love and responsibility, he needed to learn from Moomintroll. They were the keys to each other's growth. When they were together, the plot moved. When they weren't, the episodes felt like filler for the most part.

Also, small detail, despite the change in one photo (the baby photo to grown Moomintroll) the photo with Moomintroll and Snufkin never changed. Which narratively makes no sense.

The writers originally set this up for them to be romantically involved. Which, given the context of their dynamic in the books and comics, makes sense. It's not as much of a stretch as people are trying to gaslight themselves into believing. These characters were originally heavily queer coded. However, the original text is sort of a tragedy. No matter what happened, Moomintroll and Snufkin could never truly be together—no matter how much they tried. This mirrored Tove Jansson's relationship to her first fiance Atos Wirtanen as well as her relationship to her own queerness. However, it looked like Moominvalley wanted something different. Queer people had enough tragic stories told already. This one would tell queer kids that it was going to be okay, and that they were going to find love. Tove Jansson's original message about love and freedom was finally going to be understood.

Instead, not only was this potentially beautiful story abandoned, it was mocked. In the season 4 episode, Midsummer Meddling, there was a scene I found quite shocking. Sniff had convinced himself that he was to fall in love with somebody. One of his "love interests" was a male scarecrow. This is the only openly queer semblance of romance that we got and it was played off as a joke. In the final season. They didn't even backtrack Moomintroll and Snufkin, they just completely ignored everything that was set up.

In the final episode, Comet in Moominland, there was an incredibly brief exchange between Moomintroll and Snufkin about who looked up to who. This would have been a fantastic place to give these characters some sort of conclusion, but we don't get that. In all of the 45 minute special, the characters are never prioritized. In the whole season, even. Really, not a single character got a satisfying conclusion, but Moomintroll and Snufkin were the most important.

This is a powerful and historic piece of queer media. Tove Jansson's queer legacy was so iconic that she was directly cited as an influence in the legalization of same sex marriage in Finland. Her work proved to further the queer community. Despite sodomy laws and fear of incarceration, Jansson continued to do what she could to tell her own queer story. That is what Moomin is. That is its legacy.

I was prepared to defend Gutsy if Snufmin didn't go canon. At the end of the day, it's usually TV execs threatening to pull the whole show off the air. The show was too costly to risk any interesting writing. However, the writers didn't recover, and some of the writing just felt downright melicious at times.

Anyway, if you love slice-of-life content, you probably loved this season and the show's conclusion. It is such a shame that the creators promised something completely different from what the show turned out to be. It's no surprise that viewers are disappointed.

I do have one more thing to say ☝️😀. This is going to hurt Moomin's mission to expand to the US. It's been very obvious that they have been trying to expand to North America. Brave and bold writing would have caught the attention of new viewers. Instead, few Americans are going to recommend this show to others. Aside from that, the next logical move is to make an American adaptation. Good luck trying to find a competent YA cartoon creator that won't threaten to walk off the project if they can't have Snufmin. That being said, they'll have better luck making that canon here anyway. (Everybody say, "thank you Rebecca Sugar and Pendleton Ward.")

Well, in the end, I don't think the fight to make Snufmin a real, transparent queer story ends with Moominvalley. I can say, though, that the prioritization of profit over respect and love for others is not at all what Tove Jansson would have wanted.

Seasons 1 and 2 were peak, and season 3, episode 8, was batshit insane. That is all.

[nadia-el-mansours]

Where is their mini-series as the IAC's certified Mean Girls?

[zs-starwars]

I know it's like the silliest thing since Brandon is juggling SO much but Gavinor is said to be three by his father in Oathbringer (ch74) and then in RoW (described as a year later) he's five. I logic it out that his birthday is maybe pretty early in the year?? I guess? Because in 122 of Oathbringer Kaladin describes him as a boy of three or four. Which means the poor kid had his birthday while fleeing Kholinar, and then right after his next birthday he went to war with grandpa, barely missed a siege, and then got pulled into the spirit realm.

Side note- do we have a Stormlight timeline? I've seen some screen-grabs floating around but no big doc yet.

[py6oto]

thirty six

silly gordon. you got the age right, just the wrong person ...

2023.11.08

[barrygeuse]

s2 of arcane was a major disappointment to me all things considered. it was gorgeous and i can't deny that; i fully enjoyed watching it, but its plot was overcrowded and it completely abandoned everything that happened in s1. silco and vander's sacrifices, the fight for zaun's independence.. it was all completely undermined by the war. countless lives lost and for what? we got a glimpse of what zaun and piltover could have been, but in our timeline everyone was fighting the arcane and ambessa rather than the oppressive piltover. it wasn't about the undercity and topside anymore. it just felt kind of nothingburger to me which was disappointing considering how much the first season elicited emotion

[mangotelevision]

I needed katelyn to snap in diaries like genuinely, I wanted her to lose it in season three and leave everyone and do her own thing for some reason or another. Maybe it was for noble reasons, something akin to her own form of a vigilante, maybe it was selfish reasons. Maybe it was about the Jury, running away from her sins of the past, maybe it was to find the family she had forgotten after all this time, the family she was sure would have forgotten about her as well. I would've liked to see her and Lucinda do a little team up or something, maybe even Abby. I just feel like we didn't get a lot of katelyn lore or character development, and she was so tightly wound in that last season I think she was destined to snap for some reason or another

[owletstarlet]

Got the thing :’)